from

A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by Jos ngel GARCA LANDA (University of Zaragoza, Spain)

MARY SHELLEY

(1797-1851)

(English woman of letters, novelist and prose writer; daughter of Mary Wollstonecraft and William Godwin; m. Percy Bysshe Shelley 1816)

Works Shelley, Mary. History of a Six Weeks' Tour through a Part of France, Switzerland, and Holland. London: T. Hookham, 1817. _____. History of a Six Weeks Tour through a Part of France In Vol. 3 of Women's Travel Writing: 1750-1850. Ed.. Caroline Franklin. Andover: Routledge, 2006. _____. (Anon. pub.). Frankenstein, or, The Modern Prometheus. Novel. 3 vols. London: Lackington, Hughes, Harding, Mavor & Jones, 1818. _____. Frankenstein. 2nd ed. "new edition." 2 vols. London, 1823. _____. Frankenstein. 3rd ed. "Revised, with introduction." (Bentley's Standard Novels 9). London: Colburn and Bentley, 1831. _____. Frankenstein. Ed. R. E. Dowse and D. J. Palmer. (Everyman). London: Dent, 1963. _____. Frankenstein. Afterword by Harold Bloom. New York: Signet, 1965. _____. Frankenstein. Ed. P. Fairclough. Introd. Mario Praz. In Three Gothic Novels. Harmondsworth: Penguin, 1968. _____. Frankenstein. (1818 text). Ed. J. Rieger. (Library of Literature). 1974. _____. Frankenstein. New York: Modern Library, 1984. _____. Frankenstein. Ed. M. K. Joseph. (Oxford English Novels series). Oxford: Oxford UP 1969. _____. Frankenstein or The Modern Prometheus. Ed. M. K. Joseph. (World's Classics). Oxford: Oxford UP, 1980.* _____. Frankenstein: Or, The Modern Prometheus. Ed. James Kinsley and M. K. Joseph. Oxford: Oxford UP. _____. Frankenstein, or, The Modern Prometheus. Ed. Maurice Hindle. London: Penguin, 1992.*

_____. Frankenstein: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. Ed. Johanna M. Smith. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St Martin's Press, 1992.* _____. Frankenstein. Ed. Johanna Smith. 2nd ed. (Case Studies in Contemporary Criticism). Houndmills: Macmillan, 2000.* _____. Frankenstein. Introd. Marilyn Butler. William Pickering, 1993.* _____. Frankenstein or The Modern Prometheus: The 1818 Text. Ed. Marilyn Butler. 1993. (World's Classics). Oxford: Oxford UP, 1994. (Oxford World's Classics). Oxford: Oxford UP, 1998.* _____. Frankenstein. Ware: Wordsworth. _____. Frankenstein; or The Modern Prometheus. London: Everyman, 1994. _____. Frankenstein. Ed. J. Paul Hunter. (Norton Critical Edition). New York: Norton, 1996.* _____. From Frankenstein. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 781-97.* _____. Frankenstein; or, The Modern Prometheus. (J. Paul Hunter's 1818 text). In The Norton Anthology of English Literature. Gen. ed. M. H. Abrams with Stephen Greenblatt. Vol. 2. New York: Norton, 1999. 905-1034.* _____. Frankenstein. (Spanish trans.). Nova Dell. _____. Frankenstein o el moderno Prometeo. Trans. Francisco Torres Oliver. Madrid: Alianza, 1981. _____. Maurice. Manuscript found 1997. _____. Mathilda. Novella. 1819 (pub. posth.). _____. Valperga. Novel. 1821. (pub. 1823). _____. Valperga: Or, The Life and Adventures of Castruccio, Prince of Lucca. Ed. Michael Rossington. (Oxford World's Classics). Oxford: Oxford UP, 2000.* _____. The Last Man. By the Author of Frankenstein. Novel. 3 vols. 1826. _____. The Last Man. London: Henry Colburn, 1826. _____. The Last Man. Paris: Galignani, 1826. _____. The Last Man. Philadelphia: Carey, Lea, and Blanchard, 1833. _____. The Last Man. Introd. Brian Aldiss. London: Hogarth, 1985. _____. The Last Man. Introd. Anne K. Mellor. Ed. Hugh M. Luke, Jr. Lincoln: U of Nebraska P, 1993.* _____. The Last Man. Ed. Morton D. Paley. Oxford: Oxford UP, 1994.*

_____. The Last Man. Ed. Anne McWhir. Ontario: Broadview Press, 1996. _____. The Fortunes of Perkin Warbeck. Novel. 1830. _____. "The Dream." 1831. In Twelve Gothic Tales. Ed. Richard Dalby. Oxford: Oxford UP, 1998. 14-27.* _____. "The Invisible Girl." Story. 1833. _____. Lodore. Novel. 1835. _____. Falkner. Novel. 1837. _____. Lives of Petrarch, Boccaccio, and Machiavelli. In Lives of the Most Eminent Literary and Scientific Men of Italy, Spain and Portugal. Vol. 1. Lives of Alfieri, Foscolo, Goldoni, Monti and Metastasio. Vol. 2. Lives of Calderon, Cervantes and Lope de Vega. Vol. 3. Cabinet Cyclopaedia (1835, 1837). _____. Essays on Montaigne, Rabelais, Corneille, Molire, Pascal, Racine, Voltaire, Rousseau, Condorcet, Eminent literary and Scientific Women, Mme. Roland and Mme. de Stal. In Lives of the Most Eminent Literary and Scientific men of France. 2 vols. Cabinet Cyclopaedia (1838-9). _____. Essays and Letters. 1839. _____. Rambles in Germany and Italy. Travel book. 1844. _____. "Life of William Godwin." _____. "The Transformation." Story. In Tales and Stories by Mary Wollstonecraft Shelley. Ed. Richard Garnett. 1891. _____. "The Parvenue." In Tales and Stories. _____. "The Parvenue." In Great English Short Stories. Ed. Lewis Melville and Reginald Hargreaves. London: Harrap, 1931. 22128.* _____. Tales and Stories by Mary Wollstonecraft Shelley. Introd. Richard Garnett. London: William Paterson, 1891. _____. The Letters of Mary Shelley. 2 vols. Ed. Frederick L. Jones. 2 vols. 1944. _____. Mary Shelley's Journal. Ed. Frederick L. Jones. 2 vols. Norman: U of Oklahoma P, 1947. _____. My Best Mary. (Selected works). .Ed. Muriel Spark and D. Stanford. 1953. _____. "Matilda." Story. (1st ed.). Ed. Elizabeth Nitchie. Studies in Philology. Extra Series 3 (Chapel Hill, NC, 1959). _____. El Mortal Inmortal y otras fantasas gticas. Ed. Agustn Izquierdo. Trans. Elas Sarhan. Madrid: Valdemar, 1994.* _____. Cuentos Gticos. Ediciones Valdemar. _____. The Letters of Mary Wollstonecraft Shelley. 3 vols. Ed. Betty T. Bennett. Baltimore: Johns Hopkins UP, 1980, 1983, 1988. _____. Selected Letters of Mary Wollstonecraft Shelley. Ed. Betty T. Bennett. Baltimore: Johns Hopkins UP.

_____. The Journals of Mary Shelley, 1814-1844. Ed. Paula R. Feldman and Diana Scott-Kilvert. Oxford: Oxford UP, 1987. _____. The Mary Shelley Reader. Ed. Betty T. Bennett and Charles E. Robinson. New York: Oxford UP, 1991. _____. "The Trial of Love." In The Oxford Book of English Love Stories. Ed. John Sutherland. Oxford: Oxford UP, 1997. 9-22.* _____. Maurice, or The Fisher's Cot. London: Viking, 1998. _____. Maurice, or The Fisher's Cot. Introd. Claire Tomalin. Harmondsworth: Penguin, 1999.* _____, ed. Poetical Works. By P. B. Shelley. 1839. _____, ed. Essays, Letters from Abroad, Translations and Fragments. By Percy Bysshe Shelley. Edited by Mrs. Shelley. London: Edward Moxon, 1840. _____. The Novels and Selected Works of Mary Shelley. (2 vols. ed. by Pamela Clemit, forthcoming 1994). _____. The Journals of Mary Shelley. . Database. 2 vols. (English Letters). Intelex / Oxford UP, 2004. (Oxford UP). http://www.nlx.oup.com 2004. Four Gothic Novels: Horace Walpole, The Castle of Otranto, William Beckford, Vathek, Matthew Lewis, The Monk, Mary Shelley, Frankenstein. Oxford: Oxford UP. Shelley, P. B. History of a Six Week Tour. With Mary Godwin and Claire Clairmont. 1817. Wollstonecraft, Mary. Mary. Maria. Mary Shelley. Matilda. (Penguin Classics). London:Penguin Books, 1992.*

Biography Bigland, Eileen. Mary Shelley. 1959. Church, Richard. Mary Shelley. London: Howe, 1928. Dunn, Jane. Moon in Eclipse: A Life of Mary Shelley. London: Weidenfeld and Nicolson, 1978. Mellor, Anne K. Mary Shelley: Her Life, Her Fiction, Her Monsters. London: Methuen, 1988. _____. Mary Shelley: Her Life, Her Fiction, Her Monsters. London: Routledge, 1990.* Spark, Muriel. Child of Light. Biography of Mary Shelley. London, 1951. _____. Mary Shelley. New York: Dutton, 1987. _____. Mary Shelley. London: Constable, 1988.

St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber, 1989. Brailsford, H. N. Shelley, Godwin, and their Circle. 1913. Williams, John. Mary Shelley: A Literary Life. (Literary Lives). Houndmills: Macmillan, 2000. See also Shelley, P. B.

Criticism Aaron, Jane. "The Return of the Repressed: Reading Mary Shelley's The Last Man." In Feminist Criticism: Theory and Practice. Ed. Susan Sellers. Toronto: U of Toronto P, 1991. 9-21. Aldiss, Brian, and David Wingrove. Billion Year Spree. 1973. 7-39. _____. Trillion Year Spree: The History of Science Fiction. London: Gollancz, 1986. _____. "On the Origin of Species: Mary Shelley." In Aldiss and Wingrove, Trillion Year Spree: The History of Science Fiction. 1973. London: Paladin, 1988. 29-65.* Allen, Graham. "Public and Private Fidelity: Mary Shelley's 'Life of William Godwin' and Falkner." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 224-42.* Allen, Richard. "Reading Frankenstein." In The Realist Novel. Ed. Dennis Walder. London: Routledge / Open U, 1995. 2001. 6196.* Awad, Louis. "The Alchemist in English Literature: 1. Frankenstein." Bulletin of the Faculty of Arts (Fuad I University, Cairo) 13.1 (May 1951): 33-82. Badley, Linda. "Frankenstein's Progeny." In Film, Horror, and the Body Fantastic. London: Greenwood Press, 1995. Baelo Allu, Sonia. "El camino de Frankenstein desde la novela a la cultura popular a travs del teatro y el cine." Stvdivm 6 (1999): 7-23.* Bahar, Saba. "Monstrosity, Historicity, and Frankenstein." European English Messenger 4.2 (1995): 12-15.* Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Clarendon, 1987. Ballesteros Gonzlez, Antonio. "A Romantic Vision of Millenarian Disease: Placing and Displacing Death in Mary Shelley's The Last Man." Miscelnea 17 (1996): 51-62.*

_____. "Deformed, unfinished, sent before my time: Monstrosity in Richard III and Mary Shelley's Frankenstein." In SEDERI VII. Ed. S. Gonzlez Fernndez-Corugedo et al. Corua: SEDERI, 1996. 243-48.* Bann, Stephen. Frankenstein, Creation and Monstrosity. London: Reaktion, 1994.* Bennett, Betty T. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins UP, 1998. Bloom, Harold. "Frankenstein, or the New Prometheus." Partisan Review 32 (1965): 611-18. _____, ed. Mary Shelley. New York: Chelsea House, 1985. _____, ed. Mary Shelley's Frankenstein. New York: Chelsea, 1987. Blumberg, Jane. Mary Shelley's Early Novels: "This Child of Imagination and Misery."Rev. by Scott Simpkins. Novel: A Forum on Fiction 28 (1995): 358.* Botting, Fred. "Frankenstein's French Revolutions: The Dangerous Necessity of Monsters." In Botting, Making Monstrous: FRANKENSTEIN, Criticism, Theory. Manchester: Manchester UP. 139-63. _____, ed. Frankenstein. (New Casebooks). Basingstoke: Macmillan, 1995. Bowerbank, Sylvia. "The Social Order vs. the Wretch: Mary Shelley's Contradictory-Mindedness in Frankenstein." English Literary History 46.3 (1979): 418-31. Bradshaw, Michael. "Mary Shelley's The Last Man (The End of the World as We Know It)." In Impossibility Fiction. Ed. Derek Littlewood and Peter Stockwell. Amsterdam: Rodopi, 1996. 163-76.* Brooks, Peter. "'Godlike Science/Unhallowed Arts': Language, Nature, and Monstrosity." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 205-20.* _____. "What Is a Monster? (According to Frankenstein)" In Brooks, Body Work. Cambridge (MA): Harvard UP, 1993. 199-220.* Caporale Bizzini, Silvia. "Texto literario y texto cinematogrfico: Crtica cultural y estudios de gnero en la enseanza de la literatura inglesa." In Teora literaria y enseanza de la literatura. Ed. J. A. lvarez Amors. Barcelona: Ariel, 2004 133-74.* (Reading; feminist criticism, Frankenstein, Shelley and Branagh). Caldwell, Janis McLarren. "Sympathy and Science in Frankenstein." In The Ethics in Literature. Ed. Andrew Hadfield, Dominic Rainsford and Tim Woods. Houndmills: Macmillan; New York: St. Martin's, 1999. 262-74.*

Callahan, P. J. "Frankenstein, Bacon, and the 'Two Truths'." Extrapolation 14 (Dec. 1972): 39-48. Cantor, Paul. "The Nightmare of Romantic Idealism." In Cantor, Creature and Creator: Myth-Making and English Romanticism. Cambridge: Cambridge UP, 1984. 103-32. Chew, Samuel. (Byron's use of the Prometheus Myth). Modern Language Notes 33 (1918): 306-9. Clayton, Jay. Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture. Oxford: Oxford UP, 2003. (Austen, Babbage, Darwin, Dickens, Mary Shelley, Andrea Barrett, Peter Carey, Richard Powers, Salman Rushdie, Ridley Scott, Neal Stephenson, Tom Stoppard). Clemens, Valdine. "The Industrial Demon: Frankenstein." In Clemens,The Return of the Repressed: Gothic Horror from THE CASTLE OF OTRANTO to ALIEN. Albany: SUNY Press, 1999. 89122.* Clemit, Pamela. The Godwinian Novel: The Rational Fictions of Godwin, Brockden Brown, Mary Shelley. 1993. Clifford, Gay. "Caleb Williams and Frankenstein: First-Person Narratives and 'Things as They Are'." Genre 10 (Winter 1977): 601-17. Collings, David. "The Monster and the Imaginary Mother: A Lacanian Reading of Frankenstein." In Frankenstein. Ed. Johanna M. Smith. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St Martin's Press, 1992. 245-58.* Cottom, Daniel. "Frankenstein and the Monster of Representation." Sub-stance 28 (1980): 60-71. Cronin, Richard. "Mary Shelley and Edward Bulwer: Lodore as Hybrid Fiction." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 39-54.* Crook, Nora. "Introduction." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. xix-xxvi.* _____. "In Defence of the 1831 Frankenstein." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 3-21.* D'Amelio, Nadia. "From Paracelsus to the Motorway to Hell: Mary Shelley's Frankenstein and Fay Weldon's The Life and Loves of a She-Devil." Etudes britanniques contemporaines 7 (June 1995): 49-58.* Eberle-Sinatra, Michael. "Gender, Authorship and Male Domination: Mary Shelley's Limited Freedom in Frankenstein and The Last

Man." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 95-108.* _____,. ed. Mary Shelley's Fictions: From FRANKENSTEIN to FALKNER. Introd. Nora Crook. Houndmills: Macmillan; New York: St. Martin's, 2000.* Ellis, Kate. "Monsters in the Garden: Mary Shelley and the Bourgeois Family." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 123-42.* Fisch, Audrey A. "Plaguing Politics: AIDS, Deconstruction, and The Last Man." In The Other Mary Shelley. Eds. A. A. Fisch, A. K. Mellor and E. H. Schor. New York: Oxford UP, 1993. 267-287. Fisch, Audrey A., Anne K. Mellor, and Esther H. Schor, eds. The Other Mary Shelley. New York: Oxford UP, 1993. Fleck, P. D. "Mary Shelley's Notes to Shelley's Poems and Frankenstein." Studies in Romanticism 6.4 (1967): 226-54. Franci, Giovanna. "A Mirror of the Future: Vision and Apocalypse in Mary Shelley's The Last Man." In Mary Shelley. Ed. Harold Bloom. New York: Chelsea House, 1985. 181-91. Franois, Anne-Lise, and Daniel Mozes. "'Don't Say 'I Love You': Agency, Gender and Romanticism in Mary Shelley's Matilda." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 57-74.* Blesa, Ta. "Wake the serpent not." In El odio. Ed. Carlos Castilla del Pino. Barcelona: Tusquets, 2002. 55-80.* Freeborn, Richard. "Frankenstein's Last Journey." Oxford Slavonic Papers n. s. 18 (1985): 102-19. Freeman, Barbara. "Frankenstein with Kant: A Theory of Monstrosity, or the Monstrosity of Theory." Sub-Stance 16.1 (1987). Friedman, Lester D. "Sporting with Life: Frankenstein and the Responsibility of Medical Research." Medical Heritage 1.3 (1985): 181-5. Garbin, Lidia. "Mary Shelley and Walter Scott: The Fortunes of Perkin Warbeck and the Historical Novel." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 150-63.* Garca Landa, Jos ngel. "Introducing Frankenstein." In Garca Landa, Vanity Fea 12 May 2007. http://garciala.blogia.com/2007/051201-introducingfrankenstein.php 2007-05-31 Grard, A. "Promthe l'envers." Synthses 7 (Jan 1953): 353-60.

Gilbert, Sandra M., and Susan Gubar. "Horror's Twin: Mary Shelley's Monstrous Eve." In Gilbert and Gubar, The Madwoman in the Attic. New Haven: Yale UP, 1979. 213-47.* _____. "Mary Shelley's Monstrous Eve." 1979. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 150-62.* Goldberg, M. A. "Moral and Myth in Mrs. Shelley's Frankenstein." Keats-Shelley Journal 8 (1959): 27-38. Goldsmith, Steven. "Of Gender, Plague, and Apocalypse: Mary Shelley's Last Man." Yale Journal of Criticism 4 (1990): 12973. Gould, Stephen Jay. "The Monster's Human Nature." In Gould, Dinosaur in a Haystack: Reflections in Natural History. 1996. Harmondsworth: Penguin, 1997. (Frankenstein). 53-62.* _____. "La naturaleza humana del monstruo." In Gould, Un dinosaurio en un pajar. Barcelona: Crtica, 1997. 65-73.* Griffin, Andrew. "Fire and Ice in Frankenstein." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 49-73.* Grylls, R. Glynn. Mary Shelley: A Biography. Oxford: Oxford UP, 1938. Gurard, .A. J. "Prometheus and the Aeolian Lyre." Yale Review 33 (1944): 482-97. Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham (NC): Duke UP, 1995.* Heller, Lee E. "Frankenstein and the Cultural Uses of Gothic." In Frankenstein. Ed. Johanna M. Smith. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St Martin's Press, 1992. 325-41.* Higdon, David Leon. "'A Good Game to Play': Brian Aldiss and the Mother of Science Fiction." In Women Worldmakers: New Dimensions of Science Fiction and Fantasy. Ed. Jane B. Weedman. Lubbock: Texas Tech P, 1985. 139-52.* Hindle, Maurice. Mary Shelley's FRANKENSTEIN. (Penguin Critical Studies). Harmondsworth: Penguin, 1993. Hodges, Devon. "Frankenstein and the Feminine Subversion of the Novel." Tulsa Studies in Women's Literature (Fall 1983): 15564. Homans, Margaret. "Bearing Demons: Frankenstein's Circumvention of the Material." In Mary Shelley's Frankenstein. Ed. Harold Bloom. New York: Chelsea, 1987. 131-53. Jackson, Rosemary. Fantasy: The Literature of Subversion. London: Methuen, 1981.*

_____. "Narcissism and Beyond: A Psychoanalytic Reading of Frankenstein and Fantasies of the Double." In Aspects of Fantasy. Ed. William Coyle. Wesptort (CT): Greenwood, 1986. 43-53. Jancovich, Mark. "Science, Gender and Rebellion in Frankenstein." In Jankovich, Horror. London: Batsford, 1992. 25-33.* Johnson, Barbara. "My Monster / My Self." Diacritics 12.2 (1982): 210. _____. "My Monster / My Self." (M. Shelley). 1982. In Johnson, A World of Difference. 1987. Baltimore: Johns Hopkins UP, 1989. 144-54. _____. "The Last Man." In The Other Mary Shelley. Ed. Audrey A. Fisch, Anne K. Mellor, and Esther H. Schor. New York: Oxford UP, 1993. 258-267. Jones, Stephen, ed. The Mammooth Book of Frankenstein. Jordanova, Ludmilla J. "Melancholy Reflection: Constructing an Identity for Unveilers of Nature." In Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 60-76.* Kiely, Robert. The Romantic Novel in England. Cambridge (MA): Harvard UP, 1972. 155-73. Ketterer, David. Frankenstein's Creation: The Book, The Monster, and Human Reality. ELS Monograph Series, U of Victoria (British Columbia), 1979. Kiely, Robert. "Frankenstein." In Kiely, The Romantic Novel in England. New Haven: Harvard UP, 1972. 155-73. Kincaid, James R. "'Words Cannot Express': Frankenstein's Tripping on the Tongue." Novel 24.1: 26-47.* Knoepflmacher, U. C. "Thoughts on the Aggression of Daughters." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 88-119.* Kreutz, C. Das Prometheussymbol in der Dichtung der englischen Romantik. Palaestra 236 (1963). Esp. 136-52. Lanser, Susan Sniader. "Romantic Voice: The Hero's Text." (M. Shelley, Stal). In Lanser, Fictions of Authority: Women Writers and Narrative Voice. Ithaca (NY): Cornell UP, 1992. 155-75.* Lavalley, Albert J. "The Stage and Film Children of Frankenstein: A Survey." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 243-89.* Lecercle, Jean-Jacques. Frankenstein: Mythe et philosophie. Paris: PUF, 1988.

Levine, George. "Frankenstein and the Tradition of Realism." Novel 7 (Fall 1973): 14-30. _____. "The Ambiguous Heritage of Frankenstein." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 3-30.* _____. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: U of Chicago P, 1981. Levine, George, and U.C. Knoepflmacher, eds. The Endurance of Frankenstein. Berkeley: U of California P, 1979.* Lowe-Evans, Mary. "Reading with a 'Nicer Eye': Responding to Frankenstein." In Frankenstein. Ed. Johanna M. Smith. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St Martin's Press, 1992. 215-29.* Luke, Hugh M., Jr. "The Last Man: Mary Shelley's Myth of the Solitary." Prairie Schooner 39 (1965-6): 316-27. Lund, Mary G. "Mary Godwin Shelley and the Monster." University of Kansas City Review 28 (Summer 1962): 253-8. _____. "Shelley as Frankenstein." Forum 4 (Fall 1963): 236-57. Markley, A. A. "'The Truth in the Masquerade': Cross-Dressing and Disguise in Mary Shelley's Short Stories." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 109-26.* Martn Ayuso, Mara Isabel. "'If You Can't Have a Friend, Make One: Lucky McKee's May as a Revision of Mary Shelley's Frankenstein." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Corua: Universidade da Corua, 2008. 217-24.* Martn Lorenzo, Remedios. "The Uncanny in Mary Shelley's Frankenstein and Muriel Spark's Aiding and Abetting." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.* May, Leila Silbana. "Sibling Revelry in Mary Shelley's Frankenstein." Studies in English Literature 1500- 1900 35.4 (1995): 669686.* Mays, M. A. "Frankenstein, Mary Shelley's Black Theodicy." Southern Humanities Review 3 (Spring 1969): 146-53. McGinn, Colin. Ethics, Evil, and Fiction. Oxford: Clarendon, c. 1997. (Dorian Gray, Lolita, Frankenstein). McLane, Maureen Noelle. "Literate Species: Populations, 'Humanities', and Frankenstein." ELHi 63.4 (Winter 1996): 95988.*

Mellor, Anne K. "Frankenstein: A Feminist Critique of Science." In One Culture: Essays in Science and Literature. Ed. George Levine. Madison: U of Wisconsin P, 1987. 287-312. Miller, Arthur McA. "The Last Man: A Study of the Eschatological Theme in English Poetry and Fiction from 1806 through 1839." Unpublished Ph.D. diss. Duke U. Durham (NC), 1966. Millhauser, Milton. "The Noble Savage in Frankenstein." Notes and Queries 190 (15 June 1946): 248-50. Moers, Ellen. "Female Gothic: The Monster's Mother." New York Review of Books 21(21 March 1974): 24-8. Rpt. in Moers, Literary Women. _____. "Female Gothic." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 77-87.* Montag, Warren. "'The Workshop of Filthy Creation': A Marxist Reading of Frankenstein." In Frankenstein. Ed. Johanna M. Smith. (Case Studies in Contemporary Criticism). Boston: Bedford Books of St Martin's Press, 1992. 300-311.* Moretti, Franco. "Dialectic of Fear." (Frankenstein). In Moretti, Signs Taken for Wonders. London: Verso, 1988. 83-108. _____. Signs Taken for Wonders: Essays in the Sociology of Literary Forms. Trans. Susan Fischer et al. London: Verso, 1983. Mulvey-Roberts, Marie. "The Corpse in the Corpus: Frankenstein, Rewriting Wollstonecraft and the Abject." In Mary Shelley's Fictions. Ed. Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 197-210.* Musselwhite, David E. "Frankenstein: The Making of a Monster." In Partings Welded Together: Politics and Desire in the Nineteenth-Century English Novel. London: Methuen, 1987. 4374. Nelson, Lowry, Jr. "Night Thoughts on the Gothic Novel." Yale Review 52 (Winter 1963): 236-57. Nestrick, William. "Coming to Life: Frankenstein and the Nature of Film Narrative." In The Endurance of Frankenstein. Ed. George Levine and U. C. Knoepflmacher. Berkeley: U of California P, 1979. 290-315.* Newman, Beth. "Narratives of Seduction and the Seductions of Narrative: The Frame Structure of Frankenstein." ELH (Spring 1986): 141-63. Nitchie, Elizabeth M. S.. Mary Shelley: Author of FRANKENSTEIN. New Brunswick: Rutgers UP, 1953. El nuevo Frankenstein de DeNiro. Barcelona: Ediciones Zinco, 1994. Trans. from Gorezone 27 (1994).

O'Flinn, Paul. "Production and Reproduction: The Case of Frankenstein." Literature and History (Autumn 1983): 194-213. Olorenshaw, Robert. "Narrating the Monster: From Mary Shelley to Bram Stoker." In Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 158-76.* Palacio, Jean de. "Mary Shelley and The Last Man: A Minor Romantic Theme." Revue de Littrature compare 42 (1968): 37-49. _____. Mary Shelley dans son uvre. Paris: Klincksieck, 1969. Paley, Morton D. "Le dernier homme: The French Revolution as the Failure of Typology." Mosaic: A Journal for the Interdisciplinary Study of Literature 24 (1991): 67-76. _____. "Mary Shelley's The Last Man: Apocalypse Without Millennium." In The Other Mary Shelley. Ed. Audrey A. Fisch, Anne K. Mellor, and Esther H. Schor. New York: Oxford UP, 1993. Pardo Garca, Pedro Javier. "Beyond Adaptation: Frankenstein's Postmodern Progeny." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 223-42.* Peck, Walter E. "The Biographical Element in the Novels of Mary Wollstonecraft Shelley." PMLA 38 (1923): 196-219. Philmus, Robert M. "Frankenstein: or, Faust's Promethean Rebellion Against Nature." In Philmus, Into the Unknown: The Evolution of Science Fiction from Francis Godwin to H.G. Wells. Berkeley: U of California P, 1970. 82-90. Polanco Masa, Alejandro. "Andrew Crosse y la sombra de Frankenstein." In Tecnologa Obsoleta 25 March 2009.* http://www.alpoma.net/tecob/?p=1099 2009 Pollin, Burton R. "Philosophical and Literary Sources of Frankenstein." Comparative Literature 17.2 (Spring 1965): 97108. Poovey, Mary L. "My Hideous Progeny: Mary Shelley and the Feminization of Romance." 1980. In The Gothick Novel. Ed. Victor Sage. (Casebook Series). Houndmills: Macmillan, 1990. 163-76.* _____. "'My Hideous Progeny': The Lady and the Monster." In Poovey, The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. Chicago: U of Chicago P, 1984. Powers, Katherine R. The Influence of William Godwin on the Novels of Mary Shelley. New York: Arno, 1980.

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Michael Eberle-Sinatra. Houndmills: Macmillan; New York: St Martin's, 2000. 129-49.* Zimmerman, Phyllis. "Some Lines of Italian Poetry in the Introduction to The Last Man." Notes and Queries 235 (1990): 31-2. Zonana, Joyce. "'They Will Prove the Truth of My Tale': Safie's Letters as the Feminist Core of Mary Shelley's Frankenstein." Journal of Narrative Technique 21.2 (1991): 170-184.* Zschirnt, Christiane. "11. Clsicos triviales. Mary Wollstonecraft Shelley: Frankenstein o el moderno Prometeo. Bram Stoker: Drcula. Arthur Conan Doyle: Sherlock Holmes. Margaret Mitchell: Lo que el viento se llev. Karl May: Winnetou." In Zschirnt, Libros: Todo lo que hay que leer. Madrid: SantillanaTaurus, 2004. 237-48.*

Bibliography Lyles, W. H. Mary Shelley: An Annotated Bibliography. New York: Garland, 1975.

Films Frankenstein. 1910.

Internet resources Main Contents for Frankenstein (U of Pennsylvania) http://www.english.upenn.edu/Projects/knarf/contents.html 2005-09-21

Literature and related works

Ackroyd, Peter. The Casebook of Victor Frankenstein. Aldiss, Brian W. Frankenstein Unbound. Novel. _____. Frankenstein desencadenado. Barcelona: Edhasa. _____. Frankenstein desencadenado. Barcelona: Minotauro. Bailey, Hilary. Frankenstein's Bride. Novel. London: Simon and Schuster-Touchstone, 1995.* Clarke, A. C. "Marque F de Frankenstein." 1961. Cousin de Grainville, Jean-Baptiste. Le Dernier Homme. 1805. Jackson, Shelley. Patchwork Girl. Hypertext fiction. Cambridge (MA): Eastgate Systems, 1995. (Reworking of Mary Shelley's Frankenstein). Lochhead, Liz. Blood and Ice. Drama. (On Mary Shelley's Frankenstein). _____. Dreaming Frankenstein and Collected Poems. Edinburgh: Polygon Books, 1984. Morgan, Jude. Passion. Novel. London: Headline Review, c. 2005. (Byron, Shelley, Keats, Mary Shelley, Lady Caroline Lamb, Fanny Brawne, Augusta Leigh). Presumption. Drama based on Frankenstein. c. 1820. Roszak, Theodore. Memoirs of Elizabeth Frankenstein. Novel. Webling, Peggy. Frankenstein: An Adventure in the Macabre. Drama. 1927. Films Frankenstein. Prod. Thomas A. Edison. Film. 1910. Frankenstein. Dir. James Whale. With Boris Karloff and Colin Clive. 1931. Life Without a Soul. Film (based on Frankenstein ). 1915. Mary Shelley's Frankenstein. Film. Dir. Kenneth Branagh. Prod. Francis Ford Coppola, James V. Hart, John Veitch. Coprod. Kenneth Branagh, David Parfitt. Prod. design Tim Harvey. Photog. dir. Robert Pratt. Ed. Andrew Marcus. Costumes by James Acheson. Music: Patrick Doyle. Screenplay by Steph Lady and Frank Darabont, based on Mary Shelley's novel. Cast: Robert de Niro, Kenneth Branagh, Hom Hulce, Helena Bonham Carter, Aidan Quinn, Ian Holm, Richard Briers, John Cleese. Cherie Lunghi, Treuyn McDowell. TriStar Pictures / Japan Satellite Broadcasting / The Indie Prod. Company / American Zoetrope, 1994. Remando al viento. Dir. Gonzalo Surez. (On Lord Byron, P. B. Shelley and Mary Shelley).