Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Student: Dimitra Efthimiopoulou Comments (1 Marker) 1. Evidence of intelligent engagement with the learning experience provided demonstrating an original, inventive investigation which reflects a unique point of view: Excellent 2. Very Good Good Concern
st
Evidence of the ability to synthesise ideas and information, ordering existing knowledge and/or developing new knowledge Excellent Very Good Good Concern
3.
Demonstration of clarity in the structure and crafting of the presentation material, including movement: Excellent Very Good Good Concern
4.
Evidence of the ability to assess the status of and strategies behind processual work: Excellent Very Good Good Concern
5.
Evidence of knowledge of key issues in current practice and address them in your discussion/reflection. Excellent Very Good Good Concern
6.
Evidence of your role as artist/researcher at work, demonstrating rigorous attention to stages of experimentation in the process Evidence of excellent directorial skills in the theatrical handling of the dancers within the work Excellent Very Good Good Concern
Additional comments:
A complex film that was not very clear of its aim. The text used was very powerful and somewhat distracting from an otherwise very creative, interesting and thoughtprovoking screenwork.
70
2 Marker FOR MODERATION/ NOT FOR STUDENTS Name of 2 Marker: Dimitris Tsioukas Student: Dimitra Efthimiopoulou
nd
nd
Please rate as EXCELLENT, VERY GOOD, GOOD, CONCERN next to each criteria 1. Evidence of intelligent engagement with the learning experience provided demonstrating an original, inventive investigation which reflects a unique point of view EXCELLENT 2. Evidence of the ability to synthesise ideas and information, ordering existing knowledge and/or developing new knowledge EXCELLENT 3. Demonstration of clarity in the structure and crafting of the presentation material, including a clear thematic focus: VERY GOOD 4. Evidence of the ability to assess the status of and strategies behind processual work how particular tasks and methods were evolved: VERY GOOD 5. Evidence of knowledge of key issues in current practice and address them in your discussion/reflection and thus demonstrate your understanding and application of variety of shots, scale, rhythm in the editing process, in order to create a work that can only exist in the film medium. VERY GOOD 6. Evidence of your role as artist/researcher at work, demonstrating rigorous attention to stages of experimentation in the process Evidence of excellent directorial skills in the theatrical handling of the dancers within the work VERY GOOD
Further comments: Very good work. Dimitra commented successfully on issues of dislocation, structural and logical mutations, establishing an ambiguity between dream and reality, through the interconnection and transition of images, thus leading to the experience of a semi-psychological reality. She should work more though on the verbal presentation of her material since she had great difficulties in explaining the basic concepts and ideas behind the film. Suggested Mark: 68 Signed: Date:
MODERATED RESULTS
First Marker: Suggested mark (second marker) Agreed Mark (if applicable)
(signature of first marker) (signature of second marker) (date finalised) (date finalised)