1. According to Freud, the most important instinctual drives are: a) death b) sexual c) religious 2.

The unconscious is not the site of: a) instinctual drives b) repressed wishes c) external world 3. hat we recall with some mental effort is recovered from the: a) conscious b) unconscious c) preconscious !. The most primitive part of our being is the: a) ego b) id c) super"ego # To substitute the realit$ principle for the pleasure principle is an endeavour of the: a) id b) ego c) super"ego %. hat emerges with the dissolution of the &edipus comple' is the: a) id b) ego c) super-ego (. )uper"ego is not what we call: a) conscience b) the voice of culture c) reason *. The most dramatic staging of the return of the repressed are: a) te'ts b) dreams c) rituals +. ,ondensation doesn-t wor. when: a) latent elements are omitted b) all latent element arrive in the manifest content c) latent elements having smth in common are condensed into composite structures 1/. The first wa$ displacement wor.s is: a) metaphorical b) metonymical c) s$mbolical 11. )$mboli0ation is the translation of dream"thoughts into a primitive mode of e'pression similar to: a) graffiti b) picture-writing c) runic alphabet 12. The first form of secondar$ revision, as narrative placed b$ the dreamer on dream s$mbolism, is: a) chanelling the strateg$ of the ego b) ma.ing meaning in an act of censorship c) the verbal account of the dream 13.&edipus comple' was developed b$ Freud from )ophocle-s drama: a) Oedipus at Colonus b) Oedipus the King c) Antigone 1!. &ne of the features of the &edipus comple' for bo$s is not: a) the mother becomes an ob1ect of the bo$-s desire b) the bo$ wishes for the father-s death c) the boy doesnt begin to identify with the father 1#.The girl-s identification with the mother is resentful because: a) mother is seen as a rival for the father-s love b) the girl wishes the mother-s death c) the mother lacks power 1%. The first approach of Freudian ps$choanal$sis is: a) reader"centred b) authorcentred c) te't"centred 1(. The surface of a te't 2words and images) is regarded as the: a) latent content b) hidden desires made available c) manifest content 1*. 34isual pleasure and narrative cinema- is a te't b$: a) )igmund Freud b) 5ac6ues 7acan c) Laura Mulvey 1+. The inscription of the image of the woman in cinema does not constitute the: a) ob1ect of male desire b) signifier of the threat of castration c) signifier of the ego 2/. The first form of visual pleasure produced b$ popular cinema: a) invites scopophilia b) promotes narcissism c) destro$s pleasure 21. The second form of visual pleasure produced b$ popular cinema: a) implies a separation of the erotic identit$ of the sub1ect from the ob1ect on the screen b) demands identification of the ego with the object on the screen c) liberates women from the e'ploitation of being passive material for the male ga0e 22: The wolf-s eating the grandmother in 7ittle 8edcape is a displacement for: a) identification with the mother b) sexual intercourse c) identification with the father