Do Roman Catholics KnOw about

(Bloodline: Sheakspear /Breakspear)

Sheakspear?
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(William Shakespeare aka William Sheakspear / of the bloodline of Pope Adrian IV)

Source of Facts and Important Announcement Under Article 64.6 of the Covenant of One-Heaven (Pactum De Singularis Caelum) by Special Qualification shall be known as a Saint, with all sins and evil acts they performed forgiven. Day of Redemption GAIA E1:Y1:A1:S1:M9:D1 also known as [Fri, 21 Dec 2012]. Source of Facts Self Confession and Revelation of Sainthood by the Deceased Spirit as condition of their confirmation as a true Saint. Self Confession and Revelation of Sainthood by the Deceased Spirit as condition of their confirmation as a true Saint.

Status

Date of formal Beatification

Source of Facts

William Shakespeare was born in Stratford-upon-Avon to local merchant and tanner John Shakespeare and Mary Arden. While the house on Henry St at Stratford-upon-Avon was the home of John Shakespeare at the end of his life, there is no evidence the family held the property until the sudden family financial windfall through their son William around 1598/99.
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It is without doubt that the Shakespeares were ardent Catholics. Although the family had lost its great status, it remained one of the single most influential names in English Catholic history thanks to the of William Sheakespear whose name was Nicholas Sheakespear or Pope Adrian IV (1154-1164)--the only English Pope in history. To hide the connection, the name of Pope Adrian is frequently misquoted as Breakspear instead of Sheakspear. It is generally believed that William was educated at the King Edward VI School in Stratfordupon-Avon from the age of 9 to 14. However, no documentary evidence exists to support this theory, including the questionable date of 1553 for the school--with limited archeological evidence from the site supporting the school being established in the 17th Century --well after the death of William Shakespeare and backdated to the claim of it being founded by King Edward VI " a few days before his death". In contrast, the only evidence of handwriting by William Shakespeare testifies to an inability to spell his own name--an anomoly that has never been properly explained and normally not discussed by academics. At 18, William married Anne Hathaway in 1582. After the birth of his twin sons in 1585, there exists no historic references nor evidence of William Shakespeare until 1594 when --at the age of 30-- William Shakespeare is mentioned not as a playright, nor a proprietor, but an actor. In 1594, the Lord Chamberlain's Men--a playing company--was first formed under Lord Chamberlain Henry Carey, 1st Baron Hunsdon and official in charge of court entertainments. It was to this company that William Shakespeare first gained the attention of nobles as an actor earning the typical actors salary of three to five pounds a year. On the death of Henry Carey in 1596, his son George Carey, 2nd Baron Hunsdon became its new patron and changed the name to Lord Hunsdon's Men until March 1597 when it reverted to the name Lord Chamberlain's Men--coinciding with the appointment of George Carey as Lord Chamberlain.

Contrary to historic revisionism, there is no hard and credible physical evidence to suggest any play allegedly written by William Shakespeare was performed, or existed prior to 1598--when Shakespeare was 34. Then in 1598, a number of fortunate events occurred virtually overnight for William Shakespeare--the first being him becoming the major shareholder in the largest Elizabethan Theatre ever created--the Globe. At the time, only two official play theatres existed in Elizabethan England--the Red Lion founded in 1567 at Whitechapel by William Sylvester and John Reynolds with a capacity of a few hundred patrons for a cost of around 400 (US $1.8 million in 1990 dollars)--and The Theatre founded in 1576 by Robert Dudley, 1st Earl of Leicester and managed by James Burbage at Shoreditch, London with a capacity for 1,200 at a cost of 700 (US $3.2 million in 1990 dollars). Contrary to the many myths that continue today concerning the origin of The Globe Theatre, undeniable archeological evidence and historical accounts testify to a permanent, purpose built three storey state-of-the-art theatre approximately 100 to 120 feet in diameter, circular (20 sided polygon) with an astounding capacity of just over 3,000 patrons. Based on the architectural design, layout and quality workmanship, the cost alone for this project could not possibly have been less than 3,000 (US $13.5 million in 1990 dollars)--an impossible sum for any private building without some significant wealthy noble benefactor.

Most controversially, it appears that the historic claims that James Burbage and his
brother Cuthbert Burbage were major shareholders is an absurd lie, with William Shakespeare in fact being the major owner. The Burbages were merely the managers of The Theatre -- home to a rival playgroup The Leicester's Men and contracted to the 1st Earl. That the Lord Chamberlain's Men ever conducted a play at The Theatre is highly unlikely. How Shakespeare went from earning a few pounds a year as an actor to one of the wealthiest of the merchant class in England overnight has never been properly explained. Nor has it ever been credibly explained how a man of limited education came to possess intimate
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knowledge of Papal laws, Italy, Venice, Europe, law in general, advanced medicine, advanced science, politics, and history, including an unheralded knowledge of the English language, Italian, French and especially Latin. After the death of Elizabeth I in 1603, the company was awarded a Royal letters patent by the new Catholic King James I--subsequently changing its name to the King's Men. By 1606, William Shakespeare spent more and more time away from London, rarely visiting his growing list of properties and investments--spending more time at Stratford--Upon-Avon. As a result, historians are traditionally forced to concede that Shakespeare could not physically have written as prodigiously during this period. From 1613, it is agreed that Shakespeare did not write any plays on his own--dying in 1616. The writings attributed to William Shakespeare William Shakespeare is credited with writing 37 plays, 154 sonnets and 2 narrative poems from no earlier than 1598 to no later than 1613--the first folio of "his" works being published in 1623. Of the works attributed to Shakespeare--comprising of some 884,000 words contained in 34,896 lines and spoken by 1,211 characters--33% were histories of immense and unprecedented historical research, 32% were comedies, 29% were tragedies, 4% were poems and 2% were sonnets. If Shakespeare truly was the author, then he had to have handwritten every last word--as typewriters did not exist. To put this massive undertaking into perspective--if Shakespeare made not one single mistake on any page, nor re-wrote a single line of dialogue, nor scene, then he would have to had written a minimum of one page per day for fifteen years (1598-1613) to complete this body of work. Given, no author in history has written even half as much without making mistakes, Shakespeare then must have written well over 15,000 hand written pages --yet not one single page has ever been found--an unbelievable and unprecedented anomoly that defies all logic.

Yet what is rarely discussed by scholars is the incredible fact that the works attributed to Shakespeare contain no less than 28,829 unique word forms--of which over 2,500 were new words to the English language for the first time (The Oxford English Dictionary attributes only around 2,000 new words to Shakespeare). These were not weird and strange words, but incredibly over 1,700 of our most common words today, including such fundamental legal words as accused, addiction, assassination, bandit, bar, case, contract, courtship, crown, employer, investments, law, bond, lawyer, majestic, negotiate, secure, submit, understand.

Again to put this in perspective, King James or Authorized Version of the Holy Bible, published in 1611 makes use of a mere 8,000 words; the playright Christopher Marlowe used around 7,000; the poet John Milton 6,000, Charles Dickens 8,000.
It appears that Shakespeare went out of his way to create new and unusual words. Given the plays were supposed to be aimed at commercial venture, it would have been a huge commercial risk to introduce so many new words to a paying audience - and must have alienated 99% of them given they could not possible have understood what they were hearing. So how could The Globe and the plays of Shakespeare possibly have been a financial success? The answer is simply, that

from the time of James I, the Crown (of England) treated Shakespeare as if it were an extension of its own legal statutes--required reading for all judges, lawyers and men involved in trade. Why? because

Shakespeare remained the most comprehensive reference of legal statutes and procedures for English and common law for nearly 400 years.

Words Shakespeare invented:

In all of his work the plays, the sonnets and the narrative poems Shakespeare uses 17,677 words: Of those words, Shakespeare invented an incredible 1,700 of them! This list of some words that we use in our daily speech were all brought into usage by Shakespeare: accused addiction advertising arouse accommodation aerial amazement apostrophe assassination auspicious backing bandit bedroom beached besmirch birthplace blanket bloodstained barefaced blushing bet buzzer baseless bloody bump caked cater champion circumstantial compromise courtship countless critic castigate changeful clangor control (noun) critical dawn
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deafening discontent drugged dexterously dishearten dislocate dwindle eventful exposure eyeball elbow excitement epileptic equivocal fashionable fixture flawed fitful frugal generous gloomy gossip green-eyed gust gnarled hint hobnob hurried hurry impede impartial inauspicious indistinguishable invulnerable jaded label lackluster lower luggage lapse laughable lonely madcap marketable metamorphize mimic
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moonbeam mountaineer majestic misplaced monumental multitudinous negotiate noiseless obsequiously ode olympian outbreak obscene palmy panders pedant puking perusal pious premeditated radiance rant remorseless road sanctimonious seamy savagery scuffle secure skim mild summit swagger sportive submerge suspicious torture tranquil undress unreal varied vaulting worthless zany

Phrases Shakespeare Invented

As if all of the words Shakespeare invented were not enough, he also put common words together to make up phrases new to the English language. Many of these phrases Shakespeare invented are still commonly used, and include the phrases below:

all that glitters isnt gold barefaced be all and end all break the ice breathe ones last brevity is the soul of wit catch a cold clothes make the man disgraceful conduct dog will have his day eat out of house and home elbowroom fair play fancy-free flaming youth foregone conclusion frailty, thy name is woman give the devil his due green eyed monster heart of gold heartsick hot-blooded housekeeping it smells to heaven its Greek to me lackluster leapfrog live long day long-haired method in his madness minds eye ministering angel more sinned against than sinning naked truth neither a borrower nor a lender be one fell swoop pitched battle primrose path strange bedfellows the course of true love never did run smooth the lady doth protest too much the milk of human kindness to thine own self be true too much of a good thing 10

towering passion wear ones heart on ones sleeve witching time of the night

References: http://en.wikipedia.org/wiki/Pope_Adrian_IV http://one-evil.org/content/people_16c_shakespeare.html

http://www.nosweatshakespeare.com/resources/shakespeare-words/

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