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are going lhrough a golden eriod. They have nol losl a single malch al home - Sawai Man Singh sladium - lhis season. Their
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Yes, it was good that
was able to performer
well. t helped the team
to do well as well. We
played good hockey.
Even in the final, we
played well. But, at the
last moment, the referee
awarded a short corner
and we conceded a goal.
t was very unfortunate
that we lost
PR SREEJESH
QLunchbox has done very well at the box
office. How does that make you feel?
I am very pleased. It was a special film for
me and I had full faith in the script. Although
I had my doubts about people liking such an
off-beat film, but someone reminded me that
Paan Singh Tomar, too, was not a run-of-the-
mill Bollywood film and yet it was liked by all.
I take the success of Lunchbox very person-
ally because I had told Ritesh Batra that
this film will do wonders. I had to prove
a point.
QThere were reports that you were not
convinced about the ending.
On the contrary, I was very happy
that it did not end the conventional way
in which the hero-heroine meet and
embrace. I did tell the director that this
love story may not be taken very well
because the protagonists dont meet at all.
But he told me that this was the USP of
Lunchbox. It was a risk we were all pre-
pared to take.
QHow was it working
with Nawazuddin
Siddique, another
upcoming talent?
He is a superb
actor many times
better than me.
Nawaz i s a
method actor
who can don
many hats.
He i s
extremely
talented.
You will
be sur-
prised how
well he can
carry off a
comic role. He
is also the most
sincere actor in this
industry. Newcomers
have a lot to learn
from him.
QIs it true that you
started off on a
wrong note with
him?
There was some
misunderstanding
regarding a quote
in the media. But
we cleared the air
and all is well now.
Nawaz understands
that such incidents will
keep happening in this
industry.
We have a lot of respect for each other and
we hope we get to work together more often.
QYou are always on the lookout for uncon-
ventional roles...
I have done enough films to understand
what kind of roles suit me. I cannot pull of a
raunchy comedy. Also, I have my own limita-
tions and I am not scared to face
them.
I know I dont have the
dashing good looks to star in
a larger-than-life commer-
cial film.
I would rather do
character rol es which
define me better. Having
said that, I feel the time is
right to experiment in dif-
ferent genres.
QHow would you summarise
your journey thus far?
I have had a lots of ups and
downs. Have committed a lot of
mistakes, hurt a few
people unintention-
al ly and then
moved on. I
finally realised
that I have to
fight my way
through.
I have to
make my own
space. When I
did that the
j o u r n e y
seemed won-
derful. Now, I
am having the
time of my life.
I have finally
arrived.
Q So what
was in your
l u n c h b o x
when you
went to school?
I had roti and
achaar for 10 years.
I was very happy if I
would get parathas
instead but I know my
parents had to go
through a lot of hardship
to give me a square meal
so I never complained
and polished off whatev-
er I got.
I have never envied
other childrens tiffins.
Guess I was too mature for
that.
backpack 12 NEW DELH SUNDAY OCTOBER 6 2013
I had only roti & achaar for
10 years in my lunchbox
Ihe shaktI Ia them
S
o, what is that one power
that a lady has and a man
doesnt to get her way, we
asked...
TuRh 0h ThE ChARM
0u0TEhT:
A woman can charm her
way into or out of any situation.
She can just bat her eyelids and
the job is done (or undone)
whatever the case may be. I
unleash my charm quotient
only when I have to bypass a
long queue or have been stopped
by a traffic cop. It works 9 times
out of 10, the spunky
Chandigarh ki kudi, Neha Bagga
says. Rajji of Bani..., a show on
Colors, throws caution to the
wind too. But I dont do it too
often. You may get caught and
then no amount of charm will
save the day, she says.
TALK wTh Y0uR EYES
If you have expressive eyes,
just flaunt them. Seal your lips
and speak with your eyes. Says
who? Sangeeta Ghosh of Jee Le
Zaraa on Sony advises. For her,
the shakti lies in the eyes. Men
cant express with their eyes at
all. But a woman can do it well.
She can warn you through
them. She is not scared of shed-
ding a tear or two if
e mo t i o n a l ,
Ghosh says,
adding that she
uses her eyes to
tell people
that they are
crossing the
l i n e .
Whenever
I am travel-
ing or am at
an event, I
use my eyes
to let peo-
ple know
that they
are not
making me
feel com-
f or t abl e.
They get
the mes-
sage, she says, showing off
her expressions to convey
various emotions.
Kh0w whEh T0
BACK 0FF
A woman knows
when to step away
Toral Rasputra aka
Anandi of Balika
Vadhu says.
When I am
right, I am not
a quitter and
will fight till
the very end
to prove a
point. But some-
how women
know when to
put a full stop.
They can back
off at the right
time without making a com-
promise. Later, it is the other
person who comes begging for
another chance. With a man,
this can never be the case. He
will keep at it, Rasputra says.
She has been using this shakti to
make her script writer tweak
certain portions which she felt
were right.
Eh0uRh0 AhY
AM0uhT 0F FAh
But is that a power at all?
You will be surprised how it is
a huge plus. I have been on a
strict shooting schedule thanks
to Bani... and I have to travel for
hours to reach the sets, but I can
deal with all problems way
better than any other man.
Because a woman can endure
a lot of pain. It takes a lot of
effort to break her spirit. That
is her real shakti. I have had my
fair share of struggles and each
time someone throws a chal-
lenge, I take it up. They have no
idea how to beat me so they
give up. You should try it
sometime, Shefali Sharma,
aka Bani, says.
She tells you that the more
your ability to withstand, the
more shakti you derive to face
the world. Atta girl!
Partnors in orimo
h FkThE8hIF
WITh I8h 8E6T
Ishq knows hip hop and
rap music well and I am well
versed with Indian classical
music like thumri and sufi. So
we make quite a combo. We
have created around 300
tracks till now and we are
gearing up for many more. We
compose the scratch version
in a day but to finalise the
track, it takes months.
h ThE M8I6
Ih8TY
In India, there is no ded-
icated music industry. The
trend of albums has become
pass. Even TV channels have
limited space to run and pro-
mote a music video. Both
Bollywood and music are
inter-dependent. But that is
not all there is to music. I wish
we were treated better.
h 88IhE88 I
8IhIE8
Business in this industry
happens at different levels. If
the single is declared a hit, the
singer gets an opportunity to
earn a lot of money through
live performances. If he is
lucky he may get a few film
project as well. But through a
single we dont earn anything
much. The trend is to down-
loading for free.
Most times we have to
spend from our pocket to
make a single and present it to
a music company.
No one is buying good
music albums these days. Only
5 per cent pay for download-
ing songs. Rest make a free
purchase. I dont blame them.
As per habit, I do that too.
Although I have my album
CDs at home, I still prefer to
download music for free!
I am glad that Javed
Akhtar took up the initiative
to fight for royalty and patent-
ing. He has been fighting for
the rights of writers, lyricists,
singers and composers so that
we get a fair share in revenue
in the form of royalties from
music companies and pro-
duction houses. If this is
implemented properly, we
wouldnt have to depend on
films for making our compo-
sition a hit.
6kE 8TI...
It is one such initiative
that is promoting not just
singers from all over India but
also provides a sole identity to
the industry. The big change
has begun. From instrumen-
talists, singers, composers and
music directors, everybody
gets their due credit. This is
one of the biggest achieve-
ments for Indian music indus-
try.
Raer SRII ! seals witl SANGIIJA YA!AV
alout lis artner slq Bector wlo is a Canaoian
singer ano music oirector
Talktime
,55)$1
He is best remembered for his performance as Paan Singh Tomar but Irrfan tells you that he was as excited
about Lunchbox as he was about PST. It was a script written for him and he thinks he has done full justice
to the role. Irrfan doesnt consider himself a diehard romantic and he wanted to do Lunchbox as a challenge.
He is ready to test unknown waters now, he tells DEEBASHREE MOHANTY
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EvERY0hE
0ETS ThEM
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vAR0uS
hTERhET
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AhY M0hEY 0h
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There is a eslive
ni in lhe air and
our celebs can
eel il loo. here lo
celebrale
womanhood al a
killy arly evenl,
lhese oular
aces lell you
whal is lhe lrue
shakli behind lhe
naris. This
navralra celebrale
woman ower in
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Lalu Prasad Yadav's conviction in the fodder scam
is likely to impact Bihar politics deeply. So, is it the end
of the road for the RJD chief and his dramatic political
career? Or, will he be able to make a comeback?
UTPAL KUMAR looks at the past, present and future of
the former Bihar Chief Minister and his brand of politics
(Bihar) has a claim to be the ancient heart of
India. These days it is seen as the armpit... It
has become a byword for the worst of India:
Of widespread and inescapable poverty; of
corrupt politicians indistinguishable from the
mafia dons they patronise; of a caste-ridden
social order that has retained the worst
feudal cruelties; of terrorist attacks by groups
of Naxalite Maoists; of chronic misrule that
has allowed infrastructure to crumble, the
education and health systems to collapse,
and law and order to evaporate.
The Economist, February 19, 2004
T
ill 2005, for at least a decade and
a half, if not more, Bihar was an
unliveable place. It appeared
chaotic, lawless and ludicrously
hazardous. To be here was
outright dangerous, as Rajesh Chakrabarti
says in his recent book, Bihar Breakthrough.
In truth, however, the State had its own set
of rules and regulations the dos and
donts of survival in Lalu Prasad Yadavs
Bihar. There was a method in this
madness, which most outsiders missed
owing to their fixed notions of governance.
No wonder, for an outsider a Mohammed
Shahabuddin or a Pappu Yadav appeared
as a hardcore criminal who deserved to be
behind bars, but for most people in Bihar
they were one of the indispensable
ingredients for day-to-day survival. These
gangsters needed lawlessness to thrive, and
people needed these very unruly elements
to endure this lawlessness.
In Siwan, ironically the land for
Rajendra Prasad, the first President of
independent India, Shahabuddin was a
modern-day Robin Hood who would get
work done for the poor. Among other
things, he got the Siwan hospital renovated,
built a stadium, a girls college and a town
hall, besides ensuring there was a medical
and an engineering college in the area. As
the messiah of the downtrodden, he would
issue a fatwa to doctors to limit their fees to
C50 and set aside a day for free treatment
for the poor, and such was his terror that
very few medical practitioners would dare
to disobey his diktat. Being extraconsti-
tutional, he brought law in lawless Siwan.
Similar was the case in Purnea, where
Pappu Yadav ruled the roost. And his
presence made the difference: The
constituency would have almost 24 hours
of power supply when he became MP for
the first time just because he allegedly
threatened to burn down the power station
if there was a power cut. Brought up in the
neighbouring district of Katihar, I (like
many others) would often wish for a Pappu
Yadav-like don to become my MP or MLA.
My district, unfortunately, despite being so
close to Purnea or Kishanganj (the karma-
bhoomi of Mohammed Taslimuddin),
never had a don to take up its cause!
Its not as if no effort was made to curb
crime in Lalus Bihar. West Champaran,
located in the northwestern corner of the
State and home to Mahatma Gandhis first
experiment with truth in India, had been
the Chambal of Bihar in the late 1980s and
the 1990s, thanks to the presence of a
number of dacoit gangs. Things had come
to such a pass that an SP was put in there
with the specific order to check the rampant
dacoity in the area. This officer, in his
attempt to curb crime, took an unusual
step: He called up the heads of all major
gangs and told them that traditional dacoity
involved a lot of violence and risk for them.
With wealthy families increasingly resorting
to banking, dacoity was also turning into a
venture of diminishing returns. It, therefore,
made perfect sense, advised the police officer,
to switch to kidnapping, which would force
the families of the victim to mobilise funds
themselves to secure the release of the
kidnapped person. Less violence and, if
captured, even lesser punishment! In no time,
the menace of dacoity was curbed and
kidnapping became the most flourishing
cottage industry in the State.
Amid all this, Lalu never forgot to
forward his socialist agenda. Whenever
people would seek a good, capitalist life,
Lalu would come up with better, socialist
answers. Why do we need cars, he would
ask, when Bihar has no roads? And the
poor use (oil-burning) lanterns, so what will
you do with electricity? Similarly, when
there were floods, he would exhort people to
use this opportunity to fish from the comfort
of ones own bed! It was Lalus world and
these were his ways of dealing with issues
plaguing the people and the State.
Lalu had his way of promoting literary/
cultural activities as well. He discovered the
modern-day Ramdhari Singh Dinkar, one of
the countrys most renowned Hindi poets,
in one Brahmanand Paswan and made him
the Rajya Sabha MP. Paswans claim to fame
was that he had penned Lalu Chalisa on the
lines of Hanuman Chalisa. Then, there was
one Rambachan Rai, who had written an
article in praise of the RJD chief. The
Government introduced this piece of work
in the Bihar Secondary Schools syllabus for
Class VIII. For this masterpiece, he was
made the chairman of the Hindi Pragati
Samiti. Similarly, when one Amar Kumar
Singh penned a biography of Lalu Prasad,
Gudri ka Laal (Diamond from Tatters), he
was appointed as the chairman of the Bihar
Hindi Granth Academy. Likewise, Shankar
Prasad was made the chairman of the
Sangeet Natak Academy. Prasad was a folk
singer who had composed several songs in
praise of Lalu and his wife Rabri Devi, and
which RJD workers would often use during
their election campaigns.
IkI 8TIII IM8 IkE
Eight years down the line, Patna stands
unrecognisable. And Lalu appears to be a
thing of the past. The dinosaurian past.
Roads have improved and are crowded
with all kinds of vehicles from tiny
Tata Nanos to large SUVs. After
decades of lying low, wealth is now
being flaunted openly and the city
seems to have been bitten by the
mall bug. One finds Dominos and
McDonalds everywhere. Last heard,
a night bar has opened in the city.
And women are finally on the roads,
literally, well into the night, without
fear of being harmed in any way.
The 1 Anne Marg, official residence
of the Bihar Chief Minister, too is a
transformed place now. Earlier, during
Lalus time, there used to be a mela-like
milieu everyday. People would be seen
coming and going even in the midnight. It
would never appear like the official residence
of the Chief Minister. It was more like the
home of a big zamindar, says a Patna-based
journalist who is believed to be close to the
current incumbent Nitish Kumar.
>> Z
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