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texts and culture and the mathematical background of gnomonics. In passing, she pointed out that the obelisks at the temples were not intended as a sort of sundial. There was surely a connection with the sun and the cult of the sun. The high peak of an obelisk, covered with an alloy of gold and silver, reflects the sun before sunrise. The main function of an obelisk was, according to its engravings, to serve as a memorial in honour of the pharaoh to whom it was devoted. Only when obelisks later were moved to Rome and Paris later on, they were used as a sundial. Sarah Symons refutes Borchardts theory about the ancient Egyptian L-shaped sundial based on four arguments:
Then he calculated for those crossbars the length of the shadows of other (unequal) hours and compared them with the distances to the corresponding marks, determined by the ratios indicated in the Osireon figure. He deduced from the differences that there was a 'good approximation' of the measurement of the unequal hours. In the figure beside the results of the calculations, after recalculation (see below), are converted in a drawing. Sarah Symons also recalculated the shadow lengths. It is clear, she concludes from the percentage errors, especially for the shortest and longest shadows, that the unequal hours are not measured with a degree of accuracy that merits the addition of a crossbar.
According to the hypothesis of Borchardt the sundial should have an east-west alignment, in the morning with the gnomon to the east and rotated in the afternoon to the west. This requires an external reference for the cardinal directions, which is not always available for this portable instrument. The only tool to set up the sundial, is the plumb bob to level it. Directing the sundial with the gnomon towards the sun - the shadow coinciding with the long part of the L-shape over its full width - is the obvious method of use, to carry out without tools. Moreover, it is consistent with the Osireon text: "Then the shadow of the sun will be aligned on this instrument.
Conclusion
Sarah Symons' conclusion is: the simplest, most obvious and most easily supported theory is that the sundial is an L-shaped instrument which is portable and can b used in any place marking certain time periods. Alignment is provided by levellin it using a 'built in' plumb bob and pointing the device towards the sun. The simple relationship between the marks is a convenient 'rule' for making a sundial rather than an accurate measure for unequal hours. Adding a crossbar is a clever idea, but sprang from the need to impose modern insights about equally divided time periods to the time keeping in antiquity. Francis Maddison and Turner Anthony talk about "the over-sophisticated theory of L. Borchardt and the wild fantasies of E. Bruins " versus the most recent - and correct - discussion of Sarah Symons. Eleven years ago Sarah Symons threw a new light on the oldest surviving sundial. Isnt it about time to correct the description of the sundial in numerous Internet publications, especially in the catalog of the Egyptian Museum in Berlin.