y\\i>!

i^

.;':

THE

PIRATES
OP

PENZANCE
WKirrJCN BY

W.
Full Score,

S.

GILBERT.
OOMPOSBD BT
Vocal Gems
Music)

ARTHUR S ULLIVAN
Vocal and Piano (Words
(Selection,

Words and
SuzxiYAN. $ .25

and Mytic)
Full Score,

....
.

SnujYAir. $1.50

Inst (Piaae)
No.

Toubs.

^0
1.00

Vielin

and Piaaa.

1,^1

WomcEu

ll.2,.60J
Quadrilles

Posm

a6
.

Marche

BrilUuris

...

Baolet

.40

Ubrattt (Werds only)

25

\f

NEW YORK
HITCHCOCK PUBLISHING COMPANY
38 John Stre^, East of Nassau

OoiirriRbt, lUO,

OwDMl fey Hin

mUHMW OOMMAXT, NaV TMfc.

b7 J. U.

Sronuar t

Otk

(y^UTHORIZED COPYRIGHT EDITION.)

>

THE

PIEATES

PENZANCE
OR,

OF

The Slave
IN

of Duty.

TWO

ACTS.

WRITTEN BY

W.
McBBs.
Piraf-es
J.

S.

GILBERT.
COMPOSED BY

A RTHUR SULLIVAN.
OSLT AUTHORIZED AND COMPLETE EDITIONS, LONDON.
M. Stoddaxt

Co., bj special

and

satisfactory

arrangementi with oar English

**

poblisherg and oimelrea, have secured the exclusive aulhoritj to publish our Opera

Th

of Penzance; or, The Slave of Duty,"

may
suffer

in the

United Sutes of America.

We
01,

hereby ezpresH the earnest wish that they

as the sole publuiheri of our

no invasion of the rights derived from

work, through any attempt to put upon the market

un-

authorized editions. Wo make this request

a genei
il

for the follovring reasons:

First,

because

desire on the part of the people of both continents to

ve are satisfied there exists come to an agreement ufioa

liie

ihe queKion of an international copyright, affording compensation to authors in their literary

and

artitic

productions; Secondly, because

we

are by this arrangement enabled to secure

publication of our work under our

own

peraonal supervision, greatly to the benefit of the publie

aad oamelres; and Thirdly, because by the present contract our publications will be wholly nnbctared ia the United States, and will be sold at as low a price, with the certainty of as OTdr a olrealatinn. tr if tb<>T wr iiamed ky a number tt rival and unauthorized persons.

W.

8.

GILBERT,
S.

ARTHUR
n> i<BtH
.

SULLIVAJI.

M80, by

M. SPOOOASfT

Si

OO.

THE PIRATES OF PENZANCE.

DRAMATIS PERSON>E.
&iaiAXi>, A Pirate Chief

Samukl,

his Lieutenant
.

FttEDKRic, a Pirate Apprentice

Major-General Stanley,

of the British
. .

Army
.

Edward,
Katk, ) "'1

a Sergeant of Police

Mabel, General Stanley's Youngest Daughter

(
s

Edith, > General Stanley

Isabel, J

Daughters

I
Piratical

Ruth,

" Maid-of-all-work "

General Stanley's Daughters, Pirates, Po.icemen, etc

CONTENTS.
OvER-nmi
i

^ct
I

5.
..

Opening Chorus of Pirates anh Solo

..

,.

..

..

..

..

it ty

3 4
5

Song (/?M) Song {Pirate King and Chorus) Recitative and Duet (/iutA and

..

. ,

. .

, .

19

Frederic) ..
..

,. ..

..

..

,, ,. ..
,

.. ..
..
.

.. .. ..
.

..
,.

Chorus of Girls
Aria
(Frederic

..

.. ..
.

,.
..
. .

S5 37
4'

6
7

Recitative (Edith, Kate, Frederic, and Chorus)

..
. .

..
.

8 9 10
11

and Chorus of Air (Mabel and Chorus) (Edith, Kate, and Chorus of

Girls)
..

. .

..
. .

. .

. .

, .

Girls)

. .

, .

, ,

46
47 5* SS

Duet (Mabel and

(Frederic

and Chorus of and Chorus of Girls and Pirates)

Frederic,

Girls)
..

. .

. .

..

.. ..
.

., ..
. .

..
..
.

.. ..
.

.. ..
.

..
..

IS

Recitative (Model, Major-General, Samuel, and Chorus)

Song (Major-General and Chorus)

5^
6j

FiNAU

Am

I.

(Mabel, Kate, Edith, Frederic, Samuel, King, Major-Gttural, Ruth

and Chrus)

I
fl

Introductiow

Solo (Mabel and Chorus)

Edith,
..

..
..

**
83 84
95

Recitative (Frederic and Major- General)

..

.. ,.
.. ..

..
..
.. ..

..
.. ..

.. ..

..
.. ..

4
5

Chorus with Solos {/or Mabel, Recitative and Trio ..

Trio (Ruth, Trio (Ruth,
Frederic,

and

Sergeant)
.

..

.. ..

and King)

..

..

..

.,

..

97
tot

6
7

and King) Recitative and Duet (Mabel and

Frederic,

Frederic)
..

..

.. .. ..

.. ,.
..

.. ..
.. .

..
..
..

..

..107
..

Duet (Mabel and

Frederic)

.. ..

,. .. ..

., .. .. ..
..

108

Recitative (Mabel, ^c. Chorus of

10
11

Police)

la

13
4

.. .. Song (Sergeant and Chorus) Solo (Sergeant and Chorus of Pirates and Solo (Samuel and Chorus of Pirates) (Frederic, King, Major-General, Police, and

.. ,,
.. ..

.. ..

Polite)

..

..

.. ..
..

..114 ..117 ..119

..
..

..

.. ..

..
.. ..

iti

Pirates)

itf itt

SOMG (Major-General and Choru$ ^Pirates and

Poliei)

..

..

fY)l503

THE
Written bj

T>II1^TES OI^ I>ErsrZ^IVOE

OR.

THE SLAVE OF DUTY

W.
8.

OILBEBT.

OempoMd hj

ABTHUB BULUYAN.

OVERTURE.
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POEKK.

A rocky tea gkore on the coast of Cornwall, Rockt L., tiaping down to L. C. of stage. Under tlicse rocks is a cavern, the Pittance to which is seen utJirH entrance L. nnttind arch of roek occupies the R. C. of the stage. In the distance is a cdlm

At

the curtain rises

groups of Pirates are discovered, iome Srink

Samuel, the Pirate Lieidenamt. it going fr^m one group to another, filling the cups from a fiaJik, FuiiDEFtic is seated in a desponde^it aUitude al the back of Ou
scene, C.

ing, some playing cards,

tea,

on which a

icliconer is lying at anclior.

RuTH

kneels at his feet.

No.

1.

OPENING CHORUS OF PIRATES. &

A-J%L
^

SOLO Samuel.

MoiUrato maesioio.

Piano.

ere

seen

do.

ff

,-

-^

.-

%
8t/.

SJt y

:^

I^^-g^ j

=J-***tHid

^ o ^

K-!

-v.

</(>.

^
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I

xfi
-,
,

. ^-^.^.

^^^^
-i

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^1-^

:^

^ ^^^^ ^sS
"V
Tenors.

V:s=a

^-^

^^

m
3E

Chorus.

/
I

g
the

-^^^
pi

Pour,

King,
.

rale

Basses.

/
Pom

:^=i^

^
O

*-

*->

King,

the

fi

rate

(^^^^ 1^^^

b*.--*

-f^-Tp^: *zi*-

r3:

r^fFr

111 g^a^^s ^-^gE^^^ ^^^s^ -:^:?r^

r-r

/c^

im
sher sher
-

-fr-gly
Fill,

m
O
King, the

:a=3c

Sti=
-

m
J
-i* *.
'

<i

pi

rale

glass

\m
ry,
Fill.

yj

'-

d
glass

"

O
VI

King, the

pi

rate

^
S^
>-*

,-^*

?
'

13^=*:
-J-.

=t=^ -^
I-

-ff3=^*

-0^

r-

f'

^t'

^M-*

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*i

>

1 1

-r-r--*

^
bom
per

:j=t^ 1

^r-^

^
i

m
And,

^^
O
King,
to

^ ^
as

5^
-

a
I

'

nukr

mer

17,

Let

the

pi

nte

p~

=^=^
Aad.

-^e^
:i==t:

f
r

g|'
the
pt
-

^nr
mM
bum

-r

'

^
1^^

KiDf,

to

make

smt

if ,

Lm

pa

pa

^^
?S^
*
J

.-rnr.

^S

rt|*rfrr^

*i

*
I

^^
^-1 5l
1^

^^
i

=y=^F

Samuei.

Foe

to-daj

oui

Pi

rate

'Pten-tice

^gr
j^^ ^
j
i

j53^ CTT^

^^
ri

tea

from

y'

,j

;^

14

^m
da
-

w-

--

:Sc=C

'

T^-

^
U'i

It

S
Pi
-

T?"^
bow
ia
-

tare freed

Stione

hia

vnt,

tod

keen

aU

tcxoX

is

mte

(Uedl

^
S

Chorus.

^3^
good
lack
to

^
Fred

*
- 'ric'i

j^*- :W==
ven

=5fe

Heie'i

tares,

Fred

'ric't

out

of

his

in -

den

taret.

^^
Heie'i

r\r
good
luck

u
to

^^^
Fred

r
Fred

'ric'i

u
in -

s
dem

^^
j

.^

r^

i^S3PEfE
-Jt

'ric'i

ven

tnres,

out

of

hii

tuci.

.jj_i_llJZ
-

^
-*
1-

-i

J^

-t-L-t-

W?

^
,

t>

fete

^
r
i
-

IE

Sam.

KqF

r
Two

e
uid
-

r
twea

t-u^^e
ty

:3?=He
ris
-

cr
lone

l
he'i

t
it

It
la
fly

aow

he's

ing,

And

m "^

rT^~m ^ ?r
1 ^

?=3^

^ ^^^
1

Ff3

H^f34
^^^

! :^H^-4b ^ 3

^=^^

i ^3

^m

i^

<5
CMeftvs.

P
*E

fe
Here'i

^g
good
luck
to

5-r

^i

1:

r^u f
i

^^
^^^^S Pff=r[

^~T^~t^^

1~~u

il

s ^^3^
Fred

*iiri;2z*z
ven
-

y^r
Fred

F=^
out
of
hii
In

J
Pour,

r
King,

s
the

'ric's

tures,

'rtc'

den

tore*.

^
pi -

ntc

m
Fred

:j

g #^-g=
ven
-

=J!t=t
'ric't

^^
Fred
-

Sauuel

with 1st Bass.

S
ot
<A
hit
ia

^?=-^*den
Poor,

s
O
Kin^

fe
the
pi

s
nX

turea,

'ric'i

^ ^r-i TH=r^ ^ e m
r>

-0-

c
^-

^^
F=f?
the
pi
-

^
thet

*.

^
rate

^
;

<

^D

^^ ^S
-c
to

^
tte

H ^^
ry,
Fill,

^
O
Kiof,

m
eUnl
And,

^
O
King,

s^
make

aer

^^

ry,

Let

? f
i

f f>f ITf Ljir

i

r-t

-i'i;

iii

i-.f^^

pi

nUe

buir

per

pau

^^
pi

-ff5"

bum

^
I
t

k"
per

rate

paa

-Ck fe
2:z:

^
i

f r
,
l

'

^^
^=^

/"j

^
1

t^^g^
(Fkederic
rises

<

Cunarder or cutting out a White St&r never shipped a handspike. F^ED. Yes, I have done my best frx you. And why ? It wa Kino. Yes, Frederic, from to-day you rauk as a full-blown my duty under my indentures, and I am the slave of duty. As member of our band. a child I was regularly apprenticed to your band. It was thrmigh All. Hurrah Fkederic. My friends, I thank you all, from my heart, for an error. No matter, the mistake was ours, not yours, and I Wa$ your kindly wishes. Would that I could repay them as they in honor bound by it
wtio enters scuttling a

ani >ms forvard with Piraie King, from R. U. E.)

iserve!

Kino.

What do you mean 7

To-day
I

Samuel. Au error ? What error ? Fred. 1 may not tell you. It would renec* upon my wc!l-

Fbes.

am

out of

my indentures, and

to-day I leaTt loved

Ruth
(Ruth
eomet dovon C.)

/ou for ever.

AuL

Leave us 7 Fbed. For ever KiWG. But this

Ruth.
I

Nay, dear master,

my mind
.

is

(]ait

unaccountable.

A keener

the cankering tooth of ray?ter

has long been gnawet! by Better have it wit at once-

hand

at

No.

SONG Ruth.
Ruth.

jJiNO.

^^
lit

-^
proved so break - ers scope of

brave and
al
-

3^5=i^
-^r
da
-

"r~r
His
fa
I
I -

^^
did hadn't
ther thought catch not the face he'd the to re
'pren
-

-p-r
tice

tie

lad

our
jrond

s'ry
all

maid.
doubt.

He On
The

ring,

him
-

To
Through

ways
dis

steer -

ing
ter;

And
But

word

a
to

right.

this

as

turn

my

place,

And

^
#=T
3=*=t:

^
r^

5:

^^=^
3=t3=t:
=t)-

^=^=^=3=

l=

F^^
so
i".

v^
tome
be break
ca ing
it

*
-

*
a
-

zijlas
!

reer

hard
to

sea of

far

ing. ing.
ter.

hear

Mis

was, tak

his
in
is

ing
s'ry

my
maid

nur stmc
not

s'ry

maid.

And
With
-

fell

to
-

tions,

which
fraid

in

my
you

brain

my

mas

OUT

Of

what

peo

did pie

i ^^^=^
my
gy
<all

-m m m
lot

w-J

m - *p
pro- mis- ing pro- mis- ing as go

-^^m

'

* =w=
\h
lot
; !

w
A
A
And
;

i?

t
-

To
I

rate,

take took
I

and

bind

the
this

work.

So

made

and bouni up my mind

to

boy boy a kind

Ap Ap
Of

pren pren
-

tice

tice

to to

Pi

rate

pi

ra

- ti-

cal

maid

of

all

work

18

b:s9

^^
.

life

not
-

bad
lake

for
it

i
.

har

dy
tr.

lad,

Though

sure

ly

sad mis
Ihot
is

was
find

how you

cake me now

And doom him

mem

ber

not to of

high vile a your shy

a

lot.
lot,

Though
I

I'm

bound him

nurse, to

you might
a

Pi

lot,

\STiich

you wouldn't have found

had

he

Than do worse rate you ! In been bound Ap

RcTH. (Kneeling at his feel.) Oh pardon, Frederic pardon Fred. Rise, sweet one ; I have long pardoned you.
!

Fred.
orphan.

Then, again, you make a point of never molesting an

:

(RuTa rises.) Sam. Of couree we are orphans ourselves, and know what The two words were so much alike! it is. Frf.d. They still are, though years have rolled over llicir Frkd. Yes, but it has got about.and what is the consequence I> lioads! (B.UTU goes up teith Samuel.) But this afternoon my Every one we capture says he's an orphan. The last three sliipa obligation ceases. Individually, I love you all with affection we took proved to be manned entirely by orphans, and so we unspeakable; but collectively, I look upon you with a disgust had to let 'em go. One would think that Great Britain's merRuth.
that amounts to absolute detestation. Oh pity me, my beloved cantile navy was recruited solely from her orphan asylums, which friend.*, for such is my sense of duty that once out of my iiidcii- we know is not the case. {Crosses A'.) turcs I shall feel myself bound to devote myself, beart and soul, Sam. But, hang it all you wouldn't have us absolutely
!

Ruth. And Ruth, your own Ruth, whom yon love so well and who has won her middle-aged way into your boyish heart what is to become of her' be right. King. Oh, he will take you with him. KiiNO. \Vliy not, my boy? It's only half-past eleven, and Fred. Well, Ruth, I feel some little difficulty about vou. Ii you are one of us until the clock strikes twelve. is true that I admire you very much, but I have been constantly Sa.m. True, and until then you are bound to protect our in- at sea since I was eight years old, and yours is th>e only womaL ,
!

your extermination. All. Poor lad poor lad (All weep.) King. Well, Frederic, if you conscientiously feel thatMt is your duty to destroy us, we cjinnot blame you for acting on that conviction. Always act in accordance with the dictates of your conscience, my boy, and chance the consequences. Samuel. Besides, we can offer you but little temptation to remain w;th us. We don't seem to make piracy pay. I'm sure I don't know why, but we don't. Fred. I know why, but, alas I mustn't tell you it wouldn't
to
!

merciless

Fred.

There's

my

difficulty.

after twelve o'clock Iwouldn't. delicate a situation?

Until twelve o'clock I would Was ever" a man placed in so

(Ruth

conies douni C.)

face I have seen during that time. I think it is a sweet face.' All. Hear! hear! Ruth. It Ls oh, it is Fred. Well, then, it is my duty as a pirate to tell you that Fred. I say I think it is that is my impression. But as I you are too tender-hearted. For instance, you make a point of have never had an opportunity of comparing you with othu never attacking 3 weaker party than yourselves, and when you women, it is just possible I may be mistaken. ftltiwk ft stronger party you invariably get thrashed. KiKO. True, Kjng. There is some truth in that. Pbd. Wbt B terrible tiling wmild he wero

Itrcsts.

it

if

tii

mwiy

Ij9
tilts

innocent person, and then find out that she

!

is,

on the whole,

keep thy love!

Fred. King.

(Hands her back

to

Frederic.)

plain

very well very well indeed. ttie remains of a fine woman about Ruth. Fkd. Do you really think so? Then I will not be so .selfish In justice to her and in consideration as to take her from you. {Hands Ruth to King.) for you I will leave her behind. King. No, Frederic, this must not be. We are rough men, who lead a rough life, but we are not so utterly heartless as to deprive thee of thy love. I think I am right in saying that there is not one here who would deprive thee of this inestimable treasure for all the world holds dear. All. {Loudly.) Not one! king. King. No, I thought there wasn't. Keep thy love, Frederic

KiKG.

Oh, Ruth

is

S*.M.

Yes, tliere are

You're very good, I'm sure. Well, it's the top of the tide, and we must be oti Farewell, Frederic. When your process of extermination begins let our deaths be as swift and painless as you can conveniently make them. Fred. I will. By the love I have for you, I swear it. Would that you could render this exteruiination unnecessary by accom panyiiig me back to civilization King. No, Frederic, it cannot be. I don't tiiink much of our profession, but, contrasted with respectability, it is comparNo, Frederic; I shall live and die a pirate atively honest.

No.

3.
Allegro moaerato. moderato.

SONG
.^. .^ --

Pirate King
^

& Chorus
i^T*l

.^*
'

i!t3:

^'^'\r'^
\

Piano.

t^h t,-H

\^

ir

UT yr-^

X=T *

j'H-^3jj:^^g:g

King.

.^-^H^-^ H^
1.

|pB!::Cz^-^i^zr=:^^ =^H^
-

Oh,

bet
I

ter
ly

far

to to

live

and

2.

When

sal

forth

seek

my

die prey,

Un
I

der the brave black

flag

fly,

Thau)
;

help

my-self

in

roy

al

wcy

^^^^^^^
(^^
^i
play sink a a

-0

?=feEi^3=5
sane few
ti

*
Wilh a
pi
-

:S?=
r:fte

^
head and
rnon

mo

nioqs part
it's

more

ships,

true,

Thnu

well

- brec)

a arch

pi

rate heart to

ought

do

i^VW^^F^^^^'*^^^^m

Xo
=^- V-vA
-

U
first

J
Where
If

way

to the
-

cheat

ing world
a

Biit

ma

ny

king on

go you, -cliiss throne,

he

-J
pi
-

-x P*K ~r" J. J J-t ^i*-

^
I

J%-^

U
well
-

J
-

f^i=gi:
-

C:aS
to
-

rates

all

wants

to

call

are his

to
his

do.

But
-

crown

own,

Must

Ml man

be age

true

the

song
to

sing.

And

live

and
ty

die

some

how

'get

through More

dir

"

work
d^

than

i^
m

W:
\
Pi ever

Jf^=^
-

B
I

a tempo.

0'

^^
am
a
Pi

e=ai
-

1
King

l?=:ti:

^
it-

rate
I

King,
do.

''

rate

And

feli

-^-^
fit-

=i ^--'^

'

'

Li

r-<

ha

>^

-' ti

'

=*-

^=g

^^
it

-A

r*=3E*^S3:r

3^
.

^
-^
a
Pi
-

-$-^^$^ litriit

lil^^S

1^ Us,

-*(is

-,-=

pT'f
thing

-f-

jf ^pz
rate

00-X-m
1

^tjrmz

glo

rious

to

be

King!

....

For

am

"a

Pi

rale

^^S

^=#1:

^^

^^^^=^^

-^-"h-^

5^^^

zr

2.2.
Bui-H. It 18 a delicate question to answer, but I think I aj Song, the King, Samuel, and all the Pirates, except Fredand Ruth, go off R. and R. U. E. Frederic comet a fine woman. Fred. That is your candid opinion 7 dou-n C, foUoived by Ruth.) Ruth. Yes I should be deceiving vou if I told you otheram left if I I cannot live Ruth. Oh take me with you ! wise. behind. Fred. Thank you, Ruth, I believe you, for I am' sure you Fred. Ruth, I will be quite candid with you. You are very would not practise on my inexperience. I wish to do the right see, You dear to me, as you know, but I must be circumspect. thing, and il^ I say, t/ you are really a fine woman, your ag9 you are considerably older than I a lad of t\veuty-oue usually (Shakes hands vrUh her.) shall be no obstacle to our union. looks for a wiie of seventeen. distance, "Climbing otwr extreme the heard in You will find me a wife of a (Chorus of girls R'JiH. wife of seventeen See entrance of girls.) rocky mountairts," etc. tl ouaand!
.J
fit I

Efiic

No, but I shall find you a wife of forty-seven, and has ventured to Fred. Hark surely I hear voices. Ruth, tell me candidly and without approach our all but inaccessible lair? Can it be custom-uouse quite enough now. reserve; compared with other women, how are youf No, it does not sound like custom-house. Ruth. I will answer you truthfully, master I have a slight Ruth. {Aside.) Confiision ! It is the voices of young girls 'old, l)ut otherwise I am quite well. If he should see them I' am lost. Fi;ld. 1 :ini suriv tor your cold, but I was referring rather Fred. ( Climbing rocky arch R. C. and looking off L.) By Compared with other women, are all that's marvellous, a bevy of beautiful maidens to your personal appearance. you beautiful ? Ruth. {Aside.) Lost! lost! lost! Ruth. ^Bashjully.) I have been told so, dear master. lovely, how surpassingly lovely, is the plainest Fred.

Fred.

Who

tliai is

How

Fred. Ruth. Fred.

Ah, but

lately

Oh

of them

years and years ago. But what do you think yourself?

no

Ruth

Ruth

What
told

grace what delicacy what refinement me she was beautifiill

!

and

No.

4.

RECITATIVE &

DUET Ruth
Frederic.

& Frederic.

=3=ei
Oh,
Cahe

one

you

have

de

ceived

me

-*
Piano.

jr-

^^
RlTTH.

Fred.

&erg=c-g;g-j^^
I

-P
Yes
!

ii
<1e
-

S^^
me
I

1 tempo.

It
You
told

i^^
me
you

have

de-<xived yon

ceived

wire

I -g

A
,

o tempo.

j --^
j

^-m

-P

>^f 3?"~TBfti*
P

i-=i^r5i^ TiO^

S^

i
Ruth.

--

m
bir
as

Fred.
r

^r^ m
gold
t

^T^
mas
tcr.

is
so
?

And,

am

not

And

now

see

you

re

^^

m
w
plain

Ruth.

Fred.

m
and
old
I

1:
sure

^
I'm
not

*
1

I 'id

jot

to

Up

on

my

in.

DC

^
RlTTH.

!^

-n

^
not
the

^=^
to

Fred.

ir;
face
is

cence

you

play-

I'm

one

plot

o.

Your

lined,

your

Ia^

iii -^

!_S^
n

M-

^^q

"I

V
*-^*

V?
-^

^^
r" I ^
I-

m
is

Ruth.

^^
^
gra
-

B Fred.

:^=n

^'==r
wo
-

hair

grey.

It's

du

al

ly

got

so.

Faith

less

man

Si

-^^Ir-d ^"^^^ ^:3zd^rteg;

'

^1^^
'

R=K= ^=>i^^^^
I

>

si

^=
I

w~
-*

m.

^E

> 1

-^=1=^1
!

Ruth.

?y~y~

t2:=t
de-ceive

E^
me,
I

-*-l
who
trust
-

F-

i
Mas
-

-j{

rler.

ed

ter,

mas

^tr^^j^^' -^ tg^ig^^

^ZT:j:3^^3:raEfeg^^iEg^^iE^3=jq=g^:^5rj3E^
-:S.

:*.-

a^p=3^-F^f^"=f^"^

.^

^
do
not

24
Fred.

JtuTH

^^
leare

me.

Hear

gol

Faith

less

wo

man

Mas
i

er.

m
j

:=;_,.

X :to-

"i~^"~rT^3^

J
-^^i^

"^H?"
1

LlJ
1

.1

_ Qgi

:*

:3*-

g-ff-f

v^.^^,,^-

=f-^^'M-*
*
|

f
-j

-^H-^-^

?^
:^*=^
Fred.
^1

^5-^^
^
p*i
me,

5=l^i.

^^
ter,

J
ter,

^
do
not leave

^i3-J-JW
do
not
leave

e
Faith
less

wo

^
-

mas

mas

me,

Hear
)

me
!-

tfaith
-

|s

(
J

J
less

^
-

rp J_J^ J
ceive

man.

wo

man

to

de

me,

who

=^^^

?=?^
1
i

'-^F^ '^n

1^1 * ^"=3=-"^-^ ^ "-^ .^ss*-^^

m.

^ m

*^ m
\

^
I

<

m-

(A?.

gjE ^^p
^

<l
I

1
J-

1i^

^=T^-^-^- :jrrii J
;
I

IJ 1W:
s^

it*r -H

fe
fc

ut=l 1-

S*v

-^^

^ r

f Tv

^^^
gol

-1

:i==i; J
mas
-

J
do

jnot

:t^leave

Mas
-A

ter,

'er,

me,

Hear
-\

me
1-

ere

1-

3c==if
trost

^
Faith
I

J
wo
-

J
man
I

J
to

-* a^ -J
ceive

J
I

Jwho

ed

leas

de

me,

-d

j ^--

=!-

^a^
s
1

V i ^
'-^

r^s^ 5
-I-

^^
.io.

i
-

r
^

* ^
-J:

^
^?=
trust

^. H

:A=m^

^
I

smtn

tv:

im

f^^

-^
--

-titt

go!

^
ed
so!

Mt^
-f*

--

M^U^^^p^jf^^
,
:^:

^m

^^^ ^^

^=-.T:fc=:

25
Ruth.

iHfc

<"

J-

-^_love

y
Oh,

^^
do
not

^
be

,
re
-

,
jecl

,ing
!

^hs^E^^^
Take

My
AnOantt.

with- out

re

fleet

ing,

i WEikL

^^

>

:$:

> * **

iSl -

:S:

T W^ ^^^^ip^^i^
-rr

fc^ ^i^
been
ac
-

cxfc
cu

^
-

-=v^sum
-

^
mars
se

=^=^
-J

W-

K--

t^5*
se

mu

la

ting

ven

teen,

sum

loers

ven

i ^t7
--

i=f
--

9-

i^-^-rr^t

-*

'-

'

^531

:S=t--

ak:

^
1
I'

E Ruth.

g^? ^^
be

:*=(?:

=Ci?
Cnosh

^^
dis
-

ii
as

Don't,

lov

ed

ter.

me

with

Fred.

i ^
i r=3=3= f

-
Yes,

^-^-^
for
-

*
mas

^^IJ*
-

i^-

-4JjM*dis
-

your

mer

Sives

vou

from

ter:

-^^--

fesE^ 5^

'.

-*^-

"=-*-'-

r:

-^ o

>

ti

!I^>'

^^

^^

^=

26

i
In

E*3^t
ting

-m-

^1

-l

.-grr^
for

P
se
-

Has

been

ac

cu

mu

la

ing

ty

ven

year

T=^
If,

:^J=S ft s-f^ -y -s^

as you are sta

ting,

-^

:^fc^=5=5=X ^ ?-*-^ ^S* ^ "1 -*

It's

rg

-r
-

i
-

been

ac

cu

mu

la

ting

for

tjr

ven

zt=C^=t

i-T

I
1

^
eS^S^
TT

eiiiH;

a^Ei^

^ ?^
for
-

rfci?

^EE
E

AlUero vivace
=1=

ty

se

ven

year

taU.

i^
;

fcfe

^'F^r^
I

hl/JL^--

^=r:
Faith-less

^==I=J=
wo
-

=1=1=^:
-

=e

^p^
, =
1

year

man

to

de

ceive

me,

who

trust

Allegro vivace.
-I
I

Ei^eE^^
P

iq^3crF

M
-

S":rrv^

1=

K-r;^

^
-^
tr

B^^

-I

'

ere

seen

do.

I-

-I

L.

-^^-

-JW
JIS-

5=S*;
1

1-

J>

^^=^
Ma3
ler. -4

=r:

^
-

era.
"

l-

I-

i*j:

J
ter,

>^>>^

me.
-I

dr
Heai
1-

mas
-J

do
1

noi

leave

me
-U f

ere

(-

^
l=r-

t^^^ I

-^
faith

Jless

J
wo
.1

^
-

^
to

,
de
-

j^--^
ceive

man
-4-

me,

who

ed

&^-^^
p
{
'

lti^=X:

-F--

-*i

P^
-P

'

ere
I

i-

-J

scen^
1-

''-

-do.
-y
--X

^1>

r-*-=ji= 5^
s*-

Jl

m-

13*:
+(it

-^

^ 1^-^

-F

<^(

//le ('/t(/ /(c

reiiouHcts her,

and

tslie

(joes off Ji.

despair.)

m
go!

^e
Recit.

fe5^
S-l^-tlf-

Fred.

'

1^ tr
shall.
I

What

do?.

Be

l-t.-.^.^

^^-#-

~S^.

*fore

^
these

J
gen -tie

z:i=--^=
mai
dens
I

>

sq

S
-^
dare

|i

js

K
in

not

J
show

K 0this

1>>

f*-

-^
-^

i
Nc

larm

ing

^os*

y tume

m ^
nr-^

./

b3*

1*

over tht roeJa (^Midts in eave as Otey enter from R. and L, climbing al L. o/Oie stage and through arched rock B.)

No.

5.
-^

CHORUS OF
%va.-~

GIRLS.
1^^^^ jt *^se:
<L

Allegro grasioso. T r *-i

*i^,*^ -^

Mamo

p^^^^,
f-h fe^ssfe^
I

m-^-*

m m
J

\\

'

<m

ver

-*-!

Chorus.

-^^^-aL
Climb-ing
o
-

>

=^=^=^
3!t=rtc
rock
-

-Sr-^-

nszrsTTSS"

:*=*=:*|SL=
Skip-ping
ri

9
-

^
and

^
foun- tain,

^^^M
lows
1:

y
'
'

moun-tain,

vu

let

Pas-sing

where ihe

' '

"~
i

"

'

'

f
I

ij

^
1
I

Str

m
1
stiz^
roll

t:r=i=
-I

s=e=^s^
"^^

m
^il
-

'-

-?-fS^

::'5^=S:

:--

Wl
qui
ver,

E'^
the

Pas

sing^

where

lows qui

vei

By

the

vei

ing

ver,'

^i^
<
tfl

5=s-;--?='=i
==

"

it

:5:

.3;

P^^
^^!C=tcr^gt:=ER
Swo)- len
with
the

sum mer

rain, the

sum

mer

Thread-ing

long

and

leaf

ni,\i

es
ii

t 3
:
^

b-i -J-.--J
1 1

?-"# -*^ -

^
1

'

-1

^^^ ~
J
.g:

J ^.5:

:i

*9

u=^
Spot- ted

l^S^^^^^^^^^
with

na

nura-l)ered dai- sies.

Spot

ted,

dot- ted

with

un- numbered

dai

sies.

2^

M W^ w
-t-

-t-

^fc

^m
-

t-

-"

^^e^

^^
-!*

&s^
:j=5t
the
bright
sea

tr
Scat
ing

^a.^^
rough and
rug
-

^
-

J !2f,
iht

mm
har
-

P-

:S=:t2=
-

lg^z=U:
lassies,

ged

pass

es,

Climb

dy

lit

tie

Till

^E^
mS^a^ I
shore

::=:S;

^^
=^B
-

m
i

333q
k _fe^j[ljg:
har
-

if

^^-0they

gain

Seal

ing

rough and

rug

ged

pa^^- es.

Climb the

dy

lit

tie

las

sies.

fe=?

^^^^^I^^^^^g^
c

irni^ i::^-

=^ ^-3= 3^5

^
Se

cfcfc
Till

g^^^^T
the
bright

g
-

sea

shore

P^^^P^^i^^^^^^^
f=^fS=^-gT*

30

m
9
P

Eatm.

^
Let
us
gai

^^U^-^-^ly

*
Make
tbc

tread

the

mea

sure.

^s^^^^
i^^
^
of
fleet

=^^?-

^^
H

^^=*E

?-*
itzzit

=1-

g^g^^^g^^^^Eg^F^^

H
sure

-r=

'^^ r i6=tr=t
t?
I

^^^^^ ^^

^1
plea

?^^
il

ing

Hail

ai

true

al

ly.

?-^-^

=^=^
Chorus.

:S=W=:^-=:i

^
ly,
.
.

:=fc

Though

it

per

ish

bye

and

bye,

Hail

it

as

true

al

Tho ugh

ii

'

Mzi

?E3EffES:

2^-^=^
Edith.

--^^=^^=&

^
per
-

=Jc:i
=i?i

^^
bye.

^^P^^^
mo

ish

bye

and

Ev

'ry

menl

brings

Irea

sure

Of

m
own
es

'-^

^^^^^^

iS^^
_^
*

rr-3-^ ^s

^^^^^m^
-

^
*=^.

pe

cial

plea

sure.

Though

the

mo

menis

quick

ly

die.

^^^^^^j^:^T^^^^m^
j'^^

^rT^'^S^^'"

F"I^B'"^

-^

fly

Chohus. /

yHH^ i

-p
Though

i^a^^^^s ;?=t2=^'^
1^the

=t=t
-li*

t^-" t^
gai
-

> ^ r :tzzrt2=3t:
ly

~W
fly!

mo

mcnls quick

ly

die,

Greet ihem

as

Ihey

4,

*^l !-!^S,3--

.^-__JW

p_

,JS<

^
4=

:^il=
-J.

^
vel.

H
Solo.
.

Kate.
-9^a

i
-7^:

3^ :Sr^
Far

:^from
toil

way

and

care,

Re

-e-fl
*^

H
-^
yO

b=e=S^*--^^|^* ->^
ilJzzqr-^l
-J''

tr*

'

-te

-*-

-Jm:^r=md

?-*

?>
S=

^-

^m
J2!::

bir

^^L^

^^^^

fe

2*1

::95t

:2*i

1^=:=^
=^^
^^S=

^
if--

^^ling
in

^^3^S
Mere

q^
and

::sJ-

fresh

sea

we

live

reign

lone.

SiS:

gl
&*^

-^7*-

-^^

^^

~<

::

:6:

32

I^
rock

*=tol
y
<ln,

*.
Far

^*=^
way

S
-yfrom
tal

men.

WeTl

be

^
t,^

1-

-"^

"7^t?-*-

-"nr<r

-M^
^5

-yj-

a^

^S^^
b

3^^=^
!>-

i^
s
-

:-

:^3=

"^ ^ ^

1^

r:

n*^

^
Queens
and

^
make
de
lliqr

^^^
may
hon

-^-^ir
them

who

Is^
tHz:

^i^

n^n
J!

3*'-^=^

&i^5

*
1

P*

:;*

?^-

^-^

^ ^
K
please.

-<ia-

=5*=

:5iC

:S^

e^

1^~
/ Chorus.

^
=5^3.^
We'll

=9SQueens and

^.^^ C:.
make
de

^-^>may

=5^
hon
-

fa=
our

be

crees.

They

them

who

please.

E^ =^?3sapS^=^f^^
\

^^'JS

*Z

5l
if
I

^l^f
ifek
I

=?:;

-JUKI

JJ^gE

^ff^F

*
I
'

SE

ifit

:B*:

L TmM. /_

rfe

?
Ld
' # ^*F 'J'>f
ti
I
I

::J=^
tnad

n
the

n
mea
-

J
nuc.

gi

ly

Make

the

moit

^m
m+r-T-

n^ r4^^ rrrr^r^
cJ

^151

irfc

f
"C^

iJtrird:

=^^

=^^

f CJ

ffc-

'

cJ

C^

^^^

^
I
?eS 5^
tfc^t

'CJ

L^ 'U-f:d

<^#

5^
ish

E
It

'f
a

J:
^y
:f=t

E'^
al

bye

ad

bre.

HaU

ly,

-^
i

J-iJJ^-L-

fe

^
cJ

it.
"s::^

bg'

^
'cJ

^ ^

34

.^J^.J^

cJ

'

C^

C^

^
)"

fe=e==e:
i*

,^.
?"
most

^
fleet -

~5

* >
the

?=

^
ing
lei
-

^^^
sore,

^ S
al
-

Mftke

Hail

it

true

I7,

trae

i-

i>U'

m
ly
i !
i

i'

i-k

ff
Ped.
:t=

l^s;

j-fat?"-*
F
P
im
\

LJ

*
1-j

^-r^

^
1

*-

*-

i ^M

J^"
'I

-5.
I

^:ff-:^i
'

""
I
I

=S^?=^=^=&

ij=t

^T^nTS
t

^-i.^
r
'^

r^^ ^^
J

?^

^M

^^ 1

Kate.
Edith.

Edith. And who can't be said, strictly, to aet foot anywhen ever bo fer behind. Taib they may, but feet they cannot. Isabel. Oh, he will be here presently. Remember, poor Kate. But what shall we do until papa and the servanti papa is not as young as we are, and we came over a rather dif- arrive with the luncheon ? {AU listen and come doivn.) ficult country. Edith. We are quite alone, and the sea is as smooth as glass. Kate. But how thoroughly delightfiil it is to be so entirely Suppose we take off our shoes and stockings and paddle ? Why, in all probability we are the first human beings All. Yes, yes the very thing alone who ever set foot on this enchanting spot. {Ti<y prepare to carry out the suggestion. Tfiey have all taken oj I8AB]!:L. Except the mermaids it's the very place for merfne shoe, when Frederic comes forward from eave.)
I

What a picturesque spot I wond where we are? And I wonder where papa is? We hare left hiiB
I

Kate.

Who

are only

human

beings

down

to the

WMSt

maida

No.

6.

RECITATIVE Edith,

Kate. Frederic,

& Chorus.
Freix

Rxcrr. Frxd.

Chorus or Girls.

Piano

Ump

$
i

^E^
but >

3s

moderate.

Epm.

~rzr

EC
\

-m=r.

J r
wiu.ci.

^\

Uinn

ing

cos

tnme,

duty to Inform you that yoor pcoccedmgi

"*"

f
i

^
*
nat

s*^

i ^r
who

n
^

are you.

1^ F=Ri^
I

^
f
r
^

m
^
I

Fkzd.

Zhosus or GiuuL

Recit. Fred.

:e=S: ^ ^ ^
-

J
Pi - rate.

<4' J''r

?
rate
t

=?sp=^

^'09Z
Ladiei,

Sir? ipeak

am

Pi

*=ic
*S=

^
hor
-

^
TUi

ror

io

not ihna

K'T

^3E

3*

m
V-'

^ ^
A
.eve
-

An4atUt ma^trmu.

J
I

ning

re

nounce

my

rile

^ ^^
pro
-

fei

boo;

And,

3^^

^
=F^

^^=p=

^
to

tluU

end,

^ O
1

pore

mi

peer

=?=

<

^
-

^
lea

^t

^^5^
I,

-fjT
:2^=U
Mce
of

qt:.-:^
bout,

In

^
-

Edith.
-

5^ r^r
u
-

fr^'

(fl^''

^ SkS=S
pi
-

plore

joat kind

sut

ance.

How

^^ ^
ti
ftil

Kaik

his

tale

How

(^
1

$
^

5
-te3-

1^
/
I

'

-K

-^r

[^

^5^
icz:

CjioRUs or Girls.

Ko.

7.

ARIA

Frederic

& Chorus

of Girls.
Fred.

s ^
Andante.

s
Oh,
is

t
there not ooe

J!
Which

mai-den breast

PUNO.

=^

^
doe* not
feel

the

^
mo ral

li

i^

U
in

^
te rest
I
I i
i

TtZTW
Sob -or
i

^ P=<t
din
-

bean

ty

Of
J

mak

ing worldly

ate

to sense of

i -^Hj J J~j^4ii^j ar^r-i-

J1

'I

II

- T^ i J J^ jr^ J J55^^-^=iF^-.Sr:^
S^
7SZ

^ H

^^ ^

Uy i^ I
dn

52=52

^ f
'

-y

IT

ty 7

o Who
=I=f:

would not give np

'^

will - ing

ly

All

ma

tri -

e
mo

r
nial

=
am

^
bi

^
tion.

'gg

i^fe^

t==t
*Hll

Sa
# *

>n

#^ 5^
OCh

^^m=rrS^^^^^
Ul

fA

''\^ J
li

;
tion
!

>^l?^=g=f?=f
From
thii
)

ODC

From

his

on

for

tti

nale

po

iMf;

S^
Tt -9
-<0-9\>^

:gi^>v

> -:^ :S:\^ .^

^r

j=j=l^^
W^

* ^Z-^Sr
> 1
r

:^^

S^?
ra//;

^^
fi^

-^-v
?2I

-^
tmp.

ost:

^^
g-i-r.^ u
I

^ ^
^
I ";

^
ttoo,

^
to

1^

m
Jtl-

=^
hit

r~!-

^&,* p^
on
- for
-

u
::?:
to
-

cne such

an

i?^
^t^
'1

^9=i^

It

PP doUe.

^ ^
^
crett.

one

FroB

atte

po

#:f f f f
4li^
EIS
=y^==P=

.!^!=g-rT-^

H*-

-r

=&:t
f Chorus

i2d:

^^^^^{^ S
tion
I

^^
op Gikls.

^
one

>
^^^=^
Which seems

-4tU"
l*"

^
to
feel

g:
-

^
bean
-

Us,

there's not

mai

den breast

the

mo

ral

ty

^^ ^^
:^2:|c

:i=it

J J J

^^
Jf^

-r-*mak

^
iD( world-ly
ia

kzz

J'
Sob

^
-

d
din
-

:?i=^ J ^ f- =ff==F
ate to

^^
du
<

l- rest

or

sense

of

^
Fred.

7)

J-

s=r
r
i

^ i

&

i^
eaM'd

^
all

=?=^
y
hope
t*

s
Of
'

^
e
-

39

I I

^
-

1
fee

gig"
To
such
!

f
an

toneIf

5^

S miiJ:.ir i iilliriiUii if~r

!

to

dis- ap-petr

TCT win-ning man'i af

tion

-T~~r

* *

rC

-t-

^5 ^ i^^
;J^
snch
t

^
lo

r-^^S ^

=^

HHm ^ ^ ^^^^
S^
How
on me.

^
:?c=^
:tz=)fc
-

J2i=

-'^H^

^
f=dl_i-^^

^
there be,
1>>

^
I

swear

by hearen't aich a

rf:

^3N-I^
If
jroa

liove

yon.

will cast

your

eyei

^W^ ^^ t

::^^=^

t4r

^^b>-*- -7

-5-

-JViW^

^tt
^

nt/f.

^
^=f
^f\>\>f

^^
:M=

F^-u-v

^^a
J"
be,
I'll

^
yon
1

^
be.
If
(

o tempc.

^>
you
will

I
your

Ter plain yoa

How

<

rer plain yon

cast

^^^ ^^:
^fi^
W>c^
(^)P
t

^1

rJ

'

i
:M

?t,

C
eyes

^ raern:
on
me,

^
\^

^ .:^'
y
be.

* y

^^ ^ g=f^
b

/.

How

Ter plain yov

111

love

yoo,

^m

^^rj^P^ ^^^
i"
. .

loTB

...

yoo. Ill

loe,

I'U

love

^ ^?1,

^4^

J^

^*
^

^^ ^^^E^

^
Girls.

^-^
q
'

rt
1^
-5^
-*:
Ij*-

^
^^^-^-r-J-

Chorus or

dim.

^^^^
I
I

^ ^
i=r

-^

-^---^5^

-*-

3=3 J # ^

-J-J-J-^^

AfaderaU

^^e k

f
ti*

!>

r ^

1^

5^
pi-ty's

^-W
name,
for

:^fsz

"^r
t^

rr ^
b

tp^

m
has gone

Oh, sis -ten, deaf to AfodenUo.

shame

It's

true that

he

^
j^^?b ?B^
fr

?ff=?2:

iBtt
but, pray,

sa ^
5t

>^-riQp:;

-t?-^
good and true

g
why you

V^r ^^
^rI I

Chorus.

stray,

Is that a rea- son

should

all

be

deaf to

pi - ty's

name ?

The

question

is,

had

^
<
If

PP
p

--

~^^^~br:

1^

^
da- ty
?

^^
Mabkl.

^
For shame

^.

>>

jg^^j^-^rgsj^g^

^-r;^
_f

be not been a thing of beau-ty, Would she be sway'd by quite as keen a sense of

for

shame

for

shame

-=2:

aiE

*
I

"i"^

_(

41

No.

8.

AIR
Ttmpc
di Valu.

Mabel
^

& Chorus.

m ^ ^

Mabel

^4 ?=
Poor

^^=^
wan
d'rinf

a
ooe.

.t

(*-

^
Tho' thou hast

?^
nuc
-

^
* j^
1t*-

ly

ttnye<}.

as
PtANO.

Jt=4
1

^
1

f'
I

^
1

i
-7J-

5*
j^g
f
*

^^J
1
I

**
eJ
-

^^b'.n J"^

i"

i*

T^

>

f-

H*

1^
(*-

5t :?=Hg=
j )

1"

f=

i"

=p=^

i P
ir
'

^i^^^
Take
heart
of

-y

re
-

^
trace,

I-

^
Poor

<r

*r

pmce.

Thy

itepi

waa

d'ring

$?2=P=

^ ^
'^

'

-*-*

tlt-tll'ii
F f

'

.^
-<H*-

e^.t' r

^
A
i^

^
one.

rail.

li=^

<"

o tempo. g>
t

W^=F
Poor

>

g
rf

^
(Dcb

*
love

^
at

2a=

wan

d'ring

one.

poor

mine

i^

i^

-p

1^

* *
,

* *
o
*

"*-^
t
(

* *
-W

^^ * *
^
g^
t
f

^=x
5:
:5:

j=t= ?^ 1 i 3r*^ * *

^ ^ ^ ^.S
*
I

r ^-t=:^

1-

j'P'

^ r
|*
|

-J|

"
>

P'

& i
=!^

i-

^
find
I

PyTrae peace
of

caa

help thee

mind,

why,

^
take
it,

-t
it

s
is

^
thine.

mm
r

ji ^ -^

J^-^ -*-**
^-

^
p-

^F^ ^ ^
I

=^

:S:

^^

-f

p-

-^

p-

-r

-*

^
I*-

n-

<

=^=F^ g

43

==^2:g.

^
Chorus.
Tmke

'

II
'

-I.

I!

^-^C

M^S
:

M^^t
J

M^ ]

=^

^3

(j^
P=^

^
bean.

r
1

i*

p*
I

=f=
;

'

t-

Bo

<Ua

ga lowen
^r-,

=^^^ p

Tke

heart

bot

oon.

^m
g

pg^
i
$t?=t
Tak*

fcl^i-r-i-4 ^
heait,

V W ^
{ui

a S
I

0^
f-

ii
I

S g f f i=t pi^^*
, I 1

^ ^

^-f 1

; y ^
J

i^T

/;- -f

-=r

Mabel.

r-

rday*
ril]

S
Take
a

i=^
ny
heart

=P:^C
take

thine

mine

Ah

FF^ ^^^^^ =r
^j^~^~i^
I

4
t* F

U
1

c
1 Phs:

H 3B= "i F
"5

^s-

-fr" -^ -;

"

^
"

'
'
I

<L

FJ=^ ^^
'
V^
-

^^^

S^
Ahl
!

1^
Aht

r*^*-

&
Aht
'

:t

vT^
-#2-

\m
I

-^^W
-

fe Vt
<]!.

-K-^nr

B
Poor

i
P^'' ^
J

^
wan
-

a
d'cing

r
:t

^3^
hast sore
-

one,

Though thoa

ly

sUay'd,

* *
*^
I

a ^-^

=!=4

* *
*

I *r
F
r

*!

*l

"3E

3Br

* *
:p

m^
^
tJ

'f

P-

^
f
r
=p^

-P

P-

-p

p-

p-

^ ^
tt-^iqc

^
It

J
heart

r
I

#
I

s^
re
-

-r

r
Poor

'

i~Tr
P-

Take

of

e^ace.

Thy

steps

trace.

^
d'ling

3=t
-p

f*^
p r

S=S:
TT
p-p

-P
dSalr:

-^^

^^

p-

^
-p

p-

-^

*!

^
t^

-p

p-

:^=^
Ah,

S
ah!
.

-p
ah!

p-

one

Ah,

ah,

S^ m^
fc^

Chorus.
-p

pd'ring

-p

*
one

pPoor

-p

p-

Poor

J
I ,
I

wan

d'ring

14-

^1
J
*
I*

-fey-

^
^
r

m:^

g^
^
Ah.
ah!
.

m
^
. .

^
Ah,
ah,

f
ah!

P^

^
Fair

*
days

d
will

-P
thine.

PTake

^ P^
one

-P
I

P-

^g
Take
heart.

-P

P-

9<S^

Take
%va.

fe^ y^

-r

-p
thr-

p-

m\ *

V
1

5r-^ ;
I

^
1

-->^-:f^

-^ r^ r

1^

i>

r-

a,\*t f f
I

^
4
1:

44

0-

.^

r
1

.M1

-^

f
I

r~"]T~7~r"g

boirt

^^

:t

M
a I
,

,J

.1

>

rr

-1

^-

r
^.
-0-

:f=^
t,c-.t.c-.h -i^^^'i-^i^I'^'

<

1.

^b^r
tzte
TT'

^ ^ .!^-U-^4^^ ^ ^ ^-^ ^.>_^4^

:i^

l^ >-

=tz ^^ ^

t^

i:^

>>

>!

U
>>

, ^

1.8-,^

f ^=M '^i'^ ^ =^=^

M=

MM. ^
I

f .ff .T
i

^-^
Chokcs.

r^~^r
Take

'^^ ^^=^
fikc

"^
I

^
F
!

^
F

l"^^"^""^

heart

p^ C?'-?

-^
ny

3
heart
I

Take

*
bat
*

i
our
bj^-

^ I ^y

"

=F

^^
>^>r

r T 3

*-

r iT
-

^
I*

^
F
heaitl

y T

^
^
1
1

t.,f J ^^ t,f 111

=
'

'

52=
-1

'

^A-

* A
r

i:
I

::f=f^

^
F
Take
1

^
F
1
'

(i

^
Take

m
1H_=

1
'

*i

1 -^^-=^

1
'

"

"

*!

*
^^

f f

"^H

m ^
$

Eo

^
dan
-

ci
gg lowen

S
nj
heart

^S
t
>nt

I
oars.

ger

Take

^\^

1*

M
I

ti^'-4-^
9
-

#
=F=

^ ^
^
i

y T ! H
I
I
i

^
%
heart.

"il-r^

ryi
ahl

.^

Syi
I

-r-ar

S ^t^ ^
i

:?a=

Ahl
-(

1^=^
Take

Ahl f
^S^ Take
lit a

pheart.

F-

take

rj: ny

i
la

ittEt
heart

but

^^

^
-

^t4jH

-^

-tar

*->^^-,^g -= =g _^T~^-r-^-r
aai aia

''!

-t

-^1-^BifaBBha

B^
i^rr
s
-^

r t
it

cadenaa ad

^i nr
^
lit.

y
5^

^^i
I I

Take

bout.

$
s

^
tmn,

Take

heart.

^ P=i=^ f
:J; :S^

^ ^ ^^1^^^^

rf

rfrff

^^f--^ t
^fg^^?:
1

sg W

J^Ped.

^^

5i

-^

^ ^ ^

JttS
f r

^^
=P=F

^^
1

0-

^^=y

(ALaak. mud thaoi gn

tc

mtnUh

of emoe

bmkam

itr litttn, wh

/trm

l^ mkA eowoortt. b^rm in a Bemieinh around her.^

No.

9.

Edith,
AlUgrttU.

Kate.

& Chorus of

Girls.

i^
PUKO.

Edith.

lit ?E3^E
What ought we
to

^
do ?

r^^r-^

^
i^ J
'

^
^
? "

i 1 1
staccato.

?^

d
^
-

iK^^j^^ m
Mjs we ongbt
to

f*

^
-

^^^^^^^ ^^ ^ ^ S ^^ ^^ ^
lizp:

gen

tie

ni

ten,

my

Pro

pri

ty,

we know,

4=F

-|^

i*=f^

sttr:
at

3gz,^^f-^F

itay,

While sym

pa

thy

ex-claims,

" Free them from your

te - ther

Play

-p

ff

i #

^^
o
-

ther garnet,

&=>^

P ^

=E=H^

fee

:V:

^
=^=^ ^^^^
day

gg:::=p::

w^ ^^^
Leave them here

Kate.

^^^^=^

^^s-ge
-

i i^ ^
Her
case

?
may
a

f#

r y'

^ ^
my
dear, or

to -

ther.'

ny

Be

your*,

s*

^ ^
'-rl^;^

-^~

^
S
J^..^
her

^ -r-H: i ^=^ ^
K.

umpre

staccato.

^
r

^^ ^
miaei

r*

:ja:

:*=JS bJ^ ^ j^
Let
ni

.J

1-

pci^SC
Our

^
not

fs

S W
lea
-

S
>
ther

Let

make her

hay

while the

nin

doth hine. hii

com-pro-mise,

hearts arc

of

^=^-^y

1^^
M
ihjrt

^
.;
-

-^i^j

^j

,i'
T

uj

tJ_>j-jLi

^
1

^MM-^
,
.
.

^^S
onr
eyei.
\>t-

Chorus.

it*:
And
talk
.11.

bot the

kt_

wea-ther.

I^_

^T'

Yet,

..

"^
a

yet,

let't

talk

bout

the

wea-ther.

-''
I

4.

'

^-^
*f^T3=

^5^

fe^^

(&XTH, Katb, tmd girU

<Ar, in

rttirt mp,

and tH

ttae

<md Um, fmemf mm*

/wirfh.

tine

aeroM

the doge.)

(OaATT^ase OoaanB

(dyrinf

mAmA FssDtf^ Mabbl

lO.

a
10.
''

DUET

Mabel
1

&

Frederic,

& Chorus of

Girls

AlUgro

vivace.
Jt.

^
How
M. M- M. .^

!
1

Chorus.

.tL

Jk.

^ ^ M. ^
H

M.

^
*-

beu

ti

^^

ly

blae

the

iky,

Tb*

r* P

PlAMO.

'

i\
'
'

^
gUu

m
if

f^

>^

hi
ing

N
tc
-

h
ry

>
high.

m
Con
-

lii

nae

fine

hope

it

may,

And

yet

it

rmin'd but

yet

ter

day

To

&

^;^=^^

^
A

S
^
^

:i

i
^E5
1
I

i EE
C
^
!

gJ)g/

^
s

>l

^^^
S

^^^
N

(i ^
tf

f
Bor
-

f*

*>

y
it

J
may
ponr
t
-

m
w

^
hear
the coon - try

1^
wants some
rain),

fy

h
pie

-ji

r *kaow

^
not why, That

row

fmin

(I

Yet

peo

ay,

m^

^=^=i^.=f.,=fw=i-^^^^^=^i^ ^ s=fe ^3

i^g"T^

&-r^^
pen
pie
say,
I

^
know
not

^-1^-c
we
shall

^
warm

^
Ju

?~Ji^^r-j^
ly.

why. That

have

To

mor

row

may

Se^

|'*g_^
I
I

A
*g

^^ ^
- -

{.Dwiny (Aw

the firlt continue their chatter pianitMnmo,

in(f

^M

-^
*5
-s-S,

eagerly

aU

the time.)

>I

V
I I

n*~^'
des

:p=

?=:

^
h-.
-r
-

Did

wake

From

dieaaa

of

I ^ o~^ ^
l^izKi
poui
a
-

Chorus.

</.>.

^
>
,

>

^ > K 3trLzM=*r
I**

^^
^

^
rain), Yet

>

>

>

m
I

^
\

^^^^-^^ h h h ^ dsmS m*Sm\^iim

h
\

gain

(I

hear

the coon- try wants

some

peo-ple say,

know

not why, That

we shall have a

warm Ju
-s-

ly.

^^
P

1^^

^
r

:a.

S
ing

^ i ^^^
ifei

!trt ^
du
-

It
her

u zt

^
light

:
break

socb

-1-

^^
^ ^ ^ ^s
:&&
"
'^
i
,

ty

To

&nd

day

With

ex

ceed

bean

^
-

ty

^--1

-hl-

3!=1=

VrXr^S-

'

123

3^ ^i
-

'

s^
g<-

5
>

-P

1-

=(=:
Did
e

SE ^
er
mai
dcB

n g ^^
=?==F
J
etfiie

'>^^

^
wa
king

g=

^
oa

Her

eye*

J.

J
I

J *

ii:j^ j

.^^|4-jgt^fe

i 3^
-J-

^
=?=
To
dream
of

^=i

^
r
aad
-

J~^

ness,

s-*

>
oeed

^
-

such

ing

glad

aea

P
m
j <,
'$ff

Fred.
-I*

C
za:
yet
t

^
ak,

zn

Ah,

yes

Hub

^^
ex
-

<

'

oeed

^P
ing

^
glad -ness.

^=-

i^
'How

Chobus.

c
z:

*=r ^-*- i^aF

I

fF?

2^ ^.

a
-5
.

^^^f

i.{A^#^ ^5^

^^

(Frederic and Mabel turn to see that the girls are listening; detected, they continue their chatter, forte.)

m^^^^^k P
^beao- d
-fs

?c=Si I^^fcHi?
is

.j^' j'j' g
l

T^'^^fiS
nae Adc
I

^i
jet yet
it

i
rain'd bat

i
i

^
^

fui -Ij

blue the skj,

The
J^
'

glass

ris -

ing

we

rj high,

Con

ti -

hope

it

may. t.

And

^
-

-i^-^

Js

p
i

?.,

l Ci^i ;i^^ C^c-,|e^t^ig,t,

|
i

l==i^
yo-

Ji'; J'l.; J J J J ; / 5^- js4^ J^y^T^- J

l l

-^I
I

r :^
f

Icr-day

To

mor-row

it

may poor a-gsin

(I

hear the coan-try wants lome ram),Yet

pco-ple

My,

know

not why, That

^^
m^i,
'

i\^-^--i\-^

-^

ix-y

j-^

i-h-i

-^

il"^

i*^

J4ji_^3:^^

"

^^
3t=lt
^
:

5c=n=

^
d ^
ii

^
d z=i ^ utit? ^ ^
.
.

^
k
.

^^^ ^K^M^^^M^^_^^*
t^

"^

* *
a

^ *
-tL.

^-

^
I

we

shall

have a

warm Jn

- ly.

To

mor-row

may pour
-g
I

gain

(I

heat the coun-trr

wants some rain),Yet

peo-ple say,

-^

-^

^^m
I

g g-

g
I

s
!

s r-

a,^^# jLztz

jlilEg^^
rr
^.

^tt-T^-

5=

^i

r.rrFr.rrr

---*.

^>t.^.4^

rr-t-t-

-0L

^.
|

'^

t"t-

Jt^

M-

I luring

tliis

the girls continue their chatter, pianissimo, as bejore,

but listening intently all the time.)

^
^ j
i

Frkd.
,

^1,0,
dun.
fcft ^

J
Did

iJ -J-U^jver
pi
-

J
rate

^"
m
Hi*

roll

i^^-a-I-

^ s
p

x^
.^

?tc
know not why.That
we
shall

>

It
have a warm July.

vnr
it

>

>

-^

^
(I

>

->r>-:S:3:

1^

^
rain).

To

morrow

may

pour a-gain

hear the country wants some

^
.

'

--

^
'

'

! 1

'

1^

tT

=3ja

'

"^

to

*-?=?"#'

r"

ioal.

in

gidl

ty

dream-

ing,

ABd

wmkc

to

tmi

that

1^^

^
f

y^i
f^
C
^

J
-'
'

CJ J a r
I

H&

^ ^^

Hwl

Wltk

O F^
(

g
J

za:

r^

^ p^
S<
'

:?=

Chokub.

^f^-pTf-*iJ^-f-*-P=f

>

'

;i.

'

a
>
fine
I

m
fine

m
S

j^
re
-

'"Jhigh.

r^

h
it

^
may,

^^
And
yet
it

ry

Con

ti

nne

hope

rain'd

hot

yet

tei-day; Con

ti

nue

1 *

=5=^
i

J S4- * ^^'=^^= ^^\

-
i

11

^-

5 ^:
l

^ Z:
l

i
^

^ Z ~ 8-

l-j
i

~j1^
p
i

'

5F5=

^
f
F F

V^^
wake
FroiD
loathed

Mabei.

I
i

i i
f*
f

PDid

rfIF^
mai
-

den

Fred.
WDid

^^
How

=X(=

i f

^
hope
.

^
It

">
And

^^1=^h
yet
it

.N^

/J
ye
- ter -

j^
day.

^^
bean
- ti - fill

P>

rate

For

^-blue

^
the
iky,

i^
The
glau
ii

may,

rain'd bat

ly

rii -

tog

I^Wf^jtf^ ^ ^ ^ g
ITpt

,
l

ii

fh
ra

i ^
Tsr

3Z

3"

51

59^

n
dreun
.
,

'

:2a:

^=^^^
iy

^
i

ol

home

da

ty

To

fiad

r
sake

>
r
his
hi

ir
mil
-

J
nan

:?=

^
To
find

)t

deooi

? h
hiai

-^^
ry

*Vy*

tr

high.

Coo

ti

ue

fine

hope

it

may,

And
''
'

jet

it

rain'd bat

yet

- ter

day

To

mor - row

it

may

^
!

^5
g,!

g^

I 3^
-<

f
E

&
?;
lieht

i
*&
'g.

day

ffi

?5^ r

^
lelf

break

With

inch

ex

ceed

Ing

beao

?=

I*

l=

ty

r
be
-

^
trothed
to
la -

i f

^ ^
g ^#
'tt

dy

of

u : ^ J- Jl
poor
.1-

''

'

gain (1

hear the conn-try wants some rain). Yet peo-pU

J%U^'y i J' i'

\

say,

m
I

?=
po
si
-

tion

J'

."
I

3 * 3 ig
we
shall lall

;'

know

not why. That

have a

^ jli^m
P

Ah.

Ah,

wann Ju

ly,

'g Y

'

G
ES*-

^
g.

m^r^
H
:=t'

^
-^P^-

--

3^ y
1

^
yes

ere

seen - tU,

i 1^

r
|

S^
I

yes

^^ I
i
/f ^
'i
i

4&

^ ^
h
hi
i^

^
ah

^
h r ^=^ ^ ^>-Lj ;
why, That

Ah

yes.

yesl

Ah

r
yes,

ir

ah

yes

S : \ -* y-

j*

^
j-

j4-n
gjjtw

g
say,

^
I

5
not

^-^
'

r*

h
<
a

"-13*
ly.

peo

pie

know

we

shall

have a

warm Ja

ly,

warm

Ju

^
I

it^.
*-^^*

Hfc?E

'

'

a(

'

'

*\

'

'

'

gto

I
I

^^

mttlte.

^
-^
1

ft-

fe^U

:^

^^

s^

lo.

II.

Frederic,
FXKD.

& Chorus of

Girls

&

Pirates.

Suy,

wemastootloceoarsen-ses.

Men who

stick at

no

of-fen-ca

Will

noo

be here

T^^
fiko.

^^
J

AlUgrttto.
'

3* 4 *
>

r-H'
J
I

h#

^^., J Va-r
ij

::r

J
^
1*

-=ir

i^*
g^

1:^ 'y

I*

.jg-^

^->
-

?
1*

-fol

g
trade
ix,

f
Pray

*
!

it^
-t^
fco-

"c

^
la
-

r
diea,

*
MfUlc
the

Pi

cy

their

dread

yon

get

yoa hence,7oaig

oout

it

clear

fe^ ^^

^^

?
{During thit Chorui the Pirates and form in a temicirele behind
go off each Pirate
seizes

~-

^^
from R. U.

enter

stealihily

K,
to

^ ^ i
F^!^
I

the girls.

As

the girls

move

Chokus or Girls.
1

girl.)

is=!sz

^
low oar *en
-

J
les,

J' J- J"
they atick at

,^-^
no
of
-

i
-

^
We
ihonld aot

-r-g^
be here
1

No.

we Bait

not

If

(en

ces

tl'Vn,,

'

'

'

^
X
4ia
;

-F-

^3

^^
J
Let
u
di
-

^''

r
Pi

C
-

t rt-T~''-=g3lg^a;~g^;

ra

cy

their dread-

fill

trade

is

Nice

com-pan-ions

lor yotins; la

tp-iTi/ysirui.)

jg'iV i-j;-=

=3^^
-p

--

53
Pirates.
GiRis. IRIS.
(

pE
I'ivut.

^1f(i*

m^W.\S. ^ fu ^
Girls.
I
I

Phates. PHATES.
I

MI

^
I

M.
I
1

.m.
1

J^f

i<^.-

TooUtel Ht, halTooUteJ

^^

Ho,

ho,

ha

>

ha

ha

ha! ho, ho, ho,

hoi

^&

^r^ ^

==4
S<g'

Z3

<

-p

p-

ti^^#

^ 33
-*-s^

*=f -^-* -^ nr
HE=iC
To

g^^^
*-

^
i

^^
Chorus.

*
op

m-

Now here'i

fint -rate

por -ta-ni-tjr

f-^ ^

i
get

^
im

mat - ried with

g M SS
(

^
11^
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No.

12.

RECITATIVE
Mabku

Mabel.
(

Major-General, Samuel, & Chorus.

* Itmpt

The Major- OmenU ka entered unnotieed on roek L. U.

->

fi', -

: :
I

nri

K)
ff

Samuel

-cr
is

j-jfyj
G*^ vre-nc - nu ml
.

^^^
We-a ne

Hold. MoasteiT

^ZH' P''^'\'^''"^'f am will to

proceeds aguiut

wed

'^ ^ aU. (/"'.'*" 'l^ '? '"J'^l \u. Chancery, and father a Majoi^f

a Uwtpe

IAN0.

modtfxUe.

-_

z?= li
bet ter paoK, modertU*.

^^
or

*
:$c=;z:
fid |

^
Their

M
fit

L*

U U

dan-

fen naj be

tbcr

it

Ma-jor-G'

^^^^ i
ne-iall

GlKLS.

-h

J
yea,

N ^ J W -^WP*

fc

Yea,

^^m
ir

''i
=?=?=

^
y
Gc
-

be

ta

Ma

|or

V-fh^
Ge-n-iall

an

p
Major-Gbxkkai.

fe
Samueu

p
^
,_:i.).:r

Chorus.

I E

^
t

iJ ; J / ;
I

J
- (at

l i

n ;.

r
ii

f
>

r 0u.

5"
For be

# ^ g ^
oe- nU

^
l

=2=^=^
is!

Yea,

yea,

am a Ma

Gc-Dc-nll
^
^

Ha

jor -

He

Ilui

=F=:

i
P
<^-Jtf-^

a=

J.

?!

^^ ^-^
g
1

T~r
^

f' i:

11

'F

=^

g g

^^

^
=*
thing

^
3=P -* :?
&

^^
rah
(or

g e r

the

Ma

jar

Ge-oe-

rail

m^
*'And
it

Major-Generau

S
'

r
B

it

K)o

rious

^^^
-
be

5)ur

To

Ma

y
5P=P

'

i'i:

i<

g J

?=

J
I

jl

General.
All.

Yes, I am Major-General! ,You are Hurrah ior the Major-General

!

General.
All.

And
It is

it is
!

Hurrah

a glorious thing to be a Major-General'. for the Major-General

No.

13

SONGHajor-General

& Chores.

^
9
AlUgro
vivMCt.

I
f.

r^f^f^f^ ^-^f-ff-.,
.

.i-fT

^>""r

f:^^

f' r
l

PiAua j

-m.

^ m

^i.

\\

'

Ei

^
s
pf

VIijok-Generai.

=^^^^

r
I.

'

ti

g
the

C
Te

g
17

C
pat
his
-

-M
tern
to
-

^
a

'

1^

k
and

^^
nl|

I I

un

of
17,

bio- deni
Ar-tbsr'i,

Ma -jor-Ge -aeSir

Fm

t.

know ont

mj

thic

King

Ca

10 doe'i, I

?^^^rf^
^^ ii

^ ^i M 'U
'
la

*
'

i
-r^-T

^
r
ral
:

^
f
kings

^^^^^^S
fw

^ ^
and
for

r
of
le

r
Eng
gi - lahd,
-

au

tjoo

tc
cto*

^e

- ta

ble,

a
pict

ni - nal,

mi

Be
ta

I I

know
qoote,

the
in

and
all

aa

(wer bard

tict,

I're

Vj

tast*

Pa

dox

act,

tha

i^i

-^

Wi

57

^ote
criiae*

tke fights

hii

to

ri

cal.

From
I

Ma
co
-

thon
I

to

W
floor

ter

loo,
-

in
li

oi
-

der
ri
-

ca
ties

te

go
ra

ri

cL
lous.

I'm
I

of

He

- lio -

ga

ba

In

In

nics

can

pe

cd

pa

bo

->-

I 2:

'i

f^ 1^

^ m
1 sS

y^t=F
TC
tell
-

rr

m-

doabt - ed

g^
?t-c
am
-

^
1

P^

^
ed,

^=^ iS^
with

^
I
I

veil

ac- quaint

too,
cli

mat

ters

ma

the

-ma-ti-cal;
Zoff
-

anknow

der
the

itand
-

e -

qoa cho

tions,

both

the

Ra

pha

from

Ge

rard

Dows and

an

ies.

croak

ing

nu

from

the

r=^

bi^s^

m
^

^
pic

-r-i>
:
and quad

^s?
-

m
to

ti

cal

bout
1

bi

no

nial
a

The
hgoe,

o
of

rem
which

^^
I'm
I've

teem
heard

ing

wiili

a
lie'i

lot

o'

newt,

Frogi

of

ria -

pha

dc* I"

l^en

can

hnm

the

ma

din

fot^

!^
^s ^
in=^

g
r
I.

^^
the
in
-

ft

^
-

{DiaJegv*.}

^
ma
whis
-

With

nj
tie

cheer
all

- fol

facts
airs

boat
that

square
fer
-

of
nal

the

by

po /Vn

then
-

^
ate
|

*.

And

the

from

non

sense,

ftnl

'M
M^

1
,

i
^

1^

^
i

^'

CBMifm,

(M
with

i=3C
Aad

^t
cheer
all

-ft

h
boat
in

i:^iij'j^J .-^
fer
-

\^

t
ma

tie

5
all

c5i
the
IB

BE D7 whii -tie

ful

facts

the iquare

the

ain

from that

o( oal

the

by - po thee non -seiue, /Hn - a

use.

With

mj cheer

M
the

fort,

Asd

whia

hcts a boat ain froca that

\^
>

Im.
With

^^
>^
>^

=?=:
>^

/^
e^

U
the square
in
-

b^

#
-

f^ ->-t?-

4L

^
-

ma
whis

ny cheer
all

- fnl

facts
airs

bont

And

- tie

the

from that

fer

of the nal non

po - then - aae, With ma - ny cheer -fal whis Ue all the sense. Pin s - /frt. And hy
-

bets

a- boat

lk

ain from that

;i jt=5: * T-^i

ri

5=:S

S 5=^
-0.

,.

i
-g

P
*'h! ^-

-::r

=F

^
--

PSiE y
1^ 1^

-p->
hy
-

>*-

^
ma
-

isCF s z ^ ^t!tFr-*"

^
t^
t^

-F
>^

>^

square of
fer - nal

the

po - then-ose. With
-

ny cheer -ful

&u:ts

non-seme, /Vm

- /are,

And

whis

ue

all

the ain

a - bont the square of the hy - po - then-po-thea from that in - fer -nal nonsense, /- /i yfcru

^ ^
sqoare of

5*.

-A^;
U

J-_jr_

-r -T-a:L^

=tc=U:

U"

U-

'ZXfZ

JL^
U > U

^
uc

fer-nal

the hy po -then- use, With nu ny cheer - fill - a /wv, And whis - tie non-sense, all the

fiicts

/^

airs

a - bout the square of the hy - po-then-po-then from that in - fer- nal nonsense, Am - a - /m - a ftrt.

ajor-Gknekal.
n

^
I'm
ve
I -

m
ef

ly

good

at

Then

can write

in - teg a wash -ing

ral
bill

and
in

dif - fer

en
Ion

-tial cal
-

-en - las

Ba

by

ic

cs -neiform.

1 know the And tell yoa

sci

es
'ry

- ti

6c names of
tail

ev

de

Cm

T^ ^m^ ^

^1

i9

i
?^

: :

J
a
-

J"
ni
's
-

X
mal a -

^^
en
ni - lous.
-

s
re ve

^^
-

t^

^
ral,
-

be

ingi

nc

ta - ens -

form.

Bat In

still,

in in

short,

nut mat

ten
ters

ge ge

ta ble, ta - ble,
-

a a

oi mal, ni - mal.

and and

mi mi

ne ne

I I

ral,

^m

f^^
=f
^-

ir

^ g
i

j^

^ i f

^
mo
-

Chorus.

^
ne

J
- ral.

=5?=^
But
still,

^^
mat
-

the

ve

r;

mo - del

of

dern

Ma

jor

Ge

in

ten

re

ge

la

ble,

^ s
^N
BEt

s^^^
But
still,

in

tut
-4-

ten

ve

ge

- ta -

ble.

i
-t-

?^

^^
r ^^
I

^ ^

im
^M ^
g
a
-

p=^
[y ni
-

sE
and mi
-

s
ve

-rft
liS^
of

mal,

ne

ral.

He

is

the

ry

mo -

del

mo

dem

^^
Ma
- jor
-

Ge

ne

ral

"F

^
and

^
mi
-

rne

:^

"C"

U
Te

l^

k=:^ '-^^
mo

*
I

ni - mal,

ral,

He

is

the

ry

\P ^^

r^
^
=t

J.

^^
1*

ts-^

^
del

V
a

*
?!

-=lJ

of

mo

dern

Ma

jor

Ge

ne

ral

1
^

^
3. Iiv
(act,

^ --H*I

^
is

^^
"

^^
m
Ion" and

when

know what

meant by

ma me -

"

r - ve - lin ;"

Whea

SIOVMT,

^^=^

-^I*-

T-^

<'

S-g-5-

:3=-J^

3EE
=^=F

^ ^ p-=4=
*i

^^r-

i 3

-"1t^

=3=

fe 5

-^1r-

.^

J J J ; J ;
I

j^

;
i

j^

:
ie

j^
from

^
a
)a

oo

-9
*c
- lin
;

^'

r
-

^
loch

Z ^^^
af
-

^^g
la

C
aad

ul

caa

till

at

afht

cfaaae-fot

ri

When

fun

KT

tiea

^
^
f
ai

t*

7^

^ ^

i
^

^^ ^ ^ IK

*
pre
-

::^?=

=F=he:

^
ph
-

^^

77
- ry

.^
blow

/ J /
dw
l)r

ij

^
ii

?S==:fs:

Ki

I'm

more wa

at

And when

what

meant

by

com

J
-

-J
at;

Wkea
I

ri

^ :3=zt
1
1
*
I

J^

i'

'

^ ^^
(!|i^>

-^

^?=^

^s
c

^^
c
-

r
I

X
^^=^

e
made

'g
is

c
tt

:
tac

e
tkan

S
a

^
^
>'t

haTe learnt what pro (itai hai bee*

ao - den

fim

ae

ly

When

know more

tic*

=^^^

t'f

W ^
^

l\^

*
t

^fc^ ^?=y

=^=F:

J^
e
'C
when

J^

#
;

:^=^

^
^C
BO

mltP^. yivm.

C
vice

E
ia

J Jb^ >r c ^ ^"^

a

ff

:
I'v

ff

fi

dct
of
I

J'

^^'
itn
- te

J
fg

I-

"P
YoaV
\^VU.

naa-ne

17;

abJtt,

wnti-Xa-'atg

e - le-SMB-tal

^^^^fv^-^A-**
g^i.

Id^W
||j

^-1

>*

J,
JH

^E
I

<IM^

-1

"

^J-^

Jl

F
I

Jl

.
I

01

-*

l
bet

3!=9:
In

^^
-

Choo>

=3^
a gee

J
Yonll
lay

r
bet
-

r
tcr

i
Ma
- jor -

r
Ge
-

r.
ne

ay

Ma

jot

Ge

ne

iml

has

ae

vet

sat

^ m

=Cc
You'll

-f
iay

i^

bet

ter

Ma

jor

Ge

j^
s
ral

^
hai

i
3 5
3

*
b2

*'

-^-li
m
m
-f

^ jTTl fe^ ^^
3^
J
-m

lAii-7 ^ '^^
-0-

;
bet

c
ter

e
Ma
/

g
-

s
-

g
-

'C
rel

c
has

ne

ver

gee,

Yoall

^
tS\

u
ral

u
has

i*=r JL
3t=!t
oe
-

:5c
a
gee,

^
uy
a
t^

2^ g'*^^^
&
ne
-

jor

Ge

ne
-g,

Ter

lat

gee,

Vooll

y
-U

-1 -*

-y-

-r

'*'^
i^

U Cc

L^

U"

-r
a

S
gee,

Ter

sat

Yonll niy

bet-ter

Ma-jor-Gene-ral

has

ne

rer

aat

VoaV

Majok-Genxkai.
i

g S ^ ^g=^=g
say

-r-f U > C
W
-

l**

U
sat

l^"

M
gee.

%^^
For

t
(gj?, g

ne ---*--- ^ -m- -0- --g-gy -jr -gr -tfa bet- ter

-

Ma- jor- Ge

ral

has

ne

Ter

a,

sat

my

u*

u u u

g-

[i^

y-^l X^U-k u

yyy

^-

^
[^

-w-

-p
-^-

^^
mi
li

C
-

t^

'

c
plnck
-

^
y

^
ad

J
tcb

h
t

K
ry,

ta -

ry

know-ledge, tho'

Fm

ami

^
Has

^
on
ly

*
,

^^
r

been brought down to

the

b*

Bat

still,

in

mat

ten

mS

^
^
#=?=
U

fe

f
J^J^I
o(
v'-

^m ^^^
tc
-

ge

ta

ble.

^
\iS
f

"^

t>'

=tz
-

g
-

^ U
i*

r
t^

-g

-^-Utj
Iff"

/
den

>
-

ni - mal,

and

mi

ne

ral,

He

the

re

mo
j*-

del

-r

u
-

^ :2t=tz
mi
-

^==^
dc
ral,

^
it

--^-^

mi

mat, and

He

the

rt

tj

mo

del

of

mo

^^
mo
-

Ma

jor

ne

laL

=*
-

S
-

dem

Ma

jot

Ge

ne

ral.

i^^

-*-

TT

^5?

^ $

^ ^^ f=T

^^
^=^

General.
like to

And now
!

that

IVe introduced
on.
in

mjBlf, I

Kino.

VV

all,

have some idea of what's going Kate. Oh, papa we Samuel. Permit me I'll explain pcse to marry your daughters.
;

(iGNERAU
rphan
?

ye that's the idea. Tell me, have you ever

;

known what
Oh, dah

it ia

te h

aa

it

two words

we

pii

All the
King.

Pirates.
I

(^Disgusted.)
1

it all

Here we are again

ask you.

General. Dear me Ona. Against orur wills, papa against our wills General. Oh, but you mustn't do that. May I aek

Gkneral.
thiB

Have you

ever

known what

it

to b*

is

a picturesque uniform, but I'm not familiar with

it

what are

an orphan ? King. (Sighing.)

General.
be one
?

Often. Yes, orphan.

Have you

ever

known what

it ia

tc

are all single gentlemen. King. I say, often. Yes, I gathered that. Anything else ? All. {Disgusted.) Often! often! often! (Turning away.) King. No, nothing else. General. I don't think we quite understand one another. Edith. Papa, don't believe them. They are oirates the I ask you, Have you ever known what it is to be an orphan! famous Pirates of Penzance and you say " Orplian." As I understand you, you are merely General. The Pirates of Penzance? I have often heard repeating the word " orphan " to show that you understand me. of them. King. I didn't repeat the word "often." Mabel. Yes, all except this gentleman (indicating FredGeneral. Pardon me you did indeed. eric), who was a pirate once, but who is out of his indentures King. I only repeated it once. to-day. General. True, but you repeated it. General. But wait a bit I object to pirates as sons-in- King. But not often. law. General. Stop I think I see where we are getting oobKing. object to major-generals as fathers-in-law. But fiised. When you said " orphan " did you mean " orphan," a we waive that point we do not press it, we look over it. person who has lost his parents, or " often," frequently ? General. (Aside.) Hah! an idea! (Alotid.) And do you EIlNQ. Oh, I beg your pardon I see you mean frequeotlT' mean to say that you would deliberately rob me of these the General, Ah, you said " often " frequently. lole remaining props of my old age, and leave me to go through King. No, only once. the remai~^e- o^ life unfriended, unprotected, and alone? Generau Exactly^ you said " oft'^n, fre<)ueniiv," only onoe

you? King.

We

General.

We

Finale

Act
Rkcit.

I.

Mabel, Kate, Edith, Frederic, Samuel, King, Major-General, Ruth, S Chorus.

Major-Gkneral.

^
Oh,

r
men

J'J'
of

J-

J J
dii
-

I
bte,

dark and

mal

Faw-

Mdtrmt^ '

1
44IIO.

^m.

g'i|, '

i',

j-

z^
ttmpo.
-

3=:

m -^
ij-

^^
^
=?=^ l-n-L^P-JJ
-

=!fit

go

youc

cm

em

^
-

^
|

on

\0

ploy

Have

pi

ty

my

lone

ly

ttate,

lAMUBL & KiNa

MAJOK-GUfUtAl.
>'

SAMUXL

tt

KIMO.

Majok-G;

n^
fcTl

^S
Ab
or

i
phaa
bojr?

<ff^1

^
Ab

^ =?:
or
-

W
boy
I

^^^^^^
^

f=w^
:i=}t
-tsad.

^
phaa

=p=
boy

^^ffi3
I

phu

How
=3B*:

or

^
The

Chorus or Pirates.
(

gs$

^gi=y

^
How
Md,

^
or
-

rr

^^
boy
t

phao

^^^
^^
iS
J-

^
==*:

^3
^

>

^
I'

its liT rif

;?=^
5=:t

^
r
and
I

Andante modtrato.

Chorus or Pirates.

Major-General.

^
i^, i^

-:t=W^
kc

Jtzpc

^
are
all
tfaat

3;=a:
call

p
1

-I-

;> i P=F=
=^
Take -F

J
them a

cbil-dren whom yon

can

my

own.

Poor

fel-lowl

way from me,

shall

^
e sz|n

Andante moderato.

j^.

^
-:=r

^
F
i

*^i
i
qc
i

--

ig

s^zrr"h-a -

^^
::;*=

T, /. ^
-rr

i s
Wi

J
be

*
-

in

deed

^ ai
a

Piratks.

^<

^^
If
pi
-

Major-Gemerau
J^i=ac
ty

lone

Poor

fel -

low

yon can

feel,

leave

me my

sole

re

=6^

main-ing joyt

^i^^=i^=^

^
=t=

--

^ ^ ^
:?=

^^ B^^S^Eie
^
1

^^
ur-phan boy
t

See,

f
It

-i

--

J^'j*^^
PiRAm.

yonr

feet

they kneel

Your hearts yon can

not iteel

A
,.

gainst the

sad, sad

tale

of the

looe-ly

Po
r

hT

-i

.^

-JV-J

m
j j J J
i-.

-*r>ii"-:

1,,

igElt

=i:

V 11

'

-r-f

r-^'iirr

^^^

65Samuel, King, & Chorus or Pirates.

h=^
fel
-

low

See,

at

our

feet they

kneel

Our

hearts

we can

not steel

eainst the

sad, sad

tale

of

the

i 'z^r^r^^-^ >*^
^.
isr

^ -PP--;
I

J
I

7^
'

=(==
'
I

=i-j^-j

~V~0~

^
!
I*'

?^

25:^

?=
or-phanboy!

Samueu
:;2=;:
or
-

^
1

Samuel & Kino.

=;2=F
or

=^i=:t?=t g^F=^
t^

t?

lone-!y

The

phan boy

The

phan boy

See,

at

our

feet

they kneel

Oui

^
=ff==l
hearts

'

^
the

/r

^-Ir-Jg:

i
tale

:*=i=*=
-

O S
boy.

we

can

not

steel

gainst

of

the

lone

ly

or

phun

m
w*
>-

^
-y

zH

* *-

t;^;=ts: _

^ ^
^

^=r

^^m
^^=^

SI
ffl

-S:

i
Allegro vivace.
I
I I

Major-General. ^ > -?>

r
1 r

-j^

3t=te:
I'm
tell-ing

it

'

ry
;

=^==pt

ter -

ri -

ble

sto

ry,

But

it

does-n't

di-min-ish

my

glo

For

I-*

I I

I
I

Wr

^1

-*^ ^^- <

lizzi:

^3=^3zi:

66

3*
^iczy^
they would have ta-ken

1^

^
bil

- T -g-

lo
-

w)'

'

my

daughters

ver the

wa

lers,

ki

-jr^

^^^-^~^ ~v^ *^=^=*^

"-*-

s^r^
-^nr

^^^

=^=^

lazi

^3^

:f^-

33=azz

jtur^r^:^
I

'"-'V"

ir-

gr<^-g1

^z^ts

^r^~F

-=^

=^=^52

:^==: L
I

3?z=3z=t -g-^-^-

:*!r=^_^_Jl: n
-

^3/3

Mabel.

He

is

tell -

ing

ter -

ri

ble

sto

ry

Which

will tend

to

di

min

ish

his

glo

ry

Though

PP

Edith

&

Kate.

He

is

tell

ing

ter

ri

ble

sto

ry

Which

will

tend
-j>

to
fc

di-min-ish
k-

his

glo

ry

Though

pp

yBD.

If

he's

tell

ing

ter -

ri -

ble

sto

ry

He

shall

die

by

a death that

is

go

ry

Yes,

pp

Sam.

If

he's

tell -

ing

ter

ri

ble

sto

ry

He

shall

die

by

a death that

is

go

ry

Yes,

jy p King.

>

y
he's

'

w
ter
-

c
ri

1^-

'f

tell

ing

ble

sto

ry

He

shall

die

by

a death that

is

go

ly

Yes,

He
Tenors

is

tell

ing

ler

ri

ble

sto

ry

&

Which

will tend

to

di

min

ish

his

glo

ry

Though

Basses.

67

one

of

the

cru

el

lest

slaugh- ters

That

ver

were known

in

these

wa

It

is

of

the

cni

el

lest

slaugh

ters

That

ver

were known

in

these

wa

It

is

-V
one

W
the cru
-

of

el -

lest

slaugh-u^

That

ver

were known

in

these

wa

ea

sy,

in

le

gant die

tion.

To

call

it

an

in

no

cent

fie

tion,

But

it

comes

in

the

same ca

te

ea

sy,

in

le

gart

die

tion,

To

call

it

an

in -

no

cent

fie

tion.

But

it

-p 9 comes in

gl>r
-f

the

* V same ca

fU
-

te

ea

sy,

in

le

gant die

tion.

To

call

it

an

in

-no

-cent

fie

tion.

But

it

coo-.es

in

the same ca

te

68

fI

-y

As

tei;

LE^

rt

gu

iir

ter -

ri -

b.e

s:o

ry.

h"s

ea

y,

in

le -

gact

die

tion.

To

P^

69

70

li^

1it

%'f

ty

to

be

- gin

it

For

what,

w
rj:

ask,

is

life,

with-out

tonch

of

poe

try

in

^^*-* #*

f 'Aw^:t^

-J;

:ji:

Sf;

^. ^.

-P

--

=1=1

|p;;^=3^^gigir ^
Chorus.

f-

~9

y-I (-

Mabel & Edith

with ist Sop.

f
::f3=

ff Sopranos. Kate with znd Sop.

i ^
Tenors
Basses,

~i^^
Hail,

r
po
-

=tz=
heav'n

:!=:

-css-!

rJg,
est

-T
bom
maid

try,

thou
ist

Thou

gUd

&

Fred, with Tenor.

-^
King

g.

Sam. with

Bass.

.,.

^
It
-

^
rt:
thou

-^
hcav'n

:&
1

& Major-Gen.
po

S
gUd
est

with 2nd Bass.

-

Hail,

try.

tx>m

maid

Thou

il^

=t=

=?^
the

zssz.
Pi

-S>rates

E^
trade.

i;
Hail,

flow

ing

fount

of

s
the

uCl=f=c
Pi
rate's

trade.

Hail,

flow

ing

fount

of

4 =5Si
f."

^SE

s
m
all

it=:

i^

.C2.

Mr-)
*

^^
hailt All haill
I

m
dl

mol
^2.

P
-^

-T-j"
ent.

i
I

^^^^^
iP

e
gj
mol

?
cut

1^

aU

hull

All

haill

di

=0

ii
1

E^
t

1^^^

II

^=t
tect

tt

tz= feriztc
*

|g

=~*

^
1<
ry

^
mem

\f^=

^^

0~
1

*
:
band

tg:

r=^r=^,r=
we
do
e

^sE^Ei 3^
led

yon

And

hon

bers

of

our

im

W
^

#3^?E=?? -m

m-=z=
Sam.
^-'^-X ^r=^= M-^P fi
'

--Y-'

f- -f

f- -^'

^ "fe^
or
-

4
phan boy

Major-General.

-n P-

j!Ji<avi

^^^"^
it

For he

is

an

And

some-times

is

M m

-r
you.

>
Chorus.
Sopranos.

/fi
it

Ei=S^f f
He
is
I

',

f S
for

p"

=g=
-

p
boy
1

Hur

rah

the

or

phan

Tenors & Basses.

r

.^ /.^ .^ e^
fr
-j^

.0,'
1
I

Me
He
Allegro non troppo.
is!

m. a. t
fcr

fr
-U
3^

.m-

1-

g>-

2EE
for

U
-

i
boy
I

Hur-

rah

the

or

phan

^^j^m^^^^^^^^^^^^^
:5!-^S

1^' ^.

-W-

-S

-g-

78

)ip^

^^^^i^^EE^^^^^
lue - ful

^
r-^
1

thing

to

be

an

or

phsm

boy.

>

fs-

^
S szhf

^5^
f-

i2=k
It
is
I

hv

rah for the

or

phan

boy!

Hur-rah

fgr the

or

phaa

fJ^J-tE
It
is
1

JET
feg

1^
I

l^

:^=^ %

t-^-r>--

r-'
^F=

Hu'

rah

for the

or

phan

boy

Hur- rah

for the

or

phan

^^^^^^^s^^^
^Ff=^"^9^
3Ek^;

Hai :^

gir
La

>
I

1^3^

j^=i^=j^^

g3^S=F

'

Ma

Oh,
Edith

hap

py

day,

with

joy

ous

glee

We

vill

way

and

mar

ried

bel

& Kats

Oh, KlHC

hap

py

day,

with

joy

ous

glee

They

will

way

and

mar

ried

be!

They
Major-Gbnbral,

will

way

ind

mar

ried

bel

73

Should

it

be

fal

au

'ip:

cioos

Should

it

be

fal

au

spl

cioos

day

with

joy

ous

glee

They

will

wav

and

mar

ried

be

lee,

My

sis

ter

all

will

brides

maids

be.

4-

lee,

Her

sis

tere

will brides

maids

be.

lee,

Her

sis

ters

all

will

brides

maids

be.

i^
-

'

^
with

^
joy
-

i>M
ous
glee

;.<

u
and

ic
-

Oh, hap

py

day,

We

will

way

mar

ried

be.

Should

it

be

Oh, hap

py

day, with

joy -

ous

glee

They

will

way

and

mar

ried

be.

Should

it

be

Oh,

hap

py

day,

with joy

ous

glee

They

will

way

and mar

ried

be.

Should

it

be

Oh, hap

py

day,

with

joy

ous

glee

They

will

way

and

mar

-ried

be.

Should

it

be

all

will

bridesmaids be.

Oh,

hap

py

day,

with

joy

ous

glee

They

will

way

and

mar- ried

be.

Should

it

be

<

all

will

brides-maids

be.

Oh, hap

py

day,

with

joy

ous

glee

They

will

way

and

mar

- ri

ed

be.

Should

it

be

fal

au

spi

Gfous

lee.

Her

sis

ters

all

will

bndes-maids be!

Her

sis

teis

fal

au

spi

clous

lee.

Her

sis

ters

all

will brides

maids be

fal

au

spi

cious

ke.

Her

sis

ters

all

will brides -

maids be

Her

sis

ters

fal

au

spi

cious

lee.

Her

sis

teis

all

will brides

maids be

Her

si

ters

fal

au

spi

cious

lee.

Should
l"?

it

be
3?-

fal

au

spi

cious

lee,

Her

sb

ters

S
il

JL

A
au
-

^f

fal

au

spi

cious

- lee.

ShouM

lie

fal

spi

cious

lee,

Her sU

tan

75

^
AiUgru aetata.

Regit.

Ruth.

Oh, mas-

ter,

hear one word, I

do im-plore you

^0r0>r

Chorus op PnuiTBS.

Ke-mem-ber

Ruth,

your Ruth, who kneels be

fore

you!

Yes,

yes,

re-mem

ber

a tempo.

ff

yy-1

1-

16
Frkd,

Chorus or Piraths.

Ruth.
(

e-, r
ceive

= ^
him.

I f

N -JS-

:S==St:
Oh,

^^^
Oh,
,

Pirates.

Fred. HZ

Pirates.

^S5
J

i
A
.

!*

do not leave me.

-

do not leave her

^

way,

you grieve me.

A,

way,

you grieve him.

^^

^ f

^P

1-^^

P f'*

Fred.

i^'

'

-"'.

:=Jt*
wish

^
-r^

Pirates.

you'd leave me.

rS=^

^ ^UUU-L_^Utrg^ P
-^=1-*^

#-

^
/

We wish

you'd leave him.

Sti:

::fc

^3t r^

&-

-m-

Si

^
pi

we-

ns

^m
&
Piraies.

Fred., Samuel, King, Major-General,

./

m
^

%C3t.
-

^F=tz:
ni
-

Pray observe the mag-na J Allegro risoluto.

mi- ty

We

dis

i^^ i

-P-PP?:
-:5^I

Ij-*^

1-'

' i

1-*

"-^

al ^-

^^

^ *

"-

1-

^^En^=g=
play
to

iffrprpi

^-iz

:^=tc
and
di

-<^-n^
!

=?c=X
ried

lace

mi- ty

Ne-vcr

was such op

por

tu - ni- ty

To

get

mar

with

im

pu

ni

ty

But we

tJl

J -j'_W_**=i^
I
i

^rr^ II
:^
1

m
1:

=i=p
i=n

!-~^*~:|r|:~;^^

:ti:

1 i^jT^ j=i^^=i=
:S^
'

1-

>

-a^

-*

-*

* w^

=a

WJ-

-* J

J"

-1

=i^

i-^rJ

77

IS
j;ive
ii!>

ft^nt
:tic:*ti the
fe

li

-^*- T-P
ly

-s*-t^

feS^
li -

^^-1^
-f

1^

x*
-t-

ci

Of un- bound-ed

Jo- mes

ci- ty,

Thro* a

doc

tor

of

di

vi - ni - ly

Vho

is

lo

-*--*- *

Tg

V
^

-J-

V
&
Girls.
1

3-^
l-r ?^-

Mabel, Edith, Kavk,

i^l^
ca-led in
this
vi

-*Vserve the

ifcsn

I*Z=*t=^ n^rj^J=f
They dis
-

-*Ne-ver

H_^

ci

ni

ty

Pray ob

mag- na

ni-

mi-

ly

play

to

lace

and

di-mi-lyi

K
2=|:
-I-t-

T=T-

^=

^5-j
-^
!

mj

s-r

^5?^f^ * * #

g-^
-p

!-

=P'

-p--

--

^ ^

-IT

Tl-

;tir:
::^=^=l:
was such op
-

ssagJ^

T:
mar-ried with im
-

per

tu

ni

ty

To

get

^
pu
-

'

>

^
give

g?^^
up
the
fe
li

ni

ty

But they

ci

ty

Of un
-:^-=ir-

-I-

i^ v%^
I

-1
5J:

^=*=r
r
-^*

-^r
-p

e^
-NH^-

=f=p=

-j p

(V-^-t 'h
'

t-

^
Thro' a

^
.

-*

S S ^ ^

q^^^
::S-=^^^-lo
I I I

==SC r
this

bound-ed

do

mes

ti- ci -ty,

doc

tor

of

di

--vi-m-ty.

Who

is

ca-ted in

Men

vi - ci-ni-ty. But they with Pirates, as before.

^^

But we

t
P-

=?=

-l
I

LJ1
0nI

0-

^
-T>l

--*-*

-Sr^Sr
-P

:J=J^=^=t3
!

^
"!^r
=C=:^t
glv<

--

\r

ri

r.

(-

:2^
"cr

!-& r^P
_f!-V-

^^^-P-^

-A-tU-

-J^L-pl

It

h^-^^-J
-ed

p-g^ irg-g
=
ti

^-^-^
up
the
fe -

i3zi3
h-ci-ty

4M1,
OfB

J^

up
.,.

the

.#.

.-

^ =Cz
fe

fe

li-ci-ty

Of un-bound

do -mes
.0.
-

- ci

ty,

Bui they give

0.0.0.
>tzir=i
-

0.0^

.0.

-0L

-*.

give up

the

li

- ci

ty

Of un -bound-ed

do

03r~r~r" :SzrCc
.0- -Mti -

-0-0

.0-

M- 0. r- M. 1
up
the
fe
-

f--0--ei

^-fi*-!"^ H*^ ^ti

I**

mes

ci

ty.

But we give

li-ci-ty

OT

la -

*=t

0-

-We-

^fc
=P=t^

7
Mabel
with ist So?. with 2nd Sop. doc

Edith & Kate

M
,

Mabel

(top notes only).

*V2.Edith with istS.^

'

^.

:^

'^

J-

-^d

with and.

Mabel & Edith

with ist Sop.,

Kate

Thro' a

doc-tor

of

di

.^^.fel^-^^fe

1^
rJ
-

\cJ

^->->nvi
-

Z
Thro' a
doc-tor, a

[*'

vi

ni

ty

Who

re

sides

'

in

this

ci

ni

ty,

doc

- lor,

doc

tor

rf

di

vi - ni - ty,

il=4=4=fc \m
icrtc
VI
-

^-^^^^^^riMh{fc
it2^:
in
in
this

Hi
ci

-ti=nz:
ni
-

5e
Thro' a doc

:^ic:t

,Ttz=U=
tor,
I I

it:

ra

ty

Who

re -sides

vi -

ty.

tor,

a doc-

doc

tor

of

di

vi - ni

ty.

^
of
di - vi

rt

=^
I

f-

'

+
;

I 1

'

-t

"

r=r3

^
-

'

ni - ty.

\m
di
-

g^ *: # g
5S=I2
vi - ni - ty.

Tempo prima.

1^

r:^ :U:

W^^
-1
^

Svo...

i^^ii^
' '

ggfeiff^

1'

'

Red.

(Girls

and, General go up rocks L. Group while Pirates indulge in a wild dance of delight on slaije K. and R. C. The General produces a British flag, and the Pii;atk King (oiv arched rock R. C.) produces a hUxvk flmj with skull and crosPicture^ bonei. k N-D 01' AOT fc

ACT
8<;emf. rtiined ehapd by nuxmligkt. Aislaa C, E., and L., divided by pillars and arehet ; ruined Go>hi*vindow at bach.

II.
Gekeral Stanley dwcore<f aeal<f iZ.
C.ptfngivdy,turrmtn//si

h) his daughters.

No.

I.

INTRODUCTION.
AHegro con
ttturezza.

SOLO Mabel
.jt-X=.

& Chorus

m
Piano.

IJ^ fi^ ^-J=3rr;;:3zzq=!=.=:^ii: 33^1

^^^s^
m

^
\

^
=1

.rr^^
^=gi-

-r

dotce.

^^^^g^^ ^Fn^^=a

=^_L

m
:^M*

H*

=^

ti^-ui^

T
Ped.

'^ ^
\

f--

In*
't

2^
1

zsj^ri

^-^

i^
dim.

n^ ^
B
1
'

-^

W-

Ped.

aq

Ped.

Chorus or Girls

q-

jb^
1 1

g-

81

#w r n
bear,

;\i
thy

^m

-*

Unit.

^
ijrm

X.

^
t
-

^^
moad
diM

la

Uca

oon

fort

aek.

Whli

pa

the

tic

care

Their ann*

^ ^Thh^^^^-&^^J 5^^^=? Vl1

^
J.

^
J.

rj

^5:

T ^-^^^^-^
*

'PF=P

-J

-jp

-jp-

-jj^

'^^

_-^

v_

_J

'

i
M Marl.

Solo.

^^=3^
Far
elt,

"

9
Oaar

they caa

aol

bcai

To we

theit

that

waep

"UiVJ
Irn*W

'

^^Q
m

*tt^

I
^^

m
1

=>'==^
li^^y.

J.

^ H 3t=^

^
i3^

f
^^j
hap

SMf
y- ^
dead.
1

^^
,'

ji=^
fa

^
why
leave

i
thta

ther,

yow bed

At

BH-tiau

ly

hoar

When

py

day - light U

Aad

tJAr
dark

ii^r
iobm daa

J"
gen
lower
I

'

^=^=^

'

f
:S=J:

ar
lit

r^: r
her lamp,

j^
The

\J=J=^i^'i^^=^:,:^
mid
night

See,

hear'a has

hour

is

f">.f ^ i^ m
r

^7";
I

.Tib^j^^i

^7&^^:t=^^

g^bt^ig-r-g^fgrfZIJ^

ltt^t;iff^

Chorus or Gikls.

\iA^
s
bed

J.^.rir^
When
bap - pj
daj

a^
ilcad

Ufbt

Oh,

dry

the gUi

t'ning

tear

That dewi that

>-'
I*'

^-

.1.-^1. cheek

. I

Tn._ Tbjr

lov

ing clul

l-l

direo

j_

V beat.

TIn

* *_9 * .uT .V._

them thy

-^
com
-

^^fort

^^
Unii
eki

With

a>^

IP
I

^-ff

=t=i:

P=t:

'

'H^ ^Ti i

g^
t

%t

i^
:r=F

*i

^I
'

i 8

^^
g7~g
-

-*-

^ J7T7T
:5t:^
J
a

V V
I

^
For

V ^

9^
-

i^^^W
qrm

^
care

J'JJ'
thee

J
creep
oh,

pa the
-

tic

Their arms

round

^^^^-^jr^jT\r^u

^ ^

^jrJ.-'

'

u^^J

^^

^
they can

V ^
i/i

^
bear

^
To
tee

not

the*

^^

^^
|

^_^^~j^ j^^;^
'

-^

ther

& i

=C=f:

f^fTT

^
weep
I
.

-^Lj_

^D>

fffff ? CU
,-^_

Kred

nter

E. U. E. and down C.)

Oh, Frederic, cannot you reconcile it with your condence to say something that will relieve my father's sorrow? Fred. I will try, dear Mabel, but why does he sit, night fter night, in this draughty old ruin ? General. Why do I sit here ? To escape from the pirates' dutches I described myself as an or|)lian, and I am no orphan. I came here to humble myself before the tombs of my ance.'^tors, and to implore their pardon for the disgrace I have brought upon
them.

Mabel.

have brought disgrace stained escutcheon.

upon what

nave no Oouut

mu

aa ua

Fred.
reckless

Be comforted. Had you not acted as you did, tluH men would assuredly have called in the nearest clergj-

man, and have married your large family on the spot. General. I thank you for your proffered solace, but it is unavailing. At what time does your expedition march agsinii

Fred.
a year ago,

But you forget, sir. You only bought the property and the stucco on your baronial castle is scarcely dry.
;

General. Frederic, in this chapel are ancestors you cannot deny that. I don't know whose ancestors they were, but I know whose ancestors they are, and I shudder to think that their
descendant by purchase
(if I

and before midnight I hope to have atoned involuntary association with these pestilent scourges by sweeping them from the face of the earth.^And then, my Mabet you will be mine General. Are your devoted followers at hand ? Fred. They are they only wait my orders. (Enter Police, marchivg in dngle file from L., 2d ., andJiU
for

these scoundrels ? Fred. At eleven,

my

may

so describe

myself) should

in line, facing audience.)

No.

3.

RECITATIVE Frederic &

Major-General.

Major-Genera L.
t

>

J
Now

a
I

f>

J
a
- cort
li

.^ >^

jk

J J J J
Be iammoa'd
to

j^^^''
re
-

^v
i

Fred

ic,

let

four

oa heait-ed

deve

gen'-ral'i ble

i
Piano.

^^
tkey

Fred.

S
dc
-

^^'
Deu

c
tU,

a
thir

1!

pot

oa

ther

dread

ad

tOR.

Ho.

;.

CH0R15 With
-

Solos for Mabe:.

Edith,

S Serjeant.

.^-jyir M-STTii-/

W-

fci

3C

*^' ^v^*^

^^

jr

TT

TT
'

'

g
1 '

l>

fc

--

"

*
S^

*
3:

9 3:

^
1

5
*

;i t-s-j^-i

k-f^^

>>-h

"

"^
J.

4L^

i>-.w
J.
-i.

fc

fc

j-

-1

~Tsr

'^

_*

:?^
Mabkl.^

-T--[

ly

U-

::ai

^m-

jfTz^rrrg^ rDie,
,

:5zrfei

m
jour grave

and ry.

'ry

Cornish dangh

ter

With her tean

ihall

^
wa
[;

Tfrr
ter
I

Go,

je

Be- roes,fo

('

4=^ -^^^

jg^^::^

-si-P-

-^=1-p-

iJj J-JsJ:Uj3<

P
t

^
^a-. die!

^^^&^-A^=^i^

*f*trs

&F
t

^
^

# #* * * .^^
0^.

ere

IS

Edith.

I
i

y=^ '^
Go,
ye

^-- g
go
and

r
die
I

^
ig-

:e=3fc
roect

he

roei,

Go,

ye

he

go

and

die

Chorus OP GI1U.S.

i
Kate

'^ \ =r=*: t ,Ii 9

Soprano.
-

t
-i^

^
i

t t
t^

f
I

"^s""
t-

Sergeant.

with 2nd Go, ye he

P
and
die
I

3Ci
g
I

Z=5Z

u
as

5^g2-g
it's

m
Ta-r>B

roes,

go

and

die

Go,

ye

be

toes,

(o

Tko' to

vi-dent

Chorus op Police.

ta

YtJi}
^.

iif

>*V
Jt.

i
\

tL*f

7 iiJTi
..

H -^ -^-i

f^ 4^
.

f
.

-r'b^.

'

yw i'^
p
1'^ u

M- A.. M-

JL ----

m/

dim.

These

at

ten - tions are

well meant

Bach ex

pres- sions don't ap-pear

^0
!

(I

U
ra,

^
ta-

f
1/

f~fr

f^ ^t-g-

M-

it

p P u
Ta-ran
-

^
ta ra,

*
-

ran

ta - ra.

Ta-raa

^^5^

nr

-*

PTP-

^
bJ"
men
to cheer

^^^^^^^^^^^^^^^^ > ^ ^^ FT
^^;'i]i;i
Who an

W^ ^^ ^

=3=

"Ti

j'l

p'fi *^

J
I

b/i

Cal -en

la - ted

going to aeet their &ite

In

ra,

ta- ran

ta-

is.

Ta - ran

- ta

rs,

:^

^ Tr
1

'^

R^
>^

^1 :*

^
^

gE^

^J

^^

^^^^^3
ft

i'i"j''i''
&

'

>i"

j^^
J^i

i'l

f^

KS

^/C ic:=l?
kifh
-

i'f
s

^
k'l

&

ic=s
e
-

'

^=35
TWv C
'

..

Ij Der

-root stmte

StiS

to

n-iaa

W== C:

-=f- isfei

r
-

*
cm,

* *

>

Ta-tma-U

ta-nu-u-n, ta-nm-U

r,

P
)

<

1 ,
'

ri

hi -j^^

>-

hi

^1

J'r^ -^
t>*-

gjt j"t

*
I

^N
1
-S

^
.

^^
r
I

^^
<it^^ ri;f

M M

ic==fae

f 1^

^*

>

e
^
weU meant

Li*

tunu are

IFfag

J"

u
nui
-

b
ta
-

r
>
ra,

'

g gta -

1^ ^ ^ f
i
)
j>i>w .1.-^ -^ #V *
1

Ta -

raa

^
-

p
^^

g s
ta
-

r ^
'

'

g s
-

:M
-

ta -

ran

ta

n.

E
::

P=^
;^
&*

^^ te ^ W^
*^
.
' '

P
1^*-

:^=S
I I
I I

^ S^
i

i
,^, r,
.

-=i

p-

*
fooi

""**

*v*
.

^^
-

~^Vr

i^..

n
.

M?^ J
fore

!!Sf: /I j''^^

''*

+--^^ r^,

Go

aad do

best

en-dea

tout,

And,

be

all

links

we

mini uiiu ismii iimmuiii^4i4u^^

I

L J

|u
^

i|u

J J J J J J

J J

'Y

^^^
bJ

fI?i

::

T?

ay
CHORUS or Gntu.

:hr7*'

3d -*.
i '

^ ^ ^ b#

-I

'

y
'

-fc-?^
i^
ft r*

mer

Vten
-

fe

J.
-

J^^
less.

^'J^^fi
in

g*
their

(ill,

and tnitb

- less

;Yonng and

der, old

and tooth

All

rain

aer

cj

cne

[.egg

f f f

^TTj

rrr

r r r

r r ^

r r
i

'

li*-^^

=+

Solo. SERCEAm-.

^3
We

-r^-g-T^'-g'^

^
1

^g
On
the

fr - l

u
rislts

g u
that

^
press,

ob - serve too great

a stress

on

^
And
ti

Jy^
gj;

M
1

*9trr

-nrfr>

&

UL'^ir
1

'

*
|

"1

-:i

5r
1

J"!

*
f

^ ^=?
fe4=^

u-r-'

^M^

j^i

t;

^^
h 1 r

M^

1 K

J^l

(i

V.
carp
or cii
ti

,
at

J.
ten

J.^^
tiooi

m
lift

cue,

Foi

ry

*-den

Tbew

wc

veUmouiL Ye, POUCK. K

(^

1^
re

0^0
iir

^
weU
>

17

Ti>dent

- vi

dcBt,

ri

dent,

Ah,

^fe (^=

:AJt
i*-nr
t

#
'

=r=^
ThcK
at

y ^

=?:
yes, well

^ #' ^

ten - tioni are well meant.

trr

^
Ah,
I

^
yes,

* SE
well

meant

)^

hi

j ^^^~1
^
1

=^

^^=^
J J

3W
,.

h 1

w
:fC^

j^l

J'l

w T^^M
hi -J^-^
is

S H rqi^:^

=^

>

N J

1
'

% J
.

1
'

T
'

>k

ye
EDITIt.

he

roes,

go

to

glo

ry

Though

ye

dw

in

com-ba'.

Go,
CHoiiiorOiaL*.

ye

he

roes,

go

to

glo

ry

Though

ye die

in

com

bat

When

the

foe-manbares his steel.Taran

ta

ra,

ta-nu>

ta-ral

We

on -com-

for- ta

ble feel,

Ta-ran

Ye

shall live

in

song

and

sto

Go

to

im

mor-U

11

rj.

Ye

shall live

in

song

and

sto

Go

to

im

mor-ta

li

nl

And we

find

the wis

est

thing, Taran ta

ra,

ta-ran

ta- ral

to

slap oui chests

and sing, Ta-ran-ta'

m J-j-'.J-j-ij-'.rGo
death,

y
and

I'

'

'

'

;-'
i

j'';^

v -j-^
and ev
-

to

go

to

slaugh

tec

Die,

'ry

Cor- niik

sto

ry,

Go

to

death,

and go

to

slangh

ter

Die,

and

'ry

Cor

nish

n\

For

whe

threaten'd with ementes, Taran

ta

ra,

tarac

ta-ra!

And

your heart

is in

your boots, Taran

ta

daugh

ter

With

her

tears

your grave

shall

wa

ter

Go,

ye

he

roes,

go

and

daugh

ter

With

her

tears

your grave

shall

wa

ter

Go,

ye

ke

roes,

go

and

rat

There

no

thing brings

it

round

Like

the

trum-pet's

mar

- tial

sound. Like

the

tnmi

- pet's

mar

tial

4fel

G,

je

be

roei,

p>

im

mor

li

-ty

Go,

jre

he

tori,

go

die!

Go,

ye

he - roes, go SgKGEANT ft TkNOBS, Ta-ran ta- ra,

to

im

mor-ta
ta-ran

li

- ty

Go,
ta-ran
-

ye
ta
-

he
ra,

roe,

go

to

ta-ran

ta

n,

- ta- ra,

ta-ran -

ra,

ta-na- ta

ta

li -

ty

Tho'

ye

die

in

com- bat go

ry,

Ye

shall

live

i*

song and sto

ry

Go

to

im

mor

ta

li

im

mor-U

U -ty

Tho'

ye

die

in

oom-bat go

ry.

Ye

shall lire

in

song and sto

ty

Go

to

im

ta

ra,

ra,

^^

Ta-ran

-ta-ra,

ra,

ra,

ta,

ta,

ra,

ra,

Ta-ran

to

ra,

ta-ran - ta- ra,

U-ran

- ta

m
1^

m
==Sf
OB

^
ht.

Yf,

for -

wm4

the ioe,

Thfy

^^
go, they

F
!

jo

Edith.

E*E
Yet,
for-

y-TT 5=P
ward
cm

S
They
gt,

Cbokus or Gnu.

At

they (o

^
Yei.

^
i
the

i
Yet,

W=9
for

^
tc*
on
the

i
TT"T

>-g f
I

r
'

=F
Yet,

^^
ga
I

ward

fee.

B^i 'J'^

Sbrokamt.

-^^H*- r-tfrj^
aftzts:

tf:l
the fee,

^^-^VW
Yta, for-waid oa
the be,

r|j
they f^
I

^
Yet,

^^

>^
the

Vet,

fcr-vkid ca

They g*

forwud oa

Cbokus of Police.

fcrr
fo
!

EC iiZI^ i!trjs: r
Yes,

r
Yet,

r- f ; -ng r *i'"^\
(or-ward on
the foe,

ior-wan] on

the foe,

^^ jm^I^
They
go.

EgiSg^

laey go

Yes,

for-ward on

Major-Generau

IE i

I*

e.\d

ddi

=1=

Yet, tnt yon don't

go 1

m ^^
if

^ g^-TT

3*3i

*'i
T
1

^=3*
i

I.

^
^:r-r

^.

1f^

r-g'
I

!:=*:

*- *
:
the
foe
1

^
At At

:?ce:

r
last

e t^^=g=5^ S e r
at last they go,

m ^
they

for

ward

on

they

go,

at last

^fr=^ 5z=^
for
-

g
foe
last

^^^E:^^^
they
go,
at last they go, at last thej

ward

on

the

i
fat

'^=w^
foe
!

:?cz At
last

^-rrg~P^r^T
at last

ward

on

the

they

go,

they go,

at last they

^^
foe.

-t^^
Yet, for-ward on
the
foe
!

^
We
go.

g
we
I

go.

(^
foe.

-V>-*^
Yet,

^
the
foe
I

for-ward on

We
=f^=e:

ro.

^
It
go.

i ^
3CWC

:?:

Yet, bat yon don't

go

At

last

they go,

at

la ther

IP

Wp0

*0mi

m
^

-^ Lu/
;o

-r

ta
1

Efe

=t=

=62::^

go

At

last

they real

ly, real

ly

go

^Et
go
!

-i^ ^-U
At
last

^V

b ^
- ly,

^
-

m
go
I

they real

real

ly

^=E
go
!

We

go,

we

go,

we

go,

we

go

m
go
I

3*:

We

go,

we

go,

we
?i
-

go,

we
'

go

js

N K

i
I

J
At

ji'
last

^ s

^ J m ^9
1

^ fS
go
I

go

they real

- ly,

real - ly

^ ^
B^i^^
iva..
-

^B

^
T

YTi

t-|t-Bt

1^

? -:

i>

ig

^-1* g- ^
|

^^fF^^^^^mrr^T^rr^

(Mabsl
iider$,

tears fierseif

Jrvm Fkeu, and

exit* R.,

jollowd by

km
ika

consoling her. The General and other* PoUee off L. Frederic remain* alone.)

JoUou

"lo.

4
Rkcit. Fred.

RECITATIVE & TRIO.

K & & hiz^ J jr d mNow
for the

Puna

^
I

^^=W=f^
'

*
'

^
nn boond -ed

^c

^ir
re - lief
I

ig

g.
-

if
ex
-

Pi- rate'i lair

Oh, joy
:p"'

Oh, iwect

Oh, np-tnre on

Maestoso.

"f:

^-

p"*^^"

t'lp^-

^.r^r

^ w
r r:
^f >^

I ^

^^
wnse
of

K > J y >

fen:

dn-ty'itteni die- ta- tkm,

i W=^

^sc

^
I,

=^

J
vie
-

J
tim,

j^^V
have been goilt
-

^
7
l

Moderate.
)> i>

^
^

KiKO.

cir-cii)ii-tao-Ge'i

=S

^3ES

^^
i
Fked.

:^
9=

^
^
yoor
lit -

^
-Ir-

Yooiif

^E: b^^

g
t^

Rtttm.
>t
*)

h
And

i
I,

tie

Rath

(!^^w~^
WlwcalU?

f =iz=t
Oh, oud
t

f.z\z>r
in
-

tz=bt

tra-den

Hew

dart jroa

m p''
I

;g

'^^^
Your
late
.

i\r
comman
-

r
der
1

Fred'ric

Ir

tr^

96

^^
bcc

^^
nel

(Knre and Buth

3=^
-s^

^
kI

hold a piMol

to

rt. ^
ei
-

a=

s
-

2^
-

Km

Know

fe

not,

oh,

rsh

oocs,

Thit

hmre doomed ro to

ter

mi

tioa ^

IIe

fH'

m
t r
s l^
a*

w=^
Frko.

m
i

M.

JK=t
c;

c U
yoa

r
I

bi

^^
I

OB

Hear

ilaiigh

'"i>i^iijji-r^
t^

^r"r
r_^. Vti

^ ^g
^ i S
S
tkiak

UM
to

^
n

^
-

tcr

do

ad

^lCC'E"

^r

TJl ^

-^ fe OtZiK ff
a^S^

V
C
I

^^
^

"

'^

acx

p
ten

W^

&

>.

fc

^
oar

^i*=^
J

3
p-

ooght to

lu

yoa

Yet

nwr

cy shoold al

Uy

mre

re

lent

meat.

And

?^^

^ H.jJJ **
*
^a=

:^

ii

=y^
^

i i i
f

:fe=

F
I

'

'

mt-

bJ

bJ

^-^

No.
AlU^o groMiesa.

TRIO Ruth.
Jt^

Frederic,

& King..

^ ^
i
r

.-:(

^
%%x
I I
I

^
e:^
:r

:^=i:

^M
:^

* w

^
1

PTANa

m
5^
SI. t:*$

X-Kt^
it4
tx
I

JPt

1L-

-CCT
=S=^=P==i^
-K
r*

RlTH.
Jraise

#
our

3S=
itt verse.

-*>y:
spi
rits

=PI=?C
faint

=s->-af 1^

-x=^
our
cus
-

-^With
,

When

you had

left

our

pi - rate fold,

We

tried

to

Ac

cording

to

torn old,

King.
Tu*
2od
verse.

r-

u-

-g-

^:=3=

=ff=pc: =2t=5iC

-^_-|^ Spcqtrt^zzt?: :tz=2^

-

rerr^c
:tz1;?::
dic-tions queer;

-^-r
52i=st:

knew your taste

for

cu-rious quips, For cranks and con- ira

And

with the laugh-ter

on

our

lips,

We

5A f-S ^\
^ it"^

^^

d
quip

H=

^
-

J =^
ble

^
;

*
the

S^
heard.

and quib

quaint

But

all

in

vain

quips

we

We

lay

and

sobb'd up

*rocks,

on

the

Un

a-^

p ^
you there
to

g=w

wisb'd

9<

/;Vt

i-s

,H

N
ra-

^
I

>

>
quib

h
bles

h -'-^n
hed
in

< '

r9
-f*
beat this

^e

mous pa

dox We're quips and

Bocks, But

none

to

pa-ra^-dox!
f
Jt

\
tf

'

g- y

1>

iioui

^
pa
-

^ly

d>
'

t^
in

y>
flocks,

y
But

f ^
none

r ^
to

w-^.

kdox
!

ra

dox

We've quips and

quib

bles heard

beat this

pa

- ra -

g r
'

L-

\ ^> n O 'lTi

^
1 i

m,
1

m. I i

ixk:
^:3r

Ete

x^?

1st

(i

2iid verse.

gA
--rj\ s^
A
pa 6

>
ra

^
dox,

n -:^=^
a

=f5=tl

S
a

m
in

s
ge- nious

>
ra
-

-ydox. Ha,
ha,

3t=t2=
ha, ha,

*"
i,

>

=^
>

pa

ra -dox,

most

pa

ha,

ha.

ha,

ha, this

^
M
t:

Fred,

ist

;nd verse.

3=fc:

?t
A

zf=^
1**

-*

y
a

L^

#- ^
1^
-

f
U"

>-

^
ge -nious

52=:t:
pa
-

^^E
ilax.

ha,
ha, ha,
ha,

a thu

pa

1st

&

3^=

M
>
pa

nd

dox, verse.
ra
-

pa

ra

dox,

most

in -

Ha,

ha,

ha,

ha,
2.

0t
1*1

_ fe
Iz:
a

->
U"

u
dox,

r
a

f^
in
-

K
ge
-

K[
nious

-*

N
pa

N ^^"-^

=^P^

f-

J
ha,

^r-

ra -dox,

pa

ra

most

ha, thit

^ ^
pa

JZZ! time.
dox.

ind time.

5^\
/

E=IZ=
pa
dox.

>,

B
S
dox.

^^^ 3^
i;ric
pa

We

^*:f:

^^..je-

^.

tj/ time.

~t7Tnd~itme.

fcS

^B5E

3:
/

^
->
'

\^V.-^
.ff

=^P-

^^EEB
T=^=^

1^^^ i=^^ t-u-

-r-r-ir*

^-r^FF afc^ ^
-ti

King.

... Vo^
}

ome nd.culous leason, to wh.ch, however, I vj no desire to be dis,

....

^
,

99
-rr

person in
)
(

'

f
\

-'oyal,

Some

,uthonty-I

don't know very likely the Astronomer

who-

One year in even f Koyal, Has decided thai, although ^ ( plenly 5 for such a beastly month as lel,r. (lur his days shall be reck( ) [-ary.twenty-eightdaysasarulearej ( -oned s mne and
:

'I

^s a^
1^
^S

.<s-

-c^

-^r

^OF^

/^
I

rj

/fairy, Vou are the victim of this , twenty, Through some singular ruary. And so, r cover Thattho' you've lived twenty ., by a ., J /J clumsy arrangement, having been coincidence- -I shouldn't be surprised e simple arithmetical process, V < one years, yei, if we go by irthdays, bom in leap year on the f| were '.wing to the agency of an ill-natlured)] you'll easily dis isyou're only five and a little bit ) (. ' twenty-ninth of Febv^
,

M
'

'

-'

Sr=g=
"0?=^

Ulsz:

-^r

:m^ -^^
3ZI

^
Fred.

fi^

nz=z=

-isr

Ruth.

i f

^
If

9.

St
Ha,

^
ha, ha, ha, ha,

3=^
ha
I

^ W
Dear
me,

"^ ^
let's

Ho. ho,

ho,

ho

lee

a tempo.
gJ.=g,

Vj; v^-^
D

^1

C
Ha,

P ^ ;
ha, ha,

CiD,;'/;'!/
ha
!

o-verl

ha. ha,

Ho, ho,

ho,

^^=^ 1^=^=^=^ )i

*:

^^.

hoi -

:=*i
iT

15-*-

C-l;||ULj'- 1K
dim.

P
ilflt*:

^^
^
.
.

^^^

Ruth.

lOO

3^

^ i

Fred.
r*

J
ways

#.
of

lif
quaint the

^
Pa
-

,^

y
dox
I

^
Al

J
sense

*
she

^
gai
-

-g

How

ra -

com

mon

ly

mock*. The',

^
K
-X

S
t'

^^g

^
Jim.

ji

'

=F^
P
--f=w^

"T

Fl^"

ifsiSi

-^1P-

=^3=

^
1-

i S

^
1*
**

1^

-K

>
ing

J
in

^
the

^
u

^
U"

'

^
twen
-

K
ty
-

h
one

Iv

:if=^
I've

*
been

s
a

:?5=^ -m S S
live,

^
by

ra//.

SJ
na

K
Yet,

count

3
by

sua] way. Years

Vet,

re'-k-'ning

my

tal

day,

l=j^

f'

=fs=^

^S^ jA P^ i
^

f'

^
ra//.

^^
=^=-=1

=S=^

-i
-it

1 tempo.

'

p-

>^

m^
a
lit

reck

'ning

my

na

tal

day,

am

lie

boy

of

6ve

^&
fe 9

^^
Ruth.

He

is

King.

i
yz a tempo.

^
He
is

^^

ittz:

^
^
-

^
P
J^
!

^^

r
boy

-*

t^

j^
ha,

J^
ha,

J^
ha,

/-Ji-tur
ha,
ha, ha,

^
a
r>

lit

tie

cf

five

Ha,

ha'

That

Fred.
io

v= ^
ha,

^
lit

Z
tie

^
t)oy

Ha,

ha,

ha,

ha,

ha,

ha,

ha

That

c
of
five
I

c
ha,
P.

c
ha,

cha,

Ha,

ha.

ha,

ha,

hal

That

..

-*.

:^

^^ ^

I
dim.

^^

lOI

=*
pa
-

-f*

oj

'

'

-it-r-^wti^i^

>,

^
in
-

-;?-*:
ge-nious

i"

i-^

^ *
:

^ *^ ^

^=^<f

^
ha,

',

^3
],,

f^
I

ra-dox,that

pa -ra.dox,That most

pa

ra

-it dox.

^
ra

Ma,
1

ha, ha, ha,

ha, ha,
(T
P<

ha
>

That pa

^ = pa- ra- dox,

=
that

"--J-^

^-^

^Is
"-**
!

'-= pa

'^

K
in
-

^
ge-nious

'-^

'

K'

ha, ha,

'

ra

- ra

dox,That

most

pa- ra-dox. Ha,

ha,

ha,

ha, ha. ha

That pa

pa

ra- Jox.that

pa- ra-dox. That most

in

ge-nious

pa

ra

dox. Ha,

ha, ha, ha,

ha,

ha, ha, ha IT'iat pa

ra

:^^ ^ k ^^^ ^

">

-^4

^:S:

rrrrrrrfn:~^u^fdox.

Ha,

ha,

ha,

ha,

ha,

ha,

ha,

ha

Th.it

cu

^
-

s
pa

-wz

l^ ha,

U
ha,

U"

^^
ha
!

rious

5A #r^
-s

If

*'
r-

^^S^
ha,
h.-i,

i^^
ha! That
cii

^
'

dox. Ha,

ha,

ha,

ha,

ha,

lious

pa

^
ra
-

dox. Ha,

ha,

ha,

ha,

ha,

Thai

'*

* >
ha,

~
U'

^ y
'

0--^jKZ
^
ha,

^ =6^
hk, ha,

ra

dox. Ha,

ha,

ha,

ha.

That

j;

>

1^

'.^

y io > y= ^
ha,

-'^^
!

^^=;;p
-

p
-

^
-

^
ha,

W
ha,

1^

K ha,

i*"

1^

dox, Ha, ha,

ha.

ha,

ha,

lia,

ha

That

cu

rion

ra

dox. Ha,

ha,

ha,

ha,

ha,

That

tfe5

5^

m
-^-in
-

^t-jzFXiit L
I

_S

.*_ _
'

*|

<_<:
'

::

^
rp-

^
:?

-+
,

- :e jr

^
S
.Jm

:jcE
most
ge

^
pa
ra
-

:^
dox.

mous

^
-r most

*
i-

5=2=

:^
ra
-

m
I

ge

nious

pa

dox.

^S.3=
most
in

-p r*-^
il
pa
ra
-

dox.

y^^^^^;^

l~l c!
"
I

-H

1*"

._L

h-

h-F=
I
i

a::J~

^=S V

iAL

thrtm themgelves back on

seals,

exhavaUd

tcilh

laughing.)

Fred.

Upon my word,

this is nios*^ curious,

Most absurdly whimsical. Five and a quarter No one would think it to Lok at rae. Ruth. You are glad now, I'll be bound, that you spared us. Fred. Ought I to tell you ? No no I cannot do it and Ifou would never have forgiven yourself when you discovered yet, as one of your band that you had kOlcd two of your comrades. King. Speak out, 1 charge you, by that sense of cooaateti Fred. My comrades? tiousness to which we have never yet appealed in vain. King. I'm afraid you don't appreciate the delicacy of your General Stanley, the father of my Mabel
!

at the thought that I have ever been mixed up with il, >hiI dot/ At any cost, I will do my duty. is before all. Come, you are one of us onoe more. Kino. Bravely spoken (Suddenly.) Oh, horror] Fred. Lead on, I follow King and Ruth. What is the matter ?
!

apprenticed to us King and Ruth. Yes ! yes Fred. Until I reached ray twenty-first year. Fred. He escaped from you on the piea that Le wae &4 King. No, until you reached your twenty:first birthday orphan 7 (producing document), and, going by birthdays, you are as yet King. He did. only five ana a quarter. Fred. It breaks my heart to betray the honored lathei of Fred. You don't mean to say you are going to hold me to the girl I adore, but as your apprentice I have no alternative diat? It is my duty to tell you tliat General Stanley is no orphan. King. No, we merely remind you of the fact, and leave the King" a7i(/ Ruth. What? rest to your sense of duty. Fred. More than that, he never was one Fred. ( Wildly.) Don't put it on that footing. As I was King. I to understand that to save his contemptible merciftil to you just now, be mercitui to me. I implore you not (Fked life he dared to practise on our credulous simplicity ? insist on the letter of your bond just as to the cup of happiness nods as he weeps.) Our revenge shall be swift and terrible. is at my lips. will go and collect our band and attack Tremorden Castle this Ruth. insist on nothing. content ourselves with very night. pointing out to you your duty. Fred. But Fred. Well, you have appealed to my sense of duty, and my KiMO. Not a word ! he is doomed duty is only too clear. I abhor your infamous calling, I shudder
position.

You were

Fred.

Am

We

We

We

No.

6.
Allegro molto.

TRIO Ruth.
KlTTH.

Frederic,

& King.
* r

i aF^

3E

P-^VF-

-r*-*Away, a
-

^
way,

a^ M-^Mi
i

,<ut-P>.
fire
I

#
re

my

heart's

on

burn

this base de-ception to

pay.

This re- ry

w ^s I s

m^
AlUgro
molto.

''.?

King.

<^^^r^. ^
I

*-

-!:tz^g:
fire!
I

rrrr >ir-r
base de-ception to
re
-

Away, a

way,

myheart'son

bum this

pay.

This ve- rr

^FrTr
Piano. <

^5^Pg^:PL-:gT^JJll^N_^yjg^j J^^^.^
102

t=fi

I03

P
m

e^^^^^
day
. .

==:*=
:S:^
in gore.

-^
-

^
!

'11

my

vengeance

dire

Shall glul

it

self

A-way, a

way

^-^

hV ^
-

Fred.

^S
-

A-way,

way,

ere

ex

%^"=^^^
day
,

-^
dire

^ - **
j

#.r
I

t^it

=e?=t
self
in gore.

rt2:
A-way,
a
-

U -1
wayl

=^

my

vengeance

Shall glut

m
a===l*c=t==3rpc:i==jr=z=ftr:t=:ftxp: * p
1:=

^l^^

^H

^1*l
.

m
^

pire

I find

my

du

ty hard

to

do

to

day.

My

heart

is

fiU'd

with an

guish

dire;

It strikes

^^^i
B ^

'^ y^

rr:
I

N
-

Stt^.

*-^S"

j-j:^j-

^^
k-

53^ ^^

^t :e=?t

=pz^#=

*^-^

?^ -t

i
^/i r
s?
to

r-?^^s;^
A-way, a

the core!

way!

fg:fWith

>-l-f-^
falseh'ood foul

:i2r
i

l r w

^
I

f"' grg
- rate

1
de-

he trick'dua of

our

brides;...

Let vengeance howl, the Pi

lo

^55^^^3BE
-

J=Sl:

f3=|r?35iij?:fifc?i?3
'

-*

* r9-0-*-0

-*-#

^ L-LT
J!-

'**

0-^ 0

#^#

LJU
J2*-

'

*^\

gfl

'

; ^

i /tr^

1
'

o *
!

.--

'

104

Yes,

t
^fc
Jdei
I
.

Eirzi-g

^^
.

Yes.

rzt

^ ^
-ii^
I

^ ^
l

# ^
hi*

1^.^ '^
I

^
in

r, #

:a3_^=^
re

Our na

tores

stem he oft-ened with

lies

And

tuni

to-night the trai

tor

dies

^^
yes,
to -night the trai

-"M-

-w
k
\f

.^N
p

J^ 1.^

J^ m

'^

J:

xs

/_

r--

-3-3i

^3^r
ytt,

Pr ri^iB 1
-

r _,
>^

11

r
yes,

:S?^ t^

p ^
I

tor

dies

Yes,

to-night the trai

^^
t^

^n
I

^P=^^

^
SA

-T^1-^'

^
To-night he

r-

tor

dies

^^^^^=^^^f~i
to-night the tiai

j-ii-^-H^iTTTr
.

'

Mif^

i-j ^^^tig^

tor

dies!

Yes,

yes,

to-night the trai

StefJt

^
^)

T r

m
1

r=^^
;^
.

^^
r
;

tor

dies!

1
dies!
. .

^-=i-p-

2zS

Yes,

yes,

to-night the trai Aor

jn'n'

^^^
>
wr

-N
'1

=h

it^

^ 41-*

-^t*

>

I* --i

y
1 1

rflWJ.

-^1-=!-

-^ ==^=1-^-!^ ^r

i^

r-#
-^-^ > s >

i
i_l

F?^^7" ir

s
g-^Eg^ r
In their natures to

lA
.^L>
i*

iS^
dies!

^ 1 F

1
1^
'

They

will welter in

sor

row.

f
Yes, orear-ly to
-

-P

^-^

'1-^- ^ ^-^.^f^^His
girls like

wise.

-=1-

^:;;=^^fc^
The
one
soft

*^"^
,1

*
spot

1 -1

f-

mar

row.

^M^^ ^^^^^^^^^^^

'^'

'.-^

'm

05

m 9 ^S
che
-

2P^

I P

-*
Tc
-

9-9-0 m -0r
he dies
I

jj

< ^~>-^-^^H
*i
f

?^-i^
ow
His
Hi

riih

m.:jf=ti

=P=?c
And

f=m:
the

3t3r(t
plot

^^33Z
C * ! ^
a-b<ise

3rz3iPr

^
ll

^
V
To

night

jres,

or ear -ly

to

oior

-^
night

^^n^.
he dies
!

all

yes, or ear -ly

to

mor- row.

MiC ^
To

"

f^ ^^
,

xwtz f*
-

53^3=::^
risfa.

>

>

).

KK^P^N-JiT
yes, or ear -ly

eI^^H
mor

it

shall

To

oight he dies

to -

cow.

Hu

^^j
^
I

J-J35^G7^ ^
^
,

^^
The
one

i^

i>

'

>

^
i

j'*_^_'*

^J*

_f*l

i--'J^^-^
sor
-

^ ^^^-iJ
soft spot in their natures they

Ml
-

'

V->
who
-^r-

i~fn^~
it

girlslikewise,theywillwelter in

row

che

risb,

And

all

plot 10

a-buse
*

shall

i t

^ > > h :;y~>'> 9 m 9 9 'r^-

S
sor
-

S N S >[
,

33=d-v- d
row
;

d d d d -d-d-d- ^^d^^^-d-^'^-^
soft spot in

girlslikewise.they will welter in

The

one

theirnatures they che

rish.

And

all

who plot

to

a-buse

it

shall

^S

^ S N h K

>

they will welter in

-r-rrrThe

-r r r r r^r^r^r^->-

r^rffre
-

'i^

i<

i^ -l

girls likewise,

sor- row;

one

soft

spot in their natures they che

rish.

And

all

who

plot to

a-buse

it

shall

r h r 'f
I

r.

^
:e-

-f-r-f 9 *
,

r^>-;:ig^

-r-^1t*-tT^:
-t-^-

rST^r^'

S
P

:ff-

^y. g s ^i
.r

1511

jl3u 11^11

^
ay
I

P*

>

'

^1

1
l

^gT^C^l

l^
tor

'

-P
i

5-

l l

^1

r^^

^^p=^S^^^^ i s
:^.
pe
-

lit*

f
-*

t-

r =g=

^
trai

A^^H^
dies!
A-\ray. a

rish

A- way, a

way,

To-night the

ff

^i>-^-p-

in-!^
way
I

-r^
pe
-

rish

A-way, a

way.

igi^tt-J-^ J-3:jiar

=8;

pe

rish

A-way, a

way,

...

^
a

P^
trai

^^^g=g
dies
!

To-night the

A-way,

53itzit
way
! . .

L^ g-L
trai

;^E^r

^.

A
:

=Sz^
dies
I

K-

To-night the

A-way, 1

TT

=^FW^

io6

^\
i

J
way I

ti^

^^
,

S
.

'-0
-

to - night.

to

oigbt,

to

night

thc

tor

dies

5=^
way
!

^
to

i
to

r?

4<=I

itacx
night.

ijfjc:
I

dt
toi

night,

to

night

the

irai

dies

^^^m
way
!

T~^~P"
.

S^
I

0a-\/
i

Bf2=
-T

^
I

Ato

to

night,

to - night,

to

night

the

trai

dies

^^^? EsdESg^ p^p^=#|E=d^i^ p^^S=^s^

'f

-4

W^

tir

4'^**s-

te^
1

i>

',

f::

i-;

-^
*
-

'

I-

j,zjzj?e;

3*"^

*:

(.mu>U .iMa and Ruth.

Frkd

throws himself mi a tUme lj.(X

in bloTik detpair.

Enier Mahbt.)

No.

7.
Recit.

RECITATIVE &
Mabeu

DUET Mabel
^^=W=
I

&

Frc<Ieric.

^fes f^r*^-ih
All

flp^a53ii
prepar'd
I

^^Frede-ric in tears
I

>
It

-w

<

i^^

is

Your

gallant crew a-wait you

|S5
PIAMO.

:;=!=

^-

Mv
r

can -aoi be that li-oo keaft

4m

--

^V^rf^

^E :&:
Fred.
r

--

T:

S?5<z
\

I r5^ ^-^

'

gJk* ^^'=^^-^ '

V
r
I

"('pr

i
;

f~y ^-^*-^

-tf

m k
ter

^ at-b^ tg:
ri -

j;Fp=^i/-Jj:
just

quails

at

thecam-ing con-

flict ?

Vo,

Ma

bel,

no!

ble

dis-clo-sure has

been made

^
Ma
-

Umpo

moderati.

^i=j
--;*=tc

bel,

my

dear

iy

a tempo tnoderato.

3=t

--

WSi^
-p

53:

--

^
^
-^
-

r^^lg
lov'd

kJ^'^-^
one
t

\<'
t^

f U U f
-

ZM^t ^ '^
Pi
-

:i;

1^ -1^
Un
til

1I

3^^^
reach'd

bound my

self

.0

serve the

rate

Cap

tain

my

one

and

^
iweolirt*

T=^^=^

m:

d^

^
^

te

m^
gfjf:

-Mabel.

s
Fred.

p*i
frj

-j

L^j=4:
-

^]
you

r
an

J-J-Jixw^h^nfanizj
Iwen
-

^^
was

'itf^

m
5

birth

day

But

ty

ooe

I've

just

dis

co- ver'd

that

bom

in

leap

year.

And

^
that

>

ff:

io8

^^Ti^T^rfT
biitb-dav wiU no

^^
me
1
'

Mabkl.
r^
nine
-

("a

Ji^ f-H^j^^^fT^.l J^^'^-^

.'or

be reach 'd by

till

teen

ty

Oh, hor -

ri

ble

Ca

tas-tro-pbc ap-pall-hig

(/

>

-**

+ J
1<

ij' 3 B-* -^tr

r I

'*

'

^-t

11

"^

77

-- '--

^^P
Fred.

:!=

?^

ii

W
^ bJ

P^g^^3fe^^^l^
=5=
-p

-Mabel.

No

8.

DUET Mabel
-

& Frederic

&
i

Mabel.

iE
Fred

J
ric,

>
le
-

-r

^:

=^=?=
claim
1

Stay,

stay

They have no

gal

No

Ai/ci;ro agi/ato.

izHz3^
PlANO.

^^

(
;
I

^^T^^^

1
;

1
]

r^^^T^-1

'

"-T

i?3-"^l^^*-'

?^
J

-p-

-^*

ii
-p

t-

-^
of

*f=
a

S
shadow

=^= ^Egzfe;t=t=
fall

^r~^
;

shame Will

up

on thy name

Stay,

Fred

'ric,

stay

Fred.

Nay,

Ma

bel,

nay;

To

tO<)

i u

M^^
night
I

p
walls
I

p-

-m- J^^c^ :q=1:^ U

I
I

-rs

- E

quit these

The thought my

soul

ap

pals; But

when stern du

ty calls.

must

bey

V
-p

p-

3 Sf^ --F

-I

jr-i-

_tl_ct ^*
I

^
I

p-

-*-

F
^=ri
-t-

r^^
=r

3!=^=::=::

r
.

I>^'

r
Stay,

acrpe
r
Fred
'f
-I

r
I

^^
.
1

-p -claim

-.

iEfE
ol

:?s^a:

-'ric,

stay

They have no

No

sha

dow

shame

Will

fall

t:p=
-1

^-r-M=f^-p
I I

=^=j^ -r^-r
But du-ty's name. The thought

_*qt^^^]f^^^^ -^. .

Nay, Mabel,

nay;

my

soul

ap

pals

But when

^^^^^^^^^^^mw
m^
i ^
f^J
i i

*L_4

5l-W-t|^|
T~fT~
P
1

zcrzc: P

E^Jlg

fc3-

r=?E
up on thy

s
name
;

-p

--

q*^
Stay, Fr4-'ric, stay
!

?3
:4

i m ^

^^=^^=f^

-p

--

iP^^
=1:
I

g
o
bey
!

stem du

ty

call*,

must

'iijij^

no

m
ZX.

Andante.

Mabel.
^ ^ w

^
not
to

-*-.-^
de
-

^
!

ry-r
-t^v^ :^c3t:

ei^*i
mine.

^
so
f

t)

Ah, leave

me

H t 8^3=*:1^=5J3 *
-

pine

A- lone and

so- late

No

fate

4-^-^-^ f * * g t^
*
*

seemed

fair as

No
,

hap
l

^^i^

-pi-nes
I

great;

An
1

il-^i-^

^r-n

^
:S=*

^
na

;9p

</<7/-^.

y'

"

*"'
I

^
==
I

i;S=

^^

j&c jtztc
- ture,

J
day.

It*

f
sung
*'

=?^

=^^=^^^^i^
.

JgThis

day by

-4 ^ 'J
^^

Has

in

ac

cents clear
^-

joy-ous round- e

lay

He

loves

^
thee

he

is

^^
i
here!
)
1

-r^i ^^

^^^
=f5:=S=

^e

f ^
m//.

iplr^i^J^J
r

r^
"-^
i

*T^.S^

=P=e:

J J J -it=pf

=r==F -r-#
Fal
la

^^=ts
la

aizist
Fal
la

i
here!

-^

^--^
Fal

la

la,

la

He

loves thee

he

is

Fal

U U

U,

UI

I f=i:?15

1-

--

'^r^-Mf^
dim.

\J^
-l^f^t
..

-y-

?33^
Fred.

J&e=|!t
I

g Cjh

g-S
i^"

I
'

>

y
I

'V

r-

^
sor
-

^
Kl
row
all

^=F
I

-y-r
y
Ab,
I

=R=F
:5=it
here In

b^

=t-!=^

^^
- less

^
Where joy
, I
.

m
is

* IW-I

^^
drear.

must leave thee

end

night to dream.
,

dark and
I I

And

su

preme

When

m ^

"1

M-*-

^
.

s
1

1^

J j_H4-J -^ -4-i-d-k/^r
I !
'

T^^ g-j-j-.-/
rr

m^
-f^-tr-

pdolce.

*-

^
^t
by
day,
will

=^H=

SlO^^
iff.-r=^ rti

=i>=

^
smg
:
!

1;=
-1
in
al
-

^
This

^^

?^^
-

na

lure, ilay

tered

tone

wei- ry round - e

lay:

He

loves thee - he

is

M^ICT 1H
l

-5
1

l^-T

7 C-i!^^^^S^b7T
*
'

"?
C J

F=^=Jf
!

*:

^^S^^si^
.

/rgg

^S

Ill

^
r r

Mabel.
^'
t

:^z

-^m^^mz
la
la
la,

E
Fal
lat

Fal
ra/l.

^^E^E^^^-^^^E^a^Lr^
gone. Fal
la
la
la,

^^mr
he
is

r
Fal

r^-p^
U
la
la,

^p
la

Fal

la

la

~S*

He

loves

thee,

here.

Fal

f=,
a=3.3i

be^-ft
r*

fj^J,^
,

E
-<S-'

Recit.

i^ S
-iSt

^
It

j-|g

zciz
seems
so long.

^-

EEE
In

^ ^
1940
1

^ ^=^
it.

J
S irear

////;:j^
that
till

ol

age shall be;

111

then return and claim you,

de

clare

then you will be

s^

i^^
ZC2Z

^^

(aside.)

& s
Yes,

:^
1^:3=
be strong;

^S^^Se^^^
By
all

-p

^
I

^
swear

1p=t;*
it
1

E3

ni

the

Stan

- leys,

dead

and gone.

te^
true
t<

^
me
'

-fc^o-

rz3i

S
A

-p

ili^

r2z2z
[>-

-f= --

HI

I ?

^
Allegro vivace.

.'E=S=

zmzz^lzm
Oh, here
ii

S
and here
is

^
truth,
Irutli,

-^^^ni
And
here
is

r
food for

love,

joy

oa

laugh

ter

He

^
will

be

^^ ^i
Oh, here
is

-T-

y^j
joy
-

r
ous

:U=fc
- ler

love,

and here

is

And

here

is

food for

laugh

;6he wiU be

P ^^^
ff

r^^ez

id^d_a^a>bi

^^=^-Jfp^
/
i*
. i

^S
e
-

3E^

:r=?^

m
I

5^ d W
Jt-^
I

E
4r-:

rp^

^r^izi

^ *
i
af
-

*-^

J
1-*

^t
1

1^^^
faith
-

=t2=tE
to

'Mp=F^==i^?= nCizi^
4=it
and
are

ie:
I

ful

his

sooth.

Till

we

wed,

ver

ter

Oh.

^ 5^t
tkith

:e=^
itzzJt:
ful

I6i?=^
sooth.
Till

5f=^
are

Taf

f
here
is

'

tf(*- -=g-4t#u-i u ^

to

her

we

wed,

and

ver

ter

Oh,

love,

and

here

is

truth.

i?3E E3

|=i=-=t^^
I

-r-i

s =p=^

'

rfefef

te^
I?*:

^i^r^ 11:=-

J3^

4=5-

I
-rtT r:
i

S
3g-=ifclWK
i>

^
and

h r
*^
^^

tjg

i2==*=k=
here
is

u
to

s*=
his

here

is

love,

truth.

He

will

he

faith-ful

sooth.

i ^ 5
"^
i

J^ig -<^ -^C::tg a?c

She
will

1^33*:

=^=Jsooth,
Till

be faith-ful

to

her

we
It

are wed, and

ven

-^
C
41

*
^

3ft:

is-

^
f

-P

ai^

"1*~

g
5==F i S^

^
S=*=^
^c
are

^a^
:^=^
ter
I.

^^
and here
is

--

iVt^nu: ?^
Till

=l*3t:
Yes, e

-^z.

-i'^-k-i^
-

we
--

wed.

ven

af

Oh, here

is

love,

*I

r-^f
t
-

rgC'glC-C^:
And
e-ven
af- ter

-J^ -Jg-

S^

tz=^
love,

=SC!t

utet:
and here
is

ter.

dt

f^ I

-r
i'

f
t-

^ ^
t

Oh, here is

^i=^=i
Tl*

l^^P^^S
I*!

*l

^f

//3

te
9

r-

^-f> ?*=>=
And
here

:fCF:^^=S?=
itzr:-:
laagb
-

truth.

food

for

joy

oas

ter

e
^y i 3

He

will

be

faith

lul

to

his

sooth.

Till

we ?-

are

d
And

* W

*=
is

'-^r-r-f- ^^i
food
for

U
Uogh
-

^
be

'

^=ii^Z
to

^
-1-

trath.

here

joy

ons

ter

She

will

faith

fill

her

looth.

S=F^

:3t=t=

-i

c^
I I

f=|=i=j:J--i<=i

H
ter,

?
e
-

^s
ter!

j=p=
love.

-y

en

Oh, here

is

:tz=^=Sz: and here b

IL
truth,

ft
ii

Oh, here

^Mf
ter.

^=^
ter
I

m
It
is

Oh, here
'
1

is

Ioe,

and here

truth.

Oh, here
'

m
it
I

i^p
^M

i I

=g=

J
I

J ^ *

I-

3t
IP

^
^
is
,

V
J

*I

ere

I '

do.

-I

^-^^

^^
I

^
Farewell
Farewell
1

5^^ ^

ig
love, -T^

5=q!t:
love,

f
love love
I

Fred. Mabel. Both.

The same
1

to

Adieu you Adieu

-?=:

(Fbed nuhet

to

windoto and leapt ouL)

g:
itrrn:

*:
;

:C=izc:

'

^-^-T-w-^iK-r^
t=x:

if

^^^tlt
^Et
=g-"^^

/
"1 -ip-

:^^-.o
'

j-^-
1

114

No.

9.

RECITATIVE Mabel.
Mabel
liSEI

&c.

Chorus of

Police.

i r^FH
Yes,
I

j?E m m r^^:lz=Cz:
I

3^=tz:
ly

brave

Oh,

fam

de

scent,

^ r How great

r l-l'^::^'^^:^^^^
thy

^^^^
>
^
-

charm,

thy sway

how

ex-

eel-lent!

^
i?=t:

Piano.

tempo. Moiieralo.

{Enter Police from R.

E.,

marehiny in tingle

file.')

Solo.

Sergeant.

Tho'

in

bo

dy and

in

mind

We
Police.

ar

m
-gS
!
I

Chorus of

Ta-ran

ta - ra,

a-rao

- ta- ra.

f-g=F

^
'

^1

^
'
1

"-i

=f 1
:2

hi

rfl

-^ -

-^

-*

-y

M =

-^

cresc.

^
-ly

T^r^
!

>

^"T^^r"^ :S=:p=
ti

i?=?
And
a
-

^^
m
.

:5:i:iS-

mid

in-clin'd.

ny-lhing but blind

To

the

'

f^

-,

^^^
Ta-ian
.

:g-lj
Ta-ran
-

W g-^U ^U
la

^t-!_#_#_-^:::#g:
ta
-

ra.

ra,

la

-an

ra.

3^ i rt^

,^^

.^'^

,r-

p=^

?^
ft

ir

# i ^
_*
(^

^^

Ik

f
,

* ^
h
^

..

"5.

m
dan
-

SV
n

Tt

rr
;

r
Ye,

>
when

f
-

gr
ger's near

ger that's be-hind

the dan

m
T-r:~

^
Vie
ta-ran

TT^-ir :?=:
Ta-nn

5^33 it^
T-ran
-

n.

ta ra,

^i^
tj

rm,

i ^

-^

r*

^^
-
-a^

3?3^^=,

-y

^-

TT

-*

^
-T-ff

TT

J:

^
(

.i

^ a-^'

^f=^-1-^^h

^
a

l=3i)-

JZmIt:
-S
-St

^
ma

^
-

f
As

^
in
-

ti=ifii
tOi

==e= ^^^.
sen
si

M=^|Efe^
fear

nage

ap

pri
.:ffi^

ble

to

ny

Inj

dy

here,

at

<

(^
Ta
ran

:?=

ra

..I^.jj^']_p>-'H-

*?

::

*
-^-^

3?3

::

ift

^ ^
iU=tj:=3i

^^

-J^-j^
3^
nj

P
dy

a!::a

^
zar

-^

^
-=r
ta-ran
>

1^
*-=l-

'V?l 5=2*

-^

-=t:

^ 5

^ ^^
la

Js:^

^S^
^3^:
-

Ji^^

1^
{W

v>
I

-W=f^

>
U

# 0^^9==^
ra,

mM-m,
ta - ra,

it-w
ta -ran
ta lau

bo

here

Ta-ran

ra,

-ta-ra,

la-ran-ta-

Sk
Ta-na

* *
I

p-p-r-^-r
|g

m^ it

J*d'

^.
fa.

y^f-)

g
-

U
la,

k:

^
-ta-ra,
ra,

nzgn
ra,

ta

ta

ran

^^e m*
=^=^=1=^
'
I

^^
^^^=^^
'

^
1

-*

-jr

B^^^^^^3^ E^3^^^
-=r

-=r

a
^-

g;

m
ra,

"

^
j

m
1^

m P
-

U
-

py:=z^
la

^
ra.

* u

* f ^ * ^=^ii=^y^=^
(

->

r-'
9

T'

^^^
'

ta - ran

ta

ra.

ran

-ta-ra,

ta-ran-ta-ra,

u-ran-U-ra,

U-ran-_ta-ia,

ta-mn-

zA^^.=^r=J^^=J^,=^J^^^ \=A
^=W^
ra.
ra.
*j

->^
1^

^
r-=^

ta - ran

ta

=ir^

^
33:

-P

1^^^^

>

^ ^

zr^

W
1*

'

m.

"

^m-^.~*-

-^

N^^

ii6
Mabel. " Death and
glory.

ra,

ta

ran

ra,

ran

ta

ra,

ran

ta

ra,

ta -

ran

ta

ra

^Dialogue goes on. )

ra, ra.

qg r^^^
ra,

^ 1*= ^;f=-^:=i^'=-^A
-|*
ta
-

jgt U!
ta
-

gL
-

f^

ta -ran

ta - ra,

ran_

ta - ri,

^-g

1^

ran

ta

ra

:|

1?

3
1

<

^ S^-^
M-

a^
*
r
"acted nobly.

^^
1

* *
I

;*

^
/?

<dd

Chorus of Police.

(i

^:
That >s not a pleasant way of putting it
t

321
He
has acted shamefully
I

221
He
has acted nobly
!

SP
w.
IZ2I

"go

ye and do yours."

Sergeant. "This is

perplexing.

"

"sense of doty.

(W
Very well
I

321
We
cannot understand
it

at all

m
" we joined the
'

force.

'

Too

late

now.

mI2Z
I

-P2=
difference, of course, but at the

That makes a
time,

same

we

repeal,

we cannot understand

it

at all

We

should

It

isl

i
AUaaa

Very well. Ai.t.. .Serokant. Tln< is perplexing. \Vc cannot understand it at alL .\i.i. That is not a pleasant way of putting it. Ai.i,. .NIaui'T,. No matter. He will not so lead you, for he has Skkoea.st. Still, if he is actuated by a st-iise of duty allied himself once more with his old as-'^ociatea. All. That makes a diHereiice, of course. At the same tima we repeat we cannot understand it. Am.. He has acted shamefully! Mabki,. You speak falsely you know nothing about it. He Seroka.nt. No matter. Our course is clear; we must lo li.ii acted nobly our best to capture these pirates alone. It is most diitressing to us to be the af:cnt.< whereby our erring fellow-creatures are d* A 1,1.. He has acted nobly Mabel. Dtarly as I loved him before, his heroic sacrifice to prived of that liberty which is so dear to all, but we should have his seuse of duty has endeared him to me tenfold ;' but if it wa.s thought of that before we joined the force. We should. his duty to constitute himself my foe, it is likewise mi/ duty to Ai-L. He has done his duty I will d>, Sergeakt. It is too late now. regard him in that light. (_Exit Mabi:u R. J. E.) "uine. All. It is. Go ye and do yours.
Sergeant, approach.
to

Mahcl.
you

Young Frederic waa

have

l(vl

to deatli

and glory.

Sergeant.

P^^S
No.
S5;

^^^^

^=:^

10

Song

1.

Sergeant & Chorus.

2.

When a When the

felon's not engaged in his em. en-ter-prising burgiar's nol a -

1
Allegro moderato

^^
Piaso.

-p

--

f
:?!=:

:^=:s^

*^

-F
-It-

-^t^

>-

f
tur
-

^s

^ m a
lo-nious

""
I

*
ca
-

:X=yC
.

EEE52
pa
-

1^
-

ployment,
burg-ling,

Or ma

in^ his
is

fe

lit - tie

plans,

His

ci

ty

for

in
lit

no
tie

cent

When

the

cut-lluo.it

-n't

oc

cu-pied

in

crime.

He

loves to

hear

the

brook

en a

^g=fe3^
his

Chorus of Police.

g^gg
lit -

em-ployment,
a-

tie plans,

not

burgling.

pied in crime,

^m

1"

r
Is
ju>i
lis
-

r
.IS'

* _|f-ulS
dif
fi

^
-

?=^=t2r
joy-ment
gurg-ling, great
to

ZSfZZ^LI^SfZ

And
-*

ten

as the

ny
ry

hon
vi!
-

est

mans.

Our

feel- ings

we with
fin-ished

cul

ty
hi

mer

lage chime.

Wnen

the

cos- ter's

jump-ing

on

S-h-t*^^

^
-

^
brook

>

5=^ * ^
1-=

^^'ji

-t-rhon
vil-

cent en

joy-ment,

a- gurg-ling,

est man's, lage chime.

ii8

U-Jt.
du

$mc

-ther
-Lhr,

WTiflj.jscm

sta

bu
to

la
lie

ry

- ty's

to

be
the

done,
son.
j

mo

He

Oh, tmke

<me .con-sid

er

>

tion with

an

lovei

bask -ing in

(S
-cul

^. y
-

ty

smother,

to
in

be dooe.
the son.

on

his

mo

ther,

9^

ii

^
i
i
J
.
I

flf

m
fe^^^-;-.^
o

^
1
A
-r-fi
po
-

W
tr*-

^
-t?->^
is

^ rlU^rt^
lice-man's lot

i:

r
hap
-

^
py

M
one

Js=f5:

>^

U"

T"

1^

i^^
ty's

ther,

not

When con
Ji=i-

sta

bnjr
-^

la

ry

du

to

be

g^is
an

^
la

du
-

**- :?J^.
-y^t?-:
l/s
to

with

iher

Ah,

when con

sta -

bu

ry

be

^"^=if

i ^
-^

"

f*

^^

^
-*

3?=:

:^
-

m
done,
to

^
be
done.

U
a

t^

_
-

^ -
hap
py

The

po

lice -

man's

lot

not

hap

py

otte,

one

(^
don;

m
be
done,

W~ -
po
-

*
one
I

The

lice -

man's

lot

is

not

hap

5=ic

^^
-V=#^

py

one,

hap

py

ry-

B= P
:^i:

s^

iE

PF^"-^^^ ^

EE^

i6c=3=

^ i ^3

119

No.

1.

SOLO Sergeant.

& Chorus of

Pirates

&

Police.

i^
f'U.NO.

)2.o
PiKATES.

^
It:
fif

^
fold
I

r
Kck

r.

r.

-c

tjr

We

>

pe

Ml

ty

Wc

^^
Kck

pe-

sal

ty

^
eek

f m-"" t?pe
-

^^

*
tjr

*-

h
teA

:?crz|s
a pe

^^^

naJ

t;

fif

bid I Tbc7

nal

- t}

[i /--

^^^ * * *
-*

J=rK:

-*^

JE^ T-Ji ^^3

r
T

^ ^E^

ar^y-

iSii

i i i *
N '
ral

^p
fif

M
-

>.

.'i.;i
Far

**

^
Stan

y- ley's

j^i
Mo
-

IE

ty

- fold

Ge

dc

ry

^
&.
fif
-

t
ty

l^BtL
p*

Sergeant.

1-

%r

^H=^
sto
-

^T=^^ P

r V

r c:=g: g_p
c
in force

?=?p

^3S
atride

-p

--

fold

Foi

Ge

ne

ral

Stan

ley's

ly

They come

with steal<thy

[i

E
VP
'

>

g-

^
till

^
->=>-

==ri^

J"
Tioos coarse

^
-J"
is

^ J
now

J
to

^^
hide
!

Chorus, n^o/ this, and dim.

*
I

next Chorus.

=^5=ti
J
l

J
ta

*
-

:a=JE *

99

3
ta
-

Oni

ob

Ta

ran

ra,

ta

ran

la

jP

^
I

{Police eoneeal Oitmselvet in aitU L. A (hey do to the Pirates, iisiith Ruth and Frederic, are seen appearing at ruined win-

,low C.

They enter

eautiouily, ofwl

The KinjO

laden xvith burglariotu *&

eome down stage on HpUit. and piMoU, etc ete.)

No

13

SOLO

Samuel, & Chonis of Pirates.

Xhorus or
Pirates

Piano.

^^tzE::^
on
our prey

J
Iq

J
-

J
dread
our
caa-tious

-r-nt
way we
feel

we

steal

lence

I 5:^
?^^
1
[

-H-^i-|-

-^

liT^ J^^

iT.

-^i-ip^
-g.

?^=1-

^
No
soood

i^
al}.

at

:5=V-

-A

^
;

Tt

3*

f^

=c

^
-)

>:=^

^ ^ 5
\^

' ' ' ^!

1^

=5'=S=
nc

*
A
fly"*

^'
dis
-1

ver speak a

word

foo<

fall

would be

tinct -

It

heard

Chorus of Police.
1

^^

^ >
.

4=
ta-nm
-

ILi^^'-JUJ'JUJjE

5j^5^
^

j^i

ji

^^'''^

^^"^^^j
/

^
I

n=B^

-{^"^

j-j

*^.Kv-}-r^

^1

>H ^

S
m
^i==j: Siat:
ral

*i

,^

---

iz=
So
steal

^4-U|.^.=A^-^
-

E^
the

'?*-house-hold sound-ly sleeps.

-dii

ly

the Pi- rate creeps. While all

^Y7T~K=7T~^i *
-5

16

^^^^3
-*

i3^:3

^=::a

"

/JZ

2L.

^ 3

^eeS^
Come,
friends,

It
the

"gr
sea.

who plough

Truce to na

^^^^^^^
-

vi -

ga

tioi^

Take an - o
,

tner ita

tion

PP

S JS J. ^S i -]' -]$ I l \s ' ''"Tg 1 "^"Tl^

'

^
li,

-k
ra,

Ra,

ra,

ra,

n,

ra,

ra,

ra,

ra.

ra,

ra,

ra,

ra,

ra.

ra.

>

g tr

i2i:
plough the
Sk

=S=rSz :SC3C

:^i=^
'Truce to na
-

:^=^ r-* ^ t*=^

sea,

vi-ga

tion.

Take an-o

thersta

- ti(

Let's

ry

pi

cee

^
ra,

1'*!

Tf^
ra,

feg^=p=g^g
ra, ra, ra.
ra, ra.

i^^^^
ra, ra,

g
ra,

-1

g
ra,

g=q^
ra, ra,

ra,

ra,

ra,

ra,

ra,

^
^^=^
I

-^

-r^

-=i-t
1^

A
i

.-.

ere
-

:r
It

^' ^:

:^

*-

'

3
:i

i-

r
seen
do.

m
-q-^-^

^m
fc^
IT
With
a

=5==^;

r-i-*a

Se

j-T
C

-f^^-

r~^^-rj>

"^
.

*^

==*
lu
"le

Solo. Samuel.

-P

r
-

bur

ela

ree

Here's

r^r^
your

r-^:^7"~r
your
,

crow

-r,

And

?#&
t*
ra,

g
^

r
!

=^=f= ''
I

"*

1 a-ran

ta

- ra,

ra,

ra

-^f^^.

lEE

^^E^ ^^^^

1^

3.

^ ijjiL^

113

^^ i
P
I

5iP=5c=^fc:i

*_>

ft-

5=
Your
life
.

-S*

f
?.

3f,
to

^hit
I

<xc

bit,

pre

ser

You may want

SlT'i
t;^*

^>

f ^~^
t

>'

>^

m M
^?'i
*
i

^'-

-^jrngJZTg
->s^
-j^

v^-^

*i

5f

q=4 IZ^ S*teE; 1^ -^

I

5=s: 1

* 1

k7i

* 1

-4-. PT ^^ '^^'1^

^-^P^y-^^^oj
-t?

S-g

t?-

^= ^ir^^^^jv ^^i^ S
lil-

:sr

i
I ?

^5:?3:

S*
-I
si

f
'

0^:^=^Hi..^*-

i^

fi

".

*^f
seize
I

f^
Take

Wi
your

1=:^
file

Your

lent

match

es.

Your dark Ian-

tern

....

^m
And
youi

sr-^

r-i

^
i

s* V>
'^l?
1

>!*

,8-

-f-

^"
:^=

--.i-

lez;

I?
-*
*^

*U"

_g 1 ^TT^I"

^'T~f i7*!
]

l"^-^^-^^^=^ 1
Ci

r-t ? =tz=:
i

^S=

V^

g?F^ -^

i
^*

::fc=^

:t:

q=
ske

^3T
-

le

ton

ic

keys

/ Pirates.

rrg-gzz
With
cat

^^HE
- like

-*-H=SE=t2=
tread.
in
si -

x:
lence dread.

Police.

u^
g

-t-'g-i^^

r r

J2^
:3rfct!?=^
ta-ran
- ta

Ta - ran
tr ^

ta

la.

ra

:3^3E
^>-

P^
1^
>

\%=%-=%
^(

S
.

'

'i

<l

ari.

<

i -g-:- r:b<zg:g3-L
# *
.

ei 'i^,r*'^'^='-^

-(^_*

^^t^^^^l^^as/Pirates.

^~in^

-0-

1^

-0
I

-I

-^n-lg"1*"^1g *s-

0Zi
>

'

m m
1

-<

IJ4

^
4oad at
all,

m m
<

^^
would be

IE
dis
r

^
tinct
-

22i
!

fe
Come,
frieodi,

we

ne-ver speak a word

By%

foot

- fall

ly

heard

who

35rPt:

* ^^L-^
Ta-ran

r
ra,

1 -g-t^
ra, ra,

ta

ra,

t
jiigir

^ F^^^g^jgg
ff
-

iiSi

h'

7r=r^
-

3^3=i=5r:

_>-,_|>^-^ tJ--f-i
!

^
?i
i

E
r

z:

dim\
1

(^^^^^^=a-^-

^=^--=^

h ^=?
*
1

n ->=1-

i I

:^:izk:
With a
lit

=
- tie

1^
-

-t

^
With

r^'r^i
1

-^^
I I

our
.

S=
steal

rt
prey
,

bui

gU

reel

cat - liketread

up

on

i=a^T*l4 r"i^
=?^^ gg
In
si -

5.-^
^=^=?^
our cautious way

11221

^SSfeel
!

lence dread

we

ll-ig-4^
Ta-raa

ll
t
-

^=it rt
ra.

ta-ran- ta

ra,

ra,

ra

as

No.

13.

Frederic,
Frederic.

King,

Major-General, Police, & Pirates.

-I

mi
Hush hushi

1^=^.
not

^^=? ^-^=?
word
;

-^j'
light

^
-u
!

u u
jor-

> ^--W k~r

I

sec

in

side

The

Ma

Gen-

*ral

com^

so

quick* \y

^
^hide
!

IIATE^
=JsqP

Yes,

ES
IS*Piano.

^^

i
^
H* f=^

A
ye-^

iS I S

^ 1^
yes,

m:^=tc
Major-Gen-'ral

:ati3
comes!

^^ J^^
^ii^-

Police.

->

Major-Generau
^
<<-

?=n=

1
Ma

^ Ji=Sl

-*-^-J
Gen'ral

^S=^^
Yes,
yei,

r*ii^-> kU'
-

^^SEEgj^
comei
I

the

He

comes, the

- jor-

coiUes!

the

Ml - jor- Gen

'raJ

Tor

m.

T=p=

=l=r:

4:=P=
-i^

ir
H
P-

^fr

^^
H

F^=^'^

^^
^N
-

P~

y^

tempo moderato.

fe?=E?EE i

'^

>-^V *1^

^.-,?

. j-|

j-^z^r^
lay

J j.7-7rT^gE
sleep-less bed.

^=^
;

men-ted with (he anguish dread Of

falsehood un

a-ton'd,

up -on

my

And

toss'd,and turn 'd,aiid groan 'd

The

m
A

tempo tnoderato.

-X

-^-^-=1^sF **-

:3=^=3z
"1*~

^^^^^^^^ =^^^^ "8^^^

^
b

-fi

g ^=^^-^-P ^ jj
.

^^
1

t=^
,

==^

'^r^

jcr

* u

f u

f -^

f
t*^
his

:35=35=qic=qv 1 dJ
coo- science ache

m
peace

fi==f5=

^
en
-

^
And

S m
lay

K
din

m
bed

y
wmke,

h
JI

man who

finds

No

at

all

joys

mOe
.^r^

-MJ^-

=E

?^ ^
'4-

?=4:

s
1
f

3=3u

^
>_

v'^

*|

ij__1

126
Chorus or Pirates. N N N N .
ff

REcrr. Major-Gkmkkal,

i s

"
1^

^ ^

s Va

w
I

^1

nczM
I I

Tenors'&
Basses.
ooise.

r-j .,,^^^
'i

^^
i*

-P jii^

>f-

=Jt*t

^X^-1 ^
hiU,

^--^

/^

thootfht I heard

He tbonght he heard a

noise

Ha, ba

Now^aU

ia

itiU,

In dale at

Mjr

mind

is

act

at

"if^

-=1

H'i-P-

-'I

^^1 J-q
1:

P-

::2^-

i"

;9

^^3E

-1_^,>H^

t*

=t

W^
tf

So

still

the

scene,

It

might

have

been

^ ^=
No.
14.

The

sigh -

ing

of

the

=q= W=

^
-tt s_

SONG

Major-General & Chorus (Pirates & Police).

mrBn" ^ ^
F=

breeze.

Allegro f^razioio.

Piano.
fr,

*
f
*

-r

H=2-

'^wf

=^

'

<^

^^
ing
is

J
Comes

Wthe lone
-

~/t^
ly

Soft

2.

Yet

ly sigh ihe breeze

to

but

the ri a ro

ver,

breeze
-

ver

When

he wings

way,

dim.

^r^jC

=^

m
*

^
Set

ting na

^
-

>
all

*-

7
r
trees.
-

F^
And
Ah.

tore
lar

Brook

and pop

mourn

a a

qui lo

ver,
ver.

Rust

Sigh-

ling thro' ing, "Well

the a

day

'

the biook, in the do - ing

^
_

PlRATES.p/3

Thro'

the
-

trees.

"WellPolice.

day!"

m
Thro' Well
the a
trees.
.

-^=h-^
dayl'

S^^^-^^-^
rip
-

^^^tf^

-^^-^While

-*3*When
the pop - lars, in the breeie is out
their

5S=
-

=.'i

isz*!::
their

1
a o

and

love, pling mea-sure, Laughs for ve - ry the rogue could tell; un - do - Ing That

plea

sure, Wave

arms

woo

ing

Who

can

woo

^^^^^^

^=^.

S^

V-

-Sft,

128
,

Major-Gen ERAL

with i*t

Tbnoks.

129
CHOkUt
(J&Ur Oi Ueneral's daughters, ltd by Mabkl, all j>tignoir$ and nightcaps, and carrying oandlet.') or Girls.
"'

m
K ^

wAito

^^
Allegro vivaci

f Sopranos.
=^=?=

ift^
what
is

Now

^E^
a
thai ?
"

:?crfs

"7*

*^^v:jij:
-

'

^*

[)

f
of

this,

and what

And why does

fa

iher leave bis bd At

such a

.ime

mght

as

this.

So

c
^

T^i ^E^ ^ 7
1

^f

9rrtr

V^ gg^^

i^e

-r*^-^i

rT-r

I*

^^ j<_gL

^
most

^,^3
ve

J'
in

J-^^^q^"|
complete
ly dressed ?

J'
fa
-

;
tber

^
is,

^^^^^^^ U_r=^:^^,-^=^sg
and
al -

ry

Dear

ways

was.

The

me

Iho

di

cat

of

men

It's

i^=1-*

=ts=^
-^ j^

?=^=?^

=!

5=

S
s==
his

^
^^c:^
in

3=3:

I*

S 5^3^^

^ ^
va

-I*

<L
To
go
to

^^
bed
at

H^r-g-^:-!::^^
strange

ri

ble

rule

half- past

ten.

What

oc

cur

rence

ran

it

1=3^

>
3-

[*

r
-j-

*-^--

5E3i
-:

-i

5^=

=:?

=r

S-^

EE^IS

-=i

f=

L^

jE^r^T'^^^^'^H^-HF^^^^

^
^^
-j^

^
hr

Th'

p
i V

-i *calls

^*^
ther

y-^

p d-

n
rest

*c -*
At
such
a

s
!

deal

fa

from

his

time

of

night

as

this.

So

ve

ry

in

com

plete

ly dressed

:^j
-^:

J
^=3?:

;^=^-

*^
1

-^:

^:~T~7^

zwti^Mz

5=
-^H--*

IX

^
<s>-

^^
?o

ve-nr

^^ m^
r-7

?s
=^

'f=t=^
a

^
night

in- com-plete-ly dressed.

?^^

^
rJ^

^^^^^^ i^^ ^ ^^^^^^^m

time
of

At such

gr^-^J^^

yd'^^

Kica.

(Sprui^xny up.

Forward,

my
I

men, and

sei; that

federal there His bfe is over.

iUiait^gue.)

no
GlKl.^
*)

>i^ > S
|

gs

rhe

pi-rates

the pirates

oh, des

pair

'

^^^^
I

^^a^^m

.-^_-*-_-^

sr*---"^^

PiRATEi..

> i ?

r
Yes,

-i[^>

^ s

m s

f^

bg?
-

we're the pi-rates; so des

pair

Major-Gkneral.

i
J

:4=tOs: g g ^
' '

^i
I

Mabel.
M

* ^
oh rap
-

*'
(

g->_^_
'

=CC3=

'P
I

U"

r-^-y3fi:
i- U
e

U
feet

U*"

1
U

Fred

e-ric here

oh

joy!

ture

Summoa

your men. and ef

their

cap

tiue.

Fred

- ric,

save u I

A
-^.

-^

zg.

:g

T^

i^.

_^.

.^.

"^1

r-

m.

^^C

pi[!i

giCi/i/i
Pirates

Fred.

^H
Beau

=?=?

Cgi^
I

c 1^

^
1^ I

- ti - ft:

M-

bcl

woold

if

could.

But

am

S^
fe
-r-r-r

^3^=5=S^
ritSJt

3'

l^^^i^^ P~
^
.!f
fla-vourt
all

y
;

>-

.^rare.

*
I

ir^^

r~g*
.

r "T r

fcy^**
-

oar

deal

ings

With cou-rage

and

re

so

lu

tion

man

ly.

Foe death pre

pare.

@^
(S
3c=e 1^-^
i.
i^

^
^t '3^^ i
Stan
-

^
-r
\
<

Mabel.
t

;^

^ ^ ^^
die,

^
\

r ^K\ r ^
\ \

Chorus or
^ \f
I
i

Girls.

Mabxi.

=^^=^
Oh,
spare

^ w

hap

py

Gen

'rai

ley

he

to

on

shri

ven,

un

an

neal'd

him

wm

^^

isd^t

32
-^f-

IJ3.
-n;*-

Police.
.Girls.
?

y^

r
i

ij

'-t^in

r r t"
I I

'

r r y-t
poo wield

i a?tg=p
?

=^
Yes,

32=52=

:t2=t2

5i&i^&= J^

^^
ture
!

no one

his cause

wea

Oh, sparehimi

we

are here, though bi-ther-to con-ceal'd

Oh, rap

::^^=^
Eg^

m
Police.

I^ ^^ W^T'^B^ 3
^.
(.4 slruffgfe ensues

zst

fr3

i
i-^

Sergeant.
Girls.
U"

s^
I

>
to

> > U U
pi- rates

^ S
- ly

*
:^=

^
I

trale.

between Pirates and Police, Roto tackling Evetd^iaUy the Police are overcome and fall prosIhc Pirates standing over them with drawn swords.)

Lo

our pow.ers

quick

yield

Oh,

rap- ture

a
^

-2-

-^=5-

^^
f^^^^

'

^^

'

^
i?

'

'

^^
^*-it*

1~l

>3

Allegro modtraU. Pirates.

z^r:^'"

tJ

i^
H

ailP olice,

^^^ \^:
We
ff
i<

iri -

lylrt amph now,

?
..

^=& ;^
we
3
,

::s=^ =g^^ -J *L
Your mor
ca -reer
3
s

S
cut

-T# 1short

^^^
pi

for
.

well

trow

No

xtX

S^35 ^^^^^

^? ^
You

^-*umph now,

ic

^--

^
for well

t=g=
-ir"
1

^Et :?==tz=
tal

r
3:
ra
- reer's

0-

3=
short
:

^^^
-yUNo
pi
.

tii

we

trow

Our

cui

rate

<^3

Allegro moderato.

nit
r;>H-fr

Cj:./

, I

sekceANT. r r r
-

^
'

,^ \^

M-

-w

On

^
f::

-j^r
k**

-p=t:

youi

al.-

le-giance we've

stron

ger claim

^3^3^^^E 5F^--^^^a,r^
?^
-i
I

^^^^^
II ^

^
I I

We
-F

bid

roa

yieU.

--

-F

I I
I

-F

-1-

slatwer.

KtNat

poucb:

s:
lot

^^^^F
We
1
clorge

n
yoa
yidd'
in

-^
QneeD
Vic
-

^
to
ria'i
'

n.imc

^*^^
I
I

%c4g
IC^

=#:

e:

^
"^

iza:

Ei
Cr

~P"

Z3^ {Piroteg kneel; Police stand over them triumphantly.')

King.
4=

We

^
with

^
hum

yield

at

ooce

bled

L'istessoUmpo.

Sl:

^
^
Police."

^ ^
mica.

Be

canie,

with

all

m
oof

lei:

i^Poliee,

holding Pirates by the eollar^talce out liandkerehiefo weep.)

1st

34 and

Soprano.

Recit. Major-Generai-

Korm.

I^^E^ I
2nd Soprano.

3
Yes,
yes,

--^=x^

S):^;
with
all

m
t

U f r
A<cy

S K' :Isi=k: g= J J 3t:i=^

and place them
at

i^
Oat,

their faults, they love theii

Queen

withthem,

the baz

^^E
Yes,

:3=s=S=
yes,

with

all their faults,they

love

their

Queen I

1^ W

rENOR.
'-,
\-

5=:^^=*Yes,
yes,

4-1

l-

ya=v: *
all

3
Queen
!

with

their faults.they love

their

g^g^-Sgig^^pEg
Qufen4
Yes,
yes,

Police.

Bass.

W- m
they love their

rJ
-

with

all their faults,

Queen

S
I

"

V-<si-i
'

-p~

tempo.

:^^:fe*:

1^

''

^ w
let

r-

:^=3: N ' ' -S

IK

'I
are

f=:!t
1'
'

=5

-J-=F fr^'^^T 55 -^^^ =1= ^-'

= ^^*
JSC^E
throng,

A-

-m mh 4 -g--gt-

moment,

me

tell

you who they-are

They

no members

of

the

com- mon

They

are

all

no- ble-

me

A
^r
i
r

^ ^^^^^^^^m
^^^
r

^^
^^
O
2?2-

^
Unpoco
piU Animato.

'

'

za

t
ft

Chorus of

Girls.

Major-Generai.

-bw

f^-^i r
gone

t^
wrong.

^=r-

3cip

t=^ $S=^
!

^r^ir
,

n
all

* k

=tz=t2
no- ble-

^^

^ :*=^
gone

31

-F^p
wrong.

who have

Oh,

spare them

they are

men

ho have

e
Wh,

Un poco piu

Animato.

KlN&

Major-Cenerai.
=f:

KiNa p
>f';:
V,f[l,
i

^ ' &
all
I

^
-^

all

no-ble-men?

Yes,

ai/

no- ble-men

Wbit,

all?..

oeu-ly

-I

yj

S^I

.*

T * ^

w
-I

-J

.-5:

""S^^in * i
-*

'

:^

* *

*-^2^

=*:il=t:
/i

m^^
t^*

E^

1-

9<i
t>-

T=ra
-*

t^

^^

t^

MaJOR-Gen'erau Moderate.

-I

1-

&^t^ J4o
&va.

=t==f: =5^ -g jEng

e^e
i

lishman

un

mov'd that state-meot

bean

Be

Cous^ with

all

ooi

^^

^J^PF^"-*

^^ m^M^^
ir^\ f
^

>

-p

-P

?^
f
f

f
--

1
^.=^

r=t:

^
-p

i
1
f S

(AUImed.)
ferzf-

9
faults,

^J
love

*=F^
ooi

=P

-i-r-

^
of

* h

^^^:^ i^
!

g
and

we

Home

Peers

pray

you

par -don me.

ex

Pi

rate

King

Peers will be Peers,

frI

^5

3=^

5 1=^1=*
-m

--

~-

2:121

^
- W W^fC^
And
take
-J

g^bgB=^ ^
SE^^S
yonth
will

E^=^
-

::?5Z=SC=K=S I" ^ N

N-

>

?^
all

sa
art

have

its fling

He

siune year rank

and

le

gis

la- tive

du-

ties.

my

daughters,

of

wnom

^S^

^=

3=^

|Ff=t3EEEE^ -*
-*

^-\

j-

^-^

p^^
-:r

^3

-^-r-'' Ff=r^

f^

3*

vis:

^^
*
m m

>^JLBE1,

-J^
cr:ss
aoss.

l^
P

^ ^
I

:$:::

^S ^
:t
\

'

-?~rt

^^
TSXS
bcKt
of
gT>C,

:?::$:
'

:t

:t

:^

:t

:J^

r*

'

^^

*
s

r-

? -

-^^

IT

Yair

nag

ws:

l^
'

5^=::^

e Ir

^
1:

'0

'

-**
so::i

_*

^=^

paor

ocrs

1^
#
T

*
-*

-X

:8:

?-

'

\^
Caa

kdp
joc

*
ax:

1^=1
a,
11

_>
:$

>

*^

37

p-.c

-J-JS

38

lake

mine

Take

heart!

Kate & Ruth.

Take

ny

heart.

take

/ Chobus.

39

'ft

'v

Different from all

Methods heretofore Published

*>1

>

ww

The Twentieth Century

Violin School
Embracing Explanations of the Elementary Principles of Music
and
the Technics

of Joachim^

the greatest

of

viotin

players

i><i#*#*#i#*#i*#*#

TUB DEVELOPMENT AND MECHANISM OF THB

Higher Positions of the

With
Practical

Hand on

the Fingerboard

and Melodious

Studies, etc

BY

George Percy
NEW YORK

Howe

HITCHCOCK PUBUSHING COMPANY

.^.-^^i*
iiSi>ii

>> ^ >>
-

38 Jobn
,

Street, East of

Nassau
..->.^..-

,,

.I,.

,.,

.... -^

..,.

.^..p.

>i^^iiiieii>^ii^i^Mi^

^#nen#

^.y ^.^

.^...g

-j..^..,..,..^

t
<

f-tai.i

ts
B

aii

is^"*'-*'*"^'^

me

u
" 9"

i" *iieiiei# >i

ie ieiiiia M i^ii#iiii>,,^i