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for amplied duo and tape Bass clarinet in B/ clarinet in Band guitar Edgar Guzmn 2007
q = 80 M.M.
AM-BIWA
z
1
harmonics ad libitum
4 Bass Cl B & 4
, X X SZ , Szp X X
> > > > > smorz
2007
Guitar
4 4 E 4 4
#E p
tt !"
X Szp X
(# ) X
E X
2 4
E
molto
j O
3 4
E SZ
j X .
2 4 E 2 4
molto
3 4 !X X "X X !X X"X X X SZ 3 4
&
legato
# X nX nX # X
!"
E E SZ
c r
p non cresc
n d o
SZ
X X
X X
X X SZ
X X
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~, 2 4 4 4 # w ( nX ) w #E n E ( nX ) SZ f 2 4 2 4 E E 4 4 4 4 SZ
j !" X w X X X X X
ii
laissez vibrer
#O E E E E E E E D
high pressure
w E E
p o c o scratch
tasto
p o c o
m o l t o
c r e s c e n d o
# $
pont
&
#X SZ non cresc SZ
j X X X E X X X
tt !"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j # X ( nX ) X X j X X ( nX ) # j X ( nX ) # X . ( # X ) n X ( nX ) # X ( nX ) X
tt simile ( !" ) !I
n X # X ( nX ) E E E
~~~~~~~
p
gliss
molto cresc
X X nX
X X
j X X
hole bend
low pressure
E E E
X X
# $
X X X
XII
X X
z
X X
j X X
nX
laissez vibrer
Sz p
E E
" IV
E E E
" III
E E E
SZ
.....
stacc p
E X X X X
o c o
gliss *)
a XII
nX
#X
o l t XII o
nX
c r e s c e n d o
p o c o
X X X X
X X X X
p o c o m o l
X X X X
X X X X
o c r e s c e n d o
X X X X
nX X X X X
I
p o c o
*)
the four strings involved in the strum are glisseed by the left hand from the fret I to XII and back
&
X SZf
f SZ
. X X X X
O. E. p sub > X
~~~~~~ z # X ( nX ) X . X J a SZ
X
slap
SZ f
#j X nX . SZ p X f
$
nX
0:06
z
0:12
laissez vibrer
XI
nX SZp X > f
l.v.
O. E. X f
$
j X
scratch
tasto
pont
f D
[ SZ
j X D
" VII % IV
bO bw X X X X X X X X X a X X X
nX
8va
lip gliss
bX
"
! XII
nX X
sub X X X
SZp
X X X
%
l.v.
fsub
0:24
SZ f
SZf
X X X
# **)
X X X X X X
SZ nX sub j X a
0:15
19
0:18
& w w
O w
poco cresc
D
morendo
bO bX E. f
O E
D ""I X ~~~~~~~~~~~~~~~~
(measured trill emerged from pizz bartok resonance)
" XIII
E.
fsub
0:42
0:30
24
& # E . ( nX ) p p
~~~~~~~~~~~~~~~~~~~~~~ ,
0:36
X
I
gliss
XI ~~~~~~~~~~
fsub
molto vibr.
nE . p sempre
*' )
E D
laissez vibrer
bj X X
b.p.s.
O w a
a a J p
***)
> X SZ p
. . . . . . . X. O
XII
nw (p)
(not measured trill)
X ~~~~~~~~~~~~~ p **' )
**) # all strings pressed down against the wood over the guitar's hole area ***) b.p.s. = bridge plate strum. The bridge plate strum must be done with the face of the indexs nail when going downwards and
with the thumbs nail face when back, hitting the part of the strings attached to the plate
*' ) open string's stroke with the palm of the right hand **' ) because of low tension the string easily hits the frets, allowing to make a
pizz alla bartok effect in p
0:45
0:48
0:51
non espressivo sempre legato breath imperceptibly when is needed
0:57
29
& X
(
p) O
a j E.
XIII
Clarinet in B
D D
nw
sempre w p
laissez vibrer
gliss
nX
ii !"
bX
bX
nX J E.
)
XIII
XIII ii !"
) Fsub
scratch tasto
pont
&
E. p
poco
w p sempre
b.p.a.
j J
XII ii !"
hole tapping ad lib, very irregular and not too fast ***'
X XX X X X X X X X XX X X X X X X X X X XX X X X X X X X X X X
. X J a Sz
j X
1:09
1:03
35
&
tt !"
Szp E E E
nX
! XII % VIII
X X X X X X
nX # X X # X
gliss
nX X
bX
gliss
bX
bX
~~~~~~~ bX X(HX )
+)
gliss
nX
bX X
1:15
bX
nX
nE
SZp
XX X XX X X X X X X X X X X X X X XX X X X X X X X X X X X X
ngerboard gliss rst fret
last fret
D X p
X
1:27
p
j X
SZ
IV
1:18
40
&
SZ
j
bX J E
nj X > #X
X #X X
X # X X
nj X >X
nj X . > #X
X J X
1:33
#X .
#X
X SZp
nX. X. X. X. X. X. X. X. X. [ F D
a D
***' ) The hole tapping sound, its an irregular texture with many accidental resulting sounds. It is both a percussive and a randomly pitched texture. Because of the low
strings tension due to the scordatura, its imposible not to accidentally struck the strings producing pitched sounds. Do not try to avoid the incidental struck.
+)
1:36
46
&
SZ f
nX
8va
~~~~~~~~~~nX n X (b X ) b X ( nX )
1:39
SZ
#E
loco
SZ p D
SZ p
1:45
1:48
1:51
1:57
2:03
nX
# X nX
gliss
bX
nX
nX
gliss
#X
5 4 5 4 5 4
#X
2 4 2 4
D
high pressure
hole bend
X X X X X X
4 4 4 4
low pressure
58
3 a &4
#
SZf
X X X X X X
bX J X X X X X X J
2:12
gliss
8va
nX
4 4 4 4 4 4
bE . SZf D
,> nX f
bX
2:18
2:24
nX
decresc possibile
3 4a 3 4
2:30
65
X X X X X X
bX p a X X X f
X. D
X. Szp
nw
im !"
w w
E E
D
d o
SZ
D
laissez vibrer
l.v
p
2:42
m o r e n d o
Fsub
2:36
Bass Clarinet in B
&
b.p.s.
D X
im !"
hole tapping
D X
X XX X XX X X XX X XX X
(spread arpegio)
D
im !"
D a j X a p
b.p.s.
attack imperceptibly
ngerboard gliss
w p F
rst fret last fret
rst fret
j X
SZ p
X X
D X X X X
j X
sub
ngerboard gliss
last fret
X X X X X X XX X X X f sub
E p X X X X X X
O E X
78
2:48
71
2:54
O & X F X X X X X X
O. E.
harmonics glissando
cresc possibile
2:57
X X X X X X
b.p.s.
c
hole tapping
w
e
b.p.s.
X X X X X X X
X X X X X X
X X X X X X
X X X X X X
j X
X XX X X XX X X X XX X X X X X X
83
X X j a X X X X
j
E ()
#
3:06
77
high pressure
low pressure
SZ f
3:12
X XX
X XX X
XX
X X X XX
X
XX X XX X X X
j O
#O w p
ossia : z
#w
(
p possibile)
(loco)
X XX X
X X XX
X . X. X. X. X. X. X. X. X. X. X. X. X. X. X. X. X X @a X X X X X
E f
nE SZf
#j X
E
#
3:03
SZf
morendo
X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X Xa X X X X X X X X X X X X X X XXXXXXXXXXXXXXX X fsub
#
SZ
nX.
nE
E SZp
SZ p
&
nX
nX
nX
nX
bX
bX
bX
b X nE .
#X
nX
pizz alla bartok with the four strings
3:18
bX
bX
X.
nX J E
8va
3:24
E E a E E E E J
j X
j X
j X
j X
X X X X X X X
accel. possibile
SZ f
... X X X ... X X X
X XX
X XX
XX X
X X XX X X
3:39
X XXXX X X
X X X X
X X X X
X X X XX XX X X X X XX X X XX XX X XX XX XX XX XX X X X Sz Sz Sz Sz
sempre
pesante
im !" XII
X X X X X X X X SZ
SZf
3:27
(8va)
84 (
&
w)
improvise
very agressive
(XII)
^^ O O ^ OO^ O Ov v
XII
improvise plucking the strings very agressively creating a very dense texture
~~~~~~~~~~~~~~~~~~~ X. X. X. X. X. X. X. , loco n w ( nX ) nX
#
3:33
3:45
O w
^^X X ^ XX^ X Xv v
hole bend
high pressure
low pressure
E E E E E E SZ ad lib. E
X
#
j O
#O . #E .
^ X X ^ XX ^ X^ Xv v D D
E E E E E E SZ sim. E
w
#
j O
^ X X ^ ^ XX ^X Xv v D D
w w w w w w SZ w
6
3:48
91
3:54
&
O nE Sz F
j X X X X X X
O X Szp
tt
O. E.
X > X SZF
tt
j n X X . ( nX ) > sub w w p
~~~~~
4:00
nO . nX .
E w w w
E Szp
nO nE Sz p
O E Szp
" II
w w w
O E Szp
O E Szp
laissez vibrer
4:06
97
O & E Szp p w w w
" III
O E Szp f
4:12
4:18
4:24
4:30
O E Sz p
O E Szp
" II
w w w
O E Szp
nw p
s e m p r e
#w w w w w D
d e c r e s c e n d o
#w w
e
r a l l e n t
" VIII
w w w D
" VII
t r e m o l o
w w w D
# w X # X nE . Sz a n d o w w w E. F
r a l l e n t a n d o
E w w w D
w Sz E F D
E w w w
E Sz
X X X X
U D
E F
s e m p r e
U D
d e c r e s c e n d o
p o c o
p o c o