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Copyright Insight Publications This edition rst published in 2008, reprinted in 2008 & 2009 by: Insight Publications Pty Ltd ABN 57 005 102 983 219 Glenhuntly Road Elsternwick Victoria 3185 Australia. Tel: +61 3 9523 0044 Fax: +61 3 9523 2044 Email: books@insightpublications.com.au www.insightpublications.com.au Reproduction and Communication for educational purposes The Australian Copyright Act 1968 (the Act) allows a maximum of one chapter or 10% of the pages of this work, whichever is the greater, to be reproduced and/or communicated by any educational institution for its educational purposes provided that the educational institution (or the body that administers it) has given a remuneration notice to Copyright Agency Limited (CAL) under the Act. For details of the CAL licence for educational institutions contact: Copyright Agency Limited Level 19, 157 Liverpool Street Sydney NSW 2000 Telephone: (02) 9394 7600 Facsimile: (02) 9394 7601 E-mail: info@copyright.com.au Reproduction and Communication for other purposes Except as permitted under the Act (for example, any fair dealing for the purposes of study, research, criticism or review) no part of this book may be reproduced, stored in a retrieval system, communicated or transmitted in any form or by any means without prior written permission. All inquiries should be made to the publisher at the address above. National Library of Australia Cataloguing-in-Publication data: Author: Breuer, Iris. Title: Persuasive language in media texts / Iris Breuer, Melanie Napthine, Rosemary OShea. ISBN: 9781921088766 Notes: Includes index. Target Audience: For secondary school age. Subjects: English languageTextbooks. Mass media and language. Persuasion (Rhetoric). Other Authors/Contributors: Napthine, Melanie. OShea, Rosemary. Dewey Number: 808.042 Internal design & DTP: Bec Yule @ Red Chilli Design Cover design concept: Saren Milner Editing: Robert Beardwood, Iris Breuer Printed in Australia by Hyde Park Press
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Contents
1 Using language to persuade
Introducing the key terms How ads persuade Analysing persuasive language
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70 74 78
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Language analysis: a 4-step process 97 Model for writing language analysis 99 Sample student analysis 101 Language analysis of a cartoon 102 Model for writing on three media texts 104 Sample analysis of three media texts 108 Vocabulary for language analysis 110 Activities to practise language analysis 112
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5 Studying an issue
What is an issue? Sample issue: GM food Research your own issue Sample issue: P-plate driver restrictions
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In this chapter
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Key terms How ads persuade using AIDA Analyse persuasive language: a 3-step approach What does position the reader mean?
Audience
Who are they writing for? e.g. a wide audience? specialist readers? people affected by the issue?
Writer or speaker
persuading someone
Form
What is the media form and text type? e.g. newspaper editorial, television news story, online discussion? What are its special features?
Purpose
Why are they writing? e.g. to make me agree? take action? think more carefully?
A Attention. The first job of any advertisement is to gain your attention. This might be achieved by the use of bold colours, an arresting image or an intriguing phrase. I Interest. The ad needs to hold your interest long enough to tell you about its product or service.
This might be done, for example, through the visual appeal of the ad, through asking questions or through creating suspense. Humour or surprise can also grab and hold the readers interest.
D Desire. Positive associations of words and images make the product seem attractive but the reader also needs to be convinced that owning the product will improve or enhance their life. Emotional appeals are commonly used to provoke desire, as in an ad for insurance that urges you to secure your familys future, which is an appeal to the desire to ensure the security of those closest to you. A Action. The advertisement must prompt the audience to take action and buy the product. Often this is done by creating a sense of urgency by the use of phrases such as Pick up the phone today! and Free gift for the first 100 callers.
See the example opposite showing how the elements of the AIDA formula can be identified. Also see the full-colour version C1 in the colour insert pages. How much does colour contribute to the impact and effectiveness of the advertisement?
Activity 1
Analyse an advertisement
The Garnier Surf Spray ad opposite (C1 in the colour pages) is directed at girls and young women. Now take a look at another Garnier ad, C2 in the colour insert, for Hard Gel, a product aimed at young men.
1. Compare the ways in which the girl and the boy are represented in the advertisements. What differences do you notice? Why do you think they are represented differently? 2. What differences do you notice in the types of appeals made to young women and men? Think about such features as the use of colour and images, and the associations of key words. 3. How does the ad opposite initially capture your attention (A for attention)? 4. How does it keep your interest (I for interest)? 5. What desire is it endeavouring to stimulate (D for desire)? What emotion or emotions is the ad trying to provoke? 6. How does it persuade the reader to take action (A for action)? How effective is it in achieving its purpose?
Attention is captured by: image of attractive young woman with surfboard alliteration (surf spray) and rhyme (spray and day) strong heading and bold colours
Interest is held by: capital letters and the pink background and angled appearance of unleash your style! draw the reader into the description of the product direct address to the reader (Want a beach style look?)
Desire is aroused by: description with fruit micro-wax technology appeals to the viewers desire for a product that is both natural and scientifically researched invitation to unleash your style promises transformation and personal freedom image of the young woman whose attractiveness the (female) viewer is encouraged to want to imitate
Action is prompted by: instructions for achieving beach style hair Garnier slogan Take care
Activity 2
1. Explain what techniques you use for each of the four principles. Remember to keep your specific audience in mind; an ad for a new iPod would have a different target market from that for a cleaning product, for instance. This will affect your decisions about what sort of language to use (formal or informal), what emotion you would like to invoke (for example, envy, hope or fear) and what image or images you use. 2. Share your ads with the class. Which ones were particularly effective? Why?
Three-step approach
There are three basic steps to understanding how persuasive language works. Step 1: Identify the main point (the main contention). Look for the central message or viewpoint on the issue this is what the writer is persuading you to accept. State the main contention in your own words in a single sentence. (See Main contention, p.71.) Step 2: Focus on the language. Take an overview of the language is it formal? Sophisticated? Is it informal or colloquial like everyday speech? (See Style, p.73.) Look for emotive words words that trigger your feelings. How do they make you feel? Next, see if you can work out how you are set up to respond in certain ways. For example, are you made to feel sympathetic to a person or group? Or to feel opposed to an idea? This is called positioning the reader and is discussed in detail below. What is the tone of the piece? That is, how would it sound if you read it aloud? Would it be said in a disgusted way? A light-hearted, jocular way? Sarcastically or ironically? Calmly? In a controlled and reasoned way? (See Tone, p.71.) Step 3: Analyse how the language positions you. Find as many examples as you can of words or phrases that influence you to accept the writers viewpoint. (See Overview of persuasive devices, pp.748.) Analyse means work out how the writer has used a situation, words or images to make you respond in a particular way.
Sentence
This (give example) positions
Activity 3
1. Find all the words that refer to graffiti or graffiti artists. Make two columns, one for positive references and one for negative. 2. How would the words in the first column position the reader to respond to graffitists? What about the words in the second column? Discuss some examples in detail. 3. What emotions are evoked by the words in the first column? What about those in the second column? 4. How does Les Hoopers letter position the reader to reject graffiti artists? 5. How does Frida Carrolls letter position the reader to sympathise with graffiti artists?
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In this chapter
Print and online versions Keeping up circulation Tabloids and broadsheets Newspaper sections & text types Producing the news Getting the news Bias in the news Constructing newspaper articles Studying language use words of war
Traditional newspapers remain a primary source of information about news and current events. They are still sold daily, and once printed do not change. However, most major newspapers are now also on the internet. Online versions of newspapers differ from their paper counterparts in several important ways that affect how news is presented and how it is received by readers.
Print
Content is fixed after it is printed. May use attention-grabbing illustrations and photographs. Have several supplementary sections which vary according to the day of the week, e.g. television guides, lifestyle magazines, cooking lift-outs, car magazines.
Online
Content changes throughout the day. In addition to still images, may have video news stories and slideshows. Do not usually have the supplementary sections of the paper available. Often provide alternative extra content, e.g. blogs from regular writers; forums for readers to discuss issues; a search function for finding articles on a specific subject. Articles are indicated on the homepage by their headlines which readers must click on to see the full article. Articles online are sometimes shortened versions of their paper equivalents.
Articles usually appear in full directly under their headlines, although some stories are concluded on a later page of the paper.
Activity 1