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HIST 2700
Where to find
Assigned Book p. 3 Assigned Films, Additional Materials p. 16
HIST 2700
Summer 2013
Course Schedule
The icons denote available streaming sources for films. = your canvas account for this course. See pertinent page folder, then the icon/link, in Canvas. Example: click the link next to the icon on the Wk 1 page to view the film 500 Nations, ep. 5.
Full bibliographic information for assigned films is found on page 16. For books, see this page.
Wk
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1 2
1A
Tue May 7
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Assigned Book
Books / Available at the USU Bookstore, www.bookfinder.com, and elsewhere.
Foner, Eric. Give Me Liberty! An American History, Vol. 1, Seagull Third Edition. New York: Norton, 2012. ISBN: 9780393911909.
Wk
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3 4
Foner, 45-87 / Ch. 2 New York, ep. 2, The Country and the City
120 min.
1B
Thur May 9
Topics
Discuss
Wk
Read
Watch
5 6 7
Foner, 88-129 / Ch. 3 Slavery and the Making of America, ep. 1, The Downward Spiral 60 min. Slavery and the Making of America, ep. 2, Liberty in the Air 60 min.
None. Next assignment due: Notes 1, Wk 2B, Thur. May 16.
2A
Tue May 14
Topics
Discuss
Read 1 book. Assigned in fifteen installments. Watch Sixteen documentary films. Write & Submit Two typed papers (four pages apiece), plus one-page typed notes for
for each reading and film assignment. Notes to total thirty-one pages. Discuss Course-related topics in online (Canvas) discussions with classmates and the instructor. Twenty discussion posts (approx. three per week).
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HIST 2700
Summer 2013
Wk
Read
8 9
Foner, 130-175 / Ch. 4 Foner, 176-210 / Ch. 5 Equal Justice Under Law, ep. 1, Marbury v. Madison 30 min.
2B
Watch 10
Thur May 16
Topics
Discuss
Notes 30% 31 pages of typed, organized notes, one page for each
reading and film assignment. See Notes Guidelines, p. 8.
Wk
Read
11
Foner, 247-280 / Ch. 7 Equal Justice Under Law, ep. 2, Gibbons v. Ogden 30 min. Equal Justice Under Law, ep. 3, Maryland v. McCulloch 30 min.
None. Next assignment due: Notes 2, Wk 4A, Tue. May 28.
3A
Watch 12
13 Tue May 21
Write & Submit
Topics
Discuss
Wk
Read
14
3B
Watch 15
Write & Submit
Thur May 23
Topics
Discuss
HIST 2700
Summer 2013
Wk
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17 18
Foner, 281-316 / Ch. 8 Foner, 317-351 / Ch. 9 Chicago, ep. 1, Mudhole to Metropolis 90 min.
4A
Watch 19
Tue May 30
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Discuss
Film Study
Why film study? A good film is a terrific resource. It conveys much information in a relatively brief amount of time. It also help students to visualize the past in ways that books often cannot. Films are available through students USU Canvas accounts for this course. As the course schedule denotes, many titles are also available through YouTube. Links to streaming videos for each of the assigned films are located in Canvas pages assigned for applicable weeks. The Week 3 page, for example, contains links for the Week 3 films. Students may view the films in venues other than streaming media. Some titles are available in VHS or DVD format at USU and local libraries or by way of Netflix, etc. If a Canvas film link does not work: please inform me immediately. Ill contact the folks at IT, who typically resolve the problem within a matter of hours. Meanwhile explore alternative venues, especially if the title is available by YouTube. Students are accountable for all films unless the course instructor expressly suspends the assignment (notice to be provided by email and Canvas announcement). See also the Course Materials Disclaimer (immediately below).
MATERIALS DISCLAIMER: This course abides by university policies regarding student objections of
material content. Students must notify the instructor within the first two weeks of class if they regard assigned materials objectionable or offensive. If the instructor deems the objections legitimate, alternative assignments will be arranged. Otherwise students are expected to fulfill all assignments as specified by this syllabus.
HIST 2710
Summer 2013
heath.mitton@usu.edu
Submission deadline: always 3 pm of the applicable day/date.
Late Penalties: late submissions attrite ten points immediately and ten points per day
thereafter. Incomplete assignments that are ten days late attrite to zero (10 x -10 pts. = -100 pts.) but must be completed to avoid incomplete-assignment stipulations (see page 5 for incomplete assignments).
Wk
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Write & Submit
None None
4B
Thur May 30
Exam 1 w/essay
Review of Wks 1A-4A
Canvas discussion pace: 12.
Topics
Discuss
Notes Guidelines
Why notes? Three reasons: (1) provide students with the means of demonstrating that theyve done the work; (2) valuable practice in writing; and (3) valuable practice in note-taking and honing skills of perceptiveness, key elements to critical thinking. And certainly too: good notes will help you to study for the exams, improving your final course grade. Take copious notes for your own use if you like. But for the notes assignment: distill the gist into one page of typed, single-spaced, and well-organized thoughts, facts, etc. A good template: open with a thesis paragraph to explain the principal subject and its larger significance. Then complete the page with bullet points that relate key details provided by the reading or film. Submitted notes should be collected into a single .doc or pdf file. A semesters end your file should number forty-six pages, one page for each of this courses reading and film assignments.
Discussion Guidelines
Students will find additional discussion guidelines on Canvas in the discussion dialogue. For the most part, grading of discussions is not stringent. Aside from violations of the following two exceptions, grading is essentially pass/fail (with pass = A). But note the two exceptions: 1. Students must post no fewer than thirty-two (32) discussions during the semester, and do so in good faith to both the spirit and letter of constructive liberal-arts dialogue. Add to the conversation. Responding simply I agree doesnt qualify. And most of all: be consistently methodical in engaging discussions. Post discussions every week. 2. You post it, you own it. Translation: be courteous and constructive. Students should not post offensive, insensitive, or otherwise inappropriate remarks. Such posts will be removed and render the author liable to failure and/or removal from the course. Unsure if something is inappropriate? Heres the rule: when in doubt, leave it out.
Wk
Read
20
Foner, 352-390 / Ch. 10 Not For Ourselves Alone, ep. 1, Revolution 90 min.
None. Next assignment due: Notes 3, Wk 6A, Tue. June 11
5A
Watch 21
Write & Submit
Tue June 4
Topics
In-class film: The West, ep. 5 (10 min.) The Era of Hard Feelings The Age of Jackson Tocquevilles America
Canvas discussion pace: 14.
Students will be held accountable to high standards of composition, grammatical usage, and narrative structure in all written assignments. Spelling included.
Why? This is a reasoning-intensive course. Students will convey their reasoning largely through persuasive essays in their papers (and also in their notes and discussion assignments). Few things are less persuasive than poor writing, and as essays will be graded for their persuasiveness it follows that inferior writing must figure into grading.
HIST 2700
Summer 2013
Wk
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22 23
Foner, 391-426 / Ch. 11 Foner, 427-460 / Ch. 12 The Way West, ep. 1, Westward the Course of Empire Takes Its Way 90 min.
None. Next assignment due: Notes 3, Wk 6A, Tue. June 11
5B
Watch 24
Thur June 6
Topics
Discuss
a. Strong Paragraphs: Each paragraph in a persuasive essay consists of an argument in itself. The paragraphs first sentence the thesis sentence of the paragraph states clearly the main point of the paragraph (its thesis). The paragraphs remaining sentences then provide evidence to support that argument. Include nothing that doesnt support th e thesis. Similarly, each paragraph should support the papers overall argument. Hence paragraphs should appear in a logical order within the paper. Courtroom lawyers often present their strongest evidence first in an effort to sway the judge and jury with big ideas early; smaller/ lesser evidence then follows to provide necessary details. Its a smart strategy.
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25
6A
Watch 26
Write & Submit
Tue June 11
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All told, well-written persuasive essays often excel in the first sentence test, in which the reader may only look at the first sentence of each paragraph of your paper. (Alas, this is precisely how many folks in the corporate world readso never bury your best evidence in the middle of a middle paragraph of your writing. It may never get noticed. A smart tip: write as if you must earn your readers attentionwhich, again, is often the case.) In other words, first sentences should be strong, logically ordered, and convey your argument (aside from necessary details) pretty much all by themselves. b. Key Evidence: A well-written persuasive essay might be likened to a well-planned city, in which strong paragraphs would be similar to well-built houses or buildings. Of course those houses and buildings themselves are comprised of even more elemental substances bricks, concrete, steel. Its these elemental substances that ultimately must be said to provide the citys substantive foundation. A city may appear flashy from afar. But without the mundane rudiments of brick, concrete, and steel, you have no city. The flashiness is often just faade. Likewise, all claims in a persuasive essay require substantive proof, or the bricks, concrete, and steel that constitute the foundations of persuasiveness. Absent substantive proof, all you have is hollow faade or unsubstantiated opinionand the world suffers from too much of that already. Its the idea of this course to help students to develop substantive opinions and improve the world accordingly. 11
Attentive students will collect plenty of evidence from assigned materials. They will build stronger arguments. They will receive higher grades.
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27
6B
Watch 28
Write & Submit
Tue June 11
Topics
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Note: All papers are expected to draw upon and cite all readings and films applicable to that particular assignment.
Citing additional materials found in Canvas is also encouraged but not required. Failure to cite assigned materials will result in a lower assignment grades. A pattern of omission sustained over multiple assignments will result in progressively lower assignment grades. See the section Citations below. 4. Citations. How to demonstrate effectively that youve drawn upon all the materials applicable to an assignment? Answer: both informally and formally. a. Informally: The ideas, facts, and interpretation of your paper should reveal the influence of assigned materials. In other words, your paper should be about industrialization and/or urban problems or else it should explain the experiences related in the films as representative of a larger topic. b. Formally: Your paper should refer to specific evidence found in those same books and films. Specific evidence might include a quote, statistic, or another fact. Anything might be considered key evidence just clarify your reasoning. To refer to such evidence formally is to cite it, or to include a citation in your paper to inform the reader of the location of the evidence (such as a specific page in a book). See the next page for more about citations.
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Wk
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29
Foner, 546-584 / Ch. 15 Reconstruction, ep. 1, Revolution 90 min. Abolition: Broken Promises 50 min. Notes 5 / Reading and film assignments 27-31 (1-31) Reconstruction
Canvas discussion pace: 20.
7A
Watch 30
31 Tue June 18
Write & Submit
Topics
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keep citations simple. Use shorthand parenthetical form within your Lets papers narrative.
Use concise (one- or two-word) shorthand for parenthetical citations. Use Note: author names for written works, titles for films. Example: (Foner, 321) is shorthand for Eric Foner, Give Me Liberty, p. 321.
5. Contradiction of opposite argument. Recall the example of the courtroom trial. A trial amounts to a zero-sum game: whatever undermines your arguments opposite helps your argument. Its a wise strategy. Use it to your advantage.
And finally
Essays are to be graded for their persuasiveness, not their argument or thesis. A principal objective of this course is to teach students how to think, not what to think. It follows that what you argue matters less than how you argue it.
Still, a word to the wise: assigned materials (books, films, etc.) are selected by the course
instructor for good reason. A student who attempts to make an argument while
ignoring key evidence assigned by this course cannot be said to have made a strong argument. Inferior arguments will receive inferior grades.
(continued next page)
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Wk
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None None
7B
Thur June 20
Exam 2 w/essay
Review of Wks 5A-7A
Canvas discussion pace: 20.
Topics
Discuss
All written assignments should be double-spaced with standard 12 pt. font (Times New Roman preferred) and one-inch margins. To clarify: this sentence is written in Times New Roman 12 pt. font. All assignments must be submitted in electronic format (Word document or PDF) to the email address found at the top of page 1 of this syllabus (heath.mitton@usu.edu). All assignments are to be graded in electronic format. Feedback will be conveyed (again in electronic format) in reply to the email address by which the assignment was submitted. When returned, graded assignments will be conveyed in electronic format by the same email dialogue. Note: All email communication with the course instructor must use the following address:
heath.mitton@usu.edu
To receive full credit assignments must be submitted by the assignment deadline. The assignment deadline is always Wednesday: 3 pm of the applicable week.
Note: the preceding guidelines are distilled into a rubric found on the following page.
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A-B
Clear thesis. A: Powerful thesis, eloquently stated and strongly defended. Well-stated thesis in opening paragraph, well-defended in subsequent paragraphs. Strong concluding paragraph. A: Individual paragraphs well constructed with superb thesis sentences. Paragraphs logically ordered and easily read. Essay flows well. Thesis and supporting points bolstered by compelling evidence. A: Multiple points of evidence cited for each point of argument. Draws upon all relevant readings and films and in a manner that shows strong understanding of assigned materials. (Its clear that you read the book, etc.) A: Savvy source work (multiple citations from single sources, includes materials in Blackboard, etc.) So well written the reader forgets about spelling, grammar, and composition. Meets or exceeds page expectations for assignment, etc.
<D
Omits thesis. Pointless ramble. Weak or absent structure. Has all the flow of a train wreck. No concluding paragraph.
Argument Structure
Persuasiveness
Youre seeing mostly what you wish to seeand its not clear to others. Not persuasive. Omits citations to assigned materials. Its clear that you didnt read the book, watch the films, etc. Also: recurrent pattern of selective citation.
Sources
Selective or perfunctory citation of assigned materials (citations omit books or films). Makes me wonder if you read the book or watched the films.
Spelling, grammar, composition Page length, margins, font, etc. (see p. 14)
Essays flow noticeably slowed by shortcomings of spelling, grammar, etc. A bit short. Margins and font problems. Not properly doublespaced.
Makes the reader wish you would enroll in more English classes and find a dictionary. Absurdly short, etc. Also: recurrent pattern of margin issues, etc.
Note: this rubric is intended as a helpful guideline, not a scientific formula. In general: papers are only as strong as their weakest link especially concerning use of sources. 15
Assigned Films
Cauldron of War, episode 5 of 500 Nations. Warner Studios, 1995. 45 min. The Country and the City, 1609-1825, episode 1 of New York: A Documentary Film. Thirteen/WNET New York/PBS, 2001. 110 min. The Downward Spiral, episode 1 of Slavery and the Making of America. Thirteen/WNET New York/PBS, 2004. 60 min. Liberty in the Air, episode 2 of Slavery and the Making of America. 60 min. Marbury v Madison (1803), episode 1 of Equal Justice Under Law. Committee of the Bicentennial of the Constitution, Judicial Conference of the United States, 1987. 30 min. Gibbons v Ogden (1824), episode 2 of Equal Justice Under Law. 30 min. Maryland v McCulloch (1819), episode 3 of Equal Justice Under Law. 30 min. Removal, episode 6 of 500 Nations. 45 min. From Mud Hole to Metropolis, episode 1 of Chicago: City of the Century. WGBH/PBS, 2003. 90 min. Order and Disorder, 1825-1865, episode 2 of New York: A Documentary Film. 110 min. Revolution, episode 1 of Not for Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony. WETA/PBS, 1999. 80 min. The Cause, episode 1 of The Civil War: A Film by Ken Burns. Florentine Films. 1990. 50 min. excerpt. Westward the Course of Empire Takes Its Way, 1845-1864, episode 1 of The Way West. PBS, 1994. 90 min. Revolution, episode 1 of Reconstruction: The Second Civil War. PBS, 2004. 90 min. Abolition: Broken Promises. BBC, 2003. (50 min.)
Additional materials
Students will receive (by way of their Canvas accounts for this course) maps and other materials as part of course instruction. Students are accountable for all materials assigned and provided by this course.
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Accommodation for Disabilities The American with Disabilities Act states: Reasonable accommodation will be provided for all persons with disabilities in order to ensure equal participation within the program. If a student has a disability that will likely require some accommodation by the instructor, the student must contact the instructor and document the disability with the Disability Resource Center (435-797-2444), preferably during the first week of the course. Any request for special consideration relating to attendance, pedagogy, taking examinations, etc., must be discussed with and approved by the instructor. In cooperation with the Disability resource Center, course materials can be provided in alternative format, large print, audio, diskette, or Braille. Grievance Process: Students who feel they have been unfairly treated...may file a grievance through the channels and procedures described in the Student Code: http://www.usu.edu/studentservices/pdf/StudentCode.pdf#page=3 (Article VII. Grievances, pages 27-36). Sexual Harassment Sexual harassment is defined by the Affirmative Action/Equal Employment Opportunity Commission as any unwelcome sexual advances, requests for sexual favors, and other verbal or physical conduct of a sexual nature. If you feel you are a victim of sexual harassmen t, you may talk to or file a complaint with the Affirmative Action/Equal Employment Opportunity Office located in Old Main, Room 161, or call the AA/EEO Office at 435-797-1266. Honor Code Policy As stated in The Student Code, Each student has the right and duty to pursue his or her academic experience free of dishonesty. The Honor System is designed to reinforce the higher level of conduct expected and required of all Utah State University students. Upon admission to the university, you agreed to abide by this Honor Code by signing the Honor Pledge, which reads: I pledge, on my honor, to conduct myself with the foremost level of academic integrity. Complete academic honesty is expected in this course. Cheating on exams or plagiarism on written assignments will result in a failing grade and may result in further action. Plagiarism Plagiarism includes knowingly representing, by paraphrase or direct quotation, the published or unpublished work of another person as ones own in any academic exercise or activity without full and clear acknowledgment. The penalties for plagiarism are severe. They include warning or reprimand, grade adjustment, probation, suspension, expulsion, withholding of transcripts, denial or revocation of degrees, and referral to psychological counseling. Communications via email Email is an official form of communication at USU. Any communication to you about this course will be to the email address you have listed in ACCESS as your preferred address.
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Diversity Statement Regardless of intent, careless or ill-informed remarks can be offensive and hurtful to others and detract from the learning climate. If you feel uncomfortable in a classroom due to offensive language or actions by an instructor or student(s) regarding ethnicity, gender, or sexual orientation, contact one of the following: at USU Brigham City, contact Jill Rasmussen, Room 170B, (435) 734-2277 ext 246; at other RCDE sites, contact your advisor, or; Moises Diaz, Director of Multicultural Student Services (435) 797-1733 moises.diaz@usu.edu, James Morales, Vice President of Student Services (435) 797-1712 james.morales@usu.edu; Ann Austin, Vice Provost for Faculty Development and Diversity, ann.austin@usu.edu; Maure Smith, GLBTA Services, maure.smith@usu.edu; Steven Russell, Student Advocate (435) 797-1720 s.r.@aggiemail.usu.edu. You can learn about your student rights by visiting: www.usu.edu/studentservices/studentcode. University Grading Scale A: 100-93% A-: 92-90% B+: 97-89% B: 83-86% B-: 80-82% C+: 77-79% C: 73-76% C-: 70-72% D+: 60-69% F: < 60%
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