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Considerations in Interior Design for Home Theaters and Listening Enviornments

presented by Beth Walters & John Storyk Principals and Co-Founders Walters-Storyk Design Group

NeoCon June 10, 2008

Home Theater Acoustics WSDG

Partners in Design Acoustics + Audio-Video

Home Theater Acoustics WSDG

Challenge
unite the disciplines of architecture and acoustics in order to create exciting spaces that are acoustically accurate and quiet within the community

Home Theater Acoustics WSDG

1. Our Approach 2. Acoustic Audio-Video fundamentals 3. Home Theater Design & Beyond 4. Case Studies

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1. Our Approach

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room shaping fundamental isolation issues room surface concepts

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1. 2. 3. 4.

Quietness Internal Room Acoustic Values Audio Video Requirements Client Education

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1. quietness

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1. quietness

room within room construction

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1. quietness

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1. quietness

early project reminders make an acoustic site survey develop a robust program statement with exact quietness requirements

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2. internal room acoustic values

- Intelligibility rooms acoustic characteristic to clearly hear speech such as conference rooms - Audio (music) responsiveness this is important in any room dedicated to serious music listening such as recording studios and home theaters

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2. internal room acoustic values

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3. audio video requirements

early project reminder a-v requirements at the very least identify specialty a-v requirements ipod docking station integrated window and lighting controls surround sound distributed audio-video master media library etc.

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3. audio video requirements

equipment closet in millwork with rear access

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4. client education

discuss these early in the project room shaping surface treatments a-v electronics

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4. client education

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4. client education

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4. client education

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4. client education

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4. client education

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4. client education

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2. Acoustics + Audio-Video Fundamentals

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applied acoustics in design transfer and isolation internal room

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Acoustics is the study of sound. Sound is the change of pressure in a medium (air) over time. All acoustical parameters must be thought of as being

FREQUENCY DEPENDENT

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Fundamentals

Wavelength

Wavelength

Pressure

Atmospheric Pressure

Time
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Wavelength & Speed

c=f
c, the velocity of sound, is constant.
Imperial Units: c 1130 ft / s = 1.13 ft / ms 1 ft / ms SI Units: c 344 m / s = 34.4 cm / ms 30 cm / ms

Therefore, if gets small, f must get large. If gets large, f must get small. Low frequencies have long wavelengths. High frequencies have short wavelengths.

Home Theater Acoustics WSDG

Speech and Music


120

20 to 20,000Hz

Threshold of Pain

Sound Pressure Level (dB)

100

Music
80

80 to 4,000Hz

80dB

60

40

20

Threshold of Hearing

0 20 50 100 300 500 1k 3k 5k 10k 20k

Frequency (Hz)
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40dB

Speech

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Frequency Range in Bands


The most common frequency bands have their centers at octave or 1/3 octave intervals.

Octave Bands
63 125 250 500 1k 2k 4k 8k

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Acoustic Sound Levels


dB SPL Chart
Our ears sensitivity for loudness and frequency is logarithmic measured in decibel (dB)

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transfer and isolation acoustics

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Noise Criteria Curves (NC)

One of the most commonly used single-number readings for quietness is the Noise Criteria (NC). To convert a given set of measurement data to the single-number value, a set of predefined curves is used.

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Noise Criteria Curves (NC)


100 90

80

sound-pressure level (dB)

NC curves are convenient but can be deceiving in accuracy for individual frequency values

70 60

NC 70 NC 65 NC 60

50

NC 55 NC 50

40

NC 45 NC 40

30 20

NC 35

NC 35 ! NC 35 NC 25
NC 30 NC 20

10

0 31.5 63 125 250 500 1k 2k 4k 8k

octave band center frequencies (Hz) Home Theater Acoustics WSDG

Typical NC Values
Conditions Sleeping Living Office Audio Studio Restaurant Home Theater Computer room
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NC level 25-35 35-45 30-45 15-20 35-50 20-25 45-60

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Transmission Loss (TL)


The most common way of determining airborne sound insulation is the two room method. TL = approx. 80 35 = approx. 45dB @ 1kHz Level: 80dB SPL @ 1kHz

Level: 35dB SPL @ 1kHz

Source Room
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Receiver Room

Room-within-Room Design
Two keywords for sound isolation design Mass Decoupling A clever combination of both: physical mass and mechanical decoupling will result in good sound isolation. High performance acoustic isolation often results in Room within Room Construction

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Sound Transmission Class


Fiber glass 2x4 metal studs 5/8 gypsum board

STC 45

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Partitions
Metal Stud Systems
2 Layers of 5/8 Gypsum Board

Open Cell Neoprene

Attenuation Blanket Resilient Channel

STC 52
Metal Studs Acoustical Sealant

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Partitions
Metal Stud Systems

de-coupled acoustic ceiling

Attenuation Blanket multiple g.b. layers

STC 62
Metal Studs Floating Floor Home Theater Acoustics WSDG Shown here with De-Coupled Floor and Ceiling Systems

Room-within-Room Design
spring isolator

Detail of ceiling spring isolator system

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Internal Room Acoustics

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Acoustical Palette
Geometry links the real world to what we hear

Acoustical Treatment
REFLECTION

Temporal Response
SPECULAR REFLETION

Spatial Response
0 -30 -60 -90 30 60 90

6 dB

ABSORPTION

DIRECT SOUND -30 ATTENUATED REFLETION -60 -90

0 30 60 90

DIFFUSION

10 msec 0 DIFFUSION -60


10dB

-30

30 60 90

-90 TIME (msec)

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Reflections

Fir

Direc t

Soun

st R efle ctio n

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Reverberation
RT60 The RT60 Decay Time measures the (frequency dependent) time necessary for a 60 dB decay in sound pressure level (onemillionth of original Signal).

The steepness of the slope with witch the reverb decays (which defines the RT60 Decay Time) is an important parameter in defining the acoustics of a room. However, the distribution of the individual reverberation peaks is the other half of the story!
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co Se nd R ef c le tio n

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Reverberation
RT60 - Waterfall Display

100

90

Sound Pressure Level dB re 20m Pa


0,00 0,22 0,44 0,66 0,88 Time, 1,10 1,32 Sec. 1,54 1,76 10 100 1K 10K

80

70

60

50

Frequency, Hz
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RT60 target design values


1.4 Reverberation Time (seconds) 1.2 1.0
MUSIC

0.8 0.6 0.4


SPEECH

0.2 0 1,000 Room Volume (cubic feet) 2,000 3,000 5,000 10,000 20,000 50,000

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Modal Analysis
Room Ratios
3.0

Room 1 Length: 36 ft Width: 24 ft Height: 12 ft x:y:z=3:2:1

2.8

2.6

2.4

2.2

ACCEPTABLE RATIOS

Newman Bolt Beranek 1957

2.0

1.8

1.6

1.4

1.2

1.4

1.6

1.8

2.0

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Note: Dimension Ratio 1:X:Y

Modal Analysis
Room Ratios
3.0

Room 2 Length: 21.5 ft Width: 15 ft Height: 9.5 ft x : y : z = 2.3 : 1.6 : 1

2.8

2.6

2.4

2.2

ACCEPTABLE RATIOS

2.0

1.8

1.6

1.4

1.2

1.4

1.6

1.8

2.0

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Note: Dimension Ratio X:Y:1

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Acoustic Design Room Ratios


width : 20 length: 20 height: 9 20

20
Lin
0 50 100 150 200 250 300 350

Log
10 20 30 40 50 60 70 80 90 100 150 200 250 300 350

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Acoustic Design Room Ratios


closet 20 width : 20 length: 16.5 height: 9

16.5
Lin
0 50 100 150 200 250 300 350

Log
10 20 30 40 50 60 70 80 90 100 150 200 250 300 350

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3. Design

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future homes more media rooms future offices more media conference rooms future environments quieter (greener)

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advanced technology and improved acoustics will appear in almost all building types

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early in the design process room shaping display requirements audio and specifically low frequency control quietness and isolation hvac wire management (future proof) the bare maximum

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CINEMA

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4. Case Studies

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Mi Casa Studios
Hollywood, CA, USA

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Paz Home Theater - Musuem of Inhotim


Belo Horizonte, Brazil

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Apartment Home Theater


Dallas,TX

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Surround Control Room

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Chu Residence Home Theater


Nantucket, MA

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acoustic prediction auralization slightly into the future for all rooms

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13 12 11

RT 60 Times
Simulation without Treatment Simulation with preliminary Treatment

RT60 Reverberation Time [s]

10 9 8 7 6 5 4 3 2 1 0 63 125

Upper Limit

Walters Storyk Design Group


250 500 1000 2000 4000

Lower Limit
8000

Frequency [Hz]

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ZU-YUAN
Ceiling: Plaster Circles: 100mm Insulation

Auralisation Materials

25mm Insulation

Carpet Frontwall: Perforated Metalsheets, Perforation Type 2 Sidewall: Perforated Metalsheets, Perforation Type 1 Audience Area

01

A2

Floor: Stone

Remarks:

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perforated metal sheets - concept


Section Type 1: Sections Type 2:

Perforated Metal Sheet Thickness: 4mm Hole diameter: 0.6mm Hole Distance (c-c): 4mm

Perforated Metal Sheet Thickness: 4mm Hole diameter: 0.6mm Hole Distance (c-c): 10mm

Wall 50mm Airspace 50mm Insulation

50mm Airspace 50mm Insulation

Remarks: Microperforated Metalsheet. The absorption curve of these perforations can be achieved with slightly different perforations, too.

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Original image sculpted metal panels on all walls

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Auralization Amplified Music/Film

Feature Film Empty Room Feature Film Treated Room

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