e Mandolin

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Portrait of the

t tis - 1878 Ar

Portrait of Ma

e J- 1883 m da

Mary Cassatt
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- 1889

At the Windo

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h at

- c. 1893

Young Mothe

- 1900

- 1905

- 1910

e Mirror

1873 c. 1880 -

1902 -

1909 -

tte ile To

1897 -

ng wi Se

c. 1891 -

ld hi

t Ha wn

1885 -

Sleepy Baby

ore Sh

Toreador

Self Portrait

Children on the

Celeste in a Bro

e Barefoot C

Young Mother

Woman at Her

Mary Cassatt was not a modern painter, so I did not want the timeline to feel too modern. Her artwork also Viner Hand ITC does not feature prominent linework, but does show heavy brushstrokes. The challenge for this design was ABCDEFGHIJKLMNOPQRSTUVWX therefore to create a timeline that embodied Mary Cassatts work, eschewing straight or prominent lines. Brush YZ strokes similar to the paint strokes found in her work replaced what would be straight lines in a standard timeabcdefghijklmnopqrstuvwxyz line, and these lines were curved, as harsh straight lines were contrary to the feel of her works. The edges of the Adobe Caslon Pro pictures were softened using feathiring and smoothing in photoshop, again to removed the starkness of the straight lines of the borders. One challenge that arose was the imprecision of the paint strokes - it was decided ABCDEFGHIJKLMNOPQRSTUVW XYZ to make this timeline less about precision and more about showing the evolution of her work over time. abcdefghijklmnopqrstuvwxyz Pictures were selected for notoriety, signi cance, and demonstrating aforementioned evolution. Adobe Caslon Pro was selected as a serif font that conveyed an old timey feel while maintaining readability. It was used for painting information, as this would be small and require higher readability. To contrast this, a script font was chosen to write the artists name as a title. The intent was to convey the same old timey feel, maintain readability, resemble an artists signature, and maintain a similar amount of curviness as the timeline. Viner Hand ITC was selected as having the best balance of these features. Much e ort was put into nding or creating brush strokes reminiscent of Mary Cassatts work for the construction of the timeline. In the end, brush stroke vector brushes were found that would look right and were usable in terms of rights. However, these did not have the option to select color, leading to a color scheme based o of these strokes. Strokes with warm colors, again giving an appropriate old timey feel, were selected. Based o of these colors, an analogous color scheme was constructed. Sources: http://bit.ly/ZrpR1U http://bit.ly/16vfXS3 http://bit.ly/ZQYDE7 http://bit.ly/15PaeoT http://bit.ly/152v021