Side by Side Directed by Keanu Reeves

Celluloid/Photochemical/Film Texture, grain structure, chemical reaction. 1000ft loads of film = 10 minutes shooting Dailys - film developed and watched next day leap of faith romantic voodoo Its iin the DPs Head. Chris Nolan -Dark Night, Inception Scorsese - concentrate on the performances David Lynch In film theres a tension about this precious stuff going through the camera.

Digital/Video shoot for longer -almost infinite. See what you are shooting. Modern digital can work better in low light. - changes the way you light shots. CCD - Sony DOGMA 95 films shot on Video The celebration, The Idiots Handheld Low budget = more freedom? Video associated with: PORN, NEWS, DOCUMENTARY Immediacy as if you are in the room. Digital Film becomes aproduction aesthetic

Celluloid/Photochemical/Film John Malkovich momentum problem can we go? FILM = MONEY running through the camera. Gives the shooting a tension

Digital/Video digital no need to stop/start = actors exhausted and need to pee! on consumer dig cams = more real and could hold traffic in London for quick shoot rather than close whole streets for days. Can shoot illegally and surrepticiously.

Danny Boyle -28 days later

PHYSICAL EDITING

NON LINEAR DIGITAL EDITING. Robert Rodriguez: Editing = the manipulation of images to tell a story Speed

CGI degrades film as ahas to be scanned and manipulated then put back into film

CGI all just information so easier to manipulate no degradation no limits George Licas - Pixar ILM worked with sony on digital camera Sony F900

Celluloid/Photochemical/Film Mid to late 90s shot on film then digitised

Digital/Video Pixel res SD 720 x 480 HD 1920 ATTACK OF THE CLONES 2002 1st major feature chot on HD video

Colourist and DP decide the look of the film

Film = Art + Labour In film colouring you have to use chemical proceses and dipping in tanks to adjust colouring of film. Photochemical process timing is crude and results decided by colourist not director. O brother where art though? (Cohen Brothers affiliated with Working Title Films) Whole film is digitally coloured so gives rich sepia tones but does not affect blue sky and blue overalls. Being able to digitally manipulate could mean LESS control for directors as anyone canchange the look of youer film.

Celluloid/Photochemical/Film Each projector/projectionist is different Cellulloid falls apart transport expensive The cinema was the curch of the 20th century. a special place with the actors face 40ft high. A public shared experience vs a private experience of watching movies on a phone or table via netflix.

Digital/Video Digital projectors can still have settings adjusted.. Sony have installed 10,000 digital projectors in last 2 yrs no scratches/ tears. Thomson VIPER camera can see in the dark - used in COLLATERAL to film city at night. PANAVISION GENESIS 2005 - 35mm like cellulloid MIAMI VICE APOCALYPTO Jim Jennard - OAKLEY RED studios dev dig cams 4k pixels crashes occasionally - its a computer Shoot onto flash therefore more portable Portability SLUMDOG MILLIONAIRE SHOT ON S1 2K CAMERA and a macbook inbackpack run through streets with kids.

EXHIBITION

Celluloid/Photochemical/Film War Horse Hunger Games Les Miserables (WTF) Shot on film ALL MAJOR MANUFACTURERS HAVE STOPPED MAKING FILM CAMERAS

Digital/Video Allows improvisation. 2009 was a BIG YEAR for 3D AVATAR HOW TO TRAIN YOUR DRAGON ALICE IN WONDERLAND all shot for 3d James Cameron -the eye of the artist is still required to make it look real Scorsese - idea that we are more aware of this fantasy world being Not real Cameron - movie sets not real Canon 5D , 7D DSLR cameras democratisation of cinema But NO TASTE MAKER. 80 different formats of video to date and in many cases no machines left to play them!

Film is a simple format and same format since 1909 all you have to do is shine light through it

David Lynch - People love great stories