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In Endgame all of the action takes place in a single room filled with a sparse set of a chair, two trash cans and two windows. While Clov occasionally looks outside into the gray, all he reports is "Zero...zero....and zero," suggesting that this room really is all that is left. It has been suggested by some that the original stage direction, Left and right back, high up, two small windows, curtains drawn. Front right, a door. Hanging near door, its face to wall, a picture. Front left, touching each other, covered with an old sheet, two ashbins. Center, in an armchair on castors, covered with an old sheet, Hamm.
creates an image of a skull, symbolizing the death that seems to exist outside the windows as well as the characters own unreachable desire to end their lives.
This could be considered lavish however to the unnerving anti-set from his later play Not I, a lone beam of light focused on an actresses mouth, with all other light, including light from the theaters exit signs, extinguished. The extreme lack of context sends the audience adrift in a sea of darkness, unable to connect with the traditional signifiers of the theatre: the stage, the movement of actors and even the feeling of the other audience members around them. When these reliable aspects of a play are taken away so to is the audiences ability to live a life without examination. We are all exiles, in one form or another but that does not mean we should despair. Beckett's plays have always been tinged with dark humor, providing a small relief from such discouraging works. I find that this quote from Nell in Endgame provides a suitable description of the humor that is always present amidst the despair, Nothing is funnier than unhappiness, I grant you that. ... Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.