principal

Submitted

to

Mahesh shukhla Mr.rohit tiwari By khare guru

Mr.Pankaj

sir

Summited Ashish Reetesh

This is to certify that the project report entitled TEMPLE to the Institute of Management BACHELOR OF for M.P. computer the COMPUTER software submitted

APPLICATION

project

work

Carried out by Ashish khare & Reetesh guru.

Place: Head Date: Sagar Department

of

The object of a project assigned to us which is about a systemnamed m.p. Temple which has been computerized.

This software is developed embodies the function and command of HTML programming language . The advantage of this software is to handle the m.p. Temple in an easier and rapid manner. This work is original and conducted at B.C.A. this project has not Been submitted in part or full to this or any other diploma, degree or any Other certificate

NAME OF STUDENT ASHISH KHARE REETESH GURU

We are extremely grateful Mr. pankaj sir and all the staff member of our college for their valuable guidance throughout the tenure of this project. We extend our sincere thanks to all faculties in our college. We extended our sincere thanks to all staff of B.C.A.for giving Us an opportunity to carry out the project work in their esteemed Organization. We express our deep sense of regards of respected teachers, Colleagues, friends and those who helped us directly and indirectly who Has contributed in numerous ways to the development of our project. We also acknowledge our thanks to (Head of the Department) That gave us moral support and a chance to be a part of software world In the very beginning of our careers.

ABOUT SAGAR UNIVERSITY. ABOUT G.I.M..S. COLLEGE. PREFACE. HTML INTRODUCTION.

HTML TAGE ABOUT PROJECT

HARD WARE & SOFT WARE REQUIRMENT

CODING CONCLUSION

Dr. Sir harisingh gour founded known as doctor sagar university harisingh (M.P.), of sagar, gour formerly oldest vishwavidhyala,

university in the state of Madhya Pradesh by his generous donation. The university located on picturesque hill with town of sagar and Sagar Lake down the valley. There are more than 35 departments in the university. The university central library is called Jawaharlal Nehru library is the

oldest and biggest it houses more then 3 lacks title and subscribe to a large number of foreign and national general and magazines. The university has 5 hostels which include in girls hostel. There is also residential campus for the staff member of the university. Their also teacher hostel separately. The student activity includes a day home and sports facility for the hockey, cricket, football, Volleyball, basketball, tennis, athletics and indoor facilities for badminton and table tennis. NCC and NSS facilities for boys and girls are also available. of There is fledged and department youth welfare

performing arts. The audio visual research center (AVRC) and academic Staff College

are yet other important bodies of the university. The university is running number of courses related with the latest technology specially MCA, MIT, MBA, M.Tech, geology, MPharma, MSc (microbiology), BCA, BBA etc. Apart from that this university has own name the field of research and development.

G.I.M.S. college sagar (M.P.)

With the solemn desired to promote quality education G.I.M.S. college sagar (m.p.) was established with the aspiration that for the coming years the institute would benefit the student community business world and the society at the large. That institute is engaged in the task of creating the new management paradise where the academic concepts are being remodeled to meet the requirement of the community specially the business world. It is determine to make its student and excellent entrepreneurs so as to and be performer with the utmost self confidence practical wisdom

successful in whatever field of activities not only in sagar but also across the length and width of our motherland. G.I.M.S. college is a premier technological institute that has strong views regard excellence in the field of computer science as well as other vocational B.COM, course B.Sc like etc BCA, PGDCA, on and focusing

socioeconomic endeavoring

challenges

to produce leader in trade

and industry who can help India complete with the international leader of the trade and commerce.

The latest syllabus prescribed for the Bachelor of Computer Application three years degree courses entitle the student prepare at leaser one project in each semester. In fact this project will only we consider for the practical examination. Thus the project works in the most important responsibility for the students. The main aim of the project work in each semester is mark the student learns the proper way of developing a project. The student gets acquainted with working environment of the software development companies.

It marks the student learn how to gather information & ideas for different sources. This project though completed in the partial fulfillment of Bachelor degree of computer with all sort of hard work & finding. Though this project may not be the best it is one of our best efforts that we could have put.

THE HTML INTRODUCTION

The latest version of this document is available at http://werbach.com/barebones/, where you will also find the text version, translations, and background materials. The Bare Bones Guide to HTML lists all the tags that current browsers are likely to recognize. I have included all the elements in the official HTML 4.0 recommendation with common attributes, as well as Netscape and Microsoft extensions. This document is a quick reference, not a complete specification; for official information about HTML and its development, see the World Wide Web Consortium site at http://www.w3.org/MarkUp/. The Guide is designed to be as concise as possible, and therefore it doesn't go into any detail about how to use the various tags. A few tags link to notes that address frequentlyasked questions. If you're looking for more detailed step-by-step information, see my WWW Help Page.

Table of Contents

1. INTRODUCTORY MATERIAL o What is unique about this guide o Which HTML tags are included o How this document is formatted (including a description of symbols and abbreviations) 2. HTML TAGS o basic elements (all HTML documents should have these) o structural definition (appearance controlled by the browser's preferences) o presentation formatting (author specifies text appearance) o links, graphics, and sounds o positioning o dividers o lists o backgrounds and colors o special characters o forms o tables o frames o scripts and java o miscellaneous Important: If you are not clear about the differences between the various versions of HTML, I suggest that you read my discussion of the development of HTML, or the World Wide Web Consortium HTML activity statement.

BASIC ELEMENTS
Document Type Title Header Body
<HTML></HTML> <TITLE></TITLE> <HEAD></HEAD> <BODY></BODY>

(beginning and end of file) (must be in header) (descriptive info, such as title) (bulk of the page)

STRUCTURAL DEFINITION
Heading Align Heading Division Align Division Defined Content Block Quote Quote Citation Emphasis
<H?></H?> <H? ALIGN=LEFT|CENTER|RIGHT></H?> <DIV></DIV> <DIV ALIGN=LEFT|RIGHT|CENTER|JUSTIFY></DIV> <SPAN></SPAN> <BLOCKQUOTE></BLOCKQUOTE> <Q></Q> <Q CITE="URL"></Q> <EM></EM>

(the spec. defines 6 levels)

4.0 4.0 4.0

(usually indented) (for short quotations) (usually displayed as italic)

Strong Emphasis <STRONG></STRONG> Citation Code

<CITE></CITE> <CODE></CODE>

(usually displayed as bold) (usually italics) (for source code listings)

Sample Output <SAMP></SAMP> Keyboard Input <KBD></KBD> <VAR></VAR> Variable Definition

<DFN></DFN>

(not widely implemented)

Author's Address <ADDRESS></ADDRESS> Large Font Size <BIG></BIG> Small Font Size <SMALL></SMALL> 4.0 4.0 4.0 4.0 4.0 4.0 4.0 4.0 Insert
<INS></INS>

(marks additions in a new version)

Time of Change <INS DATETIME=":::"></INS> <INS CITE="URL"></INS> Comments Delete Time of Change Comments Acronym Abbreviation
<DEL></DEL> <DEL DATETIME=":::"></DEL> <DEL CITE="URL"></DEL> <ACRONYM></ACRONYM> <ABBR></ABBR>

(marks deletions in a new version)

PRESENTATION FORMATTING
Bold Italic 4.0* Underline Strikeout 4.0* Strikeout Subscript Superscript Typewriter
<B></B> <I></I> <U></U> <STRIKE></STRIKE> <S></S> <SUB></SUB> <SUP></SUP> <TT></TT>

(not widely implemented) (not widely implemented) (not widely implemented)

<PRE></PRE> Preformatted <PRE WIDTH=?></PRE> Width <CENTER></CENTER> Center <BLINK></BLINK> N1 Blinking <FONT SIZE=?></FONT> Font Size Change Font Size <FONT SIZE="+|-?"></FONT> <FONT COLOR="#$$$$$$"></FONT> Font Color <FONT FACE="***"></FONT> 4.0* Select Font

(displays in a monospaced font) (display text spacing as-is) (in characters) (for both text and images) (the most derided tag ever) (ranges from 1-7)

N4 N4 4.0* MS

Point size Weight Base Font Size Marquee

<FONT POINT-SIZE=?></FONT> <FONT WEIGHT=?></FONT> <BASEFONT SIZE=?> <MARQUEE></MARQUEE>

(from 1-7; default is 3)

POSITIONING
N3 N3 N3 N3 N3 N3 N3 N3 N4 N4 N4 N4 N4 N4 N4 N4 N4 N4 N4 N4 N4 N4 Multi-Column Column Gutter Column Width Spacer Spacer Type Size Dimensions Alignment Layer Name Location Rel. Position Source File Stacking Stack Position Dimensions Clipping Path Visible? Background Color Inline Layer Alt. Content
<MULTICOL COLS=?></MULTICOL> <MULTICOL GUTTER=?></MULTICOL> <MULTICOL WIDTH=?></MULTICOL> <SPACER> <SPACER TYPE=HORIZONTAL|VERTICAL|BLOCK> <SPACER SIZE=?> <SPACER WIDTH=? HEIGHT=?> <SPACER ALIGN=LEFT|RIGHT|CENTER> <LAYER></LAYER> <LAYER ID="***"></LAYER> <LAYER LEFT=? TOP=?></LAYER> <LAYER PAGEX=? PAGEY=?></LAYER> <LAYER SRC="***"></LAYER> <LAYER Z-INDEX=?></LAYER> <LAYER ABOVE="***" BELOW="***"></LAYER> <LAYER HEIGHT=? WIDTH=?></LAYER> <LAYER CLIP=,,,></LAYER> <LAYER VISIBILITY=SHOW|HIDDEN|INHERIT></LAYER> <LAYER BACKGROUND="$$$$$$"></LAYER> <LAYER BGCOLOR="$$$$$$"></LAYER> <ILAYER></ILAYER> <NOLAYER></NOLAYER>

(takes same attributes as LAYER)

LINKS, GRAPHICS, AND SOUNDS

Link Something Link to Location
<A HREF="URL"></A> <A HREF="URL#***"></A> <A HREF="#***"></A>

(if in another document) (if in current document) (Javascript) (Javascript)

4.0* 4.0* 4.0*

<A HREF="URL" TARGET="***"></A> Target Window <A HREF="URL" ONCLICK="***"></A> Action on Click Mouseover Action <A HREF="URL" ONMOUSEOVER="***"></A>

4.0*

Mouse out Action <A HREF="URL" ONMOUSEOUT="***"></A> <A HREF="mailto:@"></A> Link to Email
<A HREF="mailto:@?SUBJECT=***"></A> <A NAME="***"></A> <IMG SRC="URL">

(Javascript) (use a real question mark)

N, MS Specify Subject Define Location Display Image Alignment N1 Alignment Alternate Dimensions

<IMG SRC="URL" ALIGN=TOP|BOTTOM|MIDDLE|LEFT|RIGHT> <IMG SRC="URL" ALIGN=TEXTTOP|ABSMIDDLE|BASELINE| ABSBOTTOM> <IMG SRC="URL" ALT="***"> <IMG SRC="URL" WIDTH=? HEIGHT=?> <IMG SRC="URL" WIDTH=% HEIGHT=%>

N1

<IMG SRC="URL" BORDER=?> Border Runaround Space <IMG SRC="URL" HSPACE=? VSPACE=?> <IMG SRC="URL" LOWSRC="URL"> Low-Res Proxy

(if image not displayed) (in pixels) (as percentage of page width/height) (in pixels) (in pixels) (requires a script)

Imagemap MS MS Imagemap Movie Clip Background Sound Client-Side Map Map Section N1 N2 N2 4.0 4.0 Client Pull Embed Object Object Size Object Parameters

<IMG SRC="URL" ISMAP> <IMG SRC="URL" USEMAP="URL"> <IMG DYNSRC="***" START="***" LOOP=?> <BGSOUND SRC="***" LOOP=?|INFINITE> <MAP NAME="***"></MAP>

(describes the map)

<AREA SHAPE="DEFAULT|RECT|CIRCLE|POLY" COORDS=",,," HREF="URL"|NOHREF> <META HTTP-EQUIV="Refresh" CONTENT="?; URL=URL"> <EMBED SRC="URL"> <EMBED SRC="URL" WIDTH=? HEIGHT=?> <OBJECT></OBJECT> <PARAM>

(insert object into page)

DIVIDERS
Paragraph N Align Text Justify Text Line Break Clear Textwrap
<P></P> <P ALIGN=LEFT|CENTER|RIGHT></P> <P ALIGN=JUSTIFY></P> <BR> <BR CLEAR=LEFT|RIGHT|ALL>

(closing tag often unnecessary)

(a single carriage return)

Horizontal Rule Alignment Thickness Width Width Percent Solid Line N1 N1 No Break Word Break

<HR> <HR ALIGN=LEFT|RIGHT|CENTER> <HR SIZE=?> <HR WIDTH=?> <HR WIDTH="%"> <HR NOSHADE> <NOBR></NOBR> <WBR>

(in pixels) (in pixels) (as a percentage of page width) (without the 3D cutout look) (prevents line breaks) (where to break a line if needed)

LISTS
Unordered List Compact Bullet Type Bullet Type Ordered List Compact Numbering Type Numbering Type Starting Number Starting Number Definition List Compact Menu List Compact Directory List Compact
<UL><LI></UL> <UL COMPACT></UL> <UL TYPE=DISC|CIRCLE|SQUARE> <LI TYPE=DISC|CIRCLE|SQUARE> <OL><LI></OL> <OL COMPACT></OL> <OL TYPE=A|a|I|i|1> <LI TYPE=A|a|I|i|1> <OL START=?> <LI VALUE=?> <DL><DT><DD></DL> <DL COMPACT></DL> <MENU><LI></MENU> <MENU COMPACT></MENU> <DIR><LI></DIR> <DIR COMPACT></DIR>

(before each list item) (for the whole list) (this & subsequent) (before each list item) (for the whole list) (this & subsequent) (for the whole list) (this & subsequent) (<DT>=term, <DD>=definition) (before each list item) (before each list item)

BACKGROUNDS AND COLORS

MS Tiled Bkground <BODY BACKGROUND="URL"> <BODY BGPROPERTIES="FIXED"> Watermark Bkground Color <BODY BGCOLOR="#$$$$$$"> (order is red/green/blue) <BODY TEXT="#$$$$$$"> Text Color <BODY LINK="#$$$$$$"> Link Color <BODY VLINK="#$$$$$$"> Visited Link <BODY ALINK="#$$$$$$"> Active Link (More info at http://werbach.com/web/wwwhelp.html#color)

SPECIAL CHARACTERS

&#?; Special Character (where ? is the ISO 8859-1 code) &lt; < &gt; > &amp; & &quot; " &#174; Registered TM &reg; Registered TM &#169; Copyright &copy; Copyright Non-Breaking Space &nbsp; (Complete list at http://www.uni-passau.de/%7Eramsch/iso8859-1.html)

FORMS
Define Form 4.0* File Upload Input Field Field Name Field Value Checked? Field Size Max Length Button Button Name Button Type Default Value Label Item Labelled Selection List Name of List # of Options
<FORM ACTION="URL" METHOD=GET| POST></FORM> <FORM ENCTYPE="multipart/form-data"></FORM> <INPUT TYPE="TEXT|PASSWORD|CHECKBOX|RADIO| FILE|BUTTON|IMAGE|HIDDEN|SUBMIT|RESET"> <INPUT NAME="***"> <INPUT VALUE="***"> <INPUT CHECKED> <INPUT SIZE=?> <INPUT MAXLENGTH=?> <BUTTON></BUTTON> <BUTTON NAME="***"></BUTTON> <BUTTON TYPE="SUBMIT|RESET|BUTTON"></BUTTON> <BUTTON VALUE="***"></BUTTON> <LABEL></LABEL> <LABEL FOR="***"></LABEL> <SELECT></SELECT> <SELECT NAME="***"></SELECT> <SELECT SIZE=?></SELECT>

(checkboxes and radio boxes) (in characters) (in characters)

4.0 4.0 4.0 4.0 4.0 4.0

Multiple Choice <SELECT MULTIPLE> Option Default Option Option Value Option Group Input Box Size Name of Box Wrap Text
<OPTION> <OPTION SELECTED> <OPTION VALUE="***"> <OPTGROUP LABEL="***"></OPTGROUP> <TEXTAREA ROWS=? COLS=?></TEXTAREA> <TEXTAREA NAME="***"></TEXTAREA>

(can select more than one) (items that can be selected)

4.0

N2

<TEXTAREA WRAP=OFF|HARD|SOFT></TEXTAREA>

4.0 4.0 4.0

Group elements <FIELDSET></FIELDSET> Legend Alignment

<LEGEND></LEGEND>

(caption for fieldsets)

<LEGEND ALIGN="TOP|BOTTOM|LEFT|RIGHT"></LEGEND>

TABLES
<TABLE></TABLE> Define Table 4.0* Table Alignment <TABLE ALIGN=LEFT|RIGHT|CENTER>

Table Border Table Border Cell Spacing Cell Padding Desired Width Width Percent 4.0* Table Color 4.0 4.0 MS MS MS Table Frame Table Rules Border Color Dark Border Light Border Table Row Alignment Table Cell Alignment

<TABLE BORDER></TABLE> <TABLE BORDER=?></TABLE> <TABLE CELLSPACING=?> <TABLE CELLPADDING=?> <TABLE WIDTH=?> <TABLE WIDTH=%>

(either on or off) (you can set the value)

(in pixels) (percentage of page)

<TABLE BGCOLOR="$$$$$$"></TABLE> <TABLE FRAME=VOID|ABOVE|BELOW|HSIDES|LHS|RHS| VSIDES|BOX|BORDER></TABLE> <TABLE RULES=NONE|GROUPS|ROWS|COLS|ALL></TABLE> <TABLE BORDERCOLOR="$$$$$$"></TABLE> <TABLE BORDERCOLORDARK="$$$$$$"></TABLE> <TABLE BORDERCOLORLIGHT="$$$$$$"></TABLE> <TR></TR> <TR ALIGN=LEFT|RIGHT|CENTER|MIDDLE|BOTTOM> <TD></TD>

(must appear within table rows)

No linebreaks Columns to Span <TD COLSPAN=?> <TD ROWSPAN=?> Rows to Span <TD WIDTH=?> 4.0* Desired Width N3 Width Percent
<TD WIDTH="%">

<TD ALIGN=LEFT|RIGHT|CENTER VALIGN=TOP|MIDDLE| BOTTOM> <TD NOWRAP>

(in pixels) (percentage of table) (same as data, except bold centered)

4.0* Cell Color Header Cell Alignment

<TD BGCOLOR="#$$$$$$"> <TH></TH>

<TH ALIGN=LEFT|RIGHT|CENTER|MIDDLE|BOTTOM>

No Linebreaks Columns to Span Rows to Span 4.0* Desired Width N3 Width Percent

<TH NOWRAP> <TH COLSPAN=?> <TH ROWSPAN=?> <TH WIDTH=?> <TH WIDTH="%"> <TH BGCOLOR="#$$$$$$"> <TBODY> <TFOOT></TFOOT> <THEAD></THEAD> <CAPTION></CAPTION> <CAPTION ALIGN=TOP|BOTTOM|LEFT|RIGHT> <COL></COL>

(in pixels) (percentage of table)

4.0* Cell Color 4.0 Table Body 4.0 4.0 Table Footer Table Header Table Caption Alignment Column

(must come before

THEAD>

4.0 4.0 4.0 4.0 4.0 4.0 4.0 4.0

(groups column attributes)

Columns Spanned <COL SPAN=?></COL> <COL WIDTH=?></COL> Column Width <COL WIDTH="%"></COL> Width Percent Group columns
<COLGROUP></COLGROUP>

(groups column structure)

Columns Spanned <COLGROUP SPAN=?></COLGROUP> <COLGROUP WIDTH=?></COLGROUP> Group Width <COLGROUP WIDTH="%"></COLGROUP> Width Percent

FRAMES
4.0* Frame Document <FRAMESET></FRAMESET> 4.0* Row Heights 4.0* Row Heights 4.0* Column Widths 4.0* Column Widths 4.0* 4.0* 4.0* N3 Borders Border Width Border Color Frame Spacing
<FRAMESET ROWS=,,,></FRAMESET> <FRAMESET ROWS=*></FRAMESET> <FRAMESET COLS=,,,></FRAMESET> <FRAMESET COLS=*></FRAMESET>

(instead of <BODY>) (pixels or %) (* = relative size) (pixels or %) (* = relative size)

<FRAMESET FRAMEBORDER="yes|no"></FRAMESET> <FRAMESET BORDER=?></FRAMESET> <FRAMESET BORDERCOLOR="#$$$$$$"></FRAMESET> <FRAMESET FRAMESPACING=?></FRAMESET> <FRAME>

4.0* Define Frame

(contents of an individual frame)

4.0* Display Document <FRAME SRC="URL"> <FRAME NAME="***"|_blank|_self|_parent|_top> 4.0* Frame Name (left and right <FRAME MARGINWIDTH=?> 4.0* Margin Width margins) (top and <FRAME MARGINHEIGHT=?> 4.0* Margin Height bottom margins) <FRAME SCROLLING="YES|NO|AUTO"> 4.0* Scrollbar? <FRAME NORESIZE> 4.0* Not Resizable <FRAME FRAMEBORDER="yes|no"> 4.0* Borders <FRAME BORDERCOLOR="#$$$$$$"> 4.0* Border Color (for non<NOFRAMES></NOFRAMES> 4.0* Unframed Content frames browsers) (takes same <IFRAME></IFRAME> 4.0 Inline Frame attributes as FRAME) <IFRAME WIDTH=? HEIGHT=?></IFRAME> 4.0 Dimensions <IFRAME WIDTH="%" HEIGHT="%"></IFRAME> 4.0 Dimensions

SCRIPTS AND JAVA

Script Location Type Language 4.0* Other Content Applet File Name Parameters Location Identifier Alt Text Alignment Size Spacing Server Script
<SCRIPT></SCRIPT> <SCRIPT SRC="URL"></SCRIPT> <SCRIPT TYPE="***"></SCRIPT> <SCRIPT LANGUAGE="***"></SCRIPT> <NOSCRIPT></NOSCRIPT> <APPLET></APPLET> <APPLET CODE="***"> <APPLET PARAM NAME="***"> <APPLET CODEBASE="URL"> <APPLET NAME="***"> <APPLET ALT="***"> <APPLET ALIGN="LEFT|RIGHT|CENTER"> <APPLET WIDTH=? HEIGHT=?> <APPLET HSPACE=? VSPACE=?> <SERVER></SERVER>

(if scripts not supported)

(for references) (for non-Java browsers) (in pixels) (in pixels)

N4

MISCELLANEOUS
Comment Prologue
<!-- *** -->

(not displayed by the browser)

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">

Searchable Prompt Send Search URL of This File 4.0* Base Window Name Relationship N4 Linked File

<ISINDEX> <ISINDEX PROMPT="***"> <A HREF="URL?***"></a> <BASE HREF="URL"> <BASE TARGET="***"> <LINK REV="***" REL="***" HREF="URL"> <LINK TYPE="***" SRC="***"></LINK>

(indicates a searchable index) (text to prompt input) (use a real question mark) (must be in header) (must be in header) (in header) (must be in header) (implementations vary) (for certain character sets)

Meta Information <META> Style Sheets 4.0 Bidirect Off

<STYLE></STYLE> <BDO DIR=LTR|RTL></BDO>

Our project is M.P. TEMPLE. For this we have to Collect some information about fee pay slip. Student appeared in the fee counter firstly he/she has to pay the fee .The counter officer take the money and fill the pay slip on the computer, and give the pay slip for student. If the counter officer wants last slip were he enter the password and access the last slip.

 Processor- 486 Hard disk- 20 GB Floppy drive- 1.44 MB RAM- 128 MB Keyboard- standard Mouse- stard

. OS-Window-98 or

<HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/2.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red>

<h1>CHINTAMAN GANESH</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>The Ganesha idol enshrined in this temple is supposed to be swayamabhu born of itself). Also called Vighneshwara, the moderator of grief, Ganesha is always the first to be worshipped in the Hindu pantheon, lest he decide to sow obstacles in the devotees path. His consorts, Ridhhi and Siddhi, flank Chintaman, the assuager of all worries. Locally, Ganesha is also referred to as Chintaman. </h3></pre></td><td><img src="./image/20.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE Reetesh guru</p></td></BODY> </HTML>

<HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/18.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Hardole Samadhi</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>The samadhi itself is a simple white marble structure, rectangular in shape and surrounded by lush green foliage. A small bed is placed on the raised platform so that Hardol may sleep in it peacefully. Miniature statues of a horse and a cow

stand atop the samadhi along with utensils for storing water, just in case the dead Hardol feels thirsty. Hardol was the third and most able of Raja Vir Singhs sons. Although no law of primogeniture existed in Orchha, on his fathers death, the gallant Hardol made it clear that he would not object if his elder brother, Jujhar Singh, ascended the throne. Hardol remained content with the fief of Baragaon, but was still treated with suspicion by his two elder siblings. Not very surprising, as he was the most witty, talented and courageous of all of Vir Singhs children. </h3></pre></td><td valign="top"><img src="./image/17.jpg"><br><br><img src="./image/15.jpg"><br><br><img src="./image/16.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE Reetesh guru</p></td></BODY>

</HTML>

<HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/10.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Hanumann Temple</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>The monarchs of Orchha were great devotees of Lord Rama, the

fabled god-king who ruled over Ayodhya according to the ancient epic, the Ramayana. Orchhas rulers built monuments in memory of virtually all the important characters in the epic, and the Hanuman Temple is one such sanctuary. The Ramayana tells us that Kishkandhapuri was the place where Rama first met the monkey, Hanuman, who belonged to the vanara race, or the race that lived in a vana (forests). Hanuman became one of the greatest devotees of Rama, and in time, was recognised as a god himself. The Hanuman Temple was built in 1717 by the then Orchha ruler, Raja Sujan Singh. Apparently, the king was so impressed by a presentation of Tulsidas epic poem, Rama Charitra Manas, that he decided to erect all the prominent places mentioned in the epic, in Orchha. Accordingly, the Hanuman Temple was built here, and idols of both Rama and Hanuman were installed in it. The temple architecture is similar to the architecture prevalent in many of the temples of South India.

</h3></pre></td><td valign="top"><img src="./image/11.jpg"><br><br><img src="./image/12.jpg"><br><br><img src="./image/13.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE REETESH</p></td></BODY> </HTML> <html> <head><title>www.templeinmp.com</title> </head> <body bgcolor=pink> <marquee><font color=black><h2><b>Welcome to Temple in Madhya Pradhesh</b></h2></marquee> <table border=1 bordercolor=black><tr><td><img src="./image/he.jpg"></td></tr></table> <table ><tr><td width="20%" hight="10%"><pre><h2><font face="times new roman"> <font color=red> Temple of Madhya Pradesh</font></h2> <pre><h3><font color=blue><font face=times new roman> The temple art and architecture at Madhya Pradesh portrait the outstanding work of human creativity in form of Khajuraho temples - 'A World Heritage Site'. The extent to which a human intelligence can affirms that workmanship knows no limits, visitors wonder at such an exquisite beauty and sublimity in form of erotic scriptures.

The temples in Madhya Pradesh are must a visit site for any visitor visiting India. With continuously dedicated efforts of Archeological Survey of India, towards the preservation of these 'magma opus'- Khajuraho temples, are among the best-protected monuments of the world. </h3></pre></td><td valign="top"></td><td><br><img src="./image/1.jpg"></td></tr></table> <h1><FONT COLOR=#2F9B3E>TEMPLES IN MADHYA PRADHESH</FONT></H1> <TABLE ><Td width="35%"><ul><PRE><H2><li><a href="./cg.html">Chintaman Ganesh Temple</a></li> <li><a href="./kh.html">Khajuraho Temples</a></li> <li><a href="./mt.html">Mahakaleshwar Temple</a></li> <li><a href="./tt.html">Teli Ka Mandir</a></li> <li><a href="./st.html">Satianusuya Temple</a></li> <li><a href="./lt.html">Bhopal Laxminarayana Temple</a></li> <li><a href="./ht.html">Hanuman Temple</a></li> <li><a href="./har.html">Hardolsingh samadhi</a></li></td></H2></PRE></TD><td border=1 width="55%"> <IMG SRC="./image/19.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE Reetesh guru</p></td> </body> </html>

<HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/3.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Khajuraho Temple</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>To some, Khajuraho Temples are the most graphic, erotic and sensuous sculptures of India, the world has ever known. But Khajuraho has not received the attention it deserves for its significant contribution to the religious art of India there are literally hundreds of exquisite images on the interior and exterior walls of the shrines.

Architecturally these temples are unique. While each temple in Khajuraho has a distinct plan and design, several features are common to all. They are all built on high platforms, several metres off the ground, either in granite or a combination of light sandstone and granite. Each of these temples has an entrance hall or mandapa, and a sanctum sanctorum or garbha griha. The roofs of these various sections have a distinct form. The porch and hall have pyramidal roofs made of several horizontal layers. The inner sanctum's roof is a conical tower - a colossal pile of stone (often 30m high) made of an arrangement of miniature towers called shikharas. Right through the Mughal invasion and the early British forays into India, Khajuraho temples in India remained unknown. Rediscovered in this century, they are fine reminders of India's glorious past. </h3></pre></td><td><img src="./image/4.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td

width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE REETESH </HTML> </HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/9.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Laxmi narayan Temple</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>The Lakshmi Narayana Temple on the Arera Hills commands a panoramic view of Bhopal, and is also known as the Birla Temple because the Birlas, one of leading industrial

families of India, have built it. The temple is built in honour of Lakshmi, the Hindu Goddess of Wealth, and her divine consort, Vishnu, the Preserver of the Universe, who is also known as Narayana. Apart from idols of Goddess Lakshmi and Narayana, the temple also has a resplendent idol of a reclining Shiva with his wife, Parvati. Attached to the temple is the Birla Museum that houses a collection of sculptures from the Mandsaur, Shahdol, Sehore and Raisen districts of Madhya Pradesh. The collection dates back to the 12th century era of the Paramaras when art and culture flourished in the state.The sandy-yellowish temple has an old-worldly charm about it, with a huge turret on one side of the building. You enter the temple through a magnificent archway, and the sprawling lawns that surround the complex lend it a picturesque appeal. </h3></pre></td><td><img src="./image/6.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td>

<td width="380" align="right"><p align="right">Design By ASHISH KHARE REETESH </p></td></BODY> </HTML>

<HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/5.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Mahakaleswar Temple</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>The original temple was destroyed during Muslim invasions, and the temple was rebuilt recently by the Sindhias in the traditional Central Indian style.It is a five-storeyed structure

at the south end of the city. The curved superstructure is adorned with motifs on all sides, rising above the colonnaded porches.Along the walls of the corridors in the temple rest old statues and sculptures, while in the courtyard lie ruined ancient shrines. The storeys are ornamented with pierced balustrades, and the balconies have richly decorated roofs reminiscent of the Rajput style of architecture. Screens and pavilions are combined with marble colonnades leading to the linga within the sanctuary, making Mughal architecture come alive right in the heart of this Hindu temple. The Mahakaleshwar Temple is indeed a cherished site and a sculptural delight as well. </h3></pre></td><td><img src="./image/6.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE Reetesh guru</p></td></BODY> </HTML>

<HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/8.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Sati Anusuya Temple</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>This Hindu temple is dedicated to a woman called Anusuya,

who lived during Lord Ramas time. In more recent times, sati was a rite whereby a widow immolated herself on the pyre of her dead husband. This practice was legally abolished by Lord William Bentick in 1829, and is now a criminal offense. Literally speaking, sati is an exemplary woman. Sati Anusuya was completely loyal, faithful and dedicated to her husband, the great sage, Atri. Nonetheless, Brahma, Vishnu and Shiva, (Creator, Preserver and Destroyer of the Universe) themselves were greatly attracted by her divine charms. This enraged Anusuya to such an extent that she transformed them into infants. This explains why the Hindu Holy Trinity of Brahma, Vishnu and Shiva, appeared in the form of infants, in Chitrakoot.In the temple are also enshrined idols of the sages Durvasa and Atri, along with those of Anusuyas son, Dattatreya, and, Chandrama, or the moon-god. </h3></pre></td><td valign="top"><img src="./image/22.jpg"><br><br><img src="./image/23.jpg"><br><br><img src="./image/24.jpg"></td></tr></table>

<table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE Reetesh guru</p></td></BODY> </HTML> <HTML> <HEAD> </HEAD> <TITLE>www.templeinmp.com</TITLE> <MARQUEE><FONT COLOR=RED><H2>WEL COME TO TEMPLES IN MP</FONT></H2></MARQUEE> <BODY BGCOLOR=SILVER> <TABLE BORDER=1><TD><TR><IMG SRC="./image/7.JPG"></TD></TR> <BR> <TABLE ALIGN="LEFT"><TR><TD><FONT COLOR="BLUE"><H2><a href="./index.html">HOME</a> </FONT></H2></TD> <TABLE ><TR><TD WIDTH="20%" HIGHT="19%"><pre><h2><font face="times new roman"><font color=red> <h1>Teli ka mandir</FONT></H1> <table><tr><td><pre><h3><font face=times new roman>Teli Ka Mandir - An Architecture Splendor

This Rajput Temple is an amalgam of the northern and southern architectural styles of India, although many opine that it is closer in design to the temples of Orissa than the South.The tallest and most impressive temple within the precincts of the Gwalior Fort, there are several theories as to how the shrine acquired its name. According to one surmise Rashtrakuta Govinda III occupied the Fort in 794, and appointed the Telang Brahmins (check Religion for details on Brahmins) to supervise all religious ceremonies. The temple got its name from them. According to another version, the monument is called the Teli Temple, because men of the Teli caste or oil merchants handled its construction. A third conjecture is that the name suggests a link with the Telangana region in modern Andhra Pradesh, suggesting the fusion of Dravidian and North Indian architectural styles. </h3></pre></td><td><img src="./image/21.jpg"></td></tr></table> <table background="./image/12.gif" width="100%" valign="top" bordercolor=black VALIGN="TOP"><tr><td width="355" VALIGN="TOP">&copy; copyright 2011</td> <td width="380" align="right"><p align="right">Design By ASHISH KHARE REETESH GURU</p></td></BODY>

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We have made our best effort to fulfill the assignment during the tenure of the project work. But it needs a lot of time, teamwork management & planning to complete such projects. Though we have made quite a few developments, they are always providing or insisting on better alternatives, although our system is capable enough to handle most of the function associated with any M.P.

TEMPLE but still it requires a large of amendment & development to cope with the practical environment. In the fast changing world no system can be best solution to fulfill changing demands. Other than system can be designed for satisfying similar requirement & many amendments can also be done in this system more information..