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Midday, bright sunlight can lend itself to harsh tones, unwanted shadows, and a heap of disappointing photos. But dont despair. Mother nature has ever so graciously given us a couple of perfect hours...
The first hour or so after sunrise, and the last hour of light before sunset. This is when the sun is low in the sky, producing soft, golden, diffused hues. There is little contrast and the shadows are soft and dreamy. It is also known as the magic hours. And for good reason! The lighting is simply out of this world magical!
Whether you are shooting portraits, landscape, or macrothere is no going wrong during this time. Simple subjects take on a special glow. Heck, even spiders look lovely in the golden hours. Its a fabulous time to get out the camera and create something beautiful!
Determine Timing. Check your local weather report or try the Golden Hour Calculator to identify the exact sunrise/sunset time in your area. Doing a little homework ahead of time will pay off tenfold. Use a Tripod. For optimal results in lower light settings use a tripod to avoid camera shake. Set the ISO low and use a long exposure. You may even want to use a self timer or remote clicker to ensure crisp photos. Remember to get a good depth of field for landscapes you will need to use a smaller aperture of f/8 or above. Change White Balance. Move the setting to something other than automatic. Try a couple different ones. The results may surprise you. Practice this at different times of the day prior to your scheduled shoot in The Golden Hours. Keep Shooting. Over the course of an hour the light will drastically change, and quickly. There are only a few moments of the magic light and you dont want to miss it. Make sure to bring a flashlight and stay the duration. This would be a great time to try HDR (High Dynamic Range) Imaging, taking multiple shots at different exposures and combining them digitally to capture a greater range between the lightest and darkest areas in an image. Get Creative. Dont be afraid to try different angles or perspectives. Light, reflections, and hues vary simply by altering your position. If you shoot directly into the sun it will produce sun flare and possibly a more blown out shot, which is perfectly acceptable and individual. For portrait shots you may want to block the sun by shifting your frame. You will still get the effects of the backlighting without the distracting glare of the sun. The beauty is its all subjective! And the best advice I could give? You dont even have to have a fancy DSLR or expensive equipment to capture beautiful photos during The Golden Hours. This is mother natures gift to us. So, grab whatever camera you have and snap some photos!
When it comes to composition, many photographers follow the basic Rule of Thirds a principle in which an image is divided into thirds, vertically and horizontally, resulting in nine equal parts. The basic principle behind the Rule of Thirds is that elements of interest are positioned at intersecting points of the imaginary grid, creating balance and visual appeal. Take this bowl of eggs, for example. Composition-wise, its quite boring. But if we were to apply the Rule of Thirds by positioning points of interest along intersecting points of our grid, wed immediately achieve a more balanced and visually appealing image. However, while the Rule of Thirds is a great place to start, its not an absolute, end-all-be-all rule. In the world of photography, personal creativity reigns supreme.
Perspective/ Perception
Most of you will have been taking photos of blossom at one point or another, either close ups of individual branches and flowers or some wider angle photos of entire trees. I imagine a number of you, especially in more rural settings, were faced with a choice as to whether you want to capture the entire landscape, just a close up of a particular element or anything in between. As youre composing your shot, there are a few other things that you should think about.
Capturing Movement
I thought that a lot of us would have been taking photos involving movement for this prompt, be it raindrops falling, kids splashing in puddles, once-small creeks flowing with the fullness of spring rain, or like in these photos, the breaking of small waves against the shore. Water is always so full of life and movement, even the seemingly still surface of a pond is often teeming with wildlife just out of eyeshot. Frogs, fish, waterbirds and various insects making ripples that break the calm surface of the water. Ive also got some human movement in these photographs too, I made my friend run up and down the shore while I photographed her and also photographed her wading in and out of the lake (dont worry, she doesnt hate me too much for it!)
Freezing Movement
The shutter speed that you choose is a key component to capturing motion in your photograph. A slow shutter speed will blur a moving object, and a high shutter speed will result in a sharper focus on your moving subject. When you use a high shutter speed to freeze motion, you should still try to capture your subjects in such a way that conveys to the viewer that they are actually moving. A person mid-run, or the waves just at the moment they break to crash against the shore, freezing the whole scene captures the motion as it happens with minimal loss of detail. In determining the shutter speed you will need to freeze motion, every situation is unique and comes with its own set of challenges. A good rule of thumb though, to avoid motion blur and to freeze your subject, is to not go under a shutter speed of 1/125 sec. Try it out and see if it works, depending on the speed your subject is moving, your distance from the subject and the lighting conditions you may have to take the shutter speed higher. To expose properly you may have to then adjust your aperture or ISO.
conditions, digital cameras often have great difficulty with auto white balance; creating orange, blue and sometimes green color casts. Avoid color casts and improve your photography under a wide range of lighting conditions by getting a better understanding of white balance. The best way to do this is through experimenting with the white balance settings on your camera.
balance to auto and then daylight. Notice the effect that both white balance settings have on the same scene. Though subtle, they both create a different mood. One is warm while the other is cool. Heres another look at the effects that various white balance settings have on the same scene. Often times, the white balance setting you choose will come down to personal preference. Are you looking to achieve a true-to-life, clean effect? Or are you going for a warmer feel? What are you shooting?
Start off by shooting the same subject in auto white balance mode first, followed by another setting. When set to auto Simply put, white balance is the process of removing unrealistic color casts so that the objects which appear white in white balance, your camera makes the best guess it can on which objects in your photo are truly white. In the example person appear white in your photo as well. While our eyes do a great job of discerning the color white in various lighting below, I shot the same scene by setting my in-camera white
White balance is especially important when shooting people. Notice the wide range of effects that various white balance settings have on skin tones. Too lazy or forgetful to change your white balance settings? Keeping your white balance set to auto is an option, particularly if you shoot in RAW and are able to adjust your white balance settings post-processing. But using auto white balance is discouraged when shooting a series of photos over an extended period of time and under varying lighting conditions as the camera will simply not be able to produce consistent results.
Another option is programming white balance on a sceneby-scene basis in-camera by selecting the custom white balance mode. In the example below, I photographed my daughter with a white card and set my camera to custom white balance. In doing this, Ive trained my camera to discern the color white under the current lighting condition. (Had the lighting changed, Id need to reset my custom white balance all over again.) The result is a true to life image. Avoid color casts, improve your photography under a wide range of lighting conditions and cut down on post-processing time by getting a better understanding of white balance and implementing what youve learned into your everyday shooting.