Alter Bridge - AB III

from Alter Bridge - AB III
Slip to the Void

Words and Music by Mark Tremonti and Myles Kennedy
Drop D tuning, down 1/2 step:

(low to high) Db-Ab-Db-Gb-Bb-Eb
Intro
Moderately slow q = 75
**D5
*Gtr. 1
Verse
1. Slip
to
D5
Play 4 times
the void,
to
the dark,
Riff A
let ring throughout
to
the fall.
End Riff A
mf
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
*Kybd. arr. for gtr.

**Chord symbols reflect overall harmony.
Gtr. 1: w/ Riff A (6 times)
Crawl
to
the life
you should - nt
know.
Bbmaj7
C6sus2

You
should nev
er come this way
to
test
D5

the hands
of
fate.
You dont
be - long
here.
2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSIC
All Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtr. 1: w/ Riff A (16 times)
D5
2. Peel
back the skin,
close your eyes.
Gtr. 2 (acous.)
Hell is born
to
the a - byss,
but be
warned.
You fear
mp
let ring thoughout
10
Bbmaj7
Riff B
Gtr. 3 (elec.)
mp
My God,
be -come.
10
10
11
10
C%
what youve
10
D5
what have
you done?
7 8
You dont be -long
here.
10
10
Mm, but its all
10
Gtr. 2
10
10
10
End Riff B
10
w/ slight dist.
8 7
3 5
Gtr. 2: w/ Riff B
Bbmaj7

in
the way
2
Sorgdal
7 8
D5
you touch
Gtr. 3
8 7
C%
and you o - bey
10
de - ni
10
3 5
al.
Mm, but its all
Gtr. 2 tacet
Bbmaj7

Gtr. 2

in
the way
C%
you touch
D5
and you o - bey
de -ni
C5
al
Gtr. 4 (elec.)
mf
w/ dist.
10
Gtr. 3
10
10
10
10
mf
w/ dist.
8 7
7 8
7 8
Interlude
C5
*Gtrs.
3&4
10
10
10
D5
C5
D5
C5
D5
C5
D5
C5
D5
C5
12
12
12
10
10
10
12
12
12
10
10
10
12
12
12
10
10
10
12
12
12
10
10
10
12
12
12
10
10
10
10
10
10
*Composite arrangement
Gtr. 5
(elec.)
Fill 1
mf
w/ dist.
**
1/4
1/2
C5
3/4
End Fill 1
**Gradually bend 3rd string while tremolo picking.

Gtr. 6
(elec.)
Fill 1A
5
7
End Fill 1A
mf
w/ dist.
1/4
5
7
Gtrs. 3 & 4
1/2
3/4
10
10
10
3
Sorgdal
Gtrs. 5 & 6 tacet
D5
Gtrs.
3&4
C5
D5
10
10
10
12
12
12
D5
10
10
10
12
12
12
Gtr. 5
C5
12
12
12
5
7
5
7
C5
D5
10
10
10
12
12
12
10
10
10
12
12
12
5
7
5
7
C5
1/4
5
7
D5
10
10
10
C5
1/2
10
10
10
3/4
Gtr. 7
Gtr. 6
(elec.)
divisi
* pp
mf
*w/ dist.
5
7
1/4
5
7
5
7
1/2
3/4
12
*Vol. swell, Gtr. 7 only.
Gtrs. 3 & 4
** pp
X
X
X
mf
0
0
0
**Vol. swell
Verse
3. Sev
er
the
ties,
4
Sorgdal
10
12
G5 Eb5
trip
Riff C
Gtrs. 3 & 4
the
wire,
D5
dig
10
F5
Eb5 D5
your
hole.
Gtrs. 5, 6 & 7 tacet
D5
13
12
End Riff C
Gtrs. 3 & 4: w/ Riff C
Doubt
C5
is
- live
led
to
be - lieve
Gtrs. 3 & 4

5
5
3
and
you
G5 Eb5
you were
F5 Eb5 D5
know.
Bb5
D5
and
You were
young
so
na
once
- ive.
But
now
no
long -
5
5
3
5
5
3
5
5
3
3
3
1
3
3
1
3
3
1
5
5
3
5
5
3
5
5
3
X
X
X
X
X
X
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
X
X
X
X
X
X
D5
Gtrs. 3 & 4
3
3
1
in
the
7
0
0
0
Uh,
F/A Bb5
way
you
3
3
1
3
3
1
3
3
1
3
3
0
3
3
1
this
3
3
1
your
back
to - day.
but
its
all
Left
to
lone.
face
14
14
3
5
5
3
5
5
3
Bb
0
0
turned
3
3
1
Csus2
F5 Eb5 D5
Chorus
D5
Rhy. Fig. 1
D5
er.
Bb5
G5 Eb5
Left
to

die
let ring
7
0
0
0
7
0
0
0
7
0
0
0
7
0
0
0
7
0
0
0
7
0
0
0
7
0
0
0
7
0
0
0
7
0
0
0
7
0
X
8
End Rhy. Fig. 1
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
7
0
X
8
9
0
X
8
9
0
X
8
5
Sorgdal
G/B
with
noth
Eb5
ing
you
can
D5
hold.
Left
to
break
let ring
1
10
13
9
10
9
9
10
9
9
10
9
9
10
9
X
X
X
X
X
X
Gtrs. 3 & 4: w/ Rhy. Fig. 1
1
1
1
1
1
1
1
1
1
in
the
1
1
1
1
1
1
8
0
Bb
Gtr. 3
4
X
2
Gtr. 4
4
X
2
that
you
5
X
3
5
X
3
6
Sorgdal
7
X
5
7
X
5
Eb5
D5
made
the
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
0
0
0
0
0
0

1
1
1
10
12
cold,
To Coda
G/B
1
1
1
1
1
1
1
1
1
0
0
0
0
0
0
Bb5
in
the
void
F5
you
let
love
3
3
3
3
3
3
3
3
3
3
3
3
mo
ment
P.H.
8
8
8
8
8
8
X
X
X
P.H.
8
8
8
8
8
8
X
X
X
D5
Eb5
go.
P.M.
0
0
1
1
1
1
1
1
P.M.
0
0
1
1
1
1
1
1
Interlude
Gtr. 3 tacet
D5
Eb5
D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5
(Go.)
Riff D
Gtr. 5
10
12
12 13 12
12
12
10
12
13
13 13
10
12
12
12
12
12
10
0
12
10
13
13
13
13
Gtr. 4
P.M.
0
P.M.
P.M.
P.M.
P.M.
P.M.
1
1
1
0
0
0
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
1
1
1
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
*w/ echo set for quarter-note regeneration w/ 4 repeats.
D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 F5 Eb5 D5
Whispered: Ah,
**Gtrs. 5 & 6
10
12
12
12
12
12
10
12
13
13
13
13
10
12
come on.
12
12
12
12
End Riff D
10
12
13
15
13
12
**Gtr. 6 w/ wah-wah (used as filter).

Composite arrangement
Gtrs. 3 & 4
P.M.
P.M.
P.M.
P.M.
P.M.
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
1
1
1
0
0
0
1
1
1
3
3
3
1
1
1
0
0
0
7
Sorgdal
Double-time feel
*Gtrs. 5 & 6: w/ Riff D
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5 D5
Eb5
Gtrs. 3 & 4
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
0
1
1
1
0
0
0
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
1
1
1
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
*Gtr. 6: wah-wah off.
D5
Eb5
D5
Gtr. 7
Eb5
**w/ wah-wah
10
13
**Used as filter.
Rhy. Fig. 2
Gtrs. 3 & 4
P.M.
0
0
0
P.M.
1
1
1
0
0
0
Eb5
D5
P.M.
0
0
0
1
1
1
1
1
1
1
1
1
End double-time feel
D5
Eb5
F5
Eb5
D5
Try
10
12
10
13
10
13
10
8
Sorgdal
10
13
10
13
10
13
12
10
10
12
10
12
10
12
10
12
12
10
12
10
10
12
10
12
End Rhy. Fig. 2
P.M.
0
0
0
13
P.M.
1
1
1
0
0
0
1
1
1
3
3
3
1
1
1
0
0
0
Bridge
F5
to
win
back your
days.
C5
You
G5
let
them
all
es
cape
8va
F5
your
heart.
loco
Harm.
w/ bar
5
5
5
5
13
8
-1
Pitch: B
G
Rhy. Fig. 3
3
3
3
3
3
3
3
3
3
5
5
3
5
5
3
5
5
3
5
5
3
X
X
X
X
X
X
5
5
5
5
5
5
5
5
5
3
3
3
End Rhy. Fig. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Double-time feel
Gtrs. 5 & 6: w/ Riff D (last 2 meas.)
D5
Eb5
D5
Eb5
13
11
3
3
P.H.

Gtr. 7
10 13 10
13 14
10 13 15 13 10
14 13
10 13 10
14
10 13 15 13 10
13 10 13
10
13 10 14
10 12 14 12 10
10
12
10
12
12
10
10
D5
Eb5
13
12
15
15 17
16
D5
Eb5
F5
Eb5
D5
And
16
10
12
11
10
13
10 11 13 11
X
12
10
12
11
10
10 12 10
12 10
10
12 10
9
Sorgdal
F5
now
that youve come so
C5
far,
Gtr. 8 (elec.)
uh,
G5
did
fall
why
you have
to
F5
so
hard?
mf
*w/ dist. & wah-wah
15
Gtr. 7
*Wah-wah used as filter.

8va
Harm.
w/ bar
w/ bar
15
+1/2
5
0
slack
slack
Double-time feel
Gtrs. 5 & 6: w/ Riff D (last 2 meas.)
Gtr. 7 tacet
D5
Eb5

Gtr. 8
D5
Eb5

3
17
15
13
17
13
15
17
15
13
17
13
15
15
15
13
15
13
15
loco
15ma
D5
Eb5
17
13
15
13
15
12
D5
13
Eb5
15
12
15
13
10
11
13

Eb5
D5
F5
P.H.
11
10
10
Sorgdal
12
10
10
12
10
10
10
F5
Look
at
what youve
C5
G5
done.
What
have
you
be
come?
fdbk.
w/ bar
F5
w/ bar
grad. dive
3
-1 1/2
slack
Interlude
Gtr. 8 tacet
C5
Gtrs. 5 & 6: w/ Fills 1 & 1A
C5
C5
D5
C5
D5
C5
D5
C5
C5
Gtrs.
3&4
10
10
10
D5
D5
12
12
12
10
10
10
12
12
12
10
10
10
12
12
12
10
10
10
12
12
12
10
10
10
12
12
12
10
10
10
10
10
10
D.S. al Coda
C5
D5
C5
D5
C5
D5
C5
D5
C5
D5
C5
10
10
10
12
12
12
12
12
12
12
12
12
10
10
10
10
10
10
Gtrs. 5 & 6: w/ Fills 1 & 1A
10
10
10
Left
12
12
12
12
12
12
X
X
X
10
10
10
10
10
10
to
face
19
11
Sorgdal
Coda
Outro
Bb5
mo
you
let
love
8
8
8
F5
ment
*Gtrs. 3 & 4
A5
8
8
8
X
X
X
D5
go,
Gtr. 6
Gtrs. 3 & 4: w/ Riff C (3 times)
Eb5
3
3
3
X
X
X
X
X
X
let ring
1
3
3
3
1 hold bend
10
10
10
10
10
10
13
13
13
13
13
13
10
13
13
1
1
1
G5 Eb5
D5
F5 Eb5 D5
you
Riff E
12
12
15
15
15
let
love
go,
12
X
X
X
X
End Riff E
let ring
1
1 hold bend
10
10
10
10
10
10
13
13
13
13
13
13
10
13
13
Gtr. 6: w/ Riff E (1 1/2 times)
G5 Eb5
D5

you
12
Sorgdal
F5 Eb5 D5
let
love
go,
G5 Eb5
D5

you
F5 Eb5 D5
let
love
G5
go.
Gtr. 6
let ring
1
10
10
10
10
10
13
13
13
13
13
13
10
12
13
13
10
D5
12
12
15
15
15
10
F5
Eb5 D5
12

let ring
1 hold bend
10
Gtrs. 3 & 4
Eb5
1 1/2
15
15
15
13
12
Gtr. 1: w/ Riff A (till fade)

15
*w/ bar
grad. release
1/2
**w/ bar
grad. release
15
15
*Vibrato w/ bar.
-1/2
**Vibrato & dive w/ bar simultaneously.

Begin fade
Fade out

15
15
15
-1
-2 1/2
13
Sorgdal
Isolation
Bb5
F5
C5
Drop D tuning, down 1 step:

(low to high) C-G-C-F-A-D
134
Intro
Moderately q = 97
D5 F5 Bb5 A5 D5
111
134
Bb5 A5 G5 D5
Bb D5
F D5
D5
E5 D5 E5 D5
Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)
mf
0
0
0
F5
3
3
3
P.M.
P.M.
P.M.
P.M.
P.M.
8
8
8
3
3
3
Bb5 A5 D5
7
7
7
0
0
0
0
0
0
0
8
8
8
7
7
7
5
5
5
0
0
0
0
0
0
0
0
0
0
Bb5 A5 G5 D5
*Gtr. 3 (dist.)
0
0
0
0
12
8
8
Bb D5
0
0
0
0
D5
7
3
3
0
0
4
0
0
0
0
D5
Eb[b5]
mf
**w/ octaver
w/ bar
grad. ascent
10
13
10
13
*Two gtrs. arr. for one.

P.M.
P.M.
P.M.
P.M.
0
0
0
3
3
3
3
3
3
D5
8
8
8
7
7
7
0
0
F5
0
0
0
0
0
Bb5
8
8
8
7
7
7
A5
5
5
5
0
0
D5
0
0
0
0
0
0
0
0
0
0
12
8
8
0
0
Bb5
A5
0
0
10
10
10
10
10
10
10
10
13
13
13
13
13
13
13
13
13
0
0
0
3
3
3
3
3
3
8
8
8
7
7
7
P.M.
0
0
0
0
0
0
0
8
8
8
0
0
7
3
3
0
0
0
0
P.M.
4
0
0
D5
13
13
13
13
P.M.
0
0
0
0
0
0
G5
10
-1
-2 1/2
**Set for one octave above.
Gtrs. 1 & 2

7
7
7
5
5
5
13
13
13
0
0
0
0
0
0
0
0
Sorgdal
Bb
D5
D5
D5
E5
let ring
1
15
12
8
8
12
12
12
12
12
12
12
15
15
15
15
15
15
15
P.M.
0
0
0
0
F5
7
3
3
Bb5
A5
P.M.
0
0
0
0
D5
15
4
0
0
A5
G5
D5
13
13
13
13
P.M.
0
0
0
0
0
0
Bb5
10
10
10
10
10
13
13
13
13
13
3
3
3
Bb
D5
3
3
3
8
8
8
P.M.
7
7
7
0
0
0
0
0
0
0
D5
8
8
8
7
7
7
12
8
8
2
Sorgdal
5
5
5
D5
12
12
12
12
12
12
15
15
15
15
15
15
P.M.
0
0
0
0
7
3
3
13
13
13
0
0
0
0
0
0
0
0

C5
A5
Eb5
D5
15
15
13
0
0
0
15
10
15
13
15
10
15
P.M.
13
D5
15
E5
10
D5
16
13
13
13
13
13
13
16
16
16
16
16
16
End Rhy. Fig. 1
P.M.
0
0
0
0
P.M.
4
0
0
Verse
Gtr. 3 tacet
D5 F5 Bb5 A5
D5
1. When all
Bb5 A5 G5 D5
F5 Bb5
is
A5 D5
rit - u
F5 Bb5 A5 D5
And
now you
you
in - side,
dark
- ness
Bb5 A5 G5 D5
the
lost
D5 F5 Bb5 A5 D5
Bb5 A5 G5 D5
when all the
to
takes
the
al,
has
be - gun.
tear
way
Bb D5
Bb D5
D5
D5
E5 D5 E5 D5
D5
F D5
D5
Eb[b5]
light,
Bb5 A5 G5 D5

it
Bb D5
Bb D5
from ev
D5
E5 D5 E5 D5
D5
D5
C5 A5 Eb5 D5
ry - one.
Pre-Chorus
Bb5
F5
Rhy. Fig. 2
Gtr. 2
Dis
con
nect
C5
ed,
so
End Rhy. Fig. 2
8va
Gtr. 4 (dist.)
lone,
12
loco
mf
*fdbk.
10
11
X
Pitch: A
*Microphonic fdbk., not caused by string vibration.
Gtr. 1
Riff A
let ring
let ring
7
let ring
10
let ring
9
End Riff A
3
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)
D5
Gtr. 4
F5
Bb5
A5
Bb5
A5
loco
15ma
loco
15ma
G5
D5
12
13
10
12
13
yeah.
10
11
3
P.H.
P.H.
10
12

Bb
13
10
13
D5
14
10
14
10
10
13
ered
ties
3
3
1
3
3
1
4
12
13
10
3
3
1
3
3
1
3
3
1
3
3
1
D5
E5
D5
10
13
13
10
you
12
12
3
3
3
3
3
3
3
3
3
3
3
3
X
X
X
Bb5
brings
5
5
3
5
5
3
5
5
3
3
3
1
5
5
3
know.
5
5
3
X
X
X
X
X
X
X
X
X
5
5
3
X
X
X
I - so
Rhy. Fig. 3
the
X
X
X
X
X
X
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
5
3
3
3
0
0
0
end

3
3
1
la
F5
to

you
Gtrs. 1 & 2
5
5
3
D5

P.S.
uh,
5
5
3
C5

5
5
3
10
all
tion,
5
5
3
10
from
3
3
1
13
10
F5
13
E5
12
Chorus

Sev
12
Bb5
C5
10
Gtr. 1: w/ Riff A
Gtr. 4 tacet
Gtr. 2
12
D5
10
10
11
10
Sorgdal
D5
un
0
0
0
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
X
X
X
X
X
X
2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A

2nd time, Gtr. 4: w/ Fill 1
C5
til
5
5
3
you
3
3
1
you love
Eb5
D5
a - gain,
oh.
I - so
C5
la
5
5
3
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
X
X
X
4
5
2
4
5
2
ly
X
X
X
X
X
X
X
X
X
1
1
1
see
5
3
3
3
Rhy. Fill 1
Gtr. 1
5
5
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
X
X
X
5
5
3
X
X
X
X
X
X
will
come
4
5
2
5
5
3
to
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
X
X
X
4
5
2
4
5
2
4
5
2
X
X
X
X
X
X
5
5
3
X
X
X
X
X
X
be,
5
5
3
5
5
3
0
0
0
If
G/B
X
X
X
0
0
0
C5
what

3
3
1
4
5
2
To Coda
F5
could on
4
5
2
tion.

X
X
X
Bb5
G/B
yeah.
End Rhy. Fig. 3
4
5
2
steady gliss.
4
5
2
4
5
2
4
5
2
21
P.H.
3
Pitch: Bb
Rhy. Fill 1A
Gtr. 2
5
5
3
5
5
3
X
X
X
X
X
X
Fill 1
Gtr. 4
4
5
2
4
5
2
4
5
2
4
5
2
X
X
X
P.H.
P.H.
5
Sorgdal
Interlude
D5 F5 Bb5 A5 D5
Bb5 A5 G5 D5
Bb D5
F5 Bb5 A5 D5
Bb5 A5 G5 D5
Bb D5
D5
D5
D5
E5 D5 E5 D5
D5
Eb[b5]
Verse
D5 F5 Bb5 A5 D5
2. Uh,
ti - fied,
waste
a - way.
Bb5 A5 G5 D5
jus
you
Gtr. 3
Bb D5
F D5
D5
E5
You
dare
F5 Bb5 A5 D5
grad. bend
1/4
10 10 10 10
X X X X
7
7
7 7
Bb5
10 10 10 10
X X X X
7
7
7 7
A5 G5 D5
to dream
Riff B
but
still youre
too
10 10 10 10 10 10 10 10 10 10
X X X X X X X X X X
7 7
7
7
7
7
7
7
7 7
Bb D5
E5
D5
octaver off
10 10 10 10 10 10 10 10
X X X X X X X X
7
7
7 7
7 7
7
7
D5
D5
10
X
7
10
X
7
1/2
10
X
7
D5
10
X
7
10
X
7
10
X
7
Eb[b5]
a - fraid.
End Riff B
grad. bend
1/2
10
X
7
1/4
10 10 10 10 10 10 10
X X X X X X
7 7
7 7 7 7 7
Gtr. 3: w/ Riff B
D5 F5 Bb5 A5
D5
And now youre
6
Sorgdal
10 10 10 10 10
X X X X X
7 7 7 7 7
ken
and
Bb5 A5 G5 D5
bro
10 10 10
X X X
7 7 7
10 10 10 10
X X X X
7 7 7 7

de - ceived,
Bb D5
10 10 10 10 10 10
X X X X X X
7 7 7 7 7 7
D5
10
X
7
1/2
10
X
7
D5
10
X
7
10
X
7
10
X
7
10
X
7
E5 D5 E5 D5
F5 Bb5 A5 D5
uh, lost
this
cruel
re - al
Bb5 A5 G5 D5
to
live
Bb D5
Gtr. 3
D5
D5
C5 A5 Eb5 D5
i - ty.
1/2
10
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
Pre-Chorus
Gtr. 1: w/ Riff A
Gtr. 2: w/ Rhy. Fig. 2
Gtr. 3 tacet
Youre
dis
con
Bb5

Gtr. 4
nect
F5
ed,
so
C5
lone.
D5 F5 Bb5
A5 D5
Bb5 A5
G5 D5
Bb D5
13 10
15
D5
15 10
13 10
loco
8va
13
10
E5 D5 E5 D5
P.H.
1
10
D5
13
13 10
15
10

loco
loco

8va
P.H.
13 10
12
8va
12
P.H.
1/2
14
13
12 15
15
15
15
12
13 12
10
12
13
10
10
D.S. al Coda
Gtr. 1: w/ Riff A
Gtr. 4 tacet
Bb5
Sev
ered
ties
F5
from
all
C5
you
know.
7
Sorgdal
Coda
C5
G/B
to
Eb5
be,
5
5
3
5
5
3
X X
X X
X X
Eb5
D5
yeah.
F5

8 8 8 8
Eb5 D5
Gtrs. 1 & 2
D5
what will come

Gtr. 4
Interlude
D5
F5
steady
gliss.
4
5
2
4 4 4
5 5 5
2 2 2
6 6 6 6 5 5 5 5 6
8 8 8 8 6 6 6 6 5
Riff C
End Riff C
P.M.
21
P.M.
slight P.M.
slight P.M.
F5
Gtr. 4
Eb5
8 8 8 8
D5
Eb5 D5
6 6 6 6 5 5 5 5 6
C5
D5
C5
D5 F5
3 3 3 3 5 5 5 5 3
Eb5
8 8 8 8
D5
Eb5 D5
F5
6 6 6 6 5 5 5 5 6
Eb5
D5
8 8 8 8 6 6 6 6 5
Guitar Solo
Gtrs. 4 & 5 tacet
F5
Eb5
D5
Gtr. 4

P.H.
slight P.M.
8 8 8 8
8 8 8 8
6 6 6 6 5 5 5 5
P.M.
8

D5
F5
Gtr. 6 (dist.)
Eb5
D5 Eb5
1 1/2
let ring
1 1/2
D5
1 1/2
10
10
10
10
13
12
12
12
12
14
F5 Eb5 D5
14
14 13
Pitch: C
Gtrs. 1 & 2
Sorgdal

mf
P.H.
slight P.M.

Gtr. 5 (dist.)
6 6 6 6 5 5 5 5
D5
P.M.

P.M.
0
0
0
0
3
3
3
1
1
1
P.M.
0
0
0
0
0
1
1
1
0
0
0 0 0
0 0 0
3
3
3
1
1
1
0
0
0
F5
Eb5 D5
Eb5 D5
Eb5 D5
F5
Eb5
D5
10
10
Eb5
D5
F5 Eb5 D5
Gtr. 6
12
10
12
10
10 13
12
10
10 13
10 12
13
10
10
13
13 10
12
10
13
13 10
13
13 10
13
13 10
10
13
13 10
13
10
10
10
13 12 10
13 12 10
12
12
Gtrs. 1 & 2
P.M.
3
0 3
0 3
0
0
1
1
1
0
0
0
P.M.
1
1
1
1
1
1
0 0 0 0 0 0
0 0 0 0 0 0
0
0
0
P.M.
3
3
3
1
1
1
0
0
0
1
1
1
0
0
0
0
P.M.
0
0
Bridge
F5
Eb5
D5
Eb5
D5
Eb5
D5
0
0
12
10
12
10
12
10
12
10

P.M.
3
3
3
1
1
1
0
0
0
1
1
1
0
0
0
0
10
12
10
12
10
12
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
10
11
12
1
1
1
0
0
0
0
0
0
stand,
13
1
1
1
Bb5
May - be youll
3
3
3
0 0 0
0 0 0
13
13
3
3
1
13
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
3
3
1
Gtr. 6 tacet
F/A
may - be youll
Gtrs. 1 & 2
2
3
0
F5
give
and
2
3
0
2
3
0
2
3
0
2
3
0
2
3
0
2
3
0
2
3
0
X
X
X
X
X
X
break
to
an - oth
find
er
way
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
X
X
X
X
X
X
9
Sorgdal
C/E
Bb5
and make things bet - ter.
5
3
2
5
3
2
5
3
2
5
3
2
and
learn
F5
5
3
3
3
5
3
3
3
Eb5
5
3
3
3
D5
5
3
2
F5
X
X
May - be youll
find
a life you can
3
3
1
3
3
1
2
3
0
2
3
0
3
3
1
to
a - long
love
3
3
1
3
3
1
3
3
1
3
3
1

the
3
3
1
3
3
1
3
3
1
2
3
0
P.M.
0
0
3
3
3
0
0
way
2
3
0
things
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
X
X
X
X
X
X
5
3
2
5
3
2
5
3
2
5
3
2
5
3
2
D5
Eb5
D5
Eb5
D5
Eb5
F5
5
3
2
F5
P.M.
0
0
0
1
1
1
0
0
3
3
3
1
1
1
0
0
0
0
0
0
0
0
0
0
0
3
3
3
1
1
1
0
0
0
1
1
1
0
0
X
X
X
steady gliss.
17
bet - ter.
P.M.
0
0
X
X
X
bet - ter,
2
3
0
and make
2
3
0
1
1
1
2
3
0
C/E
2
3
0
and make things
live
Eb5
D5
F/A
steady
gliss.
20
Chorus
D5
so
la
Riff D
Gtr. 3
C5
tion,
uh,
*w/ wah-wah
14
X
11
14
X
11
14
X
11
*Used as filter.
10
Sorgdal
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
14
X
11
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
13
10
Bb5
F5
brings
you to
the
end
un
13
X
10
13
X
10
13
X
10
13
10
8
X
5
8
X
5
8
X
5
8
X
5
8
X
5
8
X
5
8
X
5
8
X
5
X
X
X
G/B
til
13
X
10
C5
you love
Eb5
a - gain,
oh.
Riff D
End
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
15
X
12
10
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
10
X
7
Gtr. 3: w/ Riff D
D5
C5
so
la
tion.
If
*Lead voc. w/ echo set for whole-note regeneration w/ 1 repeat.
Bb5
you
could
on
ly
D5
**
I - so - la
Gtr. 3
14 14 14 14 14 14
X X X X X X
11 11 11 11 11 11
Gtrs. 1 & 2
0
0
0
0
0
0
F5
C5
see
C5
tion,
what
will
come
G/B
to
be,
yeah.
F5
uh, brings you to
the
end
un -
15 15 15 15 15 15 15 15 15 15 15 15 15 15
X X X X X X X X X X X X X X
12 12 12 12 12 12 12 12 12 12 12 12 12 12
13 13 13 13
X X X X
10 10 10 10
13
10
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
steady gliss.
19
Bb5
5
5
3
5
5
3
5
5
3
5
5
3
X X
X X
X X
3
3
1
13
10
8 8 8 8 8 8 8 8 X 15
X X X X X X X X X X
5 5 5 5 5 5 5 5 X 12

3
3
1
X
X
X
X
X
X
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
5
3
3
3
X X
X X
X X
**As before
11
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 5 meas.)

Gtr. 3: w/ Riff D (last meas.)
C5
Gtr. 3: w/ Riff D
G/B
til
you
love
Eb5
D5
a - gain,
oh.
C5
la
tion.
so
If
**As before
Bb5
you
could
on
ly
F5
C5
what
will
see
G/B
come
to
be.
Outro
Youre
dis
D5 F5 Bb5 A5 D5
con
Bb5 A5 G5 D5
nect
ed,
D5
D5
so
lone.
Riff E
Gtrs. 4 & 5
E5 D5 E5 D5
Bb D5
End Riff E
let ring
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
11
15
Gtr. 4: w/ Riff E
Gtr. 5: w/ Riff E (2 times)
F5 Bb5 A5 D5
12
Sorgdal
Bb5 A5 G5 D5
Bb D5
F D5
D5
What
will
come
Eb[b5]
to
11
15
be?
11
Youre
dis
D5 F5 Bb5 A5 D5
con
Bb5 A5 G5 D5
nect
ed,
D5
D5
E5 D5 E5 D5
so
lone.
Gtr. 4
Bb D5
let ring
13
17
17
F5
13
17
17
13
Bb5 A5 D5
17
13
17
13
17
13
17
13
17
13
Bb5 A5 G5 D5
13
17
13
17
Bb5 D5
8va
Gtr. 6
13
*w/ amp tremolo

let ring
17
F5
13
17
D5
13
tremolo off
amp
w/ bar
13
17
13
17
17
13
grad. dive
22
Gtr. 4
18
22
18
22
18
22
18
22
18
22
18
18
22
22
18
*Studio effect
Gtr. 5
13
17
13
17
13
17
13
17
13
17
13
13
17
17
13
**Studio effect
11
15
11
15
11
15
11
15
11
slack
amp tremolo off
11
15
15
11

3
3
3
slack
P.M.
P.M.

P.M.
P.M.
3
3
3
8
8
8
8
8
0
0
0
0
0
0
0
8
8
8
7
7
7
5
5
5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
15
7
7
7
17
****Studio effect
Gtrs. 1 & 2
0
0
0
15
w/grad.bardive
***w/ amp tremolo
11
slack
amp tremolo off
let ring
15
w/grad.bardive
**w/ amp tremolo

let ring
17
22
0
0
0
0
3
3
0
0
0
0
4
0
0
13
Sorgdal
Ghost of Days Gone By

D5
Tuning:
(low to high) Db-Ab-Db-Gb-Ab-Db
Intro
Moderately q = 137
D5
Dmaj7[no3rd]
D5
Rhy. Fig. 1
*Gtrs. 1 & 2 (clean)
End Rhy. Fig. 1

mf
0 0 0 0 0 0 0 0
17 17 17 17 17 17 17 16
14 14 14 14 14 14 14 14
*Gtr. 2: w/ chorus
Gtr. 3 (clean)
0 0 0 0 0 0 0 0
16 16 16 16 16 16 16 16
14 14 14 14 14 14 14 14
0 0 0 0 0 0 0
17 17 17 17 17 17 17
14 14 14 14 14 14 14
0
12
14
0
12
14
0
12
14
0
12
14
0
12
14
0
12
14
0
12
14
0
12
14
0
12
14
mf
w/ fingers
let ring throughout
0 2
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

** D
Bm
Asus
Riff A
Gtr. 3
4
4
5
2
2
0
2
2
Gsus2
Rhy. Fig. 2
Gtrs. 1 & 2
0
17
14
0
17
14
0
17
14
0
17
14
D5
0
17
14
0
17
14
0
17
14
0
19
14
Dsus4
0
19
14
0
19
14
0
17
14
0
17
14
0
19
14
0
19
14
0
19
14
0
19
14
0
19
14
0
19
14
0
17
14
0
17
14
0
17
14
0
17
14
0
17
14
0
17
14
0
5
0
0
0
17
14
End Rhy. Fig. 2
0
17
14
0
17
14
0
17
14
0
17
14
0
17
14
0
17
14
0
17
14
End Riff A
0
5
0
5
1. The
Gtr. 3
10
7
9
Sorgdal
Verse

Gtr. 3: w/ Riff A (1 1/2 times)
2nd time, Gtrs. 7 & 8 tacet
Bm
mis - er - y
mem - ber sum
I
mer
know,
days,
like a
we were
friend
young
that
and
wont
un
-
Asus
let
a
go,
fraid.
is
With
Gsus2
creep - ing
in - no
up
cence
on
wed
me
glide
now
D5
once
be - neath
Dsus4
a - gain.
the
stars.
So
I
It
Bm
sing
seems
this
so
song
long
to
a
night,
go,
to the
be - yond the
ghost
life
that
that
will
I
Asus
not
now
die
know,
some - how
seems
years
would have
to
their
haunt
way
D5
me
and
Gtr. 3
till the end.

break my heart.
Dsus4
0
0
4 2 0
9
*Gtrs. 4 & 5 (dist.)
10
7
9
X
X
X
Gtr. 3 tacet
the
Rhy. Fig. 3

Gtrs. 4 & 5
0
0
X
7
5
5
2
Sorgdal
0
0
X
7
5
5
0
0
X
7
5
5
same
for what
Em11
once
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
5
2
2
0
0
X
5
2
2
0
0
X
5
2
2
0
0
X
5
2
2
0
0
X
5
2
2
0
0
X
5
2
2
0
X
7
5
5
0
X
7
5
5
0
0
0
0
0
0
re - mained?
let ring
P.S.
X
X
X
X
X
X
0
0
0
Yes
feel
Gsus2
mf
Chorus
Half-time feel
Do you
that
be - fore the
Gsus2
ter - day
0
0
X
5
2
2
0
0
X
5
2
2
0
0
X
5
2
2
0
0
X
5
2
2
X
X
X
X
X
X

B5
is
Riff B
Gtr. 6 (dist.)
gone,
we
cant
16
X
14
16
X
14
go
back
16
X
14
16
X
14
4
4
2
4
4
4
2
4
4
4
2
4
Gtrs. 4 & 5
16
X
14
18
X
16
18
X
16
18
X
16
A Asus2
a - gain.
18
X
16
16
X
14
16
X
14
14
X
12
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
0
4
4
0
A5
Uh, do you
18
X
16
18
X
16
mp
16
X
14
Asus2
18
X
16
18
X
16
16
X
14
16
X
14
ev End Riff B
14
X
14
14
X
14
14
X
14
14
X
14
14
X
14
14
X
14
14
X
14
End Rhy. Fig. 3
4
2
2
0
4
2
2
0
4
2
2
0
4
2
2
0
4
2
2
0
4
2
2
0
4
2
2
0
2
2
2
0
2
2
2
0
4
2
2
0
2
2
2
0
2
2
2
0
2
2
0
2
2
0
To Coda
End half-time feel
Gsus2
19
X
17

19
X
17
19
X
17
19
X
17
er
cry
for
19
X
17
19
X
17
19
X
17
19
X
17
19
X
17
Em11
the
ghost
19
X
17
19
X
17
19
X
17
19
X
17
2nd time, Gtr. 3 tacet
of
days
gone
Gtrs. 4 & 5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
0
0
X
7
5
5
Gtr. 3
divisi
0
0
X
7
5
5
0
0
X
5
2
2
Interlude
Gtr. 3: w/ Riff A
Bm
Asus
by?
8va
Gtr. 7 (clean)
loco
mf
Harm.
5
5
Pitch: D
3
Sorgdal
D.S. al Coda
Gsus2
D5
Dsus4

2. I
Gtr. 7
Harm.
re
w/ bar
+1
7
5
Pitch: D
Gtr. 8 (clean)
mf
10
12
Coda
Interlude
Gtr. 6 tacet
D5
by.
Ghost
Riff C
*Gtrs. 1 & 2
End Riff C
of
days
gone
16 16 16 16 14 14 19 19
0 0 0 0
0 0 0 0
16 16 16 16 19 19 16 16
0 0 0
0 0 0 0 0
w/ slight dist.
10 10 10 10 10 10 10
0 0 0 0 0
0 0
8
0
8
0
8
0
8
0
8
0
8
0
8
0
7
0
7
0
*Gtr. 2 chorus off; w/ flanger.

Gtrs. 4 & 5
(cont. in slashes)
0
0
2
0
0
0
4
Sorgdal
D5
Gtrs.
4&5
by.
Ghost

Gtr. 2
10
0
10
0
10
0
10
0
10
0
10
0
10
0
8
0
8
0
8
0
8
0
8
0
16
0
12
0
8
0
7
0

10
0
10
0
10
0
10
0
10
0
10
0
10
0
8
0
8
0
8
0
8
0
8
0
8
0
8
0
7
0
7
0
of

16
0
Gtr. 1
16
0
16
0
16
0
19
0
19
0
16
0
16
0
days
(cont. in notation)
gone

16
0
16
0
16
0
16
0
16
0
16
0
16
0
16
0
16
0
16
0
16
0
16
0
16
0
19
0
19
0
16
0
16
0
16
0
19
0
16
0
19
0
16
0
16
0
0
0
Bridge
A#5 F#5
D5 Dm/F
by.
And
D7/F#
Eb5 D5
know
Eb5
its draw - ing
D5
clos
er.
End Rhy. Fig. 4
Rhy. Fig. 4

Gtr. 4
P.M.
8
8
8
P.M.
P.M.
0
4
1
1
1
0
0
0
1
1
1
1
1
1
0
0
0
w/ bar
0
0
0
0
0
0
-1/4
Rhy. Fig. 4A

Gtr. 5
P.M.
8
8
8
End Rhy. Fig. 4A
P.M.
P.M.
0
4
1
1
1
0
0
0
1
1
1
Eb5
D5
Eb5
1
1
1
0
0
0

Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A
A#5 F#5
Uh, with each
day
D5 Dm/F D7/F#
fear
the
end
D5
and
5
Sorgdal
A#5 F#5
Dm Dm/F D7/F#
Eb5 D5
A#5 F#5
**
dont want to
Dm Dm/F D7/F#
die,
Eb5 D5
***
dont want to
die,

P.M.
P.M.
P.M.
P.M.
Gtrs. 4 & 5
8
X
8
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
3
X
0
0
3
*w/ echo set for half-note regeneration w/ 2 repeats.
A#5 F#5
8
X
8
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
3
X
0
0
3
**As before
Dm Dm/F D7/F#
0
0
0
Eb5 D5
A#5 F#5
dont want to
1
1
1
0
0
0
***As before
Dm Dm/F

***
1
1
1
die.
D7/F#
dont
want to

P.M.
P.M.
P.M.
P.M.
Gtrs. 4 & 5
die.
Harm.
7
8
X
8
4
X
4
4
X
4
4
X
4
Gtr. 7
4
X
4
4
X
4
4
X
4
4
X
4
3
X
0
0
3
1
1
1
0
0
0
8
X
8
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
4
X
4
3
X
0
3
X
3
pp
mf
w/ dist.
fdbk.
X
Pitch: C
As before.
Vol. swell
Microphonic fdbk., not caused by string vibration.
Interlude
Gtr. 7 tacet
A#5 F#5
F#m[b6]
P.M.
Rhy. Fig. 5
Gtrs. 4 & 5
8
8
8
4
4
4
6
Sorgdal
4
4
4
4
4
4
0
0
X
4
4
4
D5
F6
D5 F#m[b6]
P.M.
P.M.
0
0
X
4
4
4
0
0
X
3
3
3
0
0
0
3
3
3
0
0
0
4
4
4
Eb5 D5
A#5 F#5
F#m[b6]
D5
F6
D5 F#m[b6]
Eb5 D5
P.M.
P.M.
P.M.
0
0
X
4
4
4
0
0
X
4
4
4
0
0
X
3
3
3
0
0
X
4
4
4
1
1
1
0
0
0
8
8
8
4
4
4
4
4
4
4
4
4
0
0
X
4
4
4
0
0
0
3
3
3
End Rhy. Fig. 5
0
0
0
4
4
4
1
1
1
0
0
0
A#5 F#5
F#m[b6]
Gtr. 8
D5 F6
D5 F#m[b6]
Eb5 D5
A#5 F#5
F#m[b6]
D5 F6
D5 F#m[b6]
Eb5 D5
w/ dist.
P.S.
X
X
X
Guitar Solo
Half-time feel
Gsus2
Em11
let ring
14
0
14
0
14
0
B5
14
0
12
0
11
0
12
0
14
12
1/2
0
0
let ring
0
12
14
12
0
17
17
0
17
0
17
0
16
0 0
17 17 22
0
22
0
22
0
21
21
0
17
Asus2
A5
Do you
Gtr. 8
let ring
12
16
14
*Gtrs. 4 & 5
4
4
2
14
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
4
4
2
16 14 12
16 14
14
14
let ring
12
16
14

4
4
2
12
16
14
14
17
14
14
16
14
4
4
2
4
2
2
0
4
2
2
0
4
2
2
0
4
2
2
0
2
2
2
0
4
4
2
4
4
0
4
4
0
14
14
2
2
2
0
2
2
0
2
2
0
2
2
0
16
19
feel
steady gliss.
2
2
0
16
7
Sorgdal
Chorus
Gsus2
Em11
the
Gtr. 8
same
for
what
once
re - mained?
Yes
ter - day
8va
w/ bar
19
21
fdbk.
21
21
Gtr. 6: w/ Riff B
B5
is
we
gone,
cant
go
back
Asus2
a - gain.
A Asus2
A5
Uh, do you
loco
ev -
8va
21
21
Gsus2
Gtr. 8
er
cry,
uh, for the
Em11
21
days
21
21
21
21
gone
by.
21
21
21
21
21
21
21
21
Uh, do they
haunt
21
19
X
17
19
X
17
19
X
17
19
X
17
19
X
17
19
X
17
Gtr. 6
8
Sorgdal
19
X
17
19
X
17
19
X
17
19
X
17
19
X
17
21
X
19
21
X
19
19
X
17
21
X
19
19
X
17

14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
21
14
X
12
14
X
12
Gtr. 6: w/ Riff B
B5
you
like
ghost
un - til
Gtr. 8
the
Gtr. 8 tacet
end?
Asus2
Haunt
A Asus2
you
till
A5
the
end.
21
21
21
21
21
Outro
Gtrs. 4 & 5: w/ Rhy. Fig. 4 (1st 2meas., 4 times)
A#5 F#5
D5 Dm/F D7/F#
A#5 F#5
D5 Dm/F D7/F#
Eb5 D5
Eb5 D5
Un - til
Riff D2
Gtr. 6

8va
1
20
1
20
Gtr. 7
w/ dist.
flanger off
1
17
Riff D3
1
20
1
20
17
1
22
17
17
Gtr. 1
1
20
17
1
22
20
1
17
1
17
17
10
12
12
10
13
13
13
13
13
13
15
15
13
*w/ dist. & octaver

1
1
10
10
1
10
1
10
1
10
1
10
1
17
1
17
17
1
17
End Riff D1
1
17
17
17
End Riff D3
w/ bar
13
1
10
10
10
Riff D
17
10
10
20
10
end.
End Riff D2
w/ bar
10
the
-1/2
Gtr. 2
1
20
Riff D1
8va
1
10
1
10
-1/2
1
10
1
10
1
10
10
End Riff D
1
10
10
*Octaver set for one octave above.
9
Sorgdal
End half-time feel

Gtrs. 1 & 2: w/ Riffs D & D1 (2 times)
Gtrs. 6 & 7: w/ Riffs D2 & D3 (3 times)
A#5 F#5
D5 Dm/F
Eb5 D5
A#5 F#5
D5 Dm/F
D7/F#
D7/F#
Eb5 D5
Un - til
the
end.
A#5 F#5
F#m[b6]
A#5 F#5 F#m[b6]
D5 F6
8va
1
17
1
17
Gtr. 8
1
17
1
17
17
D5 F#m[b6] Eb5 D5 A#5 F#5
Eb5 D5
1
17
1
17
1
17
F#m[b6]
D5
D5 F#m[b6]
D5
1
17
17
Un - til
the
1/2 1
1/2
17
17
17
1
10
10
10
1
10
1
10
1
10
1
10
1
10
1
10
1
10
1
10
1
10
end.
Eb5
D5
w/ bar
grad. dive
15
15
-1/2
-1
10
7 10 9
6 4
1
10
Gtr. 1
loco

F#m[b6]
Eb5 D5
F6
Sorgdal
D5 F6
F#m[b6]
1
17
A#5 F#5
Gtr. 2
D5 F#m[b6]
D5 F6
75
6 5 4
4 6
1
10
10
10
10
10
10
10
10
All Hope Is Gone

Drop B tuning, down 1/2 step:

(low to high) Bb-Ab-Db-Gb-Bb-Eb
Intro
Moderately slow q. = 55
*B
G6
Riff A
G5
Gtr. 1 (clean)
mf
let ring
let ring
let ring
let ring
let ring
1/2
6
0
9
0
6
0
7
8
10
11
0
12
11
0
14
11
12
11
0
12
11
12
*Chord symbols reflect basic harmony.
Bsus2
Gtr. 2 (dist.)
** mp
mf
10
G6
G5
w/ bar
10
10
10
**Vol. swell
let ring
let ring
Gtr. 1

let ring
let ring
let ring
1/2
11
14
0
11
14
0
11
14
11
14
11
14
0
11
14
0
11
14
6
0
9
0
6
0
7
8
10
11
0
12
Sorgdal
Bsus2
w/ bar
1. A
-1/2
-1
12
11
11
0
let ring
let ring
11
0
12
12
11
11
14
0
14
0
let ring
12
11
11
14
11
14
0
11
14
0
End Riff A
0
0
14
0
Verse
Gtr. 2 tacet
tire
less
Bsus2
stream
of
dreams
that
G6

once
held
in
G5
of
2
a - thy
these

born
The
flows
through
veins
G6
all
but
of
no
long - er
care.
fight
G6
long
De
time
a - go
is
gone
Bsus2
con

af
grown
ter
- cede.
has
dis - posed
sire
riv - er
has
runs
the
till

been lost
G5
G5
have
side.
years.
Bsus2
G5
all
- dif - fer - ence
Sorgdal
in
dry.
ap
G6
The
to
cant
what
de -
Bsus2
Bm
feat,
Gtr. 1
let ring
11
14
0
no.
14
0
11
0
11
14
Gtr. 3 (dist.)
11
14
0
14
0
11
14
0
0
0
let ring
12
14
0
14
0
14
0
14
0
12
14
0
12
14
0
12
14
12
14
0
12
14
X
X
14
12
12
mf
14
12
Chorus
2nd time, Gtrs. 4 & 5 tacet
Gsus2
Ive been
here
too
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
14
12
14
X
12
14
X
12
X
X
X
12
12
12
10
12
12
12
10
12
12
12
10
12
12
12
10
12
12
12
10
14
12
10
14
12
10
10
8
10
8
10
8
10
8
10
8
10
8
Rhy. Fig. 1
Gtr. 1
long.
Riff B
Gtr. 2
D/F#
Im
15
X
12
15
X
12
15
X
12
X
X
X
X
X
X
11
12
9
11
12
9
11
12
9
11
12
9
11
12
9
11
12
9
11
12
9
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
X
X
X
11
X
9
11
X
9
11
X
9
11
X
9
11
X
9
14
12
10
14
12
10
14
12
10
11
12
9
11
12
9
11
12
9
10
8
10
8
10
8
10
8
9
7
9
7
w/ dist.
12
12
12
10
Rhy. Fig. 1A
Gtr. 3
3
Sorgdal
Dsus2
tired
and
long
ing
for
A/C#
more.

0
5
0
5
0
5
0
5
End Riff B
0
5
0
5
0
5
0
5
0
5
5
5
0
5
0
5
0
5
0
5
9
7
5
9
7
5
9
7
5
9
7
5
9
7
5
9
7
5
9
7
5
9
7
5
9
7
5
9
7
5
6
7
4
6
7
4
6
7
4
6
7
4
6
7
4
6
7
4
6
7
4
6
7
4
0
5
5
5
0
5
0
5
X
X
X
X
End Rhy. Fig. 1
X
X
X
X
End Rhy. Fig. 1A
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
4
2
Gtr. 1 & 3: w/ Rhy. Figs. 1 & 1A

Gtr. 2: w/ Riff B
Gsus2
How
long
run,
must
find
what
Im
look
ing
D/F#
uh,
to
To Coda
Dsus2
Sorgdal
A/C#
for?
G5
All
D/F#
C#5
hope
is
Gtr. 1
12
12
10
12
9
Gtr. 3
10
8
Interlude
B
9
7
G6
G5
gone.
Riff C
*Gtrs.
1&3
let ring
10
let ring
11
0
12
let ring
1/2
8
X
6
0
9
X
7
9
X
7
11
11
11
X
9
9
X
7
8
X
6
0
7
8
Bsus2
2. The
let ring
11
0
14
11
12
End Riff C
let ring
11
0
11
0
12
11
12
11
14
0
let ring
14
0
11
14
0
11
11
14
0
let ring
14
0
11
14
0
11
5
Sorgdal
Verse
B
sad
Gtr. 2
ness
car
G6
ry so
deep
in
G5
my
heart
for
16
Gtr. 4
(dist.)
16
16
12
16
16
12
16
12
16
16
16
16
16

Gtr. 5 (dist.)
16
16
16
16
12
16
let ring
16
16
16
16
16
Gtrs. 1 & 3
let ring
15
16
5
8
might
14
17
14
17
17
14
15 14
15
1/2
and
mf
15
been
12
16
1/2
12
could have
14
16
mf
12
what
1/2
12
let ring
let ring
let ring
let ring
let ring
1/2
8
X
6
0
6
Sorgdal
9
X
7
9
X
7
11
9
11
X
9
11
9
9 8
X X
7 6
0
7
8
10
0 11 12
0
11
0
12
11
12 11
0
12 11
12
Bsus2
be,
8va
loco
22
22
nev
16
is
er
for
G6
- got
ten.
Its
G5
nev - er
too
far.
Im
let ring
1/2
22
16
let ring
16
12
16
12
16
16
12
16
12
16
16
16
16
16
16
let ring
1/2
16
16
16
14
16
14
P.M.
16
14
16
16
let ring
16
12
16
12
16
16
12
16
12
16
16
16
16
16
16
14
let ring
1/2
let ring
let ring
let ring
5
8
let ring
let ring
1/2
11
14
0
14
0
11
14
0
11
11
14
0
14
0
11
14
0
11
8
X
6
0
9
X
7
9
X
7
11
9
11
X
9
11
9
9 8
X X
7 6
0
7
8
10
0 11 12
0
7
Sorgdal
D.S. al Coda
wast
Bsus2
ed, so
worn

and
so
Bm
weak.
let ring
15 14
17
17
17
16
16
16
12
12
16
16
17
17
14
14
14
grad. bend
1 1/2
1
1/2
14
16
16
16
14
1/2
17 15
1 1/2
1
1/2
12
let ring
15
grad. bend
14
16
16
14
14
16
16
14
let ring
16
P.M.
1/2
11
0
8
Sorgdal
let ring
let ring
11 14 11
0
12 11
0
12 11
12
11
14
0
2
4
let ring
let ring
14
0
11
14
0
11
11
14
0
14
0
11
14
0
11
3
4
3
4
3
4
3
4
3
4
0
3
4
3
4
0
3
4
0
3
4
0
3
4
P.M.
12 12 12 12 12
14 14 14 14 14
0 0 0 0 0
12 12 12 12 12 12
Coda
G5
All
Gtr. 1
D/F#
hope
is
Gtr. 3
12
12
10
12
9
gone.
steady gliss.
12
12
10
B5
24
Fill 1
10
8
Interlude
Em(add4)/B
10
8
9
7
B7
Ah.
Riff D
10
12
12
12
10
let ring
Ah.
Gtr. 2
12
let ring
12
12
11
10
11
11
11
10
End Riff D
11
11
End Fill 1
Gtrs. 1 & 3
9
Sorgdal
Gtr. 2: w/ Riff D
Em(add4)/B
B7
Ha.
(Ha.
Gtrs. 1 & 3
Em(add4)/B
B7
Ha.
Ha.)
Gtr. 2
let ring
12
10
12
12
12
10
12
10
12
12
12
10
5
3
3
1
2
0
3
1
3
1
10
11
11
10
Sorgdal
10
12
10
12
12
10
11
10
11
11
11
10
let ring
11
10
11
11
11

5
3
3
1
2
0
10
11
10
11
11
11
10
P.M.
Ha.
let ring
12
10
12
12
12
10
12
Em(add4)/B
let ring
11
12
12
11
10
12
Gtrs. 1 & 3
P.M.
12
5
3
3
1
2
0
10
12
10
12
12
12
10
P.M.
3
1
3
1
12
10
12
12
12
10
12
10
12
12
12
10
X
X

B7
let ring
10
11
11
11
10
11
11
10
11
11
10
11
11
10
11
11
10
11
P.S.
Gtrs. 1 & 3
C#5
B5
C5
P.M.
5
3
3
1
2
0
Gtr. 4
divisi
X
X
X
Interlude
Gtrs. 2 & 4 tacet
D5
C5
B5
B5
E5
C5
Riff E
End Riff E
Gtrs. 1 & 3
P.M.
5
X
3
P.M.
5
X
3
4
X
2
4
X
2
9
X
7
5
X
3
5
X
3
5
X
3
5
X
3
5
X
3
Gtrs. 1 & 3: w/ Riff E (2 times)
D5 C5
B5
C#5 B5 C5
B5
E5
All
hope
C5
D5
C5
B5
is
C#5 B5 C5
gone.
Guitar Solo
B5
E5
C5
Gtr. 2
X
X
7
7
7
7
7
7
10
10
1/2
3
1
X
X
0
8
9
11
Sorgdal
G6
G5
13
14
15
16
15
12
10
12
15ma
3
P.M.
0
0
0
0
Bsus2
P.M.
7
7

Gtrs. 1 & 3
8
X
5
11
14
0
G5
11
10
X
7
10
X
7
15
12
12
Sorgdal
10
12
14
0
14
X
11
let ring
7
8
let ring
10
11
14
0
11
14
0
let ring
11
0
12
8
X
6
0
11
let ring
1
E#
let ring
let ring
7
let ring
14
0
G6
11
14
0
10
P.H.
Pitch: F#
Gtr. 2
loco
8
X
6
0
8
X
6
0
8
X
6
0
8
X
6
0
0
0
10
10
10
12 10
let ring
11
0
12
11
12
12
11
12
15 12
11
0
let ring
14
17 14
14
12
11
12
16
Bsus2
8va
19
17
19 19
17
19 19
1 1/2
1
19
19
1 1/2
1
1 1/2
19
19
19
Bsus2
1 1/2
19
19
22 19

15ma
loco

loco
P.H.
1/2
19
12
1/2
11
11
12
10
0
0
*2nd string caught under bend finger.
let ring
11
14
0
14
0
11
14
0
11
let ring
11
14
0
14
0
11
14
0
11
0
11
11 12
0
11
** P.M.
12 11
0
11 12
0
11
11
14
0
12
11
14
0
11
14
0
11
14
0
11
14
0
11
14
0
11
14
0
11
14
0
11
14
0
11
14 17
0
**Gradually lift P.M.
Chorus
Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (3 times)
Gtr. 2 tacet
Gsus2
D/F#
Ive been
here
too
long.

Gtr. 2
Dsus2
Im
tired
and
long - ing for
Riff F

Gtr. 5
let ring
0
5
3
5
0
4
let ring
3
4
3
4
0
0
let ring
0
3
0
3
0
3
0
3
0
3
13
Sorgdal
A/C#
more.
How
long
D/F#
must
0
2
0
2
find
what Im
look
0
5
3
5
0
4
let ring
3
4
A/C#
ing
0
3
0
3
D/F#
0
3
0
3
0
3
0
3
0
3
long.
0
3
0
3
14
16
15
16
Im
tired
17
16
0
2
Dsus2
let ring
for.
0
3
Gsus2
Ive been

let ring
Sorgdal
uh, to
Gtr. 5: w/ Riff F
Dsus2
16
run,
let ring
0
2
End Riff F
Gtr. 5
Gsus2
15
0
2
0
2
0
2

and
0
2
0
2
0
0
here
too
Gtr. 2
let ring
17 17 17
16
15
17 17
A/C#
16
17
15
17
more.
let ring
0
15
0 0
15 15
0 0 0
15 15 15
0 0
15 17
mp
long - ing for
0
15
14
14
14
14
14
15 14
14
16
14
G5
All
Gtr. 2
let ring
17
17
17
Gtr. 5
16
15
17
17
16
17
Gtr.1
hope
is
16
1/2
15
16
19
let ring
let ring
16
let ring
C#5
15
17
D/F#
18
14
18
15
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
11
12
9
11
12
9
11
12
9
Gtr. 3
10
8
10
8
10
8
10
8
10
8
10
8
9
7
9
7
9
7
Interlude
Gtrs. 1 & 3: w/ Riff E (4 times)
Gtr. 5 tacet
D5 C5
B5
C#5 D5 C5
B5
E5
C5
*Voc. Fig. 1
D5 C5
B5
gone.
Gtr. 2
C#5 B5 C5
B5
End Voc. Fig. 1
All
E5
hope
C5
is
(Ah.)
0 0 0
0 0 0
0 0 0
0 0 0 0 0 0 0 0
0 0 0
0 0 0
*Refers to upstemmed voc. only.
15
Sorgdal
gone.
Gtr. 4
C#5 B5 C5
Bkgd. Voc.: w/ Voc. Fig. 1
D5 C5
B5
C#5 B5 C5
B5
E5
C5
D5 C5
B5
All
15ma
3
Pitch: A#
E5 C5
hope
is
fdbk.
Gtr. 2
B5
string noise
1
10
12
X
X
X
Outro
Gtrs. 1 & 3: w/ Fill 1
Gtr. 2: w/ Riff D (2 times)
Em(add4)/B
B7
gone.
Gtr. 4
8va
fdbk.
1/2

Gtr. 5
1/2
Pitch: F
F#
fdbk.
2
A
fdbk.
1/2

Gtr. 6 (dist.)
mf
0
2
16
Sorgdal
fdbk.
0
2
1/2
Em(add4)/B

Gtr. 4
B7
8va
fdbk.
0
0
0
Pitch: F#

Gtr. 5
F#
G#
*Bend neck
w/ bar
fdbk.
grad. bend
1/4
Gtr. 6
-3/4
Gtrs. 1 & 3
Em(add4)/B
B7
Gtr. 4
Gtr. 5

8va
fdbk.
rit.
w/ bar
rit.
w/ bar
1/4
Gtr. 2

rit.
let ring
12
10
12
12
12
10
12
12
11
10
11
11
11
10
11
11
17
Sorgdal
Still Remains
Intro
**B5
A5/B
B5
Riff A
*Gtrs. 1 & 2 (slight dist.)
End Riff A
mf
let ring
let ring
**Chord symbols reflect basic harmony.
1.
Gtrs. 1 & 2: w/ Riff A (1 3/4 times)
A5/B
Gtr. 3 (slight dist.)
let ring
mf
let ring
10
10
8
9
2.
Gtr. 3 tacet

let ring
B
Gtr. 3
B5
C5
8
9
Riff B
Gtrs. 1 & 2
A5
w/ dist.
19
P.H.
Sorgdal
Gtrs. 1 & 2: w/ Riff B
B5
B5
End Riff B
Am/C
C5
A5
B5
0
1
X
X
Am/C
1. I
cast
Verse
B5
when
line
C5
saw
you were
Riff C
Gtrs. 1 & 2

P.M.
0
Am/C
Uh,
still you
P.M.
turned

P.M.
0
1

X
X
X
X
X
X
End Riff C

P.M.
0
2
Sorgdal
0
1

X
X
X
X
your
X
X
drown
back
on
ing.

P.M.
P.M.
Ebadd9
me.
14
12
10
14
12
10
14 14 14 14
12 12 12 12
10 10 10 10
14 14
12 12
10 10
9
10
8
9
10
8
9 9 9 9
10 10 10 10
8 8 8 8
Rhy. Fig. 1
Rhy. Fig. 1A
Gtr. 1
B5

P.M.
Gtr. 2
Gadd9
A5
10
8
6
End Rhy. Fig. 1A
10
8
6
10 10 10 10
8 8 8 8
6 6 6 6
10 10 10 10
8 8 8 8
6 6 6 6

P.M.
End Rhy. Fig. 1
9 9
10 10
8 8
5
6
4
5
6
4
5
6
4
5
6
4
5
6
4
5
6
4
5
6
4
5
6
4
Gtrs. 1 & 2: w/ Riff C (1st 3 meas.)
B5
Pulled
you
from
Uh,
still you
C5
fire
when
you
were
Gadd9
nev

P.M.
0
0
1

X
X
X
X
X
X

P.M.
0
0
1
Chorus
G5
car
X
X
burn
ing.
lieve.
14
12
10
14
12
10
14 14 14 14
12 12 12 12
10 10 10 10

X
X
be
B5
Ebadd9
Rhy. Fig. 2
could
A5
14 14
12 12
10 10
9
10
8
X
X
ry
on
9
10
8
So
End Rhy. Fig. 2A
0
0
0
10
8
6
15
Gtr. 1
er
Rhy. Fig. 2A
Gtr. 2
the
Am/C
End Rhy. Fig. 2

9 9 9 9
10 10 10 10
8 8 8 8
9 9
10 10
8 8
if
you
0
0
0
5
6
4
0
0
0
0
0
15
Eb5
must
go
0
0
your
way.
Riff D
Gtr. 4 (dist.)

mf
7
X
5
7 7 7
X X X
5 5 5
7 7 7 7 7
X X X X X
5 5 5 5 5
7 7 7 7
X X X X
5 5 5 5
7 7 7
X X X
5 5 5
7
X
5
7 7 7 7 7
X X X X X
5 5 5 5 5
7 7 7 7
X X X X
5 5 5 5
3
X
1
3 3 3
X X X
1 1 1
3 3 3 3 3
X X X X X
1 1 1 1 1
3 3 3 3
X X X X
1 1 1 1
Rhy. Fig. 3

Gtrs. 1 & 2
10
8
10 10 10
8 8 8
10 10 10 10 10
8 8 8 8 8
10 10 10 10
8 8 8 8
10 10 10
8 8 8
10
8
10 10 10 10 10
8 8 8 8 8
10 10 10 10
8 8 8 8
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
3
Sorgdal
Though
it
C5
breaks

5
X
3
5 5 5
X X X
3 3 3
G5
5 5 5 5 5
X X X X X
3 3 3 3 3
my
heart,
your
free
End Riff D
5
X
3
7
X
5
7 7 7
X X X
5 5 5
7 7 7 7 7
X X X X X
5 5 5 5 5
7 7 7 7
X X X X
5 5 5 5
7 7 7
X X X
5 5 5
7
X
5
7 7 7 7 7
X X X X X
5 5 5 5 5
7 7 7 7
X X X X
5 5 5 5
End Rhy. Fig. 3
3
1
10
8
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
10 10 10
8 8 8
10 10 10 10 10
8 8 8 8 8
10 10 10 10
8 8 8 8
10 10 10
8 8 8
To Coda
Eb5
will
still
re
10
8
10 10 10 10 10
8 8 8 8 8
3
X
1
3 3 3
X X X
1 1 1
3 3 3 3 3
X X X X X
1 1 1 1 1

Gtr. 4 tacet
C5
mains.
3 3 3
X X X
1 1 1
3
X
1
B5
Oh.
5
X
3
5 5 5
X X X
3 3 3
5 5
X X
3 3
5 5 5
X X X
3 3 3
5 5 5
X X X
3 3 3
6
4
6
4
6
4
6
4
6
4
6
4
C5
6
4
6
4
6
4
A5
6
4
3
1
B5
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
X X
X X
X X

6
4
10 10 10 10
8 8 8 8
Interlude
3
1 20
X X
X X
Am/C
2. I
4
Sorgdal
Verse
saved
you

Gtr. 4
from
B5
the
Gtr. 4: w/ Riff E
fall
C5
A5
when
you
were
0
4
slip
Riff E
0
4
B5
ping.
End Riff E

0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A
Am/C
still
you
Uh,
Gadd9
broke
from
me
B5
how
can
you
Gtr. 4
0
4
0
4
jus
ti
0
4
0
4
0
4
0
4
0
4
0
4
0
4
to
0
4
0
4
the
So
fy
0
4
run.
Ebadd9
0
4
0
4
C5
A5
life
youre
liv

0
4
0
4
0
4
0
4
0
4
0
4
0
4
D.S. al Coda
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
Gadd9
Ebadd9
ing?
You
must
w/ bar
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
0
4
-3 1/2
5
Sorgdal
Coda
Interlude
B5
C5
B5 C5
B5
Em
Gtr. 4 tacet
* C5 B5
Riff F
Gtr. 5 (dist.)
P.M.
4
X
2
4
X
2
0
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2 tacet
Gtr. 5: w/ Riff F
C5 B5
C5
B5 C5
B5
Em
C5 B5
Gtr. 5
C5 B5 C5 B5
End Riff F
P.M.
13 12
Em
Bridge
Gtrs. 5 & 6: w/ Riff F (3 times)
C5 B5
C5 B5 C5 B5
Em
*** B
Youll de - ny
Gtr. 6 (dist.)
P.M.
8 7 5 5 8 7 5 5
Sorgdal
8
X
6

youll de - ny
w/ wah-wah
**Two gtrs. arr. for one.

***Chord symbols reflect overall harmony.
it all,
**Gtr. 7 (dist.)
Bsus4
9
X
7
me once a - gain.
Uh, but Ive seen it all.
P.S.
8
X
6

B5
uh, back
to
me

Gtr. 7
8
X
6
9
X
7
be
- fore
the
end.
11
X
9
11
X
9
I know youll come to crawl,
X X X X
Bsus4
14
9
X
7
12
11
9
Gtrs. 5 & 6
P.M.
P.M.
16
X
14
13 12
B/D#
15
G5
F#5
E5
Riff G
1 1 0
C5
Gtr. 7 tacet
End Riff G
7
Sorgdal
Gtrs. 5 & 6: w/ Riff G (3 times)
B5
C5
B/D#
E5
G5
F#5 B5
C5
B/D#
E5
G5
F#5
Ah,
B5
C5
Gtrs. 1 & 2
E5
G5
F#5
B/D#
P.S.
Chorus
Gtr. 4: w/ Riff D
2nd time, Bkgd. Voc.: w/ Voc. Fill 1
G5

car
ry
on
8 8 8 8 8 8 1010 10 10
X X X X X X XXX X
5 5 5 5 5 5 7 7 7 7
10
X
7
10
X
7
if
you

Gtr. 8 (dist.)
must
go
your
way.
mf
8
X
5
C5
Though it
13 13 13 13 13 13 13 13 13
X X X X X X X X X
10 10 10 10 10 10 10 10 10
10
X
7
11
X
8
11
X
8
11
X
8
11
X
8
11 13 13 13 15 15 15
X X X X X X X
8 10 10 10 12 12 12
11
X
8
11
X
8
11
X
8
11
X
8
11
X
8
11 13 13 13 15 15 15
X X X X X X X
8 10 10 10 12 12 12
breaks
13
X
10
my heart,
8
X
5
8 8 8 8 8 8 10
X X X X X X X
5 5 5 5 5 5 7
11
X
8
Voc. Fill. 1
11
X
8
G5
Sorgdal
Eb5
10
X
7
10
X
7
10
X
7
10 10
X X
7 7
10
X
7
your
11 11
X X
8 8
11
X
8
11
X
8
11
X
8
11
X
8
free
11 13 13 13 15 15 15
X X X X X X X
8 10 10 10 12 12 12
Eb5
will
1.
C5
still
2.
re - mains.
Uh,
11
X
8
11
X
8
11
X
8
11
X
8
11
X
8
11
X
8
11
X
8
11
X
8
13 13
X X 0
10 10 0
11
X
8

Gtr. 4
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
3
X
1
11 111111
XXXX
8 8 8 8
13 13 13 13
X X X X
10 10 10 10
6
4
6
4
6
4
6
4
6
4
6
4
6
4
13 13 13 13 13
X X X X X
10 10 10 10 10
still
re
3 3 3 3
XXXX
1 1 1 1
5 5 0 0
X X 0 0
3 3
5
X
3
5 5 5
X X X
3 3 3
5 5
X X
3 3
6 6
4 4 1 1
3
1
3 3 3
1 1 1
3 3 3
1 1 1
3 3
1 1
15
13 13 13 13 13 13 13 13 13 13
X X X X X X X X X X
10 10 10 10 10 10 10 10 10 10
5 5 5
X X X
3 3 3
5
X
3
6
4
(It
Gtrs. 1 & 2
6
4
so
re - mains.)
(Still
Gtr. 8
C5
5 5 5
X X X
3 3 3
5 5 5 5 5 5
X X X X X X
3 3 3 3 3 3

3
1
3 3 3
1 1 1
3 3 3 3 3 3
1 1 1 1 1 1 13
Outro
Gtrs. 1 & 2: w/ Riff G (3 times)
Gtrs. 4 & 8 tacet
B5
C5
B/D#
E5
G5
F#5
mains.
B5
C5
B/D#
E5
G5
F#5
B5
C5
B/D#
E5
G5
F#5
Ah.)
Gtrs. 1 & 2 tacet
B5
C5
B/D#
Gtrs. 1 & 2
E5
G5
F#5
*Gtr. 9
B5
0
*Bass arr. for gtr.
9
Sorgdal
Make It Right
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately q. = 63
**C6[no3rd]
Gtr. 3 (elec.)
Asus4
Aadd4
*** pp
mf
w/ slight dist.
10
***Vol. swell
Riff A
*Gtrs. 1 & 2
mf
let ring throughout
*Gtr. 1 (acous.); Gtr. 2 (elec.) w/ slight dist. Both gtrs. doubled throughout.
**Chord symbols reflect implied harmony.
C6[no3rd]
Asus4
Aadd4
1 1/2
10
17
17
End Riff A
Verse
Gtrs. 1 & 2: w/ Riff A
Gtr. 3 tacet
C6[no3rd]
1. How man - y
C6[no3rd]
How
times
man - y
days
have
you
have
you

run
on - ly
to
feel
cut
on - ly
to
Asus4
the
Asus4
Aadd4
pain?
Aadd4
crawl?
Sorgdal
C6[no3rd]
How
man - y
nights
did
you
scream,
on
Gtrs. 1 & 2
7
8
C6[no3rd]
How
Asus4
ly
to
scream
years
til
you
7
8
face
Aadd 49
(Shame
of
it
of
it
0
3
the shame
in
man - y
4
3
Riff B
7
5
vain?
Aadd4
Asus4
all?

Gtr. 3
all.)
Rhy. Fig. 1
End Rhy. Fig. 1
w/ dist.
0
0
7
0
0
7
0
0
6
0
0
6
0
0
6
0
0
6
0
0
6
0
0
6
0
0
6
0
0
6
0
0
6
0
0
6
End Riff B
Gtrs. 1 & 2
0
0
6
0
7
5
0
0
6
0
7
5
0
0
6
0
7
5
0
0
6
0
7
5
*w/ dist.
0
0
6
0
7
5
*Gtr. 2 only
2
Sorgdal
Chorus
Gtr. 1 tacet
Esus4
In
to
the
fire
you
9
X
7
12
X
10
11
X
9
5
5
4
5
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
13
X
11
11
X
9
7
7
0
7
7
0
7
7
0
7
7
0
6
7
0
If
fall.
Riff C
Dsus4
Gtr. 3
11
X
9
11
X
9
11
X
9
9
X
7
9
X
7
4
5
4
5
4
5
4
5
Gtr. 2
Rhy. Fig. 2
*w/ echo set for dotted quarter-note regeneration w/ 3 repeats.
Asus4
on - ly you
7
X
5
5
5
could make

it
7
X
5
6
X
4
6
X
4
7
X
5

5
5
5
5
5
5

4
5
**As before
Uh,
7
X
5
Esus4
right.
7
X
5
E5
**
4
X
2
4
5
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
9
7
0

0
0
9
9
7
0
0
9
9
7
0
0
9
9
7
stand
up
***
and fight
for
re -
14
X
12
14
X
12
11
X
9
9
X
7
7
7
0
7
7
0
7
7
0
14
X
12
7
7
0
14
X
12
14
X
12
13
X
11
6
7
0
7
***As before
3
Sorgdal
Dsus4
***
Asus4
solve.
12
X
10
If
on - ly you
End Riff C
11
X
9
11
X
9
11
X
9
11
X
9
9
X
7
9
X
7
7
X
5
5
5
4
5
4
5
4
5
4
5
4
5
could make
it
right.
7
X
5
6
X
4
6
X
4
0
0
4
2
2
0
7
X
5
7
X
5
5
5
4
5
5
5
5
5
5
5
End Rhy. Fig. 2
E5
6
X
4
4
X
2
4
X
2
4
5
9
7
0
*As before
Interlude
Gtrs. 1 & 2: w/ Riff A (1st 4 meas.)
C6[no3rd]
Gtr. 3
Aadd4
fdbk.
w/ bar
w/ bar
fdbk.
Asus4
1/2
Verse
Gtrs. 1 & 2: w/ Riff A (last 4 meas.)
Gtr. 3 tacet
C6[no3rd]
2. How
man - y
lies
did
you

steal
just
to
C6[no3rd]

How man - y
masks
did
you
wear,
con - vince
the
Asus4
Aadd4
Asus4
dis -guised and
re
moved?
Sorgdal
Aadd 49
(Dis -guised and
fool?
re
moved.)
C5
B5 A5 Ab5 G5

How man - y years

Gtr. 3
til you
break
B5
A5
Asus
all that keeps
break
ing
10
8
10
8
10
8
9
7
7
5
6
4
5
3
5
3
5
3
5
3
5
3
5
3
9
7
7
5
7
5
0
0
7
7
7
5
0
0
7
7
0
0
7
7
you?
0
0
10
8
Aadd9
0
0
7
7
0
0
6
7
0
0
6
7
0
0
6
7
0
0
6
7
0
0
7
7
Rhy. Fig. 3

Gtr. 2
10
8
0
0
7
7
0
0
7
7
0
0
7
7
End Rhy. Fig. 3
10
8
5
3
7
5
7
5
10
8
10
8
9
7
7
5
6
4
5
3
5
3
5
3
5
3
5
3
9
7
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
7
5
9 10
7 8
*Top vocal w/ echo set for dotted half-note regeneration w/ 1 repeat.

C5
B5
How man - y tears
Ab5 G5
will you
waste
B5
A5
while
find - ing
Asus4
**
the
truth?
10
8
5
3
5
3

Gtr. 3
10
8

A5
10
8
10
8
9
7
7
5
6
4
5
3
5
3
5
3
5
3
9
7
7
5
7 7
5 5
7
X
7 7
5 5
7
X
7
5
7
X
7
5
7
X
7
5
7
X
7
5
6
X
7
5
6
X
7
5
6
X
7
5
6 12
X X
7 10
5
12 12 9
X X X
10 10 7
**Top vocal w/ echo (as before).
Chorus
Gtr. 3: w/ Riff C
Esus4
In
- to

the
fire

you
Dsus4
***
Asus4
fall.
If
on - ly
you
***
could make
it
right.
***w/ echo set for dotted quarter-note regeneration w/ 3 repeats.
E5
Esus4
Uh,
stand
up
and

fight
for
re
Dsus4
solve.
If
As before
5
Sorgdal
Asus4
on - ly you

Gtr. 3
7
X
5
Gtr. 2
could make
it
7
X
5
6
X
4
7
X
5
7
X
5
6
X
4
6
X
4
5
5
5
5
5
5
5
5
Esus4
right.

7
X
5
0
3
0
3
2
2
0
2
0
the
fire
you
14
X
12
14
X
12
11
X
9
9
X
7
3
0
0
4
X
2
4
5
In - to
4
5
0
0
4
2
2
0
0
4
2
2
0
3
0
3
14
X
12
14
X
12
14
X
12
13
X
11
Rhy. Fig. 4
7
7
0
7
7
0
7
7
0
7
7
0
6
7
0
*As before
Dsus4
**
Asus4
fall.
12
X
10
5
5
**As before
6
Sorgdal
If
on - ly you
***
could make
it
E5
right,
11
X
9
11
X
9
11
X
9
7
X
5
6
X
4
6
X
4
11
X
9
9
X
7
9
X
7
7
X
5
7
X
5
7
X
5
7
X
5
4
X
2
2
0
2
0
0
0
4
2
0
0
4
2
5
End Rhy. Fig. 4
4
5
4
5

4
5
4
5
4
5
5
5
5
5
5
5
5
5
4
5
***As before
4
5
2
0
2
0
0
0
4
2
0
0
4
2
5
Esus4
stand
14
X
12
7
7
0
Dsus4
up
and fight
for
re
14
X
12
11
X
9
9
X
7
12
X
10
5
5
14
X
12
14
X
12
14
X
12
13
X
11
7
7
0
7
7
0
7
7
0
6
7
0
Asus4
solve.
If
on - ly you
**
could make
it right.
11
X
9
11
X
9
11
X
9
7
X
5
6
X
4
6
X
4
4
5
4
5
4
5
11
X
9
4
5
9
X
7
4
5
9
X
7
7
X
5
7
X
5
7
X
5
5
5
5
5
5
5
6
X
4
5
5
4
5
*As before
4
5
**As before
Bridge
Gtr. 3 tacet
Asus4
C5/G

Oo,
oh,
ah.
G/B
There comes a
***Voc. Fig. 1
time
(Oh,
7
X
5
7
X
5
7
X
5
4
X
2
4
X
2
6
X
4
6
X
4
6
X
4
0
0
5
5
3
3
5
5
3
3
5
5
3
3
Rhy. Fig. 5
5
5
5
5
5
5
0
0
0
0
4
5
4
5
4
5
0
0
0
0
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3

4
5
2
4
5
2
4
5
2
4
5
2
4
5
2
4
5
2
4
5
2
4
5
2
***Refers to upstemmed vocs. only
7
Sorgdal
D5/A
one
must
when
7
7
5
5
7
7
5
5
7
7
5
5
7
7
5
5
7
7
5
5
7
7
5
5
7
7
5
5
Gtr. 2
A/C#
C5/G
6
7
4
6
7
4
6
7
4
6
7
4
6
7
4
6
7
4
E5
liv - ing
is
far
from
true.
6
7
4
6
7
4
5
5
3
3
5
5
3
3
0
0
4
5
2
4
5
2
4
5
2
4
5
2
4
5
2
C5/G
4
5
2
Lost
and
4
5
2
4
5
2
4
5
2
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
are
0
0
noth - ing
to
be - lieve.
D5/A
de - ceived,
mf
w/ dist. & wah-wah
8
8
9
8
8
9
8
8
9
A/C#
G/B
Gtrs. 4 (elec.) & 5 (elec.)
they
End Voc. Fig. 1
End Rhy. Fig. 5
life
G/B
the
oh.)
de - cide
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
7
8
7
7
8
7
7
8
7
7
8
7
C5/G
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
know
have
7
8
7
10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10
11 11 11 11 11 11 11 11 11 11 11
so much
Ive
yet
to
G/B
10
10
11
9 9 9 9 9 9 9 9 9 9 9 9
10 10 10 10 10 10 10 10 10 10 10 10
9 9 9 9 9 9 9 9 9 9 9 9
8
Sorgdal
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
9
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
7
8
7
E5
prove,
Gtrs. 4 & 5
12 1
12
12
12
12
12
15
15
15
15
15
12
15
15
12 1
12
12
15
15
15

8va
14
14
14
14
14
15
17
17
17
17
17
12
12
12
15
15
15
Gtr. 5
12
12 1 12 1 12
15
15
15
15
Ive
yet
to
prove,
8 7
15
15
15
18
18
18
18
12
12 1 12 1 12
15
15
15
15
12 1 12 1
15
5 4 2
5
17
Gtr. 2
14 1 14 1
17
15
12
prove.
Riff D
Gtr. 2
Gtr. 4
4 2
3 2
15
15
12
12
15
15
8 7
9
Sorgdal
prove.
8va
20
20
20
20
20
20
12 1 12 1 12
12
15
15
15
20
12
22
15
15
22
22
22
22
12 1 12 1 12
15
15
15
22
22
22
15
22
22
22
12
12
12
12
12
15
15
15
15
15
End Riff D
7 54
0
8 7
7 5
7 5
Chorus
Gtrs. 4 & 5 tacet
Esus4
Gtr. 3: w/ Riff C (last 5 meas.)
In
- to

the
fire

you
Asus4
fall.
If

on - ly
you
could make
*w/ echo set for dotted quarter-note regeneration w/ 3 repeats.
E5
Esus4
Uh,
stand
up
and

fight
for
re
***As before
10
Sorgdal
it
right.
**As before
Dsus4
***
**
Dsus4
solve.
If
on - ly you

Gtr. 3
7
X
5
could make
it
E5
Esus4
right.
7
X
5
6
X
4
6
X
4
4
X
2
0
4
X
2
0
7
X
5
Gtr. 2
5
5
5
5
5
5
6
X
4
5
5
4
5
4
X
2
4
X
2
4
5
2
0
In - to

7
X
5
Asus4
the
fire
you
14
X
12
14
X
12
11
X
9
9
X
7
slight
P.M. 1/4
14
X
12
14
X
12

0
0
4
2
14
X
12
13
X
11
*As before
Dsus4
**
Asus4
fall.

Gtr. 3
12
X
10
If
11
X
9
on - ly you
11
X
9
11
X
9
11
X
9
9
X
7
9
X
7
7
X
5
7
X
5
7
X
5
7
X
5
stand
up
and
fight
for
re
it
E5
right,
6
X
4
6
X
4
4
X
2
2
0
0
0
4
2
2
0
0
0
4
2
12
15
15
18
15
18
9
X
7
12
X
10
11
X
9
5
5
4
5
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
13
X
11
11
X
9
7
7
0
7
7
0
7
7
0
7
7
0
6
7
0
If
solve.
Riff E
Gtr. 2
Dsus4
Gtr. 3
***As before
**As before
Esus4
could make
7
X
5
***
11
X
9
11
X
9
11
X
9
9
X
7
9
X
7
4
5
4
5
4
5
4
5
11
Sorgdal
Outro-Guitar Solo
Gtr. 3: w/ Riff E (3 3/4 times)
Asus4
on - ly you
E5
could make
it
right.
7
X
5
Gtr. 2
7
X
5
6
X
4
6
X
4
7
X
5
7
X
5
7
X
5
5
5
5
5
5
5
5
5
0
0
4
2
2
0
4
X
2
4
5
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
4
5
0
0
4
2
2
0
slight P.H.
0
0
0
0
0
0
4
2
2
0
**Vol swell
** pp
w/ dist.
fdbk.
Gtr. 3
Oh.
Gtr. 6 (elec.)
Esus4
0
0
4
2
2
0
End Riff E
0
0
4
2
2
0
0
0
4
2
2
0
Rhy. Fig. 6
15
7
7
0
7
7
0
7
7
0
7
7
0
6
7
0
*As before
Dsus4
Asus4
E5
Oh.

Gtr. 6

5
5
12
Gtr. 2
Sorgdal
Eh.
4
5
4
5
4
5
4
5
5
5
14
12
14
12
14

4
5
12
14
0
0
14
17

5
5
5
5
5
5
4
5
4
5
0
0
4
2
2
0
0
0
4
2
2
0
End Rhy. Fig. 6
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
Gtr. 2: w/ Rhy. Fig. 6 (2 3/4 times)
Esus4
Gtr. 6
Dsus4
8va
1/2
19
20
11
11
Asus4
8va
10
12
13
15
15
15
17
17
9
17
22
22
17
19
20
17
20
17
20
17
19
On
8va
Dsus4
0
0
loco
19
can make
you
ly
it
1/4
12
16
12
14
12
13
14
On
8va
15
17
15
15
Asus4
17
12
16
ly
17
15
16
17
E5
17
15
16
you
12
14
can make
17
17
15
right.
17
14
16
right.
17
15
12
it
1 1/2
15
15
1
17
19
18
let ring
19
Esus4
17
E5
loco
20
18
19
12
14
17
12
12
14
13
Sorgdal
Esus4
Dsus4
3
rake
14 15 14 12
12 14 15 14 12
15
15
15 17 15 12
15
12 15 17 15 12
8va
15 19 15
15
19
15
19 15 19 15 12 15 12
15
12
15 12 14 12
Gtr. 2: w/ Riff D
Asus4
loco
12
E5
8va
P.H.
1
12
12
14
12
12
14
15
12
12
14
12
12
15
15
Pitch: G#
8va
loco
1/2
15
12
15
14
14
14

9
9
w/ bar
12
14
Sorgdal
w/ bar
12
15
15
w/ bar
12
12
12
w/ bar
12
14
14
w/ bar
12
11
12
11
11
12
14
12
Gtr. 6 tacet
Gtr. 2
w/ bar
11
fdbk.
15
14
2
0
14
14
Wonderful Life
G
G/F#
5fr
Open G tuning:
(low to high) D-G-D-G-B-D
Intro
**Gtrs.
2&3
*Gtr. 1 (elec.)
(Drums)
Em7
C'9
4fr
13
A7
5fr
C5
5fr
111
12 3
G/F#
12
0
12
0
10
0
10
0
10
0
let ring throughout
w/ dist.
let ring throughout
12
0
*Doubled throughout
12
0
12
0
13
13
0
13
0
12
12
0
12
10
0
10
10
10
0
9
8
0
**Gtr. 2 (elec.) w/ dist.; Gtr. 3 (acous.), both doubled throughout. Composite arrangement
Em7
Cadd9
12
0
Yeah.

8
0
8
0
G/F#
8
0
7
0
7
0
10
0
8
0
12
12
0
7
0
0
0
3
0
0
0
5
0
5
0
Em7
5
0
5
0
12
0
0
0
12
0
12
0
10
0
12
0
9
8
0
8
0
8
0
7
0
10
0
12
10
0
10
10
10
0
8
0
8
0
7
0
7
0
0
0
12
0
13
13
0
13
0
C5
0
0
12
0
(Gtr. 3, cont. in notation)

5
0
0
Sorgdal
Verse
Gtr. 2 tacet
Gtr. 1 tacet
1. Close
your
eyes

Gtr. 3
Gsus4
Rhy. Fig. 1
D/F#
and
just
12
10
11
11
11
Em7
hear
me
mf
w/ pick & fingers
12
12
Gtr. 1
12
13
12
12
10
12
12
11
12
11
11
8
9
7
9
0
0
Gtr. 3: w/ Rhy. Fig. 3 (1st 2 meas.)
Cadd9
sing
one
Gtr.3
3
0

be - fore

Gtr. 4
spread
you
Gtr. 3
8
9
2
Sorgdal
good
Riff A
Gtr. 4 (elec.)
your
one
last
12
12
bye,
mp
12
wings.
End Riff A
5
5
5
5
5
5
Theres
D/F#
w/ clean tone
Harm.
let ring throughout
Harm.
long
Gsus4
Cadd9
song
last
Em7
End Rhy. Fig. 1
3
0
5
Pre-Chorus
Em7
so
soon
much
you

0
3
0
0
4
2
0
3
0
Cadd9
left
will
*Gtrs. 3 & 4
Dsus4
0
3
0
0
4
2
0
3
0
0
4
2
0
3
0
0
4
2
0
3
0
0
4
2
to
be

0
3
0
0
4
2
2
0
say.
gone,
5
0
5
0
X
5
0
3
0
0
0
3
0
0
0
3
0
0
2
0
0
3
0
0
0
3
0
0
0
3
0
0

0
5
0
0
5
0
0
5
0
X
5
7
0
8
0
Em7

5
0
X
5
And be - fore
but
this
these
mo
words,

0
5
0
0
X
5
0
5
12
0
0
12
12
0
0
12
12
0
0
12
0
0
Dadd4
ment
they
slips
will
a
live
0
3
0
0
0
4
2
0
3
0
0
3
0
0
4
2
0
3
0
0
0
0
3
0
0
4
2
0
0
3
0
0
4
0
3
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
Chorus
A7add4
way.
on.
2
0
0
2
Oh.
What
won
0
2
0
0
2
0
0
2
0
0
2
0
0
2
0
0
2
0
2
0
Gtr. 4 tacet
Cadd9
2
0
0
2
0
2
0
0
2
0
0
2
0
0
2
0
2
0
der
Rhy. Fig. 2
**Gtrs. 1, 2 & 3
ful
0
5
0
X
5
0
5
0
X
5
0
5
0
5
0
X
5
0
5
0
X
5
0
5
0
X
5
0
5
0
X
5
0
5
0
X
5
**Composite arrangement
G/F#
life
0
0
0
0
X
5

0
0
0
0
0
0
Em7
for
as
long
as youve
0
0
0
0
0
0
0
0
4
3
0
0
4
2

been
Cadd9
at
my
side.
And
0
3
0
0
3
0
0
5
0
0
3
0
0
3
0
0
4
2
0
3
0
0
5
0
X
5
0
X
5
0
5
0
0
5
0
0
5
0
X
5
End Rhy. Fig. 2
0
5
0
3
Sorgdal
want
you
to
0
5
0
0
5
0
5
0
0
5
0
0
5
0
5
0
0
0
0
0
0
0
X
5
loved
mis
you
you
0
0
0
0
0
0
0
0
so.
2. The
Dadd4
Ill
know
0
5
0
0
0
5
G/F#

0
5
0
X
5
Rhy. Fig. 3
To Coda
End Rhy. Fig. 3
0
7
0
0
7
0
Verse
Gtrs. 1 & 2 tacet
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
Gsus4
cold
night
calls
D/F#
Gsus4
hard
let
tears
fall
Em7
and
the
D/F#
ting go

of
the one
Dadd4
Rhy. Fig. 4

0
7
0
0
7
0

4
Sorgdal
Its
so
Cadd9
nev
And though
er
re - place.
And
our
Cadd9
days
come
to
an
end,
End Rhy. Fig. 4
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
G/F#
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2 (1 1/4 times)
so.
D.S. al Coda
thing Ill
rain.
Coda
like
Em7
Cadd9
know
Ill
nev - er love
like
this
Em7
Cadd9

a - gain.
What
won
der - ful
G/F#
life,

0
0
0
0
0
0
0
0
0
0
0
0
0
0
D/F#
friend.
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
A5
B5
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
C#5
0
7
0
0
7
0
E5
5
X
5
4
X
4
4
X
4
5
X
5
5
X
5
5
X
5
7
X
7
9
2
9
11
X
11
A5
B5
C#5
11
X
11
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
0
7
0
11 14
X
11 14
22
B5
2
X
2
C5
2
X
2
0
7
0
0
7
0
Riff B
Gtrs. 1, 2 & 3
G5
Voc. Fig. 1
(Ha,
Interlude
* E5

Gtr. 1
0
0
0
0
X
5

my
Gtrs. 1, 2 & 3
Dadd4
G5
14
10
X
10
14
10
X
10
10
X
10
9
X
9
5
X
5
E5
D/F#
G5
C5
2
X
2
5
X
5
2
X
2
4
X
4
4
X
4
Em
5
X
5
And all that
am,
5
X
5
5
X
5
7
X
7
9
2
9
you let
me
Voc. Fig. 2
11
X
11
11
X
11
11 14
X
11 14
be.
B5

ha.)
Bridge
Fsus2
E5
G5
End Riff B
14
10
X
10
14
10
X
10
10 10
X X
10 10
re - mem
will
A5
End Voc. Fig. 1
9
X
9
7
X
7
Dsus4
5
X
5
ber
End Voc. Fig. 2
(Ah.)
Rhy. Fig. 5
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
2
X
2
0 0 0 0
2 2 2 2
X X X X
2 2 2 2
0 0 0 0
2 2 2 2
X X X X
2 2 2 2
0
0
0
5
X
5
0
0
0
5
X
5

0
0
0
5
X
5
0
0
0
5
X
5

0
0
0
5
X
5
0
0
0
5
X
5
0
0
0
5
X
5
0
3
0
4
2
0

0
3
0
4
2
0
0
3
0
4
2
0

0
3
0
4
2
0
0
3
0
4
2
0
End Rhy. Fig. 5

0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
5
Sorgdal

Em
you
for all that
youve done
and giv - en
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
2
X
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
X
2
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 5
Fsus2
And love
Fsus2
Em
Be - cause
of you,
now
0
2
2
2
this
re - main,
to
Em
will
more.
0
2
2
2
me.
0
2
2
2
0
0
0
5
X
5
0
2
2
2
0 0 0
0 0 0
0 0 0
5 5 5
X X X
5 5 5
10
X
10
con - cede,
5
X
5
7
X
7
9
X
9
now
and
for
9
X
9
7
X
7
ev
5
X
5
Dadd4
Dadd4
er
be - lieve.
Oh.

0
3
X
3
Bkgd. Voc.: w/ Voc. Fig. 2 (2 times)
Fsus2
be - lieve
(Ah.)

Gtrs. 1, 2 & 3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
3
X
3
0
2
X
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
2
2
0
2
X
2
0
2
2
2
0
2
2
2
0
2
2
2
0
3
0
4
2
0
0
2
2
2
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0

0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
Chorus

0
3
0
4
2
0
0
3
0
4
2
0
6
Sorgdal
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
0
3
0
4
2
0
Gtrs. 1 & 2 tacet

Cadd9
What

won
der
ful
G/F#
life
Em7
for
as
long
as
youve
Cadd9

been
at
my
side.
And
want
you
Gtr. 2
to
G/F#
know
loved
you
so.
Dadd4
* pp
What
And
mf
fdbk.
*Vol. swell
Gtr. 1
19
Chorus
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2 (1 1/2 times)
Cadd9
won
der - ful
life
Em7
for
as
long
as youve
been
at
my
G/F#
Cadd9
want
you
to
know
G/F#
Ill
miss
Dadd4

you

so.
side.
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 4
And though
our
7
Sorgdal
Gtrs. 1, 2 & 3: w/ Rhy. Fig. 2 (1st 3 meas.)
come
to
an
Cadd9
days
Gtr. 6 (elec.)
G/F#
end,
know
Ill
Em7
nev
er
love
like
this
mf
w/ dist.
15
Gtr. 5 (elec.)
mf
w/ dist.
Outro
A7
Gtrs.
2&3
Gtr. 6
gain.

Gtrs. 1, 2 & 3: w/ Riff B (1 3/4 times)
Gtrs. 5 & 6 tacet
E5
What

won
der - ful
D/F#
life,
12
Gtr. 5
Gtr. 1
0
2
2
8
Sorgdal
12
19
0
0
0
G5
E5
A5
won
B5
D/F#
G5
one
last
D/F#
B5
G5
And
with
E5
gone.
one
C5
11
X
11
11
X
11
11
X
11
14
14
X
14
10
X
10
14
X
14
A5
B5
G5

tears
C#5
E5
life,
fall

like
D/F#

good - bye,
B5
as
you
G5
fade
- der - ful
B5
C#5
youre
won
G5
yeah.
rain,
oh,
A5
C5
B5
A5
G5
And
with
E5
gone.

out
A5
to - night,
B5
youre
oo.
14
the
last
Ho,
Gtrs. 1, 2 & 3
11
X
11
as
Uh, what
won - der - ful
E5
C#5
em - brace,
C5
C5
E5
life.
E5
- der - ful
life,
C#5
9
Sorgdal
I Know It Hurts
Bsus2
G5
D5
F#5/C#
7fr
13411
13
13
34 11
Intro
Moderately q = 106
*A5
Gtrs. 1 & 2 (elec.)
B5
C5 B5
A5 B5
A5 B5
C5 B5
A5 B5
12
w/ dist.
X
X
X X
X X
X X
X
X
X
14 14 14 14 14 15 14
10 12 12 12 12 12 13 12 0
12 14
10 12 0
12 14 14 14 14 14 15 14
10 12 12 12 12 12 13 12 0
12 14
10 12 0
C#5 D5
E5 D5
B5
Gtr. 1
1.
C#5 D5
E5 D5
2.
C#5 D5
F#5
12
5
3
5
3
5
3
5
3
5
3
7
5
5
3
5
3
4
2
5
3
5
3
5
3
5
3
5
3
7
5
5
3
5
3
5
3
9
7
9
7
9
7
9
7
7
9
5
3
Verse
Bm[add 49 ]
5
3
5
3
say
5
3
7
5
5
3
5
3
4
2
this aint
liv
5
3
5
3
5
3
5
3
5
3
7
5
5
3
5
3
5
3
9
7
9
7
9
7
5
3
F#5
4
2
5
3
5
3
5
3
5
3
5
3
1. And
you
Gtr. 2
4
2
10
4
2
E5
ing,
9
7
you
4
2
5
3
5
3
5
3
5
3
5
3
say
you
cant
go
Riff A
*Gtrs. 1, 2 & 3 (acous.)
mf
let ring throughout
11
0
11
0
7
0
*Gtrs. 1 & 2 w/ slight dist. Composite arrangement
Sorgdal
on.
You on - ly
Gtrs. 1, 2 & 3: w/ Riff A
Bm[add 49 ]
and now your
hope
is
but
gone.
And though you
2nd time, Gtr. 5: w/ Riff B (1st 2 meas.)
lost
your
sad
and
G5
Yeah.
A/C#
ing,
Pre-Chorus
Gtrs. 1, 2 & 3
as youre giv
Dadd9
take
End Riff A
all

Dadd9
way...
(Now
I hope
wrong,
0
5
6
Bm[add 49 ]
is
you
not
will
8 10
**
for - ev
re - mem -
er.)
ber,
oh.
8
8
11
**w/ echo set for half-note regeneration w/ 2 repeats.
2
Sorgdal
pain.
on.
0
5
6
your
ry
We all
f
w/ dist.
P.S.
11
11
0
5
6
6
4
8
7
0
X
8
8
7
0
X
8
know
car
but
I
You must
Gtr. 3
Uh,
G5
Gtrs. 1 & 2
A/C#
Chorus
Gtr. 3 tacet
3rd time, Gtr. 5: w/ Riff B (2 times)
Rhy. Fig. 1
Gtr. 1
2
2
4
4
2
0
times,
2
2
4
4
2
0
Gtr. 2
2
2
4
4
2
0
2
2
4
4
2
0
2
2
4
4
2
0
2
2
4
4
2
0
C#5 D5
2
2
4
4
2
0
0 0
0 0
E5 D5
2
2
4
4
2
0
2
2
4
4
2
0
0 0
0 0
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
5
3
5
3
5
3
5
3
7
5
5
3
5
3
5
3
9
7
9
7
8
7
0
X
8
9
7
9
7
2
2
4
4
2
0
B5
hurts.
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
2
2
4
4
2
0
5 5 5 5 5 7
3 3 3 3 3 5
2
2
4
4
2
0
2
2
4
4
2
0
5 5
3 3
4
2
5 5 5 5 5 7
3 3 3 3 3 5
you de - serve.
2
2
4
4
2
0
2
2
4
4
2
0
hurts.
12
4
2
G5
what
know it
10
find
8
7
0
X
8
8
7
0
X
8
Yeah, I
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
E5 D5
8
7
0
X
8
end, youll

5
3
8
7
0
X
8
End Rhy. Figs. 1 & 1A
4
2
Bsus2
In the
Gtrs. 1 & 2
8
7
0
X
8
F#5
C#5 D5
but I know it

2
2
4
4
2
0
2
2
4
4
2
0
not the first,
2
2
4
4
2
0
Rhy. Fig. 1A
youre
G5
fall some
Bsus2
0
0
0
0
8
7
0
X
8
5 5
3 3
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
Still, I know it
hurts.
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
8
7
0
X
8
To Coda 1
To Coda 2
C#5 D5
E5 D5
B5

Yeah, I
Gtr. 1
know it
Interlude
C#5 D5
E5
F#5
hurts.
Bm[add 49 ]
Oh.
Gtr. 4 (elec.)
w/ slight dist.
12
5
5
3
5
3
5
3
5
3
5
3
7
5
5
3
5
3
Gtr. 2
4
2
5
3
5
3
5
3
5
3
5
3
mf
10
4
2
7
9
4
2
5
3
5
3
5
3
5
3
5
3
7
5
5
3
5
3
4
2
5
3
5
3
5
3
5
3
5
3
3
Sorgdal
Gtr. 4
Dadd9
2. And
let ring
10
11
the
11
Verse
Gtrs. 1, 2 & 3: w/ Riff A (2 times)
Gtr. 4 tacet
Bm[add 49 ]
tides
Gtr. 5 (elec.)
on
Riff B
ly
ris
ing,
the
storm
is
on
its
mf
*w/ dist. & delay
10
10
*Delay set for dotted eighth-note regeneration w/ 3 repeats.
Dadd9
way,
yeah.
10
so bat - tle - worn
7
9
4
10
cant
keep on fight
End Riff B
10
10
ing,
D.S. al Coda 1

and so
Dadd9
Sorgdal
Uh, but you
Bm[add 49 ]

fraid.
Though its
10
10
10
10
9
9 10 9
Coda 1
Interlude
Half-time feel
C#5 D5
Gtrs. 1 & 2
E5 D5 B5
C[#4] B5
C5 C#5
D5
D#5
B5
C#5
D5
C5
B5
Riff C

P.M.
4
2
5
3
5
3
5
3
5
3
5
3
7
5
5
3
5
4
3
End Riff C
1/2
0
0
C[#4]
B5
C5
C#5
D5
D#5
B5
C#5
D5
C5
B5
C[#4]
B5
C5
C#5
D5
D#5
(Ay.)
End half-time feel
B5
C#5
D5
C5
B5
C[#4]
B5
C5
C#5
D5
D#5
B5 C#5
D5
C5
B5
Uh, theres still
Bridge
G5
Gmaj7[no3rd]
mor
F#5
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
11
12
10
11
12
10
11
12
10
11
12
10
11
12
10
11
12
10
11
12
10
11
12
10
on,

11
11
9
11
11
9
11
11
9
11
11
9
11
11
9
11
11
9
11
11
9
11
11
9
9
11
9
9
11
9
9
11
9
9
11
9
9
11
9
9
11
9
0
0
0
0
0
0
Rhy. Fig. 2A

Gtr. 2

hold
Rhy. Fig. 2
12
12
10
row,

Gtr. 1
F#7[no3rd]
to -
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8

9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
9
7
5
Sorgdal
D5
Dmaj7[no3rd]
D5
Dsus2

7
5

7
5
6
7
5
7
5
6
7
5
6
7
5
hold
A/C#
on.
Theres
7
7
5
9
7
5
7
4
7
4
7
7
5
9
7
5
9
7
5
still
to -
End Rhy. Fig. 2

7
7
5
9
7
5
6
7
4
6
7
4
6
7
4
4
7
7
4
6
7
4
6
7
4
0
0
0
7
4
End Rhy. Fig. 2A
5
3
5
3
5
3
5
3
4
2
4
2
4
2
4
2
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
4
2
4
2
4
2
4
2
4
2
4
2
4
2
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
G5
Gmaj7[no3rd]
mor
F#5
F#7[no3rd]
row,
just
G5
Gmaj7[no3rd]
mor
D5 Dmaj7[no3rd] D5
wait,
uh,
G5
Dsus2
just
row,
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
11
12
10
11
12
10
11
12
10
11
12
10
12
10
12
10
12
10
12
10
11
9
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
9
7
Gtr. 2
6
Sorgdal
Theres

still
to -
hold

Gtr. 1
wait.
F#5
A/C#
11
9

X
X
X
X
A5 B5
C5 B5
A5 B5
A5 B5
C5 B5
on,
hold

Gtrs. 1 & 2
mp
* P.M.
12
10
A5 B5
14
12
14
12
14
12
14
12
14
12
15
13
14
12
12
10
14
12
12
10
14
12
14
12
A5
B5
14
12
14
12
14
12
15
13
14
12
12
10
14
12
*Gradually lift P.M.
A5
B5
B5
A5
B5
C5
B5
on.
We
12
10
D.S.S. al Coda 2
C5
14
12
14
12
14
12
14
12
14
12
15
13
14
12
12
10
Coda 2
14
12
all
12
10
14
12
14
12
14
12
14
12
14
12
15
13
14
12
14
12
Outro-Guitar Solo
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (1 3/4 times)
C#5 D5
E5 D5
B5
Bsus2
Rhy. Fig. 3
Gtr. 3
Gtr. 6 (elec.)
** pp
w/ dist.
dont pick
fdbk.
7
7
Pitch: C#
**Vol. swell
Gtrs. 1 & 2

5
3
8va
19 17 19 17
0
0
4
2
5
3
5
3
5
3
5
3
7
5
5
3
5
3
19 17
19 17 19 17
19 17
22 17 22 17
19 17
19 17 19 17
19 17
14
12
7
Sorgdal
G5
Gtr. 6 8va
loco
20
19
14
9
D5
15
16
17
17
14
18
17
17
15
15
16
7
7
P.M.
F#5/C#
Bsus2
End Rhy. Fig. 3

8va
7 10
10
7 12 10
11
G5
loco
12
8va
Gtr. 6
14
12
11
12
12 14
14
12
11
14
12
11
19
22 19
22
22
19 17
Gtrs. 1 & 2
19 16
19
16
4
2
7
5
9
7
8
5
3
5
3
12
16

5
3
5
3
14 15 17 15 14
17 15 14 15 17 15 14
8va
Gtrs. 1, 2 & 3
5
3
18
D5
11
12
14 16 18 16 14 16 19
12
19
21
19
21
19
5
3
5
3
5
3
9
7
9
7
9
7
4
X
2
0
4
X
2
0
4
X
2
0
22
21
19
21
22 21 19
4
X
2
0
4
X
2
0
4
X
2
0
4
X
2
0
4 4
X X
2 2
0 0
4
X
2
0
4 4
X X
2 2
0 0
16 14 12
22
14 16
14
B5
loco
12
14
Sorgdal
F#5/C#
22
11
14
7 11
2
0
Show Me a Sign
Gtrs. 15: Double drop D tuning, down 1/2 step:

(low to high) Db-Ab-Db-Gb-Bb-Db
Gtr. 6: Drop D tuning, down 1/2 step:
Intro
** D5
F6
Ebmaj13
Riff A
*Gtr. 1 (slight dist.)
mf
let ring

let ring
let ring
D5
let ring
F6
let ring

let ring
1/2
0
0
0
0
2
0
1
0
0
2
0
0
0
*Doubled throughout
Gtrs. 1 & 2 tacet
Ebadd9#4
Rhy. Fill 1
Gtrs. 3 & 4 (dist.)
D5
End Rhy. Fill 1
F6
Ebmaj7
Riff B
mf
End Riff B
let ring
let ring
let ring
let ring
1/2
X
X
X 19
Gtr. 1
let ring

let ring
0
0
0
End Riff A
3
2
0
0
0
2
0
X
3
0
0
2
0
0
0
1/2
0
1
Gtr. 2 (dist.)
0
3
0
***
mf
0
3
0
***Vol. swell
Sorgdal
Dsus2
Gtr. 3
F6
let ring
let ring
2
3
2
0
0
0
Gtr. 4
1
0
0
0
0
0
2
0
X
3
2
3
2
1
0
0
0
2
0
let ring
1
0
3
let ring
1/2
2
0
X
3
let ring
1/2
let ring
let ring
0
0
0
Ebmaj13
0
0
2
0
let ring
0
0
D5
F6
Ebmaj7
Gtr. 5 (dist.)
mp
1/2
10
D5
Gtr. 5
F6
Ebmaj13
w/ bar
10
fdbk.
10
10
-1/2
Gtr. 3
let ring
0
0
0
Gtr. 4
2
Sorgdal
let ring
3
2
0
0
0
let ring
0
0
0
let ring
3
2
0
0
0
2
0
X
3
2
0
X
3
-1
let ring
1/2
0
0
2
0
let ring
let ring
1/2
0
0
2
0
0
0
1
Pitch: F
let ring

1
0
3
0
1
Verse
C6sus2
Gtr. 5
Gtr. 5 tacet
of
be - yond
re - demp
Bb6
1. A
trail
tears
Dadd11
tion.
10
Riff C
Gtrs. 3 & 4
let ring
let ring
10
12
C6sus2
Bb6
Uh, just
and noth
ing
Dadd11
12
10
0
8
C6sus2
10
let ring
0
0
Bb6
Dadd11
I must re - veal
am
fall - ing.
let ring
let ring
10
Gtr. 2
12
0
8
10
let ring
0
0
more.

let ring
0
Eb
To the dark
Gtrs. 3 & 4
no
more,
let ring
let ring
Dadd11/A
Gtrs. 3 & 4
word
10
let ring
now
am born.
End Riff C
Fill 1
End Fill 1
w/ clean tone
let ring
2
0
3

let ring
0
1
3
Sorgdal
Pre-Chorus
Gtr. 1: w/ Rhy. Fill 1
D5
Gtr. 2 tacet
D5
F6
Ebmaj7
Whispered: Ah.
So, if

1/2
let ring
let ring
let ring
you hear
this
cry...
let ring
1/2
0
0
0
3
2
0
0
0
2
0
X
3
0
0
2
0
0
0
w/ dist.
D5
Gtr. 3
F6
let ring
let ring
Ebmaj13
let ring
let ring
1/2
0
0
0
Gtr. 4
3
2
0
0
0
let ring
2
0
X
3
let ring
0
0
2
0
1
0
3
let ring
let ring
1/2
0
0
0
4
Sorgdal
3
2
0
0
0
2
0
X
3
0
0
2
0
0
0
1
Chorus
3rd time, Gtrs. 1, 2, 5 & 6 tacet
Bb
Show
Bb#11
me
sign,
Rhy. Fig. 1
*Gtrs. 3 & 4
give
me
Bb
**
mean
Bb#11
Bb5 A5
G5
ing.
let ring
let ring
7
0
8
8
7
0
8
8
7
0
8
8
7
0
8
8
7
0
8
8
7
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
10
0
8
8
10
0
8
8
8
8
8
5
5
5

to
D7sus2
5
7
0
0
0
5
7
0
0
0
life.
5
7
0
0
0
Let
5
7
0
0
0
5
7
0
0
0
***

5
7
0
0
0
10
0
8
8
10
0
8
8
10
0
8
8
5
7
0
0
0
5
5
0
0
0
me
Bb
know
why all
7
7
7
10 10 10 10
0 0 0
8 8 8
8 8 8
5
5
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3
Bb5 A5

let ring
9
Im be - liev -
End Rhy. Fig. 1
10 10
0 0
8 8
8 8
lies
7
0
8
8
9
0
8
8
9
0
8
8
8
8
8
7
7
7
5
5
5
7
0
8
8
7
0
8
8
7
0
8
8
7
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
9
0
8
8
To Coda 1
led
7
0
8
8
As before
G5 Dsus2
have
the
Bb#11
ing

let ring
9
0
8
8
9
0
8
8
Bb#11
9
0
8
8
***Lead voc. w/ echo set for half-note regeneration,

1st time w/ 1 repeat; 2nd & 3rd times w/ 2 repeats.
Bb
**2nd time, Lead voc. w/ echo set for half-note regeneration w/ 1 repeat; 3rd time w/ 2 repeats.
Dsus2
Lead me
10
D7sus2
To Coda 2
far
from
home.
me
so
far,
5
7
0
0
0
5
7
0
0
0
5
7
0
0
0
5
7
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
0
0
0
5
5
5
3
5
7
0
0
0
5
7
0
0
0
5
7
0
0
0
5
5
0
0
0
**As before w/ 1 repeat all 3 times, plus additional echo of last word
set for quarter-note regeneration w/ 4 repeats.
Interlude
C6
Bb6
Dadd11
Ooh.

Gtr. 2
Fill 2
End Fill 2
let ring
w/ slight dist.
let ring
0
5
3
3
0
3

let ring
1
0
3
2
3
0
2
0
5
Sorgdal
Gtr. 2: w/ Fill 2
C6
Bb6
Dsus4
Ooh.
Gtr. 5
mp
dist. off
10
10
Gtrs. 3 & 4
12
10
Gtrs. 2, 3 & 4
let ring
let ring
12
10
0
8
let ring
10
Verse
C6sus2
2. Uh,
Gtr. 5 tacet
cut - ting
an
Bb6
Dadd11
guish
not
for - got
ten,
Gtr. 5
C6sus2
e - ter - nal
C6sus2
Bb6
life
Dadd11
will
not
Bb6
But if
6
Sorgdal
wake
to
find
Per - di
Dadd11
be
mine
tion,
to - night.
uh, this I
Dadd11/A
know,
Gtr. 2: w/ Fill 1

Eb
the fault
is
mine.
Uh, this
is mine.
D.S. al Coda 1
D5
the fault
1/2
Gtr. 5
Eb
know,
Gtrs. 3 & 4
1/2
string steady gliss.

noise
1/2
2
2
2
X
X
20
15ma
Whispered: Ah.
Pitch: A
*Vol. swell
Gtr. 2
w/ clean tone
let ring
w/ dist.
2
0
0

let ring
w/ dist.
fdbk.
Coda 1
0
Pitch: C
Interlude
Csus4
Ebmaj7b5
D5
Riff D
D5 Eb/G
Gtr. 2
Ebmaj7b5
D/F#
EndRiffD
P.M.
P.M.
Gtr. 5
Riff D2
8
7
End Riff D2
10
End Rhy. Fill 2

5
5
5
3
5
5
5
3
5
5
5
3
5
5
5
3

5
5
5
3
5
5
5
3

6
5
5
3
6
5
5
3
6
5
5
3

6
5
5
3
6
5
5
3
6
5
5
3
6
5
5
3
End Riff D1

let ring
1
7
9
Riff D1

P.M.
P.M.
loco
Rhy. Fill 2
Gtrs. 3 & 4
0
0
0
let ring
0
1
2
0
3
X
3
5
5
5 5 5
X X X
5 5 5
4 4 4
X X X
4 4 4
7
Sorgdal
Gtrs. 2 & 5: w/ Riffs D & D2 (3 times)

Gtrs. 3 & 4: w/ Riff D1 (3 times)
Ebmaj7b5
D5
Gtr. 6 (dist.)
Ebmaj7b5
D5
Eb/G
D/F#
Ebmaj7b5
mf
*w/ octaver
11
10
13
11
10
11
10
13

D5
10
10
14
10
*Set for one octave above.
8va

Ebmaj7b5
D5
14
Eb/G
D/F#
Ebmaj7b5
D5
14
11
14
15
14
17
17
17
D5

loco
1/2
15
Ebmaj7b5
1/2
15
14
Eb/G
1/2
1/2
14
14
D/F#
10
10
Bridge
Gtr. 6 tacet
Eb5
Gtr. 6
And the
Bb
fire
in
F5
side
is
Gsus2
gone
10

Gtrs. 3 & 4
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
D/F#
Gtrs. 3 & 4
7
5
4
8
Sorgdal
0
0
0
0
0
0
D5
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
Eb5
3

P.M.
7
5
4
7
5
4
7
5
4
7
5
4
7
5
4
7
5
4
0
0
0
0
0
0
4
3
1
1
1
6
5
3
3
3
X
X
X
6
5
3
3
3
6
5
3
3
3
6
5
3
3
3
7
5
5
and
all
that
4
3
1
1
1
0
0
0
7
5
5
once
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
0
0
0
7
5
5
Bb
0
0
0
0
0
0
7
5
5
7
5
5
7
5
5
7
5
5
7
5
5
is
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
3
3
3
3
1
X
X
X
6
5
3
3
3
6
5
3
3
3
7
5
5
F5
had
7
5
5
lost.
6
5
3
3
3
6
5
3
3
3
0
0
0
0
0
0
Gsus2
D/F#
D5 F5
7
5
5
7
5
5
7
5
5
Bbsus2
ness
7
5
5
7
5
5
7
5
5
7
5
5
7
5
5
1
3
3
1
1
3
3
1
7
5
5
7
5
4
7
5
4
F5
1
3
3
1
1
3
3
1
X
X
X
6
5
3
3
3
7
5
4

P.M.
7
5
4
am

1
3
3
1
7
5
5
Eb5
7
5
4
7
5
4
7
5
4
7
5
4
7
5
4
4
3
1
1
1
3
3
Uh, to
the
4
3
1
1
1
Gsus2
dark -
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
4
3
1
1
1
0
0
0
0
0
0
born.
6
5
3
3
3
6
5
3
3
3
6
5
3
3
3
0
0
0
0
0
0
7
5
5
Interlude
Gtrs. 3 & 4 tacet
Spoken: A trail of tears beyond redemption.
D5
Just a word and nothing more.
F6
Gtr. 6
Ebmaj13
*p
**w/ delay
D5
F6
mf
1
w/ bar
grad. release
1/2
13
13
*Vol swells (next 5 meas.).

**Set for quarter-note regeneration w/ 2 repeats.
-1/2
I must reveal that Im falling.
Ebadd9#4
grad. release
D5
F6
Ebmaj13
8va
12
w/ bar
1/2
17
12
17
12
-1
-2 1/2
9
Sorgdal
D.S.S. al Coda 2
To the dark I am now born.
D5
F6
Ebmaj7[no3rd]
8va
Gtr. 6
w/ slide
steady gliss.
**
17
Gtr. 5
divisi
22
26
15ma
Gtr. 2
18
**Hypothetical
fret location.
fdbk.
0
0
Pitches: C#
F#
Gtrs. 3 & 4
* P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
*Gradually lift P.M.
Gtr. 1
let ring

let ring
let ring
let ring
1/2
0
0
2
0
0
0
Coda 2
3
0
X
1

Gtr. 6
loco
8va
X
0
0
0
Bb
Sorgdal
3
0
3
0
3
0
Bb#11
loco
10
10
10 10
13
12
Pitch: F#
***Microphonic fdbk., not caused by string vibration.
3
0
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (1 3/4 times)
Csus4
w/ out slide
***fdbk.
10
3
0
Guitar Solo
Gtrs. 3 & 4: w/ Rhy. Fill 2
3
0
12 10
10
12
12
10
10
13
10
10
12
13
Bb
12
Dsus2
Bb#11
1/2
12
10
13
13
10
10
13
10
13
10
10
13
10
Bb
12
rake
13
10
10
Bb#11
1 1/2
13
15
15 13
15 13
15
15
15
14
13
15
13
1 1/2
13
13
15
*
1
1/2
X
X
15
15
12
10
10
10
10
12
13
13
13
13
12
10
10
10
D7sus2
13
G5
1/2
10
12
10
A5
10
12
12
12
Bb5
rake
15
13 17 13 17 13 10
X
X
*2nd string caught under bend finger.
Bb
Bb#11
Bb5 A5
G5 Dsus2
D7sus2
8va
13
10
13 10 13 12 10
12
12
12
10
12 10
12 11 10
10
10
Gtrs. 3 & 4: w/ Rhy. Fill 2
8va
10
10
10
10
10
1 1/2
17
13 10
17
17
0
0
Csus4
6
let ring
loco
1/2
17
16
15
19
15
15
15
15
15
19
15
13
12
11
Sorgdal
Outro
Bb
Bb5
A5
G5
D5
Ah.
Gtr. 6
0
0
Gtrs. 3 & 4
7
0
8
8
Bb
Bb5 A5
G5
8
8
8
5
5
5
7
7
7
0
0
0
D5
Bb
Ah.
7
0
8
8
12
Sorgdal

8
8
8
7
7
7
5
5
5
0
0
0
0
0
5
5
5
3
7
0
8
8
Fallout
D5
C5
10fr
111

Intro
** Dm
Cadd
Oo.
Riff A
*Gtr. 1
(acous.)
mf
w/ fingers
let ring throughout
*Two gtrs. arr. for one. (One acous. & one elec. w/ slight dist.)
Bbmaj7sus2
Am

1. An
Verse
10
8
8
el
er
reb -
End Riff A
Harm.
oth
10
10
7
7
10
12
12
runs
a - gainst
the
Cadd
Dm
3
3
D5
grain.
lon -
Riff B
5
0
0
0
7
0
0
0
0
0
7
0
Sorgdal
er
is
Bbmaj7sus2
Am
born.

Hes
filled
with
an End Riff B
Gtr. 1: w/ Riff B
Dm
guish.
Pre-Chorus
Dm
Uh,
to
find
deep
so
con
Bbmaj7sus2
10
8
with - in
10
his
10
8
8
hes
dy
ing

ev
Am
Cadd
ry
day
He
is
lost,
way.
10
sumed.

Can you feel
Fill 1
Gtr. 2
(elec.)
End Fill 1
8va
mp
w/ dist.
H.H.
w/ bar
grad. dive
8 20
-1 1/2
Gtr. 1
0
*Gtr. 3 (elec.)
0
0
-3 1/2
slack
0
0
mf
w/ dist.
P.S.
X
X
X
*Doubled throughout
2
Sorgdal
Chorus
Gtrs. 1 & 2 tacet
3rd time, Gtr. 6 tacet
Bbsus2
him?
Rhy. Fig. 1
Gtr. 3
10
10
8
8
Some -where
F5

in
the fall
out
10
10
8
8
10
10
8
8
10
10
8
8
10
10
8
8
10
10
8
8
10
10
8
8
10
10
8 0
8
6
5
3
3
3
6
5
3
3
3
6
5
3
3
3
6
5
3
3
3
5
5
3
3
3
5
5
3
3
3
to find
the truth.
Gtr. 4 (elec.)
him?
just
like you
a - far
who is lost
5
5
3
3
3
5
5
3
3
3
5
5
3
3
3
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0

From
To Coda 2
Bb5
Can you hear
he is some - one
Dsus2
C5
Fmaj7(no 3rd)
F5
he cries
out
for the an -
Riff C
mf
w/ dist.
15
X
13
Gtr. 3

5
5
3
15 15 15 15 15 15 15 15 15 15 15 15
X X X X X X X X X X X X
13 13 13 13 13 13 13 13 13 13 13 13
14 14 14 12
X X X X
12 12 12 10
12 12 14 14 14 14 14 14 14 14 14 14 12 12 X
X X
X X X X X X X X X
X X
10 10 12 12 12 12 12 12 12 12 12 12 10 10 X
5
5
3
5 5 5 5
5 5 5 5
3 3 3 3
3
3
1
3 3 3 3
3 3 3 3
1 1 1 1
3 3
3 3 0 0
1 1 0 0
5 5
5 5
3 3
5 5
5 5
3 3
3
3
1
3
3
3
3
3
3
3 3 3 3
3 3 3 3
3 3 3 3
3
3
3
3
3
3
3 3
3 3
3 3
3
Sorgdal
Dsus2
To Coda 1
swer
to

10
7
be
shown
as
he
C5
dares
to
End Riff C
10
7
10
7
8
7
8
7
6
7
10
7
8
7
8
7
8
7
8
7
walk
the

Fall
out
on
own.
his
End Rhy. Fig. 1
(cont. in slashes)
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
5
3
Interlude
Gtr. 1: w/ Riff A
Gtr. 4 tacet
D5
Gtr. 3
Gtr. 3 tacet
Cadd
Oo,
10
13
12
4
Sorgdal
mf
10
yeah.
loco
Gtr. 2
12
10
12
Bbmaj7sus2
Am
So
D5
Verse
Gtr. 1: w/ Riff B (2 times)
Dm
frus - trat
ed,
w/ tremolo
let ring
15
17
Gtr. 2
he
Riff D
Gtr. 4
17
15
17
15
17
15
15
17
15
17
15
3
1
12
12
10
12
*Played ahead of the beat.
Gtr. 2 tacet
Cadd
walks the line
a - lone.
Cour - age
sets
Bbmaj7sus2
him
a - part.
15
Gtr. 4: w/ Riff D
Dm
17
15
17 17
15 15
15
17
17 17
15
All
he
once
em - braced
he
now dis - owns.
He
Gtr. 1: w/ Riff A (1st 2 meas.)

Gtr. 2: w/ Fill 1
Am
it
All
Gtr. 3
go.
the
let
D.S. al Coda 1
Pre-Chorus
Bbmaj7sus2
so faithEnd Riff D
15
less.
is
Cadd
He
let ring
17
Am
Dm
while

he
still
waits.

Can you feel

X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
5
Sorgdal
Coda 1
C5
Gtr. 3

to walk
the
Fall
Gtr. 2
out on his own.
Interlude
D5
Eb5
w/ bar
fdbk.
grad. dive
Pitch: E
Gtr. 4
-1
-2
-2 1/2
Riff E
End Riff E
*wah-wah
1/4
6
7
6
7
6
7
6
7
6
7
1/4
1/4
1/4
1/4
1/4
1/4
1/4
*Used as filter.
Gtr. 3
Riff E1
Gtr. 5
(elec.)
End Riff E1
mf
**w/ dist. & wah-wah
(cont. in slashes)
1/4
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
X
X
X
1
1
1
1/4
1/4
1/4
1/4
1/4
1/4
1/4
**Wah-wah used as filter.
Gtr. 2 tacet
Gtrs. 4 & 5: Riffs E & E1 (2 times)
Gtr. 1
Ebmaj7#4
Gsus2
Bb5 A5
G5
D5
Riff F
6
Sorgdal
Gtr. 3 tacet
0
5
Bbmaj7
F6
Gsus2
D5
Ebmaj7#4
Gsus2
Bb5 A5
G5
D5
End Riff F
Bridge
Gtr. 1: w/ Riff F (2 times)
Bbmaj7
F6
Left
Bbmaj7
10
uh,
un
to
a - side,
the
mean
ing
to
D5
10
10
10
10
still
1/4
1/4
1/4
15
fights
15
15
tries,
D5
to
be - hold.
13
D5
Bb5
1/4
13
13
for truth
1/4
1/4
1/4
15
15
15
13
A5 G5 D5
15
1/4
13
Gsus2
1/4
15
he
life.
1/4
13
1/4
13
Bb5 A5 G5
Ebmaj7#4
he
15
13
still
1/4
15
D5
Bb5A5 G5
uh, bleed - ing
D5
ed,
Gsus2
Gsus2
this
Ebmaj7#4
10
F6
Bb5 A5 G5
Gsus2
hes wea - ry,
1/4
Ebmaj7#4
1/4
Gsus2
Mm, burn - ing,
1/4
15
ing.
15
10
10
Gsus2
Dis - con - nect
15
earth
Uh, cast
Ebmaj7#4
D5
hes walk
Bbmaj7
Gsus2
D5
be - hind,
F6
F6
Bbmaj7
Gtr. 2
Gsus2
15
lone.

1/4
15
15
7
Sorgdal
Gtr. 2 tacet
Bb5
F5

Gtr. 3
G5
D5
Eb5
G5
Bb5 A5 G5
Rhy. Fig. 2

8
8
8
8
8
8
3
3
3
5
5
5
Eb5
5
5
5
0
0
0
Bb5
A5
G5
Gtr. 6 (elec.)
G5
1
1
1
5
5
5
8
8
8
7
7
7
5
5
5
0
0
0
10
10
10
10
10
13
1
1
1
1
1
1
End
Rhy. Fig. 2
P.M.
5
5
5
8
8
8
7
7
7
0
0
0
8
8
8
8
8
8
Harm.
D5
3
3
3
5
5
5
5
5
5
F5
G5
15
13
8
8
8
8
8
8
D5
15
13
10
3
3
3
5
5
5
5
5
5
5
5
5
2.75
0
0
0
w/ slide
w/ dist.
G5
mf
Gtr. 3
1
1
1
F5
Interlude
Bb5
Bb5
P.M.
P.M.

1
1
1
D5 Eb5 D5
0
0
0
Pitch: C
*Harmonic located three-fourths the distance between the 2nd & 3rd frets.
Eb5
G5
Bb5 A5 G5
Gtr. 6
D5 Eb5 D5
Bb5
F5
Eb5
G5
Bb5 A5 G5 D5
steady gliss.
D5
G5
10
Gtr. 3

1
1
1
1
1
1
8
Sorgdal
5
5
5

P.M.
8
8
8
7
7
7
5
5
5
P.M.
0
0
0
1
1
1
0
0
0
13
15
15

8
8
8
8
8
8
3
3
3
13 13 15 13
5
5
5
5
5
5
0
0
0
X
14
X
P.S.
steady gliss.
10
Can you feel
11
D.S. al Coda 2
11
11
10

1
1
1
1
1
1
5
5
5
14
P.M.
P.M.
8
8
8
7
7
7
5
5
5
0
0
0
0
0
0
Coda 2
Gtr. 4: w/ Riff C (last 2 meas.)
F5
Dsus2
C5

Rhy. Fill 1
out
for the an
Gtr. 3
3
3
3
3
3
3
swer to

3 3 3 3
3 3 3 3
3 3 3 3
5
2
0
0
0
3 3 3 3
3 3 3 3
3 3 3 3
be shown
Gtr. 3
as he
dares
to walk the Fall - out
Gtr. 7
(elec.)

mf
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
5
2
0
0
0
on
his
15ma
loco
w/ dist.
fdbk.
(cont. in slashes)
5
2
0
0
0
End Rhy. Fill 1
10
Guitar Solo
Bbsus2
F5
own.
10
10
10
10
10
10
10
10
12
12
13
14
12
12
Pitch: G
Gtr. 4
14
10
12
12
12
10
8va
8va
Gtr. 7
loco loco
P.H.
P.H.
P.H.
P.M.
1
10
8va
Dsus2
Fmaj7(no 3rd)
10
12 10
10
+2 1/2
12
10
10
10
12
P.H.
P.M.
1
7
12
10
C5
10
10
w/ bar
P.H.
loco
10
13
12
15
13
15
13
15
15
13
15 13
14
10
G
14
X
12
9
Sorgdal

loco

Gtr. 4: w/ Riff C
Bb5
Gtr. 7
13
12
13
13
F5

8va
P.H.
1
12
13
12
13
13
13
13
12
13
13
15
13 15
15 13
15
15
15
1 1/2
15
15
Pitch: G

3
3

9
D5
13
17
13
10
13
10
10
Outro
Gtr. 3: w/ Rhy. Fill 1
C5
8va
1/2
F5
G5
D5
Eb5
G5
loco
P.M.
P.H.
Bb5
Bb5 A5 G5
D5 Eb5 D5
w/ bar
Harm.
grad. dive
Pitch: F#
3.75
Pitch: G
slack
Gtr. 7 tacet
Bb5
Gtr. 6
F5
G5
D5
Eb5
G5
Bb5 A5 G5
10
10
Sorgdal
10
10
10
10
Bb5
Gtr. 2
F5
G5
D5
Eb5
G5
20
22
22
20
8va
Bb5
Gtr. 6
18
18
15
15
Bb5
14
F5
G5

8va
Gtr. 2
13
Eb5
11
11
G5
Gtr. 6
18
18
20
20
19
20
22
22
20
15
15
14
13
11
11
10
11
19
11
11
19
*w/ delay
steady gliss.
22
22
14
11
19
D5 Eb5 D5
steady gliss.
10
D5
8
13
Eb5
10
Bb5 A5 G5
19
15
19
steady gliss.
10
D5
D5
20
w/ slide
13
20
G5
w/ slide
15
A5
17
12
*Set for quarter-note regeneration w/ 4 repeats.
**w/ delay
steady gliss.
14
12
**Set for quarter-note regeneration w/ 4 repeats.
Gtr. 3

8
8
8
8
8
8
3
3
3

5
5
5
5
5
5
0
0
0

1
1
1
1
1
1
5
5
5

P.M.
P.M.
8
8
8
7
7
7
5
5
5
0
0
0
1
1
1
0
0
0
w/ bar
0
0
0
slack
11
Sorgdal
Breathe Again

Intro
Free time
*Eadd9
Riff A
Gtr. 1 (clean)
mf
**
let ring throughout
12
9
11
11
12
11
11
12
11
11
12
11
11
12
11
**Vol. swell
Rhy. Fig. 1
***Gtr. 2 (clean)
mf
let ring throughout
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
13
X
11
0
12
13
X
11
0
12
13
X
11
0
0
X 11
X X
X 9
0
0
11
X
9
0
0
11
X
9
0
0 0
0
0 0
11 X 9 9
X X X X
9 X 7 7
0
0
X 6
X X
X 4
*Chord symbols reflect overall harmony.

***Two gtrs. arr. for one.
Badd
Ah.
11
12
11
11
12
11
11
12
11
11
End Riff A
12
11
End Rhy. Fig. 1

0
0
6
X
4
8
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
X
X
X
0
0
9
X
7
0
0
9
X
7
8
6
0
0
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
Sorgdal
Verse
Eadd9
Gtr. 1
Gtr. 1 tacet
1. I
have
played
the
part.
have
all
but
lost
my
Harm.
12
Badd
Eadd9
soul.
And I have
sac - ri - ficed.
*w/ echo set for half-note regeneration w/ 2 repeats.
For what its
Gtr. 2
worth
dont
just
Badd9
know.
0
12
13
X
11
0
12
13
X
11
0
12
13
X
11
X
X
X
0
0
11
X
9
0
0
11
X
9
0
0
11
X
9
0
0
11
X
9
0
0
11
X
9
0
0
9
X
7
X
X
X
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
0
0
6
X
4
0
0
8
X
6
8
6
0
0
8
X
6
0
0
8
X
6
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
0
0
4
X
2
X
X
X
9
7
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
In
When
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
Pre-Chorus
Asus2
Sorgdal
the si
the prom
lence of
ise might

0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
my
be
heart
born

0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
E5
there is
like
a
a
dis spark

0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
Badd11
0
0
9
X
7
0
0
9
X
7
Bsus
0
0
9
X
7
0
0
9
X
7
0
0
9
X
7
tant
yeah,
yeah.
0
0
9
X
7
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
9
X
7
0
0
6
X
4
X
X
X
0
0
6
X
4
Bsus4
call,
with - in,
0
0
8
X
6
8
6
Asus2
Badd11
that beck - ons

me
Cause I
cant
take
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
0
0
8
X
6
to stand
it an
a - part.
y - more.
0
0
8
X
6
0
0
8 8
X
6 6
0
7
8
X
6
0
7
8
X
6
*Gtrs. 3 & 4 (dist.)
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
7
8
X
6
0
0
9
7
0
0
9
7
0 7
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
7
0
0
9
X
7
X
X
X
E5
Uh, so I
Gtr. 2
0
0
9
X
7
0
0
8
X
6
0
0
9
X
7
mf
Harm.
17
0
0
12
12
15
Pitch: Bb
Chorus
Gtr. 2 tacet
G5
set

Gtrs. 3 & 4
12
12
10
out on
my
own,
D/F#

12
12
10
12 12
12 12
10 10
12 12 12 12
12 12 12 12
10 10 10 10
11
12
9
11 11 11
12 12 12
9 9 9
to breathe
a - gain.
A5
uh, just
Rhy. Fig. 2
12
12
10

11
12
9
11 11
12 12
9 9
11 11 11 11
12 12 12 12
9 9 9 9
2
2
0
2
2
0
2
2
0
let ring
2
2
0
2
2
0
2
2
2
0
2
2
0
2
2
0
3
Sorgdal
Asus4 A Asus4 A
Asus4 A

11
0
12
0
14
11
0
the light
me
12 11
0
0 0
12 12 12 12
12 12 12 12
10 10 10 10
12
12
10
home,
12 12 12 12 12 12 12
12 12 12 12 12 12 12
10 10 10 10 10 10 10
uh, just
14
11 11 12 11 11 14 14
0 0 0
0 0
0
reach
11 11 11 11
12 12 12 12
9 9 9 9
to
11
12
9
11 11 11 11 11
12 12 12 12 12
9 9 9 9 9
11
12
9
Interlude
Gtrs. 3 & 4 tacet
Asus2
the end,
that calls
D/F#
End Rhy. Fig. 2
To Coda
A5
G5
Uh, touch
12
0
Asus4 A
E5
uh, where Im
free to breathe
a - gain.
Gtr. 5 (dist.)
mf
1/2
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
0
2
2
0
2
2
0
Gtr. 6 tacet
Esus2
E5
Bsus Badd11
Gtr. 5
1/2
11
-1 1/2
*Vol. swell
4
Sorgdal
1/2
11 7
10 7
grad. dive
12
12
mf
12
Gtr. 6 (dist.)
w/ bar
Oh.
Bsus4 Badd11
12
-4
1/2
1/2
Verse
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
Eadd9
2. Uh, through the suf
uh, through the mis
and
er - y
Badd
pain.
Gtr. 1
11
fer - ing,
Gtr. 5
Gtr. 5 tacet
12
11
11
12
11
11
12
11
12
11
9 10 9
11
Eadd9
Nev
Gtr. 1
11
12
11
12
11
11
uh, but the will
11
11
12
11
11
er
an
11
11
11
11
11
12
9
11
11
y - thing,
12
11
yeah.
Fill 1

End Fill 1
1/2
12
12
12
the day,
11
D.S. al Coda
Badd
to see
11 9
1/2
11 9
11
12
11
11
12
11
11
12
11
11
12
9
5
Sorgdal
Coda
Asus4 A Asus4 A
Asus4 A
uh, where Im
free

to breathe
11
0
14
11
0
12
0
14
11 11 12
0 0 0
11 11 14
0 0
14
0

11
0
14
11
0
12
0
14
11 11 12
0 0 0
11 11 14
0 0
12
0
14
0
12
0
11
0
11
0
6
Sorgdal
11
11
Riff B
Fill 2
a - gain.
Gtr. 4
12
0

Gtr. 3
12
0
Interlude
B7
Asus4 A
Well, I
am
free
to
Bridge
Dsus2
roam
End Fill 2
and set out
on
own
mf

*w/ octaver
18
14
11
my
Gtr. 7 (dist.)
11
18
14
14
7
*Set for one octave above.
End Riff B
to rise
a - bove
Asus4
16
16
13
13

0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
0
3
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
2
2
2
0
0
3
2
0
that
try
13
0
3
2
0
to
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
0
3
2
0
B7
me
13
down.
Be - fore
the end
11
End Rhy. Fig. 3
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
3
2
0
1/2
0
0
1
2
2
0
3
2
0
0
0
1
2
2
hold
13
0
0
1
2
2
0
3
2
0
0
3
2
0
the hands
Rhy. Fig. 3
Gtrs. 3 & 4
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
0
0
1
2
2
7 6 4 2
P.S.
7 6 4 2
X
X
X
7
Sorgdal
Dsus2
I know Ill
18
18
14
14

to
Asus4
find
breathe a - gain
Gtr. 7
14
my
way.

16
16
13

w/ bar
1/2
13
13
13
13
13
-1
Interlude
Gtr. 3: w/ Riff B (1st 2 meas.)
Gtr. 4: w/ Riff B
Gtr. 3: w/ Fill 2
B7
Gtr. 7
11

Gtr. 5
12
10
12
14
12
12
14
12
14
16
14
14
Uh,
so
11
12
14
8
Sorgdal
12
12
12
12
12
12
12
12
12
12
12
12
12
12
14
14
14
14
14
14
14
14
14
14
14
14
14
14
Chorus
Gtrs. 5 & 7 tacet
Gsus2
set
out on
D/F#
my
own,
10
12
12
10
X
X
X
Asus4 A

12
0
11
0
12
0
14
11
0
14
11
0
D/F#
uh, just
Gtr. 6
11
0
12
0
11 11 14
0 0

A5
to reach
11 11 11
12 12 12
9 9 9
11
12
9
11 11
12 12
9 9
G5
Uh, touch
the
to breathe
a - gain.
11 11 11 11
12 12 12 12
9 9 9 9
14
0
11
0
2
2
0
2
2
0
2
2
0
2
2
0
12
12
10
2
2
0
me
home,
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
Asus4 A
Im
2
2
0
the end.
2
2
2
0
Asus4 A Asus4 A
2
2
0
that calls
let ring
light

12
0
Asus4 A

A5
uh, just
11
12
9
X
X
X 17
Asus4 A Asus4 A

Gtrs. 3 & 4
12
12
10
12
12
10
12
12
10
Asus4 A
leav - ing to -
9
Sorgdal
Outro-Guitar Solo
G5
D/F#
day.
loco
8va
Gtr. 6
3
P.H.
1
10 9
10 8
1/2
9
3
Rhy. Fig. 4
12
12
10
12
12
10
12
12
10
12
12
10
12
12
10
12 12 12 12
12 12 12 12
10 10 10 10
11
12
9
11 11 11
12 12 12
9 9 9
11
12
9
Gtrs. 3 & 4
12
12
10
12
12
10
12
12
10
11 11
12 12
9 9
11 11 11
12 12 12
9 9 9
A5
15ma
loco

Im
11 11 11
12 12 12
9 9 9
leav -ing to
P.H.
1/4
1/2
5
5
1
10
7
9
10 10
10
Pitch: G
Gtr. 4
Gtr. 3
divisi
2
2
0
10
Sorgdal
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
15
15
15
15
15
15
End Rhy. Fig. 4
Fill 3
2
2
0
15
15
12
End Fill 3
2
2
0
2
2
0
2
2
0
10
2
12
4
12
4

Gtr. 4: w/ Rhy. Fig. 4 (1st 3 meas.)
G5
D/F#
day.
Gtr. 6
A5
15 15 15 15 15
15 15 15 15 15
17
1/2
17 17 15
15
15
15
13
13
14
G5
10
D/F#
leav - ing
to
Gtr. 6

Gtrs. 3 & 4
12
12
10
12
12
10
11
12
9
12
12
10
w/ bar
0
0
Harm.
10
day.
Asus2

10
Im
10
8 10
3
10
Gtr. 4: w/ Fill 3
8va
loco
P.H.
1 1/2
slack
Pitch: A

0
0
0
0
0
0
0
0
2
2
0
11
Sorgdal
Coeur DAlene
D5
Bb5
A5
F5
8fr

111
Intro
D
E5
Eb5
7fr
111
111
111
111
Gm/D
Dsus4
Riff A
Gtr. 1
(slight dist.)
mf
w/ fingers
let ring throughout
5
0
5
0
5
0
Gtr. 1: w/ Riff A
Gm/D
End Riff A
Gtr. 2 (dist.)
mp
P.M.
P.M.
P.M.
P.M.
P.M.
5
0
0 13 12 0
8 12
Dsus4
mp
P.M.
13
12
P.M.
P.M.
0

P.M.
12
P.M.
P.M.
Gtr. 3 (dist.)
Harm.
*
2.3 2.3 3.1
Pitch: D
A
D
F#
*Harmonics located between frets.
F#
Gtr. 2

P.M.
13
12
P.M.
P.M.
0

P.M.
12
P.M.

w/ flanger
P.M.
0
Sorgdal
D5
Eb5 D5
1.
Bb5 C#5 A5 D5
Bb5 A5 D5
Bb5 A5 D5
F5 E5 Eb5
Rhy. Fig. 1

mf
P.M.
P.M.
P.M.
*Gtrs. 2 & 3
0
0
0
0
0
0
13
13
13
12
12
12
0
0
0
0
0
0
0
0
0
End Rhy. Fig. 1
P.M.
P.M.
0
0
0
0
0
0
8
8
8
11
11
11
7
7
7
0
0
0
0
0
0
0
0
0
P.M.
P.M.
P.M.
0
0
0
0
0
0
0
0
0
8
8
8
7
7
7
0
0
0
0
0
0
0
0
0
0
0
0
8
8
8
7
7
7
0
0
0
3
3
3
2
2
2
1
1
1
*Gtr. 2: flanger off. Composite arrangement
2.
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (last meas.)
Bb5 A5 D5
Bb5 A5 D5
F5
E5 Eb5
D5
Eb5 D5
Bb5 C#5 A5 D5
Voc. Fig. 1
(Ah.)
**Gtr. 4 (dist.)
Riff B
mf
***w/ wah-wah
P.S.
X
**Two gtrs. arr. for one.
Bb5 A5 D5
F5 E5 Eb5
12
X
10
2
Sorgdal
D5
12
X
10
12
X
10
11
X
9
11
X
9
11
X
9
11
X
9
14
14
X
12
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
***Used as filter.
Bb5 A5
12
X
10
12
X
10
15
13
D5
15
X
13
15
X
13
15
X
13
15
X
13
15
X
13
15
X
13
15
X
13
15
X
13
15
X
13
15
X
13
Eb5 D5
Bb5 C#5 A5 D5
11
X
9
11
X
9
11
X
9
11
X
9
11
X
9
14
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12
14
X
12

Bb5A5 D5
Bb5 A5
D5
F5
E5
Gtr. 4 tacet
D5
Eb5
Gtrs.
2&3
End Voc. Fig. 1
Verse
the lights
in - to
1. Well, all
3. I look
End Riff B
Rhy. Fig. 2
Gtr. 1

have fad
the mir
ed.
ror.
1/4
12
X
10
12
X
10
12
X
10
0
3
3
0
0
0
12
X
10
3
2
4
0
0
12
X
10
12 12 12 12 12 12 12 12 12
X X X X X X X X X
10 10 10 10 10 10 10 10 10
Gtrs. 2 & 3 tacet
en
dont
cores
come
know who
0
6
0
8
X
8
no
-
and
A
take
torn
I
life
cant
so
8
0
10
X
10
this
a
3
2
4
0
0
C5
gone
am.
Bb6#11
and
I
0
3
3
0
0
0
The
I
D5
more.
part.
End Rhy. Fig. 2
3
2
0
0
0
Dsus2b6
3
Sorgdal
Verse
Dsus2b6
2. Well,
4. I
I
still
cant
long
keep
for
pre
the
tend
sim
ing.
ple.
End Riff C
P.M.
P.M.
P.M.
1 1/2

I just
Im just
cant
C5
play
a com
the
mon
I need
left with
part.
man
D5
Gtr. 3
(I
need
the

P.M.
13
Chorus
Bb5
12
P.M.
P.M.
0
F/A
Coeur dA - lene
Rhy. Fig. 3
3
3
1
4
Gtrs. 2 & 3
is
so
P.M.
12

call
C5

P.M.
P.M.
ing
the so
ach
lace
of

w/ flanger
G/B
shore.
heart.
To Coda 1
F5 E5 Eb5
(1st time, cont. in notation)
shore.)
P.M.
Bb5
8
8
8
7
7
7
0
0
0
3
3
3
2
2
2
1
1
1
F/A
Voc. Fig. 2
her
her
P.M.
lace of
ing
this
Bb6#11
Bb5 A5 D5
Gtr. 2
Gtr. 2: w/ Riff C (2 times)
Dsus2b6
1 1/2
1 1/2
Sorgdal
Riff C
Gtr. 2
out

and it wont
be
long.
End Rhy. Fig. 3
3
3
1
3 X 2 2
3 X 3 3
1 X 0 0
2 2 2 2
3 3 3 3
0 0 0 0
5
5
3
5
5
3
5
5
3
5 5 X X 4
5 5 X X 5
3 3 X X 2
4 4 X X
5 5 X X
2 2 X X
3
3
1
3
3
1
3 3
3 3
1 1
3 3 2
3 3 3
1 1 0
2
3
0
2 2 2
3 3 3
0 0 0
2
3
0
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1st meas.)
D5
Eb5 D5
Bb5 C#5 A5 D5
F/A
End Voc. Fig. 2
Bb5
Uh, Coeur dA - lene,
Im
C5
com
ing
G/B
now,
D.S. al Coda 1

Bb5
uh, where I
be
still
D5 Eb5 D5
F/A
Bb5 C#5A5 D5
Bb5 A5 D5
Bb5 A5 D5
F5 E5 Eb5
long.
Coda 1
Chorus
Bb5
F/A
Coeur dA - lene
Gtr. 4
1/2
15
17
where the
and
it
F/A
wont
wa
call
17
15
ing
out
1/2
14
1/2
1/2
14
17
be
ters
long.
calm.
End Riff D
14
15
14
17
17
15
17
17
14
14
17
15
17
17
D5
Eb5 D5
Bb5 C#5 A5 D5
1/2
14
1/2
14
15
G/B
14
is
14
1/2
14
Bb5
Riff D
14
C5
15
17
To Coda 2
Gtr. 4: w/ Riff D
Bb5
F/A
Uh,CoeurdA - lene,
Im
C5
com
ing
now,
G/B
Bb5
uh, where I
F/A
still
be
long.
(Ah.
5
Sorgdal
Interlude
Eb5 D5 Eb5 D5
Gtr. 4 tacet
C5 D5
C5 D5 F#5
Gtr. 2
let ring
1
10
12
12
12
13
13
13
12
12
12
0
0
0
10
10
10
12
12
12
0
0
0
0
0
0
10
10
10
Fill 1
4
4
4

10
10
10
17
C5
12
12
12
Gtr. 3
17
10
10
10
12
12
12
3
3
3
3
3
3
4
4
4
1
1
1
End Fill 1
Gtr. 4
D5 Eb5 D5
F#5 Eb5
13
13
13
13
13
C5 D5 F5
D5
12
12
12
4
4
4
C5 D5 F#5

10
10
10
12
12
12
C5 D5
3
3
3
3
3
3
4
4
4
F5
1
1
1
F#5 Eb5
Ah.)
End Rhy. Fig. 4
End Rhy. Fig. 4
10
13
13
13
13
12
12
12
13
13
13
12
12
12
0
0
0
10
10
10
12
12
12
0
0
0
0
0
0
End Rhy. Fig. 4A
13
13
13
12
12
12
13
13
13
12
12
12
0
0
0
10
10
10
12
12
12
0
0
0
0
0
0
10
10
10
10
12
12
12
12
4
4
4
10
10
10
12
12
12
3
3
3
3
3
3
4
4
4
1
1
1
End Rhy. Fig. 4A

10
10
10
12
12
12
4
4
4

10
10
10
12
12
12
3
3
3

3
3
3
4
4
4
1
1
1
Bridge
Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A (2 times)
Eb5 D5 Eb5 D5
Safe
6
Sorgdal
C5 D5
at
last
C5 D5 F#5
C5 D5 F5
in
F#5 Eb5
your
D5 Eb5 D5
C5 D5
C5 D5 F#5
C5 D5 F5
arms.
Im
D/F#
safe
17
17
20
20
20
in
your
15
18
18
18
21
21
7
5
5
21

12
8
8
D.S.S. al Coda 2
arms.
Gsus2
17
17
17
20
20
4
0
0
7
5
4
14
D/F#
8va
4
0
0
17
Bb
last
14
Gtrs. 2 & 3
8va
Gsus2
at
Gtr. 4
F#5 Eb5
15
15
18
18
20
18
P.M.
7
5
4
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
7
5
5
0
0
7
5
5
0
0
7
5
5
0
0
7
5
5
0
0
7
5
5
0
0
7
5
5
0
0
7
5
5
0
0
7
5
5
7
Sorgdal
Coda 2
Bb5
and
it

Gtr. 4: w/ Fill 1
F/A
wont
Eb5 D5
be
Gtr. 5 (dist.)
D5
Bb5 C#5 A5 D5
long.
mf
*w/ wah-wah
w/ bar
15
17
X
X
*Used as filter.
-5
Guitar Solo
Bb5
Gtr. 5 tacet

Gtr. 6 (dist.)
F/A
C5
1/2
10
12
12
12
12
G/B
12
10
10
13
13
Gtr. 5
10
13
12
10
12
12
15
17
Voc.: w/ Voc. Fig. 2
F/A

8va
Gtr. 6
Bb5 C#5 A5 D5
Bb5
P.M.
D5 Eb5 D5
loco
P.H.
P.M.
1/4
10
10
12
10
12
12
10
10
10
Bb5
13
10
8
Sorgdal
12
12
11
10
13
10
12
10
10
13
12
12
10
18
17
15
15
10 12
10
10
F/A
10
12
11
10
13
13
14
15
13
17
13
17
13
13
17
13
C5
G/B
Bb5
17 13
14
13 17
17
13
(And
it
6
13 17 13
17 13
15
F/A
wont
be
loco

8va
5
5
0
0
10
10
P.H.
1
15
10
10
10
10
13
11
14
12
10
12
10
10
12
12
10
Outro
D5
Eb5 D5
long.)
Bb5 C#5 A5 D5
Bb5 A5 D5
Bb5 A5 D5
F5 E5 Eb5
w/ bar
5
slack
D5
Eb5 D5
Bb5 C#5 A5 D5
(Safe
fdbk.
w/ bar
Bb5 A5 D5
And
it
wont
F5 E5 Eb5
be
at
Bb5 A5 D5
last,
in
your
w/ bar
Gtr. 4: w/ Riff B
Gtr. 6 tacet
D5
Eb5 D5
Bb5 C#5 A5 D5
long.
arms.
D5 Eb5 D5
safe
Im
Oh,
Bb5 A5
D5
com - ing,
Bb5 A5 D5
F5 E5 Eb5
love.
Im
Bb5 C#5 A5 D5
at
last.)
Bb5 A5 D5
And
Bb5 A5 D5

it
wont
F5 E5 Eb5
be
long.
*w/ echo set for quarter-note

regeneration w/ 3 repeats.
Sorgdal
Life Must Go On
D5
Aadd4/C#
Gtrs. 17: Tuning:

(low to high) D-A-D-A-D-D
Bm7
Gsus2
4fr
Intro
*D
14
34
E5
A/C#
Gtr. 1 (elec.)
Asus4
5fr
mf
11
Gsus2
w/ clean tone & fingers

let ring throughout
0
0
0
0
D/F#
5
0
12
Bm7
0
2
D5
A tempo
0
0
0
12
0
0
rit.
A/C#
**Gtr. 2 (elec.)
4
0
D/F#
0
0
0
0
Gsus2
0
0
Gtr. 1
0
0
0
Gsus2
rit.
w/ dist.
0
0
0
0
**Doubled throughout
Sorgdal
Gtr. 1 tacet
Gsus2
Riff A
Gtr. 3 (elec.)
D5
Asus4
B5
Bm7
7
X
7
9
X
9
9
X
9
9
X
9
7
X
7
10
X
10
10
X
10
9
X
9
0
0
0
0
5
5
0
0
0
0
5
5
mf
D5/C#
D5
w/ dist.
10
X
10
10
X
10
Rhy. Fig. 1A
Gtr. 4 (acous.)
mf
let ring throughout
0
0
0
0
5
5
0
0
0
0
5
5
5
5
Asus4
11
X
11
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
7
7
0
0
0
0
9
9
0
0
0
0
9
9
0
0
0
0
12
11
0
0
0
9
9
0
0
0
0
9
9
0
0
0
0
0
0
0
0
7
7
9
9
9
9
9
9
9
9
12
11
11
X
11
11
X
11
12
X
12
12
X
12
11
X
11
0
0
0
0
7
7
11
X
11
11
X
11
11
X
11
12
X
12
12
X
12
12
X
12
12
X
12
12
X
12
End Riff A
9
X
9
9
X
9
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
5
5
Gsus2
10
X
10
10
X
10
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
5
5
0
0
0
0
5
5
7
7
7
7
7
7
5
5
7
7
7
7
7
7
D5
End Rhy. Fig. 1A
End Rhy. Fig. 1
Sorgdal
0
0
0
0
7
7
0
0
0
Rhy. Fig. 1
Gtr. 2
0
0
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
11
11
12
10
X
10
10
X
10
0
0
0
0
5
5
9
X
9
12
X
12
12
X
12
12
X
12
0
0
0
0
5
5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0

5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
Asus4 B5
Bm7
D5/C#
9
X
9
0
0
9
X
9
9
X
9
9
9
0
0
0
0
9
9
0
0
0
0
9
9
0
0
0
0
9
9
9
9
9
9
7
7
9
9
9
9
7
X
7
0
0
0
0
12
11
0
0
0
0
0
0
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
0
0
0
0
0
0
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
5
5
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0
0
0
12
11
Asus4
9
X
9
0
0
0
0
7
7
D5
0
0
0
0
0
0
7
7
Verse
Gtrs. 2 & 3 tacet
Bm[add9]
1. Sit - ting
Rhy. Fig. 2
*Gtrs. 4 & 5
0
0
4
4
2
Bm7
a - lone
E11[no3rd]
in
the
cold
0
0
4
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
4
4
2
0
0
0
4
2
Bm[add9]
of the night.

0
0
4
4
2
Em11
Bm7
Youre try - ing
to
find
what
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
5
2
2
0
0
0
5
2
2
0
0
0
5
2
2
0
0
0
0
0
4
4
2
0
0
4
4
2
0
0
4
4
2
0
0
4
4
2
0
0
0
4
2
you
0
0
0
4
2
0
0
0
4
2
*Gtr. 5 (elec.) w/ clean tone, played mf.

E11[no3rd]
Bm[add9]
need
**
so
a - fraid,
to sur - vive.
Youre
Bm7
E11[no3rd]
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
4
X
4
0
4
X
4
7
7
7
X
7
0
7
X
7
0
0
0
0
0
0
4
4
2
you cant
go
on.
0
0
4
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
5
2
2
0
0
0
5
2
2
0
0
0
4
2
2
0
0
0
4
2
2
End Rhy. Fig. 2
0
0
0
4
2
2
Em11
0
0
4
4
2
0
0
4
4
2
0
0
0
4
2
**w/ echo set for dotted quarter-note regeneration w/ 1 repeat.
3
Sorgdal

Gsus2
D5
D5/E
D5
Bm[add9]
Left
(2.) do
in
you
the si
re - mem
Bm7
lence
ber
that
and
mf
w/ dist.
0
0
0
0
0
0
-
Gtr. 6 (elec.)

0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
E11[no3rd]
tears
long
at your heart,
for the past
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Em11
0
0
0
0
0
0
0
0
0
2
X
2
0
0
0
Bm[add9]
it
when
on
love
Bm[add9]
0
0
0
0
0
ly
was
2
X
2
12
11
Bm7
Sorgdal
0
0
E11[no3rd]
you
nal
how
and
bro
joy
ken you
seemed to
are.
last?
You
Em11
Gsus2
but hope is
for - ev - er
not
is
gone.
gone.
8va
12
11
17
0
0
4
4
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
5
2
2
0
0
0
5
2
2
0
0
0
4
2
2
0
0
0
4
2
2
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
*w/ delay (as before)
Bm7
0
0
9
7
4
X
4
E11[no3rd]
0
0
4
4
2
4
X
4
Gtr. 6
re - minds
e - ter
-
lost your way,

Yes - ter - day
Gtrs. 4 & 5
2
X
2
0
0
0
0
0
0
0
0
4
4
2
0
0
4
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
Chorus
Gtrs. 5 & 6 tacet

3rd time, Gtr. 1 tacet
D5
Cause
the
Gtr. 4
sun
al - ways
sets,
8va
Gtr. 6
Aadd4/C#
the
moon
al
ways
falls.
It
17
Gtrs. 4 & 5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
Gtr. 2
(Gtr. 4, cont. in slashes)

X
X
Bm7
feels
Gtr. 2
X
X
0
0
the
0
0
0
0
0
0
0
0

like
end,
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
just
pay
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
0
0
0
4
2
8va
1/2
17
0
0
0
0
0
0
Gsus2
no
Fill 1
Gtr. 6
0
0
0
0
0
0
0
0
0
0
0
0
0
0

0
0
0
X
4
0
0
0
X
4
mind
0
0
0
X
4
at
all
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
0
0
0
0
and
keep,
a,
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
loco
P.S.
X
X
X
5
Sorgdal
To Coda 1
D5

roll - ing,
a,
roll - ing.
Gtr. 3
Life
must go
Bm7
Asus4

0
0
5
0
0
5
0
0
5
0
0
0
0
5
0
0
5
0
0
0
0
5
0
0
0
0
5
0
0
0
0
5
0
0
0
0
5
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
0
0
0
X
4
4
2

0
0
4
2
2
0
2
0
2
0
2
0
5
5
5
5
0
0
D.S. al Coda 1
Gtr. 3 tacet
Bm7
Gtr. 2 tacet
E11[no3rd]
Em11
Bm[add9]
Bm7
Oo,

Gtr. 7 (elec.)
E11[no3rd]
ah.
2. Uh,
mf
w/ dist.
1/2
Gtr. 2
mp
6
Sorgdal
5
0
Interlude
Bm[add9]
Gtr. 2
Gsus2
on.
To Coda 2
Aadd4/C#
1/2
Coda 1
Gsus2
It
go on.

5
0
5
0
5
0
5
0
5
0
5
0
5
0

5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
5
0
5
0
5
5
5
5
5
5
5
5
5
5
5
5
0
0
Gsus2
4
2
4
2
Uh,
we
5
0
5
0
5
5
5
5
5
5
5
5
5
5
5
5
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
0
0
(cont. in notation)
5
5
5
5
5
5
Asus4

must
Bm7
4
2
4
2
4
2
2
0
2
0
2
0
2
0
2
0
5
0
5
5
5
5
5
5
5
0
5
5
5
5
5
5
5
0
5
0
5
5
5
5
5
5
14
5
5
5
5
5
5
12
Bridge
Gtr. 3 tacet
E11[no3rd]
have our mis - for

0
0
0
4
2
2
- tunes,
the dark - est
of
Bm7
days,
but
we must
en - dure and keep
strong.
Just
0
0
0
4
2
2
0
0
0
4
2
2
X
X
X
0
X
X
X
0
0
0
4
0
X
5
0
0
0
X
9
9
0
0
0
X
9
9
0
0
0
X
9
9
X
X
X
X
X
X
X
X
X
X
X
X
0
0
4
0
X
5
0
0
4
0
X
5
0
0
4
0
X
5
0
0
4
0
X
5
0
0
4
0
X
5
0
0
4
0
X
5
0
0
4
0
X
5
0
0
0
X
9
9
0
0
0
X
9
9
0
0
0
X
9
9
the morn
ing, the prom
G[#4]
ise
a - waits.
And
Bm7
0
0
0
X
9
9
0
0
0
X
9
9
0 0
0 0
7
7
know that this
life must go
0
0
0
X
7 7 7 7 7
7 7 7 7 7
A5
to
Asus4
E11[no3rd]
look
A5
End Rhy. Fig. 3
Rhy. Fig. 3
Gtrs. 2 & 4
0
0
0
4
2
2
G[#4]
on,
0
0
0
X
7
7
0
0
0
X
7
7
Asus4
0
0
0
X
7
7 0
on.
7
Sorgdal
Chorus
A7sus4
D5
And
the
sun
al
sets,
the
al - ways
It
falls.
0
0
feels like
the
Gtr. 1
end
0
2
just
pay
Aadd4/C#
roll - ing,
life
must go
Gtr. 4
5
0
all.
Uh, keep
8
D.S.S. al Coda 2
B5
A5
G5
Gsus2
mf
4
2
4
2
4
2
4
2
4
2
2
0
2
0
2
0
2
0
2
0
2
0
And
the sun
0
0
0
0
X
5
0
0
0
0
X
5
Gtrs. 2 & 4
4
2
(cont. in notation)
roll - ing,
P.M.
0
0
0
X
4
on.
at
Gtr. 1
no mind
D5
Gsus2
Gtr.2 tacet
Sorgdal
moon
Bm7
ways
Gtr. 2
5
0
0
X
7
7
Gtrs. 2 & 4
Gtr. 1
mp
Gtr. 4
Aadd4/C#
0
0
0
0
X
5
0
0
0
0
X
5
0
0
0
0
X
5
0
0
0
0
X
5
0
0
0
0
X
5
0
0
0
0
X
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
0
0
5
5
0
0
Coda 2
Gtr. 3 tacet
Gsus2
Asus4
E5

P.M.
It
go on.
must
Bm7

Uh,
Gtr. 6
w/ slide
5
0
5
0
5
0
5
0
5
0
5
0

5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
5
0
5
0
5
0

5
5
5
5
5
5
5
5
5
5
5
5
0
0

4
2
0
0
4
2
4
2
4
2
4
2
2
0
2
0
2
0
2
0

P.M.
2
0
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Outro
Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A (3 1/2 times)
Gtr. 6 tacet
Gsus2
D5
Asus4 B5
Bm7
D5/C#
life must go on,
life

Gtr. 6
D5
Asus4

must
go
on.
(When you feel
So you
youre all
right.)
10
Gsus2
D5
keep roll - ing on,
Asus4 B5 Bm7
D5/C#
D5
keep roll - ing
Asus4
on.
(We all
And
have
our
mis - takes.)
9
Sorgdal
Gsus2
D5
life must
Asus4 B5
w/ dist.

8va
14
14
14
15
14
14
14
15
14
14
16
12
go
14
15
14
14
17
14
15
17
14
14
Gtr. 8
15
17
17
(Keep
roll
loco
17
15
14
17
15
ing
14
15
14
14
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
11
X
11
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
0
0
0
0
7
7
10
Sorgdal
D5/C#
D5
14
14
14
15
14
16
15
14
14
Bm7
Gtrs. 2 & 4
17 15 14
on.)
16
Gtr. 3
17 17
keep roll - ing
16
9
15
go
14
on.
8va
must
ing on,
14 17
loco
14 15
Asus2 B5
Asus4
14
keep roll
16
(Life
8va
14
14
on.
D5
1/2
14
Gsus2
on.)
15 14 12 14
16
15
Asus4
14
14
17
3
15
D5
life must
So you
D5/C#
17
go on,
Gtr. 8 (elec.)
12
Bm7
0
0
0
0
7
7
Words Darker Than Their Wings

Gtrs. 15: Open Gsus2 tuning, down 1/2 step:
(low to high) Db-Gb-Db-Gb-Ab-Db
Gtr. 6: Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
** Bbmaj7
Bbmaj7/A
G5/A
Riff A
*Gtrs. 1 & 2

mf
***
let ring throughout
*Gtr. 1 (12-str. acous.); Gtr. 2 (elec.) w/ clean tone.

***w/ pick &

finger
C%[no3rd]
Bbmaj13
12
0
0
12
10
Bbmaj7/A
Bbmaj7
10
0
8
G5/A
10
0
0
10
C%[no3rd]
Gadd9/B
End Riff A
10
12
0
0
12
10
0
0
12
0
9
12
As before
Verse
Bbmaj7
1. You say you are

2. Re - mem - ber
the
Bbmaj7
I know
Now I
Bbmaj7/A
G5/A
C%[no3rd]
right,
years
Bbmaj7/A
that
youve
on - ly

tried,
fear,
G5/A
that
still
hope
I
C%[no3rd]

but still
now I
Im
walked

it
is
on - ly
Bbmaj13

wrong.
tall?
Gadd9/B
gone.
crawl.
Sorgdal
Pre-Chorus
2nd time, Gtr. 3: w/ Fill 1 (2 times)
C%[no3rd]
C%[sus4]
Just dont
How could
0
0
12
0
12
10
0
0
12
0
12
10
Rhy. Fig. 1
Gtrs. 1 & 2
swear
hope
Id
there
0
0
7
0
7
5
Bbmaj7
0
0
7
0
7
5
12
nev
comes
er
a
dreamed
day
0
0
7
0
7
5
0
0
7
0
7
5
0
0
7
0
7
5
0
0
0
0
7
5
0
0
0
0
7
5
0
0
0
0
7
5
0
0
0
0
7
5
Bbmaj13
0
0
5
0
5
3
0
0
12
0
12
10
Bbmaj7/A
0
0
12
0
12
10
0
0
10
0
12
10
0
0
10
0
12
10
0
0
10
0
10
8
that
your
F%
were
fear
C%[no3rd]

is
a
gone.
0
0
5
0
5
3
0
0
5
0
5
3
0
0
5
0
5
3
0
0
5
0
5
3
0
0
0
0
5
3
0
0
0
0
5
3
0
0
0
0
5
3
0
0
0
0
5
3
swear
Lost,
I
just

still
cease

be
to
C%[no3rd]
F6
lieve,
be,
Huh.
mp
w/ dist. & RotoVibe
15
2
Sorgdal
13
0 0
0 0
10 10
0 0
10 10
8 8
0
0
0
12
10
8
0
0
0
12
10
8
0
0
0
0
0
0
12
C%[sus4]
Now, dont you

How could we
let
be
go.
lost?
End Rhy. Fig. 1
know.
Fill 1
Gtr. 3 (elec.)
lone.
0
0
10
0
10
8
Gsus2
G5/A
I
I
0
0
10
0
12
10
lose hope.
be wrong?
1.
Interlude
Bbmaj7
you
I
F6
Bbmaj13
10
0
9
Gsus2
0
0
7
0
7
5
12
Bbmaj7
though
not
F%
I
dont
car - ry on.
Bbmaj13
2.
Chorus
Bbmaj7

Gtr. 3
10
X
10
10
X
10
10
X
10
0
0
10
X
10
8
0
0
10
X
10
8
Gtrs. 1 & 2
10
X
10
10
X
10
10
X
10
10
X
10
10
X
10
10
X
10
10
X
10
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
*Gtr. 4 (elec.)
10
X
10
12
12
X
12
12
X
12
12
X
12
12
X
12
12
X
12
12
X
12
12
X
12
12
X
12
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
0
0
10
X
10
8
In - to
the light
Gsus2
may
you
12
X
12
12
G5

Rhy. Fig. 2
w/ dist.
17
17
7
5
7
5
7
5
7
5
7
5
0
0
0
X
7
5
0
0
0
X
7
5
0
0
0
X
7
5
0
0
0
X
7
5
0
0
0
X
7
5
*Doubled throughout

F5
F%
Bb5
fall.
Gtr. 4
5
3
5
3
5
3
the light
may

7
5
0
0
0
X
5
3
Gsus2
In - to
7
5
0
0
0
X
5
3
7
5
7
5
7
5
0
0
0
X
7
5
0
0
0
X
5
3
0
0
0
X
5
3
10
8
10
8
10
8
10
8
you
know
F/A
may
you
fol
10
8
F5
10
8
F%
10
8
0
0
0
X
5
3
10
8
10
8
10
8
**
truth
5
3
5
3
5
3
5
3
5
3
0
0
0
X
5
3
0
0
0
X
5
3
10
7
10
7
10
7
0
0
0
X
5
3
5
3
0
0
0
X
5
3
0
0
0
X
5
3
0
0
0
X
5
3
lone.
0
0
0
X
5
3
0
0
0
X
5
3
10
7
1.
Bb5
10
7
0
0
0
X
7
5
0
0
0
X
7
5
low.
0
0
0
X
7
5

0
0
0
X
7
5
F%
End Rhy. Fig. 2
G5
5
3
0
0
0
X
5
3
the light
In - to

5
3
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
**Tied, 2nd time.
3
Sorgdal
2.
F/A
F5
Bb5
10
7
10
7
5
3
5
3
10
7
10
7
10
7
5
3
lone,
10
8
F/A
truth
10
8
10
8
10
7
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
7
10
7
10
7
10
7
a -
10
7
Interlude
Gtr. 4 tacet
G5/F
Em7
Cm/Eb
Gsus4/D
Gadd9/D
lone.
Riff C
Gtr. 5 (elec.)
mf
w/ slight dist.
9 10
9 10
10
9 10
Riff B
Gtrs. 1 & 2
10
Gtr. 4
10
10
10
End Riff B

12
0
10
12
10 10
12
0
10
12
10
12
0
9
12
9 9
12
12
12
10
0
8
10
10
0
8
10
10
0
7
0
10
7 7
5
3
Gtrs. 1 & 2: w/ Riff B (3 times)
G5/F

Gtr. 5
Em7
4
Sorgdal
10
Cm/Eb
Gsus4/D
Gadd9/D
Ah,
10
10
7
10
10
you
can
End Riff C
Gtr. 5: w/ Riff C
G5/F
Em7
love
some
G5/F
one.
Gsus4/D
Gadd9/D
ah,
Cm/Eb
Ah,
Em7
Cm/Eb
Gsus4/D
Gadd9/D
ah.
Gtr. 4
string
noise
Bridge
Eb5
Bb/D
Go,
nev
Rhy. Fig. 3
3
1
3
1
3
1
3
1
er
to
ask
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
0
3
0
3
0
3
0
3
0
3
0
Go,
3
0
3
0
3
0
3
0
2
0
2
0
2
0
0
0
2
0
2
0
0
0
2
0
2
0
F5
your
F6

0
0
2
0
2
0
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
5
3
0
0
2
0
2
0
Gsus2
*
peace
to
C/E
or
to
fear
why
D5
find
3
1
3
1
Bb/D
Eb5
3
1
3
1
D5
17
C%/E
a - gain.
0
0
5
3
5
3
0
0
5
X
5
2
0
0
5
3
5
3
0
0
5
3
5
3 0
5
X
5
2
5
X
5
2
5
X
5
2
5
X
5
2
5
X
5
2
0
0
5
X
5
2
0
0
5
X
5
2 0
night.
End Rhy. Fig. 3
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
1
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
3
0
2
0
2
0
2
0
0
0
2
0
2
0
0
0
2
0
2
0
0
0
2
0
2
0
0
0
2
0
2
0
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5
0
0
7
5
7
5 0 0
*Lead voc. w/ echo set for dotted quarter-note

regeneration w/ 2 repeats.
5
Sorgdal
Eb5
Bb/D
Go,
out
Eb5
set
Bb/D
Go,
D5
F5
twards
the
your
F6
day
will
Gsus2
C/E
Let
the
new
sun.
D5
soon
be - gin.
C%/E
come.
*As before.
Interlude
Bbmaj7
Bbmaj7/A
G5/A
C%[no3rd]
Our
day
Gtr. 4
Bbmaj13
will
come.
0
0
0
0
10
8
Bbmaj7
Bbmaj7/A
G5/A
C%
Bbmaj13
Oh.
Gtrs. 1 & 2
Gtr. 4
0 2 0
0
0
0
10
12
0
0
10
12
0
0
8

P.M.
12 12 12 12 12 12 12 12 12 12 12 12
10 10 10 10 10 10 10 10 10 10 10 10
Sorgdal
*w/ pick & finger
mp
10
1/2
10 10 10 10 10
8 8 8 8 8 0
7
7
Chorus
Gtrs. 1 & 2 tacet
G5
the
light
may
you
fall.
Gsus2
In - to
the light
may
F5
F%
Bb5
F5
you
know
F%
7
5
7
5
7
5
7
5
0
0
0
X
7
5
7
5
0
0
0
X
7
5
0
0
0
X
7
5
0
0
0
X
7
5
0
0
0
X
7
5
5
3
5
3
5
3
5
3
truth
0
0
0
X
5
3
5
3
the
light
F/A
may
you
fol
1.
Bb5
0
0
0
X
5
3
0
0
0
X
5
3
F%
low.
lone.
0
0
0
X
5
3
In - to
Gtr. 4
G5
Gsus2
In - to
0
0
0
X
5
3
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
7
*Tied, 2nd time.
2.
F/A
Bb5
A5
D5
Bb5
10
7
10
7
10
7
10
7
10
7

1/2
9
7
9
7
lone,
10
8
uh, truth
10
8
F/A
10
8
10
8
10
8
10
8
10
8
10
8
10
8
10
7
10
7

10
7
10
7
10
7
10
7
10
7
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
0
0
Outro
Gtrs. 1 & 2: w/ Riff B (3 3/4 times)
** G5/F
Em7
Cm/Eb
lone.
Riff D1
Gtr. 6 (elec.)
Yi,
yi,
yi,

yi,
End Riff D1
f
w/ dist. & wah-wah
1
Gtr. 4
G/B
13
12
11
10
16
15
14
13
Riff D
3
X
3
15
15
2
X
2
14
14
1
X
1
13
12
10
End Riff D
7
Sorgdal
Gtrs. 4 & 6: w/ Riffs D & D1 (2 3/4 times)
G5/F

yi,
yi,
yeah,
G5/F
G/B
yeah,
oh,
Cm/Eb
G/B
oh,
Em7
Cm/Eb
Em7
oh.
G5/F
truth
lone,
Em7
truth
lone,
Cm/Eb
truth
10
13
Gtrs. 1, 2 & 4
0
0
0
9
8
Sorgdal
Oh,
the
lone.
Gtr. 6

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from Alter Bridge - AB III

Slip to the Void

Drop D tuning, down 1/2 step:

let ring throughout

*Kybd. arr. for gtr.

Gtr. 1: w/ Riff A (6 times)

er come this way

back the skin,

close your eyes.

You dont be -long

Mm, but its all

and you o - bey

Mm, but its all

and you o - bey

**Gradually bend 3rd string while tremolo picking.

Gtrs. 5 & 6 tacet

*Vol. swell, Gtr. 7 only.

Gtrs. 5, 6 & 7 tacet

Gtrs. 3 & 4: w/ Riff C

Gtrs. 3 & 4: w/ Riff C

End Rhy. Fig. 1

Gtrs. 3 & 4: w/ Rhy. Fig. 1

*w/ echo set for quarter-note regeneration w/ 4 repeats.

**Gtr. 6 w/ wah-wah (used as filter).

*Gtr. 6: wah-wah off.

End double-time feel

End Rhy. Fig. 2

End Rhy. Fig. 3

End double-time feel

Gtrs. 3 & 4: w/ Rhy. Fig. 3

that youve come so

*Wah-wah used as filter.

End double-time feel

Gtrs. 3 & 4: w/ Rhy. Fig. 3

Gtrs. 5 & 6: w/ Fills 1 & 1A

Gtrs. 5 & 6: w/ Fills 1 & 1A

Gtrs. 3 & 4: w/ Riff C (3 times)

Gtr. 6: w/ Riff E (1 1/2 times)

Gtr. 1: w/ Riff A (till fade)

from Alter Bridge - AB III

Drop D tuning, down 1 step:

Gtrs. 1 & 2 (dist.)

*Two gtrs. arr. for one.

End Rhy. Fig. 1

when all the

End Rhy. Fig. 2

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)

2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A

And now youre

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)

what will come

Gtrs. 1 & 2: w/ Riff C (2 times)

and make things bet - ter.

a life you can

and make things

*Lead voc. w/ echo set for whole-note regeneration w/ 1 repeat.

uh, brings you to

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 5 meas.)

*w/ amp tremolo

amp tremolo off

***w/ amp tremolo

amp tremolo off

**w/ amp tremolo