Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
C\J
=
00
:<3"
'CD iCO
CO
CO
CUf??-*
4s*-?
oh-
v7aJJ**S.
m
POEMS
IN
PROSE
POEMS IN PROSE
FROM
CHARLES BAUDELAIRE
TRANSLATED BY
ARTHUR SYMONS
First Published,
November
905
Reprinted,
May
19 1
**
8 6 684 8
The
and
says
"
Who
of us,"
his dedicatory
not dreamed, in
moments of ambition, of
the
rhythm
follow
the
lyric
motions of the
soul,
the
wavering
starts
outlines
of meditation,
r
the
sudden
of the conscience
"
own
words, these
is
astonishing
trifles,
in
which
perfect
the art
not
more novel,
precise
and
In
little
English
few of these
so
masterpieces,
delight
for so
much
to
many
vears,
have
tried
be
the
rhythm of the
original.
A.
S.
CONTENTS
The Favours
The Moon, who
through
the
is
of the
Moon
looked
in in
caprice
itself,
lay asleep
:
your
cradle,
inwardly
" This
is
child after
my own
came
soul."
softly
And
she
down
the
staircase
of
the
passed
noiselessly
through
window-pane.
Then
That
cheeks
is
why
your eyes
green
and your
9
extra-
POEMS
ordinarily pale.
that your pupils
It
IN
PROSE
at
her,
widened
and she
for tears.
Nevertheless,
the
flood
like
of her
joy,
the
Moon
sphere,
filled
the
a
room
a phosphoric
;
atmothis
like
luminous
poison
:
and
all
and
said
"
My
kiss shall
be
upon you
for ever.
You
shall be
beautiful as I
am
beautiful.
You
I
which
love
am
loved
the form-
shall
the lover
flowers
whom
;
you
shall
never
know
unnatural
;
men drunk
and sob
like
upon pianos
!
women, with
10
And you
shall
be loved by
my lovers,
be
courted
my
courtiers.
You
shall
the queen of
my
caresses
of those
that
sea,
the
sea,
the
vast
tumultuous green
the
place
formless
and
are
multiform water,
not,
where they
the
woman whom
are
they
like
know
not,
the
the censers of an
unknown
rite,
emblems of
their folly."
spoilt child,
And
I lie
that
at
is
now
your
the
image of the
the
fearful
godmother,
poisonous
nurse
of
the
II
II
Which
I
is
True
filled
knew
one Benedict?,
who
men
learnt
of
all
whereby we
this
;
believe in immortality.
But
live
long
after I
had come to
know
her,
and
my own my own
when
I
down
12
ot
WHICH
IS
TRUE
like
Indian
And
laid
as I
still
had
away my
treasure, I
saw
all
at
once a
little
who
trampled
on the
fresh
soil
"Look
me
I I
am
am
a pretty sort of
for
baggage
ness
And
to punish
you
your blind-
and
me
I
just as I
am
"
!
But
no
!
Ia
.Jo
rurious,
and
answered:
"No!
to
no
I
"
!
And
to add
more emphasis
ground
my
refusal
stamped on
foot that
the
so violently
to the
with
in
my
my
leg sank
up
;
knee
like
new
a
grave
I
and now,
wolf caught
in
trap,
remain
fastened,
ideal.
"
Ill
There
is
a wonderful
country, a
I
country of
dr^-med of visiting
je country,
*tyne might
friend.
It
i*
in
the
East of the
freely does a
Europe, so
warm
and capricious
fancy flourish
sistently
there,
has
that
fancy
with
real
14
"L'INVITATION
thing
order
is
AU VOYAGE"
honest
;
beautiful,
rich, quiet,
where
is
where
fat,
and sweet
to
breathe
where
disorder,
tumult,
out
where happiness
is
wedded
rich
to
silence
poetic,
all,
and highly
is
where
dear love,
made
your image.
You know
over us in
which comes
ou
lan.t>,
unknown
There
all
is
anguish
in
of
curiosity?
is
a country
made
and honest
where
where
is
life
is
wedded
it is
to silence.
there that
!
we
should
live,
there that
we
should die
15
POEMS
Yes,
it is
IN PROSE
there that
we
and
by the
infinity of
sensations.
A
la
tation
Valse "
au
who
'"
will
compose the
can
offer
" Imitation
Voyage
that
we
r
to
Yes,
it
is
in this
atmosphere that
it
would be
good to
live
far off,
more
with
a
thoughts,
where clocks
happiness
On
a
or on gilded
leather
life
of
dark
richness,
slumbers
the discreet
of
pictures,
deep,
painters
calm, and
devout as
it.
the
souls
of the
who
created
The
sunsets
which colour
of dining-room
through beautiful
through
wrought
windows
16
"
L'INVITATION
AU VOYAGE
The
"
leaded into
many
panes.
pieces or furni-
armed with
Mirrors,
potter}',
and
secrets
like
refined
souls.
work and
and
play
for
the
;
eyes
mute
all
mysterious
symphony
and
from
cracks
things,
from every
and from
of drawers
is,
as
it
A
where
real
all
country of Cockaigne,
is
assure
you,
like
beautiful, clean,
and shining,
crockery,
like
splendid
jewellery
of gold, like
!
many-coloured
treasures
jewellery
of
silver
All
their
the
of the
the
world
have
found
way
there, as to
house of a hard-working
17 c
man
POEMS
who
has
IN PROSE
in
put
the
whole world
his
debt.
is
refashioned by dreams,
where
Nature
is
corrected,
embellished,
re-
moulded.
them
set ever
their happiness
Let them
to
!
whoever
sohe
have
!
their
ambitious
problems
For me,
found
my
" black
tulip" and
my
tulip, allegoric
is
there,
is
it
not,
full
in
that
beautiful
and
flourish
own
analog}-,
18
'L'INVITATION
AU VOYAGE"
"
your
delicate
soul, the
do dreams
from
possible
things.
Every man
opium,
birth
ceaselessly secreted
to
death,
how many
pleasure,
Shall
can
we
reckon
of
positive
of successful
ever
live
in,
and
shall
decided
action
pass
we
we
ever
into,
that
picture
which
in
my mind
?
has
made
this
your image
this
These
treasures,
furniture,
luxury,
miraculous flowers,
are you.
You
quiet canals.
The
vast
ships
that
drift
down
riches,
19
POEMS
the sound of the
sailors,
IN
PROSE
are
my
and
fall
on your
sea,
You
lead
them
softly
towards the
which
your soul
they return to
my
thoughts that
20
IV
The Eyes of
An
dav.
!
the Poor
you want
It
to
know why J
less
hate
you
to-
will
probably be
for
understand than
me
to explain
to
you
for
you
are,
think, the
We
seemed
it
had
me
short.
We
had
promised one
another that
we would
POEMS
a
IN PROSE
all,
dream which
dreamed by
is
except
that,
all
men,
it
none.
In
the evening
sat
you were a
little
tired,
and
you
of a
down
outside a
still
new
cafe"
at the corner
new
boulevard,
littered
its
unfinished
The
cafe
glittered.
The
on
all
up with
the
full
walls,
the
chubby-cheeked
pages
the
straining
ladies
back
from
the
hounds
falcons
in
leash,
laughing at
on
their
wrists, the
heads, the
THE EYES
arm's-length
little jars
OF
THE POOR
of syrups or parti-coloured
obelisks of ices
the whole
of history and of
to
make
to
a paradise
us,
gluttons.
Exactly
opposite
in
the
roadway, stood a
age, with
a
man
of about forty
years
of
weary
face
and
greyish
beard,
holding a
little
fellow
too
weak
to
He was
taking the
nurse-maid's
place,
in
his children
evening.
All
were
in
The
and
cafe
three
six
were extraordinarily
fixedly
at
serious,
the
eyes stared
the
new
with
an
The
how
"
How
beautiful
it is
beautiful
One would
23
think that
all
the
POEMS
IN PROSE
found
its
way
"
to
The
how
boy's
eyes
it
said
!
How
is
beautiful
beautiful
is
But
that
who
As
they were
Song-writers
soul
say
that
pleasure
ennobles
the
and
softens
the
heart.
I
right that
evening, so far as
I
touched by
this
rather
ashamed of our
too
and
I
decanters, so
much
much
for
our
my own
thought
in
you
your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and
24
sovereignty
of
the
Moon
are
and
insup!
said
me
me
" Those
their
people
portable to
with
staring saucer-eyes
Couldn't you
tell
them
away
So
"
?
hard
is
it
to
understand
is
one
another,
dearest,
and so incommunicable
in love
thought, even
25
Windows
He who
sees so
window never
many
things as he
is
who
looks at a shut
window.
There
nothing
fertile,
more profound,
more
gloomy,
more
dazzling, than a
window
see
in
lighted by a
is
candle.
What we
less
can
the sunlight
always
interesting than
nous hollow,
dreams,
life suffers.
roofs, I
can see a
woman
26
WINDOWS
of middle age, wrinkled,
leaning over something, and
poor,
who
is
always
who
Out
attitude, out of
nothing almost,
have made up
I
the
to
woman's
story,
and sometimes
say
it
over
myself with
If
it
tears. I
could have
made up
And
suffered in others.
me
"Are you
does
it
sure
"
What
matter,
reality outside of
myself matter,
has helped
I
me
am, and
what
am
VI
Crowds
It
is
man
to take a bath of
is
multitude
to play
upon crowds
at the
an
art
and
expense of human-
whom
a fairy
and
home and
the passion
of travel.
Multitude,
convertible
solitude
equal
terms
mutually
poet.
begetting
He who
does not
know how
28
CROWDS
tude, does not
know
either
how
to be alone in a
busy crowd.
The
to
poet enjoys
this
incomparable privilege,
Like those
wandering
man.
if
For
him
is
vacant
and
certain
is
places
seem
in
to
his
be
eyes
closed against
him, that
because
they
are
not
worth
the
trouble of
visiting;.
The
singular
solitary
intoxication
universal
com-
munion.
He who
knows
must be
for ever
un-
known
up
like a coffer,
shell-fish.
all
and
to the sluggard,
imprisoned like a
He
the
own
all
the
occupations,
29
POEMS
joys and
all
IN
PROSE
before him.
What men
call
love
is
ineffable
which
!)
gives itself
to
the unexpected
as
which happens,
to the stranger
he
It
passes.
is
this
The
founders
of colonies, the shepherds of nations, the missionary priests, exiled to the ends of the earth,
doubtless
know something
;
of these
mysterious
vast
intoxications
and,
in
the
midst
of the
CROWDS
they
those
at
the
thought of
who
pity
them
and
troubled fortunes.
31
VII
The Cake
I
was
travelling.
I
The
which
grandeur
at
and sublimity.
no doubt
that
moment
passed
into
my
soul.
My
hate
far
vulgar
passions, such as
to
and
profane
as
love,
seemed
that
me now
in
as
away
the
clouds
feet
;
floated
the
to
gulfs
as
beneath
vast
my
my
soul
seemed
me
and pure
as the
dome
32
THE CAKE
veloped
me
the
came
the
as faintly to
my
bells
of
unseen
browsing
far,
far
Across
of
its
immense depth,
heaven.
And
remember
caused
sation,
by a
and
perfectly
silent
fear.
movement,
filled
me
me,
I felt that I
was
at perfect peace
;
with myself
in
my
complete forgetfulness- of
earthly evil, I
and
man was
born good
when,
incorrigible
33
POEMS
matter renewing
fresh
its
IN PROSE
I
exigences,
sought to re-
by so lengthy a climb.
a
took from
my
large
piece
of bread, a
that
time sold to
tourists,
to be mixed,
on
my
I
bread
when
a slight
noise
made me
ragged
look up.
urchin,
saw
in
front of
me
little
dark
and
dishevelled,
whose hollow
voured
eyes,
wild and
supplicating, deI
And
heard him
:
word
" Cake
"
!
which he thought
to
honour
my
nearly white
it
to
his
him.
34
THE CAKE
eyes from the coveted object
it
;
then, snatching
if
out of
my
he feared that
my
offer
was not
it.
sincere, or that I
But
at the
same
instant he
by another
little
savage,
who
know
the
who was
so precisely like
for
first
twin brothers.
together,
They
on the ground
of the
it
struggling
for
the
possession
with
brother.
The
first,
exasperated,
clutched
one of the
spat out a
in
dialect.
between
his teeth,
and
The
to
proprietor
of the
the
cake tried
hook
claws
into
35
d 2
POEMS
usurper's eyes
his
;
IN
PROSE
adversary
with
the
other he
endeavoured
the prize
of war
pulled
himself
and
sent
the
in his
stomach.
Why
which
seemed
hand
to
to promise
The
cake travelled
from
to
hand,
pocket, at everv
also
in
moment
but, alas,
at
it
changed
size
and when
bleeding,
length, exhausted,
panting
and
they
stopped
from the
sheer impossibility
longer
had
disappeared,
crumbs
was mingled.
36
THE CAKE
The
and
had
sight had darkened the landscape for
me,
soul
calm
in
which
my
remained saddened
over
for quite
a long
to myself:
in
"There
bread
it
which
is
called cake,
and
is
is
enough
"
!
in itself to give
war
literally
fratricidal
37
VIII
Evening Twilight
The
day
is
over.
into poor
mountain
peak there
comes to
my
made up of a
crowd of discordant
a
cries, dulled
by distance into
mournful harmony,
like that
or of a storm brewing.
38
EVENING TWILIGHT
Who
brings
whom
evening
no calm
to
is
whom,
the
as to
coming of night
sabbath
?
signal
for
witches'
to
The
sinister
ululation
comes
;
me
and, in the
the quiet
houses,
is
down on
of the
immense
valley,
bristling
with
here
the
is
domestic
happiness
"
can,
when
heights, lull
my
astonished thought
imitation
of the
harmonies of
hell.
remember
quite
ill.
had
two
of
friends
whom
all
twilight
made
One
them
lost
sense
at
of social
the
and
friendly
like
amenities,
savage.
I
and
flew
first-comer
at the waiter's
39
POEMS
IN
PROSE
in
which he imagined
hieroglyph.
spoilt
had
discovered
some
insulting
things.
The
turned
sourer,
gradually,
as
the
daylight
dwindled,
Indulpitiless
evening
and
it
others,
The
his
the latter
still
and,
if all
the
confer
would
still
quicken
in
him
40
EVENING TWILIGHT
imaginary
distinctions.
Night,
which put
its
own
mine
and, though
it
is
by no means
rare
for
am
it.
always as
it
by
O
the
night
refreshing dark
to an
for
me you
are
summons
inner
!
feast,
deliverer
from anguish
Twilight,
tender
!
how
gentle
you
still
are
and
how
The
linger
on the
horizon, like
the
last
its
conquering might of
Hames
41
POEMS
the sunset
;
IN PROSE
of
the
depths
of the
that
at
East,
mimic
all
war on
one another
of
man
the solemn
moments
of
Would you
it
strange costumes
worn by
tempered splendours of
through
a
shining
skirt
show
as,
dark
and
transparent
gauze,
And
and
silver
fires
with which
is
those
of fancy which
mourning
42
IX
"Anywhere
Life
is
out of the
World"
is
hospital, in
possessed
by the
desire
bed.
One would
another
is
and
if
certain that he
he
seems to
me
happy
of
were somewhere
is
and
this question
moving house
over with
one that
am continually
talking
my
soul.
"Tell me,
my
soul,
43
POEMS
you say
to living in
IN PROSE
?
Lisbon
It
must be very
like a
warm
lizard.
there,
It
is
built
they tear
after
up
all
the
trees.
There
is
country
your
own
soul
them."
My
will
soul
makes no answer.
rest,
and
in
to see
moving
things,
live
that
heavenly land,
in
Holland
Perhaps you
would be happy
a
in
have so often
admired
What
who
"
?
My
44
Or
r
Well, there
we
shall
find
the
mind of
Europe married
to tropical beautv."
Not
a word.
Can my
soul be dead
only your
be
so,
own
let
If that
us
go
to
made
in the likeness
of Death.
!
know
will
still
exactlv
We
will
;
book our
further,
if
it
We
from
go
the
last
limits
of the Baltic
life
;
and,
be
possible,
further
at
still
we
will
make
only
our abode
grazes
light
the
Pole.
There
the sun
the
earth,
the
There we can
45
POEMS
to time, for our
IN
PROSE
Aurora Borealis
pleasure, the
"
!
At
last
my
"
!
and wisely
she cries to
the world
me
+6
A
Fancioulle
Heroic Death
an
admirable
buffoon,
was
and
of the Prince.
But
may seem
that
ideas
of patriotism
and
of a player, one day Fancioulle joined in a conspiracy formed by some, discontented nobles.
There
exist
everywhere sensible
men
to de-
nounce those
47
POEMS
who
IN
PROSE
sulting
to reconstitute society.
The
lords in
and condemned
I
to death.
would
readily believe
was
almost
among
the rebels.
The
but an excessive
cases,
his
rendered
him,
in
many
all
more
cruel
and
fellows.
was
truly insatiable
in
of pleasures.
Indifferent
enough
regard
to
men and
artist,
he feared
efforts
made
have
brought upon
48
A HEROIC DEATH
him, on
the
part of a
severe
it
historian,
the
in
been permitted,
ment, which
pleasure.
is
The
enough
for his
There
are
are stifled
whose intentions
ages.
this
will never be
known
to future
An
man
faculties greater
the conspirators
and
of a
special
performance
in
which Fancioulle
and
at
which
49
POEMS
IN PROSE
it
was
said,
were
to
an
evident
sign,
added
superficial
On
virtue,
the part ot a
man
so
liberately eccentric,
he could hope
to find in
unexpected pleasures.
But
to those
who,
like
was
infinitely
more probable
that the
of a
man condemned
to
death.
He would
profit
by the
occasion to obtain a
verify
to
habitual faculties
of an
artist
would be
50
A HEROIC DEATH
self.
Beyond
this,
mind an
?
intention,
is
more
or less defined, of
mercy
It
At
last,
little
court displayed
difficult to
pomps, and
it
would be
it,
realise,
what
state
splendour the
privileged classes of a
little
with
really
limited
resources
occasion.
can show
forth,
on a
doubly
display
solemn
This was
a
its
interest attaching
The
Sieur
Fancioulle
excelled
especially
in
whose object
life.
is
to represent symbolically
the mystery of
He came upon
51
the stage
e 2
POEMS
lightly
IN PROSE
ease,
which
in
itself
lent
some
to
public,
ness.
the
idea
of kindness
When we
actor,"
say of an actor,
"This
is
good
we make
use of a formula
which implies
distinguish
we
can
still
is
Now,
being, in relation
to the personage
whom he
finest
is
appointed to express,
statues
precisely
what the
of antiquity,
seeing,
walking,
would be
and
unheard
a
of
case.
Fancioulle
was,
it
that
evening,
perfect
idealisation,
which
was
real.
52
A HEROIC DEATH
The
buffoon
aureole
all,
but
in a
to
me, and
in
strange
the
martyr's glory.
Fancioulle brought, by
know
divine and
into
even
the
most extravagant
tears of
My
an
emotion which
cannot forget
rise
to
my
you
this never-to-be-
forgotten evening.
a peremptory,
cation of Art
surer than
all
lost, as
in
POEMS
IN PROSE
all
and of destruction.
The whole
was, soon
artist.
fell
it
Not
thought was
left
of death,
of
mourning, or of punishment.
selves up,
delights caused
living
art.
Explosions
dome of
The
in
an
ecstasy,
joined
the
Did he
as despot
?
feel
himself con-
power
humiliated in his
54
A HEROIC DEATH
into
souls
?
Such
suppositions,
not
exactly
justified,
through
my mind
as I
new
habitual paleness, as
lips
snow overspreads
snow.
and
His
compressed
his
themselves tighter
tighter,
and
eyes
lighted
up with an
inner
fire like
who
At
a certain a
moment,
page,
ear.
saw
his
little
stationed
in
lit
his
The
up with
few minutes
and prolonged
hiss
55
POEMo
interrupted
IN
in
prom:
one
of
his finest
Fancioulle
and heart.
And from
this
the
from whence
with
stifled laughter.
Fancioulle,
them, almost
at
to
breathe
little
convulsively,
staggered
a
fell
little
forward, a
stark
Had
the
all
hangman
Had
It
is
per-
mitted to doubt
Did he
r
inimitable Fancioulle
It
sweet and
legiti-
mate
to believe
it.
56
A HEROIC DEATH
The
guilty nobles had enjoyed the performance
last
time
They were
effaced
from
life.
Since then,
many mimes,
justly appreciated in
different countries,
of
to
recall
marvellous talents
of Fancioulle,
or to rise to the
same favour.
SI
XI
Be Drunken
Be
that
always
is
drunken.
Nothing
If
else
matters
feel
shoulders
the
earth,
be
drunken continually.
Drunken
poetry,
or
with
what
With
wine,
will.
with
But be
drunken.
And
ir
sometimes, on the
side of a
stairs
of a palace, or
in
on the green
ditch, or
the dreary
58
BE
solitude of your
DRUNKEN
should awaken
whatever
speaks, ask
star,
flies,
or sighs,
it is
or rocks, or sings,
;
or
what hour
clock, will
bird,
answer you
"
if
It
is
the
hour
to be
drunken
Be drunken,
you would
Time
be drunken
With
will."
you
59
XII
Epilogue
With
Where
evil
comes up
Thou
Not
But,
knowest,
Satan, patron of
my
pain,
went up
at that
hour
like
To
Whose
beauty makes
me young
again.
60
EPILOGUE
Whether thou
sleep,
or,
full,
new
apparelled, stand
infamous city
Harlots and
Hunted have
pleasures of their
own
to give,
The
ELKIN
MATHEWS' SHILLING
is.
GARLAND.
:
Fcap. Svo.
net each.
The following may still be had Purcell Commemoration Ode, and other Poems. {Second Edition. By Robert Bridges. AiiROMANCY, AND OTHER POEMS. By MARGARET L. {Second Edition. WOODS. Fancy's Guerdon. By "Anodos " (Mary E.
Coleridge).
{Second Edition.
Admirals All, and other Verses. By Henry Newbolt (Author of " The Island Race "). Also in
Cloth,
is.
6d. net.
{Twenty-ninth Edition.
Songs and Elegies. By Manmohan Ghose. Second Book of London Visions. By Laurence {Second Edition. Binyon.
Contribu-
by Victor Plarr, " Anodos," Selwyn Image, Laurence Binyon, A. Romney Greene, Reginald Balfour, "E. L.," &c. With a Cover Design by Laurence Binyon. Fcap. 8vo. zs. 6d. net.
THE SATCHEL
is.
SERIES.
Fcap.
Svo.
Wrapper,
Volume.
No.
face
No. 2. Essays Literary No. 3. Admissions and Asides and Social. By A. St. John Adcock. No. 4. A Mainsail Haul (Nautical Yarns). By {Out of Print. John Masefield. %* New and Enlarged Edition. Cr. Svo. y. 6d. net. No. 5. The Fancy A Selection from the Poetical Remains of the late Peter Corcoran {i.e., John Hamilton Reynolds, the Friend of John Keats]. A Verbatim Reprint of the 1820 Volume, with Prefatory Memoir and Notes by John Masefield and 13 Illustrations by Jack B. Yeats.
:
:
The Views of Christopher. With a Pre{Third Thousand. by Coulson Kernahan. London Etchings. By A. St. John Adcock.
Street,
W.
E. S. P. Haynes, Oxford.
late
No.
10.
Airy Nothings
Humorous
Verse.
By
Jessie Pope, Author of " Paper Pellets." No. 11. Buccaneer Ballads. By E. H. Visiak. With an Introduction by John Masefield. No. 12. Flints and Flashes. By E. H. Visiak. No. 13. The Phantom Ship. By E. H. Visiak. Pages Assembled A Selection from the No. 14. Writings, Imaginative and Critical, of Frederick
:
Wkdmore.
* *
i6mo.
6J
net.
No. I. Sonnets of No. 2. Sonnets of No. 3. Sonnets of No. 4. Songs of a Scollard. No. 5. Songs from C. Chamberlin.
Third
Series.
Syrian Lover.
By Clinton
By T.
it. net.
The Song of a Woman. By Mrs. George Cran. Verses by the Way. By M. H. Bourchier. Simon Dean, and other Poems. By Sandys Wason.
Street,
W.
*7 b
'SEP 2 &
1"