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Alongside this poetry of ethnic-consciousness and postcolonial attitude, there runs the other stream that bypasses all this, concentrates solely on the defamiliarization of language through a fusion of seriousness and levity, neologism and archaism, trenchant irony and subtle innuendo, suave gentility and downright effrontery. Poetic language savours of the muck of the street, of the social outcast and mentally deranged, of bullies and buffoons. The poets often create an idiom that is impenetrable to everybody except probably to the initiate. Poetic language takes the form of esoteric mantra and poetry defies all logic of coherent thinking and cohesion of grammar. Take these lines written by Pablo Shahi (b. 1965)...
Khondakar Ashraf Hossain, MODERNISM AND BEYOND Western Influences on Bangladeshi Poetry, Beyond Modernism, Dhaka Viswavidyalay Prakashana Samstha, University of Dhaka, Dhaka, February 2010 P.326