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Defining Mood
Before beginning the creative writing lesson with students, give students a quick pre-test to see if they know some examples of mood. Ask them to write five examples of mood on a piece of notebook paper. If students cannot do this, review the literary term of mood. Definition of Mood Mood is a feeling that is conveyed to the reader in a literary work. It is also synonymous with the atmosphere created in the literary piece. The writer can develop mood through word choice, dialogue, sensory details, description, and plot complications. The mood conveyed in a literary piece can be a variety of feelings. A short list is as follows:
mysterious eerie electrifying happy bleak dreamy freewheeling gloomy light ominous reckless humorous sad soothing brooding cheerful intense calm somber whimsical volatile
The focus of this creative writing assignment is for the writer to create a mood in a piece of writing. Students will need photos to help create a mood in their stories. A small grouping of digital photos is included in this lesson. It is helpful if the teacher gathers a variety of photos of different topics to help students create a specific mood in their writing. Select Classic Short Stories to Showcase Mood Also, reading short stories with strong moods will enhance this lesson. Edgar Allan Poe is a master of creating a strong mood in his short stories. Shirley Jackson's "The Lottery" is another choice. However, most authors convey a mood in their short stories. Steps in Short Story Writing Lesson Step 1: Students need to decide what type of mood they want to create. A long list is included with the definition. Give students the list or brainstorm other examples of mood on the board. Brainstorming for Short Story At the top of students' notebook paper, they should write the word, "mood" and the mood selected. Step 2: Students need to create an imaginary world or setting for a story to take place. This will help create the mood in a piece. This is where the photos can be very helpful. Use Digital Photos to Help with Setting Show students the digital photos. This can be done through a PowerPoint presentation or with a LCD projector. On the same notebook paper, students should write the description of the setting down directly under the mood. It should be labeled, setting. Step 3: With the mood in mind, students need to create characters and conflict. Once this is decided, it should be written and labeled conflict. Write Draft with Mood, Setting and Conflict Decided Step 4: Students now should write a draft of their piece. Remind them that the focus of this assignment is to create a mood using their spidergram of mood, setting and conflict. Step 5: Students should peer edit each other's papers. The peer reviewer should be able to guess the mood selected. If the mood is not obvious, students need to work on developing it.
Once students have read published autobiographies, they will need to write their own. This autobiography should celebrate the student's life. This should be a positive experience and allow students to share important events in their lives. Before assigning the autobiography, the teacher should decide the following:
How many pages should the whole piece be How will it be broken down into sections Will photos need to be included
Four sections: birth to two years, three years to five years, kindergarten to third grade, fourth grade to present year Each section should be two-to-four pages long Final copies should be typed or written neatly in ink Each section should include copies of pictures and/or mementos from the time period A cover should be decorated, neat and colorful. A family tree A map showing where students have lived and/or visited.
Students should including anecdotes and details that are unique to the student. In addition, student could include favorite relatives, toys, music, colors, television shows, friends, movies, foods, restaurants, neighbors, etc. It can also include firsts, like their first tooth, friend, video game, cell phone, boyfriend/girlfriend, etc. To assess the autobiography, the teacher could create a rubric and grade it based on the criteria of neatness, content, organization and writing conventions.
By answering these questions, you can help to open up avenues that you may not have previously thought of when it comes to the topic at hand.
5. Listing
Finally, creating multiple lists associated with your brainstorming project can help you to get your idea down pat. It allows you to list your topic three times. Under each topic title, begin listing various aspects of the topic. Make various lists that deal with various aspects of the topic/problem. You may find that this helps you and your team members to break through difficult material quickly. Understand the traits of these visual learners and how color, distance and images excite them. Some tips to increase their concentration in class and a list of potential job careers are also shared in this article. Learners with Visual Spatial Intelligence are the artists. They learn best through drawings and visual aids. They have the ability to visualize the world in images. Learners with high Visual Spatial Intelligence enjoy shapes, patterns, designs, and colors.
They visualize, dream, imagine, navigate, rearrange, and draw. They have an immense capacity to form mental images. Their imagination makes them creative. They like posters, pictures, movies, pictorial representations, visual presentations. They have a superb direction sense and a keen observation. They can notice minute details which any other person would miss.
High Visual Spatial Intelligence is normally found in painters, architects, theoretical physicists, navigators, graphic artists, designers, cartographers and chess players. Some of the famous personalities with excellent Visual Spatial Intelligence are Monet, Pablo Picasso, Leonardo da Vinci, Frank Lloyd Wright, Steven Spielberg and Cezanne.
The following traits can help to identify learners with predominant visual spatial intelligence:
They are good at solving puzzles; Enjoy geometry, drawing, painting, sculpting, photography; Good at reading maps, taking directions and remembering places and routes; Are good drivers; Appreciate color, shape, pattern; Think in pictures, images; Fast speakers; Appreciate video recordings over just sound recordings; Often found doodling, scribbling; Pay attention to visual details.
The following activities can be undertaken to increase the effectiveness of learning with students with Visual Spatial Intelligence:
Teach reasoning and logic using flow charts; Illustrate what is being taught; Use lot of colored pens while teaching; Play Videos in class; Visit art galleries, museums; Highlight, underline, and draw images while teaching them; Use maps and help them chart the process or fundamental being taught.
Animation. Architect Artist Driving. Engineer Fashion Designer. Fine Arts Graphic Designer Illustrationist Interior Decorator Museum and Gallery Designer Photographer Printer Tattooist. Town Planner Visual Media Artist Window Dresser.
Quick Review
Provide visuals for the students to discuss and have them bring objects of interest to class to discuss. Give students an opportunity to speak about their lives, goals and ambitions. Provide role plays and interactive games. Allow the students to be a part of the learning; give students the opportunity to be the teacher in small groups. Give them daily practice speaking while teaching the mechanics of language.
Brain gym is a system of exercises designed to enhance brain function. It is based on the theory that these movements will help children to improve focus, coordination, vision and memory. Free brain gym exercises can be integrated into the classroom by teachers and occupational therapists.
The Brain Gym technique includes 26 movements that are used to stimulate a person's cognition, increase their focus, fine tune coordination, organizational skills and academic standing along with building relationships, self-esteem, and confidence. These 26 movements are part of a larger curriculum
Repatterning
The theory behind Brain Gym curriculum, developed by Dr. Paul Dennison, is that when repeated movements stimulate the brain, it functions at a higher level and/or balances. The 26 movements taught at Brain Gym seminars are all based on movements humans make as infants and children. By repeating these movements, people with learning difficulties have been said to find learning comes easier. The simplest description of this technique is that through the 26 movements or activities, the brain creates new neural pathways, which allow the brain to perform tasks that were once difficult.
The science behind this theory is not new. It is the same theory that doctors and therapists use when re-educating stroke victims. The repeated use of limbs, moving the body in repeated patterns, stimulates the healthy part of the brain to take over the work of the portion of the brain damaged by stroke.
Classroom Effectiveness
The big question here is; should teachers use Brain Gym activities/curriculum in their classrooms to enhance the learning abilities of their students? Many teachers have taken the Brain Gym training. It is costly. Total training is not given in one course or seminar. Teachers will need to take several courses to learn all the techniques and activities Brain Gym International has to offer. Those educators who have incorporated the techniques and activities into their classrooms report good results. Simple movements such as putting pressure on points about the eyes (called Positive Pressure) or waving the hands in the air in mirror image (called the Double Doodle) are said to shift stress and improve thinking.
In the Classroom
While the 26 movements/activities of Brain Gym can be found on the web, educators need to be cautioned that Brain Gym International has a copyright on their curriculum. Therefore, using them without instruction and permission from Brain Gym International would be inadvisable.
However, educators without the funds to attend Brain Gym training might try utilizing simple yoga exercises. There is a wealth of research articles, as well as websites on yoga in the classroom. Some sites give free instruction, such as Yogakids.com. Whether incorporating Brain Gym technique, yoga or other movement into the curriculum, educators will find students respond positively to simple, mindful movements. Resources:
Brain Gym International: http://www.braingym.org Brain and Body Connection: http://www.mindandbodycoach.net/id10.html Yoga Pose: WikiCommons
We might be living in a global world but nonverbal communication in different cultures shows such drastic differences that you might get the feeling that we are from different planets. If you're working on a multi-cultural project, it's important to understand these differences.
Provider's Guide to Quality and Culture these categories are: facial expressions, head movements, hand and arm gestures, physical space, touching, eye contact, and physical postures. Here are some noteworthy examples in each of the categories: Facial Expressions A smile is one of the most common examples of a facial expression in different cultures. While Americans smile freely at strangers, in Russia this is considered strange and even impolite. In Asian cultures a smile isn't necessarily an expression of joy and friendliness but it can be used to convey pain and embarrassment. For many Scandinavians a smile or any facial expression used to convey emotions is untypical because it is considered a weakness to show emotions. Head Movements In many cultures in the Middle East and Bulgaria, the head movement for Yes is just the opposite of the head movement for Yes in almost any other culture. You can imagine how confusing it can be to see that somebody is all smiles but his or her head movement means No to you. In such cases saying Yes or No with words is enough to avoid confusion. Hand and Arm Gestures Hand and arm gestures as a form of nonverbal communication also vary widely among cultures. While in some cases a particular gesture means nothing to a representative of another culture, in other cases--for instance the thumbs up gesture or the OK sign-have vulgar meanings in Iran and Latin America, respectively. Yet in other countries the OK" sign means just zero, which is not offensive. Physical Space The acceptable physical distance is another major difference in the nonverbal communication between cultures. In Latin America and the Middle East the acceptable distance is much shorter than what most Europeans and Americans feel comfortable with. This is why an American or an European might wonder why the other person is invading his or her personal space by standing so close, while the other person might wonder why
the American/European is standing so far from him or her (are they trying to run away or what?). Touching Handshakes are usually acceptable almost everywhere, even between strangers; however, kissing on the cheek, patting on the shoulder, embraces, or touching other bodily parts aren't for many people in Asia and other parts of the world such actions are interpreted as an offense or even a violation of one's private space. This is why you should avoid touching. Eye Contact Eye contact is one of the forms of nonverbal communication where the differences are most striking. In America and Latin America not looking the other person in the eye is a sign of disrespect and it might even look suspicious (he or she doesn't dare to look me in the eye, so he or she is hiding something). In other cultures, i.e. Asian cultures, prolonged eye contact is especially offensive, so you should avoid it at all costs. Physical Postures Physical postures are also quite of a difference between cultures. The most common example is the habit of many American executives to rest with their feet on their desk, which in Asia, the Middle East, and Europe is considered highly offensive. As you see, the differences in nonverbal communication between cultures are pretty striking. This means that when you need to communicate with people from different cultures, it makes sense to learn in advance about their nonverbal communication. This can save you a lot of embarrassment and misunderstanding. Of course, cultural stereotypes are just stereotypes, and you can't say that every single individual from a different culture exhibits the same forms of nonverbal communication. Still, even individuals with a lot of international experience continue to carry some or many of the signs of their culture of origin.
Trust or aggression?
An interesting example of the different meanings of body language is eye contact. In the US and in many parts of Europe, direct eye contact is considered as a means to express interest, to indicate trust in the other person and to convey openness. "Look me in the eye, I'm honest, I'm not a liar"' are some of the interpretations of eye contact.
However, due to religious reasons, eye contact is a dangerous thing in Muslim countries. It's offensive for a man to look a woman in the eye or even to glance at her in a more than cursory fashion. The same applies to Asia, where eye contact is considered impolite and an invasion of space and can cause the opposite reaction to what a visiting foreigner intends. As far as Asia is concerned, prolonged eye contact is a challenge, an aggression and a battle of strength and power. Whereas in South America, eye contact between opposite sexes can be interpreted as an invitation, longer eye contact or staring between women is often understood as criticism of the other woman's appearance.
Learn how covert glances, fleeting touches and apparently innocent kisses can be interpreted differently in various countries around the world. Who doesn't like to flirt and to be flirted with. Flirting is defined as a playful, romantic overture, expressing the wish to make contact with another person for amorous reasons. There are a few tell-tale gestures which in the US indicate flirting, but do not mean the same elsewhere or are considered as inappropriate behavior.
Hand kisses
Kissing a lady's hand is very much a European habit and has recently seen a revival in Germany and Austria. Neither Englishmen nor Americans know much about hand kissing, let alone how to do it properly. A hand kiss, which involves only one hand each and no touching of the skin by the lips at all, is a sign of respect when a man greets a woman. However, the greeting turns to flirting, when the man grabs the woman's hand with both his hands, squeezes, plants a kiss on the back of the hand and accompanies the entire ceremony with an open or seductive glance. Trying to kiss or even shake a woman's hand in Arabic cultures is an absolute no,no. Islam forbids any bodily contact between the sexes, other than husband and wife or close family. In Turkey an exception might be, you could kiss the hand of a much older woman as a sign of respect.