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Alex Trimino: Luminous


Miami-based artist Alex Trimino reveals similarities between modern, hi-tech materials (micro-controlled neon lights) and colloquial, lo-tech crafts (crochet, knitting, and weavings). The works create equilibrium between traditions, technologies, and generations. Old methods and new technologies commingle in ways that explore our connection to todays reality.

2012/13 Exhibition Season


Sept. 8 Oct. 21, 2012 Justin H. Long: Bow Movement Alex Trimino: Luminous Lori Nozick: Walkabout Nov. 10 Jan. 13 Elisabeth Condon: The Seven Seas Millree Hughes and Peter Boyd McLean: Lummox Antonia Wright and Ruben Millares: Love on an Escalator Rosemarie Chiarlone/Susan Weiner: Obstruction Jan. 25 Feb. 22 Abracadabra: Sixth Annual Exhibition and Fund-raiser David Leroi: Amusez La Galerie Matu Croney: BRAVELION & THE CLASS OF 2000 Perry Pandrea: If Ive said it once, Ive said it a thousand times... March 9 April 14 Don Lambert: Lawn Jobs Brandon Opalka: Janigans Jenny Brillhart: Accumulation April 27 May 26 Sixth Annual All-Media Juried Biennial Elaine Defibaugh: Illuminated Collage June 8 Sept. 1 Charles M. Schulz: Pop Culture in Peanuts

Image: Alex Trimino, Luminous Disparity, 2012, Neon and fluorescent lights, knittings, crochet, and found objects.

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Lori Nozick: Walkabout


This site-specific installation focuses on the concept of a passage, a journey through the wilderness that takes place as an adolescent or young adult. Nozick presents life as a walkabout in which we continually explore the unknown in order to discover ones self in relationship to the universe.
Image: Lori Nozick, Dockwalk, 2005, Graphite, oil stick, acrylic on paper.

Sept. 8 Oct. 21, 2012

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Curators Statement
I am excited about the three exhibitions we have on view to open the Centers 2012-13 season, all by Miami based artists Justin H. Long, Alex Tremino, and Lori Nozick. These shows emphasize site-specific installation within the Centers three galleries. In selecting these individuals, whose aesthetic and conceptual approach varies greatly, I believe there is an underlying synergy bringing their work together. As the individual projects evolved into completed shows, this compatibility became self-evident. This is rewarding, as I view my curatorial process often as an intuitive one. Jane Hart Curator of Exhibitions
1650 Harrison Street Hollywood, FL 33020 954. 921. 3274 ArtAndCultureCenter.org

The Art and Culture Center of Hollywood is a 501(c)(3) non-profit organization supported in part by its members, admissions, private entities, the City of Hollywood, the Broward County Board of County Commissioners as recommended by the Broward Cultural Council; the State of Florida, Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture; and the Kresge Foundation. We welcome donations from all members of the community who wish to support our work.

In 1969, a man conquered perhaps the last obtainable conquest, a lap around the planet nonstop by himself. Since his 313 days at sea, few have done the same, some in larger and smaller boats, some in faster times, but none have ever claimed it as art. Sure some speak of the art of sailing, but this act of pulling oneself through the water, harnessing mother nature, is more than a creative act. This socalled art spans the gap between sport and lifestyle, defying material necessity. In fact, there is not a much more guaranteed way to lose money than sailboat racing. The ones that can provide, do, and the rest help in the pursuit of that feeling of satisfaction, cutting through the water, as fast and efficiently as possible. The search for uncontaminated inspiration and markmaking endures. As a huge obstacle course, covered mostly by water, the world needs to be conquered, over and over again. ... for Pogo

Justin H. Long received his Masters of Fine Arts in Photography and Media from the California Institute of the Arts in 2008. He received a Bachelors in Fine Arts in Time-Based Media in 2004 from Florida International University. In 2010, Long participated in a residency at Fonderie Darling in Montreal and was selected among Miamis top 100 Creatives by New Times. His comedic short film, In Search of Miercoles, won the Optic Nerve XII competition at the Museum of Contemporary Art in North Miami, where it is part of the permanent collection.

Clockwise from top: Bow Movement, installation view; 1998 Mount Gay Rum Telstra Sydney-Hobart Race Cap; Justin Long, September 9, 1988, 2012, Ink on wood panel; Justin Long, Singlehander, 2012, Video still. Front cover: 135% Genoa off the Taylor 41 SHEERNESS 1997. Back cover: 3M 5200 Marine Adhesive Tube, 1973.

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