THE BOSTON COLLECTION

OF

CONTAINING

MARCHES, QUICKSTEPS, WALTZES, AIRS,

COTILLONS, CONTRA DANCES,

HORNPIPES, QUADRIU^ES, ARRANGED WITH FIGURES,

JIGS,

SCOTCH AND IRISH

REELS,

AND STRATHSPEYS,

ARRANGED FOR

BRASS,

WOODEN, & STRINGED INSTRUMENTS.

BOSTON:
by
CO., 67

Published
C. C.

OLIVER
COURT STREET.

DITS
NEW TORK
:

N, 115
J.

Washington
CO., 29

St.,

CLAPP &

E.

GOULD &

BROADWAY.

^
gK*^Q^^A\~S^

Ol\/E N

BY

"ti5rf\aj^WA>0

^'xk*yt\^/

3^

THE BOSTON COLLECTION

OF
SI liSlll^'

]li\ h'

w^

CONTAINING

MARCHES, QUICKSTEPS, WALTZES, AIRS,

COTILLONS, CONTRA DANCES,

HORNPIPES, QUADRILLES, ARRANGED WITH FIGURES,

JIGS,

SCOTCH AND IRISH

REELS,

AND STRATHSPEYS,
^ ^ ^^

ARRANGED FOR

^^

BRASS,

WOODEN, & STRINGED INSTRUMENTS.

BOSTON:
OLIVER DITSON, H5
COURT STREFT.

Published by
C. C.

Washington
CO., 29

St.,

CLAPP &

CO., 67

NEW YORK; ;J..M. GOULD

&

BROADWAY.

HYKSHOS MARCH.
FIRST CORNOPEAN
OR

COMPOSED BT

8.

KNAEBEL.

BUGLE m

=5=e=

^
>

Bb.

i
i
.

Jf
SECOND CORNOPEAN OR BUGLE IN Bb.

>

>

^^
I

3
f:

g
> >

^
>

^^T7:

=^=e=

H R IaM r^
>
J2-

TROMBONE

OPHICLEIDE.

^ S S s

ff^

>
.*-

>

T
ff^

gra^ir
1^
:5;i^

[jv

t :

^O

^ ^
>

Jj

ff

6
f

HYKSHOS MARCH.
ffy.

Continued.

^m
^

rf

-0

P-

"zf^z

-&^

#^

f^

X-_,f^^ B^
-5~

fz
^^=^
>
I

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^

I

H^
r r

-0

0^

T^rP-

3 *5^
58X
I

f=

r^

;>

P
~! I~

^ S

^i

^T^

0.0
I I

^v* *

'^
\
I

^zE:

HYKSHOS MARCH.
yny

Continned.

?^
=
'

=i

#
:

^
W 1

^^

-JJ J 1

^ -^4J4-it

^f
r

ff^^
T
r
^

a:

^^ ^ ^^ l^
1
f) p

^^^ z ^3 /C . r-

M
.

AUt^
>

^^^^

Entn

T#

S w?st
P
p

J^g-^

3^

iTb,

'^

ft

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ff
p

i H't^
^

a
0'0
^
0.

5f

^
0-0

i^

^^

rp

^^

i
D. C. AL VIDB.

f
Fit.

gF^S^
:

.* ^

^r"N n^ ^^^
^a

-F-

3:

iW

g ^EE^ 1

8
FIRST CORNOPEAN
OR

BUGLE

IS

hb.

^
I

BROOKLYN WALTZ.

1^

^M
rr
i

COMPOSED BT

8.

ENAEBEL

m
:

^ ^i
IS ii

SECOND CORNOPEAN OK BUGLE Bb.

III

s
#

J^JjJiJ
i

TROMBONE.

^ Mt^
p
^J-JT^r

,rr

r^^^
f:
J

m
r
J

OPHICLEIDE.

^
#
I

Irylt

i
p

/
-

#-

p
Cf
I

u-^
*

0-

^
p

^^
:
-<Si-

i i

r
l>

[f

r"

rpr r

r
i

r
i

^ r r |r r r
|

r
^

r|r

:|f

/
Ife

r-r-r

BROOKLYN WALTZ.

Continued.

9
f>jl
:

^^
p

fi

-T-r-

Cfi^^X4j:

i=^|J-

s
m^ :
/>

^Jri

=?---#

j.

;7 jiJ

^^
^
-f^-1^

^ii
3
ii

?==it

Uv
-f^-f^

t
-f^-^-

ir

E
zt

i^
P

J^^a
*

-f^H^

-f^-F-

1^

^^=F=

TRIO.

I f^^. i
p
:&
^

Jl

J.

J71

^
3zE:

?
:

1*^ ie~r~w

^
I

:i

J:^==
:

S
-rs^-

D. C. AL FINE.

^
^_

(a)

Ih ^
"
I

r L 1

r
'

if
'

f if
I

^ r

I I

:|

"

P^
f^

-^H^

it

is:

lO
FIRST CORNOPEAN
OR

^
P
4r

BUGLE

IK fib-

SECOND CORNOPEAN OR BUGLE IH Bb.

^ cm
,n
.Q

ROCKAWAY

QUICK. STEP.

COMPOSED BF

S.

RNAEBEL.

b-iT
jT
I

If

n^t^icj!

m^^m
'

3^^f^B#t=ffp

TROMBONE.

^FFf
S,b 2

'f^
f
/>

f|f

f|ff f f r f.ff
| | |

r,rr
i

OPHICLEIDE.

^h;^

^
gifir^

^^
^
i

:J-"W

^^g
:P:

r^j

a
1^
rb

pjic;

n ^g^
1
^

(-i-i

^=PF=? i

:3:

^
Fit
I

a^Lj' C^^-^
l

^l

ROCKAWAY QUTCK.STEP.
TRIO.

Coiitiaucd.

11
ft^

^^m
d
\

i^

r&sh*

d
-0-B-

10
-f-

m
--

\m
-0-

-^

m
-jg-

m
-B-

m
--

m
-#-

\m
-0-

^$4^
a T
iP
"f"

-^
iT'*

^^m-

-|>-

t^

P
e
^

fetg
p;>

e-rtHJ^

=^ "Hr^ ^vu-^
0-

0-

0-

^H^

^V^^

[,i r i

&E ikii

1-

i,iri

=^^=^

-^vf^

^v^
1-

pp

m
fe=d

i^ t3 U
^rn::

l>^

g^i^M^^
/*

D. C. AL FINE.

01^0

i
p

-=

\m^

ss ^

zzmz: 3:

* :t3 ^

0I

4>

-1

ei?^ 3; t:itt^^: /

mm

^ s

12
FIRST CORNOPEAN
OR

MEDLEY QUICK-STEP.
BUGLE
IK

(Old Dan Tucker, &c.)

BY

S.

KNAEBEL.

Bb.

SECOND CORNOPEAN OR BUGLE IN Bb.

TROMBONE.

OPHICLEIUE.

^^^^^^^^m
& ^ffip S
85

mm

m^m
ff

i f^^^m^^^rW^^^^^^^^^^s^^^BE^^^^^^^^^'^'^^

^pt4=^^^^^

^^^
ff ff
.r

-#-#

1^

-^

P5^

5^

-#--

MEDLEY QUICK. STEP.

-0

Conliniied.

fafa-^|

&
y
1
1

0^0

g gpargg g
i
^^
'

^
P
=F

m^^^m
S3S
l*-l

13

0.^'A

I 5=^^

0-0- -^T-0
ca
"
I '

AiJ^

5 C^^J-^-*
'

^ ^ s

^
r^pri-

^fefe^

^
;g~^

?
f"^
f

3:

#-#

=Elf t^Lin

^sr

a-

^^ zb^ m. m
I'^-f*'

^
s

^s^ ^ a^ f^H^
)*
I

rr

f\nm~tms^^\^
^
J^
:3 -p^n
[^

d\t
A.

cp

^ ^v-,Mn

fit^^^

^^ ^ ^^"^

>*

3d

>

^ ^ a

s
:i

^
**

I*

14

^m
l\f
r

h i j^h^^j^^^Ej^^r-H-^^^

^^^^^^i^t^te^^ ^ s
TJj 11
:

MEDLEY QUICK. STEP.

Contlnned.

T^ri

F-

ej>

s
b

^
'

gf gf i 1^
-^
|

-TT^

gig-/

fjrrrf

&=^
Q-

s ^s
h

rr.
n

0-0i

j; :k

/ii-

b* ^

!!^

g^^p^fe^b^gfea-Sl^ipiifla^p
^^^f^^F^^^F^-Jitoi^^afe^feg^
I I

^3 n
i

>

"^

II

It

aiEDLEY QUICK. STEP.

0-0^
i

Continued.

15

0-

ff

JJ--m-m- -^

-M-

m m m

-.

.-_

-^

^ ^

j(r

^^^^^^^^^^
^

^^

s e^?3Ef
3=s

it^iztiE:

rgrigr^

^^^^

...

-w-

9-j<jy

-m-

>^H^

16
FIRST CORNOPEAN
OR

DEAD MARCH.
BUGLE
IN

COMPOSED BY

S.

KNAEBEl.

Bb.

SECOND CORNOPEAN OR BUGLE IN Bb.

TROMBONE

^ ^

^^^^^^^ ^^ ^^^^^^^^^

^=^
P
-^

^^^^^
r^jjpn^j^
fe^SE^
1

BEAD MARCH.

Continued.

ff:

FINE.
=[:

^
:
/>/'

m
K ^
'

M^
ft
#
'

^^:^#=F=^^
ps
PP
-1^

'

ff
L3
b|

rjr L3
;

'>
|

^
a;

S^B ^ 5^g^^^3]4-^ ^^ pj gJE^S^S^^^^E

5 azr

T' ^
^ff &% P S^E^-0r
i>#

D. C. AL riNE.

fj-r r

Ir

^-

ii^^^^^i^^^^

18
FIRST CORNOPEAN
OB

BUGLE

IN

Bb.

^^
_!

MANHATTAN GALOPADE.

COMPOSED BY

S.

INAEBEl.

^
=i

SECOND CORNOPEAN OB BUGLE IN Bb.

3:

e^ 5?Fg=rBp:^
nt'lU
!

TROMBONE.

^^ ^i=i^

S^ Lj

I-lUi
li

^n

m i^ i^^t=p====4F

OPHICLEIDE.
I

^a
b

b4

^^^^^^^^^^^^^^^
-^

ff

-^*l-

g ^ ^ ^

f f f

mg^
^,

ewr^^rirr
j5^
S

rr /r ,c -irrr^
| i

^ ^
9^

tit

^ ^
=i

t?

or

m-

^J^^
<r

=^^^ ^^::

3IANHATTAN GALOPADE.

Continued

19

S^^i^^gfLignB
p

si

Jj

^^-p-^

^ Q^JJ^in^n
C|r

ff

^*~J-^

m
W-^

& s
m^

p
:3:

^
rfl
:

FINE.

^C|Lr
'^

JLr!L;4jjLL|X.[j|r
.^

s
pp

=^=F
c

r<

ca^tffi
J^
1
("^1

F ^r ci^'^rri' r
I
pp
SOLO.

:!'

^
_^
i
\s0

_:^

Si=W

^
D. C.
ikL

riNE.

i^

3:

h i

li

>-^
b0

^-J^rJ-^^
^

^
*

r\r

g
-^-^
tt
\

::

PP
tj-

^S
^
1

^
f

zi

3= =3:

nI EfSEiE^^EtEEE^^
.
~i

^^^^^ca^

f:

Pp

20
C CLARINET.

WALTZ BY STRAUSS.

ARRANGED BY

S.

KJiAEBKl.

fif
'^^"

f f f f f fit-|i
i

^^
izi
i?

VIOLIN PRIMO.

i-f-ih-a-j-^

-^5

#
VIOLIN SECONDO.

^#
ff

i=:

#:
g
*

^:
-s^

-f-

-^'-J-

-^

i' ^: '-iJ-*^^
-eH

BASSO.

^g 4
b

^
.t>

^
d
iiE:

3=E:

m 1
i
J
J
I

^w

-f^

^^ S ^ ^^ ^g ^^3^
ntfifr.cr
/

-(-r-i-

IF=F

^
b

^
<

fi^
:

^^^
-(S-

^i

"r^

/
-

^^^.
-

WALTZ.

Continued.

IV

f
=UiL

F^mmrf
i>

m
:

21

^
:
1

r
I

p-pi-r0-

iV

fi't

E:

ffl^^gff^

i 2=& =-
i*

r^

^S
?

f=i

izf:

: ^#-'t-^

*
:

8^

I*

?^^

f:^

izf:

-^
i^

S^^^Sg

^
I

^ifiJl^
f

H^
J^

^
E:

&
E-

fz&i

m
ir

^iteffi
^
I*

^^^gp
*
w]

t^

E-

--s^r

tt-:St4

^ 6=^

^ 5

#
EifcE
j(r

i- -*

mr

w^ t
p

Ea

s
t:

I*

22
FLUTE
OR

POLACCA.
CLARINET.

ARRANGED BY
3^

S.

KXAEBEI.

>

P
VIOLIN PRIMO.

U^^^a-U
m

^ :3 <f
i i

wm
H^m^^
f: :

:=3:

S
*

^OLIN SECONDO.

^^^^i^^^^w^^^^
-t5^

VIOLONCELLO.

g
~ *\
A

fttJ

ff
^

~Z-

_r* i:^

"]

nin

nO
:

e #
T

l-T-#

^^
P
>-

3=E:
ir-

:
-I

L-^*^

:3=E:

^S

POLACCA.

Continued.

S3

^^rgigz^ggiSES

^rtrrtrm

^^
p
/.
.

mmoTuut
=i=:
:

i3=&: K

:=::
!

M m

"raran
-1

F-

U^U ttp^r^

^^
OSES
!--

3:

^^

J
.4- .. JB.

^
-M-

^m
-^^-H^
-"^-f-

-V-f
-^1

-^^-^ p

JL
-^^--F-

F^

S4

POLACCA.
OEN

Continued.

Ui-y^
rit-^

l^^feg^Sfej^^feEEtt
g

^ igj^gggfc^dfeJ ^^EgM=tt
S^

H^
v^

^=^
-It.

ww^
4f-

iS-

^^

<-^

li

THE LOVER'S WALTZ,

t^^rn
PRIMO.

arranged for two vioiws, flutes or clarinets,

s.

knaebel.

^^ ^
11

^.-^v^

|#

0^f-fi

SECONDO.

^^^

^M

1
'

Q5

|p^Bg^

^^

^
.

TTiM llllWyggUkK:^
"

"

pSSB^SBpOB BIV B^
\ I

111.1.1-^1

^ ^ -y-fu...^-J-|
1

^-

&^s^

:^
p
.

^^m
m
#-g^i^; ?5 ^^gf^rf
,.

h*

a^i^^ [irtiOT^

^
^
.

^fel^
^40
3:
-

ttff
\

:l,l^ll^
-^

^^it^ ^

^ 1^ .

^S^P^^

^
-

<sS6

COTILLONS.

VIOLIN.

f^^^!f-#
2.

Balance and turn.

4.

First set.

composed by

s.

mEBEi.

figures adapted by

i. j.

shaw.

Half promenade.

C CLARINET.

POST HORN OR CORNOPEAN IN G

BASE.

^^=fM

E
I*'

D. C.
1 Ladies r>li9i n ^^^^ 3. 1 nil loa chain."
2.

D.C.4.

P^Efg^apE^^'^tlStpfTrf-gBgi^ _^ ^* :^ :^
-
1-

^^
rt^

3=*=

-#--

-^

''J

''

'^

%a
-N

:&
litilZtl

1^^^

g^

^Sffl

2t

S3 sg

-N-

COTILLONS.
Hf

Continued

2
fi:

27
azfcriffztzriz^

-eJ)

f=
3.

^^g^N=J=M=F=ffl
Balance and turn partne

P^^ f^ ^^^
P m

^
chassez.

fct^pJ:-
-p-

3i
^=^=K^

^ ^S PE^
^
/
^==5=

-^

PE
^

g ^
fF
1.

3^^

B=i

:3:

^
#

tt3 /
^

3^
a
I
I

^3-J-J-J-i
* -A

a f^=f^ E ft
^
r
D. C.
3.

j-g- r

fea^^=fef^^^g^^^#i=l=fcte
Forward two and
cross over.
2.

H ^^ I
-^

Le

ifr

/
00* a *

S3 ?
00

U
-P

^^p-^

fei

i"J~f

^P
:3i

sc
-LLXpJ=::3ig:i&J=: =J

^l^l^feg

EJ==j^:

/
^^^^r"i

^^

i ,

^E^^^

3:e

:3:

^r ?

28
2

COTILLONS.

Continued.

S^^^ 4 *~^

^^^^
Half promenade.
4.

Forward

four, right

and

left to

place.

^g^
ir-yto back.

jt*
P
1.

Right hand across, and balance in

^m

line.

g^^^^ g^ggS

u^

e
^r^ ^53^

^feg^3^ 3d^

^ ^^R

?5fe^ s^SiS
D. C.
2.

3.

Forward two, back

^^^^^^P^^

COTILLONS.

Continued.

rs
\^-

ftiti:
v)

2. First gent,

m
1

t
4.

f^pFoar hands half round,

right

^
f

29

--r
left to places.

m^
-

3:
>
i

turn two opp. ladies.

and

^F

fe:

.^^
r *
I

%-ftF^-^^^^fffyf^^S^^r^
tiz=3:

^
'^

:3:

0*

fi

lf~W

S-

^
2t

p
'i^

B
ig^P?

^#^' ^S

<>

-0

1-

1
-^

r >

E3

>
> r

^f-f-^ e

0-m.

:^t

3:

?^

fer^
D. C.
2.

-f 1. First couple forward, leave the lady opposite.

COTILLONS.

Continned.

^^t^
I

r^j^^ 3
1
-

=1

^
trf:

E^
2.

f-ff^
Forward
four, 1-2 right

*
and
i-

*
Forward

gfe ^^^^=^
four, right

ft

left.

and

left to place.

SP

gfi
1.

Forward two, back

to back.

COTILLONS.
:3.i

Continued.

31

s^gte
D. C.2.

^^R H^-:^i"^-^iteig?^
f /
3.

p
^
'Pi
/>

Ladies chain.

DC. 4

#pEa
/
p

1-T-

la-

py

pq.

e^SEf
0-0-0-0-

pi

*-T-^
-4^

.-N

P^

"^.

^^
i=

/
]

afE^^^^^g ^ w

li T

Jl ^^zE^

WALTZ.

For two Clarinets.

3S
VIOLIN.

COTILLONS.

Second

set.

composed bt

s.

oaebel.

figures adapted by

a,

white.

^
C CLARINET.

2.

, J ...'^rr...., Balance and turn partner,.

d 4.

places. left right 1.2 nromenade. 1-2 risht and left to places 1-2 promenade,

, 1.

p;i,, j left fr,,,,. Right and in four.

POST HORN OB CORNOPEAN IS G.

^^

li

-0m-0
3:

^"

Jl^=^

^It

#=^

BASE.

^^^^^m ^p^^^^^^^

2t

5^^

COTILLONS.

CoiitiiHied.

f^^^^^^^^^^^T^^'^^

^mm^^^m

33

3t
P
Wl.
2.

3t

two forward and back, cross over. Chasse de chasse, cross back.
First

P^^^^^P^ ^
i
:

^
C.3.

t3:

^
S^
1^=3:
m

i)^

^P

^^^^M^r^Hc^

^ya^f-^4^
^
I

^ ^

SI 9

rP 3B

9L^~m3:

^m

^l

i^

zgfz

-f-^f-f^

=^^

^^ ^

34
"

COTILLONS.

g
2.

tr

ti

Lead up

to the couples

-^

^ m Pm

on the
all

4.

All forward and back,

right, chassez out and form turn partners to places.

^ ^^
two
lines.

Continued.

^
^
1. First four

forward and back, back to back

^
f=

ii
3
^NI

^^

p ^

p-

fefi

^^^3?:

g<FP^

3^^

2i^

3:^2

f^#f^

^^^5tf
=F

1^

^=F^

g^=p4^=^#=^'^^^^^li^

COTILLONS.

Contiiined.

35

t&i
-8-

i;#1
0-

p-4-

W^
g
line, 1-2

3^

12^:

m
n

82.

Balance in

promenade.-

-4.

Forward and back

fowr, 1-2 right

and

left to places,

J-^-J^^S^ifc^

:g<i

3t 3t

ikfz

^
==^
?^

?
1 *

3:

i^J-J-l

*R=P^=f=P:3

f^g
i^
First

izf:

3t

J-^

^^ ^^
I

s
acrois, left

two

s^
a line

right

hand

hand back and form

m
^-N

V3

D.C.2.

'0 m

^=r^

36

COTILLONS.

Continued.

I
\

2t
Forward and back two,
l-I

iz^:

^t.

^^
2 promenade

=^r^
*--A

3:

ir

^ i

S^ &
t~
.

r f

^f

J 1 ^ ^
;>

:^ -

SC^Ft^^^^tC:i^r Mj^
3?t

:3:

^^

m
.

ig-

fe

3::

hs^
_3

:3:

^^
n
2.

Balance

at the corners, turn partners.-

^^"^

-4. All

a^ ^
!

>

^+^

rft-^^
:3:

"r~i~

^ M

promenade.

==

1~7~T

3^
izf:

3^
3f:

3t 3^
Zk!tz

^
:3:

E^

ifcze

->-

t3E
l l

::

J^l

/l
f 1

1^

tftt

^^ ^1
i-=3:

Kl

!^^
1

3^

2^

^ ^^^
1?=:3

^^-^ ?^ I

COTILLONS.

Continued.

^^

Forward and back CRES.

four, four

hands round.

m
;>

:3:
ORS.

1^1
1

t :^^3-

S
f
/

^^
3:

^
^^H-^

^
li

37

i
li
I**

3=:
DC.
2.

:^
P
CRES.

^^^^^^g
5
f-^^I^
ji.

:3:

S^^
?^^zz^z3

:3==3

4^

1^

?^

=e=3=t=3

a: P^
n
3.

^zzf^ii

l3=^

f*^=f-^^

IT
^

:P^

^r-i
1

5:
(

:^

:f^3=^3: -^ 'i

-^p-^
D.C.4.

s^ ^^ ^1^ % p^g S K3^ -^

r^Ladies grand chain.

tC^
^

i^
=P^

p^=fcg

-^^

-4 '

d^

^^

^^^^^^m

-^^r-^ I

:3=i=3:

:3=t=3:

^^^

:g=b=:

_:i_Czi :e=3=:t=3:

3$
VIOLIN.

COTILLONS.

Third

set,

COMPOSED BY

S.

KNAEBEl.

FIGURES ADAPTED BY

1.

WHITE.

C CLARINET.

POST HORN OR CORNOPEAN IN G.

BASE.

iu^\^^^
1-3 right and
left.

m0^m
D.C.
2.

#^
f 3.
Ladies chain.

m
3t

if^^-gt^^

s^B
.

DC 4.

5t

^
^

l^_i]LJ_tih^'

i^

^^^ggiggtg /
2t

il

ccmTi^^^^^gt^^FfF

F=F^g^ Jl ^f=p^3^^^h"^i
13.

3;

r^

COTILLONS.
A-t

Continued.

39
*
I

fe5XB33Sg
P
3.

Balance and turn partneri.

;>

^
I

^
i-

*^^r

t^=*^^

^^
WF=^

-*:^

V-^J:&^

fj^^ jTT-Ut^-J. J. iJ-^-^

-e

U- i-"b:^J^X~T=^?:x~tTT^

^m
^
^ffz

SH
3t

fiar^igr^
1-^

Tr^ m/
!

^t

S):

imf

Forward and back two,

^i

3!t

^ J^

^1 JTj.1
3:

T^iiJ
-^ SE
-^

=^ i
3d
D.C.3

cross over.

2.

Chassez de chaasez, cross back.

W=i=^^

i
i^

I
mf

i^^=f^fgtfHH3

s^ng
2t

v^^

gt=c2r^H-a

-^tr-n

^S

-3^

40

COTILLONS.

Continued.

^^
w

m^^^^m^^^^^^^^
D.C.
2.

3.

Ladies grand chain

^*
^^^^^^
fcc

^M

^^
i^

s
<s>-

S^
:

S
S

^
3=F

^
1>

3rA U
:

^=

^i^

3::

COTILLONS.

Coutiiiiied.

agftjKB ^^s
D.C.2.

=izt
-09
'3.

2t
3i

n=^
-^9

3-i^

Six hands round and back.

-wrw

i ^'

3<^
^^ ^^* ^

^M
Wif-

f^=\rnw^^^^-

i-ii3

3>f:

3 g

1^

-^-rn

3=^
-3-M

e
^

m
-^

^
To.3.

m
3:

3:

^
?3

J^:^

-"f^^

3^ I^

^ :3

-^F-

3t

i=

i
'

^m ppt^^

i^

iSfe

fei 3^

ift-

3i=5

p fc

42

COTILLONS.

Continned.

D.C.4.

^^^M

COTILLONS.
VIOLIN PRIMO.
/^2. Balance and turn partners.
4.

fourth

set.

composed

c. f.

bauer.

ficdres adapted by

i. j.

shaw.

43

1.

Right and

left

Promenade

four, right

and

left to

places

SECONDO.

BASE.

-^

pr^ rmr^ r-rrrrrrr t

3=t
I !

0-0-0-

r=

^n^m^^
m
z z :

^^

-W -W ^r #~*"

r^lr rhrf^^^'^'r^^'^^''^'^

44
<2

COTILLONS.

^Continned.

^0

^^^^ fv
3
f
2.

f^^^fri^^^^^^^rt
4.

^
*ZL

Balance and 1-2 promenade.

Promenade

four, right^and left to_places.

2t
::8:

3:

2^

^^^^^ 1^
-1

3^

^=^=^ |5
^

3!lt

3t

^=3z=3:

COTILLONS.
/1i-9^f

SS^^ -

U^^r^^

Continued.

45

ifefe

1-^

^g^^^ft

^^^
^^^^:(^
-f

f ^

tr.

iS;

^E^E^S^

46

COTILLONS.

Couuiiut'ii. Continued.

--^

2.

Forward

three, twice.-

-Four hands 1-2 round, 1-2

right

and

left to places.

II

l^p^^^^^^^^^

f^^^^^f^

?^

i^^S'

COTILLONS.

Continned.

47

fifiEz^

^^-r-t :g^^c=F

^^m

2.

Forward

four, 1-2 right

and

left.

4.

Forward

four, right

and

left to

place.

48
VIOLIN PRIMO.

TREMONT QUADRILLES

COMPOSED BY

f. F.

BACEB.

SECONDO.

BASSO.

mm
^^^^^^^^^ ife^
3~"

-*^

=^=^^^?^-?^
-#*

^^=^
^

^^

^^^^ta ^^^^
^1

3<:

^^ta^^^^^^ P53
Ladies chain.-

r-^-^r

:?:
Right and
left four.

Balancez, turn partners.

^^^ :^=
-Promenade half round.
Ha\f right and
loft.

^
i

QUADRILLES.

Continued.

49

^fe^l#
1-^

ti^

-*

ESa
#

(*

=T

f-^-

^^

i 5

P^
^ig

^^^

Forward two,

crosd over.

Chassez de chassez, cross over

to place.

Balancez, turn partners.

QUADRILLES.

Continued.

^l^il^^^

HM' trrir

m^^^

Fint two forward and back.

Right hand between the ?ide couples, forward and back.

Turn

partners to placei.

All chassez across,

t^^ 4.^
=#f
-S.

^5

az

sa
3t

QUADRILLES.

Continued
SI
:3:

S
^

W^

S^^^p
^
:2t

51

i:

gg^F=^

zi3^^i3

i!^ 5=^
^a
/l:^^
.:

^
E
g-T^
1

i
?=?
*
*

3:

>1

3:

y3

*-^

e
3: 3:

I*

I*

J=

^P=^
h ^^->-^^-f
-

e
hi
r
1

3:

i=^
I^

^
3^

ri

r 1
"a:

~3.

r
/-e-#^

:3:

3^

"^r-3-

^?!t

3^
-^

-^

:=^
3:
:=

B
3:
-3-

B
: 3: : 3:
3f:

D. O.

H^T^

&3=t

^
~i

r 1

3:

3:

^
3?:

I I

3=^^
ladies right

^B^

lE

hand back, right hanri to partners. Balancez, turn partners. All promenade round. (Gentlemen the same.) Ladies half grand chain, promenade half round. Ladies half grand chain again, promenado to place. All chassez across de chassez.
across, left

Four

hand

QUADRILLES.

Continueo.

"^^r^nr^
^^

^^s?^

^^
j<z

m ^
fe
-^

^^^^
w
:3==3r
:3:

'0

:3==3:
N-

^S
3
Fix^t

-^

^^
left

i^^P^^^^^^^^^^W
?

^^^^S
side

P
corners, turn part, to places.-F.st

r^rfrf^ e

^
r

i^EB^^S^g^
couples-Forward
6, turn pari, .o

2 right hand acroi

hand back' be.w'en

places.-AU turn

1-

I
left to place.,

four 1-2

promenade. 1-2 right and

QUICK.STEP.

For two Post Horns

or Bugles.

B. A.

BURDITT.

53

^^

^ ^ ^ ^

"W"

1st tisae.

2d time.

54

ZITTER WALTZ. f~^ L

For two Clarinets, concertante.

a.f.knight.

^^
4

ag7r

[BJi

??H

trrnrnirrrtrrr-i

PfPf^Fff

:2t

-
'wmr

2
H-t-

3^

^r

lii

-'

&f^
#

te

****!

mri'i^ rm
'

^^ffiff^ ^.^
i

^-

(^^
.i5^is=*

3!t

'j(^f^r^p^0^MM^^E 2t ifeia
^/
(

-0-

ff^mrrr
/

iS_

asA^m
*

? E p

f 'Tff
i

.|^T-f|%^ rir^|%;^
r

/
lif!:

>
-/-/-

>

2t

>

GALOPADE.

For two Flntes.

8.

KNAEBEI.

55

^^r!i_>TJ -94-^-

I
/

^
p

i5#
jL

^M

^
^
:3L

f==3

mf

>

ft

^^
ff.^,
ir

3^

FT

g 5^^

S^

^t*=^^--

&
D. C. AL FINS.

prgtLf^ri^tr cf/ .iT:;^fi.fi^Ji|%Fj^r#jp^

i

FINE.

^m^^^m^^^^^^^^^^^^
DUET.
I
I

>4

For two Violins.

J.

H. SEIPP.

Se^ t?
i*

S^f^^StJ I^EFr fe^Fg

5^ i=id
*-f-^;

=S=3=?

''l^eSfeE^^*= xrr^

35

1
P

g
13 -r-,r
:&

f P^

f P^

50

WALTZ.

For two Post Horns or Bugles.

KIlBURJf SMITH.

-^

^ t ?mmm^ i#p|^ g
m m
(-#

^m
gw.

:
i

f>

g^i
i=

jHf^h^ ^ mi

^
^
h*-

I
1-( (-(

ffffffqt^
\

Mmin ^u^\rww^^^^^^^
Sh-

00*.

SgE^^t^^l^
:
^
#

^^
D. C.

33^
GOV.

i
i

^
-

p^l^
SgTr^

JJ

^e

^^ IS^

CLEVELAND'S REEL.

'S'w

JOHN

R.

BASSEH.

fe r^^^^

iE^

f^^
-I

irP??^

#1^

NATCHEZ

IIORxNPIPE,

S,

JACKSON.

57

^i^S-^^^feSii^i
I I

I.

i^i
P^-

^^m^^^^^m^^^^^
^
-4- '-

FISHER'S HORNPIPE.

^ ^^m^. s m
-^
<c

COLLEGE HORNPIPE.

^^ggp^i
^

felii^^S^li
6fe^;

SMITH'S HORNPIPE.

^ipi^iipii^^^^#ii

g^iSg

i^^^^^pS^PS^fep^^^^

KELLEY'S HORNPIPE
^-&. rfi^zE

^=^==ffl

=^
=F=^
_*
r

i^z^^zj:

w
^^=S
"WT-

^^^?^is^ :^-=^?^
^^^,*

rn"

W"

r^

MISS BAKER'S HORNPIPE.

g^^^^-

^^^^^^^^^-f^-^;^^
^

^ppfeE^|Egt^=^4 a^^Ei^p^^

P^gW^

i>

DELAWARE HORNPIPE.

i^^

LORD NELSON'S HORNPIPE.

^^^^^^^m

BUNKER HILL HORNPIPE

59

^=P

^^^^ ^w
'W~9Z

^f^V

^1

rzt

^
'MJSl "^^rr^

Eztzti&M S=Sd=

HULL'S VICTORY.

i^si^
^^-i
'

W-

^^
>
> >

pg^S^^
>

FANNY ELSSLER'S HORNPIPE

mgU^m'mm

''

^"

^-^'

m 'f

DC.

>

>

>

>

DURANG'S HORNPIPE.
L#Ei
3-M_

^^''
9
*"
"I
I I

^^E^;|^|^^^:^^ gEB^^^E|;|gg ^^^S^E^i

:

5^=5ft'

zl^-Jfxz

GO

PUTNAM'S HORNPIPE.

^
*-S,

^^^^^^m^^^^^^mm
MONEY MUSK,

'-^^

^rpg^f^

^p^^f^rrfTrTfrw^if^
1
!t-i^ g

THE DEVIL'S DREAM.

^riS:

sifejE^l^^lji^te
CLAPP'S HORNPIPE.

SCnffl

^^g3^

^^^^iPSi^^^^^^i^i

^^^^^^^P^ ^^^^^^^m

0-

?^
*

^S^m

^ FT^T^^

KEITH'S HORNPIPE.

61

-^

V-^WZ

^^^^^^mm^'^w^^^^^i^^^i^ ^
^^

rn-TPffl

TfT^-^

T-^-9^

[^

M.

^.

>.

.-r-

YOUNG'S HORNPIPE.

0-r

fT

^a

^-^=^

P^^;|^=^^z

^^^^^
JIG.

CHORUS

0^0^^
^f^rfep^i^l^

^^^i^ip^^^fe:!^^^^^
W^fff^T^

TURNER'S HORNPIPE.

Pfc^^^f^

02

-^-^

^
I I . '

LUCY NEAL,
p*^
I
I

g~

^mi^i^^
I

^ K g r-^ ~i~ Jl s tr ~

>

'

i^
1

w
1^

^r -

Q!

N*-^

^^
^
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litt

?^ i^r
;

^-fg=^

S^ ES s^^^ 7~3^T^
N
^:~ig:

-*

0-

^ 3^
i

DAT NIGGER'S IN LFB WID DINAH.

^p^^^
* 00

:!^
*

iu^^tr^#^r^%^^thn-.^^^H:^ ^ p >^ s^

"

W 09-W

:3=i

ft

LFBLY DINE,

^f^B^t^f^^mr^.u

Lrig^^i

H^

a^^
SiJ=

:*:

^
=gH=S=
""

m
*

^
*-^-^-g:

:^

ffla^

=i=F

3^^

^Mk^M

DANIEL TUCKER.
-ir-^^

^1
^
l

P
f-

fti=ife

^^^^mm^^m^^
^gi^
f r f
T-.

63

P=F=|t

tzt

^g^^i:^^4fe^
DANDY JIM
OF CAROLINE.
i*

E?E
I

I*

i
I

3zaz 5t:

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l

n *i >~n'^^T^^^^^t=F?=?=?=t=P=^ *~\fWi" ^

3=*=i=

^ ^E^

^^

SS

:i=gg=

=P^

y"~ir

g ^^

WALK ALONG,

JOHN.

64

a^^^^

WHAR

DID YOU COME FRO^I?

OLE SANDY, BOY.

J3

^^

^^^
:3:

VIM-

^^^E^

^^^^^^
^^^1

li

litS:

^^^^
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B^

^^^^ i

BOSTON GALS.

g^^^-^-J?[^^^

ip^^^Si^^^pl^Slgiii^ilii

OLE GREY GOOSE.

^v=n=
:i=^S=S
-US

EE^^

ti^^c

--f^

^
r

-^S

IT

:rT~*~^tl~ *
-^-^

T^=I ==5=
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^*^^rl

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"

CYNTHIA SUE.
m.

r-^^a^-^

^^ig^j^^j^i^s
ii*

p^^^p^^^^
^^S^i^i^
j^i^if^i^
?=^s

CLARE DE KITCHEN.

^^p^^g^^
iSzi =*=

^i^^^^fe

^ ^1

^S^^[i^^^^rg
JONNY BOKER,

1^ -^^^F

MY OLD AUNT SARAH.

?3^^^]^^i^pi^i^^

mm
THE DAYS WHEN WE WENT HOEING CORN.

^s

#-,

"

jaJl

.r3

; Jt7iE;a?-^^f

^? ^fE^
!^
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^HJSS
^?^

f^^i r i^:iuTn d^ci

'TWILL NEBBER DO TO GIB IT UP

^^^0m^^^^^
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SO!

pfe^i^itepi#fe{^pgggp^^^t^^

MISSING PAGES

7-70

67-70 MISSING PAGES

OLD PEE DEE.

71

i 3^=1*=

^5-*=*

s ^

^^# 3=^-*

^_

^^

P^^gE^^^Sl^

CHARLESTON GALS.

P^H

^^^
COAL BLACK ROSE.

^^^^^^ ^i^ ^Pi

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"Si>.

GIDIBO CHAFF.
f

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^-S *>
4

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* *

gT^^^ITW
=^

^^^^;

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^
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JUMBO JUM.
^^;.

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g^-Nt=^=f?=s^
CAMP TOWN HORNPIPE.

^g^^J^^g^^Ett

^m^m^u
fe^Aitf^
^

YALLER GALS.

T=ff=

mi

rfm^^m^w^

m-

^m^^im^^^M^^^^^^.
^m

i^E^pl
f^f^^K^Pf-^f^ 1 s^-r 'I
I

MISS CAMPBELL'S STEATHSPEY.

73

mm

f^?4^ \i

U'

i ci^c
I

E5 s^i
s=i

BYNG'S STRATHSPEY.

l^E^ppl^^i^^^

^^^HS
fe

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MANCHESTER STRATHSPEY.
0^-0

Ie^^S^
10

iiH^^ii E^^H^ISai
j'-i=i^
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74

MR BAllLIE'S STRATHSPEY.

B5

jj^r^r r>r..^.
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fh^Mi mr^m.
^
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Uftifi

riRST-TIME."

H Mg Sfeg
fr fr

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SEOONDTIME."

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LADY CARMICHAEL'S STRATHSPEY.

^ ^
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^^{^si^^feg^igtig^agMr^
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^^^^^^^^^^

MISS SITWELL'S STRATHSPEY.

p^^^^^ii^^il^^i^
fcj=^trfe^g^lifei^^i^^a^ ^^
MRS.
tr_te:fi?M--^^.
F.

S
^

GRAY'S STRATHSPEY.
tT
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$ =s g$Eta I ^ f
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MISS BAIRD'S STRATHSPEY

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CORIMONY'S STRATHSPEY.

^^^^^te^^ ^^' 1^ m^p^^ ^jj^te ^

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STBATHDOWN.

STRATHSPEY.

wj

t3^

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JOHNNY PRINGLE,
A

STRATHSPEY.

j^S%

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McFARLANE'S STRATHSPEY.

^s

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-t-

iIeM

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McLEOD'S REEL.
s fE^@E*^^
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|#I^%#}?^^^M^?#^^
THE TWO SISTERS.

^iP

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SPEED THE PLOUGH.

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78

LASSIE

\YV

THE YELLOW COTTIE

fc
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^J^F^^^^^lp^^^^^M
MCDONALD'S REEL.
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LOCH EARN, A REEL.
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LADY HOPE'S REEL.

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82

HANDEP REEL LEFT llAiM^bi iXi^LU.

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^^^^g^^S^^^^^^:^^^
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ROHAN'S REEL.

^^^^ g^^^^ggi^^

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PETER STREET DANCE.

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KINLOCH OF KINLOCH

83

^^^^^^^^^^^^^^^^ p^t^%^
LAND OF SWEET ERIN.

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PADDY CAREY.

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84
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IRISH

WASHERWOMAN.

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OVER THE WATER TO CHARLIE.

SPRIG OF SHILLELAH.

^^^^^^^^^l^S^^^S^H
THE STOOL OF REPENTANCE.

ii^S^^i^g^

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^^^^^^^^^^;^^^^^^&

BLACK, BUT LOVELY.

PERKINS' HAT
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86

THE MALTMAN

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HOT MUTTON PIES.

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JACK IN THE WEST,

WOOED AND MARRIED.

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n.

A. S.

CRENVILLE.

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87

FLAGG'S

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MISS DAWSON'S WHIM.

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88

THE NEW POLKA DANCE.

EP^^^feiS
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No.

OFFENBACn.

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THE POLKA DANCE.

MULIEB.

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^ ^^i^^^^^^^^^^^^^pSi
WASHINGTON'S MARCH.
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89

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CHAMPION'S MARCH.
RICHARDSON.

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LONDON MARCH.

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90

BONAPARTE'S RETURN FROM ELBA.

S^

nrznini i^nw--ei

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JOSEPH
ff.

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HIGHLAND MARCH.

TURNER.

paggffligar;^^^^tJJ;JJ^l^JgBggaggOi^pg
GRAND MARCH
IN

NATHALIE.
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THE HERO'S MARCH.

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PRISSIAN MARCH.
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PATVHARMONICON MARCH. w
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SWISS GUARDS' MARCH.

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NORMA GRAND MARCH.

93

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SPANISH PATRIOTS' MARCH.

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94
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BUFFALO MARCH.

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GEN. KNOX'S MARCH. IE2I
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SOMERVILLE MARCH.

95

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RODERICK DHU'S MARCH. rr9^ ^ :SEtS ng~

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BONAPARTE CROSSING THE RHINE.

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96
S S'0

DUKE OF YORK'S MARCH. ^^fc^ 3ZZC

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NOT AVAILABLE

ISSUE "S" MISSING

NOT AVAILABLE

KEITH'S aUICK-STEP.

S.

KNAEBEL.

99

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COOLIDGE'S aillCK-STEP. =-*^^^~ T9^ 9 -m- aaaa qtrff r

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THE WRECKER'S DAUGHTER.

1

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DA CAPO.

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BARTLETT'S aUICK-STEP.

DR.

J,

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BARTIETT.
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103
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LYNN aUICR-STEP.

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WIXSLOW BLUES' aUICK-STEP.

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GORDON'S aUICK-STEP.
3#_

ZETZSCHE.

105

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RORY O'MOORE.
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108

MARION aUICR-STEP.

ADAM KIRER

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HENRY

BERlTJi.

111

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LOVE NOT aUICR-STEP.

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First
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Gentlemen the same.

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First couple

W *~T ti

two ladies chassez through.

down

the middle, up again, cast off right and left to place, cross hands or swing four to place.

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Forward two, cross over, chassez de chassez, cross to place. The whole form a wreath. Balance, and turn partners to
Four
places.

ladies join hands, half

round and retain position.

Four gentlemen forward, join hands, half round and back.

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THE MISTLETOE BOUGH.

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Forward two and cross over.

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All promenade

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114
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SOLDIER'S GLORY.
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Chasaez and cross

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to place.

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Forward two and

^

cross over.

Balance and turn partners.

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THE SEA SHORE.

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One
lady forward and back twice.

Opposite gentleman the same.

Chassez across, lead

to sides

and form two

lines.

Forward eight and turn partners

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Leading couples right and
left-

KITTY CLOVER.
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r
Side couples the same.

Promenade

^^Qj^^g^t^gpg^
all

round.

fta:

^g^^EEJ

m *

ALL THE BLUE BONNETS.

:.:t#=|?--g--P-g-8Forward two and

115

^^^f^t^:^r^^mm
Chassez and cross over
to place.

cross over.

w^
line

:r.

rffes ^T-'r-^--

Promenade

all.

^?^=feiT^^^^ :=^h^

:^ i^ f&s^

ggj^gs
left to

CHERRY RIPE.
It
Right hand across,
left

^_

^^

hand back.

Balance on a

and half promenade.

Forward two and back

to

back.

Forward four and back,

right

and

place.

^^-

^-^

CAPO.

l^=Z>

m. i? ^-^-1^^=^^
^3EP

!^S^p=

.t-fti

p^-gt^E^ 5

FAR O'ER HILL AND DELL.

gi^S
retire.

Four

ladies

advance and

Four gentlemen the same.

Ciiassez

all.

CAFO.

116

THE FAIRIES.
III

0T] ~ *

Right and

left.

Balancez.

Ladies' chain.
ft

Half promenade, and

right

and

left to

place.

ss^^sm^
=F=F?=
I I

N-r-P^-H^

THE ALPINE MAID.

--

Si ^
"I

E
Wr-9

H ^^
i

^ ^zti
0-^

'-r-

fr-rr
Ladies' grand chain.

:3z

W^^^m
First four lead to right, chassez out, form lines across.

All right and

left across, all

cbassez across.

^. MZt
P'~in:

5"^-

-=r

All forward and back, swing to place.

^5^

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:^

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^
t^^j=gz
:e=^

g^
E^M

GAILY THE TROUBADOUR.

B^^^iE^pl
First couple lalance to the right, four

hands round and balance

Mm 2 ^W
to

the opposite, four hands round and

=er
all

^^jH^^lpsS
chassez.

P S^^' gjEfElEgSg ^^fe^ BE

:bt

gS^lte^l^^Egi^^^l^^ft^EE^ iE^
g
1

.IJ

THE BOSTON SET.

JOHX

E.

T^J:

t^ I

HEWINS.

117

1^1

g|^^|^^^^f^fei^Sg|^fe%j^^
Right and
left four.

2. All

balance.

3. Ladies'

chain.

4. Promenade

four

g^lg^P

4:=S"forafr-:rd1,Li?Tur^pLru"er;ifplts!''"I

III

^^

^-^""^"'^

^^ "-" ^^

^ive right hand, turn to place.

3.^ead

up four

to the right; cha..ez out

anTfo^^Tft ne.

P"^

f^^

p^^

"A UArO. DA OAPO.

iS^^^^g^^^
iple

A A

Q A

Bi^M

j^^

3^

balance

to

the nght, four hands round to place.

2.-right and

left

iii^li^i^Siim^^p^^^p

with the opposite couple.

3.-Ladies' chain with the next couple.

^-All ^T^

^Se

118

MAY DAY.

^^^^^^^^^
First four right

:t=teES=i=^,i=f= lr=zr?=3i3i=: ;-f^-4

=^

a
DA OAPO.
DA OAPO.

and

left.

Balance four.

Ladies' chain.

Promenade

four.

^ILr^

m
8:
First

THE SOCIABLE.
Tialf rlglUand

J==f^f=?all,

Forward fouranAackT

^Ft^=?

laft

Side couples the same.

Chassez

and change partners.

-^-9-Wjrhalf round

Tromenade

I.

itjL 1
r

^^^^^^^^^^^^^
TURKISH DANCE.

ti-^fe

^ ^^
^
DA OAPO.

i^i^^^^g^^P^^^
fi:i !
two forward and back twice

'

+1?=
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?^

PI
DA OAPO.

Back

to

back.

Balance

to partners.

All promenade

hii

>

i^^^^

*?^
Two
ladies forward

WILLIAM TELL.
wm 9
and back.
Cross over, balance each other's partners.

wi

;^a
P
four, half right

119

t^:
and
left to

^m^^^^^^
^
'

Two

gentlemen

tlie

same.

Forward and back

^lea
place.

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::

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SING, SING, MUSIC

-#-

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Grand
right

^^^
and
left.

^^^

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g^^ a
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All balance to partners, and turn.

Grand chain.

WAS GIVEN. ^^ ^g=i3^

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'-'

FT

All promenade.

^-

Wm
H+::*
f-

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J"!>l_|^^fIZ
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DEAREST LASSIE.
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two
fiirward

i~r

-8-*

?iiz^p-^
and back, swing between side couples.

K
six,

7*

:i=^
Forward
swing
to place

First

with partners.

i^^SSH^^^
Balance
four.

Next two, &c.

=^p

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i^ei

120

^^^-'trzzt 1=:=^
57d
,i,h.

COMING TMRO' THE RYE.^ E^&^=et:^ ^

<'"'

Si^
^.^^

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itzC

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..

p^
2S
;-7;^;;-;SW"^^i-'
chain.

p-r-

^
DA CAPO.
_

MY HEART AND_LUT1L
Balance
to partners.

Side^^le

^^^1^^^BREAST KNOTS.
BONNIE
IT
iJaiuii*.^.
1."

^=^4fS^^

'*

i^^

la swing. '^^z^::^.:::^^^;^^^ .^-s(^

...
1

^^ M^,^^^^^^^^^_^^^^;^^^
<,.'^"
Afi

^I^..^B.

Gentlemen the same.

^^

^^ ^
___

DA CAPO.

THE STORM.
-^;-;;;;J;^;;;7

^E?E^rT-fert&t ^-^ IS
All promenade .0 .eats

^r^^

Balance

to

panne^

^I^^^S^^

DA

OAPO.

SWEDISH WALTZ.

1^1

LONG ISLAND WALTZ.

^Sp^^Ep^
H^-

?3^

fv-pf-r

P^F^^l^^^^gg

Idd

KNIGHT'S WALTZ.

^gfffe^:^^

m&f^^^^^'M^rf^^m^m
SEVILLE WALTZ.

^^^

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MAHON WALTZ.

%=I^
^=S^
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JJ. K/

123

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5
7

FIRTH'S WALTZ. jtlfL : ^SL

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LELAND'S WALTZ.
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COVERT'S WALTZ
^r3=r^ ^^V.^^tr

125

sagttsfiiiN
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HYDE'S WALTZ.

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ALPINE WALTZ.

P^
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^ ^iHi
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DOWNES' WALTZ.

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FRANKFORT WALTZ.

127

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BRATTLEBORO' WALTZ.

GEO. HEWS.

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fe
g=S
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1^8
PRIMO.

zBz-zt

mSECOITDO.

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CONGRESS WALTZ.

ARRANGED BY

E. A.

lA FORREST.

lES

m t=p=^=^

fe

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s
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2d time.

TAGLIONI'S GARLAND DANCE. time^

ff

u^^

1st

^
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CANARY BIRD WALTZ.

rtjr.
iW^MKBJ'

J.

PARRY.

129

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BARTLETT'S WALTZ.
t^

0^0
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130
-S1^-zrP-.

ELLSLER'S CACHUCHA.

AUBEB.

^^^^^^^te
f
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^s
rt

^
^: ^^
M
b=a S=PF=

^^^^^^^^^^i^ ^^^
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35S

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a6

:^

^^in
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^ ^
S.

^^^^^^^^^^^^m
e

SPANISH DANCE.

KNAEBEL.

^^^^^^^^^

^sg~r~Tg=J=

Pf

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:

BRADFORD'S WALTZ.

S.

KNAEBEL.

131

I
^

* *'

V
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SS

p-^

m
:^=W-W^

e=E=z:
:
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,U=J=i:4=^b=z^=^:3^

^-%=5=#^^^^=

13^

BIRD'S WALTZ.

COMPOSED FOR TWO

YIOIINS,

BY

S.

KNAEBEl.

pr

ppi^^
:j

g^f4^p^^^^l^^

3:
1'

HALL'S WALTZ.
z^igz

ft^=l^

JS*i^t^fEE^eg
qt

^1

a.

-^^-*

BRAINARD'S WALTZ.

J.

H..SEIPP.

133

m
=P=

'_

t
?^

^-f

F=r^^
^=F
g-^-^-

?
fct=^ :|^

5^
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?
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f-

nrimz :^^=P

S=^=E:

3=^=F
?^

qt

^^^^^

f^m

^
ARRANGED BY
J.

^ ^
H. SEIPP.

ALEXIS WALTZ.

^^^tjOLp^^^p^f^^^^j^
'

=i

s
/^

i-

^.r^

^i^ s ^ ^r-'?^irF=g
^
~
I

fmrirf *

i^

0-0-0-

mam*

s
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J
rrTF- 'Fm0r0

/^H^f

rr isa^AjEi^&Q=^iag6#^i}fi

mm^

I|p

3piapp^i^j##g^^#giifei^^i[p^

134

fllUICR

WALTZ.

For two Violins and Base.

J,

H. SEIPP.

m^^^m^

^^^1^
m=^TEIO.

T f
9

-9-

>

^
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^1^^=^

3:

m
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i^^e^i^^Et^ ^^P^^ ^-r'^^'i"^^ ^

it
l^

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li

ISSUE "S" MISSING

NOT AVAILABLE
'3

/SS'

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ISSUE

^'S"

MISSING

NOT AVAILABLE
%.'3
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FREISCHIITZ WALTZ.
/:

ARRANGED BY

J.

H. SEIPP.

137

itsi

M:

_g__^

? 9 9 W ? =&
1

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m
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i
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5=^
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J^
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-9

^^

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f^^^^mM "-in

GERMAN WALTZ.

^^^

5
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^Ti-

p
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138
Ist

GIPSEY WALTZ.
or

VON WEBER.

VIOLIN,

FLXTTE.

ff

:^

f'^ *

i
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.

3^

^^^

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pffffcr-m^

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GIPSEY WALTZ.
/

Continued.

139

-ft^

-^g-r-1

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#^

(^

si?a
I

rr*'

^^^ffltert

>^^:

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H=
MIMZM.

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ITT

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p^^gg^gm^rrft^
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S=^ :

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4=^'^1=^d=Mj^gfef^^

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140
Violin ^ latr
.

STARTING WALTZ.
/

1

J. H.

SEIPP.

'

'

jt-

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ii^

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Tioloncello.^

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STARTIP^G WALTZ.
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Continued.

141

fe^^ 3^
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zt:f-pEF
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3:
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143
,

GERMiN aUICR-STEP.

4REANCED BT

A.

P.

INIGHT.

B CLAB. PEIMO.

fe^ 5=5
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TROMBONE.#

g'^^tLS^mmAi
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1

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GERMAN aUICK-STEP.
-^-

c^ntinued^

143

^t^-

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3
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144

JEWETT'S GALOPADE.

ARRANGED BY

S.

OAEBEl.

S=F
I^3 Ii^
^^^ :3:

^
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S
3=

5. q^^S,' ^ i
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1-

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JEWETT'S GALOPADE.
i=^=T
p

Continued.

145
5

m^ ^^
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ARRANGED BY

A.

F.

KNIGHT.

T=^

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^m

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f-p-f-f

bk

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b* * * *
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D. 0.

BIRD'S
fe
iir-

GALOPADE.
:^

composed for two clarinets, cornopeons, or violins, by

s.

knaebel.

147
1
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LIST
BERTINI'S

PUBLISHES BY OLIVER

OF MUSICAL WORKS
DITSOIV,

US

TVASniIVGTOrV STREET, BOSTOrV

SELF INSTRUCTOR FOR ACCORDEON OR FLUTINA. CUNNABEL'S ACCORDEON PRECEPTOR. OLE BULL'S VIOLIN PRECEPTOR. THE VIOLIN COMPLETE, SPOHR'S VIOLIN SCHOOL. HOWE'S CLARIONET INSTRUCTION BOOK. KENDALL'S Do. Do. Do. HOWE'S SCHOOL FOR THE FLUTE. Do. FLUTE WITHOUT A MASTER. Do. ETHIOPIAN FLUTE INSTRUCTOR. BOSTON FLUTE INSTRUCTION BOOK. WRAGG'S FLUTE INSTRUCTOR. HOWE'S SCHOOL FOR THE FLAGEOLET.

METHOD FOR THE PIANO-FORTE.

Do. Qo. HUNTEN'S INSTRUCTIONS Do. Do. HUNTEN>8 ABRIDGMENT CZERNY'S METHOD Do. Do. EitracKKl ftom CicniT. BOSTON PIANO-FORTE INSTRUCTOR. ABRIDGED. DoCZERNY'S ONE HUNDRED EASY FIVE-FINGERED EXER-

CISES.

CZERNY'S ONE HUNDRED AND ONE PREPARATORY LESSONS FOR PIANO. CZERNY'S GRAND EXERCISES OF THE SCALE. LOGIER'S FIRST' COMPANION AND SEQUEL. CHILD'S FIRST MUSIC BOOK, Or Eiut InitnicUoiu for Pius. HOWE'S PIANO FORTE INSTRUCTOR. CRAMER'S CELEBRATED STUDIES FOR PIANO-FORTE. LABLACHE'S COMPLETE METHOD OF SINGING. CRIVELLI'S INSTRUCTIONS IN THE ART OF SINGING. MASON'S VOCAL EXERCISES. D; Lowell Muoo. ZEUNER'S ORGAN MUSIC, In T>o Puts. AN IMPROVED INSTRUCTION BOOK FOR THE ORGAN, BEAUTIES FOR THE ORGAN. Hy difforcnt Auaiom SHORT VOLUNTARIES FOR THE ORGAN, GREEN &. WHITE'S INSTRUCTIONS FOR PLAYING THE 3ERAPHINE AND MELODEON. HOWE'S Do. Do. Do. THE SERAPHINE, Dy E. L. Wnm. JOUSSE'S CATECHISM OF MUSIC. BURROWE'S PIANO-FORTE PRIMER. BURROWE'S THOROUGH BASS PRIMER. BAKER'S THEORY OF HARMONY. CZERNY'S TREATISE ON THOROUGH BASS. CORFE'S PRINCIPLES OF HARMONY AND THOROUGH BASS. WOODBURY'S ELEMENTS OF MUSICAL COMPOSITION. KUREK'S MILITARY MUSIC FOR FULL BAND. BOSTON COLLECTION OF INSTRUMENTAL MUSIC,
MUSICIAN'S COMPANION, In ThrM N'uiiibn. INSTRUMENTAL MUSICIAN, In ?ii NumWn.
For Flute, TIoUd, &e.

HOWE'S PRECEPTOR FOR THE ACCORDEON. SMALL PRECEPTOR FOR FRENCH ACCORDEOK Do. Do. Do. Do. FOR GERMAN Do. ACCORDEON WITHOUT A MASTER. Do. Do. ETHIOPIAN ACCORDEON PRECEPTOR. HOWE'S SCHOOL FOR THE VIOLIN. VIOLIN WITHOUT A MASTER. Do. Do. Do. ETHIOPIAN.

COMPLETE PRECEPTOR FOR THE BANJO. INSTRUCTOR FOR THE GUITAR. : CURTIS'S PRECEPTOR FOR THE GUITAR. HAMILTON'S PRECEPTOR FOR THE VIOLONCELLO. DISTIN'S TUTOR FOR SAX-HORN. BURDITT'S COMPLETE PRECEPTOR FOR THE SAX-HORN. POST HORN OR CORNET Do. Do. Do. CORNOPEAN. Do. Do. Do. Do. BUGLE Do. Do. THE OPERA OF SEMIRAMIOE, THE NATIONAL GLEE BOOK, THE ORPHEAN LYRE, THE GLEE SINGER'S POCKET COMPANION. THE BOSTON MUSICAL LIBRARY, By E. L. Warn THE MUSICAL LIBRARY, Jiy Ms & W^b THE SEMINARY CLASS BOOK, Mrs. PiMTHE SOUTHERN HARP, THE BEAUTIES OF CALEDONIA, AMATEUR'S SONG BOOK, THE THE GEMS OF SONG, THE UNION TEMPERANCE SONG BOOK. THE TEMPERANCE MELODEON. By A. R. Trowsmmi. THE BOSTON TEMPERANCE GLEE BOOK. By John S. COVERT & DODGE'S TEMPERANCE SONG BOOK. THE ETHIOPIAN GLEE BOOK. 1 Tmr F-mI/. THE ORATORIO OF THE CREATION, A COLLECTION OF CHANTS By IlATTto. THE ANTIQUARIAN, THE BOSTON SACRED HARMONY. By T. Biescu,. BALL ROOM ETIQUETTE, Or, Th Dancer's Compsuiiol.
.

Do. Do. Do.

Do.

Do.

FIFE.
'

I!.r

The U8ual discount to the trnde. iJo.JerB or Publisher* whc may wi^h for an edition of at least five hundred copies of cither of the abort b^oKS can be tucplied on UbCrai terms, with thiir imprinu nnminal publiaher. Either of the above can be sent to any pnrt of the tTnited Stares by mail.

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