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Sweating tubs used in the seventeenth-century treatment of
syphilis. (The Royal Society)
His fitful fever returned. Master Shakespeare pulled the hood of his cloak
down low over his eyes and hurried from his lodgings in Bishopsgate,
walking as quickly as he could on his hobbled legs. He awkwardly dodged
a pair of rambling pigs and picked his way through the dung and muck of
the city streets. The stench and fi lth rarely troubled him now, as they had
when he first came here from the country. Nearer the bridge, the clamor
of the city increased: the clatter of carts, the cries of street peddlers, the
2 | SHAKESPEARE’S TREMOR AND ORWELL’S COUGH
Even those who know little about Shakespeare are aware that there is a
sort of controversy about the authorship of his plays. A vocal and eccen-
tric minority doubts that a man of Shakespeare’s background could pos-
sess literary genius, and speculates his plays were really written by an
aristocrat who wished for some reason to remain anonymous. This belief
rests on two snobbish and mistaken assumptions: first, that a great deal of
formal education is essential for great writing; and second, that creativity
4 | SHAKESPEARE’S TREMOR AND ORWELL’S COUGH
depends on wealth and comfort. A good case could be made that the ex-
act opposite is true. Many great authors were largely self-taught, and ei-
ther did not attend university or dropped out. Furthermore, a dose of
youthful misery may help a writer by serving as a powerful stimulus to
fantasy and imagination. A recurrent biographical pattern in great writers
is a happy early childhood, followed by an adolescence made insecure by
financial catastrophe, the loss of a parent, or other traumas. Such was the
case with William Shakespeare.
Shakespeare was born in April 1564, in the market town of Stratford.
We know almost nothing about his mother Mary, but quite a lot about his
father. John Shakespeare combined something of Falstaff ’s wit and rascal-
ity, Kent’s stubbornness and loyalty, and Lear’s feckless ill judgment. He
made a lawful fortune from the glove trade, and an illegal one from usury
and black market wool dealing. His fellow citizens liked him well enough
to elect him the town’s bailiff, an office akin to that of mayor today. How-
ever, the gossamer prosperity of the Shakespeares unraveled in William’s
teenage years, as John ran afoul of the law and lost much of his money
and his lands. Elizabethan England was something between a modern
constitutional monarchy and a police state. Spies and informers enforced
religious orthodoxy and an oppressive system of trade regulations and mo-
nopolies. John Shakespeare was fined heavily, not only for his shady busi-
ness practices, but also for his repeated failures to attend Protestant
services, one of several signs that the family were probably closet Catholics.
If John Shakespeare once hoped to send his brilliant oldest son to get
a gentleman’s university education, near bankruptcy now made this im-
possible. Young Will would have studied Latin and rhetoric in the local
grammar school until the age of fifteen or sixteen, probably getting more
formal education than Dickens, Yeats, or Herman Melville would receive.
He then may have served as a tutor in a noble Catholic household in
Lancashire. By age eighteen, he was back in Stratford and hastily wed to
Anne Hathaway, twenty-six years old and two months pregnant at the
time of the marriage. According to tradition, Will toiled in his father’s
glove shop, and might also have moonlighted as a scrivener or a law clerk.
Anne gave birth to the couple’s daughter Susannah in May 1583, followed
by the twins, Hamnet and Judith, in February 1585. Shortly thereafter,
THE HARDEST KNIFE ILL- USED | 5
complications from the birth of the twins, but it might also suggest that
their sexual congress was infrequent. Infamously, he bequeathed her only
the “second-best bed.” (Despite the ingeniously benign explanations of
Shakespeare’s biographers, it is hard to believe that the supreme master of
the English language intended this as anything other than a sly, final in-
sult.) Away from home, did Shakespeare expend much energy seeking
better beds? In a 1602 diary entry, a law student, John Manningham, re-
corded this salacious anecdote about the playwright and the actor Rich-
ard Burbage:
Upon a time when Burbage played Richard the Third, there was a
citizen grew so far in liking with him that before she went from
the play she appointed him to come that night unto her by the name
of Richard the Third. Shakespeare, overhearing their conversa-
tion, went before, was entertained, and at his game ere Burbage
came. Then message being brought that Richard the Third was at
the door, Shakespeare caused return to be made that William the
Conqueror was before Richard the Third.
Even if this story seems too clever to be true, it suggests Shakespeare en-
joyed a popular reputation as something less than a paragon of marital
fidelity. Shakespeare’s high sexual alertness is also borne out by his ro-
bust ribald vocabulary. In Shakespeare’s Bawdy, Eric Partridge defines
1418 sexual or vulgar expressions in the works of Shakespeare, in a glos-
sary of over 200 pages. Shakespeare’s amorous reputation is further rein-
forced in the Sonnets, and especially in a peculiar poem entitled Willobie
His Avisa, published in 1594.
Willobie His Avisa purports to be an earnest moral tract about a vir-
tuous wife who spurns the advances of her would-be seducers. The book
was popular and went through several printings, probably because it was
actually a literary hoax and satire of the sexual mores of prominent Eliz-
abethans. Authorities found it subversive, and enhanced its scandalous
cachet by confiscating and burning copies of it in 1599.
The origins of Willobie His Avisa are obscure. In the book’s introduc-
tion, one Hadrian Dorrell claims to have found the manuscript of Avisa
8 | SHAKESPEARE’S TREMOR AND ORWELL’S COUGH
in the bedchamber of his friend and fellow Oxford student Henry Willobie.
Willobie is away on military ser vice, and Dorrell is so impressed with
the epic poem that he cannot resist preparing it for publication. Needless
to say, there is no record of a Hadrian Dorrell having attended Oxford at
this time, although there was a real Henry Willobie (or Willoughby) at
Oxford, who conveniently died in 1596. It remains unclear whether Wil-
lobie was the real author of Avisa, whether he was the butt of a sopho-
moric prank, or whether he was only a handy stalking horse for the actual
author.
Various failed suitors of Avisa are mocked in the first half of the
poem. For example, “Caveleiro,” who may represent an Elizabethan noble
with the equestrian moniker of Sir Ralph Horsey, is ridiculed as syphi-
litic: his “wanny cheeks” and “shaggy locks” make Avisa “fear the piles, or
else the pox.” The second half of the poem concerns the vain attempts of
“H. W.” to woo Avisa. H.W. is given cynical romantic advice by a man ex-
pert in the arts of seduction, the “old player” “W.S.,” his “familiar friend.”
In this passage, the passion of H.W. for the chaste Avisa is described in
vocabulary evocative of venereal disease:
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