ll!iaii.III;.;.M.A. (International Inviting Exhibition Chief Curator) (Jerry Uu) .:Ell ( Wonder Wang) .A. ( Curator): Dirk Claus Chris Coekin D J Clark Francoise Callier James Dooley Yumi Goto Zhuang Wubin Tom Dooley Shannon Castleman Norman Leslie Talhy Stotzer lan Beesley Susan Dooley Brian Storm Robin Fall ( zhangilming) !til$ ( shanzenghui l ( ilubin ) ( ilxtaoying ) .$ ( huzhonghon ) A!ll!.t ( gongzhenou l ( zhangptngkuan) ( panxuebtng) 010
Notes from the South: New Photography from Southeast Asia lR .. .A. (Curator l : Zhuang Wubin ( SO!iBit l ( Photographer) : Soullya Phoum1vong Lam Heu Thuan Khvay Sam nang KAwllsma1l TanChee Hon MMYu Paul Kadansman AyeKo Nguyen Tuong Linh Nge Lay Kamthorn Paowatlanasuk Charles Lim Chua Chye Teck Estan Cabigas JesAznar >UUHiiJ. rf-ifi iX1'lll& t lli m ;a. @ ll. SM.
t:, ! !ti WJ !1Ull1-l tJ Mil
fl/l ( E.o.IEI.il: l Sonny Yabao, ( 'If hDl! l Oscar Motuloh, ( jQI;)'t )
PoPo<{O ( 1JHlllsma11Hash1m, Y!lll!:Mh!..
z. . t mit' a 7 't' 111101 SM * o 1U 7- .lillCiaudone Somers He1dhuestt-J JJ. !I( 111-t ll! m "i ""* 7 M r;
tJJ 2;n lf' t'l - H (! C1 Jl( IIi. iltt Al iF !i. U fn!!HU!!l'/11-Ri #. i!ii rtllllll'f r.:;Jy "F. !;},.'$:1!'ili\lli!Jl Ul- 1-UH.i. Lay ( 1111 )'(; l -lOLam H1?u Thu?n ( i! iii l ftililtA :Ia U.li\l&ISJt tJ'.).1' lit fj , iJ'IIillKhvoyS :-1na"g (flit.! l lQSouhya Phoumovong ( n* l . ifiiffot:.A.81.Hif:!!fn4Hll!'inlli:lfl "\, iiHtKamthorn Paowattanasuk I 9.i l DKAz 11 1s:na11 I t!iiU!! l Ritt-l.A.I!!-ft llt.il!Jei\I C: i& fi::AI!'il9tl li!!ll ... ffl U.i:I!M&Iiltt-lti rntt-JR)'(;n. f:!!1nm . 7 .n 050 051 201 0 > . . r....- - ' -, I - . - kee -in-vieW list amongst news agencieS around world. The Durong tho Cold Wor Southeast As1a was kept on the P 11 However since the reunification of
1 ars waged either openly or cover Y reg1on was then at tho fronl11ne o proxy w . . 1 slid off the radar of international media v 1 etnam 1 n 1975 and the fall of Pol Pot four years later. the reg1on has qu1et Y the region breathes In the shadow of China. In a way, this Shift m global attention mirrors the development of photography m Asia Nowadays. curators and gallery owners fly mto China from around the world and offer her photographers a p lace on the global arena On the other hand. there 1s still an absence of in1tiat1ves in Southeast Asta where people can see d1llerent ktnds of photography produced by local photographers w1th1n the same selling. There are '""'atves m Southeast Asia that attempt to promote the med1um but they act as though the regiOn doesn t have autonomous histories" of photography If not. why do we see mfluential Southeast As1an photographers lke Sonny Yabao (Manila). Oscar Motuloh (Jakarta). Po Po (Yangon) and Ismail Hashim (Penang) percnnally snubbed at these events? Worse. some of these events confound then very preamble of havtng these 1n111atves by featu11ng regonal photographers only m portfolio review sess1ons In a way. these photo festivals "prove" to the world that Southeast As1an photographers are only good enough to be "reviewed" As such, perhaps '' 1s only approproate that we have to gather m Changsha to expenence Southeast As1an photography Chna certamty has the potential to be a mover in that regard. After all, the retat1onshp that she has enJOyed wth Southeast Asa over the centuries has always gone beyond econom1c concerns. Myop 1 c commentators who peddle hysteroa to fore1gn pol1cy magazines often 1gnore the cultural and religiOUS ltnkages that ex 1st between the reg1on and Chtna Not only has the sp1ce trade made some of the merchants richer 1t has m fact added to th 1 epa ette of south Chmese cu1sme Today, thanks to the work of h1stonans like Claudine Salmon and M s . ary omers He1dhues. we have a clearer p1cturo of the rolos played by Ch1nese Muslims (atongs 1 de Muslims of th h . . . . 0 er et n1C111es) 1n bnng1ng Islam to lndonesa and 1n helptng to found and run those sultanates s 1 nce the 15th century Clearly. there s no reason to doubt the potential of initlat 1 ves like th Ch 's '" Ina to act as a condu t f s Aslar> photography JUSt as the Stngapore International Film F 1 1 h ' or outheast es Iva ad served as the t I I Chnn d11ectors not so tong ago 1n1 IS P atform for SIXth- Wotlllrl tre constramts of a group show 1 have t 11 ed 10 present a cross-sect 1 on of nrnct ces 1n Southeast As111 11 1s by no means exhaust b contemporary photographic IVe ut offers the template f works of Nge Lav (Yangon) and Lnm Heu Thuan (Sa l or mstance to cons 1 der the gon two very different t d florent ways 1n mo samo sen 1 ng Somo 01 the teat ed ar sts Dddress1ng the medium 10 P ur artosts like Khvay Sa houmovong (VIO"'anc) are at the sian of photogra h mnang (Phnom Penh) and Souhya ( 8 k k) p IC JOurney While Olh eng o ond K Azrl lsmal (Kuala Lumpur) are already well ers like Kamthorn Paowattanasuk "ao tho n exposed n the 11 e a rro Pass on ., terrrs of IHtoculatng the concerns of r spectove count roes All of them unaer tand the soc t oa where thoy como from A 1 goner atoon and usmg the d h way rom the spotlight 1 me um to P otooraphors ore our tcrmod1a1105 10 the com 1 o global news congt P Ollyof lhe reg1on The b omerates, these Y flng With them notes from the south IU:JUIJOl/1 Souhya Phoumivong Nguyen Tuong L.nh @Lam Hoeu Thuan 052 201 0 > ~ -T iTIH! l ~ ~ ~ ~ 1 ~ Khvay Samnang C NgeLay C kamthorn paowananasuk 053 l l '
.. II Ci K Azrlllsmaol "' [f) m m Charles Lim ....... ...... ....... ...... 4:> Tan Chee Hon 054 201 0 > . mi-T#H (@ ~ ~ ~ 3 1 ~ C Chua chye teck C Estan Cabogas ~ M M Y u 055 Paul Kadansman AyeKo Jes Aznar 056