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Jayplay DECEMBER 2, 2010 volume 8, issue 14 COvEr phOTO By ChriS BrONSON 5 KANSAS IN HEAT NiCE GUyS FiNiSh LAST. Kokorohouse.com LAWRENCE'S ORIGINAL JAPANESE SUSHI AND STEAKHOUSE 601 Kasold Dr. 785.838.4134 $1.
Jayplay DECEMBER 2, 2010 volume 8, issue 14 COvEr phOTO By ChriS BrONSON 5 KANSAS IN HEAT NiCE GUyS FiNiSh LAST. Kokorohouse.com LAWRENCE'S ORIGINAL JAPANESE SUSHI AND STEAKHOUSE 601 Kasold Dr. 785.838.4134 $1.
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Jayplay DECEMBER 2, 2010 volume 8, issue 14 COvEr phOTO By ChriS BrONSON 5 KANSAS IN HEAT NiCE GUyS FiNiSh LAST. Kokorohouse.com LAWRENCE'S ORIGINAL JAPANESE SUSHI AND STEAKHOUSE 601 Kasold Dr. 785.838.4134 $1.
Copyright:
Attribution Non-Commercial (BY-NC)
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Scarica in formato PDF, TXT o leggi online su Scribd
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Free PLay at the rePLay Replay Lounge, 3 p.m.-6 p.m., free, all ages
a ceLtic christmas Lawrence Arts Center, 7:30 p.m.-10 p.m., free-$10 Freeky FriDays at DuFFys with DJ biz Duffys, 8 p.m.-2 a.m., free, 21+
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the cLub with DJ ParLe Fatsos, 10 p.m., $3, 21+
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tuesDay nite swing Kansas Union, 8 p.m.-11 p.m., free, all ages honky tonk suPPer cLub Record Bar, 7 p.m., free, 21+ conroys trivia Conroys Pub, 7:30 p.m.-10 p.m., $5, 21+
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biLLy sPeers anD the beer beLLies Johnnys Tavern, 6 p.m., free, 21+ 3 3 12 02 10 the Bottleneck 737 NEw hAmpshiRE st. the JAckpot musIc hAll 943 mAssAChusEtts st. the JAzzhAus 926 1/2 mAssAChusEtts st. the replAy lounge 946 mAssAChusEtts st. the eIghth st. tAproom 801 NEw hAmpshiRE st. lAwrence Arts center 940 NEw hAmpshiRE st. the grAnAdA 1020 mAssAChusEtts st. the pool room 925 iowA st. wIldes chAteAu 24 2412 iowA st. duFFys 2222 w. 6th st. conroys puB 3115 w. 6th st., stE. D the Bottleneck 737 NEw hAmpshiRE st. edItor | kELCi shipLEy AssocIAte edItor | ANNA ARChibALD desIgners | ALExANDRA AviLA, moRgAN stEphENs contAct | sARAh gREgoRy, bECCA hARsCh, ELLEN shEftEL mAnuAl | joN hERmEs, bRENNA LoNg, AmANDA kistNER notIce | moLLy mARtiN, josh hAfNER, spENCER ALtmAN plAy | AmANDA soRELL, AshLEy bARfoRoush, kAtE LARRAbEE heAlth | mEgAN Rupp, jACquE wEbER contrIButors | mikE ANDERsoN, bRittANy NELsoN, sAvANNAh Abbott, ChANCE CARmi- ChAEL, LANDoN mCDoNALD, ALEx tREtbAR, zACk mARsh, thomAs C. hARDy, AmANDA gAgE creAtIVe consultAnt | CARoL hoLstEAD FoLLow JayPLay on twitter twitter.com/Jayplaymagazine become a Fan oF the wescoe wit Facebook Page and your contributions could be published! JAYPLAY (785) 864-4810 The University Daily Kansan 2000 DOLE CENTER 1000 Sunnyside Dr. Lawrence, KS 66045 with it), but more because i remember that inappropriate mother/daughter giggle fest. on the same campus tour, we passed the jayhawk in front of strong hall, and, for the first time, i heard the legend behind this seemingly unsuspicious bird. we stood, listening to the tour guide, and my dad leaned in close and said, you know the story about this one, dont you? i didnt. my dad laughed, refusing to tell me until the tour began moving again. once it did, he was still laughing too hard to say anything. finally, my mom said, supposedly, when a virgin walks by, the bird flies away. And my dad, face red from laughing, said, its still here! while these things may have seemed inconsequential and silly at the time, they are examples of what has helped me navigate this campus from the beginning. i have a very clear image in my head of all the bizarre statues and landmarks littered throughout the campus: the campanile towering over campus, the pioneer by fraser i walked by everyday for three years on my way to class, the fountain sitting behind the Chancellors house, the two men in front of Lippencott. And thats what ill remember above all when i leave in here in two weeks and my time as a student expires.
with my December graduation quickly approaching, i have somewhat unwillingly been forced to reminisce over the last three and a half years of my life spent walking the ku campus. And after reading jons story on page 10 about the various sculptures scattered all around campus, i began to think about my first memories of the landmarks lining jayhawk boulevard that helped me get my bearings as a clueless freshman. my senior year of high school was one of the first times i really remember being on campus. my parents (both ku grads themselves) walked with me along jayhawk boulevard for my first official tour of campus. we made our way from the union towards the Chi omega fountain. but first, we made a stop ill never forget: Dyche hall. when the tour guide said the name, all i could do was shoot a glance at my mom, eyebrow raised. without warning, we both erupted into giggles. And now, every time someone mentions Dyche hall, i cant contain myself. its not because of my reigning immaturity (although that might have something to do AnnA ArchIBAld | AssoCiAtE EDitoR CONTACT 7 16 12 02 10 4 five questions // laura williams & tia mowry > Two people. Five questions. See how they stack up. | BECCA HARSCH | laura williams > Laura WiLLiams is a LaWrence junior majoring in theatre performance.
Tia mowry > tia moWry WiLL be reprising her roLe as meLanie barnett on the fourth season of the game on bet. she is aLso knoWn for roLe as tia on the popuLar sitcom, sister, sister. WHAT dO yOu THiNk ABOuT TWiTTER? WHAT iS THE fAvORiTE ROlE yOu HAvE plAyEd? WHAT iS yOuR BEAuTy REgimEN likE? WHAT iS yOuR OpiNiON ON Glee? WHAT WAS yOuR WORST AudiTiON ExpERiENCE? i dont tweet. i havent really tried Twitter because i generally use face- book. i dont feel the need to have multiple social media pages so i just stick to one. im obsessed with Twitter. my husband said i will turn into a bird if i keep tweeting. He got a Twitter account and now hes the bird. its great to interact with fans through the internet. my most recent role as Helen in The Trojan Women. The whole experi- ence was amazing. i studied abroad in greece this summer, and we got to perform this show in an ancient greek theatre. melanie Barnett, the one im currently playing. melanie is a doctor who is married to an Nfl football star. Shes smart, relatable and multifaceted. Shes a challenge to play. i dont like to be bored with characters. i dont spend a lot of time getting ready. if i am in a play, it could take up to an hour to get ready. That all depends on the character though. im very conscious about taking care of my skin, and i try to eat healthy. i drink lots of water to keep my skin and body hydrated. it makes me feel alive. i like to stick with organic products and avoid chemicals on the skin. i also work out and do yoga. Who doesnt like to watch Glee? i think its a pretty entertaining show. i have to admit it can be a little ridiculous in the way it portrays high school. i suppose thats the fun of it. i havent seen the show at all because ive been so busy working. ive known Naya Rivera (Glees Santana lopez) since she was nine. i am so in awe and proud to see her on such a popular show. my worst audition was probably my freshman year. it was in front of a lot of directors that i didnt know. i completely blanked in the middle of a monologue and it felt like forever before i could remember the rest of it. The worst was for a movie audition that i had to cry for. i rehearsed crying at home and with my acting coach, but as soon as i got into the auditioning room i couldnt get my tears out. it was horrible. CONTACT 5 12 02 10 catch of the week // Meg RuggieRi > Our weekly peek at a fsh in the KU sea. Interests & hobbIes: Singing in the shower or in my car (Disney music is my specialty), traveling, raging, shopping online, sushi, running, raging, my sorority, and my dog, Daisy.
notIces fIrst In a potentIal partner: Well that probably depends how many drinks I have had and what time of night it is .... Truthfully though, I would probably just say hair. I mean no hair gel, no receding hairline, no comb-over, no I-clearly-just-spent-60-minutes- doing-my-hair-in-the-mirror. Just naturally good hair. Oh and also a nice smile. turn ons: An appreciation for sarcasm, making me laugh, spontaneity, and a little chivalry here and there doesnt hurt. turn offs: The sense of humor of a piece of cardboard, Affiction t-shirts, pants with creatures such as whales or lobsters on them, rudeness, stage fve clinger types and mouth- breathers.
HOMETOWN: Denver, Colo. MAJOR: Journalism YEAR: Senior INTERESTED IN: Men | EllEN ShEfTEl | why Im a catch: Im fun, I like to have a good time and I dont read Twilight. how we met // KatheRine DoKKo & Paul SPecKin | EllEN ShEfTEl | Contributed photo When duty calls: Katherine Dokko had a run-in with her future boyfriend while she was exiting the mens restroom at Oliver Hall. > All great relationships had to start somewhere. Katherine Dokko frst met her boyfriend while she was leaving the bathroom the mens bathroom. Dokko, Shawnee sophomore, was exiting the mens restroom in Oliver hall, when she bumped into Paul Speckin, Overland Park sophomore. Speckin and his friend were head- ing to his dorm room. Confused on what room she was supposed to be meeting her friends at, Speckin asked Dokko if she would like to join him and his friend. At frst I was like, uh no. But then I thought, what the heck, Dokko says. The two watched a movie and talked for the majority of the night. At frst she shot me down, but then she decided to come along, Speckin says. Ever since then we just started hanging out more and I eventually asked her to be my girlfriend and she said yes. The couple has been going strong since last May and enjoy doing a variety of things togeth- er. Eating Chipotle is defnitely up there with stuff we enjoy doing, Speckin says. Dokko and Speckin also enjoy watching movies and TV. > Tackle the sticky world of relationships. kansas In heat // JeRKing aRounD Q. Can you please explain why all women date jerks? Mike Anderson, Dellwood, Minn. graduate stu- dent, is the host of Kansas in Heat, a talk show about sex and relationships that airs Wednesdays at 11 p.m. on KJHK, 90.7fm and at kjhk.org. ThE OPINIONS Of ThIS COlUMNIST DO NOT NECES- SARIlY REflECT ThE VIEWS Of JAYPlAY. KANSAS IN hEAT IS NOT TO BE CONSIDERED AS A SUBSTITUTE fOR PROfESSIONAl hElP. a. first of all, lets not say all women like jerks. Second, there are various lev- els of jerkiness. I can provide three rea- sons why this seems to be the case. 1. Socialization: It is considered normal for women to date jerks its almost expected. People have friends who date jerks and they think to themselves, Ill try it,or hell be dif- ferent. 2. A lot of women like the chase, and jerks can be the ultimate prize because they have a carefree attitude. Jerks, unlike nice guys, dont work very hard to get someones affec- tion. Theyre confdent and let you chase them, rather than the other way around. That is very attractive to a lot of women. 3. Jerks often manage the tension between routine and spontaneity better than the aver- age guy. And because they are jerks, when- ever they do anything spontaneous or nice, it means so much more. Some women have lower esteem, or lower expectations, on what a romantic partner is supposed to do or say. These women often date jerks. Its not that women dont like dating nice guys they dont like dating weak guys, guys with no confdence, opinions, or ambition. All too often those guys get lumped into the nice guy category. You can still be nice and date beautiful, intelligent women you just have to use spontaneity better, and express your strengths and confdence. | MIKE ANDERSON |
lied.ku.edu 785-864-2787
ORDER TODAY TUESDAY, DEC. 7 7:30 p.m. $25 STUDENT TICKETS { CHECK OUT "BEND AND SNAP" CONTESTANTS AT LIED.KU.EDU OR ON OUR YOUTUBE CHANNEL AND VOTE FOR A WINNER! hunger, but few people know that there are two different kinds of fber. Keri Glassman, a nutritionist and contributing author to Womens Health, says men need 30 to 38 grams of fber a day while women need 25 to 30. She says most people consume insoluble fber, rather than its counterpart. Insoluble fber, found in high-fber cereal, whole wheat bread and vegetables, has recently become the additive companies use to enhance fber grams in food. Because it cannot be digested, it runs through your body without adding calories, but doesnt have the same nutritional benefts of soluble fber. To add fber to your diet without resorting to fortifed with fber products, Glassman suggests eating raspberries (8 g in 1 cup), black beans (15 g in 1 cup) and oatmeal (6 g in 1 cup). Glassman says foods with fber additives arent bad for you, but getting fber from whole foods can be more benefcial for your diet. Verdict: Not as good for you sugary favor goes away or you will be bathing your teeth in all kinds of sugar again, which is counterproductive. To avoid this problem, Kincaid suggests chewing sugar-free gums made with Xylitol. Xylitol is a non-fermenting sugar alcohol used as a sugar substitute in some brands of gum. It has been shown to reduce cavities and bacteria, making it a healthy choice for your teeth. Verdict: Good for you! HEALTH 12 02 10 6 High-fber diets are all the rage, but are you getting enough of what you actually need? Melissa Goucher, Olathe senior, says she sees cereals, granola bars and breads labeled as fortifed with fber more now than ever, but still has no idea what it means. She says she assumes fortifed fber is good for you, but doesnt make it a priority in her diet because there seems to always be some new health trend. Experts say Goucher may be on to something. A high-fber diet is helpful in controlling cholesterol, blood pressure, digestion and Becca Walker pops in a piece of Spearmint- favored Trident gum after every meal to freshen her breath and clean her teeth. I am addicted, says Walker, Topeka freshman. I am the go-to girl when my friends need a piece because they know I always have it on me. I would feel naked without my gum. But for some, chewing gum can actually worsen oral health conditions. If somebody has jaw-joint problems, chomping up and down on a piece of gum would be like banging away at their jaws with a little nail and hammer, says Charles Kincaid, a dentist at Associates in Dentistry, 306 E. 23rd St. For those who dont have jaw problems, Kincaid says chewing gum can be a good thing. Chewing gum helps produce saliva, which removes food debris from your teeth and helps prevent cavities. Anything that helps you produce more spit is a good thing, Kincaid says. To get the benefts from your gum, Kincaid says you must chew it until the favor is gone. Dont pop in a new piece of gum once that Good for you bad for you // added fiber Good for you bad for you // GUM > Sometimes its hard to tell. > Sometimes its hard to tell. | MEGAn Rupp | | JACquE WEBER | Contributed photo Faking it: Just because a food item is fortifed with fber doesnt mean its healthier. Skip foods with added fber and go for those that have a natural supply, like raspberries. Blowing bubbles: Popping in a piece of gum can be benefcial for your mouth. Te gum helps produce saliva, keeping your teeth clean and preventing cavities. Contributed photo
u n i v e r s i t y d a i l y k a n s a n LAWRENCES ORIGINAL JAPANESE SUSHI & STEAKHOUSE $1.95 Sake Bombs After 9pm MANUAL 2 12 02 10 7 | BRENNA LONG | do with their lives. Meech, who co-directs with Curatola, steps out of the writer role to develop the characters from his script. Plains will be performed for the frst time by the MTI On Dec. 3 at 7:30 p.m. and Dec. 4 at 8 p.m. The free play will be in the William Inge Theatre in Murphy Hall. Why pass up free entertainment that applies to your life? Curatola says. get some culture // MuLticuLtuRAL thEAtRE iNitiAtivE The Multicultural Theatre Initiative (MTI) opens the stage for diverse plays and student opportunities. The group started at KU in 2008 and has performed subject matter ranging from puppets to teen violence. The point of multicultural theater is to involve everyone, says Jackie Koester, group member and Hoisington senior. If it only had a pool of theater majors, it wouldnt exemplify campus. Ive seen computer programmers and engineers who can act. Not only does the group involve outside majors, but members take on diverse roles. Performing in the puppet act last year, Jenny Curatola, Lansing sophomore, takes on leadership, co-directing their upcoming show, Plains. It doesnt matter if you have no experience. Id never directed, she says. MTI steps away from well-known plots, reading and developing original scripts. Plains, which was written by Harry Meech from Wainuiomata, New Zealand, and received the New Zealand Young Playwright award in 2009, is about the post apocalypse and what people Actors all around: Te goal of the Multicultural Teatre Initiative is to include members of all backgrounds, even those who arent used to reading scripts. Te group performs Plains this weekend in Murphy Hall. > Its not all about fast food and beer pong.
Contributed photo essential life skills // BAskEtBALL cAMpiNG > In case of emergency, read quickly. Its not enough to have tickets to KU basketball games. For good seats, you have to camp. Since the 2005-2006 season, Mark Pacey, Manhattan graduate student, has been in charge of basketball camping. Camping is mostly habit to me now, and I like my seat. The frst step to getting good seats is to organize a camping group of students. To get on the list, your group needs to go to lottery in Allen Fieldhouse at 6 a.m. the day after every home game. When you arrive, fnd Pacey, put your name down and wait for your turn to pick a numbered poker chip. Each group can have a maximum of 30 members. For each fve members who show up to lottery, you get one number. So if you have 30 members, youll get six tries for your number. Your place in line is determined by the highest number you draw. Pacey posts the order on the doors at Allen Fieldhouse. If you dont have fve members or miss camping, you can add your name to the bottom of the list. Once you have a spot, you camp. Camping takes place from 6 a.m. to 10 p.m. during the week, and 8 a.m. to 10 p.m. on the weekends. Someone from your group should be present for roll call at all times. If not, youll be crossed off the list. Out of a group of 30, Jimmy Caprio, Carmel, Calif., junior, only trusts four members for the 6 a.m. role call. Im going to be real mad if we get crossed off, and they get kicked out of the group. I have a zero tolerance policy, he says. After camping, the groups do a fnal roll call 30 minutes before doors open for the game, and the groups get their place in line. Ive been in the frst couple rows 10 times, and in the front fve or six times, Caprio says. It pays off. Role call: Getting basketball seats to see the Jayhawks in action can take a lot of work. So get a group together, set up shifts and camp out in cozy Allen Fieldhouse. Contributed photo | BRENNA LONG | Public art helps people to understand the collective humanity that we share. Ted Johnson, former Professor Emeritus of French and Italian and guide of a stop day walking tour that examines the monuments on campus, says. Each work of art on campus is fascinating because it represents the idea of the knowledge that has accumulated over thousands of years of human history. Walking across the University of Kansass campus is like taking a step back in time. The public art on campus tells the story of each generation that has walked across Mount Oread. Public art, in the context of campus, challenges us, Saralyn Reece Hardy, Director of Spencer Museum of Art, says. It interrupts our days in a good way. Its always there to visit and interact with. We interact with these works every day, sometimes without even thinking about it. These are the stories behind a few monuments we walk by every day. On a leisurely walk through campus, two students stop to look at the grotesques lining the faade of Dyche Hall, home to the Natural History Museum. The year was 1913 and Mount Oread only had a few buildings lining what would eventually become Jayhawk Blvd. Dyche Hall, which had only been completed a decade earlier, overlooked the endless Kansas landscape. One of the girls turned to her friend and asked what the statues on the building were. Legend has it that her friend, Helen Rhoda Hoopes, replied, Oh, they are something like a sore throat, but I forget just what. Hoopes later became a popular professor at KU, a published Kansas poet, and the frst woman editor for The University Daily Kansan. Its interesting that people always establish different conclusions to the meanings of the grotesques, Ted Johnson says. Some like them, some dont. Each grotesque involved a lot of thought. They are Chimera, a combination of several different animals. 7 12 02 10 8 FEATURE Way back when: Te statue of James Wood Green and a student was the subject of pranks and the center of rivalry between the law and engineering schools. It still stands by Lippencott Hall. Historical photos courtesy of the Spencer Research Library By | JON HERMES Joseph Robaldo Frazee and his son Vitruvius, Italian stone carvers who lived in Lawrence at the turn of the century, carved twelve grotesques between 1901 and 1902. Grotesques, unlike gargoyles, which were used as gothic drainage systems on buildings, serve only aesthetic purposes. The twelve grotesques were placed on the building, four on each side. These statues watched over campus until 1962 when four were removed to make way for a new wing of Dyche Hall. During Spring of 1902, two KU students, Antonio Tommasini and Fred Pickett, frequently stopped by Fowler shops, where the Frazees were carving the grotesques. Enamored by the carving process, Tommasini and Pickett were allowed to work in the shop dressing tools and watch the grotesques take shape. Joseph Robaldo Frazee even allowed the two students, under his supervision, to help carve one of the grotesques, an early representation of the Jayhawk, with Pickett carving one half and Tommasini fnishing the rest. Tommasini describes the process in a letter dated March 14, 1941, to Walter Salathiel, a former classmate of Tommasinis: No models were used for the fgures a stone was set up on a block, a few (to me) meaningless marks were made on it and then the mallet and chisel in Mr. Frazees hands started at the top and worked down, to free the fgure from its encasing stone. The Universitys chant, which became the offcial school yell in 1873, is carved into three of the grotesques. This was the frst time a schools chant had been immortalized in sculpture. If you look closely you can see Rock Chalk on the breast of a grotesque on the Southwest side of the building with an engraving of 1873 below it, which marks the frst graduating class at KU. JHawk? is engraved in the breast of a grotesque but the question mark remains a mystery. Any other school that carves their yell will not be as venerable as ours, Johnson says. Art And CAmpus A grotesque image: Between 1901 and 1902, Joseph Robaldo Frazee and his son carved twelve grotesques that were placed along each side of Dyche Hall. Tey were moved in 1962, and some are still present today, sitting above the entryway to the building. A historicAl look At student interActions with kus public Art 9 12 02 10 FEATURE A diferent time: Te Pioneer, now standing on the south side of Fraser Hall, was a gift from the class of 1920. It has had many homes on the KU campus, including where the Chi Omega fountain stands today. Tommasini and Pickett represent early student fascination with campus art and were lucky enough to witness and participate in the creation of the Dyche Hall grotesques. But KUs history of public art really began in 1904 when Simeon Bell, a physician, donated The Pioneer, then known as The Corn Planter, to the University. The Pioneer was the frst ground sculpture on KUs campus. However, the University stored the statue in Dyche Hall for 12 years before it was fnally placed in front of Spooner Hall in 1916. Since its frst public display, it has had several location changes, including the space that Chi Omega Fountain now occupies. The Pioneer, now located south of Fraser Hall on the main campus of KU, is roughly a life-size depiction of a man leaning on a shovel, planting corn seeds. There are two ears of corn at his feet. The concrete base was a gift from the class of 1920. It was during that year the name of the statue was changed to The Pioneer to better suit the idea of Kansass early settlers and Americas westward expansion. The Pioneer deals with our history, Elizabeth Kowalchuk, associate dean for the school of the arts and a member of the Art Historical photos courtesy of the Spencer Research Library On a spring day in 1967, Frank Kirk, a third- year law student, eagerly walked to his last class in old Green Hall, now Lippincott Hall. He made the familiar trek down Jayhawk Blvd., the same route he had taken daily over the last three years. He was known to have never missed a day of class while attending KU. According to a 1974 Lawrence Journal World article, several of his classmates handcuffed him to the leg of the Uncle Jimmy Green statue in an attempt to break his attendance record. However, James K. Logan, the dean of the law school, heard of Kirks predicament and moved class outside, saving Kirks perfect record. The statue of James Wood Green mentoring a student may be the most popular and beloved statue on campus, Kowalchuk says. Green, lovingly referred to by his students as Uncle Jimmy, was the dean of the School of Law from 1879 until his death in 1919. The statue, carved by renowned sculptor Daniel Chester French, who also carved Abraham Lincoln for the Lincoln Memorial in Washington D.C., depicts Uncle Jimmy with his arm around a student. It continues to represent the idea of mentor and student and the passing of knowledge from one generation to the next. Chester French, a widely sought after sculptor, initially declined to carve the statue but was convinced to visit Lawrence by alumni who wrote him relentlessly. Legend has it that he decided to accept the task because he had never known a person except Abraham Lincoln who was so beloved by the people that knew him. The statue was erected in 1924 with funds raised by the KU students and faculty who held a World War I memorial drive, known as the Million Dollar drive, which also raised funds for the frst union and football stadium. The unknown student in the sculpture has been the subject of much debate over the past century. Many people claim the student is Alfred C. Alford, though there is no clear indication that this is true. Whether true or not, Alford is historically important to KU. He graduated with a law degree in 1897. He was the frst KU student killed while fghting in the Philippines during the Spanish-American war. His mother, Susan, was one of 26 women to attend KU on the frst day of classes in 1866. The Rock Chalk chant was created on his grandfathers farm, where students and faculty often spent leisure time. Much like the experience of James Kirk, Uncle Jimmy has also been the subject of many pranks and the center of the rivalry between the law and engineering schools. The rivalry was usually centered on football game days and St. Patricks Day, when the engineering school painted Uncle Jimmy green. Controversy erupted in 1974 when the law school relocated across campus and tried to move Uncle Jimmy with it. After student protests, it was decided that the man who and Campus Committee, says. Because the Oregon trail might have passed near the site, renaming the statue, right or wrong, was probably an attempt to make the sculpture ft with early campus ideals. Bell once said that The Pioneer represents the diffculties and determination of the early settlers of Kansas. Bell hoped that succeeding generations might understand the diffculties and handicaps early Kansans encountered. However, the mythology of The Pioneer has changed over time. By the 1960s, Bells idea was replaced by amused college students who said that The Pioneer shoveled dirt whenever a virgin walked by. The Pioneer held the honor of being the subject of many student paintings until the statue of Uncle Jimmy Green was erected. A recent example of a student interacting with campus art happened during winter 2009, when former student Matthew Farley, the artist who created the Frozen Assets installation in the Chi Omega Fountain in 2008, visited Salina Piece on campus west. Realizing the 35-foot tall abstract steel structure resembled a waffe iron, Farley set to work making a snow waffe underneath its 90 degree angled waffe-like grid. This was a creative response to public art, Susan Earle, curator of European and American Art for the Spencer Museum of Art, says. It was an irreverent take on a forbidding work of art. Salina Piece started controversy when its pieces were frst spread out near a residential area south of campus. Originally it was supposed to be located on the triangular piece of land at 16th and Indiana St., but many people were outraged at the thought of having the enormous structure within view of their homes. Public art will offend, thats the sensitive issue, Jeff Weinberg, assistant to the Chancellor and member of the Art and Campus Committee, says. The outrage began before the work was ever put together. According to a 1981 University Daily Kansan article, Salina Piece remained in pieces for nearly six months and was the target for vandals who spray-painted, Ugly Junk, and First Place Bad Taste on the sculpture. There was also a failed attempt at raising the sculpture but it fell to the ground further convincing neighbors that it was a safety hazard as well as an eye sore. After KU alumni threatened to begin an advertising campaign opposing the work, the University decided to move the sculpture to its new location on campus west near Youngsberg Hall and the KU endowment center, a spot that Weinberg says is spectacular. It has safely remained in that spot since 1984. Though only fve works were mentioned in this article, there are hidden gems all across campus that are worth exploring and taking the time to notice. Thinking about these works and why they are present on the campus is important to understanding where KU has been and where it is headed. started the KU law school in 1878 would remain on Jayhawk Blvd. Jp 12 02 10 10 NOTICE wescoe wit > Lol. Have you overheard any Wescoe witticisms? Become a fan on Facebook and your post could be published in Jayplay! So I snuck into a girls bathroom at Hashinger to go pee and they had these weird boxes in their stalls. Well, what was in them? Dont. Even. Ask. GUY 2: GUY 1: GUY 1: Im like a cross between Han Solo and the Apostle Paul. What? In other words, Im a sex symbol. GUY: GUY: GiRL: Class, you need to be writing all of this down. I know I take notes when Im at the psychiatrist. PRoFessoR: | JOSH HAfNEr | Dude, did you seriously took your MacBook into the bathroom last night? What? I was dropping a deuce. I had some time on my hands. Well, those laptop batteries get hot. Dont say I didnt warn you. GUY 2: GUY 1: GUY 1: Yes, you must include sources in your paper. So, hypothetically speaking, if my brother informed me that its better to smoke pot through a vaporizer than a bong, I have to source that. PRoFessoR: Make the relationships in your writing realistic. Not every relationship has to be Oh, this girl broke up with me and now Im going to be a Sherpa monk in the Himalayas. It can just be about sex and power. PRoFessoR: THURSDAY DOLLAR NIGHT! $1 Beers, Shots & Wells
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b e d . Q&A // Eric FrEdEric oF WallpapEr. NOTICE Wallpaper. began with Eric Frederic and a computer in 2005. Frederic sang over his beats using auto-tune an odd vocal effect previously used only by Cher in her song, Believe. Since then, Auto-Tune has taken pop music by storm and Wallpaper. has dropped the effect. Frederics solo project is now a full-blown band, joined by drummer Arjun Singh and Frederics sleezy, booze- mongering stage persona, Ricky Reed. On stage, Reed and Wallpaper. bring an all-out party of pop beats and excess while satirizing all-out partying, pop beats and excess. Frederic dialed in with Jayplay to talk about satire, Ricky Reed and the best of Kansas City barbecue. Jayplay: What role does satire play in Wallpaper.? Eric Frederic: When I started Wallpaper., it [satire] was addressing issues I had with pop music and the music industry and even had some political sensibilities. Now, Ricky Reed is a device used to talk about things like sociological issues, both good and bad, the direction American consumer culture is going and where were going to end up in this digital age. JP: Is being Ricky Reed an easier way to talk about society and consumerism? EF: I think its easy when you have a dude like Ricky Reed singing. All you have to do is personify these issues. It would be challenging to put together some super smart political discourse juxtaposed with funky beats, but its much easier to embody them. JP: Does Ricky Reed do interviews? EF: We dont do them very often because it weirds out and alienates journalists. Hes just kind of rude and irreverent. A | JOSH HAFNER | 3 11 12 02 10 > Because we have questions. Celebrities have answers. journalist has to be able to handle an extreme level of awkwardness. He and Arjun, our drummer, were interviewed together. Ricky was talking shit to Arjun and Arjun was looking confused. The interviewer froze up uncomfortably and ended it. Ricky is generally reckless and irresponsible. As much of a cool front he puts up, he drinks too much and deep down he feels insecure with the people around him. JP: Does the audience realize the satire occurring onstage and in the music? EF: I think the people that do get it arent standing still going Oh, well this is thoughtful. I hope what people do understand they apply to their day-to-day life, but when theyre at the show, the bottom line is having fun. JP: Is the band still as much a response to pop music today as it was in 2005? What do you see as the state of pop today? EF: The focus defnitely changed. Were more of a band now. I was using auto-tune before it was the thing, but now that its come and gone Im way done with that shit. I think the overall goal of the project is still the same get people up and having a good time while injecting it with the same commentary weve had since day one. JP: How was the live experience conceived and how has it evolved? EF: Its become easy to tour with just vocals and drums and tracks. I think drumming is the most visceral musical element you can put into the show, so live drumming is refected in our recordings, too. Im a sucker for electronic drums, but live drums are the shit. JP: What kind of gear do you travel with? EF: We tour with a very small amount of actual gear. Our tracks run off an iPod in a really nice road case I have. We dont have a lot of keyboards or laptops like every other band in the universe. We have a really clean thing so Ricky has free run of the stage. JP: How did your time at Berkeley School of Music infuence your sound? EF: I studied West African percussion at Berkeley. You can hear the infuences running through the music. My degree was in classical and jazz composition. One of our songs is fully based on traditional West African rhythm. At the beginning I apologize for kind of taking something sacred and bastardizing it in my song. JP: A key component of Wallpaper. is the bands viral presence online. How have you stayed on top of Web 2.0 to make it do your musical bidding? EF: That stuff has come naturally. As these different technologies develop we can tell which ones makes sense to use and which ones dont. There are technologies that pop up where Im like Wow, that has no relevancy to us and will die a slow death. But some are really basic. YouTube and the concept of video blogging just make so much sense. Its one-on-one modern fan interaction. JP: So in a way, youre having your cake and eating it too, leveraging the internet while commenting on an internet- obsessed culture, partying on stage while satirizing a party-obsessed culture, and so on. EF: Thats exactly what I was talking about the inner confict issues. Were using these devices to comment on them. I dont have a personal Twitter account or my own foursquare account I try to keep separated. But I make sure the Wallpaper. ones are updated and current. I spend more time than Im comfortable with on that shit. JP: Anthony Bordains favorite barbeque place, Oklahoma Joes, is just east of Lawrence in KC. EF: Dude, I know. We rushed around town to fnd it but it was Sunday and they were closed. I was so pissed. Hopefully on this coming tour well be able to stop by. Three people at our KC show told us to try the Z-Man sandwich. Any other recomm- endations? JP: Their fries are supposed to be the best in KC. And the burnt ends are pretty great. EF: Burnt ends? What are those? JP: Theyre the end part of a brisket, a kind of a delicacy in KC barbecue. Well trade you some in exchange for some west coast beats. EF: Oh totally. I got that those beats bottled up in my pocket. They aint going nowhere. Alter ego: Eric Frederic uses his stage persona of Ricky Reed to address societal issues like consumerism and culture. His snythy, pop beats are the result of using auto-tune technology, a technique that began in the early millennium and has currently taken the pop world by storm. Contributed Photo Outside the lines: Quinn Brabender, dummer of My Brother, Te Vulture, says the band steers clear of the indie music genre commonly associated with Lawrence bands. PLAY 7 16 12 02 10 12 jority of people arent looking for our music. He says their tunes are rooted in rock, in- spired by progressive rock band As Cities Burn and metal, grunge band Every Time I Die. Gui- tarist Jon Marzette adds rapper Drake to their list of musical infuences. Drake is living the thug life. My Brother, The Vulture is living the gig-life, says guitarist Cam- eron Birdsall, the Kansas City, Kan. sophomore commonly known as Boats. My Brother, The Vulture will perform at The Bottleneck, 737 New Hampshire St., on Dec. 3, but are making music all the time. We actually wrote a song today, Birdsall says. And its going to make you want to get down. Even if it doesnt, youll still like watching the band perform. The boys play with passion. They scream. They sing. They jump up and down with their limbs fying everywhere. Ive got some pretty long arms, says Bra- bender, the drummer. Thats a sight in itself. STAGE PRESENCE // My Brother, the Vulture Loud. Fast. Hard. Thats how the fve mem- bers of My Brother, The Vulture like to play. The band, whose name was chosen from sug- gestions via Twitter, was born in September, but their hardcore/metal sound is already un- mistakable. Drummer Quinn Brabender says theyre working on a new type of music revival, so its hard to compare themselves to modern bands. However, the Lawrence junior guaran- tees they are not an indie band. We definitely arent the cookie cutter Lawrence band, Brabender says. The ma- | Ashley BArforoush | Contributed photo Contributed photo > Local musicians. Feel free to swoon. for six short months, yet they have already accomplished a collective childhood dream. All five members Tyler Francis, Adrian Rees, Braden Young, Hugh Naughtin and Vincent Williams grew up in Lawrence. Francis says in middle school he remembers looking up to the artists who competed in Farmers Ball. Achieving this local goal has the band set on more national sights Francis says he wants to take the band on the road. He says no matter where they end up, the band wants to represent Kansas to the full- est because growing up here helped shape the bands core. The Will Nots, who are not signed to a re- cord label, are currently in the works of pro- ducing their frst single, Windows, which will be available on iTunes in late December. They will also be playing a show this Sat- urday at the Jazzhaus, 926 Massachusetts. STAGE PRESENCE // the wIll Nots On Oct. 22, members of The Will Nots achieved a life goal: They won Farmers Ball KJHKs annual music competition. Compet- ing in Farmers Ball was on our list of things to do, Tyler Francis says. Getting to cross it off as winners felt great. The five-man band has only been together | KAte lArrABee | Home grown talent: Members of Te Will Nots won Lawrences local music competition, Farmers Ball, and have their sights set on taking their sounds bicoastal. > Local musicians. Feel free to swoon. SCENE ANd hEARd // lAwreNce fAIr trAde > New places. New faces. Life isnt always fair but your holiday purchases can be. The Lawrence Fair Trade Coalition is hosting its 19th annual Fair Trade Holiday Market at the Ecumenical Christian Ministries building, 1204 Oread Ave., from dec. 2 (11 a.m. to 6 p.m.) through dec. 5 (8 a.m. to 7 p.m.). Climb the stairs just inside the front entrance and fnd rows of handmade products from all over the world: an apron from Uganda, ornaments from India, statues from Tanzania and organic baby toys from Egypt. Thirty-fve different countries are represented this year and the majority of items range from $1 to $25. You can pay knowing your pennies are going straight to the source. Youre cutting out the middle man so its fair. The money will go the artisans, says Whittney Kinnamon, Lawrence senior. Kinnamon is a member of Lawrence Fair Trade, a community and student organization dedicated to raising awareness of global economic injustice. The Fair Trade movement guarantees the rights of the artisans with two main goals: safe working conditions and fair pay. Alicia Erickson has been a member for four Multicultural crafts: Te Lawrence Fair Trade Coalition brings you gifts from Africa and Asia, and ensures fair payment to the artisans. Contributed Photo years and explains how Fair Trade works within the current trade system, placing value not just on proft, but on people and the planet as well. She says every high-quality craft, textile and piece of clothing at the market has a story. Being able to give something with such a powerful story like a bag from Calcutta that was handmade by a young woman, giving her a job and a life broken free from forced prostitution is so different from what you fnd at the typical craft fair, Erickson says. | Ashley BArforoush | Burgess, who may never have admired the adventure of geocaching were it not for her smartphone, says its one of the best free activities shes found to do, and the geocaching application makes it even easier. Its a way to baby step into it, she says. If youve already spent the money on your phone and it has the app, its not as accurate as the GPS but its easier to use and a lot more accessible, so I think its growing in popularity. Dawn Kirchner, senior museum educator, says the caches on campus are some of the easiest to fnd, but just as geocaching is for people of any age, it can also be as easy or as diffcult as geocachers desire. Some of the more extreme caches across the world, Kirchner says, are hidden so that geocachers have to scuba dive or repel off of a cliff to uncover. But she says even the easy ones in public places are thrilling to fnd. Its just a lot of fun. You can do it going to the grocery store. It puts a sense of adventure into everyday things, Kirchner says. Just as campus is more than meets the eye, Mass Street also contains more than shops and restaurants, but only if you know where to look. Alli Butler, Overland Park senior, says geocaching is fun because its a goal-oriented activity, and its caused her to spend more time noticing the details of her surroundings. Before I geocached, I walked up and down Mass Street hundreds of times and never knew that right around the corner from me there was a little geocache, Butler says. If you dont remove them, over time, theyre little pieces of history. PLAY 13 12 02 10 Jp CaChe-ing in | AmAndA sorell | HigH-tecH Hide and seek uncovers Hidden treasures The KU campus is a beautiful place, offering a stunning vista of the Lawrence landscape and an array of beautiful trees, fowerbeds and sculptures. But some treasures on campus arent as visible, and theres only way to hunt those treasures down by geocaching. Geocaching is described as a high-tech treasure hunting game, according to www. geocaching.com, where those seeking unseen treasures can log onto the website to fnd the longitudinal and latitudinal coordinates of hidden caches. Caches are containers that include a logbook inside for guests to sign, and possibly small items. According to the website, there are 1,277,030 geocaches in the world, more than 800 of which are in Lawrence. And with an increasing number of smartphones gracing the palms of students, geocaching is more accessible than ever. Geocachers can fnd caches by plugging the coordinates into a GPS or smartphone application. Once they locate the cache, which can sometimes be as small as a flm canister, they simply sign the logbook with their names and the date and put it back where they found it. Depending on the cache, geocachers can also take a small item, like a sticker or a toy, out of the container if they put an item of similar value back. At frst, geocaching seemed more of a hassle than a pastime for Amy Burgess, an avid geocacher from Overland Park. Burgess says she watched her stepfather do it as she was growing up and never considered doing it herself. But after purchasing a smartphone and seeing the geocaching application, which shows users various locations of nearby caches, she was intrigued by all of the hidden caches around her house in Overland Park. She gave it a shot, and soon, it became one of her favorite activities. Burgess says she now searches with friends and coworkers on her days off, and the hidden caches have led her to places she may never have paid attention to otherwise, like scenic overlooks near Clinton Lake. Youre the mouse and its the cheese, Burgess says. Its the thrill of the fnd. Buried treasure: For the adventurer in you, check out the geocaching apps available on your phone. You could uncover hidden gems on Mass Street, behind your house or even on campus. Just be sure to play by the rules, and put back an item if you take one. Photo illustration | Sarah Hockel Whether youre a beginner or a seasoned geocacher, it helps to know the geocaching lingo. These and other terms used to describe the activity can be found at www.geocaching.com.
Geocache A hidden container that contains a logbook to sign and, depending on the size of the cache, various items left behind by geocachers. Geocaching An activity that geocachers partake in all around the world, where caches are hidden and found by other geocachers using GPS or smartphone technology. Geocoin A geocoin is a trackable item left behind in a cache. Geocachers can then log on to the website and see where the item has been and where it goes. GPS - GPS, which stands for Global Positioning System, is a system of satellites that receive signals from a GPS receiver to determine its exact location. Ground Zero When a geocachers GPS or smartphone tells them they are at the cache location, he or she is at ground zero and its time to start looking for the hidden cache. Muggle A non-geocacher, often someone who looks at a geocacher strangely when theyre rummaging around in bushes in the park. Signature Item A unique item left behind by a geocacher at every cache he or she visits. Spoiler Information that gives away the location or presence of a cache, thereby ruining it for potential geocachers something this article tried carefully not to do! 7 16 12 02 10 14 REVIEW do so well, but Pyramid Of The Sun is an almost wholly instrumental album with a darker vision. Ruins trudges along with loud, damaged drums and oscillating guitar feedback for nearly three minutes. Its experimental, somewhat abrasive and without much of a hook or melody to follow. The next track, Theyll No More Suffer From Hunger, fnds the band suddenly resurfacing out of the murk with a heavy bass/ drum/synth medley la Nine Inch Nails. The song eventually shrinks to a simple hi-hat beat that bleeds into Oaxaca, which is softer, sweeter and the albums longest track at eight minutes. Maseratis style is unique and varied, but I found myself wishing some of the synth parts had been left out the guitars, bass and drums are enough and the keys sometimes make it hard to focus on any one instrument. However, I recommend the record to anyone into dance, space or math rock (ideally all three). MUSIC revIew // Maserati, like the Italian luxury car of the same name, is sleek, fast and exotic. Pyramid of the Sun is the bands ffth full-length album since its 2001 debut, 37:29:24. This new album brings a nearly danceable style of progressive space-rock. The opener, Who Can Find The Beast? begins with a heavily processed and sinister synthesizer beat that descends into feedback and distorted voice echoes. The track builds triumphantly before abruptly tapering off into the title track, a brisk change of pace from the short intro. Pyramid Of The Sun is an immediate attention-grabber its both heavy and catchy as jagged guitars and grainy bass intertwine on top of keyboards. The occasional double-kick drum action is tasteful and not too over-the-top. We Got The System To Fight The System, is an example of Maseratis use of highly technical syncopation and counter-rhythms like Battles style but more metallic. The bass often repeats a solid groove while precisely picked guitars wail furiously. Its similar to the intense, prog-dance brand of rock that !!! and LCD Soundsystem > KJHKs weekly guide to sonic consumption. Maserati - PyraMid of the sun (teMPorary residence LiMited) | 2010 MovIe revIew // How does one even begin to describe the living conundrum that was William S. Burroughs? Writer, artist, cat lover, homosexual, junkie, gun enthusiast, godfather of punk rock yet he never really ft into those molds either. William S. Burroughs: A Man Within attempts to answer these questions, and although it offers insight into who Burroughs was, it focuses too much on the legend and less on the man himself. A Man Within covers virtually every facet of Burroughs long and fascinating life and the infuence he had over everything: poetry, prose, art, music, flm, culture, society and life. Yet by documenting Burroughs effect on these things, the flm barely scratches the surface of Burroughs himself, who is far more interesting a topic than anything he infuenced. Which isnt to say we learn nothing about Burroughs interviews with some of Burroughs friends discuss his aloof approach to counter-culture, his homosexuality, his > Hollywood hits, indie ficks and everything in between. a Man Within peers and his love of cats and guns, all of which provide an enthralling insight into such a bizarre, literary mind. The flm boasts an eclectic number of interviewees some are good while others do little but bolster the running time. Of the best is John Waters, who talks about Burroughs and his work, and amongst the worst is Patti Smith, who tells stories about herself, leaving Burroughs in the background. Films like William S. Burroughs: A Man Within often cater to the legend that follows their subject, rather than the other way around. The flm tends to lose itself from time to time, keeping up with Burroughs long, eventful life and reputation, but is ambitious and passionate enough to keep audiences interested. | B.s hadLand | | aLex tretBar | 12 02 10 Jp SPEAK | JoSh hAfnEr | 15 I woke up swaying, lying in a houseboat, docked at a place previously described to me as the meth capital of America. rockaway Beach, Missouri, was once a popular fshing and boating getaway for vacationers, until the White river it sits upon was dammed. only cold bottom water fowed through now, making the river, and eventually the town, unbearable. Today, boarded-up arcades and ice cream parlors line the towns riverside road that leads past its three main attractions: a gas station, a small bank and a giant billboard that reads JESUS IS LorD. And across from that billboard, behind the gas station, is the marina where I awoke in a houseboat, seriously questioning the course of my life. I had graduated high school in the spring of 2007, clueless about my future. Unwilling to pigeonhole myself into a major, much less the concept of college, I decided to take a semester off. My pastor told me about a nonproft ministry that traveled the country, distributing free groceries to those in need. I fgured giving the frst fruits of my new adult life to serve others might open me to hear God and feel out what vocation I had in life, if any. At least it would make a good semester-off story if I eventually did attend college, so I signed on. With support and some cash from my parents, I set off that August for Springfeld, Missouri. I met Don, the sweet, silvery-haired man from California who started the organization years back. I also met Brian, whom Id work with. he was a soft-spoken, serious man pushing 30 and as unsure about lifes next step as I was. Three months prior, Brian had a white-collar job with Motorola in Kansas City. But it wasnt fulflling, and he wanted to serve God, so he quit. Don took us toward the back of the offce building to show Brian and me where wed be staying. I know its not much, but here she is, he said, opening the door to a huge, chunky gold and white Winnebago rV, with at least as many years on her as I had. Don explained our assignment for the next fve months, which was pretty much exactly like MTVs Road Rules, but without the money, TV cameras, or girls we would travel in the Winnebago, meet with a partnering church and organize a food drop, whereby a semi- truck full of donated groceries would arrive, its contents distributed and a worship service held afterward. Brian and I were given the Winnebago keys and hit the road. our maiden stop was rockaway Beach. The town had no place to hook up an rV for power and water, but Don had a small houseboat docked there that we could stay in. Brian parked the Winnie in a gravel lot, under the shadow of the JESUS IS LorD sign. I lugged my belongings and waddled across the street, down swaying marina docks to the houseboat and found my bed. I felt heavy and the day felt long, so I slept. I opened my eyes, disoriented. I wasnt used to waking up in houseboats or rVs. I rolled over and looked out the window to total fog. During summer, the intense morning heat would hit the rivers icy water, producing an eerie fog. Yet through the fog I could hear footsteps and talking. Brian was up, pacing the dock and talking on his phone. So what do we do then? We dont have a contact at the church anymore, he said. More dock pacing. So thats two hours west then? Well get packed. okay. no more dock pacing. Brian stepped through the boats hatch with a change of plans. The food drop at rockaway had fallen through. So what now? I asked. Dons got a church contact a couple hours west in neosho whod love to have us. Well head there tomorrow. I sat in a houseboat in rockaway Beach, Missouri, surrounded by fog, with nothing on my hands but time, which is always toxic. I thought of friends whod flled fall schedules last spring, who were moving into dorms and making new friends, drinking shitty beer and falling in love. Did I make a terrible mistake? How did I get here? When I decided to take a semester off, I thought God would have me doing something cooler than this, like delivering bread to orphans, who also had diseases. or really anything at all. But somehow I was here, doing nothing, in the fog. That night I crept out to an empty nearby feld. If there was anything good about rockaway, it was the stars. I gazed into the deep, black night bespeckled with white and cried out to God. I paced and I shouted. I pissed and I moaned. My soul felt heavy. With knees buried deep in the grass, I looked into the sky for my answer. It was vast, deep and bright. It stood still in peace, the kind I thought might swallow me if I waited long enough. So I did. I eventually walked back to the boat and my bed, satisfed, if not understanding. That night I had a dream. In it was Jesus, the white, Sunday school Jesus, with matching robe and blue sash the one I prayed to as a child. he sat on a rock in front of a river. I sensed his gentleness. Its odd that as much as Id read and thought about Jesus, as much as I saw him on billboards and greeting cards and everything else, hed never invaded my dreamscape. And yet there he was, still, almost glowing. Suddenly he opened his mouth and spoke: You can be peace, or you can fall to pieces. his words reverberated and rested before me. And then, I awoke. I didnt know what to make of it. I kind of wanted to pretend it didnt happen. So I scribbled every detail into my journal, shut it, and went about my morning. Soon Brian was once again pacing on the deck on his phone, once again in fog. I tried to ready myself for the worst. I failed. Whats going on now? There was a shooting in neosho this morning, Brian said, his voice trailing off as he processed. A gunman came into a church, held the crowd hostage and shot eight people. he killed the pastor. national headlines confrmed the gunman as Eikan Eilam Siamon. he was 52 and, before injuring fve people and killing three on Aug. 11, 2007, he worked in a poultry factory. neosho, a small community of about 10,000, was shocked. And in the midst of this tragedy, we were coming to offer some groceries. Somehow I felt unprepared. on the drive, I sat silently in the passenger seat, rolling over the dream in my mind: You can be peace, or you can fall to pieces. I struggled with the dream. I struggled with its message. I struggled with being in a hot, busted Winnebago instead of pinning my ramones poster on a dorm room wall. We rattled up to Meadowlark Church that afternoon and went in to meet the pastor. I walked in, rounded the corner and froze, losing breath and step. There on the wall was Sunday school Jesus, just as he appeared in the dream. The painting showed him on the rock, white robe, blue sash and all. I stood there dumbfounded, studying him in silence before backing up and slowly turning around. Then I saw a banner on the opposite wall, with big embroidered script: Let there be peace. I gulped, and a pinprick in my soul told me there was nowhere else I could possibly be besides here, now, in neosho, Missouri. I would not be falling to pieces on this day. In the next week, Brian and I were able do more than deliver groceries to needy folks in neosho. We also mourned with them. We cried with them, prayed and sang hymns with them. We broke day-old bread in communion. Peace, in ways big and small, felt near. Three years later, Im fnally in my last year of college. Professors and relatives often ask about my post-graduation plans, and I tell them I dont know that its like a wall of fog two feet before me. But I have no doubt that come May, Ill take a blind step forward, open my eyes, and fnd that the fog has cleared. Ill be where Im supposed to be. I just pray its not rockaway Beach, Missouri.