Repertoire International des Musiques Electroacoustiques

International Electronic Music Catalog

Electronic Music Review Nos. 2/3, April/July 1967
International des Musiques Electroacoustiques
International Electronic Music Catalog
compi led by Hugh Davies
Electronic Music Review Nos. 2/3, April/July 1967
a cooperative publication of
Le Groupe de Recherches Musicales de I'O.R.T.F.
S,AvenueduRecteurPoincare - Paris16e,France
The Independent Electronic Music Center, Inc.
Trumansburg, New York 14886, U.S.A.
distribuledby
The M.I.T. Press
Massachusetts Institute of Technology
Cambridge, Massachusetts,and London, England
Copyright 1968 by
the Independent Electron ic Music Center , Inc.
Printed by Hall iday lithograph Corp. and
bound inthe Uni ted States of America by The Colonial Press. Inc.
Li brary 01 Congress catalog card number; 68-20151
COMPI LER'S PREFACE
In 1962 the Groupe de Recherches Musicales published a survey of electron-
ic music under the title "Repertoire International des Musiques
les" (hereafter referred to as RIME). The present catalog, originally in-
tended as a new edition of this survey, has developed into a more compre-
hensive documentation, with slightly different presentation and contents.
RIME was primarily a collection of information sent in by the most promi-
nent electronic music studios in existence in 1961. It consisted of a list of
the compositions produced in each studio, lists of studio equipment, a bib-
liographYI a discography and the addresses of the studios. In addition to
the eighteen actually listed, at least two further studios were invited to
participate, but did not send in their contributions in time for inclusion; a
few compositions (mostly from Scandinavian countries), though not requested,
were - almost by chance - also included. The information received from
the various studios was arranged into the chosen format of presentation with
a minimum of alterations.
In this new "Ri;pertoire" the approoch has been different, although it is ba-
sicallya logical extension of the implications of RIME. The difficulty of
selecting the studios to be included (a far greater problem in 1967 than in
1961) has been avoided by including every single composition that could be
traced. The lack of standardization and the comparative incompleteness of
many of the entries in RIME have been met by entrusting all the compiling
and editing of the information to one person. From the start it was clear
that this catalog would be much larger than RIME. It was decided to omit
two of the sections originally featured in order to concentrate on the others;
a comprehensive list of the equipment used in every studio and bibliograph-
ical references, if they were treated in as much detail as the rest of the
catalog, would triple the size of the final publication. Must studios con-
tain only standard equipment: items of particular interest are listed in the
Synthesizers appendix. Several comprehensive bibliographies on electronic
music have been prepared and/or published, mainly in the USA and Canada.
In the place of these two sections various shorter appendi ces have been
added, which more fully define special features of many compositions, as
well os a much more extensive discography and a list of tapes that are a-
vailable from sources other than the studios in which they were produced.
One further difference from RIME is in the role of the compiler: with so
much information to be listed, a standardized presentation was essential,
entailing considerable editing if, for example, very different indications
were received from a studio and from a composer concerning the same com-
position.
These adjustments in the scope of the catalog are also reflected in the title;
"musique experimentale
ll
(the successor to "musique concrete") describes a
particular approach to composition rather than the whole medium of elec-
iii
tronic music, and, strictly speaking, could not be applied to several of the
compositions that were listed in RIME. "Mus ique Iectroacoustique", the
term with the widest meaning in French, has been substituted, and "elec-
tronic music" chosen as its English equivalent. In most other countries a di-
rect translation of one of these two terms is used. In compiling the catalog,
no distinction has been made between the different types of sound material
(such as described by "electronic", "concrete " or " tape" music, etc.): de-
scriptions of works by their composers as fitting into a particular category
are too subjective to have been adopted (unless they form part of a title),
and no longer hold the relevance that they did ten years ago.
The aim of this new catalog is to document all the electronic music ever
composed in the almost twenty years since composers first began to work in
this medium. Naturally, it could never be possible to reach 100% com-
pleteness: many electronic compositions have been produced on a minimal 0-
mount of equipment, and much background music, particularly for films, ra-
dio, TVand commercials, has been produced anonymously by organizations
which have not been traced in the very extensive research undertaken in
preparing the catalog; in these respects it is rather less than complete, but,
it is hoped, at least representative. The only restriction has been the deci-
sion not to include sound effects, such as montages made in school class-
rooms, for amateur tape recording competitions, mood music, effects for
film, radio, and TV, and other similar applications which do not really
come under the heading of musical composition. Quite a considerable a-
mount of work has been done in this field, in some cases by actual electran-
ic music studios. A small amount of such work was listed in RIME (as well
as a small handful of compositions which were purely instrumental music),
and these pieces have now been omitted. In addition, some composers and
studios have withheld details of less interesting compositions (al though some
pieces have been added - and not always unimportant ones - to almost all
the studio lists printed in RIME). Whenever possible, a note has been ap-
pended to show what proportion of a studio's total output has been listed
(thus, in addition to the nearly 5000 compositions actually listed, the notes
indicate the existence of some 2500 more). In some cases, at special re-
quest, such a note has been substituted for details of compositions already
discovered.
The presentation of the catalog is designed to be of maximum clarity and
usefulness for all possible reference purposes. Thus a program planner can
see at a glance what works can be included in a public or broadcast concert;
the development of each studio is clearly outlined; the complete activity of
individual composers is less easy to trace quickly, due to the fact that a
considerable proportion of composers have worked in more than one studio,
but few are to be found under more than three studios (as can quickly be
seen by reference to the Index of Composers), and, whenever possible,
cross-references have been given between studios. Study of activity in in-
dividual countries shows particular characteristics which reflect cultural,
social and even political situations. Detailed analvsis of such features in
appendices would only have been practical with computerized preparation
of the catalog (which was proposed and investigated too late to have been
adopted): this would also have provided a catalog number for every compo-
sition, and would have simplified much of the reference work.
The appendices are designed to highlight certain important aspects of elec-
tronic music, and are the result of one of the main aims in compiling this
catalog: by showing how widespread electronic music has become - in the
sense that it has already found its way into every imaginable aspect and ap-
plication of music - it is hoped to demonstrate that it should no longer be
necessary to isolate it from the rest of musical activity. Paradoxically, this
can best be done by presenting it in isolation, once and for all. With the
present rapid growth of interest in the medium (witness all the new studios
listed as "under construction", which is certainly not a complete listing,
particularly for the USA), such a complete catalog will never again be pos-
sible. Extrapolation of recent developments shows that in five years' time
electronic music will be much more widespread, and the day when every
other music school, college and university music department in the USA pos-
sesses a studio may not be very far off (the increase of the number of compo-
sitions in the present catalog by a factor of ten over that of RIME, however,
somewhat exaggerates the picture: only two-thirds of the works listed here
were composed since the end of 1961).
Another important aspect that has come to the fore only since RIME was pub-
lished is "live electronic" music, in which equipment from (or normally
found in) an electronic music studio is operated or performed in a concert,
either to produce sound or to transform music performed instrumentally. In-
creased use of computers and music synthesizers as well as great improve-
ments in equipment (reduction in size and cost, and increases in suitability)
make it impossible to avoid documenting the influence of technological de-
velopments on music, as in every other aspect of life in the twentieth cen-
tury. Similarly, other arts have also become involved in such influences,
which have tended to bring the arts much closer together: poetry, painting
and sculpture (especially with the addition of the parameter of time - and
thus "performance" - introduced by kinetic art), as well as the other
branches of music, jazz ond popular music, each have on appendix in the
present catolog, ond many of the composers listed here are also active in
another art. Some are responsible for both aspects of a particular composi-
tion, such as music and choreography for a ballet, or text and music for a
radio play . This is indicated in a partiaJlar way, as described in the Ex-
planation of the Catalog. Indications have been given when a composer al-
ready listed hos contributed in some way to a work by another composer: it
has not, however, been practical to include details of the authorship of
texts for plays and operas, film directors, etc., even when this shows a de-
velopment as interesting as the cartoon films of Jan Lenka (for whose films
electronic music was first composed in Warsaw, later on in Munich, and
more recently in Paris).
vi
Poetry in particular receives special consideration, as it also deals primarily
with sound; in recent years there has also been an increased emphasis on its
performance . Several poets have collaborated with compose rs or studio
technicians, others have evolved a different, less formal approach to using
tape - such as the long lists of French tape poetry. What is perhaps sur-
prising is that many poets work with vocal sounds such as breathing, and of-
ten use no words at alit as opposed to most of the musical compositions that
are based on vocal sounds. The two overlap to a considerable extent, and
only the compositional treatment distinguishes the poet's work from that of a
composer. Some of the poets who work with tape no longer even consider
themselves "poets" .
The original closing date for inclusion of compositions was set for the end of
1966: due to the considerable increase in the size and scope of the catalog
over the initial estimate, some of the works listed were composed between
January and April 1967. Whenever possible, works in progress have been
listed .
I would like to take the opporh.mity of thanking the very large number of
people who have helped me in preparing this catalog. First of all, the
Groupe de Recherches Musicales and its director Bayle, who com-
missioned it, and enabled me to work on it in Paris for three months. Sec-
ondly, the Independent Electronic Music Center and its director Reynold
Weidenaar, for a continuous exchange of information over a whole year,
and for taking on the difficult task af arranging the publication of the cata-
log. The two people who have devoted the most time to helping me over a
period of a year are Mr . and Mrs. Henri Chiarucci, of the Groupe de Re-
cherches Musicales. Federica Chiarucci was an invaluable secretary and
assistant during six months in Paris and Trumansburg; in addition
l
much of
the preparation of the lists of French compositions was done by her. She
and her husband also did important on-the-spot research in New York and
Rome before my stay in Paris. Henri Chiarucci concerned hi mself with ev-
ery aspect of my work in Paris, taking a personal interest in its progress,
thinking up innumerable ways of finding new information, and coping with
the administrative side. Finally, Yael Gani of the Independent Electronic
Music Center, who typed most of the final catalog ,
I would also like to thank everyone who has provided information for t his
new "Repertoire"; they are for too numerous to be mentioned individually .
Most of them are represented in the catalog as composers . It was impossible
to write to everyone to thank them for the information that they sent, and I
hope they will excuse me if I do so only now. Many people went to a great
deal of trouble in gathering information and informing me of other composers
of electronic music in their own countries; others gave me considerable time
in personal meetings in several Western European countries and in New York
City. A further apology is due to those studios and composers from whom no
re ply was received (duly indicated in the cata log): all the details of their
work that I have discovered are listed withou t their confirmation or approv-
vii
01. I believe that this is preferable to omitting them and their work alto-
gether. The larger studios from which no information was received were
written to at least twice, and also received a copy of their listings as print-
ed here. A final apology goes to the small number of composers whose com-
positions turned out to have used tape only for replaying pre-recorded in-
strumental music, and are thus excluded from the catalog: such an applica-
tion of tape is fairly common, and is generally used either to duplicate a
live instrumental group or to play music recorded during the first part of a
performance back during the second part. In some cases the results could
never be achieved without employing tape: two interesting examples worthy
of mention are Paul Arma1s "Improvisation precedee et suivie de ses varia-
tions" (1954), in which a tape recording of an orchestra is played back-
wards against a live performance by the same orchestra, and Earle Brown1s
"Music for the Stadler Gallery" (1964), in which a four-track tape record-
ing of instrumental music is continuously replayed with the four tracks in-
creasingly out of phase (the total duration is 30 days). Other similar works
allow for a possible manipulation of instrumental music: these are listed in
the catalog under Optional Electronic Realizations, together with Unreal-
ized Scores of Electronic Music. All the works whose realization requires
manipulation by or of electronic equipment have been listed in the main
part of the catalog, and it is this manipulation which has been taken as the
yardstick for inclusion of a composition/ whether on tope or directly in live
performance.
Hugh Davies
London/ September 1967
viii
AVANT-PROPOS
DU COMPI LATEUR
En 1962 paraissait Ie premier catalogue de musique electroacousti-
que: c'etait Ie Repertoire international des musigues experimentales, pnfpare
et par Ie Groupe de recherches musicales de I'ORTF. Le present ou-
vrage, con<;:u a I'origine comme devant etre une revue de ce Reper-
toire, contient en effet une documentation mise a jour, donc
plus volumineuse que celie de 1962. De plus, la conception en a ete: con-
siderablement elargie.
Le Repertoire etait essentiellement aux studios de musique electro-
acoustique les plus marquants en 1962. II presentait pour chacun d'eux une
liste chronologique des oeuvres, separees en "musiques pures" et "musiques
appliquees", une description des equipements, une bibliographie, une dis-
cographie. Vingt studios avaient ete sollicitesi dix-huit avaient communi-
que a temps les renseignements necessaires. D'autre part, quelques oeuvres
composees dans des studios non sollicitts etaient signalees.
Les travaux de preparation du present Catalogue montrerent vite que lion ne
pouvait s'en tenir ri la conception du Repertoire.
Le terme "musique experimentale", se rapportant a une attitude d'esprit et
lie a une doctrine particuliere, a ete: remplace par celui, plus abjectif, de
musigue electroacoustigue, qui designe simplement un ensemble de moyens
et couvre par consequent un domaine plus vaste: celui de toutes les musigues
comportant soit dans leur composition, soit dans leur execution, la manipu-
lation d'un appareillage electroacoustique, et en particulier celie de la
bande magnetigue. (A "musique electroacoustique" correspond dans ce Ca-
talogue I 'expression onglaise consacree et a peu pres quivalente: "elec-
tronic music".) II est bon de savoir que les termes franliOis "electronique"
et "concret" marquaient, au debut des musiques des pre-
ferences doctrinales pour des compositions employant respectivement, les
unes des sons d10rigine les autres des sons d'origine acoustique
enregistres. Aujourd'hui, une telle distinction est bien estompee et ne peut
plus servir de critere descriptifi c'est pourquoi ces termes n1apparaissent dans
Ie present Catalogue que lorsqu
1
ils font partie integrante des titres des oeu-
vres. Enfin la distinction entre musique pure et musique appliquee, jugee
trop systematique, a be: abandonnee: nous ne presentons done qu'une seule
liste d'oeuvres dons ce Catalogue, et non deux comme dons I 'ancien Reper-
toire.
II encore possible en 1962 de donner un tableau a peu pres fidele de la
musique electroacoustique en selectionnant les oeuvres des studios les plus
representatifs. Une telle methode serait aujourd'hui difficilement applica-
ble sans risque d'arbitraire, et Ie present Catalogue slest efforce de reperto-
rier toute 10 musique e lect roacoustique depui s ses origines jusqu 'a I'heure
actue ll e (1) .
ix
Entreprise limitee cependa nt, ne sera it - ce que du fa it qu 'un certa i n deJa i
s' est ob ligatoire ment ecou le: entre 10 preparation du Cata logue et so pa ru-
tion, dela i penda nt leque l de nouvelles oeuvres cnt vu Ie jour, et de nou -
veaux studi os (pa rmi ceux comme etant en cours d' insta ll ation) sont
ser;rice - notamment aux USA au Ie rythme de creation des studios
est tres e le ve .
Par ai l leurs , certaines oeu vres n'ont pas Gte signa lees, soit a 10 demande
des auteurs ou des stud ios (oeuvres detruites ou iugees trop peu importantes),
soit a notre initiative, lorsqu'il nous a semb le: qu ' el les n'avaient pas de
plein droit leur p la ce dans ce Catalague. Ainsi n'ont pas
les producti ons entrant dans la de I' effet sonore (bru itages, tra-
vaux pra tiques de c lasse, montages amateurs pour des concours d ' enregistre -
ment, musiques d 'ambiance, effets speciaux pour la radio et la hqe'vision,
etc.); les oeuvres dans lesquelles la bande n'a servi qU 'd la su-
perpositi on de p lusieurs executi ons instrumenta les success ives (cas assez fre-
quent); les oeuvres dans lesque ll es I' usage de la bande, bie n qu'abouti ssant
dun resultat impossible a a tteindre par les moyens habituels, ne comporte
cependant a ucune man ipu lat ion e lectroacoustique. {Nous pensons par
exemp le a I '" Improvisat ion suivie de ses variations" ( 1954) de Paul Anna,
ou une orchestra le est superposee a un enreg istrement du meme or-
ches tre passe a I' e nvers, ou d "Music for the Stadler Gallery" ( 1964) d
'
Ear le
Brown, ou un enreg istrement quadripiste est repris sans cesser les quatre pis -
tes bant de plus en plus deca lees les unes par rapport aux autres.) Nous
nous sommes cependant efforces dans la mesure du possib le de donner pour
chaque stud io la proportion approxima ti ve entre les oeuvres repertoriees ic i
et la production tota le du stud io, signa lan t a insi I ' ex istence d'environ 2.500
producti ons d c6te des que lque 5.000 oeuvres effectivement menti onnees
dans ce Catalogue.
Enfi n la provenance d 'un certain nombre d'oeuvres est res tee imposs ib le a
identifier ma lgre I'etendue de nos recherches: il s'agit Ie plus souvent d 'oeu-
vres des tinees d servir de fond sonore a la radio, d la television au a u ci ne -
ma, et qui ete produ ites de a nonyme au sein d' i nstitut ions ou d'orga -
nismes d isparus ensu ite sans la isser de trace. De telles oeuvres n'ont evi-
demment pas pu @tre citees.
D'autre part, I 'information dont nous d isposions au sujet de certai nes oeuvres
et de certa ins studios n ' a pas fait J'obiet d 'une confirmation forme ll e de la
part des intthessesi ces cas sont tous signales, et les rense ignements corres -
(1) La date li mite, or ig inel lement fixee a decembre 1966, a pu dans cer-
tains cas e tre recul ee, permettant a i ns i d 'inc lure des oeuvres compos6es en-
tre janvier e t avril 1967.
ponda nts sont sous toutes reserves.
En 1962, bie n des oeuvres ou se voul a ient e n-
core novatri ces pa r rapport aux usages de I'art trad iti onnel, e t 10
fronti e re entre ce qui e ta it e lectroa coustiqu e e t ce qui ne I' etait pas appa -
ra issai t assez nettement. Auj ourd' hui, on ne peut plus pa rl e r de frontiE;re ,
etant donnl; Ie nomb re grandissant des oeuvres ou les mani pul a ti ons l; lectro-
acousti ques sont a ssocie'es aux procedes trad it ionne ls. II a done fa llu dans
Ie present Ca ta logue d ivers ifier e t developpe r 10 prese ntati on des oeuvres
par rapport 6 ce li e de I 'anci e n Rl;pe rtoire: nous avons dO un certain
nombre d 'i nd icati ons , de notes, d 'a nnexes expli cati ves, afin de re ndre
compte a u mie ux de tous cas poss ibles. De te ll es precisions e tai e nt d 'autant
plus necessa ires que les ressources de I' e lectroa cousti que se sont e ll es-mmes
mu lt ipli ees, non seul ement avec les progres dus d 10 reducti on des pri x e t
des e ncombrements des appare ill ages, ma is a uss i avec I 'appariti on et Ie
ve loppement de 10 mus ique de ou d ' ord inateurs , ainsi qu'avec
I 'usage des manipul a ti ons lien d irect " sur 10 qu'il s'ag isse de fa ire
entend re d ire ctemen t des sons d ' ori g ine ou de d iffuser
des sons executes sur des ins t ruments opnh transformat ion par des
e lectroacoustiques .
Nous avons enfi n es t ime 6 une epoque ou d ispara issent les cl oi-
sons trad iti onne ll es e ntre les d isci plines o rtist iques et se multi pli e nt les
genres, de conse rver des annexes Scul pture, 0
d i verses formes d 'a lli ance e ntre 10 musique e lectroacoustique et d 'autres arts,
formes dont il nous semb le que I 'i mportance de ja notab le ne peut que crottre
encore da ns I'a venir . Que I' on pense, par exemple, a I' "a rt cinetique" ou
I ' evolution de fo rmes materie ll es es t souvent I iee a un fond sonore . La poe-
sie, de son cote, a ma rque ces dernieres annees une tenclance , sembl able a
celi e de 10 mus ique, d ossocier I' interprete au trava il de creati on propre -
me nt d iti e ll e la reioint pra t iqueme nt da ns certaines oeuvres utilisant Ie
souff le ou les sons vocaux, e t dont il est d iff ici le de di re au premi er abord
s'iJ s'agit d 'u n poe-me ou d' une compos iti on e lectroacousti que; du reste , cer-
ta ins poe tes qui utili sent 10 bande magnetique pour des effets de ce ge nre ne
se plus comme des poetes a proprement par ler .
Signa lons encore, d cote d 'u ne Discog raphie evidemme nt fort augmentee de-
pu is 1962, I' annexe fournissant des re nse ignements sur 10 commercia-
li sat ion eventue ll e des e nreg istrements , e t les a nnexes Precurseurs , Musigue
JQg, contenant des indica ti ons supplementaires sur certa ines
oeuvres dont I ' inspira t ion se situe aux de 10 musique e lectroacous-
t ique.
Dans Ie Repertoire de 1962 , il e toit e ncore possible de recher cher toutes les
xi
oeuvres d'un auteu r en parcourant des li stes relativement restreintes.
Un tel travail serait nettement mains eise dons Ie present Catalogue, at sont
e nviron dix fo is plus d ' oeuvres que dans Ie Repertoire; c 1est pourquoi
nous ovens etchli une Table des compositeurs comportont des rMerences a 10
liste des oeuvres de d faci liter les recherches concernant 10 produc-
tion de tel au tel a uteur.
En revanche, I' etablissement d'une bibliographie, qui aurait bien plus
importonte que celie de 1962, ne nous a pas semb le: souhaitable dans un ou-
vrage deia assez faurni et dont I 'ambition principale est de une
liste de compositions musicales. De plus, il existe actuel lement des ouvra -
ges bib li ographiques tres complets, pub li es notamment aux USA et au Cana -
da . De mme I' appareillage, qu i 6tait pour chacun des 18 stu-
dios menti onnes dans Ie Repertoire, n'a pas decrit dans ce Catalogue; il
tend d'ailleurs a devenir partout a peu pres Ie meme, a !- exception de que l-
ques prototypes, que nous avons signa les soit en regard des compos itions
qu' il s ont techniquement suscitees, soit dans I' annexe Synthet iseurs consa-
cree aux synthetiseurs et outres appareils speciaux .
Nous aimerions en terminant remercie r ceux qui, 0 divers ti tres, ont contri-
a la realisation de ce Catalogue: Bayle, responsab le du Groupe
de recherches musica les de I' ORTF, grace a qui une part ie importante du
travail a pu etre menee a bien 0 Paris; Reynold We idenaar, directeur de
l'lndependent Electronic Music Center, avec leque l nous avons eu des con-
tacts constants pendant un an, e t qui s'est de la difficile tache ma -
de I'edition; et Henri Chiarucci, pour leur inlassable tra -
vai l de documentation etde secr(;tariatj Yael Geni, dont I'aide a ete precieuse
pour la mise au point dMin iti ve du manuscrit; enfin, tous ceux, trop nom-
breux pour que nous puissions les nommer ici, qui, des stud ios du monde en -
tier, nous ont les renseignements contenus dans cet ouvroge.
Hugh Davies
London, septembre 1967
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O; ... c>o<yoI P ......... ooo'SluOio.!Gui".d. ,S..,.;"'--_ _____________ _
IND'EXOfCOMPOSERS/TMLEOESCOMPOSITElltS---___________ _
O'h., R. r."oco>!Av',.,RHo .. ,,"",----______________ _
EXPLANATION OF THE
CATALOG OF COMPOSITIONS
x iii
Countries are given in their nati ve languages
r
arranged a lphabetica ll y. A
li st of these, with Eng li sh and French equ iva lents, is included in the Con -
tents.
Studios are arranged a lphabetica ll y by city in each country, except for
countries that are divided into states or provi nces (Austral ia, Canada, Un it-
ed Kingdom, United States of America, Union of Soviet Sociali st Republi cs).
All compositions are li sted under the studio used in their production; when a
studio has no t itl e, the name of the owner is given.
Stud ios are divided into four categories:
PO permanent offic ial
PP permanent private
io improvised off icia l
ip improvised private
"Improvised" equ ipment is normal ly used for other purposes {such as in a ra -
dio station or recording stud io}, and is col lected together i nto a "studio"
just for the rea li zation of a part icular composition: if a studio cons ists of on -
ly the barest minimum of equipment (such as one microphone and one tape
recorder), it has been designated as improvised. Sometimes two or more
composers are li sted under an io studio; th is is only for convenience, and
there is often no continuity of work as there would be in a permanent studio.
When the studio category is fo ll owed by a date, th is indicates the year i n
wh ich the stud io was founded; when another date precedes this in parenthe-
sis, activity in electronic mus ic started in the earli er year i n an "impro-
vised" way, which led up to the studio ' s "permanent" foundation in the lat-
er year. In some cases, part icu larly with PP studios, the first activity con-
sisted only of experimenta l work, and no actual compositi ons were produced
unt il later.
When a studio has been listed as PP or ip but is sponsored by an organization,
it means that a composer has set up his own studio in space provided by the
organizat ion, or tha t the organization (such as some film studios) is very
sma ll and private ly owned.
Concert works listed under permanent stud ios are available on request from
the studios. All except ions to this are indicated in the Notes column: with -
drawn, not in archive, not in officia l li st (added by the compi ler, and thus
not necessari ly ava il able from the stud io). Cond iti ons and fees for obta i n-
ing tapes vary from one studio to another. Tapes are genera ll y not ava il ab le
for private use. The simp lest method of obta i ni ng a tape is between two
studios, particular ly when each is sponsored by a radio station. Tapes from
permanent studios that no longer exist are usually ava il ab le from another
stud io, as is the case in The Netherl ands. Works produced on improvised
equipment are somet imes ava ilabl e, either through a permanent sttJdio or
x iv
from the owner of the equipment used. No addresses fo r improvised studios
are listed in the Directory of Permanent Studios, but most of the composersl
addresses can be obta ined from the Independent Electronic Music Center or
the Groupe de Recherches Musicales. Apart from concert music, other com-
positions a re not genera ll y avai lable, except under certain condi ti ons (e.g.,
music for ballets). The Tapes appendix gives details of works for which a
tape can a lso be hired - or in a few cases, bought - from a music publisher
or other organization: these are mostly concert warks wi th instruments and
operas that include tape sections.
General notes, references to appendices, etc., fo ll ow the studio1s title and
category .
The studio li sts are d ivided into e ight columns; the following explanatory
notes shou ld be read for a fu ll understanding of t he way in which composi -
ti ons have been listed.
Compose r
Some composers listed in the cata log have the same surnames as, but no con-
nection with, the earli er composers Byrd, Clementi, Novak, Schlitz; ini-
tials have been added on ly to identical (or easil y confusab le) names. When
two or more composers have coll aborated on a composition (which is much
more freque nt than in instrumenta l music), their names have been listed i n
a lphabetical order. Some times this is contrary to the way in which they
were furnished, parti cul ar ly when the coll abora ti on was between a composer
and a technician (unfortunate ly, technicians are not usually cred ited, al-
though their contributi on is often equa l to that of the composers, and many
of them a lso appear as composers in thei r own right. Since no stud ios indi-
cate the technical assistants for any compositions, it has not been possible to
do so in the cata log).
Composi ti ons are li sted chrono logical ly . Where such an order was not indi-
cated by composers or studi os , one was made on the basis of all available in-
fo rma ti on, such as dates of first performances. No separat ion into "pure"
and "applied" music has been made, since the specific purpose of each work
has been clearly ind icated in the Function column.
Trans lations, when possible, have been given in parentheses for difficult
titles, ma inl y in Slavic languages. When the orig ina l title is not known, a
translation has been given in quotation marks (" .... " ).
Titles of compositions have been given i n expanded spaci ng (in the case of
theater music the title of the play has been given, rather than: Music for
" .. .. "}. When there is no proper title, but only a description of the work ' s
funct ion, this is given in conventiona l spacing. Translations, instrumenta-
tion of compositions and parenthet ica l notes (such as work in progress) are
also in conventiona l spacing.
When individua l composers have sent details that di ffer from those sent by
the stud io in which the work was composed, a ba lance between the two has
been found. In most cases a studio is unaware of the possible different ver-
sions of a composition, or did not consider them of sufficient interest for in-
clusion .
The virgule (/) is used to i ndicate two or more equa ll y va lid vers ions of a
compos it ion, in which the tape part remains identical. Different versions
of a tape part are indicated by the different durat ions of the versions. Fil m
versions (where the fi lm uses an ex isting composition) have been listed in
parentheses after th e title of the or ig ina l composition.
This column is di vided into three sections. On the left side are indications
of a ll works intended for concert performance. The other two sections indi-
cate different types of "appli ed" music: in the center a re various types of
" li ve" app li ed music, on the right side "recorded" ("canned" ) app li ed mu-
sic. Each function is represen ted by an abbreviation, chosen for maximum
intelligibility in as many languages as possib le:
C = concert (tape 0 = opera
a lone) B = bal le t
C+ = concert (tope Th = theater
with instruments MT = mus i ca l theater
and/or voices) Sn = sonorization
C* = concert ( li ve
e lectronic)
F = film
R = rad io
TV = tel evision
D = d isc
In = interval signa l
St = study
Q. involves li ve performance of e lectroni c equi pme nt in combination with
instrumental performance, without tape (when ta pe is used in addi ti on to
li ve e lectronic performance, a compos ition is listed as C+) . Whenever pos-
sible the equipment used has been described as part of the work ' s instrumen-
tation.
Q invariably involves li ve pe rformance with the tape . In most cases the
tape is a short passage used during an otherwise conventional opera. In the
few cases whe re the e lectroni c music forms the main musical basis of an op-
era, the singers and instruments have been specified.
B is inva riably for tape a lone, unl ess instruments are indicated in the work's
instrumentation. Dancers are also used in some works from other categories
xvi
(C+, C*, MT, O), in which case they are li sted with the other performers.
For the remaining categories of appli ed music it has genero ll y not been pos-
sibl e to ind ica te when inst ruments are used i n combinat ion with tope (in
some cases the instrumental music has been composed by a d ifferent compos-
e r, and is of no relevance in the present context).
lh indicates music for a stage play .
MT covers a wide range between operas/ba ll ets/pla ys and happen ings . A
c loser definit ion of i nd ividua l works has been given when possibl e. Some
MT compositions coul d a lso be performed in a concert.
~ indica tes music composed as background for an exhibition (pa inti ng,
sculpture, industrial or commercia l demonstration, etc . ), or as background
to a poetry re ci ta l. When the electronic music is used in a more integra l
way than as background, further details are given in the appropriate appen-
dix {indicated in the Append ix col umn}.
E is used for compos iti ons wh ich a re produced for a fil m, and are recorded
on the f ilm sound tra ck (except fo r films wh ich have the music on 2 or 4
track tape). When film is used as part of a predominantly musical or thea t-
rica l work, it is indicated on ly as part of the instrume nta t ion.
B. generall y refers to radio plays, but a lso to other compos iti ons, such as
some of the winners of the Prix Ita lia, wh ich are not inte nded fo r concert
performance.
Q. basically appli es to works composed for records . Since all records a re in-
dicated in an Appendix column, this ca tegory has been expanded to include
"pure" music which is not intended for concert performance {such as the
compositions of Ted Dockstaderi and the works by lvor Darreg, des ignated
for "home li ving-room" use}, but which may be programmed in a broadcast
concert - and is ge nera ll y available on disc or tape; also for short works in
a popular style whose le ngt h and form is that of recorded popular music.
ill has been used to denote : stati on iden ti ficati on signal s, signa ture tunes,
short inte rlud es and comme rcial s - primarily for R and TV {i ndi cated in pa-
rentheses after the title}.
~ indicates experimental stud y (a lso works composed during courses, such as
those held by the Groupe de Recherches Musicales and the Studi o voor
Elektronische Muziek in Utrecht) , wh ich are not inte nded for concert per-
formance. Some studies, however, ha ve been recorded on disc .
Sometimes a work has been placed in two categories, with one of two signs
between them. The virgul e {/} is used to mean a lte rngtive versions {used
in the same wa y for titles, durations and number of tracks}, and the hyphen
xvii
(-) to mean ~ (also for dates, durations and number of tracks ).
Thus B I F indicates music that has been used for a ballet and also for a film
(ge nerally the film soundtrack would later be used for a ballet); B - F indi-
cates a film on ballet or a film of a ballet (genera lly the ballet would have
been performed only for the film); B / TV (like 0/ TV) is short for B / B -
TV, a ballet which has also been shown on te levision (generally on televi-
sion originally, and later adapted fo r the theater).
~ : the composer of the e lectronic music also mode th e film (Ff),
choreographed the ballet - and in some cases danced in it (Bb), wrote the
script as we ll as the music of a radio work (Rr). Other examples of compos-
ers working in other media are indicated in titles, studio notes, and in the
appendices on Poetry, Painting, and Sculpture.
With some works , particularly operas, the dote of the realization of the e-
lectronic music is fo llowed by a second date in parentheses. This indicates
when the work was composed, often completed more than a yea r before the
tape was realized . In some other compositions the date of the tape reali za -
tion is followed by a date in parentheses that refers to the composition of
the ~ of the electronic music. When a work has been slightly revised,
but not enough to constitute a new vers ion, the date of the re vision is added
below the original dote with " rev".
Whe never possible the duration has been given to the nearest second. If no
seconds are given, the timing is approximate. Durations in parentheses after
the actual duration indicate the total duration of the work in which e lec-
tronic music occurs (film, opera, instrumental work with short tape passages,
etc.). When the actual duration of the tape was unobtainable, only the to-
tal duration has been given; in the case of very long durations, as with a
film or a ploy, the electronic port rarely runs continuously throughout. In
some works the e lectronic music contribution is comparatively insignificant ,
and may not even be acknowledged in, for example, film credits.
If a work exists in two alternative versions with an identical title, and the
difference is merely one of duration, the two durations are given with C/)
in between them, the longer duration first. When the duration of a work is
variable, one of three indications is given. If there is a maximum and min-
imum duration specified, then the two are given with (-) between, the
shorter first. If either the maximum or the minimum duration is specified,
this is prefaced by "ind, max" or "ind, min" respectively ("ind" stands for
indeterminate). When no duration is specified, only "ind" is marked. If
this latter is produced by tape loops, "loops" ("boucles") is added in paren-
xviii
theses. Whe n "ind" is followed by a duration in parentheses, this represents
an average duration, e.g., that af the first performance.
Occas ionally two sections of a work have bee n given with individual dura-
ti ons, without individual titles: the two durations a re separated by (+) .
4 track tapes are a lmost invariably also avai labl e in 2 or 1 track copies, and
2 track tapes also in 1 track copies. Most European 4 track tapes are not
playable on American 4 track tape recorders, and vice verso; 2 track is in-
ternationally standard. Any other alte rnative tra ck versions are listed, sep-
arated by (/) .
When two or more tapes are used simu ltaneous ly in 0 composition, this has
bee n indicated as fol lows: 2x l (two 1 track tapes), 2+1 (one 2 track and one
1 track), 4x2 (four 2 track), 2x4 (two 4 track ) . When the number of tapes
is variable, either the maximum and minimum number of tapes is given
l
sep-
arated by (-), with the mi nimum first (1 - 6 x 1), or " ind" is marked.
When the original tra ck spe cificati ons ha ve later been modified, the origi -
nal is given first, in parentheses: (4x l) 4.
For li ve electronic music, the number of loudspeaker channels is given with
the abbreviation "ch"; when tape and li ve e le ctronic performance are com-
bined, the number of tape tracks is fo ll owed by " tr " (s ince this hardl y oc-
curs ot al l in French-speaking countries, "tr" and "ch" have been used
throughout the cata log). Sometimes the same loudspeake rs a re used for both,
in wh ich case only the tape tracks are given.
Some tape works are intended for performance over a large number of loud-
speake rs whenever possib le, and not the usual one loudspeake r or loud -
speaker group per tape track . On a few occasions thi s number has been ex-
teme ly large: the VORTEX performances in San Francisco we re give n with
36, sometimes 40 loudspeakers; "Poes ie pour Pouvoir" of Pie rre Boul ez used
84 loudspeakers in its first and so far only performance; and the Philips Pa-
vili on at the Brusse ls World' s Fair in 1958 conta ined a total of 425 loud-
speakers fo r the diffusion of Edgard (and
lannis Xenakis' "Concret P.H.").
Appendices
like the Function column, the Appendices column is divided into three sec-
tions , for "Disc", "Tape" and "Others" .
Disc gi ves references to compositions on records. This consists of three let-
ters (occasionally two) wh ich are an abbreviation of the name of the record
xix
company. The abbreviations are arranged in alphabetical order in the Dis-
cography.
~ uses a similar method of reference as "Disc": itactually refers to music
publishers and other distributors, from whom scores as well as tapes are a-
vailable. Complete details are given in the appendix as to whether tape,
score or both are available, and whether they are on hire or for sale.
o.th..!m. indicates the seven other appendices which contain further details of
particular aspects of certain compositions. Additional references to these
appendices (as well as to "Disc" and "Tape") are also to be found in the
notes that follow the studio headings. The seven aspects are:
Jaz jazz
Pnt painting
Poe poetry
Pop popular music
Pre precursors (of tape techniques)
Scu sculpture
Syn synthesizers (computers, etc.)
These abbreviations have been chosen for maximum intelligibility in as many
languages as possible.
These are mostly comments about the availability of particular compositions:
"withdrawn", "not in archive", "not in official list", "studio uncertain".
"E.M.?" indicates that a work may perhaps not contain electronic music.
Works produced in two or more studios are indicated by three abbreviations:
mat material
rln realization
rev revision
The most common is "rln" in both of the studios, otherwise one studio will be
"rln" and the other either "mat" or "rev" . Since the note under one studio
refers to the contribution made by the other studio, the complete picture
can only be seen by looking up a composition under both studios (the quick-
est method is generally to refer to the Index of Composers to find the num-
bers of the other pages in the catalog on which the composer in question ap-
pears).
live electronic works often use graphic scores, leaving much of the inter-
pretation to the performer . This requires a rather different mentality from
that of the traditionally trained performer, particularly in that he is re-
quired to operate electronic equipment. A survey of such compositions
shows that nearly all of the performers of electronic equipment in live elec-
tronic compositions so far also appear in this catalog as composers of elec-
tronic music on tape . This interesting phenomenon has been documented by
listing these performers in the Notes column, preceded by "p" (performer) .
When th e score is one wh ich does not necessarily require an e lectronic rea l-
ization, such as many scores by J ohn Cage, the interpreters are li sted in
the Composer1s col umn, since it is their realization which is being li sted
rather than the ori g ina l composition.
REMARQUES GENERALES
CONCERNANT LA LlSTE
DES OEUVRES
I. CLASSEMENT GEOGRAPHIQUE
xxi
Toutes les oeuvres de musique e le ctroocoustique apparaissant dans ce cata lo-
gue sont rattachees a leurs studios d'origine . Ces stud ios sent par
villes et pour chequ e ville, par ordre alphabetique; les studios
n'ayant pas de raison sadale figurent sous Ie nom de leur proprietaire. A
leur tour les vill es sent regroupees par pays, souf dans Ie cas des pays sui-
vants: Austra li e, Canada, Royoume - Uni, U.R.S.S., U. S.A., ou e ll essont
Co 'ahord regroupees par provi nces au Etats. L 'ensemble du classement geo-
graphique est fait par ordre a lphabetique, taus les noms etant donnes dans 10
langue origina le.
Une table des correspondences entre les noms de pays et leurs
et anglais 10 liste des oeuvres.
II. RENSE IGNEMENTS SUR LES STUDIOS
Categories de studios
Les stud ios sont en quatre categor ies:
po: permanent oHiciel
PP: permanent prive
io: improvise oHiciel
ip: improvise prive
1) Studios "permanents": dans un studio "permanent
ll
I'equipement est spe -
cia lement conc;u et continuellement utilise pour la composit ion de musique
electroacoustique.
2) Studios "improvises": on entend par 10 un ensemble d'apparei ls norma-
lement utilises a d 'autres fins (pa r exemp le, la radiodiffusion au I'enregistre-
ment) et qu i n'ont eH:; rassembles qu ' except ionne ll ement pour la composition
d 'u ne oeuvre de mus ique Iectreacoust ique. Sent ega lement eng lobe"s dans
cette categorie les stud ios qu i ne disposent que d 'un equipement minimum
(par exemple, un micro et un On remarquera d'autre part
que plusieurs compositeurs peuvent avoir travai ll e dons Ie meme stud io "io",
sans pour ce la en faire un studio "permanent" "
3) Lorsqu'un stud io apparait cemme "pr ive", bien que soutenu par une insti-
tution ou un organisme, c'est qu'il s'agit soit d 'u ne institution ou d'un orga-
nisme prives et aux moyens modestes, soit d'un local prete a un compositeur
par une institution ou un organisme pour I'installation d'un studio prive.
xxii
Date de fondation des studios
L'indication d'annee qui suit celie de la categorie du studio, correspond a
la date de fonda tion de ce stud io. Dans Ie cas de stud ios "permanents",
cette date de fondation peut @tre precedee d'une autre, placee entre paren-
theses: il s'agit alors du debut de I'a ctivite "improvisee" ayant precede
I'a ctivit e "permanente" du studi o. Souvent cette premiere activite n 'a con-
duit qu 'a des essais ou des recherches n'ayant pas debouche sur la compos i-
tion musicale proprement dite.
Autres renseignements concernant les stud ios
Les noms des studios et I 'indicati on de leur categor ie sont su i-
vis de notes, rMerences ala "Discographie" et aux annexes, etc.
III. DISPONIBILITE DES BAN DES
On peut, en principe, se procurer les bandes des oeuvres de concert reali-
sees dans les studios "permanents" en s'adressant aux stud ios ex -
ception faite pour les oeuvres eventuellement retirees des catalogues oHi -
ciels de ces studi os ou absentes de leurs archives, et que Ie present Catalo-
gue mentionne alors a titre historique; ces exceptions sont signa lees en note.
D'une faISon gemerale, les stud ios communiquent les bandes a d'autres stu-
dios, et non pas a des utilisateurs prives. La distribution des bandes, prove-
nant d 'un studio "permanent" ayant cesse ses activites, est Ie plus sou vent
reprise par un autre stud io . Les oeuvres composees avec un equipement "im-
provise" peuvent parfois @tre distribuees par un stud io "permanent" ou par Ie
propr ieta ire de I'equipement lui-meme. Les oeuvres, autres que ce ll es des-
t inees au concert, ne sont pas disponibles sauf except ion (par exemple, cer-
taines mus iques de ballet). Les conditions et tar ifs d'util isation des bandes
varient considerablement d'un studio a I'autre.
Par ai l leurs, certaines bandes peuvent !tre louees ou achetees chez les edi-
teurs de mus ique ou dans d'autres organ isations: il s'agit en general d'oeu-
vres de concert pour bande et instruments, ou d ' operas comprenant des pas-
sages avec bande. On trouvera les indicati ons correspondantes dans I 'anne-
xe "Bandes".
Les adresses des stud ios" improvises" ne sont pas donnees dans Ie present Re-
pertoire, mais 10 plupart d'entre e ll es peuvent etre obtenues aupnh du
Groupe de Recherches Musicales (Par is) ou de I 'Independent Electronic Mu-
sic Center (Trumansburg, New York).
IV. PRESENTATION DE LA LlSTE DES OEUVRES
La liste des oeuvres est chronologique.
xxiii
La date de composition de certaines oeuvres ne nous a ete indiqu ee ni par Ie
compositeur, ni par Ie stud io: la pos iti on que ces oeuvres occupent dans la
liste correspond alors aux autres renseignements que nous avons pu recueillir
d leur sujet, par exemple 10 date de 10 premiere execution.
lere colonne: Compositeur
Les initiales des prenoms n'ont utilisees que dans les cas d'homonymie
entre compositeurs dans ce ca talogue; on a en effet estime impos-
sible une confus ion entre les compos iteurs contemporains nommes Byrd, Cle-
menti, Novak, SchOtz, etc., et leurs homonymes anciens.
Lorsque deux compositeurs ou plus ont collaborEi a la rea li sat ion d'une oeuvre
- cas frequent en musique electroacoustique -, leurs noms sont cites dans
I'ordre alphabetique, ce qu i est parfo is en contradict ion avec I 'usage etabli.
Nous avons ega lement procede ainsi lorsque Ie compositeu r s' est fait aider
par un techn ici en: celui-ci peut donc avoir eft:; c ite en premier. On remar-
quera que cette disposition, dictee par des de classement, a
I'avantage de ne pas prejuger de I 'i mportance re lat ive des contributions in-
d ividuelles a I 'oeuvre totale, parfois d iversement es timees de part et d 'autre .
2eme co lonne: Titre de I'oeuvre (et notes descriptives)
Titres - Tous les titres sont imprimes avec double espacement. li s sont don-
nes dans 10 langue origina le, sauf dans Ie cas 00 seul e est connue une tra-
duct ion du titre (ce ll e-ci est a lors plac!e entre gui ll emets).
Les musiques de scene (ou de film) sont designees, pour simplifier, par Ie
seu l nom de la piece (ou du fil m) qu'elles illustrent, et non pas par "Mus ique
pour ... " .
II peut n'exister, en guise de titre, qu ' une description de la fonction de
I' oeuvre. Elle est alors imprimee avec espacement normal.
Dans 10 mesure du poss ibl e, les titres difficiles (notamment ceux en langue
slave) ont fait ]'objet d'une traduction don nee entre pa rentheses et imprim!e
avec espacement normal.
Notes descriptives - Le titre peut e-tre suivi de diverses notes descriptives:
nature de I' ouvrage, instrumentation, versions diverses, mouvements, notes
historiques, etc. Elles sont imprimees avec espacement normal.
l'indication / separe les signa lements de deux ou plusieurs versions d' impor-
tance voisine et qui sont identigues en ce qui concerne les passages electro-
acoustiques.
Lorsqu'une oeuvre comporte par contre deux ou plusie urs versions, dont les
parties e lectroacoust iqu es different I'une de I 'autre, ces versions sont signo -
xxi v
par des minutages differents dans 10 colonne "Duree".
Lorsqu'un film a utilise une oeuvre preexistante, Ie nom du film est mention-
entre parentheses apres Ie titre de I' oeuvre (on n'a pas juge utile de pro-
c6der de meme en ce qui concerne les ballets, constru its sur certaines com-
positions, un ballet n'ayant pas Ie mme caractthe d'oeuvre definitive qu'un
film).
II arrive que les renseignements donnes par un studio d propos d'une oeuvre
different de ceux donnes par Ie compositeur lui -meme: par exemple, souvent
les studios ignorent les diverses versions que peut comporter une oeuvre ou,
les connaissant, ne les jugent pas toutes dignes de mention. Dans de te ls
cas, on s'est efforce de concilier au maximum les deux sources de
rense ignements.
3eme colonne: F 0 n c t i on
C'est dans cette colonne que sont les indications concernant la fonc -
tion des oeuvres. A chaque categorie de fonction: musique de
concert, musique appliquee "en direct", musique appliquee enregistree,
correspond I'une des trois zones de 10 colonne:
a gauche: oeuvres de concert
C: oeuvre de concert pour bande seule
C+: oeuvre de concert pour bande a des instruments et (ou) des voix
C*: musique dectroacoustique procluite "en d irect" au concert
Une oeuvre utilisant en direct un apparei ll age electronique assode a une
execution instrumentale ou voca le est notee C*i mais si, de plus, elle met
une bande magnetique en jeu, elle est notee C+ . Dans la mesure du possi-
ble, Ie dispositif instrumental et electroacoustique des oeuvres C+ ou C* a
ete mentionne dans les notes descr i ptives de ces oeuvres.
deuxieme au centre: oeuvres de musigue "en direct"
11 s'agit des oeuvres destinees a des spectacles ou des manifestations impl i-
quant la presence effective du spectateur- auditeur, et dans lesquels 10 musi-
que joue un role essentie l.
0: musique d 'opera. Une execution "en direct" est toujours associee d 10
partie enregistree sur bande. Dans la majorite des cas, 10 bande n'in-
tervient que dans un court passage de I 'oeuvre, qui est par ailleurs un
opera conventionnel. Dons les rares cas ou, au contraire, I'essentiel de
la musique est electroacoustique, les voix et les instruments utilises ont
etE; specifies.
B: musique de ballet. II s'agit en general d'oeuvres pour bande seule,
sauf specification contraire. Signa lons ici que des oeuvres appartenant
o d 'autres ca tegories (C+, C*, MT, 0) font parfois i ntervenir des dan-
seurs, qui sont a lors mentionnes dans les notes descriptives de I 'oeuvre.
Bb: I'auteur de 10 musique est en me me temps Ie ou I'interpre-
te du ballet.
Th: musiques de scene (theatre).
MT: tous les genres de "theatre musica l": il s'agit des oeuvres occupant Ie
domaine vaste et imprecis, qui se situe entre I 'opera, Ie ba ll et, 10 pie-
ce de et Ie happening. (Parmi ces oeuvres, quelques unes pour -
raient aussi, a 10 rigueur, etre presentees dons un concert.) Dans tous
les cas ou cela a Me possib le, on s' est efforce de donner une definition
plus precise de chaque oeuvre particuliere.
Sn: musique pour sonorisations diverses. Ces oeuvres sont composees pour
servir de fond sonore a une man ifestation artistique (exposition, recital
poetique, etc. ) ou a une demonstration industrielle ou commerciale.
l orsque Ie rale d'une oeuvre Sn est plus important que ce lui du fond so-
nore, des dtails supplementaires sont donns en annexe (reference dans
10 colonne: Annexes ("Appendices") ) .
troisieme a droite: oeuvres de musique appliquee entierement enregistrees
F: musiques composees pour des fi lms et enregistrees, soit di -
rectement sur la co lonne sonore des pellicules, soit sur des bandes 02
ou 4 pistes Ie cas echeant. lorsqu'un film fait simplement partie d 'u ne
oeuvre specialement musicale ou the8trale, la mention F n'es t pas uti-
et Ie f il m est simplement cite dans les notes descriptives de
I 'oeuvre .
Ff: I 'auteur de la musique est en meme temps I'auteurdu film.
R: non seulement les pieces radiophoniques, mais auss i d'autres composi-
tions - c'est Ie cas de plusieurs Prix ltalia - dont certains elements
specifiquement radiophoniques exc luent I 'execution en concert.
Rr: 1 'auteur de la musique est en temps I 'auteur de la
radiophonique.
TV: musiques pour la
D: toutes les oeuvres composees spcia lement en vue de I' enregistrement
sur disque, plus certaines oeuvres de "musique pure", que leurs auteurs
ne destinent pas au concert (pa r exemple, les oeuvres de Tod Docksta-
der et les "ambiances de sa lon" de Ivor Darreg), mais qui peuvent ;iHre
entendues soit 10 radio, soil sur disque ou sur bande. D designe aussi
xxvi
des oeuvres courtes, de style popu lai re, dont la et Ie genre sont
ceux de la musique de varietes. On notera que tous les enregistrements
sur disque sont par a ill eurs signa les dans la colonne Annexes.
In: indicatifs, courts interludes, refrains publicitai res, etc.,
composes specio lement pour 10 rodio ou la ( I 'indicat ion cor -
respondante est donn6e entre parentheses dans les notes descripti ves des
oeuvres) .
St: toute e tude non destinee 0 I ' execut ion pub li que (c ' est Ie
cas, par exemple, pou r les etudes de stage du Groupe de Recherches
Musica les). Ce rta ines etudes ont cependant ete enreg istrees sur disque.
Pour toutes les de musique appliquee autres que la musique d ' opEi-
ra (0) ou de ba ll et (6), il a generalement le impossib le d'indiquer si des
instruments sont associes a la bande dans les oeuvres citees (Iorsque c' est Ie
cas, la parti e instrumentale peut d 'un autre compositeur que la partie
e lectroacoustique) .
Fonctions multiples
Lorsqu 'une oeuvre a deux fonct ions independontes I'une de I 'autre, les i ncli-
cati ons de ces foncti ons sont par Ie signe / . Par exemple 6/ F
signe une oeuvre musicale ayant servi d ' une part a un ballet, d 'outre port a
un fi lm .
Lorsqu 'une oeuvre a deux fonctions li ees I'une a I' a ut re, on a utili se Ie si-
gne - : ainsi 6-F 10 musique d 'u n ba ll et (et qui a e t6' danse spe-
cialement pour Ie f ilm) .
Les presentat ions tel6visees ou radiophoniques sont notees de la sui-
vante: pour un ba ll et (6), qu i d 'autre part a ete t61evise (6-TV), I'indica-
tion complete B/ B-TVa ete abregee en B/ TV.
4eme colonne: Date
Les dates des compositions sont ind iquees dans cette colonne conformement
aux exemples suivants:
1956: oeuvre composee en 1956
1956- 57: oeuvre pendant 10 periode , 956- 57
1956 . 10 partie e lectroacoustique a terminee plus tord (1956) que 10
( 1953)" partie non e lectroacoustique (1953) de I' oeuvre
ou bi en: I 'oeuvre de 1956 constitue une nouvell e version d 'une
oeuvre datant de 1953 (Ies indications correspondantes sont don -
nees dans les notes descriptives de I 'oeuvre). Dans certai ns cas,
xxvii
I 'oeu vre de 1956 correspond a la d 'une partition com-
posGe e n 1953.
1956 I 'oeuvre de 1956 a subi en 1962 une I'gere revision (insuffi sante
rev 196i pour donner naissance b une nouve ll e version)
5eme colonne: Duree
Les durees sont indiquees conformement aux exemples suivants:
9'31 ",
9',
9'31"
(22 ' ) ,
duree exacte de I 'oeuvre
(pas d 'i ndication de secondes): dud;e approximative de I ' oeuvre
il ya 9 '31 " de musique Iectroacous tique pour une oeuvre (fi lm,
opra , et c.) dont la total e est 22'
ou bi e n: I ' oeuvre es t une nouve ll e version, durant 9' 31", d ' une
oeuvre anterieure durant 22'. ( Les indicati ons correspondantes
sont donnGes dans les notes descripti ves de I 'oe uvre.)
9' 31"/ I ' oeuvre comporte, sous un titre unique, deux vers ions de duree
3' 27" : diffGrentes
9' 31 "+ I'oeuvre comprend deux parti es, qui durent respectivement 9' 31"
3' 27" et 3'27"
3'2]'1 - la duree de I ' oeuvre est dans les limites indi quees
9' 31 "
ind: la dune:e de I ' oeuvre est totalement indetermin'ie
incl, min la dur!e de I ' oeuvre est indeterminee, mo is e ll e dure au moins
3'27" , 3'27"
incl, max la duree de I 'oeuvre est indeterminee, mois e ll e dure au plus
9'31" , 9' 31"
incl comme ci-dessus. Le compositeur a enregistrG une ou pl usieurs
(boucles) : boucles pouvant etre lues indMini ment
indo 10 duree es t mais 9 ' peut cons idere comme une
(9 ' ) ' va leur moyenne (c ' es t par exemple la duree de I ' oeuvre lors de sa
execu ti on)
6eme colonne: P i s t e s
Le nombre de pistes des enreg istrements est indique dans cette colonne. Les
notations su ivantes sont utilisGes:
xxviii
4: 1 bande 4-pistes
2 + 1: 1 bande bipiste + 1 bande monopiste
3 xl: 3 bandes monopistes
4 + 2 x 1: 1 bande 4-pistes + 2 bandes monopistes
12 x 1/4: 10 mgme oeuvre est enregistree de deux differentes: d'une
part sur 12 bandes monopistes
r
d 'autre pa rt sur une bande 4-pi stes
Remarque: presque tous les enreg istremen ts 4-pi stes existent aussi
en copie bipistes ou monopistes . La plupart des bandes 4-pistes
europeen nes ne peuvent e tre lues sur les magnetophones ameri-
cai ns et inversemen ti e n revanche
r
Ie bipiste es t standard.
1 - 6 x 1: Ie nombre de bandes es t variabl e
r
entre un minimum de 1 bande
monopiste et un max imu m de 6 bandes monop istes
ind: Ie nombre de bandes es t indte rmine
(4 x 1)4: Ie nombre de bandes orig inal (4 bandes monopistes) a ete change
et ulterieurement fixe a 1 bande de 4-pistes
Pour 10 musique e lectroacousti que produ ite "en direct":
4 ch: 4 canaux de sonorisat ion sont utili ses ("ch" pour "channe l" )
4 ch + 10 manipulation lien direct
l1
s'associe une bande bipiste ("tr"
2 tr . pou r "track" (piste) )
2 tr: comme ci-dessus
r
mais Ie nombre de canaux de sonori sa ti on cor-
respond au nombre de pistes de la bande (2) , d'oli la simp lifi ca -
t ion de 10 notation
Rema rque: certaines oeuvres son t destinees a etre de pre-
Ference au moyen d 'un grand nombre de haut- parleurs (e t non pas
seu lement ovec un unique haut-po rl eur ou groupe de haut-parleurs
par piste ). Par exemp le
r
les concerts VORTEX a San Francisco
en utilisaient 36, parFois 40i la premi ere (et jusqu ' ici unique)
executi on de "Poesie pour Pouvoir" r de Pierre Bou lez
r
mit en
oeuvre 84 haut-parleurs; en 1958, au Pavilion Philips de l'Expo-
sition universelle de Bruxe ll es, on a utili se 425 haut-parleurs pour
10 d iffus ion du "Poeme e lectron ique
l1
, de Varese, et de "Concret
P.H.11 de Xenaki s.
7eme colonne: A nn exes (" Append ices" )
Cet te colonne conti e nt les refbences aux annexes (] la fin du
Rpertoire :
Discographi e , Bandes, Jazz , Pe inture , Musique de
vari Mes , Pre curseurs, Sculpture , Synthti seurs .
La colonne est d ivise e n trois pa rti es:
pre mi ere a gauche: "Disque ", rf6re nces 010 Discographi e
xxi x
Lorsqu ' une oeuvre es t sur d isque , la es t donne au
moyen de deux ou trois le ttres representant une du nom de la
ma ison d ' ed it ion . Da ns I'a nnexe , les sont classes pe r ordre 01-
phabtique.
L'i nd icati on *** signal e un d isque e n preparati on (dons une maison
non pre ci see).
deuxieme a u centre: "Ba nde ", riHere nces II I'annexe Ba ndes
Les abreviations donn(;es i ci se rapportent aux depos ita ires des bandes et, Ie
cas echeant, des pa rt iti ons (ed ite urs de musique , maisons de distributi on,
etc.). Des indications comp letes sont donnees da ns I' annexe e n ce qui con-
cerne 10 ve nte (ou) 10 locati on de bondes et de part iti ons.
L'i nd icotion *** signa le une pa rtiti on en prepa ra ti on.
troisieme a droite: "Autres" , aux autres annexes
Pour les sept aut res a nnexes on 0 util ise les a brevia tions sui von tes:
J az: jazz
Pnt: peinture
Poe:
Pop: musique de vo riet6s (" Pop" pour "popul ar music" )
Pre: precurseurs (des techni ques e le ctroo cousti ques)
Scu: scul pture
Syn: synthe tiseu rs (compos iti on par ma ch ine)
Lorsqu' une oeuvre com porte une reference a I'une de ces a nnexes, des de tai ls
supplemen toires sont donnes dans I' o nnexe e n ques tion sur les aspects parti-
cui iers correspondants de I ' oeuvre .
Beme colonne:
Cette col onne cont ie nt d iverses ind i cat ions concernant, s'iI y o lie u, 10 pro-
duction des oeuvres, 10 disponibilite des bandes, I ' execution, etc.
a) Divers studios peuvent avoir contribu6 (] la production d'une oeuvre;
ce ll e -ci es t alors mentionnee dans la li ste d 'oeuvres de chacun de ces stu -
dios, et dans chaque cas une indicati on placee dans la colonne Notes fait
reference aux autres studios:
mat pou r realisation de materiel sonore
rln pour realisation de I'oeuvre
pour revision de Poeuvre
Exemple: "Le voil e d'Orphee", de P. Henry et P. Schaeffer a ete au
Groupe de Recherches Musicales et au Studio Apsome: aussi
bien dans la liste du GRM que dans celie du Studio Apsome , I'oeuvre com-
porte dans un cas I'indicati on "rev St. Apsome", et dans I'autre "rln GRM".
b) Certaines oeuvres ne sont pas officie ll ement reconnues par les studios
interesses, ou ont ete supprimees de leurs archives, ou encore sont de pro-
venance incertaine: les indications correspondantes sont donnees en note.
c) Les oeuvres comportant des manipulations e lectroacoustiques "en di rect "
utilisent sou vent des "partitions" sous forme d'epures ou de graph iques dont
I'interpreta ti on est en grande pa rti e lai sst;e aux executants. Ceux-ci rem-
plissent alors un r$le assez original par rapport a celui des instrument istes
traditionnels (presque touiours d'ailleurs ils sont ega lement compositeurs de
musique t; lectroacoustique sur bande). On a juge interessant de signaler
leur nom dans la colonne Notes, precede d 'un p (pour "performer" =
execu tant) .
Lorsque la "partition" ne requiert pas des mani-
pu lati ons t;lectroacoustiques (ce qui est Ie cas pour de nom-
breuses oeuvres de John Cage) et que I ' oeuvre est de
telle sorte que chaque execu ti on lui donne un nouveau visa-
ge, les interpretes sont nommes dans 10 premiere colonne , (]
la pla ce du compositeur.
d) La mention "E.M. ?" (E lectronic Music?) signa Ie des oeuvres 00 inter-
vient une bande magnetique qui ne contient pas (il n' a pas
possible de s'en assurer) de 10 musique
ARGENTINA
BUENOS AIRES Agens, estudio de sonido, Centro de Diseiio y Agencia de Publicidad "Agens"
ip
'01 +
""""-
EI Allua s.
S.
1965 S'
1966 S'
BUENOS AIRES Estudio de Fonologia Musical , Universidad de Buenos Aires
PO 1959
tomb,...., IROfttaj_ nulca'- 'I ehdaI tonOf'OI pGteI F Y Th
.... n Ejerc Tc l o d. T 'uro,
..... ' Ejercl c10 con Impullol
.... n Ejerc Tcio d. Movlmlen'OI
'01
Ejetc i cio con Rulda Color.ado
'01
MCHlca ,oN .1 AucUovhual SfoM
.... n 0 1&'10;0. I C
'01 01'11' II C
BUENOS AI RES Fonal , estudio de grabaci'dn
io
... Compo. i ci 6" N , ' A , pCllQ dOl gNpoi C+
;",'",menlOl , cinla mog.wtioo, donza y jl,l<lg
d.luce.
--...
Cornpo.lci o n N,' B (sobr. poemos d. C
Gt.If,lavo Moretto)
Mor.pta Compo. i cion N . 10 (I'OI'f.: in progNSl) C
BUENOS AIRES Instituto Torcuato di Tella
io
Contro.t , paI'Q dCM piano. y banda C+
"",iOl (.--Uzoclo., .I.ctr&'ica d. Alcid.,
Lanza)
St 1960 ,. ...
St 1961 2'\lO"
St
"62
1'15-
St 1963 "'30"
S. 19.. $'\lO"
, ...... S'SO"
1965 6'15-
"65 12'
, ... 8'4S"
"67
1963 ..
2 ARGENTlNA
BUENOS AI RES lon, registros sonoros (estudios de grabaciones)
io
use of 0 19.50-53, th.n
para 10 tatt., palO """'lea eon-
creto.I,,.,,",,,*,101
5, 19S0-Sl "'-17' 1_3xl
Sn 1953-54 ind, .In lClkl
108'
Sou
BUENOS AI RES Laboratorio de Musica Electronica, Centro Latinoamericano de Altos Estudios Musicales
(CLAEM). Instituto Torcuato di Tella
PO 1964
lamn
Bolai\O.
SalaKc.
Balane.
Salara
Bolan'c.
BafaM.
Brn!lC
Todoroff
Maronea
Sf.bio.l. I -cincoepitodIOilparo&rgana Colo
eltctflco, y bondo mav",'iCO
'"ten.fdod y AlhJta - veni&, elec"' C
niea del poema d. C&tar Vallejo
L.ut.tO
1 O",bu (ball.tponfomima)
Dot en .1 Mundo
Donc. 80uqu.t (qu. incluy. "MarviUa") C
Morvilo
P,e,ollio de pajotol "'Uettol, pora
recitonte y banda
Syrill"'o I
Tronlfot",ocionel ,obre un 'e"'o de
Albuto Willian'll
C+
C
lnt.tpolacionu, pam guilOrro .t(ctrica Colo
y bonda
Oiole.i" palO peroni&' '/bondo C...
Co",binatorio II, para piano, trarrOOn, Colo
petOJtiOn Yborda mugn.rlco
E,tudio 0
E I Jardin de Angelo
L.o F ie.to, ho,/
BUENOS AI RES (Miguel Angel Rondano)
PP 1963
Rondono ...
Villalpardo
Ronda""
La botollo de 10. Gn;ele. C
Mulic fOf painting ellhibition by Cot/OIl SquimJ
Pra"'enade
2 Ti",el
EI PifQ",ide de 5aturna (forolo"lptur. )
, ... 0'
, ... 0'
"
,."
90'
,." 30'
""
90'
""
not In off. n.t
,." 0' nat in off. litt
.... 12'
"" "
Th
""
Sn .... 15'
, ... 10'
""
12'
, ... 0'
""
5'
Sn , ... 13' no' in off. Ii"
, ...
,.,'
not in off . Iii'
, . .,
"
Sn
, . ., 30'
""
3'
.. ., 0'
Sn
""
0'
Rondano ...
Villalpondo
Ronda""
ROf1dono
Dan;(a de 10. ruortel (Spdngs' Donce)
.. pi"toru, hoy
La Muerte
MicrOlucual (happ.ning)
Ke.o l' Morita
8uen VTaj.
Help VolenHno
So tbo:lu I
Julio
BUENOS AIRES (Guillermo Sacchi)
ip
Forma 10nOra de ondino, para ,",,;(;(0- Colo
SClpfCna, arpa, per"CU5icin l' banda mogn4'lco
(reolimdo pot' GuilleftnQ Sacchi)
, . .,
, ...
Sn
,."
,."
MT
,."
Th , ...
Sn , . .,
" I F
""
Th , ...
Sn
,."
MT , ...
, ...
1'647
CO R DOBA Centro de Musica Experimental, Universidad Nacional
PO 1965
Echorte
Voggione
(cnarte
Echarte
<:0.'1110
Echor,..
Vaggione
S ana to II, piano y cinto magnltica
501""0
fr.no
li nea I
Roy Co"niH en Vi.t No",
c
C
C
C
50"0'0 IV, paraplano,/cintal'l'lOgMtica Colo
Co"'plejo No.2, pCllOpiana, petCUlio..., C
flauto dulce '/ rvido blanca
Homenoie a Poe 11
Fou,ta
Simbio.il II
E.tudia"tina
Tlerra-Ti.rra
Twl.t '1 IIrl'o.: 10' aeotl ..
Concf.ci&n 1966
c
c
c
C
Reoli;wciOn de "Vc:uiotianJ II- de Cog., para C+
..,... cintot mGII"'tlcot, diYeI'$Q5 itll"" .... "toI
(tol., como un cuerna de cam, u"a Irotnpeta
de ivvvete, un de moterial pl&.tico,
un jvgvete produce el mugldo ct. uno yoea,
10 enCoccduro de una nCll"lta dulce .. etc.) '/
de ardell cuadradas y dien,. d.
.Ierra, eiecutadol en vivo
, . .,
""
""
,."
, ...
""
" ..
,."
Th
,."
,."
, ...
, ...
, ...
Th
""
""
, ...
ARGENTINA 3
"
15'
20'
0'
""
20'
20'
20'
10'
30'
15'
11
6'10"
3'30"
5'."..
0'20' Pop
"'30"
2'30"
''''
"00'
0'20'
"'30"
3'SO" Pop
3'SO"
6'30" 3.1 ME Pet
.
"1
,

ARGENTINA
C..,.,...-- TIM de roeuonw
--
C_ ntleofrhe.,.,..
""""""
Voveione CII.nto. lnlon,lI.,
Vogglone Col jmo C
CORDOBA Laboratorio de Acustica, Universidad Nac,onal
io
Numoncio
CORDOBA Radio Universidad
(atud!! electrOniCOl )
CORDOBA (Horacio Vaggione)
PP 1961
Vog"ione E,,. o)'o lob,o ",.zclo d. IOl'tido. C
Voggione Cantata I C
Voggione MUlico .Iectroacu.,ic:o II C
Ferpoui La Ciudod C
VoggiOM Ritual C
Voggi OM MUtlco elec,,,o.,ica pal"O loin Recital d. Ponfa s.

Vo;;ione Hi.rr o y espoc:io I C
Vaggione 1 Patio (Mica ;,.tNl9Iental y .lect1o- s.
ocU.tlca para esIMc"Q,jloAudioviwol )
Voggione MUliQ:l i,..trv_nlol y electrOnica po1'CI un s.
Recital d. AIM,ieona
Voggione ceremonial C
Voggione "'nanke C
VO!XJione Contata II, paraloprano, cinfamoenetiCI:I C
y piano integral
I:charte Estudlo para 10 "oz humano C
Vagg/_ Hierro y e.pacTo II C
,doo...
Eltudlo " C
VoggioM 4 fIIlfII para /rdUitflos Kai.. , (.Gb,.. QrlCI:I de
automO"Tles - imOgen.. de automO"iles It.noult
y Itombler)
VOW1one Total PoetIcal Th
VOW1one para de colore. s.
Vogglone Mo,,'mlento poro tele"isl&n
....
""'"
......
"""
........
T_
0
'9"
30'
,
(3 II: 10')
'9"
5' 2
'960
5,
'9"
1961
.'
1961 ..
'962
.'
'962
..
'9., a'
'9., 2fr
'9.,
..
'9., tn
'9., )0'
'9., ".
1963-604 2'?O"
'9"
,.
'9"
).
'9"
S
'9"
lotS-
'9"
a'
(4.2)
'9"
...
'9"
25'
TV
'9"
'0'
-..
......
...............
0IIc T_ Others
......
Fix
?{
AUSTRALIA s
NEW SOUTH WALES
KENSINGTON University of New South Wales
PO studio p&onn.d for 1968
I
SYDNEY (Ross Edwards)
ip (?)
Ed_Ids
MUllc f01 flute ond mognet i c tope C+
SYDNEY (Peter Sculthorpe)
ip (1956)
SQthho,pt
SQllthorpe

SOUTH
(tl". ",,*nown)
(tltl . unknown)
ICIng Lea,
AUSTRALIA
19651
19601
ADELAIDE Elder Conservatorium of Music. University of Adelaide
io
.... , ....
htudi.,?)
19631
VICTORIA
GLEN I RIS Electrogenic Music Studio
PP 1965 to ma... 10 Hawrilarn (Victor ia) I!Iiddle of 1967
me fi", few WOttc. _re COfftpOMd at the erd of 1965, but not indiCl:lr.d in the Ii" ...cei_
Stephen Fi,ewa,lu
C
'9"
5,,,,,,,,
The Orgaillt i c opus
C
'9 .. 5 .. _
OOOHI
C
'9 ..
5 ........ Wate, wate,
C
'9 ..
Sr.pnen
The echa whl,tI.,
19..
Stephen
The otol!llc Icherzo
'9"

Prelude to 0 nuclear e.plo.lon
'9"
'1
'1 or in U.K. ?
1'55- Foj
0"2" Foj
,'2S-
,.,...
2'00"
, .....
3'SS"
6 AUSTlAI.IA
CompotiNvr
Composer
Stephen
Stephen
Step .... n
Stephen
Stephen
St.phen
Stephen
, .......
Stephen
' .... '-
Stephen
Stephen
Stephen
Stephen
Stephen
Stephen
Stephen
The IIIod morse operetto
Sonata ob,tracto in two mo"e""ent' C
Trios in ob1troct sound
Abstract chamber mUlic for four
electronic "oice,
Thunder Itrings
Sana to for piano 'trings and as.
cillator
Ab,tract Hammond organ opus
Further triOI in ob,troct sound
Capriccio for piano Itring' and
oscillator
Electrogenic hatch-patch
FCJntolY
Schizophrenia
The whistler & his oscillator
Th. rhythmic jungle
OPIJI bre"il
Opu. abstracto
Melodica Rhythmica
Oscillator duet
Contrast.
Miscellany
Foohtep. In 'he .ondl of ti""e
c
C
C
C
C
C
C
C
C
C
C
C
C
C
0PUI for two oscillators and tope C
loop
Bed 10m C
Electrogenic Ballet
ME LBOU RNE Bruce Clarke's Jingle Workshop
PP 1962
.....
00 ..
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
'.66
,.66
'.66
'.66
'.66
'.66
'.66
'.66
l'lS
S'20"
3'30"
6'IS
I'..,.
1'15"
S'2S
1'10"
I'''''
1'24"
1'J()"
2'10"
"M"
2'..,.
]'10"
2'00"
1'20"
3'SO"
.lvdio', moin production conti.PI of electronic """ic fOl" Rond TV commercials, doQlmentory and TV fit"" (often in com-
binotion with orchestral music), oF1d "mood music" for Th. F, etc.
Clarice
Clarice
An Orchid WhOle Velocity is
Sculpturol
1987
MELBOURNE University
PO slvdio planrted fOf' end 1967 ( KeiHo. Hunele)
I
1966? 11
1966? 11
I I I I
BELGIE / BELGIQUE
--
Ow.. -.
-. ........ Tnxlu
BRUXELLES Institut National de Radiodiffusion (lNR)/Nationaallnstituut vocr Radio,omroep (NIR)
io 1957,1961
Che.,...."lII.
d. M.."ter"
...an d. WCM$tiine
\OOn d. Woes,iine
deM..sler
\OOn de Woestijne
de Meet,., ..
..an de WontijM
d. Meetter"
IO'Onde WoettiiM
de Me.,t.t-
de M e " ~ r
de Me.t'er"
VOn d., Velden
IO'On de WOHlii ...
d. Mee,ler
IO'On der Velden-
..on de Woettijrw
de Mee1ter
d e M e e , ~ ,
O'lJn Oioble d. Briquet; pourrJ-
citont, topfOno, choeur d'hommes et oren.s-
tN, avec. IftInipulotion. sur di.e et borde
La grand. tentation d. Saint C.
Antoine, poursolilNot, cno.ur, 3 Qfcn.,-
tr et rnogrMitophone
Voriation. sur un poeme d.
Faulk".f
Suit.
lIoliad.
C
C
C
Vraue Gr'e,e. _,ecitontengeluids- C.
band
Oan n op de moan
Indu.tri.
Suite
Polye.,er. ITIlJz,eltbij eenb.;ldhouwwerlt
(o",.c lculpl'l.lre et lum;.,..)
C
S Ged i chten " on Poul " on O'toyen, c.
YOGI' recitont en ieluid1bord
BRUXELLES (Fernand Schirrenl
ip 196()'1965
Schi",en
Lei Quot,. Fils /ll,ymon. pour
percuuion et bond.
,.
1950
1951 9'
(>.5')
'.58 6'10"
'.58 "00"
'.58
"
'.58 "30"
'.58 "30"
'.58 S'
'.58 12'
19S9 11'
I.,. 6'
1961
1961
.'
1901
"
196\ 10'
1961
'"
'.62 30'
MEN
c.b Pre P,ix hoi io
1950
CoO Prillltal;o
'.57
re" IPEM
fe" IPEM
rev IPEM
,lnIPEM
C_
TltNder_
--
C_

--
BRUXELLES Studio de Musique Electronique "BIMES"
PP (1959) 1961
exwits de phl$leun aeu_, sur di,.,e (Conroy)
Sauffriou
Sauffriau
Sauffdau
Sauffriau
Sauffriau
Sauffriau
Sauffrlau
Sauffrlau
Sauffriau
Sauffriau
Souffriau
Souffriau
Sauffriou
Souffriau
Souffriau
Souffrlau
Souffriau
SOI,Iffrlau
Sauffriau
Souffriau
SouHrlau
SouHrlou
Souffriou
Souffriou
Souffriou
Soufrriou
Sauffriou
Souffriou
Saufrrlau
Souffrlou
Souffrlou
Soufhiau
SouffriO\l
Sauffriau
Sauffrlou
Sauffrlou
Etude No . 1
La Voi. de 10 For't
M'toll'lorpho,u (M
Du,in, Anlmes (M
Entr'e Interdite (TV)
Visage de Gand
Trois Ballad., Fo ... ta,qu.,
Sequence I
Sequence II
Antorbel
c
c
Vall. d. 10 Mo".u., pourorchestr t C+
ba ....
R0" ,.,
c
Mon-Te.'. ( M
Wallon;. 62 ( TV')
Evocation' Spotiol .. No.2 c
Troil .t"d po" r &Moldoror "
L. R.nord .t I., to ;, in,
Voriation ' ''' "" 10" d. piano
Propositions , poo.wd..... plonos.tbond. Co.
Vila fait I. por f rait des b.t.,
(cont. pour .nfonts)
Variation l ur " ... 10" d. tambour
Di Olomo, I
G.el
Diotomo, II
lu t eh
Trois etud .. Hlf lin bruit blonc
VolK d. I 'E.pac.
c
c
c
c
c
c
c
In
In
In
In
In
In
In
""'"
""' ..
00 .. 0."' ....
1959 3'20"
1959 3'30"
(I.')
1959 0'20"
(20')
1959 0'30"
1959 0'50"
1959 0'..,.
1960 0'.40"
(15')
1961 9'00"
1961
1961
1961
1961
1961
1961
1961
1961
1961
1962
1962
"00"
"00"
12'00"
(60')
1'00"
(")
"00"
0'''''
0'30"
"00"
12'00"
1962 8'30"
(25' )
1962 9'00"
1962 1'..,.
1962
0'30"
1962 9'00"
(16' )
1962 5'10"
1962 7'20"
1962 5' 00"
1963
1963 2'''''
1963 11 ' 00"
(35')
1963 2'30"
1963 16'00"
(20')
1963 0'30"
1963 9'00"
1963 12'00'"
1963 2"20"
..... ""NOICU -.
Dhque a-:t. ,,"'"'
r .....
DIsc Tape Othen
-.
I.
I.
Soufh-iau
Souffriau
SoufMou
Souffriou
Souffriau
Sauffriou
Sauffriou
Sauffriou
Sauff,ioI"
Sau''''iau
Souffriau
Sauffriou
SoufMo ...
Sauffrklu
Sauffriou
Sauffriau
Sauffrlay
'.iouffriou
Sauffriou
Variation ..... , "EI.ctronlc 30
F .... d'Artific.
M.tastos i s
'mpravl,atlolu
Etud n Galvarth.
Impusstons "" "EI.ctranic 30
Quat,. 't"d sur I. l ... nd i d.
paquet
Traj.ctolr ..
Proj.ctlon
PrI,Me,
S he poem d. 'ie". POlnOI pour
YOiK pari ... t ION electroniqua
Opposition,
Alt.rnane. I, pauri,.trume,.".tION
el.Ch'orIiques
-
........
c
c
c
c
c
c
c
c
c
c
c
c
c
-
-
1963 17'00"
1963 1'00'"
(25')
1963 8'00'"
1963 15'00'"
1963 "15"
)'63 13'W
1963
1963 13'JO"
1963 22'00"
19..
19.. 10'00"
19" 13'20"
1965 10"10"
1965
1965 2"0"
1965 2'10"
1966 5'00"
1966 2'30"
1966
1966 2'20"
BRUXELLES Studio de Musique Electronique de Bruxelles A.S.B.L. (APE LAC)
PO 1958
Pousseur
Pauueur
Pouneur
'.iauffriau
'.iouffriou
POUI ..... '
Pouueur
Souff,iau
KOpper
Etude pour Rim .. II
Rim., pour diff.,.ntes sourc.s
sonor.,. pour 3 groupes orcnesh1:luK .t
ba ....
Foee a foee O,."",,,,,,n,, .tbond.)
EI.ct,.
PI.in SlId
Pu ;u . l. $onor. (-" In progr.,, )
Son s el.ctron i qu.,
1958 2.'
s. 1956
"
1958 2'SS"
c- 1958-59 J.4'40"
1959 10'
I - TV 19S9 3' 20"
1959 15'
Sn 1959 5'
C I I 1960 4B'
St 1959-60 3'
1960 8'
(60' )
1960- (9'20")
1960 10'
S, 1961 3'
lx1
-If /IILGIQU( 9
...
OIIC r,.. 0IIws NoM
AI.
VdM
VdM
VdM
CA sz
u, P, i. I!olio
1960
10 aElGIl/aElGIQUE
Meng.
POUsteu,
POUUMJr
Soufrriou
POUSI.,r
Pouueur
Sauffriou
KUpper
KO""..
Soufrriau
KO...,
KO...,
Borlow
KOpper
POUSleu,
BortholomH
"F "a is " (utilis4's dam donnyi,
3 slagverkor violi n, viol a oc;:h 6 h&g-
talor." &,1962?, 20' -?)
'ntfflud. pour les "Cont .. d'Hoffma"""
(Ofreritoch)
Le' P.".,
o
Th
C
C! S"
Pro1pective
Evocation1 s potiole. No.1
'"terlud. pour 10 t.levi.ion
o. I.S.R. M.tod. (Infomation.
'ion. ItMictior1)
Electropo''''. t ,lIUr"npoemed'A..d,..
OesralT'CN., pour 6 reciklnt., .t 6 recila"h
( jeuntl, 9."') ., bord.
C
C
C+
Tocco to. fOt' pero.nsion and .1.cPJonic 10Und C..
( wQfk in P"09r.ll: to b. completed in
Rochflt., studio, 1967)
De Zuile" von h.t I(wolit.it,b.l.i
Contot. 01,1. ol.ntour., pourollo,
Dc"., groupe d'i.,ltN_h.t bond.
C.
o
St 1961
1961 IS'
1961 30'
1961 12'
1961 20'
1961
"
1961 14'30"
TV 196.2 3'
3' 19'"
1963
.'
1963 7'
(60')
1964 15'
19., 10'
19.,
19.,
2"
1965-66 00' 180'
1966 2"
)X2
BRUXELLES Studio de Recherches et de Structurations Electroniques Auditives
PP (1966) 1967
avec logatomn vi Yllnh
BRUXELLES (Herve Thys)
ip
Sc,iobi". e tude s.
1966 3,h
19SO 2'W
UE
'nlP'EM
e...-- n ..... roelM9
--
". .. Ow.. P ....
-..
e_
rlfte of t'-wwk ....... Dolo .......... T ......
=--e=
GENT Instituut voor Psychoakoestiek en Elektronische Muziek (lPEM). Rijksuniversiteit
PO 1962
SrfCTlA. .. \,1ft groupe de c:ompo&it.un.t d'ortilt III a ....c l' IPfM
.. _ ...
.. ,..., ...
.. -...
VGnW"n'
Goerhah
Go-thai,
Gaull.
Goethal,
Gaull.
Goerhilh
Goerhal.
5 Gedlcht." "'01'1 Paul von Olto.,.""
YOGI' rec:hant e" gelvtdtbond (3 IIIOUvefMn"
" "ilN't)
I "COn,otiO"1 !r-IwU .... nion sur 4 pi.ta) C
C
'ndustrr.
Karten In d .. auurt
Stlold i. II C
Pol )I .... ,. IfIUzi.lt bij .. ,.. $"
(avec sculpture .t IUtlli"'.' "."ion)
S tudl. III c
Stud i. IV
e
ProlGog
Ringyorio ,i
e
E,curial
o. Vutroogd. fjlm
Stud I. V c
Marlborough , ' .,n vo-t'en 9v.rr.
S'I'bori'""."
O. Vrov .... i n d. Ocht.nd
Mogi. Rov;.
R.ina.o d. VOl
o. lCorting die St.,f,
Stud ... I "' OOt .1.k'ron l.1o: C
H., Glo,,;ol'l Effect
E l.k'ron
Oiolo;ol. vOOfttriikonust. bl oleok .... int.t C"
.n .lelctrOl'li,ch. muz i.1c
Stoeho" ..... 001" yiool, piono, bazvin en
mognetofoon
C
e
Endolltorfie I, V'OOI'viool, piono.nmogne. C.
to/-.
Elelctronileh. porrij lIit "Endo "
"'orfi e I
Le Dtam. de Fulc..,ryu Moru
Cyberneti ea
S t..,di. I
C
C
C
Th
Th
Th
19'" 17'
19", 6'20" MEN
19'" 6'
19'" 20'
19'" 10'18"
TV 1962
.'
19'"
.'
19", 10'
"'"
IS'
19",
.'
"'" .'
'9",
"
1963 6'
1963
"00'
TV 196,J
2"
1963 29'
1963 6'07"
1963 ISO'
1963
.'
"63 S'
1963 18'
'963 27'
1963
1963 10'
1963
,.'
1963 EN
1963
.'
1963 4'10"
"63 '6'
1963
.'
" .. ,.'
7'01/'
6'45"
19.. 6'4'"
19..
""
19.. 9'
19"
2"
19..
.'
-
-
rln II'a
,1" INt
12 IElO'! /IELG'QU(
Meyer-Tormin
Meyer-Tormin
SPt;CTRA
SP(Cl1I:A
hrthol.-. ...
Uy
Goetftals
d. Me.sl.r
Meyer-Totm;"
d. Ment.r
d. Ment.,
deM .. lt.,
d. Meest.,
d. M.flt.r
Goethals
8eY"
Goethals ..
d. M ... ter
...an SOl...
d. Vr .,.
"Y"
d. Mee ... er
POUIINr
d. M .. sNr
--
.........
Stule voor p i ono , voorpior en geluid,- C+
bo""
Studl. lab., rarbigu Raulche" C
.. Gedichte" von Sybre" Polet , YOOf C+
... citant en geluidsbond
3 lied.re", YOOtmidd.lbare't ..... ."
gel",tdtbond
Stud i . If
Studi. 11 ab., forbigu Rau.che"
C+
C
C
Klonlest,.,d"ur." voor I9I09".'ofoo" C
C
Spee'ru," 64 C
lu Et"nquel
H., Huile" .... rI.re" I.. "iet
Adorable VCII",ir.
C
Snec:lce"
floumo en VoriOti.,
Monoc:hroom
o. Me,nchwordinliJ
Or90non ( fon.ti,chebewmingop t.Ic,t..an C
Paul d. Vree)
Scenario
O,cor of d. W.t op d. Zwoorh-
kracht
S lud i .
floll., M.ga
Tr ij"'i e Car"eli,
C.llotap. , voorpiano, c.llo, conl'act-
micrafoon, geluidsbord
P'y,i,
Bi.d.rmann .n d. Brandltichl.rt
StochClsticCi 01
C
C
C+
C
n.
n.
n.
-
-
, ... 5'10"
, ...
,."
IS'
, ... ..
, ... 0'
, ...
"
, ...
, ... 12'
TV 19604 20'
, ...
'S'
, ...
" ..
, ... 15'30"
, ... 30'
, ... S'
, ... 23'30"
, ... 30'
, ...
,.65
'"
'.65
0'
'.65 0'
TV 1965 30'
TV 1965 25'15"
'.65 S'
'.65 "SO"
'.65 S'
'.65 2S'
'.65 2'
'.65 32'
'.65 20'
'.65
0'
'.65 S2'
'.65
'"
'.65 0'
Will.m van SCI.hi"". 0 / TV 196.5 10'
Spo s l.
Noc'u,". Mol"Clch.
VClt,. Fau.t
o. Zo.m.nd. Mudkon'
C
C
o
'.65 '0'
,.65 S'
1965-66 00'180"
, ...

-4'r" MEN
2do
,In C8C"
UTtMS..

'rhl hollo
'.65
I" "PELAe
Goethals
..........
Iuckil'llC
Bucki,..
GozeUe
Goe,... ..
..........
Goethols
Goethok ..
.. _ ...
.. -...
d.Me. ....
Goethoh
5i"'onlo ." grit mayo,. voorrw.. C+
adI.. t.n, tlog_,*"roep .",....,... mo"".tofone
Op h.t find .... Cln d. R.g.nboog
H., Sy.' m FClbrb.zi
Thy .. '.'
SIJjd
Ouv.rtu,. c
Vi.r Augu.'u. A, acl'eur C+
." rqnetofoon
Vi., Augustu. 8, ...oorsl'e-m, i",ITu_"te" C+
." I'I'IDgnetofoon
Raro '0 VOOt It.m; acteur, declamol'eur en C+
.... netrolaon
Tijd.v.rzwortl"lI. voornuit, OIlIoe"
-enetofoon
Riviera (fone'l.chebewerlcingaptft.t.t..o"
Paul d. V,..)
c+
"pril alft lh.i" (f_thcNbe_rldng 09 C
leks, ..0" Paul d. V,..)
Endamor'i. II. vOOfocktblozers..n ,....,.. C'"
trI\ISI.... tofonen
H., Huw.lljlc VO" Misl., Miui.-
.ipi
Zoo Story
2 ,. w.ini;. J :. t ...... 1 ('"--
sequent'" voor TV ope.a)
Koning Oedipus
Poradijs ... og.ls
Ca"',opun'a. ( __ in pt'OIIreu) c
HERENTALS (Jan Bruyndonckx)
PP 1958
B""yrdanW It a i I s
Brvyrdartcb
B""yndondtx
'",.yndonc::klll
Noctuf". vaar 'wee
Kompfo,,"i,
Black Mag i c
Vorietie. vaor ... o.tttopp." e"
"i'oar
Pore, No.ter
Verlore" Parodij.
7 de Paul d. V,.. (fone,kche be_r-
k'""r.
Veronilco
rer,.no 'roubahi
Oge"blik
le"e, ... rouw
c
c
c
c
c
c
c
c
c
c
Th
n.
n.
n.
n.
-
"""
, ...
, ...
, ...
'0"
, ...
, ...
'0 ..
, ...
, ...
, ...
, ...
'0"
, ...
,."
, ...
, ...
'966
0- TV 1966
n. , ...
,.'
S'
IS'
2S'
IS'
26'20'"
S'..,..
0'58"
0'(11"
2'03"
S'
3'37"
'"
30'
,.
o 30'
'.58
"
1959
"
1959
'"
,.60 2' 2(7'
'.60
"
1961
1961 0'
I .,
"
10.,
, . .,
0'47"
'.63 0''''''
'.63 I'IJ"
"'G,I/lElOlQW 13
2.2
, ..
, ..
2.,
2.1
, > , ..
u , ..
, ..
1. IELGlr /IELGIQUE
Appau i onoto
MogdCl le"o
Miin Evonoolt.
8Nyndonckx Mil" Evonool!J ( ~ " , " d . Paul d. Vr..)
lnryncIonduc Th. Flow., ond the Umbrella
Bn.ryrdondot Elecfrlclt.lt voor U
Brvyndoncb I<lIom.t., 9<4
SNyndonckx Elu"ti 1 (pcWINdePould.V,...)
Bruyndoneb: H., Hul.
BnJyndoncb Kl.i"e Co ro I i (fone,i,che be""ericing op
tftst 'VOn Paul d. V.... )
BNyrdoncb V.rtigo ;1 i (fonetl,eh. be ... erlcing op telt.t
..un Pout d. V,H)
Brvyndonckx Diomont
INyndonckx Pcuoll.t
Ih\lyndondtx O. Oboot
8t\1yndoncJtx l. Conard g.om.tdqu.
""
Brvyrdondot C.'0r *" Jet.b.1
BNyrdoncb Een Roo. CI ron ( fOMtjlch. be""er40:ing op
'ekst...an Paul d. Yr )
BNyrdonclcx I" d. lootst. Mi.wuf
-"""tI,,,
C
C
C
Th
C
C
Th
19.,
19.,
19.,
19.,
19.,
19.,
19.,
19..
19..
19..
19..
19..
19..
19604-65
19O5
19"
t9 ..
19..
.'"
Dw4e , ....
Oworion Tracks
0'.0" P ..
0'53" P ..
1'07" P ..
12' P ..
7'
22'
5'
18' P ..
30'
0'54" , .. > P ..
au
1'51" Itz +- P ..
au
12'
8'
30'
7'
20'
0'<0" OU Pot!
22'
BRASIL
.....
.....
BRASiLIA D. F.Departamento de Musica e Departamento de Eletr8nica, Centro de Estudios Musicais
Villa-Lobos (CEMV L) + Radio Educadora de Brasilia
PP + io 1960-1965 depui, 1965, d. Rio d. J_iro
c..-lho Alegrlo d. Notol. 0CMfI c6ro mil(ro. flta C. 1963-64 .'co"
c..-lho Estudo III: o..a {-)
St 1963-64 1'26"
c..-lho O. i niMigo. nao lftondOIft flSru (Let.
_i. n'.n"'Oi.nt pets d. fI.,l'1)
Th 19.. 7'CO"
c..-lho
Fulft0'f0 (FumH): nttonOneios
St 19.. 2'CO"
Cof"<oQlho E.tudo IV: plostico
St 19.. 2'18"
c..-lho
A M.nincr 0 V.nto (Lo i"", fill t
I .... nt)
19.. 20'00"
c..-lho
Piono Slirpr o No.1
St I 90s 3'CO"
c..-lho
Est"do Incou.nte (P1ono s....rpNIO No.2)
St 19O5 2'CO"
c..-lho
A M."'nO 0 V."to (Lo i ....,.. fill t Th I 90s 30'00"
I .... nt)
c..-lho Vo:t do. Nu",.n. C / , 19O5 3'15"
RIO DE JANEIRO Estudio de ExperiEncias Musicais
ip 19561959 opm 1959 d. 8rotnio D.F.
c..-lho
5i 8."'01
St 19,. 1'13"
c..-lho
T ro"o I (ecwtI piano)
St t9,. 0'57"
c..-lho T.",otlco (coon piono)
S,
19" 1'03"
c..-lho Traso II
r 1957 1'12"
c..-tho EHudo I: vidro ( ... rre)
..
St 19,. I 'co"
Cof"<oQlho
E.tudo II: mod.iro (boi,)
St 19,. 1'22"
c..-lho
N."ocio
8 -Sf 19S9 2'''2''
RIO DE JANEl RO Estudio de Musica Experimental (EME)
PP 1965 ... it. d. 81"Q1nio D.F.
c..-lho
Col.idoscopio I ( A. Cidod. )
t9 .. 10'00"
c....lho AI Int.rfuencio.
"'
19.. IS'OO"
c..-lho A P"luirinhCl
St 19.. 1'38"
c..-lho
o Ap.'o do MO"tonho C/ O 19.. .'CO" s,,2
Cof"<oQlho
Ca'.;dOICOpiCi " -F I ... ".CO" l.2
c..-lho A T ourinho
St 19.. 2'20"
c..-lho T.nloo
19.. "IS"
c..-lho
'" M.morio", (A Mort. do Homem 011. quiz
JerliYN)
19.. 2'00"
c....lho
A"drocl.,. 0 L.lIo
Th 19.. IS'%"
I. BlASIL
CompotiN ......
, .. "." Do..
""'" CompoMt ririe of 1M work
'unctio"
-
........
Corva'''o Papai, pobr. popai,inho. moma. Th 19.. 28'''''
t. p.ndurou ... (Oh dod, poordod.
mamma', hung you in the dQl.et and I'm f_lin'

/
Corwlho Prim_iro acho, d.pois procuro (22 5. 19" 40'00"
part .... $OnOtIZG900 ,.e!ta' de poesiot)
CarYOll\o C I. to (poetio) C 19.. 2'1.5"
Corvalho Col.idolCOpio III 1967 10'00"
Corwlho 0 Camol.tlo no I Th 1967 20'00"
SANTOS (Grupo Musica Nova: Gilberto Mendes + Willy de Oliveira)
ip + io
Oliyeira f.p.d.ru:.
"
<DYOqUinho 5. 1950 7'00"
QIi.".ira flllp.riene. II: P-ro.I,.3o 5. 19>' )'JS"
Oliveira Experience III: gaita (hal'n'lOnie:a) 5. 1959 0'58
OIi.".i!'O E"perie"ce IV: YOZ" 5. 1950 "2S
Mendfl Elcu riol Th 1960 3'30"
Oli.".ira A F i I ho d. Ropocci.,; Th 1960 10'
Mendfl nOle.mort., poroVOZ.'. p-fCU"aoetofM C+
""

mulie: (poem by Horoldo d .. Compo.: ... enion 1'15"
rwliz.d by composer)
Oliveira Sorocobo.S."horl Th 19., 25'
Oliveira C."y tooth pair. (publicity jingl.) 19.. I'
Mend., Cidode, pal'tl tritlfOz. , c:ontroboi)(o. piano, C+
" ..

ooi)(o Pop. music (poem by Augusto d.
Campos)
Oliy,ei!"CI "Bronz.inOt" M.tol ..... 19.. I'
......
-..
-
T ..... ,
0-... ...........
-
-
""-
.AU
2>01
CANADA
BRITISH COLUMBIA (B.C,)
I I I
BURNABY Electronic Music Studio, Communications Centre, Simon Fraser University
I I I I
VANCOUVER Electronic Music Studio, University of British Columbia (UBC)
PO 1964
Hultbetg
Impr_avilation and fl.c:tr.onIc:
lotion, few l..,..,iti,. i ... tnllMftb ond tope
C+ 1905 II'
........
Compolition, farnorratfonond!'Ope C+ 1965
" H....
(N) tltl.) for I'IOnGtion and tape
C+ 1905 3'
HoI.... Music fo.o 0 Happenl,.
MT 1905
,.,
2x2
H.... (no titl.)
5. 19.. 7'
Chongel: Int.rpolotlon for Shok,,-
hoc: hi_ for ,hakuhac:hl and POpe
C+ 19.. 20'
'.tn:rwitz
(no woric in progreu)
S. 19....,.
WI
" __
Proportional Durations (woric inprog-
1967- (5')
_I
ONTARIO (Ont.)
I I I I
OTTAWA Elmus Lab, Radio and Electrical Engineering Division, National Research Council (NRC)
PO 1954
le Cal".
le Caine
l. Cair\e
Anhal,
Anhol,
Anholt
Anhalt
8, .. ,
DripJody
In ... oca,ion
A nolS.Jom. pe.til.nc:.
Electronic: compolition No.1 (Sin.
t'OOII'II". No. 1)
Electronic compo,Ition No.2 (Sine
nomine No.21
Electronic composition No.3
Electronic compo.ltion No .
C
C
C
C
C
Fonto.y; fOl' ..iolin_ piano and .Iectronlc C..
_nd,
OTTAWA (Osmond Kendall'
19S5 2'05"
'01
1956 1'45"
1957 2'20"
"58 7'OS
1958 1'25"
1958 4'''0''
1950 6'08"
1950 8'48"
1960 10'05"
1961 11'20"
,In CPEMC
1961 10' 2? Fol
5. Imo.ss I
S," I
17
I;
I I!
18 CANADA
c ..........
n.r. _ t'oeuon.
-- """-
r'-ofthe-t
"'""""'
TORONTO Canadian Broadcasting Corporation (CBC)
io
RlAl lng
RlAllng
RUlling
Rusling
RuslJng
R.. Ung
Ihllilng
Rusllng
Rusll""
Rusling
RUiUng
RUIllng
Rut.ling
Compol.itian No . 1
Var. 3 Camp . 1
Ball.t M.ga
Fr o; . 0.,.
Fr do",
Haiku No.1
SO"' Motlo" Q-ulckly
Spatlol Motion
Thr Blind Etc.
Variation
Variat i ons on Slack and Whit.
CCJ"'p . Ie
Salu S.n (radio)
Do; Hammar . M.marlol
Th. TralM (radio)
Mil i tary Mind (radio)
Fat. VI . Will (radio)
Induuriol Stat. (radio)
La .... v.r,u, Ih " o l utia" (radio)
c
c
c
c
c
c
c
c
c
c
c
c
c
s.
-
-
19"
I ...
1965
19.,
19.,
19.,
19.,
19.,
'9"
19.,
19.,
19.,
19"
19.,
19..
19..
,. 19..
19..
I. 19..
I.
,. 19..
,. 19..
,.
TORONTO Electronic Music Studio, University of Toronto (UTEMS)
PO 1959
Sc:ho.n.rM
Sma.H.r M
Sc:ho.ffftM
Sc:hcMff.rM
Olnick ..
Scho.ff.r M ..
Walt.,
OI"icX ...
Wolt.r
19,.
Man y f oc., of ,"on 1959
Whit. "o i, tud. c 19,.
5.11 .tud. i n the fo,m of a pouo C
caglio
19"
19..
Donc. 4:3 C 1960
P,olm XXIII C 1960
TV 1960
Indio" ball.t 19"
DuH. ......
""' ....
T .....
1'20"
"30"
'2'
"39"
.'13"
2'00"
I'm"
,'02"
1'42"
4'lS"
2'30'"
2'10"
.'30"
3'45"
2'50"
0'00"
"00"
0'.0"
0'.0"
8'50"
5'.5"
8'10"
"20"
3'30"
2'35"
0'40"
10' 55"
'.
--
Dhqw Ionde Autrw
0IIc Tape oet..n
1
1
-
-
tin UTEMS
rln UTMS ...
Urbana +
Goo'
Sda.ff.rM
Scha.ff.r M
OlnicX ..
SdIo .u... M ..
Walt..-
Ait .. "
Scho.ff ... M
Ol"ick ..
Sc:hoeffet.M+
WOIM
M
Olnick ..
SdIo.H ... M ..
Walt..-
Sc:ho.fr.rM
Aitfo:."
Avrd
G_
GtICIUa
HosleJl
H.nry 0
Henry 0
Henry 0
'obb
'obb
'obb
RutUng
Bedcwlth
Charpenti.r
Ciornovo
Ciol'llOgo ..
Cra., l
r ..... o. t'oeuw.
Th. mo,ic
AII.gro fo r top. r.cord. r
Etud .... ith vo i c
Proj.ct A
Voices o"d b.lts
Soliloquy
Haik" no . I ( ...."i00'l2, '.,.,.,1. YOic.)
Haileu no . 2
Halleu no . 3
N.w Intrud.r
N.w Intrud.r: Suit.
TV (ThellwlyArts)
Th. smll.
Fou, "lIdl.1
La..,."t fro.., J.phtho
from ","lie for Homl.t
Study fa, th. " Tow.r or Bob., ,,
Chi",.,
S.qu."c. o r rong."'.nt "0.1
Variations
Triptych from the aibl., for Volca
and Tope R.cord.r
E"t.r thr ..... itch ..
fh. Ion. tr
How the o"i",ol. 90t t h. i r "am
Montag.
Col log. (origitICIl titl. " TOI"OntOO'liono")
Transpositio",
Composition no. I
EI.ctronic co,"polhion "0.1
EI.ctronlc composition no.2
El.ctronic co,"pollt i on no . 3
O.c.mb.r . 17th
On. port Inv.ntion
c
--
Fundior.
c
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c
c
c
c
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C / Th
C
C
c.
C
C
C
C
C
C
C
C
C
C
C
C
C
C
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TV
Doto
Doto
1961
1961
1961
1961
1961
1961
1962
1962
1962
1962
1962
1962
TV 1962
1962
19.,
19.,
1963
19.,
19.,
19..
19"
15'10-
9'30"
2'20-
0'.,.
4'SS"
8'20"
3'10"
2'.,.
17'45"
17'.,.
1'30"
20'00"
10'
0'
13'4'"
7'00"
8'55"
"40"
2'00"
12'.'"
11'00"
5'00"
I.'
5'35"
4'30"
6'35"
I 'OS"
S'IZ-
1'20"
2'4'"
19., 2'48"
19., 6'10"
19.,
5'.2"
19.,
19.,
"00"
'-
2>02 '01
re... N. Me..:
'01
rln cae
20 CANADA
Goo ...
Goo ...
Gnauo
Guri",'O
.........
MIII.-<:odwil
Mllls-COO:.11
Ol_j_
Ol_jor
WlIIto...D
Appl--."
CiorragD
Charpentier
CharpoMtier
Cnerney
Cherney

Ci01l'lD9l
Ciomogct
Ciol'l'lOgG ..
Gnauo
Mo,h ...
Milt.-Codt.1I
Mill ..codt.11
MIII.-<:OO.II
MlIl..codt.1I
Milll..codt.1I
obI>
WiliiolN 0

VIdeo II ell. with special C
(vfIuol pattw,.. octlwNd by ttl_ tClIUftIf fNdc)
/
Music for on_ or Mar. donc.,.
Space G"d illation thtdy for donc.,
no . I
Space Qnd Motion .tudy fOf donce,
no . 2
Space and illatIon study for don c.,
no. J
OPUI 3
Fugue fOf haqulchord. cots and
clorlnet
Etuth un
Gange.
Dance froM the Noh
'nCo"''''''''nicodo
M.I scol. conan
Th. 811ft
Electronic: .tudy no.l
r .. o .I.chonlc .,,,,dl
c
c
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Ottowa 1967. electronic Wle,l.. for out- Th
do riMa,., production
AJJ,. C
Alen""1
Oeoth of Q t,agedy
DOlhehy.
Night lII"slc
Untitl.d (Jan. 1966)
Two port in .... "lIon "0.2
Sen.'to (new _"ion)
Morgot
Etude 4
Ca r toon
Di alogu.
c
c
c
c
c
c
c
c
c
Fr og",.",. ; for two pta_ord'''NO-V- C+
netic tape
Soft-c.11
Little su i t
S ono.ph.f.
Cacophony
Oriv.fotlon
c
c
c
c
c
-
-
I .,
""
I .,
1965
1965
I .,
""
1965
I .,
1965
1965
""
1965
""
St 1965
1965
I .,
IV 1965
I."
I .,
''''
""
, ...
, ...
, ...
, ...
, ...
, ...
....
""
rv 1966
, ...
, ...
, ...
, ...
""
, ...
, ...
""
, ...
""
2'03"
0'00"
31'17"
.'17"
4'28-
6'05"
2'05"
,.,
IS'
14'10"
0'20"
0'40"
"40"
32'
's'I'"
10'
.,'
4'58"
11'10"
6'25"
"30"
"30-
1'45"
...
1'50"
"1)9"
."
S'45"
.. "..
12'30"
.'40"
9'06"
"50"
."
not in off. U.,
Wlm... o
WIII,-o
WIII'-D
WIII,-o
"" ..
lobi,..
OliweNI
011......

OllwrQI

011..,.,.
011.....
011.....

Ollvwc.
Gna;uo

EI.ctronlc Study no.J
Her. and th.,.
c
c
Mood
c
Th r. and tho t
On h.o"n, th. rtr,t .In. to".-
p.,.
Electroni c po.",
UAI
c
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lowdown C / I
Cor , e l l
Th_e Thund."n, Scr.o", or the C
S.r.phl,." O.II"ht
.5000 MTf.. C
1of IV C
II of IV C
til of IV C
IV of IV C
The Day I Ol .co"nected tlt. Era.. C
H.od and Forlot to R.connect It
III Mother I. Watchi", You
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NO MO C
Portlcrple Oo","n, I" Honor of C
Gertrud. S,.i" (_ile, "''''and .... )
Ultra Son i c Studl In R.al TIMe
c
Ultra Son i c Studl .. , ,, Real TIMe C
( Sh odditlo"al Ultra Sonic Studi. C
' n R.ol Ti me)
Rondo
c
Vid.o Not To a.
AI I S It
c
Fit"" 0' Hoi Sh.ft.1
r ... o port I nv.ntion no . ]
QUEBEC (Que,)
MONTREAL Canadian Broadcasting Corporation (CBC)
io
-....
-....
Mereu...
'ncond.,c.nc.
P,au",. pour 4bri . <nlot. rodlophoniqu C+
pour rhlfont cftoeun, ord!ettre.t "Miiql.re
".cfron ....
T.trochro",le , poui' lCbIopftClne alto, clo-
rlnotte , clorlroette boue, percuuJont .t bond.
rrogMtlque
-
-
, ...
0'
, ... 10'
""
10'
, ...
St , ...
, ...
0'00"
, ...
"00"
, ...
"00"
. ...
, ...
32'40"
, ...
"00"
.... 0'1)9"
1966 30'
, ...
28'
, ...
77'
, ...
2"
.... 20'
, ...
2"
, ...
20'
, ...
20'
, ...
7'
, ...
30'
, ...
30'
, ...
30'
, ...
3'00"
""
""
""
22'IS"
196.>-67 4'
1961 17'
"63 31 '
"63 9'55"
CANADA 2'
rlnlfMC
IIOtI"erdtI ...
not 11'1 archl ...
".,t iftarchlw
not in arch, ...
"O'i"an::hl ...
no' l"orcloll ...
rtOt i"Orchl ....
not inorcfli ...
f10t in olf.lisr
no' in off,lis'
21
Col
.f:
/.
,-
I
22 CANADA
MONTREAL "C,C," (Cioni Carpi)
ip
Carpi C Chromogfommu 1-3-"
Carpi C . I will I s},o n' t (J. veule j. _ pa')
FF
FF
MONTREAL Electronic Music Studio. McGill University
PO 1964
Mo<",N For"'. de. cho
Mereure Eliim.nt Troi,
Schofer To i (Lovil"ll)
Anholt C.nto on Eldon Gri.r', "An Ec"o-
s)"" (Contata Urbona), for 12 ,peokeft ond
.. ".
Schof.,. "I", ,cor. fOt' ((ol.idotcope Povillon. EXPO 67
Schof.r sound trades for Man ond life Povi llon. EXf'O
67
Pedersen P Th.",e. fro'" the Old T.,to"'.nt
MONTREAL (Otto Joachim)
PP 1965
Joochi'" (work in progrn.)
MONTREAL Marko
io
Corpi C
Carpi C
Point and Counterpoint (musique con-
glte .t son dn.iM)
L'ols.au Mayo (,","iqu. conerlte.t tori
d.,.in4)
MONTREAL (Pierre Mercure)
ip
Mefeur. StruC'uru ",'toli l que. No.1
Me,QJ,. Structur ""tolllqllu No.2. pour
tQ,t!pturn rnltalllqun (d'At'I1'ICInd Vaillancourt)
.t bond. IfIOgfI"iqu.
Mereu,. Structur ","olliquu No.3
o -TV
C+
S,
FF
FF
C
c+
C
1961
"62
""
""
""
I."
I ...
I."
""
"66-47
I.'"
1961
I.'"
1961
1961
7'
..
10'
...
IU
IO'SO-
"
8'
20'
S'
"
10'
"wi
(20'1)
'''' (8'1)
J?
2><21
2><21
P,.
S ..
1.' .. ...,.rI-
....
aC1
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n..... roewre
'-
Ti",oftfw-':
MONTREAL Morel)
ip 1'1
..... ,
..... ,
("""ique CCWtCr." pour di,qu. "Voile de a
poi.., du Canada")
'-"-
"-
MONTREAL National Film Board of Canada INFBC)
io
-
Dolo
Dolo
o 19581
TV 19611
- F 1961
QUEBEC Universite laval
PO lludio pIonMd for 1968
CANAI>4 23
0..'- .....
-..
-
""'-
T_
............
-
T_ 0Ih0n
I
'01
8'00"
24
CESKOSLOVENSKO
BRATISLAVA (Roman Berger + IIja Zeljenka)
ip
Serv-' +
+
Z.ljenka
Etude No.1 /
Etude No.2
Etud. No.3
c
c
c
.....
.....
19sa
mil
19sa
BRATISLAVA Experimentalne Studio, Ceskoslovensky Rozhlas (radio)
PO 1965
Malo ....c
Malo.,.c
Kupkavl!

KUpkavi!
Kupkovil
Malovec
KupitOYic.
Kolmon
Kolman
Malo ..... c
Malovec
Pol ore"'''' pO$lno
Edi,on
Ni. i. Ikolo oko Holo
Kotdych 7 min'"
Zrak
Vielel. krorf
Cikody
8010 to nil va; veer
Autfcko cililink
Focka
Llthckci I inko
Orthoge"e,i$
19.,
19.,
19"
19"
19.,
19.,
19"
19.,
19"
19..
TV 1966
19..
19"
o 19"
19..
"
3'
5'
7'
2'SO"
"
5'30"
10'
l'
1'30'"
S'
S'
3'20"
"
4'30"
13'

BRATISLAVA Zvukove Pracovisko (Studio sonore). Ceskoslovenska Televizia
PO 1961
pcK d'i"fOf'mGtiorn. wr 10 production d. 1966
Zeljna
Kupkovic
Kupkavil
Zlienko
Z.li_nlta
Nu.mor hnedy (Hydro)
Oomo yo chrnom en r'IOir)
Opu,reno z.em (PoysabondonM)
Sinko v ,i.ti (Lesoleildomlefil.t)
Ruuhche, Wunder
1961 21'
1961 7'30"
19"
19.,
"
19"
19" 10')0"
F-Sr 1962 1'30"
utili ..
Onl! I. film
......
z.ljenb
Z.ljenko
Molowc
Z.li--
......
Z.ljenko
......
lCupkovic
Sil'Nli
.. ..,..
S t d i a O. 3 (pro tOnG.,.; generator)
Po 17 rokoch (ApNs 17 onnH')
Vodo 0 prGco (I:-...t I. troyorI)
Op.r6clo X (Op&.ation X)
N.zabudnuta d.dino (I.e ...U. inou-
bli')
D." , .... Ladhla ... o (l. jourd. Saint la-
did .. )
Muii I. Gad."k.j daliny
d. Ia ..011.. d. Gad.,)
VtbU'ra no ",Iiei Sycamor. (La"'woI ..
daft! '-rve--Srca-)
Posl.dn' no izbu (l.demi.,da,. to
......... )
Inrarkty (let ;nf'orctw)
V,'up .... j.m. do doby atolllo .... j (Now
entToN da". I'So- OtOlllique)
Ko," n.chad: i n';'p.k,or (au l'inspec-
Nu' ". ..0 pc,)
tlondfna (La blorde)
Ot.c turbfn (l.,.,.dftNrbi .... a...apeutj
SI'.'n",i. (1.0 rencontr9j
Muii YO ... YBcoch (Hommndo". I..
'-.INur,J
7 dnf M_ine 7
joun)
Zo i i ... ota hlllyz\l (D. 10 ...i.d" i"..em)
Mi l on (pantomime)
Rnmaticl.:o horucko (La fie...,. meumo-
Piqu. )
S.nt i .... 00'110
.4.,,0109io (Analogi.)
v V
c
00 ..
-
19.,
19.,
1963
1963
1963
1963
1963
1963
1963
TV 1963
I - TV 1963
19..
19..
19..
19"
19"
19..
19..
19..
19..
19.,
19.,
19.,
19"
19.,
19.,
19.,
19.,
19.,
19.,
19"
BRNO Elektronicke Studio, Ceskoslovensky Rozhlas (radio)
PO 19641
pea d'infQl'l'l'lCltiOM
K ......
I
Huprolog Nt.l (Muiicfth.logarhfl",ic I
,lidervl.)
I'
aSKOSLOVlNSKO 25
!
3'.,.
"
Sup
"
9'15"
6'
3'10"
"SO"
10':W-
12'20'
5'52"
S'
"20'
2'10"
10'40"
6'SO"
3'
3'SO"
3'20'"
8'10"
3'
14'10"
3'18"'
12'05"
3'10"
2'30"
l'IS
)'SO"
6'10"
l'
'-
2.
C.........-
Tin. r-....
--
'-
n ... 01 .... -k .-
Kuluo Signa",,.. IVne fex' tn. World Con;lWSS of
tlcianl inlmo
PoIolc:"tk -Fou, Sound Conv.r,otion, and F1- Sn
nol. "
.,1(.. Koncert pro ",o"n.,ofool\ a 0("
C+
ch.st,
/
ltGiiCka EI.ktronio A, P'O mr;J9Mtofoon 0 bas- C+
Iclarinet (1)
RtiiiCfco
EI.lctronio S, PfO"""VMtofoonoarcn.ntr C+
(.l
PIne. (titl. unkrtOWfl)
C+
Kanoutelc (titl. unlcnown) C
(titl. unknown) C
JIHLAVA HOr<icke divadlo Itheatre)
io
N..ok
Pro, tory naiieh ii ...
noI vin: d ..... i._ ....nion)
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poOt d'infotmatiom r.CjUe,
PRAHA I?) IViliam Bukovy)
ip
Ro:r. Ie (I t. (De, hf.hl - HirOlhimo)
PRAHA IV.clav Kaslik)
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PRAHA ILadislav Simon)
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1966? '1 E. M. ?
1965? .1 E,M.?
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PRAHA Studio pro Elektronickou Hudbu, Vyzkumny Ustav Rozhlasu a Televize (VURT)
PO 1965
pen d'lnfofmatiON "'l'ft
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CALI (Leon Simar)
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DANMARK
ARHUS Arhus Teknikum
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PO 1966
lorentzen
(I'I'Dny short poedogogioal studt.,)
ARHUS (Bent Lorentzen)
ip
Di1$onoruer
GENTOFTE (Gudmundsen-Holmgreen)
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KALUNDBORG Studio 60
PP 1960
PI(Mlner
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C
C
Et bor".t f.dt(UnenfontestM,contpN C
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De" ;enfundne Oph.lia (Ophoilia ... C
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5. , ... 0'20"- 1-2
2'30"
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'4'30"
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3'30" 2.1
"'"
5'].4"
,.", S'IS"
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11'3.5" 2.2
1961 7'00"
1961 23'00"
1961.02 46'00" 2/1
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PtoetM'
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Ploelne,
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Ploetner
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K'yptoifOltl
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C
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C
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Kappens arvlng (l'h.,ltle,d. 10 aJbane) C
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.... ,1)
SynkroHkon, fOtiIWtrvme"mogblltld
C+
C
C+
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Words ond music
Splralu et polygones
Coupur
C
C
C
KIllBENHAVN Danmarks Radio
io (1953) 1956
pnlbobly aho WOt4cs by S... f"ICl Erik Torp, Ib Poul ROYling Ol,en
Pod.
'od.
Pod.
Pod.
Pod.
Pod.
Pod.
Pod.
En dog po Dyreho ... ,bokken
Selu ..... ",y, ro, b,," (Six Foiry Toln
fOl' Childre,,)
D." lill. ho ... fru.(Thelittl.MoemIaid,
nglith ... "iOl\, 1958)
;ymphoni. mog"etophoniqu.
Glo,p.,I.,pll I
Glosp.rlupll II
0." fortobh '4n (l. flI,
C
c
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(lignt of"lCl Souf"lCl, .I.ctronic tnUsic wit+! light
.... n)
Ar",it I, II, III. fOtsolo... iolinogJ C+
.... ttal.,. (Seeti.".. I, II, III)
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6'18"
8'12"
a'l)4'
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17'16"
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11'30"
5'25"
18'00"
12'06"
6'10"
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8'30"
TV 1953-55 30'00"
19$5-56 60120'
1957 42'40"
211
2/1
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19'25"
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14'10"
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toriu", rOf' lOlht.r, blard.t Itor 0IiJ mind,.
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No\ogaod T i to n Ie. dMlomototlum 'or recitation 0IiJ .t e .962 3$'
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21oml l,..and
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SdM"ltz Po,torale No.5, __ dc ""m-
C '963 l? stvdio
u"cerlGin
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N.... od loby, ln t.n 0 1960--67 30'
('963) (7S')
DEUTSCHLAND BUNDESREPUBLIK
e.......- n... ... r......,.
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BADEN-BADEN Sudwestfunk (SWF)
io
... ",. 00' Itah. Licht
H.'"
... ",. Von de" ungillcidichu. l.ben,b.-
H.", dtng","ven d., Thunfiu:h.
UseocMwky lineor Contrasts
UMac:hewky IMprovisation 4711
blu Po,.I. pour PouvQir. pour JOf'c:f,fttrn
.t bard.
Houb.,..todr;-I!:ornatj FCir K (orchestral. h\oftloge: 2. 1.il YOn
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BERLIN Rundfunkdienst der Evangelischen Kirche
io
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BERLIN (Oskar Sala)
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(.962-63) (20')
1966 2'51"
.962-631 (20')
1966 120'
1962-64}
.964 l'lS"
.964 7'W
.940 20'00"
1953 6'W
.9$3 8'35"
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Musllc fOr elektronisch .. Schlag- C
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Konzert fO, Mn. ","d .l.ktronr.ch. C+
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EI.ktro"ltch. TonZl",h. c
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Th
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Dato
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19"
19"
19"
19"
1955
1955
1956
1956
1956
1951
1951
BERLIN Oskar Sala Elektronisches Studio, im Hause Mars-Film
PP 1958 fOf'V.".tzt OI'I ob<en
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MTR Milo:t\lrtnJutoni"""
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15'00"
9'00"
16'00'"
29'00"
15'OCI"
14'00"
10'30"
.'00"
15'00"
63'00"
nient lind 44 W.rb.spol'l (TV) \,It'd 10 196()..02 .owl. W.rile, in d_n d., Fr.trdont.iI _h, als

Sal.
Sandloff
E.lman"+-
Sal.
Sal.
Sal.
Sal.
Sal.
Ge"z",.r
Solo ..
Sd,ultz.
Sal.
Sal.
Salo
Salo
Salo
Sal.
Serlo ...
Scrndlolf
Moje ... ld +
Sal.
0., M.iuerdi.b
0., Sturm
G.fQh, Nord .... ,t
Du host die CI"lnc.
Aluminium, Portroit .i".$ MatoHI
Kompolitio"e", fOr MTR und Ton-
band
Kampolition." fa, MTR und Ton-
bond
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1m Tal d., KGnstler
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TV 1958 19'00"
Th 19,. 20'00"
19,. 18'00"
19" 12'00"
19" 13'00"
c 19,. 20'00"
1959 12'00"
1959 15'00"
1959 10'30"
1959 8'20"
1959 7'20"
1959 3'00"
1959 5'00"
1959 9'30"
TV 1959 10'00"
1959 36'00-
-,
.
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Sola
Sondloff
Sal.
Salo
Sal.
Sal.
Salo
Salo
Sol.
Sal.
Sal.
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Sal.
Sal.
Salo
Salo
Sal.
Sal.
Sal.
Sal.
Salo
Sal.
Sal.
Sal.
Sal.
Sal.
Salo
Sal.
Sandloff
Sal.
Sal.
von F.ilituch
Sondloff
won F.ilituch
Sal.
Solo
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Sal.
Salo
Sal.
Sal.
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Orudtg.Hh. Kohl
Antlgon.
I.rtl"., Kal.ido.kap
ZlIndh&lz.,
Triumph d., T.ehnik. I-III
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Allstrom:r.ug
OeUI.ehe R.i'.rei h.u'e
.0 37
1959 15'00"
1959 15'00"
1959 3'00" Gil
1960 8'20"
1960 5'00"
1960 .'00"
1960 9'<11" Gil
1960 12'35" Gil
1960 11'00"
19'" 7'00"
1960
Th 1960 25'00"
1958-l1O 17'30" IN..
1960 12"35-
Th 19'"
1961 10'00" Gil
1961 9'30"
TV 1961 40'00"
1961 5'30"
TV 1961 9'20"
TV 1961 9'00" Gli
TV 1961 129'00"
1961 6'20"
1961 22'50"
1961 20'30"
1961 11'00"
1961 37'50'"
1961
TV 1961 11'00"
TV 1961 13'00"
1961 10'00"
TV 1961 8'00"
TV 1961 10'30"
1961 30'00"
Th 1961
Th 1961 35'00"
1962 5'30"
1962 13'00"
TV 1962 16'-40"
TV 1962 11'30"
1962 10'<11"
1962 1()t30"
1962 11'20"
1962 7'50"
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1962 8'00"
Solo Poly.!llthyle,..
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'962 12'10"
Sol. o.r F8ch., F 1962 22'30"
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1962 100JO"
Sal. Volk un'.r Valle.TI'I
,
1962 15'40"
Sol. 01. luh, h d., wir I.ben F 1962 9'00"
Sa'.
Ick 'Z.ichne N ... Yorlc
,
1962 10'40"
Sal. Ic;"'Mors 0 1962 0'42"
Sol. Improvl.otloft ",it de ... toulchg.n.- 0 1962 0'<2"
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1962 10'00"
SoNiloH Namo
,
1962 11'CO"
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Sol.
( l1S')
VOfI F.iIltucn araclnn F 1962 15'00"
..,.,... F.illtudt Nocht. b. ; chr Po.t
,
1962 10'00"
Lothar K6nlg leo, Th 1962 20'00"
Sal. Afrlltorolfto Industria-AuII,.II"""9 S. 1962 18'00-
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Sal. Amphytrion 38 TV 1963 13'00"
Sal. O.r Flueh du ".Iben Sch1an9_
,
1963 22'00"
Sola D., Fluch du g_lb." Schlange D 1963 0'00"
(Auszu;)
Sol. A. fleur d' eou (In _cht.lrdern G.RU!.) F 1963 '1'20-
Sola A. Fleur d'.au (Auszug) D 1963 6'20"
So'.
Galchich'en mit G .... ic:h'.n TV 1963 5'00
So'. Wi., enI 0",,'Og F 1963 9'50"
So'.
Triumph dar Taeh"jI,r.. VtI-VIII TV 1963 19'00"
So'.
8ASF Johranehou
,
'963 13'SO"
501. Ra"daz.-vol,ll lIIit da, TV 1963 .018'00"
ha it , TV-Saria Nr. 1-8
Sal. A,,1f gahoba"ar Eba"a
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1963 )3'SO"
So'.
Spalctrl,lm da, Cha",ia
,
'963 25'20"
Sal. Oa, WU'9 ar F 1963 37'00"
Sala Mobila Ga,.IIIehort
,
1963 18'20-
Sola AI "aroda A"db 11,1 ch i" era. II i a"
,
1963 36'00"
Sal. Oalllog bal,lt Hlr dia Walt
,
1963 17'45-
Sa'a
Der baw4lt i'iJta Michal TV 1963 23'40"
Solo Manoqual vol"ta,
,
1963 26'40"
Sa'.
Dia arlten 40 Johra TV 1963 19'00"
SondlaH Va" MUI.n I,Ind M.tueh.n TV 1963 0'00"
Sal. ElelctronilCh.lmprovilotio"an C 19" '7'00"
Sal. t", Schotta" von 'alcin; TV 19.. 9'00"
Sal. 6dipul Th 19" 23'00"
So,. Mo eb. th Th 19.. 30'00"
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Title of .... -tr:
AI,.,.h.i""
Schul. 'Ion St. ThClma.
IASF Joh,aucholl 1963
Mit oH."." Aug.,..
Lot.ino",.rllca, Dlo,ama Indll.trie-
Auut.llllng a.,li,..
tc:oroll."
N.w Yorl.:
Tokyo. Stodt im Q.te"
leh In d., Z.it ("morel &Iff.,)
Vor.orge 01.11 Klugh.lt
Tod-... trohlen d- Or. MODu"
Mit Forb." b.ga""
Macb.th
Lilia",
0., Kardg 1ft rbt
Th. city of to"'orrow
253000 Stunden
Plato .... Go.t",ahl
Unt., di, d., Hi",,,,,,.1
I 000 Wunder 1000 Plog."
Kroft.toff (AlGI)
Petrol
Polnl.che Pan ion
Kro"'pul und Angelilco
Burlco,hi
ehe",ie f O, aile
0 .
Sinte,l,Ing 110" Ei,e"erz.
Schnelllt,oue" illl Zahlu"gl'l'erlc.hr
Motlcou fotog,ofi.rt
Jede Mlnut. ei" Tor
Diora",o l"dllstrieAuutellung
1.,li"
Ole Stodt von ",orgen
B."eigung de, Mount Eve,est
St",,,,
I nte,,,,. :tzo
Ko""po,itio".n fl)( MTR mit li"eo
f." u"d Tonbondtchleifen mit logo
rith",i,che" Freql,l."zve"c;hiebu,,-
g
B.d i" 1913 - Aufbrueh zu'" Wel-
t.ne"de
Fal,l,' II
To"bild,chou S,adt.r"ellerll"'iJ
Milt tu r e " (0\,11 d.m alek,,,,,,i,chen Studio)
U",ichtbore I(oh Ie
We, foncht, de' fj"ch,
P.,.,oml"
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19.. 0'00" 1
TV 19" 0'00" 1
,
19.. 11'00" 1
TV 19" 33'00" 1
S. 19.. 18'00" 2
,
19.. 11'30" 1
,
19.. 10'40" 1
,
19.. "00" 1
,
19.. 10'40" 1
,
19.. 13'00" 1
,- ,96"- WOO" 1
,
19.. 1"00" 1
no 19.. 35'00" 1
no 19.. 20'00" 1
Th 19.. '0'00" 1
C 19.. 24'ocr 1
,
1963 20'00" 1
;
TV 1963 16'00" 1
,
1963 16'30" 1
F 1963 10'00" 1
,
1963 11'00" 1
,
1963 4'30" 1
,
1963 <3'00" 1
TV .963 8'00" 1
TV 1963 S'OO" 1
,
1963 3'00" 1
,
1963 19'5O" 1
F 1963 6'20" 1
,
1963 6'30" 1
TV '963 7'30" 1
I. .963 11'00" 2
TV 1963 8'lO" 1
n. ' 963 10'00" 1
Th '963 30'00"
,
TV 1963 35'00"
,
C 1965-66 20'00" 1
TV 19" 13'30" 1
Th 19.. 35'00" 1
I. 19.. 11 '00- 2
TV '9" 9'00" 1
,
,9" 7'30" 1
,
19" 19'00'" 1
,
19" 11'00" 1
.. liD .-a
.....
--
Titre de roevvN
....- Dolo .............. .--
CompcMiMur ",,",,",0 , .....
CMK TODe Othen ........ Oato
c_
Title of the_It
35'00"
"'
'9"
Solo
Nash!rn.,
BERLIN Sender Freies Berlin (SFB)
io
K,i_1 HI",.x'
, C '963
12'71
C+ '963 63'
Epitaph fUr Evari". Goloi Doku-
Wildberger
rNntori.che Hardlu"" fUr SClfJl'Un, Boritol'l.
1961-62)
Spreeh.r. Sprechchof. "-Spur Tonbord urd
Orc:hMter (d.... tlch. FOSIung)
BERLIN Studio fur Elektronische Musik Berlin
PP 1965 ,
f Kla ... i.r, Kontro- C' '9"
9'
M
1(_1., KOO'l'lpOlition
bon u.,d
Klo ... i., und ,- C+
'9"
'3' M
Ke1,I., Musik fUr F I&t.,
KOl'lol-Tol'lbond
BERLIN Studio fur Elektronische Musik, Technische Universitat (TU)
PO (1955) 1962
all WOrt.:1 produc.,d ,inc. 1962 no..... bHn the ,...,1, of t.otnwOrl: unci... the no,.... .... liMr El.tronilr;".
Winckel, J(rGU$a 0f1d (sinc. 19604) 1I:0f.r, ....itn Blocher Of on..r vhiting In occonklnce with riM' prU'.clpi"
04 odopMd in !'hIt catalog, only the COfrIpCI'en t-oo.... bHn indic:alold in .pi .. of pRelM in
,.,. list ,.ce;wd ....nidi is also combtent wi"" Ihti,. in concert ptogrOmI, IU cotalOgt and 0"'- 1OUreeI; In moe'
COM' ir'll'Nmental ord/or voc:ol _Ie by th. COI'npOMt aCCOI'I'IpJnift tM ,"""ie.
Mecnol\i,che, Theat.' (Marionett....,,;.1 n. 1955 '0'
Schr&pf.r
ouch all Film "Oi. Stud,")
MUliqulI Coner".
1955 '0'
Schr!pf.r
Die W.lt von ",org_" '9"
8'
GrObnou
dl. T.chn;u;h. Uni ....."'itet lerlin)
Mlllilc ouf Pouken C
'9"
10'105"
Th/5richen
Krenek
S.rI.ll. Stud;. ( ... "YOII..... ')
SI 1961
"
0 1961
Hartig Elcorlol
Multiple Roump.flp.kti"'lIn. far
C+
".,
]'].4"
BloeM'
Klo... I., urd d,..l Klol"Igeruuglir
EI.k"on;Ich. Studi. ab.r .in Po-
,9., 5'29'"
,JacMr
,aun.n-Gliuando (GlIssi.,..r.d. 0. ...10-
lionen)
Stlldl. in Schwarz, .I_tranl.ct.. Fouu"" C+ '9., 2'35"
"ach.,
dM Spiritual. Knows the TI"OIo.IltI. I ....
S .. n". fOr SopMn und Tonband
. -
Mod
...
...
. .
-
-
In Gene ....
C_
r ..... l'oevw.
'-
Titleofrt.worII
Studio ,.."i,ch., Sinnlpruch (.I.ktronl,cM
Studi. zur SpMch .... rformung)
Blodl.r D.r A.honoul (Rca.ut.ludJ.)
!lacMt Spozio ... oeol. struO'I'I.nlal., Ill,
S'i_, Vloline urd Tonbord
,Ioch.r Skal.n 2:3:" (Vt.rteltoftltudi.)
Studio Mo".z.leh.n
Studio And,oklu. und d., Law.
Bloch., EI.k'roni,ch. I '"pu I (Elektrol'lilchet

alach., Won.r (Klo ...i.ntudi., fOr Film "'nNrf ...
renzen-)
Hartig Wohin. OMtof'lum fO, J Soli.ten, 7 Char
On::hesNr und Tonband
Blocher Toral'll.lla (Schl.,. von "T,i.fan")
lladter Zwi,eh.n'llI. b.1 .In.r Notlon-
dung (T.xt __ H.ina YOn C,......r)
Studio H.rz.choll (Iyntftetl.che Herzth)
Houb.Ntodt-itOm:lll F K (oreN.hOl. MonfOge: 2. T.1I 'tI'OtI
!)be, .in du ... d Hous-, Rb
Orchesltlr und TatCand.,)
HouOe,.todc-itOm:lti A,... ,1" Q (Aufnghme-MonfOg.n: .I,.dll.
"V.tml.lfvnsten !)be, .in dul'lld.. Hous)
lIad!er EI __tronilc;h. T.il. ovs "Zwi,dtenlBli. bei
.ine1 No.londung" (_,w; in progrnl)
BE R LI N (Hans Heinrich Wiese)
ip
Wine It .do", Komposition fOr F161. 0'1'1;' Hod!-
n.fpou
BERLIN (untraced)
K' .... M.nog.ri., fOr unci Tonbcrrd
I(1.be Oi. ErO'l'lordung Clhors
Tharich.n Ano .. imond." End.
Hanig I(oI'Rpolitton io fUnf Phann. fOr
VioionCAIllo, Chonti_, Orc:hnte, und
, ........
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'963 5'32"
'9"
6'1"
'9"
"SZO
'96<
.....,.
'9"
""31
'9"
8' nich. aufge-
10M
'963 2'''''
w_ ...
'963 S ....
'963 "30"
(60')
'9631 ... nidlt in off .
, ....
'960-65 .56f tr ...
'9"
33'
'9"
2'57" UE rfl'l D. Oper +
('902-63) (20') SWf
'9"
'2C' UE rln O. Coer
('9.,-.. )
'966-lV (20')
'9"
10'30" 2/1 c;h
'9,. ....
1959 ...
196O? ....
196f:r.67? '1 liAS (lc.:lio)?
<2 liD
BOCHUM Studio fur konkrete und elektronische Musik, Schauspielhaus Bochum
PO 1960
noch ca . 30 and_ sind hi., "Icht ongeoeben
InCIMhmal JOlUl: 1oI!'td 1.lchte M.,.11c verwendet
ScMnboch
Schftnbach
Sch&nbach
Scherboch

Sch6nboch
Sch&r.bGch

Sch&rOc!eh
Sch6rGoeh

Schenboch

Sch&nboch
Geo",etrl Sprach. d., Fa,,,,,
Oat Knolh i dolleap
DOl Porodo.IUIR
O,h.1I III
Col ieulo
Aurbruch 'n' All
Kanig Jo"O""
0., IoInou'ho!tIQme Auhtieg d
Arh,HO Ui
Improvisotion II,H TOto,in
&Ilrgu Schippel
M. i" Foult
Di. Dome ist nicht rOn Feue,
Du KIlnig "irbt
eNG 22"
A,mtlro,,; 108t d., W.lt f.b ohl
c
c
n.
n.
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'"
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'"
'"
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'960
'960
'960
1960
.960
'960
"60
"60
.960
'96'
'96'
'96'
'962
" 62
'962
'962
'943
.....
'943
....
....
....
....
....
'965
'965
'965
TV 1965
Th 1965
Th 1965
n. ....
lh ....
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....
n. ....
....
....
....
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....
....
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18'
..
'2'
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'0'
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5'
25'
.. '
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3.'
S'
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II'
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.. '
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II'
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..
23'
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T_ ...............
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SchOoOodo S.d!;., ader dl. Ehr. Ganes lh .... S'

SchOoOodo F i.,co
lh .... 3' 2
SchOoOodo P ., Gynt
'"
....
'8' 2+.
SchOoOodo forlchun911chiH F .... . ,

SchOoOodo 001 L.b. n Eduard II von England
'"
.... S':!C" 2
S_do
G.,ono 11ft F.",.rof." n. .... .. ' 2
BONN Institu! fur Kommunikatio(1sforschung und Informationstheorie. Bonner Universitat
io
...,...-fppl .. ICloIIgmodell. (RSrNWDI K".,I
Mu,'eo '" due Ol .... .,,'o"i I, per
fIouto. ,-ro..JOM rtDItro
BREMEN Radio Bremen
io

Ni.1t'Onn 27 rn l " .. , t.e (r.och "T.lCtes pour ,i."-
'IOn 50-.' leek.ttl
O.r Bourn (A'rilto"'.cN M8in:n." _ Bioi..
C.nclranl
O.r Wind (Afrllto"i.c.... Maret-,.,ron
C.ndranl
DARMSTADT IHdns Ulrich Englemann)
ip
C+
Cod. ".10, R)r 1C10"i.noI0 unci mClnipuli.rt., C..
Tonbond
frio" fUr KIa";.,, unci ronbond C..
(. il'llchl.
Trololm.pi.1
Manit ., "0'" M.fI.eh_n. fOr Soli.
Chor. Orch.,t., unci r onbord
Th
Th
S 1951
'9$2 7':!C"
"62 '0'
....
. . ., .. '
.. .,
'2'
""
90'
1961 A!S
"62 22' A!S
.... 20'
.. ., 2(1'
. ...
liD I
-
......
.. "D
-
-
-
""'"
DARMSTADT Hermann Heiss Studio fur Elektronische Komposition
PP 195711966)
prov:_itc:'- lis,. d .... I tranl.chen W.rIe, des ..,.,..t04.nen !Comportisten Hermann H.iu, __ Intemotlongl.n
MulUct,.tftut Oo.".tadt oufoest.Ut
"TV" GoiNau<lo.... oIk HI, TV ..... /odo< l
H.i ..
H,i.
H.ila
H.I.
H,i.
H,l.
H.i"
1'1,1"
He;"
H.i".
He;.
H.i"
H,i ..
H,i"
H,i ..
1'1,;..
H,iu
H.; ..
H.ID
H.i"
Ou F.ind du "dhtd,"ten
Euay I C
Euay II C
Di, Tot
EI.ktro"i.ch, !Composition II: I.ou C
_____ _
Stud!. "(zu AS
EI.khonisch, Kontpotttion III: AS
60
Voriant. AS 00
Zikode"
SoH,menh
Eh'lItronisch. Komposl Plan IV
Oi, Tot
Zuordnung zw,i
C
C
Zuordnung dr.; : l rM 61 (licht, Tonz, C
..... ;k)
Proportion,,..
logo to",., Sondkornpolition FOr Sp,..c:her,
l .... tN_t. und ,1,k'rorIi.che K18r.ge
C
C'
l T M 62 - Oifh"lion Rlr licht, Ton%. und MuJilc C
Fe, "A.niolQ", Ope!' von
IJlon'GoM (nw. Fauung)
1951
1957
Th 1957
1958
Th 1958
1959
5t 1959
1960
1960
Th 1960
TV 1960
TV 1960
TV 1960
TV 1960
TV 1960
TV 1960
Tn 1901
1901
1901
1901
TV 1961
1901
1961
1961
TV 1902
TV 1962
""
TV 1962
o "63
H,i" Zuordnun9 ... i,r C 1963
H,i.
H,i.
H,I"
H,;",
Grou. Poulc,"mo,chi".
Zuord"""g ... i.r variabel ru, 4 Mogneto- C
....
Ei .. "nOtt. (Stohlw."")
MI o, fa,A.lt, TenO", C...
.1.lItroni,d-t .. Tonbond
Varlabl. M",il.: Hit 4 Mog".tara"e C
TV 1903
"63
TV 1963
1964
1'"
1966
15'00"
5'30"
100SO"
16'00"
8'10"
3'05"
21'30"
19'00"
3'00"
5'15"
3'SO"
9'10"
1'57"
2'00"
3'10"
7'00"
13'10"
14'30'"
2'02"
'4'30"
7'30"
7'20"
"47"
2''''''
7'15"
1'35"
12'30"
7'42"'
10'20"
12'20"
8'20"
52'
ind, ",in 4.1
8'45"
,1"
hoi"'cMS
Heiss
Hei ...
Solutotio, mr .irw Singui_, .ine
S.".dtt.ti-. und .1.lItroni.c:h., Toreord
Gebrouchsmulill." (Gp. eo-r+o. )
Morche d,olatiqu.
Schmiedeham",.r
Ghastea"I.
........
fvnctio, ""'"
"""
I ...
Ho, ;- , " .. 1---- r-
Moschl"e",o",m
FDmeNt
R.g."phif.,
Comical
IClonSlgew.!,e
G,a, .. II., Auftok'
Unheimlich G.Hu
Clown.ri.
Zykode,..
A,C
Oi. Hochz.iP
Vor,lttzl len
H.; .. fe, Irdvltri.-Film
FRANKFURT Hessischer Rundfunk
io
Ii.i.
Powerueic:hen des. H__ i,che" Rundfunlu; (Radio)
Di. ,Iorreicn. Un,erlaSiung del
Fli.;e,ha"ptmonn, K, F",nldlGHode Rh
sange1", Sprecher, "",isch,.,, Char, S.".c:hchor,
urw:l todioge .... Mi,...1
(.'''trani,che IClange und Phonotnonf0ge)
,-
Th
TV
I. los.
"54
110 ..
S'15"
21
1'25"
1'20"
2'35"
2'SO"
3'30"
0'27"
0'27"
0'27"
I'JO"
1']5"
1'10"
0'55"
1'05"
1'30"
1'10"
12'00"
0'06"
46 aaD c __
TitNdet'-..
c:om,.- n"-ofthe -X
FRANKFURT (Aleida Montijn)
ip (1)
untraced
Monrljn Porab.l, fOr OrehuNrund Tonband
--
Cote
--
Cote
1962
HAMBURG Norddeutscher Rundfunk INOR). Funkhaus Hamburg
io
Liebermann
Koyn
---
".
Somm.rnocht1 rroum
SIgnals, fO,7 rMtfvmentarIJruppen (lteell
wrionen d., .r.kh'oni.d..., T.rl,):
Ve"ion I
Y.nian 11
-
n.
(19601-66)
C. 19"
C 19..
HANNOVER Norddeutscher Rundrunk (NOR), Funkhaus Hannover
io 1960-65
Hosnog.n P.rcuuian I , fOr SchlalJz.ug c 1960

Ha,hag.n P.reuuian 11 C 1960
H<Jskog.n Transposi'ion.n (ouch ".,.,...nd.t in: C 1961
.. fUr Schlag
zeug und Tonbond". 1965)
Hoshog." Mono"., FOr Bariton. C"orund c- 1961
Tonband (g.i"I.1
HoSMve" OG",id, Oank,agung, R.zirotion fO, Chor c 1962
unci Tonbar-d, ",a Sprech.r,
I. n unci in. 'rvmenrol.,n (g.ittl.)
Hosl-log.n TrofjJ.dlo 1963
Ho.hog.n fUr C."*'alound TonbClncl c 1963
Hoshag.n P.rgiton II, fOr GirofT. und ronband c 1963
Hashag.n P r G yt'lt n. , ...
Hctthog.n G lorno ,0' g i orno , fOr Sin;.tlrnme, C 191>5
1,.'Nme!'lr. unci Torhand

DuN. ......
-..as
-
Ohque Sande AutnI
"""'"""
T-".
Db< T_ ""-'
-
11
;,..
('-,
( 15', sz
2'
J'
B'30"
"5D"
"00-
12'00"
1"30"
20'00-
8'00-
"00-
H'CK)"
9'00-
KARLSRUHE Studio fUr Elektronische Musik. Technische Hochschule Ibis 1966 in Verbindung mit der
Badischen Hochschule fUr Musik)
PO (1957) 1961
I E1tudio AI.olorio
1 '962 I 5'23" 1
C......- ntr.. t'0MI'IIN
--
c_ Ti ... of .... -x ....... ,
...... Pr.ludio "Lo Noch." (I)
...... S.r.nGta para _01 'I sonido, ,I C
nUloidale, (5.... l"1li1'0 fOr mei,.. S,I_ ut"ld
Sinust&e)
KOLN (Konrdo Boehmer)
'll
8oeh ..... r O.r Ta":t., uns.r., li. b.n Frau
KOLN (Johannes G. Fritsch)
III
Fri .. ch
Fribch
Fritsch
Fritsdlo ..
Ni."*"
F,lbch
Ni.haw
F,itsch
Fritsch
Fri.,ch
a.wegung t ...... ikaJitches l'heaNr Rtr
Sprecher, TlIIrtur, Mlmen. Sehei"_rfe.t. Pro-
ieltpi_un:::I TotDaind
a.we"..,..g II 1962, _ikGli-
,dws Theot., flh SOIpI"CI". Tanu.r,
Mi_. Prolektfonen. 13 l",hu_nN und T_
......
Wayz..1ic
MT
MT
Philippe. f8nz.er, MT
SpNchet unci Tonboond
Madrigol Tri,t. noeh a;ud. l ai,., C"
far Oboe solo und Tonband (,.vidi.,.. Fo.u"'!il)
Di. Fdlsch. Th
Parti to, fa, Viola, 2 lConlolctmlkroiane. 2 C
FII..." '2 Mognetofane und 3Itesl., (5 Sp.. I.,)
KOLN (Mauricio Kagel)
'II
< ... '
I'honaphani., vi., Melodramen Rh- r-i C
Sri,..." und and.... Schc:JIIqv.II."
....'
Dlophoni.: I RlrC,"-, Orchet .... und C
/ II .. a- und :t_i I'roift"'-'"
III fir Orch.1w u..d z._ll'roj.ktot.n (all.
d,.; ""t TorCandern)
Ito 47
Cote DuN. ......
-..as
-
Cote ....... T ...... .,..,.. ....... -
-
[)he T_ a.-.
"62 "00- JME
1962 "00-
1963
1962 5'
1962
1962 5'
1962 5'
1963 5'
19.. 7'
7'107-
19.. 5'
1965 5'58"
1967 11' 3<h
119.. )
19" 19' lxl I.E
1963-b4} (25')
191>5 lxl I.E
(1 9", 15'
(20')
.. ..D
C.......- TI..... "..,... ..........
c......-
n ... of,.. ...... ...........
KOlN (Nam June Paik}
PP 195861 (mo....d du,l", rili, period to b.1 KS'n)
Palk hO"'"'08_ 111 fohn" n , ... Icforttw.. C+/ MT
!aJM ond two , ... , with other
Polk
actla...
S Im,l. (for -Orlglnal.- by StockhouMn),
ClctloN w,... Iapet
KOLN (Jaap Spek}
ip
Mo,Jetan+ Fort.-pt'ono, pour
-... pia .. , mtcro,honnd.
ClCH\IQc:t, mlTe.t
...... 11 S CO". for 2:.5 'h'I contact mlcrophoMt,
tape JoopI and IcudlpMilcMS
KOLN Staatliche Hochschule fur Musik
io
Frltsdl London.r StroH.",,,,f. (8ecubeitu"" r.a
Orlando Gibbor.), At.- Sc:nuIOfcn.... r , C"ot,
Sh'OItu",,,,ikon"n, TorOand, Film, Pantomi.....
und So!lett
FrI"ch Mullk ZUt Schluuze,... der Oper "01. SoldoNn"
YOn I.A. ZI,.,.,.,.1'I'IOnrI
MT
MT
c
co
C
0
.....
""'" .....
"""""'"
1960 15'
1961 0'15
19..
180'
(27')
19.. 20'
1965-66)
1963 40'
S'
KOLN Studio fur Elektronische Musik, Staatliche Hochschule fur Musik
PO 1965
Elmert S tudle 5. 1965 3'30"
Zll'JIft'Iel"mQn" Ole Soldot.n 0 1965 10'
Maconl. Fragment C 1965 S'
"...."."
S,,,,dle S'27" C 1965 S'17"
Rou.. nbOdl Fauunll I 5. 1965
.'
Humpert AII.gorl F16t'e, Klavler, c- 1965 IS'
"nd Torma'"
"Ili>_ FI"ch ode' S.g.n: 0 1965-66 10'
(1)0')
Tenotkl. lIu t I ch. (The SuppUontl) II> 19.. )2'
-.
--
-
............. -
T_
"'" T_ 0Ih0n
-.
lxl
lxl
2>1
lch
,Mew" ...
-...
2ch wlthclra_
P Oo..,i. H
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........
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s,.c
1
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(41(1) ..
"D ..
C.......- ntr. de r..,.". -. .....
""""
-.
-..
-.
'-
-
..... .,.;.... T_
DiIqw .........
-.
"'" T_ 0Ih0n
-.
P.I C 1966 12' (4xl )
..... Hommoge EdlGfd Varlil C 1966 10'
("')'
Rot...- E.tudlo I C 1965-67 5145" (4xl).
Trotto C 1966-&' IS' ("I)'
TcMrepnln F II 1ft for IN"""', .I.ctronlc .qu;pm.nt c 1966-&' 20' 2>2
ond ... ( __ 1 ....-)
KOLN Studio fur Elektronische Musik, Westdeutscher Rundfunk (WDR, bis 1955 NWDR)
PO (1951) 1953
...... Klonl rill ",nbe9,.nzren ROil"" (3 C 1951-52 10'20"
EI- sa... )
'''''' +
Klon,.t",dle I C 1952 3'SO"
1"..."
aey ... + Klon,.tudle 11 C 1952-53 "30"
Ei_rt
a.,... OttinG'. FiSt""e" und Ithyt"'"_" 1953 3'4,
EilNft
U.. rt S""khu 8 5. 1953 "00"
Stodtta...n S,,,d,. I C 1953 9'IS"
UlMrt Gloclunlj:J I.1 C 1953 1'00" u.!
Goer-m Comj:Jo, ltl e "r.S me' z"r..,e,e to"." C 1953 2'30"
(CompodtlClfl no.5 oux to,.. P'J"')
H.itI Er.ktrorthch. Studr. 5. 1953 0'40- nich, ilft Ardliv
Eimert HOde Ob., C 19S3.54 .'05"
Gr.dinger Formant." I lind 11 C 19S3.54 4'28"
H.iM E I.k'roni.chu Oi.kontil1.lI",m 5. 1954 4'15" nicht im Ardl;y
Pau ..... S.ismogram",. I ","d 11 C 1954 2'56"
S,oc:khouMn 5 ,,,,di. 11 1954 2'57"
H.,. Elek'ronilchn Oiskontrn"'lItn mi, 5. 1954 2'37" nicht im .....chiv
Sc;I'dogze"'lI
H.l .. EI.kt,onllch. Kompo.ltlon I C 1954 .s'IS"
Koenig Klo"II"IIII'." I C 1955 "00"
KI.be ,",.rf.r."z.n C 1955 "40-
Ho"..oroeut Dopp.tro", It C 1955 3'SO"
Goey..aer1l Compositl. flr.7 me' convergere"de C 1955 1'27"
en divetllet.nde toonhoo!i1t." (Corn
poIition RO.l OUJI ni-.". conve'Vents e' dl
....rgen,, )
I(".n;; Klo"9flllur.n 11 C 19S5-56 lOllS"
Stoclc........ n G na n9 d. r J anll" "lie C 1955-56 12'55" (5.1)
Ei"." Fan' S,Ock. C 19.55..56 12'45" ("xl) 1
Pfing.torotodu,.. .. Spiritus In'elli - C 1956 17'00-
lIenllo., Sanet", ITeill: Cas Verlongen
nach dem Gei")
loil. Fill II" I II> 1956 16'55- "lchl 1m Archlv
E\IO"9'li.ti I ncont, 1 di fosce so n ate -,tudloel.,- C 3'20" UE
lTonico
EilMft ZII Ehren von Igor Strovlnsky 5. 19>7 1'00"
Niluon 6
Koenig
....
flmer?
....
L.igetl
Cordew
C,,!'dew
Koenig
Koenig
Studio
Elmert
Wi.,..
von 81.1
Fri"ch
Stodtl'lOl.lte"
StockhouMn
KOloNlci
Kot:\"

Glilland;
Audiogram ....
Kanig Lear
VoriGnt in., Vorl ot lol\ von
Anton W.b.r"
Ar,ikulotion
1$1. E ... rcise
2Ad. ElI.reis.
S.I.k,lo" I
Suit.
C
C
C
C
C
C
C
C
C
Epitaph fOr ATldehi Kuboyomo, KCII'II C
f*oition fOr .... lind SprGchldlinge
Po. irlon. Kompotition fDr .I"troni,dt.
Klange, VokolkUI".. urd Ins tN_At. (T-'
..-,Kti_')
r.,,,,inl,l' I
P HH fGr M'n wineft'l Go .... " It., Don
Penimplfl'l .. lIso- YOn Wolfgong FortnM
Sec"s Stud ie"
aedo .. , KornpOIition Rh mit Hoch-
n.tpo.
Fobula Rcuo
C+
C
C
C
C
C
Mikrophorde I, m,TomtI:J"" C
urod 2 Filt. r (6--8 Spi.ler) (en film, GRM Pon.)
Mlx'ur ra, Orch ..... " .. 51,.,.ne","""" C
...rod (6
!lUf 3 Taml'Omi und 3 Seck..,)
Miluophonie I', farehoi', C
toren unci (+- ronbond.T .... l.lun-
g.n, dab.; Aunchnitte out "GftGl"III del' JOng
Ii,.")
Kla"glpi.l. (Jeull tonON"l). fOr % ..... ;.- c
Spur T0rb5nd.r und" Regl.r
Ca"t,abo"dt, .1.lItTOni,eM Mlnill RSr2-6
Au5lbhrende, TorDard, .I""roniteh Oberh'G
ger'lde Schloguvgire,,,,,,,...nte, Iclingende Ob-
jelt,., ,,"w.
Hyl'lt"." (wane. i"ptOgrftl)
C
c
S.
o
....
....
_a _
1957
1957
(1955)
1958
1958
1958
1958
1958
7'30"
1 'OS
8'OCl"
10'30"
7'45"
3'45"
7'OCl"
1958 1'25
1958-.60 13'13"
1961 2Of35"
23'20"
1961-62 IS'5O"
(1960-01)
1961-62 1.'35"
1902 5'
1902 17'45"
19" 10'30" 2/1 do
UE
UE
w ..
PM
OGG+ lIE

UE
w.. UE
Ton
Sdo
tN.. UE
19"
13'30" (-4+1)4
19..
19"
15'.30' 2 do Col UE
1965 IS' 4+3c::h UE
(19641
1965 15' 4+' en 01 UE
9'20" 1)14
1967 20'-60' 41
(30') UE
nicnt ira AtcJ,iv
wll'hdIGWft
wttfdrawn
rl,,"nln
pWl ...
pSoj.
00 ...1," H
Fritsch
ShinoMf'O

c __

'-'-
"-
nt6e 01 the-a
.-
KOLN TonTrickstudio, Westdeutscher Rundfunk (WDR)
PO 1958 ........... """Wlll
vi.le Mulik "',... HMten Rlr TV, .,c.
Traum.pi.1
Z", vi. I. lC&eh.
Mary Ral.
Kaiser Joru.
SchO..
Fa",,, 1. T. iI
'"
Licht und Schott."
O. r---S tr-o .... "f . _g.t
S""' .. Noeh Oalllo.lt",s
S""' ..
KOLN Westdeutscher Rundfunk (WDR, bis 1955 NWDR)
io rOf1JleMr%t in TanTr'dutudio
.. ..
....
TV 1959
TV ,.60
TV 1961
TV 1961
TV 1963
19""
s. 19..
''''
TV 1966
1966
SchOtI: Matge"r&t. St 1951
O.r GriFf noel, d." St.,,,.,,
G.II." d.n O.:z..mb.rst",r""
Die Ene d .. H.rrn Miui,.pp;
!)b.r all.", Zaub.r Li.b.
A!c"".i, eh. A, tamFib.1
Oi. Fll)eht."d.
MUNCH EN Bayerischer Rundfunk
io
.v....ik R)r .te. leit 19504 (gAe)
H."ze 00' End in.r W.lt {Originolfoul..orog)
MUNCHEN (Josef Anton Riedl)
ip
tiedl S t",di. fOr lIonkre'. KI&ng. Nr .1 C
Riedl fOr lIankr.t. Nr.2 C
lied I Stade Ibr Stngstlrnrnen, Klavler, Schlogzeuv C"
",nd lIonicret. Klang.
ti-.dl StOd: Ibr prapori.rte Kla"l.re mit Ko"lOk""i C
1uophone", Sehlogulvg ",rod Streich.,
1953
1953
Th 1956
1950
1956
Th 1956
0' 1953
1951
1952
1954
1955
Ow"
Dvratoon
25'OCl"
8'00"
21'30"
18'00"
15'00"
17'040"
1'30"
7'OCl"
8'20"
2'JO"
2'10"
4'OCl"
38'00"
19'20"
14'00"
SO'
3'30"
4'
8'
12'
-.
T_
i01d ch
( ... i.I.)
_IS
Dbque ...........
"'" r ... ""-
Sd.
liD 51
-
-
I,;
I,
Ii
52 liD
-
--
-
"""
MUNCHEN Studio fur Elektronische Musik Munchen (1957-63 Siemens & Halske, 1963-66
Geschwister-Scholl-Stiftung, 1966- Verein zur Forderung von Klangforschung und elektronischer Musik)
PO 1957
vf.l. Musik urd Eff.kt. (F. TV. R, Th. St) urd M5tch..-plott.,(Polyd) sinct h .. , .,icht ongeg--., - noch ca. 80 nt.1
Riedl
RI.d1
tied I
Riedl
Ri..:!1
Hani.ch
Ri.dt

Riedl
Riedl
Hosing .,
Riedl
IU.d1
Utdl
Riedl
Ri.dl
HasMgen
Riedl
''''n
Riedl
Riedl
.on
Kon.:ot.cMco
Riedl
Riedl
Riedl
Honi.cn
von CraINt
I(ogel
Riedl
Riedl
E,,,,l)du"GI
TV 1958 $'1
Stud;. far .I.ktrottisch. Kla",;_
19S8
'mpul. un,.r.' Z.it
Studi. rOt .I.lctroni,clu KUII.,ge
1959
stund. lit
c
c
Dot. neue Paradlu _MuIoikall,c:hoaleeen Co.
de R)r Char. Soli, Sprecher, arches .. " .1.1e-
troni.cM Kia,.
gen modulTert. Sprache
Stramricht.r
Wilh.lm r.1I
0., BOil des Temp.11 - St\.odi. mr .inen C
Sprecher, Klovi.r. SchlogiNtN_n .. , .1.1e-
tra"ileh. Klange unci tr'IJnipuli ..... Vokal- und
InstrumentCIlkltll9
Me,...chen-Mo.ch in_"
Heut. fOr m0rfjle"
Strom
Elektronische Glodcerspi.1 fUr den ne\Jtl Rat-
NJuS in Solzgitter-l.bers ch
Mol topten 1
Klttnge unurwag'
Moltopr.n II
Moltopr.n 111
Sendaz.eichen Rk SoncIerpt'09rG_ &aye-
ri,ehen RundFYnits (Rodio)
Dr.i Sild., aut der Offenbarung
de' Jononnu
Komml,lnikation
Studia fUr alektroni,en. K/dn;a
1961
Po,t und raennik
c
Obi.kt, fer I"'t",ment., SC)Ncherl,lrd Elelc.. C-
tronik
Oos groua Ebenbild
In
In
, F
..
Ant it n a s e - KOIT'pOSilion fOr .1.kfToniscM C I Mf
und K16nge; Spi.1 ASr einen Dor-
tt.ller mit .I.ktroni,ehen ut'd &ffentlicn.n
Killingen (air.enl. "30" A..uchnitt out
MTransicion I", Studio WOIt K&ln)
Studi. flh alektronitc:h. Klltng.
1962 / 1
c
Studie flit elalctroniHhe KUng. C
1962 / 2 ("Folge von , Studi." Hlr .I.!ttroni-
u:he :II Studi. 1959. Studi. 1901.
Studi.n 1962/ 1 und 2)
19sa 2'19"'
19'" .58'17"
19'" 2'.,.
19'" 1"03"
19'" 23'
19'" 52'15"
1960 106'10'"
1960 29'10"
1960 16'28"
1960 \ SO'
1960 ..
1960 11')4"
1960
1960 I "SS"
1961 25'40"
1961
1961 O'W
1961 16'02"
1961 4'10"
1961 17'56"
1961 11'33-
1961 0'10'"
1961 12'
1961 10'43"
1961 2'12"
1961 28'05"
1961-62
.'
19., '5'1
19"
.. ,..
19" I'll"
19., S'I)2"
Pot
Mlld.-Meiune,
li.ctl
Riedl
lledl
RTedl
liedl
........
.............
-
Riedl
RIedl
Kil1moyer
Riedl
RIedl
Ri.dl
Riedl
Riedl
Antoniou
Illedl
IHed!
Antoniou
Riedl
Gottwald
Ed..
Rieodl
PStlner
Hilhmitt.1 zut al.ktroni,eh.n
IClangge'toltung
Trall.r ZU "1""",lt UNe,., z.a"
G.for",tu Licht
Diobon
Schalhpielstudl. I
KOl'llpo,ltlon III
Tra.nlt '-...... 'adcladddOft8ef (Jeo- Mit C
"TraNI. II fir, iNtNlMftt"', 1963, I.:--"'nl."
....... ,,)
Kampo.ltlon V
Orel StDcke 0"" d.t MUlti, :11,1
"leo"ee und L."a". !'Dr 1,..""_101-
kla .... und SPfOche. rell ... l .. mit .I.ktro-
ni1.ch." Mitteln _ite-rvararb.it.,
Kolftpo.ltion VI
01. NOlh6r".r
do.
Ra t1 o"elle t 1.lve rt. it un"
Etude X/ a
S eh.eiltgerlt'.
!ComposltTon )( 1 (1. FosSlolng)
lCompolition XI (2, F05tung)
leone. und L.na (e,..i,., .. FoIiUng)
0,o" 01 A.tr.id., f1M,en ft.. At,eid.s}
E. r.gne' i" mein HaUl
Etud. XII / a
Oe, OOmm
Doni.I-Henry Kahnw.il.r - Enanl
h' L.ben
Kompcultlon XII
Oat
Etude XIII/o
Ie" bin e i " Ga,farb.it.r
H.r:lkraft ,1e S.ndll"g
RltChorundd,.ILOIoI ..... - C+
01. lrrfohrf.n de. Odysseus, fOr
O,ch."r urd TOI'Ibord
Kompo.itlan fO, el.Ie'tonlteh.
Klltng. Nt, 2
Scholl.pl.I.'udi. II
c
-
-
""
1962
19.,
19.,
19.,
19.,
19.,
.. 1963
"63
Sn 1963
19<3
S. 1963
n. 1963
1963
Sn 1963
1963
1963
19"
19..
19"
Sn , ...
I ...
Sn 1964
TV 1964
n. , ...
""
Sn
,."
19"
I'"
Sn
,."
""
Sn 19..
""
19..
19O5
19O5
17'
28'
2'
3'1
17'
21'
12'
1'40"
0'''''
<'23"
S'26'"
10'1
2'13"
13'30"
<'
l'IS"
21'
8' 38"
S'U"
35'
0'''"
20'
2'53"
17']0"
20'
,.'
10'30"
196.3-65 12'

19651
lile
loG
Pot
Pn.
...
Pn'
Pn.
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rfn A"'inai
uG Pn.
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...
Kri .....'
Kog.1
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Ri.dl
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Riedl
Antoniou
Riedl
Antoniou
Antoniou
Kri"".t
Riedl
JAJA Hart t 2
G,und;.,talt.n und Varia"t."
Kompolitlon XVI
U".ndlich. Foh,t ( 1. V."ion YOn
VariaVbion)
Ruhrgal
Studie XVlrr/3
Judith
2 StOck. OU1 d., MUllk au
d i th", fOr l,.tNffte"talklitnge unci .I"tfo-
nilch .... i,.., ..... rarb.it.,. l,.trvmentaUclit,..
Autopo,trolt
Sch"".,k,aft
Kompotitlon XVIII
Thund.r 0"'.' M.xico Filn!)
He'.rophon),
Kompolltlon XXIII I._ie
allder .. Klangblld.,)!
Grundbild S.ite a
Grundbild S.ite b
OP o.,.rtur., fororchfttraondta,.
It.oletlon H6,t t 3
Kal wa
0., Z.oub.rspreger
STUTTGART Staatliche Hochschule fur Musik
c 1965
Sn 1965
Ff 1965 18'30"
Sn 1965 "57"
1965 IS'
Sn 1965 5'''''''
1965 18'30"
S., 1965 I'IS-
19651 9'1
TV 1m- 9C'?
C lN6 S'1
c
c
c
19 ..
TV 1966
Sn 1966
TV 19 ..
19..
Sn
""
Sn
I."
19..
7'
5'08"
10'
2' 06-
2'1'"
" lIS')
18']1-
1966 23'30'"
0- TV 1966-67 10'
lIS' )
P.t
P.t
eo .. ""- I I I I I
I IG "'"''''"'.'''''"".1
ULM Tonstudio der Filmabteilung, Hochschule fur Gestaltung esc WI
io 1967
I
WEISSKIRCHEN IRoif Riehm)
ip
Riehm blut .... u,,' tagt: leomm leb.r .... u".t.
fOr RezltGtron. el.letronhche Orgel, Kla."er
",tid TOt1bond
I I I
c 1962 16'
P ..
Pnt
Pnt
Pol
Pnt
Pnt
P ..
DEUTSCHLAND - DEMOKRATISCHE REPUBLIK (DDR)"
n.... fOMlWe
--
.....
""""
-
-..
-
............ -
ntr. 01 ..... -":
-
..... ........
' .....
"'" r_ 00I00n
-
BE A II N Experimentalstudio fur kunstliche Klang- und Gerauscherzeugung, Laboratorium fUr
Akustisch-Musikalische Grenzprobleme, Rundfunk- und Fernsehtechnisches Zentralamt IRFZ) der
Deutschen Post
PO 1962
IINcnoM'! durationc nat I" Jape cwdtr....
""ch of tM RFZ', output i, Mllght mutfc
exc:erph !Tom H'4ra' plee. 'Oft R. ar'ld TV Oft Elwlma
K",rrh
De, WePtlauf
Ku""
a l U.l in ouinato C
H.idei",
1962
1962
1962
1962
1962
1963
6'00"
2'02-
2'10"
"20-
11'CIO"
Hallo, hi., ph. leit TV
1963
2'00"
5'
22'00"
I(""rt-.
(""Itt
KloIbicz'-
N.. ,
Hor"'9
Wehding
Hcw"ig
HOfnig
Hornig
K"",.,
Hornig
H&pfner
Jeu"l
K",rth
Honerrsee
WehcHng
Wehding
Mo" '0, Mas.
c
Amarillo luno C
cin Stodtbllm ... el, FOIl: RlrSubharchord C..
",I'd TOftZOtchester
Sonnta;,Fahrer
Pulftph""
Q",onett far erektroniu:l ... Kl4n;e C
Di. Sp"" fOhn i n den 7. Himmel
COI'I'l:."ino, Rh .'.-h"onische Klange.
Streic:norch.sr.r ",rod Schlagzevg
Z""ischen lonaung und Stort
Sch, eck g e lpenst Automation
Z", .,i.le Kr.vze
Zenlurenlchlo c hr
l",Ie",IIUl
O.r neue W.;
Hondol in Cody
Jenophorm
AloskafOch ...
Milero n",11
Sorgen.lnd.,
Zenzl 1m Petticoat ,
Drei M"'liktit.1
Vorber. 't""g.n z.ur
bo ll ade
Ne",er. Chern;.
c
c
1963
In 1963
1963
1963
1963
1963
In
"63
1963
TV 1963
TV 1963
1963
"64
TV 1964
TV 1964
1964
o 1964
1964
TV 1964
1964
1964
1964
"64
1964
TV 1964
1964
1964
1964
1964
J'OO"
J'J6-
2'25-
20'
11'00"
5'00"
18'
IS'
8'30"
6'00"
17'
5'
J'JO"
J'
'4'00"
18'00"
17'20"
S'
13'10"
2' 30"
,.,
5'
0'49-
11'
38'
8'00"
fw
,.
,.
E.
50 DOl
Wehding
W.nding

Hoh.,.
Zimmerrnonn R
W.tw:llng
lCuM
Schlott.r
Wehding
Wehding
Wei,.


Tit,.. foeuwa
TiMe of tM wont
Variation.n lib., ein Tn.ma von
R. Lieb.rmon"
E l.letron.'1t trohlmeh,lcomm.rof.n
rerra inc:oSlnitq
IClongl,ruict",."
F.rdinand, Zoubuh3 ... ,eh."
Ent- od., W.d.,
ro,.l.f'I'oni,dte-sMi:dur-
iNtNfMnt und Stnichorchn, ...
Oi. SenGlul
Champion und Fochmonn
Grotulation und Hormonie
Impr.uion.n fth .I.ktroni,ch.
Kl8no. und Orches,., 1965
Gock ",nd R.in.mochen
Ente und g.gerueitig. Hilf. "oeh
A.. to", I C h8 d i gu noe n
E iHon&
D., Mann Out de." ond.r.n Johr-
touu"d
Zoologisch., Garten
Mom.'HI MII.icou!I 1965. n",Sub!',gr-
chord urd Orched ...
Gol j I.i, fUr 5 Instrument. und
.Iektroni,eh. KI8nge, 1"ICIc:h Wort." '0'0" a ... tolt
S,.ch,
Unle' Drach. Ko.imir ( KinderMnpi.1l
"',abilcn. NOcht.
Prot.,t
Mytteri""m B""ffa
S t ur",
Paul.";teich.,, ( TV)
BERLIN Funkhaus BerlinOberschoneweide IRadiol
PO studio wird bil End. 1967 r.,tig
I
DRESDEN Abteilung Trick/ilm. DEFA
PO 1967 (Ku"" l
C
C
C
C
C
C
C
-- ......
19.. 7'
""
22'
n. , ... <2'
TV
""
10'
Sn
""
, . .,
8' U,
, . .,
8'
""
7'
"65 10'20"
""
20'
"65
.'
- r-
""
8'
""
8'35"
, . .,
19'15"
"45 32'
TV "65 11'3a"
"65
"65 11'20"
, . .,
20'
TV
""
10'
, . .,
,."
""
23'05"
19.,
"66 12'10"
1966
TV "66 12'
"66 6'5S"
TIo
""
Tn "66 30'
In "66
""
I I I
ESPANA
<_
nINde roewr.
......... Oato .....
-
-..
......
"- Titteofn..worII:
Funcrion Oato ........ T_. "'- ...... A_
......
"'" T_ 0tI00n
BARCELONA Istudio d'une SOCiete d'enregistrement de disques, "dont je ne suis pas autorise a divulguer Ie
nom")
io
M-.trft Ouad,.""
0
Mesh'es 0uacI,.",.
p., 0 nrro "'.co"'eo (prece
pour ICI. rMconique, pou, oeeOlllpOgner une
IClUlp"''' eM MoiMt VIII.lla)
M.trr... Quod....".
Cone.,t per a '.pr.,."tor
pour 6 j,.humenh. 'oetwvn .t
Mesh'ft; Ouodre",.
MADRID ALEA
PP 1966
bo....
S ... it. 1""0,
eM eordoct. chont, do,.. ., bond.
Jo bb.rwoc!.:y poftl c;Q;tOr vn C'"
snark) gollrnot(os vocol a 29 porte, WJb,. ... n
Mo,,,,
"')(1'0 HI cInco I ........ de LAwi, Cowoll. pGra
voz, j"'hu .... cinfo Y 'of'ogfOffa. del

(woric in prog..... )
(wodr. Tn PftJSJNtt)
(wodc in
MAD RID (Luis de Pablo)
ip
de Pablo
A tro",', d. SOn S.bottian
d. PaDlo
PO,oj." tre.
d. Pablo
Ipoclo dot
d. Pablo
Op.rocion "H"
d. Pablo
Rioti",o
d. Pablo
E I Sonido d.
10 M"".tt.
d. Pablo
Mitololl(o no.l
MADRID (studio d'enregistrement de disqueS)
io
Holff,...
I
... lot cinco d. 10 tord. (i","v",,*,"".t /
tont .'ectI'af'lJqun)
C
S.
"6.1 <,
Sn , ...
S'
Sa.
MT , ...
7'
MT
""
fH
19"67 20'
".,.
".,.
"'"
"59 10'
1961 10'
"62 10'
"62 10'
"62 10'
"65 40'
".,
15'
/1940 / I 1 /
,.
ESPAf:lA
--=-
""'"
...... .....
-
r ..... det'--. -.
....... --
COlllpOloiN.....
""'"
-
T_
-
C__
Tirie of tM work
'-'"'"
_ T c0-
FRANCE c_
n ... roww.
-
"""
"""- ......
_ ..
-
'-
ntt.oIfMworIc
.......
"""
......... T""",
0 ........ _
-
_ T_ """"
Halffter la cornado n. 1960 40'
AMI ENS (lIse et Pierre Garnier)
ip (1962)
Gami.,,.
SonT.. 1962-64:
Soni. No.1 e 1963 6'12"" SI! Poe
Sonl. No .2 .. Souffl. 1'I'I0ni. e 19., 29',0'" Sil Poe
MADRID (pas retrouv';)
f.". Marchetti Mandalo e 1966?
Autont troll ..
'On', 10., 7'","
Sil Poe
Etude du "0" e 19., 2'5:]" Sil Poe
Acc6Urotion 1'",lIistlq-I'" e 19.. J'J9' 5il Poe
Anthropologi. e 1964 8'aa" Sil PGO
5 p-at I a"' e
"'"
- J'SS- -,-
Sir-Poe
E ,clc. tUt I 'I" .t I. e 1964 2'5D' SI!
"- "."
GomlMl SpNlcMktionen 1962-64:
Spr.c:holctlon No . 1 C 1963 5'17" SI! Poe
Sp,.cholcrlon No . 2 C
"63 4' 27" 5il Poe
Spr.cholctlon No.3
""
3'4,)"
5.f1 Poe
Spr.c:hol!:tiol'l No.4 I ... 5'25'" Sil Poe
Spr.cholt,lo" No. S C , ...
"W' Sit Poe
Gomi.r P
HI., Cct. "Moll "i_II 1965"}
e
"05 1'45-
'I! PGO
Go", .. , P
Slfrl. (d. "Mo .. vi..., .. 1965")
C 1905 1'23'" SII Poe
Gam .. , I
Thai otto (d. 196,5) e
"05 8'19'" Sil p ..
Gami.,p
M.,..
C
""
10'09"
'oe
Gomi ... 1 +
M., tuPlQrati_l f ronco-
I ... 8'25"
'oe Nii"""i joporai5)
BORDEAUX (Roger Lafosse)
jp
lol_
l. 8;n'ol,l .t I, Labo. enoi pour un i ,.-
'!'VIM"' 0 ...ent .t lTIOgn4tiqu.
e 1956-57
Lofo"'. Hy,t.r.li,
e 1959 17'30-
Lofoase Th. vtro n i c:
e 19.59
lol_ Cru>! ..
.... i.,.)
v 10 (wr un poeme d, Cloud, ,{i. e 19,59
lafOll ..
DeVOn' ,.
Patte n. 10.,
lol_
Alcato" Ne 22
1005
60 FRANCE
Tin de I'OWOI'N
ntle of the-"
MAREIL EN FRANCE (Lalan et Marcel van Thienen)
PP (1951) 1956
...otr Ql,/UI oppendlce "Scu (Motc.1 ...an Thi.n.")
--an Thienen L
\/On Thi.".n L
\/On Thi.nen M
...an Thienen M
...on Thi.".n L
von T'hi.,.n M
\/On Thi.ne" L
--an T'hl.".n M
_ Thi.n.n M
La Rar."tl poutrfehante.tbanct.
Dan,. No . 1
o. Pro'undls . pourvlolon etband.
Donn No.2
DGn,e No . 3
Nutrition de' Plante"
Sahara brut 58 (i,.,"-"",-"tI.tbard.)
LtGr liquid. (i,.tMMn".tband.)
Radar SOS
OGn No .
Trlo,,'at
Dan No. S
Let Nourrlc
A. Propo" d. J ivogo
C+
C+
L. Do","', pourgrond orch.. tN. C...
CCIIIMdI.,.. choeu.... t bande
_Thi.".nl O erlptlon d'u" combat
-.on T'hi......n M La Quill.
...on Thi...... n M Corp. profond
t'o.uf 10 coqu.
YOn Thi.".n M H M au I '.'poee du d.do",
YOn Tni.".n M Dan d enot.
YO" T'hi.ne" l DonuNo . 6
00"1. No . 7
O,omada ire
PARIS (Andre Almurol
PP (1950) 1958
OIoIUi lTIUIiqu.. pout "positiON d. leulp"'''
C
00 ..
00 ..
1951
1956
1958
-L. 1959
1959
1959
1960
1960
1960
1961
1962
20'
3'
Il'
..
5'
11'
15'
15'
15'
16'
3'
15'
3'
I.'
1962 20"
1962 '"
1963 10'
196,) 6'
1965 16'
19/)$
.'
1966 2'
"66 )'
1966 25'
....... EI.ctl'Ol'liqu.... : ,.,.ctael .. aYec poi ... , 'aha!",. oe' ....". ",imel. IculpJurft, pe'ntuNS" photog""""'"
"L. Chant des 'oem": ,.,.etud. pour yol. chon,. ... t pori' ... proj.etlOl"ll ., bonde ov.c utllllGtkwt de- IC\IMII'ltatiOl"ll
(indiqu'" 'OUt It)
AI"'-lro I
L'."font poet. (OfOtcwlo)
Fi.vt. d. ",orbr.
lAM
AI......
A'.....,fO
"""'-Im
AI"""",
A'.....,,,,
AI.....,'O

........
AI"",,,,
........
Almu",
",1"",1'0
la cho,..lt,. d 'li
l., Gu.
Yiltroc i on (nlllldti Hurtado. Itructure
cll"lltlque de 50to)
l'ho". .... cle 101 pOMpa
. 1
GrafTUI Po.",. E I.et,o"'qu. II
(t\oCaIwll .-.nion d. -0. '0 Natu,."). awe
""'_ do Noll Doyao
Musique oceotnpognont des tcul,,,,,.. d'A"to-
"in Storcze-kl
l.l 01'11'1 inCOn""" (air ,._ .. ct.Jul ..
s.p...lollo)
Ep Iphon' (." irogn.n" du taN dH....,r
....... )
C
C
fra"lhumane Po''''. Electron'. C
que
Pluth 10 11'1. (tur,..,. d'Andr4 a,.ton)
L "d l ot
Au pay. d. 10 mogie I (Illfuttaltidu
t t. dOH.",1 MldMtwt)
Au paY" ch 10 magi. 2 (.,relllttoll'ldu
, .. d, d-.tenri Michou.)
Cri., (lUI' tn._d'Hentl Michaux)
Au paY' d. 10 ",o,le 3 (tur .. trail's du
,..,. d'HerwI MlchouJl)
ler,.,. d "ou C." tetliN Mldawc)
No, d. zoologr. (_ ,..,.d'Heftrl
MI"-x)
Th.a'r. crl,lQut' (IU' "ute d'.t.ntonln At-
.....)
Plain chant ("'t re.,. d. Jean Cocteau)
t. plck.ur du Suqu.t (su' ..... d.
JI" G.nIt)
Arbr t houll but ... te d'Ollvl.t LOfT'On-
do)
Un. vollC (air te ... d. Rob.rt Desn",)
s u II (AIr ")IIte cI. Ren' Chat)
'nlOnor. Itl." (IUr,. .. ,.d.JeonArp)
G u .r" i co (...,r 'ute d. Poul Eluard)
Opera de eoroil - 'o"m. EI.ctro_ C
n i q u. I V , OYeC pftotog"",,"* d. Noll D0-
yon .t ICUlptu,... d. J_ Uononf Shallop'
"rcodr. C
Sana'. d .. :) M.llieur.
l. comorod. (.."tbtede Jeon Coct.au)
hl'u 6,. ( ... r rexte de Paul Eluatd)
l.1 Vt II (pour 10 cftonson d. Jean VOICII )
O,'ro,ion c l .1 ouyert (pout ra
chol'llGn oM JMn VOt-ca)
l'
l'
s.
l'
o
-
-
1958
I.'
1958
1958 15'
1959
I.,.
11'
1900 12'20"
1961 17'
(19)7)
1962
1962
1- 1962
1962
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
1963
19 ..
1964
1964
" ..
1964
19 ..
1964
1965
1965
l'
2'10"
3' 30"
2'1S"
2'lO"
10'
1'40"
1'4S"
2'00"
2'35'
2'15"
3'30"
3'1S-
3'30"
2'00"
1'10"
.'55"
,.'SS"
)'55"
28'
7'30"
15'
13'
2'20"
3'1S"
I 'SO"
2'00"
2'12"
FRANa 61
Pol P",
'01 P",
62 FltANCE
e ............. r ......
c_ ........
AI".,ro Tu entendro. (sur text. dry .... 8onMifoy)
A'"",r'O Segment I
AllMlro Va .t ... Ient
AIlf'lUro Phonolite I
AIIMlI'O Phonoll te 1\
AIIMI", Garde Q VOUI ou couchant (sur texte
d"Olivier larronde)
Almuro Androgyne A.latique Adolescen,
(sur te ... d"AlltlUro)
Almuro Structure rouge (,huctures ,ono," pour
d" ,ute, dltl .t chant4t par Colette Magny)
AlrrLlro Le conda",,,' a "'art (WI' text. de Jean
Ge"t)
Almuto
q u. V (tu, te.,. d'AI"",,",), owc RI"" et
proiectfClnl de G"'P' luMow et lOoIlp""'"
d. Jean Uono.u Sta.IUlflf (eft coun)
PARIS (Paul Arma)
PP (1955) 1960
7 variation' Ipatiophoniqu ..
L'Oiuau-qui-n' ille-po, (d'oprel
un poime d. Cigud. A.... line)
PARIS Atelier de composition musicale
PP (1944) 1955
ollui trawil dons Irvdios d. F ., d. 0
floiuel.t Symphonie rOl,lge (Sympho"i. No.n,
pour gronci ordtfltN o",c piano, orgue, and..
Mart.not, norpe, tnagMtophonet ., in,'tV"'_"f'I
'lectr01lique, (olclllol..,,, )
80i"elet l. Chonl d., Homme,. pM/ne radiopko-
nique pour ond., Martenol, magMtophon."
brvitog. , IIectronique, (OleOla-
twn), piano, cloved"., batteri.
!loin.l.t l. Robot, boll.t-pcntomime pour voill:, pia-
no, clavecin, i nstrvmer'lh .Ieclronique-s (osell.
loteun), cordes, batteri , magnetophorws
80h.-I., Symphonie i oune (Syrnpnonie No.2),
pour batttlri., peHt
ein. accordeon.' i,.'n,,,nen,, electroniquel
(Qlcillo .. un)
80inel.t Symphonle noll'. (Sympno.,l. No . 3) (.n

80in.l.t Mu,iqu. Fonc,ionn.ll. (24 _rud.,) (en

hi.,.I.t M.I i no. conte fonfoltiqu. pour voile, 1,.,",-
!Mntl .I.ctroniqu .. (oscillatNt'I), dovl.,.. ,
timbale .t botteri. (.n COUrt )
Soiuel.t C. dlabt. dans Ie b.nltler, conte fon-
to,tiq..re (.n COUrt)
'96\ "..,..
'9"
30'30"
C
'9"
"3>"
C , ... 7"30"
C
'9"
"'3,5-
, ... 2'30"
, ...
5''''''
, ... 28'
C '9.,. 30'
C '960 22'IS-
C
'9"
C 1944-4.9 SO'
19.7-50
..,.
194'-S4 2S'
c 1944-64 IS'
C 194.4- 1'5')
$, 1947- 16C")
C 1965- 'S')
TV , ..... '5')
"-
"-
"-
"-
Mou
0.' FP e.. P,.

2., FP SFP
2.'
FP e..
.. ,
1-16ac1 P,.
.. ,
.. ,

Ti... I"oewtw
e_
Tite. of,.... work
Ioiwel.,
lull ... , SpIral .. (en COUrt)
PARIS Aura Films
PP 1965
--, l. Hl)rlQ
Fono
le clnquU",. lol.il
'- T rQ I'll -E u ro pi -E IIp reu
Fono
l. regard de Plcosle)
PARIS Barclay (disques)
io
'ItIp'Ovila"onl
PARIS (Fran'i0is Bayle)
ip
PARIS (Philip Beeu)
ip
... "
... " l 'oto",.
--
.--..
C
o
S.
PARIS (G B d-
_ uv ernar - probablement dans un studio de film)
'0
.......
Gu.,n i CQl (inlhu .. nh.t hande)
FRANa
""'"
Dw4. ...... .---..
Co"
"""'-
TnKb
0iIq1,lll ..........
-
_ TGpO """"
-
1966-
I 'S' ) 8.1
'9"
47'
'9"
\8'
'9"
.'
'9.,. ''30''
1963
"30" Be, p ..
'9\9
.'
'963 30'
196] 30'
'9SO '0'
19.531
PAR IS (Jean Louis Brau)
ip
......
......
-
-
PARIS Centre d'Etudes Radio et Tehivision (CERT)
"""
"""
0 1966
(1963)
0 1.66
(19601)
.-..cD
.....
-
---
T ...... .....- DIo< T a..n
.'7 Ach P ..
)'55" ch P ..
end"": Mne eM 9 !peclacl .. cudloYiwet. (1958). owe """ ...... d'Ndr4 .. ...,1'0, pelntu,. de S .... GotTkIo.
Luciano .t d. lopt J.., Slgolat
Lei _"fan" d.
\9'"
Alfl'lUfO
le 0'.1, CIIftrOPP. par 10 que ... e (sur
1957
Alfl'lUfO
!'eJlte d. Plcauo)
Iffl
.4.11",11'0
le Salon d. I 'Auro,"obil
1958
,6,1,..,1'0
Herma,hrod It.
L. de ... ,,""'_ ",ond
\958
.A'""tO
film saN titr. sur Korf\aya
1959-60
AI"",ro
Epnlb. Eplot./II.,. (11K text. d'AlmufO)
1960
AI.,.,ro
La chanlon du b.to" (o ....c pMrnoI chon-
\960
Allftlro
t4d'Almuro)
PARIS Centre International de Recherches Musicales (CIRM)
PP 1964
Tombeau d_ Julian Corrillo , pour C"
pionol en tlen.t barde 1TIOg""I-
1966
....
PARIS - SCEAUX (Henri Chopin + Studio Multi-Techniques)
ip (+io) (1954)
Chop'n H
CMplnH
Chopin H

Chopin H
d. nu i t,
-,oil'! d. " A!.Iteur ("....ion mfR, 196,J)
V1 b f.' po ce, 48 .. ,-rpoIi,lona par 10 "oill
d. "Auteur
C
C
C/8
La (101.'. in,.rplo"etolr. (tltreortgil'lOl C
"lA. Rir..
1957
1958-60
1961
1962-63
19.,
25'
16'
15'
20'
20'
10'
8'55"
9'30"
'2'
12'SO'"
3'00"
9'30"
S'30"
2'30" U
-
-
rl"MdL
,In M4.ico
, ..
P ..
P ..
P ..
P ..


Chopin H
OopInH
Chapin H
00pIn H
Chopin I-t
..... r ......
_01 ... _
IndicotiF I. pourlMW ... I.'WOix C
Indlcat" II C
C / F
L. carp. en trois pottt ... nu, d4- C
cotch". sq".I.u.:
partMi. pour "'Obi ... 1.,

d .... pcwtI. .. paur d.ux 'IIOOix
d'enfanf, to 'lObe de 11,Au.." .t de IG
'-
rrohll. partie. jICIUf" teIM
quet .,at let voiJt" 1''''',,-" - 111.. ..-
nanc:.et ....raiQlYh.t pour tpec-
lacl. lCIttCIftet.,...1
l. ",e"t,. d. '.rtini, 7.".rpalltJonl C
par la d. I'Autw,
""" ....
19.,
19.,
1965
"66
1967
PARIS Club d'Essai, Radiodiffusion-Television Franljllise (RTF)
io
.... 'CIUIIJGtaupI: ......... ... C"'d'lIDi
AJ_,
H.,edft' 1951
-
AI ..... M"t.p.4.1., C 1952
.....
kul.t 51""hol'lI.- ,.'conTq". 1955
Jon. 1",1, .. 11. 1956
4'",,1'0 Emportez-fftol (w, ,... .. d11efvi '-ichovx) 1957
41",,1'0 l. gro"d combot (_ ,.,.,.d'H_i Mi- .957
"",""I
Ja ... Naida Etoil 1957 1
d'AlfftIfO)
Ma.>i. Polygraph!. polyp!.oniqu. No.1, c- 1957
pour bond. ... , violon 1M .,am d. ton
.t "'fI""'" ..,lw.l. (projection ton
.....
-
"""'"'"
r ......
1'30"
2'00'
5'00'
26'00"
3'30"
30'
12'30"
57'25'
1',)0"
1'00"
70"35-
.'30"
PARIS Cognacq-Jay (Centre de Television, Radiodiffusion-Television Fran"aise, RTF)
io
_Ionl IF! rv 1958 2'
flANa 65
---
-

-
OU
OU
au
"'"
P ..
P ..
P ..
P ..
P ..
P ..
Prl;ll !talla
19'"
tNdio IJGI
certain
1
I
I
II
i
I
I
II
\!
.11

1',
l1 i
II
'i
j
'i!
II
.. /'lANe!
TitNd. foww.
Title of the wort
PARIS (Fran'lois
OuFtlne
DufrAn.
Dufr"'-
Duf,'",
Ovfran.
Oufrin_
Our...,.
Dufrin.
Dufran.
Ouf"""

O",f,fn.
Dufrln.
Our...,.
Oufr""
Our....
Extrait du Chont Si.i ...,. d. Mol-
dorar (loutreaft'lOnt):
Introduction
Reportog_ .t coda
Crlrytnme. ultrol.ttd,t
Chonloni ultrolanri.t
lecture en dlagonol. d. 10 cort.
Mich.lln No.6'
e
e
e
e
VaUryOulle (Le Ci"",til ... marin), lecN- C
re-co11oo-
Sou pety I t -Con II j , chcw.on-coliage
0.," 01 -Lu II y -80 e c h. r i n j. chonIon-
collage
Variations crlrythrnique, ,ur un
thl",e du
l'outomatism. n'.,t pOS "'H,.olis-
t. ?
80tte,ie. vocal , crirythme
P.tlt ho,..moO_ lrt "ann 195.5,cri-
", .....
Poi. en Alg4r1., criryrhme
Crirythm.1:
A 10 roul.tt.
Elouelc .I.ovo"
Confichntiel
Faun. chonlon
Le grand sou ffle
Avec Ginene
Mor.
Crirythme intlmilt.
erhythm. d. 10 Touuain'
2 crlrythmu dom.,Hquu
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
e
l ... cr.' d. 10 lituatlon polit lqu. C
(H.nri Michaux)
8Iai Chorli.-Mil., ( La rrosedu
Tronnib.ri_), I.cture-colloge
c
e
-
0\1,.. I'IIMs
-
Ouration T rocb
''''2S'"

5'10'"
6'00"
IS'OO"
1957 6'3,5-
1957 2'00"
1957 1"'00"
1957 1'30"
19'" "'35 P ..
19'" 2'30" P ..
1955-'" 20'00" P ..
,...,19604
19S5 3'00" P ..
19se 2'28'" ou
19se 2'SS" P ..
19S5 2'00" P-
19se ou
'9se 19')0"
'959
5'W P ..
3'00" P-
3'''5 P-
3'.5.5" P ..
"'3S P-
3"5" P-
2'50" P ..
1'50" P-
10'00" P ..
1959 3'00" Po.
1959 2'40" P ..
1959 6'00" P-
,960 3'30"+
2'30"
'960 2'''S'"
1960-01 2"15" P ..
1961 S'I.5 Po.
c_

ou......
ou......
1_.
o.......
o..r....
ou......
o..r....
Duh4no
Dufr4n.
ou.....

ou......
Our.....
ou......
ou.....
ou......
Oui..wn.
Oui"""
ou......
ou......
ou.....
Our....
Dur.4no
0U1,.....
Dul,.".
Our....
Out,.".

Our.....
Our.....
Cui,....,.
Dufrene
IAIf,"'.
Ouf,.".
Ouf"".
Our....
ou.....
OU.....
Oufr6ne
0ur.4n.
Our....
Oufr4n.
ner.. "--.
-
r .... aftt.worir;
'-"on
Crirythrn. du lund! d. P."tec6h
C
Crlry!"m. pour land, ..
e
L. J IF Ii D. crirythme
e
Ten" -tenUi
e
Crhythm. dedle III J.a" lour. Irau e
e,y. imaqu., d'elOfI'ICItlon d'"" .,i ... "
l'Ouverf\l,.. !ON fln du ToriMou d. PI.IN Lo-
tousle, polme 'nfral.ttr" .. pour un Ball.,
I
C,hythm. du I., Mal
e
Molin.t-Holflil'on.Mingu IKtvr._
collav-
e
l Sorci.,
C
L- Monofon,-h-oqu.t',
e
L.a Lu.th
e
A Ella" tou
e
rum , l"urn
C
Le ,enti,.ent de 10 "O'u,e don,
ucond. moiti. du XX. '[.cl.
1. e
Chont d'ftumour 4an, l'EgII .. pro-
fane
e
Divertiss.".ent pour 10 F"e d
P.r
e
3 crlry,n". du 8 (acf'cD,.)
e
La Nui, d'Octobre
e
Cti,y'"'''' elu I" .... ,..)
e
Crlry''''ltel du 21 (roov.liO,.)
e
L loniuu ",ivonte.
e
.5 Oec.".br.
C
Crirythl'tle d. 10 Fet. d.,
Ro,i,' C
Crirythm. du 16 icu,,, i.r
C
Criryth,.,. d.di. a Henri
Chopin C
Criryth",. en dipriqu t coda e
Cdr),thm. du 23 ionvi.r
C
La Porion.
e
Allegretto
C
1 crirythmel du 12 iui" e
Cdryth"". dv 12 jv i n
e
T ri p' i cri tyth 1"1.; 15 jonvier, T 2 .t e
26 ju in
L ' outr
10 gr""ou ill t I. bour-
e
don
3 cri,ydtmu du 6 (rto .... mbr.)
e
Crlryth",,, d ' Apr.s-noll
e
Cdry,hm. dedi. Gil j .
Wolman e
ethyth,.,. d'dU Q S.rnord He i d-
shck
e
Crirythrne d. 10 Mi-cQrem.
C
La poul. Q Romeou
C
Gronulo"..tti.
e
Work in p'Oir.,.
C
-
""''-
..... -..
-
-
"""""'"
T ..... .... Iand.A .....
-
.... T_ 0tI00n
1961 .'30" ,
P-
'963 "00" 1
P-
19.. 7'''-S" 1
P-
'9"

1 OU Po.
"'"Sf.M"h
19.. 12'30" 1 ..... P ..
19O5 7'30" 2
P-
1965
"20" 2
Poe
1965 IS'OO" 1 P ..
1965 2'05'" 2
P-
1905 3'30" 2
P ..
19O5 NO" 2
P-
'90S 7'30" 2 Po.
1965 1'20" 2
P-
1965 6'00" 2 P ..
19O5 6'00" 2
\ Poe
1965 2'00" 2 P ..
1965
"W 2 Poe
1965 22'30" 2 P ..
1965 21'00" 2 P ..
1965 26'()O- 2
P-
19O5
"00" 2 P ..
1965 10'00" 2
P-
1960\
''''00"
2
1960\ 6'00" 2 P ..
1960\ 3'.a" 2 .... p ..
1960\ 3'35" 2
1960\
"3<Y' 2 P ..
1960\ 2'1.5'" 2 P ..
1960\ 3'3Cl" 2 p ..
1960\ 1.5'10" 2
P-
,960\
"30" 2
P-
1960\ 12'3.5" 2 OU ti n S',lII\ult
1960\ 2'.5.5" 2
'0.
1960\ 10'35 2 p ..
1960\ 5'''5" 2 P ..
19.,. 8'W 2 P ..
19.,. 8'00" 2
19.,. S'IO" 2 P ..
19.,. 2'U" 2 Po.
19.,.
"00" 2 P ..
19.,. 9'40" 2
Po.
Ii
I
61 FlANCE

Titn. fowwe
Tn.. of'" work
.. crlryth", .. du fer (o""iI)
PARIS (Michel Fano: differents studios de cinema)
ip
F.no l"lnmort.ll.
Fano Lo botoill. d. France
PARIS Galerie Cordier Ekstrom
ip
Srow" SCulptl,lf. t.I_",ogn.tic (fOf'ToIcls eJII-
hibltlon)
PAR IS (Patrick Greussay)
ip
........
""""""
e
Greunay Int.rv.ntion, pour piano, perc:....,.ion.t C+
Greuuoy
Greu"oy +
Vilar
bond.
l'itin'ro ire, IJOUr WlIQ bond. C
Opera d. poch. - L., i dol pour Th
i,..tru,.".nl1..t ptlrcuuion. o .... c amplification
(dilro",iOl'l)
.....
.....
'967
'9"
'96S
'96S
'963
'963
'963
'9"
."lOW
'0'
18'
'3'
ind, II'Iln
.'
<0'
35'
20'
,.,
,.,
c_
Tm..r...-.
-.. ..... 0. .. , -.
-..
-
'-
Titleoflh._k -. Do..
"""""'"
, ...... ..................
-
'"" ,- """"
PARIS Groupe de Recherches Musicales (GRM), Service de la Recherche (SR), Office de
Radiodiffusion-Television (ORTF; jusqu'en 1964 RTF) (Club d'Essai, RTF, 1948-51; Groupe de
Musique Concrete, Club d'Essai, 1951-57; GRM, 1958-60; GRM, SR 1960-)
PO (1948) 1951
-tf GUlli Clw d'_i (io)
d.p.Ih 194 owil 1951, tedwMque du sillon fermi de dl,qu. (_'reM)
La pluport d. nt_ qui PCIIIUilMnt do,. Ia Its,. du GlM cMpuls 1960, on' .toe pnxiuitJ ou Service d. So Recherche -....; iI
uis" auai des fillN qui emplot.nt des lfMiquei de,. ce CDI iI. $01'1' indiqu. en ... parwntn.., lei
pi'&CII OI'igi.-.aI...
La G1M Q _i pndIit de Ia ...... pour de nc:wn,rwx fillN publTeitaim, miMI-", ond"l indlCXItlh, .tc.
'ScMeff., P Etude QUle chellljru de h, e 19" 3'05"
S"-"-' p Etude OUle tou,nlquet. C
" ..
Z'0C1'
SchMoff... , E tude QU piQna I, dl te Etude ..,jo- e 19.. 3'30"
tette
Schoefr... , Etud. au pjono II, dite Etude nCJI- e 19 .. "OC1'
Schoeffoer' E tude po th4 tlqu., dlte Etude QUJ( e 19.. 3'1S'
eouerole.
Schoeff., , CCJ"certino diopasCJn e
19"
9'30"
Sdoeff., , Variation' .u, une (lute "'e:.;icQi n. e 19.. 9 7'20" 1
3'OC1'
Schaeffer , Suit. pou, .. I""ruments (.5 mou.... - C 1949 23'
-)
Henry' .. SYMphonr. pour "n hOMMe ,.,,1 (11 e 19..9-.50 22'
ScMeffe.. P IftCIUWfMnN - premil,. ..,..,ion 12 mouvoe""'nh; (55')
voe";01'1 pclUr ballet-mm 1960, IS'; voe",ion d'-
finitlvoe 1966)
M..,ry' I lcf., Ie
'"
U. e 19SO 2'30"
Schaeff.r P
Schaeffer' l'Oiuou ItAI e 19SO 3'07'"
H..,'Y P Concerto del o""biguTt., e 19>. 34'
Henry p.

co",.e au Kilocycle
'9SO IH
Scho.ff., P
H..,'Y P La grand. et 10 p.tite monoeu..". n. 19SO 20'
H."'Y P M.,siqu. tons titre e 1950-.51 25'
"-'
.,
micropJ..one bien temp.r. : e 1950-51 SS'IS-
Iidul. en .. d 1'45
10 tted. fugac. 2'30"
rebou dairon 3"IS
Dimonch e nojr
,
2'30"
Dimanch e 1'I0i, 1\
"OC1'
Micro rouge
,
"OC1'
Micro rouge 1\
"0C1'
ram-ta""
,
3'30"
Tom-tom 1\ 3'20"
on..
on..
on..
on.
on..
on..
RTF
on..
RTF
on.
on.
on.
TQm-tom 1\,
ram-tam IV
"OC1'
3 ....
on.
On.
Mou..,.".."t perp.tuel
"30"
I
Ii
II
-,
I
j
j '
I
II
n
iI
! I
11
n
70 FlANCE
.-..:a
"'""
......
- -
Dato
C...................
e __
ntt.de roeuwe
. -
00 ..
"""""'"
T..du
_ T_ co-.
e_ n*, ofthotwwk
c.........,
"-
Sonotl.,. 0'00"
Hotnry P
Etude Q Chopin "00"
Fantasia "'IS"
80"-"
H....,. Aub. F 1951 28' I
H...".
H....,. P Satlr. en Trois T.",p t Clnq 0 19$1 15' I
H.....
Mouy.ments
H-..+
H..... L. Socr' 0 1951 10' I
S'""""-.
o rp h .51 . pour bc:.td t vohe chon... 0 1951 '5' I OTF tUOPfi'" Henry P +
Sd..ff ... P 1953)
H.....
H."ry P cr.1 d'Oroge .t d'Azur 0 1901 10' I
Henry P .5 hiltol, .. .. 0 1901 25' I RTf
-"" H."ry P r.rr. d. poulla, t d. Nllit 0 1951 I.' I
HON)'
Tau ,..-1-0 lyr., pout' batwIe et- YOt.: dIeM-- 0 _ 19.51 6IJ' --1_
H.....
-Schaeff.r P ... (pantomi,.. Iyrlqu.)
H.nryf'
Henry P L. p."oquet m'canlque

1901 25' I
HenlY P Sept Eta"., 0 1901 10' I
Henry II'
Henry P Plain-chant, IIlonc .t Noir Th/ O 19.51 30' I
Mil......
Hodeit Jazz .t Jazz, pourpMJnoetband. C+ 1951-52 3'00" 3,.. F ... J.,
Henry P Arrangement pour I. Tn.orb. 0 19.52 10' I
H."'Y P
Boulu Etude I 'Ut u n Ion C 1952 3'00" I
Henry P
Meuiaan Timbrel-Our ., C 1952 IS' I
H.....
Scho.ff.r P Mask.rag. F 1952 911.5- 1
v .-
Henry P Vocal i C 1952 2'SS' 1 oflo
Boulu Etude 11 IUt pt 10n1 C 1952 3'00" I .. ,
H..,ry P
H.nry P Antiphon!. C 1m 3'00" 1 OTh
Henry P
Rollin Etude vocal. I (d'oprft un motet onony- C 1952 1 ... 0" 1
1M du XIII. si_d.)
ArtIou,.
H.nry P 1 ... Juillet Q !tII lont4 R 1952 IS' 1
H...,. p
H.nry P Oncl. Titan. F 19S2 10' 1
....... ,.
L. joueu, d. flute (boll.trodiophoni- R 1952 60' 1 Phi B&H P'rillltQ CONlant
que pour bone, nonateur, choeu, et orehestre) RTF 1952
lio
Studio
Henry P Poehette Surprise R 1952 ... ...5" 1
ArtIou"
Henry P Adrienne Muurot 0 1952 3'SO' 1
H.nry P
Henry P + Le Copitoine Nama R 1952 '0' 1 RTF
ArtIou"
Scha.ff ... P
Arthu,.
Etu de "oeole II (d'aprnunhoqu.tono- C 19S2 1'''''' 1 Rollin
nyrne de XIII. ,ied.)
ArtIouyo
H.nry P' Mu.ique at Modernit. 0 1952 10' 1 OTF
Sougu.t
H.nry P LCI Rou .t I. Tobou, I-lit R 1952 10' 1
Henry P
Henry P Selles Lettr." I-III R 1952
'"
1 "' ... ,.
Scha.ff.r P L .. parol deg.r.e. 0 1952 3' 1 RTF
ArtIouyo
E tude S. 1952 3'00" 1 StockhauMn
Henry P
Henry P La 0., des De" 0 1952 10' I
"''''yo
Phillppo. Etud. 1 C 1952 S'1S" ( .... 1) I oTh
ArtIou,.
Henry P La O.moilell. et Ion R.".nont F 1952 12' 1
ArtIou,.
Henry P S I Comill. me voy"lt R 1953 12' 1
Henry P
H.nry P Astralollie au I. Mirair d. 10 Vie F 1953 30' 1
Henry P A,'ro I ogie (4 tir'" du film) Ci a 19S3 7'4' 1 oTh
ArtIouyo
H."ry P l'Ag.nce Unive".II. R 1953 Ill' 1
... rtIou,.

-... __
-
L'onord d. VincI, au 10 trogiqu. F
r.eherch. d. 10 p.rfectlon
f hId. (film "o,jeu", 1962)
C
Sept ChevouJC Slone.
0
L'Art pr'columbl.n
F
Orph'. 53. paurband., vloIon, ckiYeCjn
0
.t 2 ehan, .. us (nouwl,. wrsHtn
51')
L. vail. d'Orph4'e (t'nid'''OTpN.S3'';
C
inclUl do .. ball.t "o.-p,e.-, studIo Aptom.,
19S5; nouwlJe wl'llon 1966)
VAr. populoir. m.lIlcoln
F
Lo fille d. Lo"dret
0
L fll. d. 1'.01,1
F
L A"entur ... d'Eu"och. e'
lourdon Izzt
0
Strlfd Zond.r Elnd. (let.lnMc*)
F
l" 1t1",I.r. udormle (hold ..
C+
Cp. 333). pour ,..ao 1Opfano. 2 ,.eeho" ...
ordwt..,.. .t barlde
Voyage au co.ur d''''n ."ront
a
La Fair. au. Vo"H"
0
IncIdental Mu. ic
TV
O'se,t for wind, pef'Qlllion and ""'IMtlc
tape (version deFJnitfw, O'MC. 1961)
C+
Euryd Ie
R
mutltqu. pour -Tour ipOtlo-dynomfque tonore-
(tour c:ybem4Hque d. Nlc:0101 Sd\8ff ... )
S.
c\ Mu.ICfU.
C
Le Mu"e d 'or d. Sogo,o
F
La Gen ... (I'oend. mwical.) "
C
Jul Y. rn.
TV
00, Schlo ..
Th
L'omour d quott. eolo".I.
Th
A Jon 'mog.
n.
PouAmmo
C
Millillippi
flo
Speetoel.U.on TCirdleu)
Th
Area". I
a
L. crabe qui j ouol, ov.e 10 m.r
0
(eonte musical)
Sutotenzo
F
E.position obj.,s sonores
R
Voili!. I'Homme (owenolTGr.u,)
a
Et ".nront r.I'O .. ..,1 (cont. I'llUllcol)
0
Go I elJcI.
S.
L'occld.nt e.t bl.u - l'on S6 (pour
d .. de Cloude Poteat)
0
f tude chlno i
C
l. VOYClg.u,. (d'oprk un d'ApoIII_
noire)
F
Dooo
""'" Dato ..........
1953 <0-
1953
"00"
1953 <0-
1953 18'
19S1-S3 75'
1951 IS"S-
1951 22'
1953 35'
1951
f-'L-
1951
36'''''
190< 10'
190< 7'30"
19,. <0-
19,. SO'
19,. 6IJ'
19,. Ill'
(73')
19,. 10'
1955 lnd
(looud.. )
19S5 5'
19S5 20'
19S5 7'
19S5 10'
19S5 IS'
1905 25'
19S5 IS'
1955 12'
19S5 IS'
19S5 10'
1955 13'
19S5 17'30"
19S5 10'
19S5 <0-
19S5 20'
19S5 10'
1956 . . ..,.
1956 3D'
1956 J'
1956 8'15"
RANCE 71
-
.--..
-
T_. DiIque ... Awtr.
-
_ T_ 01h0n
1
1
""
I
I
I
I oTh+

revS .
-
1
I
,
1
1
1 F. -
1
1
I
1 Col mat NYC
V<rioo
rev NYC
CPfMC
1
120.1 rev St.
-
1 oTh
1
1
1
1
1
I
1
1
1
1
1 aAM
1
1
1
1
...."
1
1 D.
1
1
:1
I.
n
I
.'
n FRANCE
Arthuys ..
Mal.c:
Henry P
HenryP
Henry P
Phllippot
Henry P
Hetwy ,
Houb.... todc -Ratnatl
Houb.r.h)ck-RQn'llClti
Malec
Henry p ..
Scho.ff ... P
Souguot
50uguet
Souguot
Fenarl ..
Scha.ff.r P
Henry P
Fenari
Fenari
Schaaf'.r P
Fen'Qri +
Scho.,f., P
Fel"l'l:lrl
Macb.th
Au I.uil d. 10 ""it
C
C
lllnco".,u
Etude 11 C
Hou t va I to g. (CoNlOni' partie i,.t"'lNn-
tvl.)
Port'_ d. Chots (de 51"' : rru&lc
spectacle d. lanNme Maglque)
l. ""eu t o;1t ch 10 h"'II t du ell
c h" (pout GIIfttota de MilMud)
Notl/t. mort. 4 10 guitar.
Chan.on pop"lol ....
P.rson"oge co."bottont
E.arg"e pour UI'" ,y,..,ho,.l. ( I'e.te
d. Ple"e ScMeH.r)
La Malaria
Ltoman d. verr.
MoYano (." poi_ d.ltado...an , ... ie)
50"oro d'Qujourd'hui
Lo machIne "urnoin.
C
C
C
c
C
S.
lo voi", sonl p.rsonn. rh
II, I. Ilui, .,t & Ponce Pilar. (con C
Iota)
L. Duel Th
Trois o1pects ,.ntlm.ntoul(
Aspect untimltntol (venionobr4gee
d. "T1'01l 0spech. MntiIl'lenIDUM" )
E .. posit l on fronljoh. Q londr.,
H i .... r
L.,
Interme:t:to
L. Bateau
c
Etud. oux occid.nt, (flImTV "l.,Gib. C
bono", 1901)
Et ... d. aux 10n1 t.nd ....
Etud. Flo ....
Etud. aux ollu,.,
c
' C
C
S,
o
Etud. aux Ion 1 ani",., {nlm "Obj.,.o- C / F
ni""' '' , 1959)
Cont i nuo C
Dl amorpho.u C ttaitd. '" pour Ftlm "Fer C
Choud", 1960)
Capricorn. C
1956 JO'
1956
1956 25'
1956 21'20"
1956 J'-2O'
1956 12'
1950 15'
1956 s'lr
19'6 IS'IO"
1957 5'
1957 l3O"
1957
1957
1957
1957
1957
1957
1957
1957
1957
1957
1957
19S7
1957
1957
1957
1957
1957
1957
1958
1958
1958
1958
1958
1958
1958
1958
195]511
1958
(W )
13'
O'SO"
50'
20'
"20"
11'30'"
20'
30'
2'
22'
J'
6'58-
5'
11'38"
2'
40'
l '
IS'
2' 12'"
2'U"
2'<0'
''28"
"'IS'"
2'J8"
O'SO"
O'SO"
Fena,i
"'ilippot
Vi ...i.,
Xenoici.
Boron,...'
AI...... ro
AI...... ro
X_ki,
Anigo
Ffl1'Qtl
PMlippot
PMHppot
Scho.n.r P
Philippat
'AM
Schoeffer P
'AM
Ponnevioni
Scnoerr.r P
hnari
Schaeffer'
'AM

Philippa,
(1)2 'AM
Po"'*9ioni
Xenalcl,
'AM
Ponnegionl
"'i I ippot
'AM
--
--
E chontillon. C/ ,
lei Orpl ... li"l
C
La Voix
Ero.trou
C
C
C
Analog i qu ... (peut'tre ouui iou' o ....c C
"Anologtq.,e A", "Anologique A + 8 pour 9
c:oIes.t 19.58-59,7'50")
Ambianc. I
Ambiance I (wnJon
Tic-Toe
C
C
C / Sn
Etude au. obi.', (II'ICIU....-nl'l I , 3,' C
su,,, pi,,.,,, 1906;: nou... lI. _!"lion, 1967')
A",bionce 11 - Tocnt fun.br. ( telilte C
d. Molk.,mel

Nocturne OUIC ch.mln. d. f.r
Ttt t Qu.u. du Dragoon
Monl i eur 8()nhomm , I., inc.n.
dioir., (irwtnlfloten",.tbond. )
Etud. OUIII allur., (ba "'" ' oeu...... d.
concert, 1958)
C
Volum , pour i"""""lenh.' 12 ,ilm mo C+
gn"iqufl
St.inb.rg II', 1962)
Moldoror
lo Radio I'int.rrog.

Orl."'-Occld."t (.,."fon concert)
La Chut. d'lc:or.
Pa tama"houl MartIn partie
instftIl'Nntal. )
c
St
o
I.
....
Dote
1958
1958
1958
1958
1958
1951
1958
J'3O"
10'
0'
2'<5"
20"
21'20"
1958-59 to'I9"
1959 7'10"
1958-59 2'30'"
1959 "'lO"- 2+1
5'00"
1959
1959
1959
1959
1959
1959
1959
1959
1959
1959
1959
1959
19S9
19S9
0'<5"
IS'
7'00"
0'00"
5'10"
0'30"
1'<0'
19'<l6"
0'03"
70'
5'30"
12'
PIo'
PM EFM
.AM
lAM

1959...()O 9'13'" (2)" PM
1960 10'
1960 S'Q5"
1960 12'40" 1lxl / " lAM EFM
1900 IJ'
1960 58'SO" .AM
1960 O'JO"
1960 22'
1960 12'
PIo'
1960 11'
1960 20'
1960 17' v ..
rln GfGYeIQftO
Pol'fNgionl
Kyrou
Vond.ll.
Mal.c
Parmeglonl
Scho.n.r P
Canon
Ioyl.
Canon
Clouzot
Gauthier
Hidalgo
Malec
Malec
Porm.gioni
P.rinl
d. Roulin
Porrnetll1onl
Mal.c
Molec
Mori.
Pormegiani
F.rrari
Conon

kyle
7. Art bl. (dopre. .. PatamcKJlhOl.....: 2.-
",I.ION TV)
Etude I
Crvciflxlon
Ping-Pong
Apptendt. ",orch.r
Mar,le". 0001 (Cont6npartMi i,.tN_ ..
tol.)
'",pr ... ion d And
-
.-
C
C
TV
St
/II. propos d. Shinb.rg TV
Ph.d r. oonc.rt, d'c".,. mulique de C
....erre. 19.59)
Madrl.a I (,tude de.top .. , 10 typologl.) 5t
Tr./Wplin, ,.tuded togewr10 typologi.) 5,
r,e",plln,. pour 4 i,..m.-nts et bond. C+
(d'oprft "tud. d. stage)
Etude d. Hage ("'" 10 typOlogie ) St
Etud. d. ,ta". (_Ia typolagi. ): St
dN)I;ilme ".",101"
Etud. d. ,toge (sur 10 typologi. ) St
Etud. d toge (1Uf 10 typoJogi.) St
Etude d. Itag. e.." 10 typologie) St
R. f I. ts " tude d. sur 10 rypologie) C
Etud. d. ,'og. (wr 10 typologie ) 5t
Etude d PoO. (_ 10 typologie) St
Et\ld. d tag_ (_10 typologie) 5t
Sib y II. (4tude de ,tage sur ICI typologie) St
Gue"e .t Po.,i. Th
..
OClhovi (d'opik "Sm..ctur"")
Imog., Thanafque. , pourorc:n.,tre.,.... C ...
.t bard. mogrwltiqu.
Donie I (v.nion concert wr 2 pis,es avec
projec,ions , 196')
II
1",",oc 1 (hpot:ition Stuy_t)
March4 ",oglque
T"rmoc II
Spectocl. du
l. MClrioge d. M. Miuiu i ppi
Lian., .t points (_nionconcarttur.
pittes avec proj.ctiON)
C I F
C
C I Sn
C
So
Th
C I F
.....
.....
1960
1960
1960
1960
1960
1961
1961
1961
1961
1961
1961
1961
1961
1961
1901
1901
1901
1961
1961
1961
1901
1901
1961
1961
1961
1961
1961
1961
1961
1961
1961
1901
'961
1901
1901
1961
1961
1961
S'
3'
.'
8'
.'2G"
"
lS'.s"
11"2....
3'<0'
"00"
.'30"_
8'30'"
.'
"
.'
11'
"
3'W
"
3'
S'
.'
.'
.'00"
8'30"
10'
.'W
IS'
9'.s"
"50"
.'
12'
IJ'JO"
5'12"
PhI
.AM
.... M
Tu,
EFM
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deltoultn
F ..... ri
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c... ....
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Mol..
Fomtri
layl.

Vandell.
Ioyl.
Co"""
Malec ...
Ponnegionl
Ioyl.
10111'
Mal.c
....... ;.,,1
POl"I'IIegianl
.... rin'
Phllippat
_" .... -to
-
--
1961
"50"
COIWposhlon (Dan.. II)
1961
.'
1961 16'
Rllftoi,.
1961 10'
ft"cI. 1
1961
L. It.tlt 'oral"
1961
"
1961
'5'
Nolr .t IIlonc
1961 1'30"
Tllb",y
1961 3'H)"
1961 13'30"
Th. Th ... a'oniki World Fall'
1961 9'
Tronltrenc.
1961 .'042"
Rh(nomorphou.
5'
l. U"scrlpte"r "n .. ,hold.)
G op,.II. MW
TV 6'18"
l. bonh.v, t don, "Omour du
'oy., 4h.dede uag. .. 1961)
Tilt
Autoltortra I t
G 0ftP.II. MW (d....- 141 pllee de tha ..
... ,
C.,.bo'o .... p.ktor (CIa'fftrn iplctnrl)
Egyph a Egyp, ... If
Concerto 11'0111)
Cane.tta ;'0110
Conc.r, colleeli' r
D'u" bout i\ I'aut,. , pour .nt.ri:lI.
inttru.....,tal et bonde mogMHqu. _ Concert
coll.ctlf I
C
C
C
Liaison 17 , pour2perc:uuions.,boncI.rna C..
ptlque .. Concert I
CI)llage I, pou,.nwmhleinltnlmenl'al.,
bard. mog", t iqu. - Cono.rt collecti' I
6 po",r - Conc.rt collectlf I
Cone." eoll.ctif I
C
C
lia i .on .,pourI2 i""""men".tband."",_ C.
g",,1que - Concert I
C
lIoili\ 10 Natt.
n'ovait ti." vu
E tude III
Th
Th
St
St
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
31'
.'
16'
'5'
IS'
5'
12'
25'20-
9')0"
3'00"
11 '30"
"
17'
9'
"
10'
1001S
S'
6'-10'
9'
13'
10'
"'DOri""
IUDOri""
FtANCi 77
76 fRANC!
........
.,...
o..u
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---
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.'
Pa""Gioni
Improvltations (donM .tmil'M')
,
,'62 3'10" 1
Touli., Port.
St "62
.'
2
layl. M.nlange. (d ... "L.. Reeit d. R.o.cca"l C+ "63 9'
pour quotvor \0lI0001, COI'Ir.-.boue, ordew. Morte-
not .t band.
Pormegianl Navir. Etoil.
TV "62
IS' 1
... '"
Hochisch 1961 30'
PonMQioni Phonosophob.
C ,.62 10'45-
Chant de PI.rre
'"
1963 6'

Friction 60 (d'oprftr .... pa ... nca) e ,.62 "30" 2
<A.... L.o s.cond. chanc.
'"
,.63 IS'
layl.
Hou rYo ri. pour 3 ;,.tN_tiltes. 5 C 1962 S'3O" 2
nages mobil., .t bond.
. _. l., plaisirs d 10 parr. F 1962 3' 1
...'"
Fonda .t Lys
'"
1963 5'.'"
Ooyl. Troll ,artraltl de "63 S'
"Ie.ilte-pos
La po .... p'.
F 1962 lS'3O" 1
,-'"
Tricycl.
'"
"63 5'
MartinGn
Mail ou son' I., "'gr d'ontan?
F "62
S' 1
<A.t6n L.. p.tlt prince
'"
"63 15'

5. ott t pour l'Expo 'n_natlonal. du XXI. S. 1962 b' 1
<Anon Phonologie C 1963 7'
-- ---
_lanl l'oleoal tu.
D 1962 3'11" 2 ...
<A....
Nuog fous
F 1962 12' 1

C 1962 7'55"

....... T.rre d. feu C 1963 7' . ...,.
MI .... O.yde 19 63 (d'opn.. "r.ITe de feu'") ,.63 9'45"
_,_
Ooyl. Vape", (d'opds -U9f""'S.t poinh": nou... lI. C "63 "45" lAM
.... nion. 1966)
_,_
cJ. Rot",lin Venlr du Hovr.
F 1962 10' 1
<A_ Lltt'rotur. oral. I. "63 I'
._no L.. prisonni.r
F 1962 3' 1
... '"
L..I p.I.r1nl d'Hell.nltra".
'"
"63 10'
Parmegioni L.'Al,lto d'Olgo
'"
1962 S' 2
Cant6n Viii. no"v.lle
"63
b'
TOlIn., Etrolts sont t ..
d. 5t. John P.rM)
vain.o"" (IUr poIirne F 1962 8'30" 1
Malec Ca,novol
"63 S'
Vond.lt.
Fontal.le, pourpionosolo, orchettN et C.
"62
12'20"

'>OWn
Time, Five, pour S instrvrnen" et borde C' 1963 15'17-

'AM AMP
bande
Roteruno,," Vlttin. d. Noll S. ,.62 S' 1
Pennegeoni Hiltaj,e. Natur.II TV 1963 I.'
X.nokl. lahar
C
,.62 22' '-2 ...... -
Velod rom.
"63 6'30"
L.et .he jours d. 10 creation F
"62
12'1S- 1
.Sayl.
l. regard, pourS;,.tn.lfMt'Ihetbanderna-
,
"62
17' 2
;n'tlque
C......
ColloQ" po.tr 16 C' "62
7' 2 EFM
im'Nmenh et band. nagM'"",e
Cont6n
0',," bout b I'o,,'r. C' "62
7' 2 EFM
II, pour e,. .,..,le i,...m--.tal .t band. mClgne..
tique (r.vision)
Marie
L.' p"rlence a"'big .... l- Concert coll.c C' "62
7'00" 2 EFM
tlf n, pour .,..".Ie i,.hv,,*,tal et bonde
ptique
TJ"bng
Eventall -Concartcoll.ctlfll C "63
S'37' (')2
Pannegiani
AI fe ,na" ee, Conc;:.rt collectlf II C 1962-63 7'45"

Sayl.
pi" d. I Concert coll.ctiF II, pour 17 imhv- CO 1962-63 S' 2
...
HM
menh et bond. ITGgrWtique
Fe"'1"1 E tude de stoie St "63 2'30"
Malec l. trait' du lonheur "63 13'
Ioyle Morq .... ' .. 63 So "63 it'd, ,.,i"
II
2'30-
F.oori Portta i t d '"n. a"tr. "63 lb'
Parm.gioni Un cos in,.r."ont TV "63 3'
Pol1lWgianl l. Puih .t Ie P."dule TV I ... 1'30"
;i
Chom,on
"" .'
Ii
Ooyl. l'Oi,.au-Chont."r (d'opres "Troi, par. I."
.,
ru.
train de
Ii
Cant6n l.s .xtra-tetrestte, TV
""
12'
II
hfih ... Viola. tr I , pout violon .t bond. C 1963-64 16'.54"
I
Ilonnegioni
"".
Malec
Tutti - Concert coll.ct;f II, pourorcn.stre.t C. 1962-63 8'15'" 2
...
EFM
band. /TIl;Mtiqu.
.......
5 yft. rg i.t - Concert coIl.etlf II. pour 21 C' "63
7'44- (Sx1)2
...
EFM
inftNmenh .t band. "..,..tiqu.
<A..... L. trait. d" Bo"h.ur I ... 16'-45-
F.nori HttHlroz.ygot. C 196,3604 27'
.1
Parmegia"r J 'oi Ie, pe intr., (Canton porti. inshV-
!
""
3' I
,"ntate)
I
f.rrarl
Conc.rt collecti' C+ 1962-63
.'

...
EFM
II, pour .,..,..,1. i,.trumental .t bond.
tique
/4my
lo f.Ift"'. ,au va".
'"
,.63 11'20" 1
... '"
L..s "'ouvois r'v
'"
I." 1'10*
I.
Marie Acoustiq". par I'i",og. I ... 25'
II
Pannegionl Solcan Sut I. ri ..... (Mriedea'milliant) TV 1961-64 30'
r
Ooyl.
It. r chi p.l. pour quotvaf COI'd.. et bonde C' 1963 7'-1.'

--'''-
... '"
Itin'roir. pour d.",oin sair
'" ""
512S I
i
a..ts Capto In Cap
F ,.63 9' 1
layle Gala,,!.
""
S'
Porrnegioni
Vinul An 2000 (woi" et band. rnaanet1que) TV "63
1'15" 1 p ..
P.rlnl Cap Africa
F "63 S' 1
Pormegioni l' E,,1e r I ... 5'
Cant6. Cou.'." TV , ...
.'
Marie
Palygraphle Polyphonlque II, pour 12 C+ "6261 b'23" 2
inltNmenh et borde ... "'tique
T ...... 9 pi_en , ...
.'
"'-)
71 PlANa
Ioyl.
Co....
T .eo
layl.
Ioyle
Paf'fMgtonl
POf'INgionl
ISH..
Cont6n
8.rlo
POnNglonl
&oyl.
Pal'7ftegionl
8 1"1.
Reib.1
Cont6n
Porrnegionl
Pol"IMgioni
Ponnoegioni
Conton
Canton
Cohen-Solol
Schwarz
Toull.,
Sc:hwOr%
Pormeglonl
Reibel
a
Me",rt,.
Lo b.ll. 'poque
La ,'yolutlo"
FQut pos pou"er:
lei Touneur.
1",ulude
.....-
Iv_
Tournol (venionc:oncHt), C+
cal. ordn oMorNnot. tDntNbcnM.t bande rna
__
L Jeult d., Ange,
Etude No . 2 Holftftlloge bloch
..
Sallade du CCIiIftOnOU t
lei fih du tol.iI
c
Lobor!nt",. II , FMI,,,,ilfli, ,.eltontl. iNi.- C
me vocale, orchestra do (lIDfftefQ noltro ma-
g".'ico (baM ",r "hpOIilione-)
Un. hi"ol,. d. 10 "'.,
pour "Operabus-,
...oi)(, ,,,,tN_,,ft.t band. mogrwhque
Stqu.nce pour
Lo cClg_ d ..... rr.
Oe",ondel I. "rogre",,,". (TV)
Un plei" ef t a ... . "ir
Ourboth (poe_ <M TOQOA)
Lo b,ii!",f. d. I'I'Iill. , ol. i l,
Pup',
Mi racl.ou!:.ll"
V.nez:uelo
Vail( ina",;e'
Don Juan et FaVlt (2pi.cet)
Etude ch ,toge
Etude de t roge
Etude UH 10 moue de. Ion.
Etvd ur I' .ncl\oinement d lOnl
Etud. Hod,.ut
l. Rv'om
l. covali.r b iz arr.
Shodok ,I 1I
c
c
TV
TV
D
"'
MT
MT
In
TV
TV
"'
Th
TV
"64
1964
1964
"64
"64
"64
1964
1964
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
1965
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
19M
.'
HI'
5'
7'
1'30"
..
.... .5"
12'
3'30'"
5'
I'
.'
33'30'"
2'
2'30"
3'
7'
3'30"
\'
9'
9'
23'
.'
0'30"
.'
35'
.'SO'"
10'
2'00-
2'38"
"00-
2'15"
2'40"
5'2""
"30"
.'30"
12'
2'
'01
-..
Uf
.... t .... ,+
C .. Me
'FM
JME
I
R.ibel
Fomo,..
5""'10
Mal.c
Ioyl.
F..,.,..
Ioyl.
F.narl
Ioyl.
Cohen-Solol
F_yfQ+
... lb.1
Fast d'.nf.,
Don Quichott.
l ' clove
l o,bnt
OlctTo""alr. d. M . Joachim
P'". vile
M., d'''zov
PH I. chi.", pour 8 d"'nI ani_
Jo:II: bot- C+
....... 0IIfttr.basM et -... ..... ,.,.tlque
Etude 6'
Cdln'ot. po", .11. , pour$Opl'D"O, harpl C+
.tbonll. ...... t&q....
Cocktail varlet
- TV
"'
"'
In
TV
lign t polntl , pour
bond. ....".tlqu.
C / F
c
J." (loy'. portl. r",""_nNlI.), pou' pro- C / F
jedlON .t bond. ,......tlque
In
Vol I d. 10 Colomb i .
lanc d'.uol tv) In
l. voyog. d. ct. rtie ,. la montagne
"'
Und 10 C'"

TV
c
l'Eftllpire rOlftoin " TV
Vois .n mont09n_
Goyo
l'in,tan' mobile C
Toboggon C
SYMpitoni. po"r un nom,.,. u.., I ( 12 C
wenlon cUnnjtjw par Pi_ Hen-
..,)
Mec'or' TV
l .. Zlop. , '-111
J.u ell .. deFinItion. (goIMrlque TV) In
19M
19M
19M
1965
19M
19M
19M
1965
19M
19M
"M
1965
19M
"M
" ..
" ..
" ..
" ..
19..
\9 ..
\9 ..
\9 ..
" ..
" ..
" ..
" ..
" ..
" ..
" ..
" ..
" ..
" ..
" ..
" ..
17'
10'
..
.'
12'
13'.,.
1\'
20'30"
3'12'"
"
.'
10'
13'
7'
.'
5'
\'
22'
2'
..
lO'
.'SO'"
12'
3'
6'30"
"30"
3'
.'
1966 10"30"
1966
1966 21'10"
(1949-50)
19.. ..
" ..
13'
" ..
2'
19..
19.. 0'<5"
FIANCE .,.,
Pop
J
(2)4
Pop
eo FRANCE
Matlcie

--Reibel

Perini +
Puig
Boyle
Parmegiani
Soyle
Panrtegiani
Cohen-Solal
Reibel
CantOn
ae.H:
Cohen-Solal
Parmegiani
Reibel
Parmeglani
CantOn
Cohan-Salol
Porrnegiani
Soyle
Parini
Variationt. 5\" I., quanto
J a 'Z' ell II. pour barde IftOgMtiqu./
pour lCDI09hone, tTompett bot"';e, conn-e-
baste .t band. mOgMtique
Otcillationt.
Inconnue d'Orly
Bango I
Aho I
Pi-Quit, chonton pour Will,
ins'IVtt'lenb et band. IftOgnottique
Mouvo_nCLL, pour 6
Ifticrophones
-
,-
C/
C
c
c
Prayit.aire, ogglo",'rot" pourbott.rie Q
(6 ""QJtann), (",citont, "'eitonte at borde
mag,.t'que (opera d. Puig)
5igr, , trioo.jou(ilft- C"
pt'O"ito'Ian) et bonde magMttqu.
LeI Nona,
Ti tan
J a I. 'Z e. III, pour SGIIQ9ftone, trompet'e.
bottarie, cantrfllau. at bond. magnetiqua
80$10 I, V.y II, Jir" I, Jir" II
La 5yd. - 5000 an, de c:iyllilO-
tion
c . U. C. E. S.
A yout. d. iouar(generiqu.TV)
O.u. ro",oiru en Gaule
v a II' (g.neriql,le TV)
L.tI' moth.mot i ql,le,
Le I'IIIH
La fo rt. terre (generique TV)
De, ",ouche, el d., homm.,
c
E,poce, lnhob il obl., {Jordirnd", rien, C
G4Ophonie, Homrroage a Robur, La bleu du
ci.l, A.mertumes)
Ev.1 I
E tude 01,111 objet' (noJvell. venian, en C

TV
o
o
I.
IV
TV
I.
IV
I.
TV
I.
,.66 17'
1966
1966 4'57"
1966 10'
"66
3'W
2'35"
3'<0'
1966
1966 13'
1966 ."
1966 4.5'
1966 ind, min
10'
1966
1966
1966
.'
1966
1966 S'
1966 10'
1966-67
1966-67 '0'
1967 35'
1967 2"
1967 2')0"
1967
1967
1967
1967 S'
1967 10'
1967 I'
1967 30'
1966-67 IB'
1967
1967
( 1959)
S'
16'40"
(2)4 'ax
'ap
Pap
'"
'"
6,h

MPI
WI
Jax
P.,.
'-
.... r ......
-
C_ rttl.oltt. ..... ,-
PARIS (Bernard Heidsieck + Studio Multi-Techniques)
ip (+io)
H._leek
H",MflI.dr.
H",idsi.dr.
He.i.dr.
H.khleck
H",ichi.dr.
H.idsl.dr.
Heicki.dr.
Heichi.c:k
Heidsl.dt
Heidsi.cIc
Heicbi.dc.
H.ichieck
Heichieek
Heid,i.ek
Heid,i.de
Ha;thi.de
H.+d,iede
Heid,iede
Heid'iec:k
c
c
c
Poefll.-partTtlon Q
PClelfte-portltlCln B C
I'oelft"'-!tortition M C
,"oh'.-j)attltlon 0 (lUtdftfMllntuNlde C
J_ Ououy)
,"oeflle-partltion 02 (turckt lMintv""
de Jeon Degottex)
c
c
c
Pae"'.-portltion T (IUrd""IMIn""retde C
Topin)
'aelfte-porlition 03Z (Mlr7"..ita,ignes C
de Jean Deea'f'elll)
Pa.l'lle-po,titlon J (IUrdetpeinture,d. C
F. JOf'Itcot'
Po./ft.-portitlon Ie 01,1 I", quotldi",n C
'oe/fte-portltlon 8283 au ElIote!II'''. C
'o./ft.-pottitio" 04' au Atl Po'tl- C
que (0 Fronc;oi, Oufrene)
;taitme-partitlon HI .t H2 01,1.1.
4en'te plan
La P ... Hltration (Wc;:aM-poeme n, a
Nathalie .t E/ftn'tonu.lI.
c
La conyenlio" call",etiy. C
rltian)
Lo Cage (Miicona-poime 2) c
Lo Ma' est irOIl. (Biopsi. 1) c
l ' ex., cI c a (! iopsie 2) c
c
MO;5 au; , moil olli (Iiops;",. ) c
Qlle l age oY"''Z-You,? (Bi09lia 5) C
Sirotim.lo (8iopsi. 6, a Po..II Armand Ge C
Bilon au Mach.t us mati (BiClplie 7) C
""'"
DwH -.
Ooto ........ T_
"55 1'00'
1955-56 3'1S"
1956 0'30"
19>6 2'30"
1956
19>6 3'00'
"57 12'<0'
1957
1957-58 11'20'"
1'1.5"
19.58 10'00"
1958 .'30"
1951-.59 12'40"
19.59-60 12'00"
1960 SO'CO"
1961
1961 3'20"
1962 "00'
1962 3'00'
1962
1963
1964 4'.5.5"
1965 0'38"
'.65 0'45"
1966 1'<0'
"66 O'J3"
1966 0'35"
"66 1'10"
"66 2'lS"
1966 2'00'
1966 "<0'
fIANCE: 81
--
..... -- "'" T_ 0iI00n
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KWY
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OU
OU
OU
P ..
P ..
P ..
P ..
P ..
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Poe
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, ..
, ..
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Po.
Po.
Poe
Poe
Poe
Poe
Po.
P ..
Po.
Po.
-
-
i
I
I
I
j
-. - - --------,.
82 FRANa
--
,-
PARIS (Michel Magne: probablement dans un studio de film
io (1954?)
tout.s , .. pl.ces Klftt pour inlhu_ntl. yoix.t band.
GUlli,"", iques pour F
--
Memoi,. d'u" "01,1
--
S.lf-Suvice
--
Cllrillon do", ".ou bOl,lillont.
Moon. M'to-meconique soccad'.
-..
La,,. .n sol pl."u.yt
--
Conc.rtlno Tripi. (ri,., pc'i.,.. cunou,)
PARIS Maison des Lettres
PO 1954 1960
AI"""ro 1",0;. (, .nt.ndr.
Almuro Hoffr1lann .t FO.HOm.s
AI"""ro L. cr4iotion d onimou,.;
AI".,ro Ann . , I. Po",p Mort.
Almuro L. Solon d. I 'A",tomobil.
Almuro D. I. Notur. (pr...-iM voe"iond. -Gra-
ntti") - Poe",. EI.ctron;qu. I, pour
"'Oi,.; chanties .t porl-. ocr",m, photoglGm-
me.. d. Noll Doyon .t bard. n col-
loboration Pam.vjoni. 5')
Almuro Opiu",
Almuro Mirag. d. PrinC ....
Almum Sorci., tonne (.." ,.. .. ,. de T,i,to" TZQro)
Almuro Dorm.ur du Vo I (.." ,..,.;te d. Rimbaucl)
Almum L. vi. o",ed.",r. hur teKte d. Solld.-
loj,..)
Almuro V." G 09" (wr tbte d'AnfOrlin Artoud)
Almuro 3 PlY C"OI - Audio-dro",.
Almuro l' II iad.
Almuft) Th_ Q, o"d 'he Au
0
0
0
C+
1960 ? 2'SO"
1960 7 1'20"
1960 ? 2'lo-
1960 1 3'43"'
1960 1 2'..,.
1960 1 12'4J-
19s.< 2'''''
2S'
1956 19',
1956 16'11-
1957 IS'
1957 2S'
1957 29'12"
1957 38'00"
1957 I'JO-
1957 3'00"
1957 2'30-
1957 3'30"
1957 20'
1957 30'
1959 'S'
PARIS Office de Radiodiffusion-Television Fran'iaise (ORTF; jusqu'en 1964 RTF)
io
,...,
1
Co"e",. d. J.",;. , ( ... 0. .. _"d;'O<'1 c
o .... c .n.n d.
Concerto pou, bond. maonerique C
(accompognont un d. Jai",. TOrT )
Pot
P.,
,..
Po,
Po,
Pot
dnMC
C_
11tre.r...,.
C_
-", .... -
Wolman
''''provlutlons - (ex4'cuN
en dlr.c, o .... c .Fr." de microphone)
G,..I"
Co"'. to Fr the Ward
Gydn
Coiling all Itnctl..,. Age"h
.......
QUGnd la ,...,"', st pl.'n. _ canta-
...... 'bonde
deMlehel S ......... )
WoI_
Lho ....... Ion' '101 t 10 ,."''''.
lan. t. (_4cu""' .. direct owe .H ... d.
ml=p-)
Anno
Grill. d'ozur .t d .... ", .... orato-
,10 pour bond. lI'IOg...ttique un ... t.
d. POlcauo) (en COUI'I)
PARI
S (Bernard Parmeglanl)
ip

Vita,. d'Afrlq",.
PARIS (Luc Perini)
ip depuit 1967 cr. SNAIC
II'ini
Nult nolr. CcdC"Ho
P.rlnl
Cant.
II'lnl
Eo,r Afdcon Safari
PARIS Philips (disques)
io
p ...
H.llo Poppi"; .t 50 ItIulique
'On'. (l,.,,,,. ......",,.tbard.)
PARIS Radio Canada
io
1 ide-
ouui dlfrtf<eflt .. -''"P''OvilOtrQnl - pour diffvlion (Woll'NIr'I)
Duf,'".
I " ", ''', ...... "
Dvf .....
Criryth"".
Duf,e".
Criryth",e d'un Print."'pt
C
C
C
>UNa 93
'-'-
""'"
---
""'"
-
- -
..... ......... ,-
DIIque .........
-
"'" ,- Othon
e- 1961 12'00" leh
Poe
C 1962 2'20" 1
Poe
C 1962 1'30" 1 Ou Poe
C 1962 4]'.,.. 1
e- 1963 7'311' leh
P..
C 1967 (90') I
1958
"
1965 6'
1965
"
1966 S'
1960
'0' P"i
19", 30'00-
Po<
19", 5'SS
Poe
19", 2'3!r
84 RANCE
..-..as
- -
Dolo
""'"
-.
.............. -
-
c_
lltn roeuw.
"'"""'"
Dolo
-
T .....
OIK T_ Others
c:o..,.- Tit&. of tht.......,n
Oufrfno. Comment Ilr. Ghil CextTaitd'uM*nee C 1964 9'00" Poe
de d'tourMment pflonetique awe loul.
S ... )
Cu'''"' (L. Cimetier.rnari"l. teetu- e 1964
'.'00"
P ..
,.-co11ove (1957)
Wolman ImprovisQtion. e 1964 11'00" Poe
s .... I",humentatlon .... rbal. ( .. 40" ...... C- 1964 5'211' I .. P ..
dir.c.. o .... e .Ffeh de micropftone)
Cu',,", aloin-Charlie-Mil., (La P,.,..du e 1964 2.'45" Poe
Tronuiberien), leettJre-c;olloge (1960-<01)
8- I"strumentotion verDal. ( 'cute." C- 1964 "ICI" I .. Poe
direct (wee .ffeh d. mieropno..)
0ufNn. Deux temoins d. moins e 1964 2'30" Po.
Wolmatl
Dufrene Pour en flnir ovec 80rge, .t "Hi. e 1964 "'10" Poe
toir. d. I''.rnlt',
noIt..
Our,,*,- Catho,. 4. criryth __
e 1964 2'00-
1 _
P ..
Wolman Un coup pour rle" e
"965
"211' P.-
Waf"..,,, Un coup pour <huJI C 1965 5'00- Poe
..... 'n,t'ulfte"toHon .... erbal. C 1965 "30" I .. P ..
direct ovec .ffeh d. micropnon.)
Wolman T, .. I. toir. to gu."I. e 1965 3'40" P ..
PARIS Radio luxembourg
io
A_ Suit. pour bond. magnetique e 1960 21'3Q-
PARIS (Jean Schwarz + Philip 8eetz)
PP (1964) 1965
ouui 2S """'ique1 public/toi'e!; enyiro" depuit 1966 (8_tz. t- Schwarz), ehac:une ea. I'
Schwan: Etude a e 1964 10'
Sch'lloOrI tud. 6 e 1964
.'
B h: ... Moc Doodle 11 1965 40'
Sch....an:
B_no- Viol 1965-66 S'
Sen....an
a.en .. L. vlla;n. Lu I u (Dim OGm!>om) TV 1967 S'
sc:nwor:r.
a .. t%: ..
Sc:nwon:
Mart aux ..,ache, (jan eltJMrimenlCll) 1967 13' J.,
..... -. ..
c_
TifIN d. roeuwe
FlJoNQ 85
C_
Tin. ofthe-tl
PARIS Societe Industrielle de Sonorisation (SIS)
io
voir CM.Iui apperdice
Cane;.,
Cc.mbi.r +
GilQM

Girord
J.u". fill. et "'toil.
Un NOli.,,,. Z
La Ma in Go",
Op.ratian Dodo
-
-
Dolo
""'"
-
"""'-IS
Dolo ........ T .....
............. A_
Dloc T_ Ot/o..,
1958 10'
19.59 12'
1960 1$'
1962 15'
1962 1$'
PA RIS Societe Nouvelle d' Applications et de Recherches Cinematographiques (SNARe)
PP 1967 wi.,. de P.rini
PARIS Studio Apsome
PP 1958
auui rtOnOreu. F pubficitoi".,e, indwlTi.h.t irclicotif$ pour R.t TV
eoUoboro,iOl'l a_c: .Yau,ic. Bejort pour a .t MT
Henry P
Arcan_ II (Ovali")
1958 15'
He-nry P
Orph (indu,."Le voiled'Orp"e." )
1958 120' e ...
Ph,
H-.ry P
CO.Kist.,.e:.
C 1958 28' Ph,
H..,ry P
8,orlle
1958 25'
Henry P
pour Georges Mathieu
So 1959 50'
Henryp
COlllPOI j t ion I o\loli, (lnad. ..... _en
e 1959- 118')

Henry P
Sign.,
1959 25' (1)2 Ph,
H...., P
Invutigat;o",.
So 1959 7$' (1)2
Henry ,
L'Homrne du XXI. ,iie/.
1959 12' Unj
HenryI'
Mo foi", .t Va',,,
0 1959 12' Uni
Henry P
La p.tit toile
ttop coquette (con-
1959 10'
Un' t. pour ."Fonh)
Hon.y P
L. li..,r. d.s Mutations (inac:n.ve -.n
e 1960- 115')

Ioronnet ..
UH
e 1960 2'.f5- PhI Poe
0., .....
Henry P
Entit. tire.d' "'nvt1,jggtiar.")
e 1960 5' .f5-
Henry P
L. Martyr. d. Polycarpe .t I"nac.
1960 25' d 'AtI,rach.
Henry P
Saint-Exup.ry
0 1960 30'
-
-
16 ...... a
Hoowy p
Hoowy p
Hoowy
Hoowy p
Hoowy p
Hoowy
Hoowy p
H.-try P
.........
H...., P
......, p
"""'" P
H...,. P
Henry P
Henry P
Henry P
Henry P
Herwy P
Henry P
Hen.., P
Henry P
Henry P
Henry P
Henry P
Anti-Etud., crirythmedu 'erMai
Apocalypse d. Jeon (inac:hveen
"""')
Focils
L'Ondomone
Lo Noh. Soi_ont. I
l. Voyage (d'opm I. Liv... det Mom fI-
betai .. )
L. Voyage (_"ion concert; nouvell ..,.,-
lion, 1966)
Fluid t Mobilit' d'un lorsen.
poll' borw:l t protectiON (deuxi..,. 1T'ICIlIVe-
n.nt d. -I.e Voyage")
La Stupe"r
16 deains anlmes d. Sini
501'10'.
Profonde"r 9S00 ",.t, ..
Spotiodynamis",. I .t II (ben. sur la
"",ique pour " tour tpatio-dynomiqIH ..
de Nieolos ScMffe,)
801,.1
la It.ine YUle ( .... niort film, 53', 1963)
Rocle .r.c:tronique Ce"tTOitd."laReirtli
Vert.")
Variations pour un. port t un
soupir ( .... r,ionbGll.t. :)4',19604)
Adherences pour Daphne (MlhtriouJC
vocaux d. Dufrenol )
COO fa t:. (mot.,iaux ..-oc:oUI( d.
f,w)
l'Evongii. ulon St J ...... (i nterlude,
lOV$iCQ,/ll )
l'Evongil. 1. 101 St Lu: (i nt.d udetmu
,i COolIl )
L'Evo"gil. telo" St Mlltthi." (iM'.,-
llold., "",,,iooulI)
L'EVQlgil. ulan St M:lrc (i nt.rlvoj.,
lW.nicoull )
L. Chant du Mon3. d. J.on Luryat
S4'gut. (film, II', 1965)
Opus 007
L. Candidot
La Prom.nad. dJ Oimanch.
-- ... """'"
c
c
c
c
c
C-
C
C
MT
MT
C
c
TV
0
o
o
1960
1900-
1960
1961
1961
1%1
1961-62
1962
1962
- 1962--
1962
1962
1962
1962
1963
1963
(1 9'5)
1963
1963
1963
1963
19"
19..
19..
19..
19..
1965
.9.,
19M
191>5
191>5
1965-
101>5

1966
(1933)
19M
196!
1966
2"
15'
1.'
32'<l"
23'35"
43'
'2'5.5"
......
-(II')
15'
32'
15'
20'
IS'
75'
120'
]'30"
5<'20"
40' 2?
)5'
I)'
29'
<8'
)2'
,.'
14'25"
)5'
12'
4)"
1)'40"
25'
20'
))'
12'
n....r ......
'--
_01 ... _
-...
"-y'
La ,oisol'l .n .nlf." pClUrbard tnCIrra
.""
C
......,. P
La Noir. a Sol.ante II (lnache.,. -.:"1
C
""m)
"""'" .
L., Mobil d. COlder
......,. .
l'A.,.ulon
"' Hoowy p
l. bol'.t du ... rt.
......,. ,
Mu .. 'I.ctronlqv. (Inod\e ..... ..,
C
""on)
Hoowy ,
Sy",ltlo (Inodl ....... en GOuts)
C
-
f>AAIS - 8
ELLEVUE StudIO 8.lIaudot (f.lm)
ip
WoI_
, (pouc' I. m", -Le rtfm .. t d4'jb COfMIIerI-
WoI_
2 taNs pcIlH - L 'Antlc:onc.ptw.:
Va:.!. ". pour,.z d.n pour C
I 'holtl ... vl
l"'prov!lotionl -
C
PAR IS Studio Clichy Istudio d' enregistrement)
io
.....
Ebr.do
c
PARIS Studio Marignan (film)
io
PARIS Studio Multi-Techniques
io
I 80tt.ri.t vocol.t, c:rirythme
Pal n Algerl., uil')'thm.e
I
F
f
Ff
Dote
""'" Dote
""'""""
1966 )3'
1966 (23')
(1962)
19M 1)'
1967
)"
1967
.'
1967
1967

-
1950 3'20"
1950-.51
195e
"00-
19.51 6'3)"
1951 .'30"
195.1
"
1958 2'28"
19sa I'SS-
......
T .....
1
2
1
2
1
2
-
-
RANa
-..
-
Dfoq,.. ...... -
-
"'" ,_ o.t-
PhI
-
-
.-
Po.
'o.
1'1" O\.of,.,w
Po. ,1" O\.or"l1e
.,
--
.. FIANCE
Compoti ...... ntr. de t'oeuvr.
c:.m,..- Title of,.. work
DuIT:"e Criryth ... =
SCHel.r pas lorcier
A 10 roul.tte
Elo:".\( .Ieouok
I"t.rmed t faulle chclII'IIon
Confldentl.1
FaUlie c::"anlon
L. grand souffl.
Avec Gln_tt.
Mort
renv,enu
Petronio rellurgi.
DuhWno T rt pt I cd,y .h",.; l-5-____lo .. ..,-I . " t2-.,
26 lui"
PARIS Tadie Cinema
io (1957) 1958
........ ,. La tache d ho""',,
Mhu,. La mochlne .t Ilhomm.
Arthuys + Avont I. p,tit dej_una,
Mal.c
'",hu,. Indio
"' .... ,. Jardin d. cora II
Arthuys Man.leur T't.
Artf,uys le, e3\JX ,ol,lvoges
Dufrene La St.hi, Golont. d. Benjamin
P.r.'
Poris "01,11 apportient. Atthu)"
imh\lmental .t vocal o_c band.
A""",. La demoll.ll. d. coeurl
Arthuys Tv ourol nom . Triston
-
1963
(dillcor lOnOfe pout ballet orehel,ral de Jef
Moes)
A""",. l.l c:orobinie"
A""""
Go I OJ!; ie
Arthurs La Cog. de Verre
Arthurs Lei ilu enchont ...
PARIS TheAtre des Champs Elysees
ip
I
Decomposition Mark II
DecompositIon Morlc III
--
........
"""
Dw40
-
0I0qu0 .... - .uodIoo
"""
.......... T_ _ T __ ""'""
195'1
C .5'0:5- 1 ...
e ,'00- 1 ...
e ,'''- 1 ...
e ,'U" 1 ...
e ''3.!I" 1 ...
e ,'.,- 1 ...
e 2'50" 1 ...
e 1'50" 1 ...
e 10'00- 1
"-
e 19601 1'05" 1 au ...
e 19601 9'50" 1 ...
-
e , ... 12'35" 2 OU ...
1951 50'
1957 30'
19511 20'
19511 50'
19511 12'
19,. 10'
19" 9'
0 19,.
"
EIS ...
1960 35'
FI 1963 26'
1963 (90')
19.. 10'
e 1965 IS'
Ff 1965 2S'
1966 13'
n. 1963
I,:: I
1963
-
-
tin Oufr4ne
,11'1 Our
,In Vauc
..
rln Du
'- .,...r ......
c-.-
.... ., .... -
IlcMce
DecomposlHon Mati! IV
PARIS Theatre La Boheme
ip
DeCOMposition of Willlo", lur-
rouglu
-
--
n.
e
PARIS Theatre National Populaire (TNP) Palais de Chaillo!
io
Vii.
e
La Path."qu. d. Wolman (poM..n4 C.
Q,lN .... direct owc .".., d. m/cropftone)
PARIS (Jean Pierre Toulier)
ip
Toull.,
loull.,
Wenc.,I.:rs
pour 101M! npoaition d. poein",.. (Voi.
e"""" f'Nau Mazo,_ All.".,) "
PARIS (Stephane Vilar)
ip
Vila,
Pi Icon I
PARIS (Gil J. Wolman)
ip
Wolrron
Vi",e 1'ln'.,nGtiol'lol.
WoltnOn
L. do..,b I. dou t
Wolman
C'." 10 fin
Wolman
L. monolog..,. interlev,
WoI_
Lo flo nc '. d", piro,e -tNgopneurnes
e
C
e
C
e
e
s.
....
""'Ie
"""
""'-
''''
20'
1966
1963
1963
35'
7'
9'30"
19S7-S8 S'
19:51-S9 10"
I ... 15'
1'103
"30"
I.S. 2.7'
1957 14'
19511 29'
1959 12'
PUNCE .,
-
-..
-
T ..... "-..... A_
-
.... T_ Oohon
1
'"
lei.
p-
po.
P-
.-
.-
.. flANCi
-..
- --
"""
o.n.
-
0-.. ..... .,.,..
-
C............. Thr. eM 1'Ge\rfN
.........
""" """""'"
T_.
Cltc: T 0ItIen "--
TIrieoftNworil
VAUCLUSE (Arthur Petronio)
ip
Chopin H -+ c 1963 3'00" Po.
Petronio
Petronio i.llurgi. C 19.. 9'SO" Po. rln St. Multi
(origine inconnue)
ip (?)
I(oczinllcl' AUe"tlon. pei."r. 1951 S'1
I(oczlmky Somnombul., 1951 2' 1
lCoalmley Oncl. Vania
"
19SO
" 1
Kaczlmlcy Muslqu t dan,. 1960
" 1
-.
HEllAS
ATHINAI (Michael Adamis)
ip
-,.
ATHINAI (TheodorAntoniou)
ip
Antoniau
Th. Rhinoceros
-!au
0'0" o r A--.r.ld-... -(When",- AtqJdes)
ATHINAI (Theodor Antoniou + Jani Christou)
PP .... , ......... "" .... f 1967(1)
I
ATHINAI IJani Christou)
ip
Chmlou
Pro",.theu, Sound (i,.h\.I_nlsond ",.-'
OwitfQ.,
Tonlu., of fl,., ro,,,,lxedchonn. a.a...-
btl, orcNtfN. toIon, and ltDg,.tlc Jape
Owi.tou
Dance ""'fie (I,.num ...... ond lope)
Ow"'1"Cu
Th. ".,.10,,, (Ind"'''Mlntson::!lape)
Cfwtttou
Th. Frogs ..,pe)
Clwttl<Ciu
Th. Strych",ine lady , ".lIical halTe
.. it+, i,.,",,,,-,,,, ond tape "
Chriltou
lapidation_ for choir, i",tl\ol",."", actors
.nd ....
-....
--
c
"
"
"' TV
c
"
"
MT
MT
"""
"""
19 ..
1962
19..
1963
19..
1964-6.5
1965
19..
19..
19.,
S'
25'
I
15'
0'
(60")
Ind
",.
(70')
10'
(60")
7'
(20')
10'
9\
I
/-

f:.M.?

I
Ij
II
i
I
I
II
I I
BERN (Hans Eugen Frischknecht)
PP (1962) 1964
3 dUOl
Fluktuotione ...
Frit.chltnecht Tropf."
Ffi.chitnecJ,t Kristollklttnge
Fi.c;b!mtc:nt Piu:icoti
FrltcnkMeht Gliuond.tti
8olch.tS", it.
Frilckicnecht Eb." ....
Fri,ehknedtt
GENEVE (Michael Blake)
C.compo.ir i on V
HELVETIA
C / 5n
C i S"
C / 5n
C / Sn
C / s ...
C / Sn
c / s"
C/ 5 ...
C / Sn
c / S"
c I Sn
C / Sn
"""
"""
19/>2
19/>2
1963
1963
19..
19..
19..
19..
1965
1965
1965
19 ..
1965
)'58"
3'58"
4'43"
3'3]-
2'50"
3'00"
2'38"
2'23"
8'39"
3'32"
2'47"'
3'10'"
13'
Mod
Mod
GENEVE Cenue de Recherches Son ores de la Radio Suisse Romande (Studio de Phoriol09ie de Radio Geneve
19591962)
io(1951) 1959
50ui V.rile gorontie
"' ..... '"
L. porch. d", lil.nee
50ssi l .,o vi ga leur
Zumbodt C'.,. arrive I'onn'. prochoi ....
Soul L'oe",( d. KI.i"
Qui p.ul retnploc.r I'Ho"'''u
"' ..... '"
l. baleon du ci.1
Soul Ou'.tait-c..
Soui
Soui L., <:.i.rg., d. St. Lou r.,..'
Sa.... ; Gabriel Coulin
1956
\957
19,.
. 1958
1959
19S9
35'
25'08"
3"
38'00"
2.'
1959 68'C8"
1960 28'
19""
19"" <0'
19"" 20'
Sa.1
s..1
WildlMrv-r
S"',M.
Z","""do
ZlIftIbach
Marc Air"
Fond 31
EpItaph. pou, Evad.f. Galois
action doo.mwnM. pow JOpnJno .t
solo, ..eciPvI'l", choeur po,I'. borde SOI'IOI"e
.f on:hes... (venion fl'Ol'Iqafse)
l. r.",p.
C.nt aft. d'hhtoi,.
Nvit .v, Aja.
EJtpo 64
1IIUIiqu. pour pavHlort ",illfioi,..
fhPOllitfon """'tlonal. Suiu. lIi lOVtanne)
Ecll"
La port. l'IoI'e
Qv.lquesvl'Il por",r d'av,r
La POl'lctuoJit'
UI'I lion "'01,11' aH."d
GENEVE Studio de Musique Contemnoralne (SMC)
PP 11960) 1963
Oli"' ier
Th. Miniltu
c
Guyon .... ,
S'il. ;1'1 "'.morio", John (.n"oedy, C.
FlCUf orch.. , ... d. ct.,rnb ... oet 'onI electnlniquet
Guyor"... ,
Oufovrt
MUlique pour loe S.cr.ut IV
ce, il.ctrODCOU1tiqu." pour No. -
tional. S",i"oe 0 louwn"e
GENEVE Radio Geneve
io
Schibl.r
Ie
'-'00
'-"00
Sn
Sn
-
"""
'9""
'9""
19""
''''
19..,
'941
1961
2<'
3"
"'07"
25'00'"
<2'01"
'"
38'4:Z-
1961-62 6,5'
1962
19/>2
1963
1963
19..
19..
1965
196.5
1965
1065
19..
'0 ..
1963
10..
19 ..
38'06"
1<'
2O'Ir
S'
3'
2<'
2S'18"
.4'12'"
9'12"'
18'
48'05"
17'
33'
'0'
I 19/>2 I 3'
HfLVETlA 93
J..
,
i
!
i
t
I
94 HElVETIA
-
-
GRAVESANO Elektroakustisches Experimentalstudio Hermann Scherchen
ip (1954)
Uuache""'-y
( .. ttudi .. )
51
X.-is
Analaglque tp.utltNGUlli i_o ..... c
C
.. Ivtalagique "-, "Analoglque A +. pour 9
conies et tanI til'UlO..... x ... 195859. 7'50")
Ferrari
10utol0901 I
C
Mol"'"
Sahil rugueulll
C
LAUSANNE Studio de Lausanne de la Radio Suisse Romande
io
Scolari +
Indicatif offici.1 de l'Expotitlon NatiOl'GI.
Zbinden
Suitse 1964
Scolari
Covchemor d.
Chalomalo (Mqu.nce
pour "l.ft'e d.
Scolari
M.rlin
l'EnchanU\oIf .. )
Scolari
pour OP9Greill el.ctrooCCIUtriqu..
(pour loIn entretien sur 10 .,.,.ique ..,..,imental.
Scolari
Solitud. ... canc.' d 1'01'1'1.
ST. GALLEN 7 (Max Lang)
ip(?)
l, ..
00 ria n G ray, fOr Qrch.,te, ",nd Tonbond
ZURICH (Armin Schibler)
io
Schibl.r
S i iii no I el.ktrOfl;Ich. Stu:tl.
ZURICH Studio Zurich (radio)
C
c
io
Pfilt.r
\
men...... H&nplel. Mit 1963 \
Asluu, fOr FI&te , Sprecher ",rw;t lonband C+
Hub.,
I.
,.57
195859 2'30"
1961
.... \7"
,.""
.'40"
"63
0'20'"
,.""
3'00"
192')
,.""
''''2'(8''
,.""
15'00"
,.""
27'20'"
19661
'.02-.. ) (' 46'\
,902 3'
\ "66 \". \
-.... ...
", . --
--: HflVUIA
"
e_
n ... r6eYWtl
e_ liKe of It.. wor\ """"""
....
""'"
......
.--..
'-"- ....
"""""'"
T .....

-
-
ZURICH Televico AG. TV u nd Fllmproduktlon
pp
,tudio to b. i" ape"ltion end of 1967 fo.. th .
(dl ... c:t.d by!A.IftO Spoerrl) p4'od\olctiOft of .,.-ciol .fF.cft for fiI". pt'Oduced by T.l ..,ic:o AG
PtI, EfM
rlnGIlM
I I I I
(pas retrouve)
,I Schul' 5. "66
9. ISLAND
......... .. ..
.............
. . I d St t Broadcasting Service) REYKJAVIK Rlkisutvarpid (Ice an a e
io
no '"fom.tlon .. eel .....
J&nanNlOn M .. E I. c tron 1 c Study Ith wind qu,".. t C+ 1960
and piano"
J&han...son M So,",tj,"i (Co..tellotior.) C 1961
Jht'lntson M "A.kjo on fir.- 19.1
JOha"rason M P","ktor , 'CKorchesfftloM lope C+ 1961-62
J6honnuon M fink.nnilegur ",ofut 1962
IS'OO"
6'lS-
(12' )
10'00"
_ ..... _-
DIoc T ."..,
ISRAEL
C-...-
T" ...
-
.... .....
C_
ntill 01 U.......
'- ....
""'-
JERUSALEM Center for Electronic Music in Israel, Hebrew University
PO 1958
ean,inued from Kol Iltael
r.1
Concerto No.4, forptanoand.l.ctronJc:
C+
CIIcCOfIIpani ment
r.1
IIta"" of E"e'l)'
r.1
Conc.no No . 5,
accompanIMent
r.1
Cane.rto for ce",bolo and .I. c _
t,on l c occomponime"'
r.1
From ,h_ O.pth a' the Soul
r.1
TI,. Death of Mo , ror YOICM, ct.Jm..
b., otdtelf'rQ and electronic
JERUSALEM (Oenam)
PP 1961
0'- UN 01 ot Jeo' IUGeI (l)
o.no... Irvcho Toml,
0.-
s ...rt. on
mod.," t he ......
0._
Conho.,. ,
0.-
flllpe"",,_",. 10 Spoce
o.nom
Rod l ophoni fOf'lIylopkon. , Iocrpllchord,
orgel" ond electronic effeCfl
JERUSALEM Kollsrael (radio)
io 1956-1958 fot. Electronic Muiic in r.lQe'
r.1
Ell odus II
JERUSALEM (Yoram Paporiszl
ip (?)
PoporiIZ
PhOl'ltO f'U Peregrinating , for pionoond C"
rape record.,
C+
C+
C+
C+
1'62 14'
1'63 12'
I ... I.'
19.. I.'
I ... 8'
1966-67 ...
"62 lS'
1963 S'
, ...
17'
I'"
.'
I.S. IS'
19631
11
-
--
-
...... ..... -
T....,
.... T_."..,
-
1M!
(1)2
IMI
1M!
IMI
1M,
IMI
IMI
I..,
.. 'SUEl
e_ ntre de foevw.
e....- Tlt&.oftM_k
RAMAT-GAN (Yitzhak Sadai)
ip
Soda, Aria do Capo. For IiI( inltl\l .... nh and two
tope NeOI'd."
TEL-AVIV (Ami Maayani)
ip (l)
MaayonL- _Tlu .f (OJ".
""""".
Functiotl
C+
__ F
00 .. Cu,"
.-
--IS .......
Dbqu. ..... Alltres
-
Duration T_
OlK T
.......
'9"
1'30- 20.,
'9"
20' t CPEMC
ITALIA
e __
.......
e_ Tift. 01,... 'fIIOOfk
"""""'"
FIRENZE (Giuseppe Chiari)
ip
eMclI; StudT tull'ottrih C
eMarl Studl .. , barcollar. C
Chiarr 5 tudT ,ull'ocqua (cia "Teattino-, C
CMon 2.5 cr.pltocolT C
Chiar; Etoge,-.r.tro. pet microfono a contotto C
Chiarl S porpo" I io r p41r mietofono 0 conlotto C
Ola,i Anolis' Hlialogieo (cfa -La fo/lo solita- C
ria"), pe' mlcrofono (I contatto
----Ch;ori Su una ro--srrarov-.---nrerdCI"t:CIlhoda": C
drop of _tw ...opo!'Oting-on
per micr.ofono a conlatto
Chiori Quando I' <:1,,,,,,,0 lontona (od_ e"
dT collage In pNMnm del pubClrco)
Chiorl Pezza p.r muro, per miaofonoo contat. C
...
Chiorl Omoggio 0 It.n. Clair (OZlCMdi colla C
ge 11"1 pt"eM/WI d.1 pubblico)
Chaorj 11 d.lo. ,. t. rro (odone eli eolloge- in C
pr.senza del pubblico)
Chior;
Pezza per manl, per microfanoa CC)ntat- C
'"
o.iori Woad 'I (aziane dl collage in p,.,.nzo del C
,..".1100)
CMo.i 11 ,llendo - I'I'IUt i co ve ri to ( ...."1_ C
del compodtofw)
FI RENZE (I talo Gomez/Societa Cameristica I taliana)
ip
Gom.l:
ZaC:C09nini
Grofico 3, per quort.ttod'orchi, eon",i- C
Clofon! wllo lotto Ie COfde
FIR ENZE (Jon Phetteplace)
i P COf'Itif'lloled in Ramo MEV
Ph.tteploc.e Solo 0'00" (Cage: solo tob.petform.d in C.
on'f WCI'f b'f an'fone), reaHzotlon for perf_,
B..mottl +
Phett"ploc.e
ond ope!Gtor (live pnone call to
Cove in Ston'f Point : nobc:dy at home), with
/rIO.imu", ampHnootion
Cort,ldge MU1ic (Cage ), fOl'ampliried
SII'IOII 1OU1'd1
99
00 ..
""",
......
-..
.......
-
Cklrcmon T_
__
.......
_ T_ Ohn
'963 2'
'963 'nd
'963 'nd
'963 'nd
'964 'nd 'do
'964 'nd 'do
'91>5 'nd 'do
----
'91>5 'nd 'do
'9" .. ' 'do
'9" 'nd 'do
'9"
.'
'do
'9" 6' 'do
'9" 'nd 'do
'9" S' 'do
,9 .. 180"
'962 S' 2 ? ch
'91>5 'nd 'do P,t
191>5 Ind ind ch
Pol
,.
100 ITAUA
FIRENZE Radio Audizioni Italiane (RAI)
io
Chiarl La TrayJata In 322 ",tnuti secondi C
(da -T_trino" .(5')
FIRENZE Studio di Fonologia Musicale de Firenze
PP 1963
1963 , ...
(5'22")
IfIOny 'IfII'Grb prnduced CIS gl'O.lp coUaboftltioN, intended few C or Sn (ind. echibiti_ 01 Yl.ual CM'Id kinetic Oft). the
longer pieces for conti""""", ptOiIV_ ........ the audience CDn .... ter aNt leQve at will ..
this list does not include the pnduction of the IlUdio
Grossi
Chiari
Chlorl
Gomez +
Zocc::astn1nl
S 2F M
S 2F M
S 2F M
Groul
S 2F M
S 2F M
S 2F M
GroNi
Groui
Ardreani
S 2F M
Gel_ttl
Gel_ttl
S 2F M
P4M3
Ro"'pere
Perclluioni ..,III,lple d'lIrta
e
e
e
Mobile '70, C+
cello. perGIUione e M I"GItri
FV 1
El (")
EIE'" (G lOt)
Prag etto ..
e
e
e
e
RI1 C
p e
RI, 01 C
Modulazioni pet Michelangelo, 11 C
F 2 G C
F I M C
F 3 A C
Bott i"' enti C
Je / FRP e
No",. itonl a Yohiti
Nou. irons II Yahiti (_"ianeper C
<to)
flUica per disco "Scrittori w ncatTo II" (Jon-
do soncwo per 10 leHuIV dl Guillen,
Pound, Unga.. ttl)
Mal r' (nlm dl lruno MunD,I)
Intersezlonl 11 & III On.........oriadl
Edgord Va""'):
Intetuzio"1 II
Intersezianl III, petYOCee
-'"'
8 (2 + 10)
e
e
e
19., lJ'
19., 5'
19., J'
19., 12'
19.. 2'JO"
19.. 10'
19" 25'
19" 10'
19..
19.. 15'
19" 20'
1965 I.'
1965 8'
1965 25'
1965 JO'
1965 30'
1965 tn
1965 JO'
1965 18'
1965 13'
0 1965 9'3<"
1965 3'
1965 12'2"-
1965 8'20"
"65 110'
2>01
2>02
N,e
ITALLA 101

n.... _ roevw.
.-
-
.....
-
--.s
......
c- Title of 1h. .....
- - --
,-
.......... - ...... DIo< ,_ 0Ih0n
P'tMtt.place Numb.r one e 1965 14' 4x2
G_I RFI A S, 1965 JO' 2
S 2f M R.F I + '(2, J) e 1965 20' 2
... ...allzotlon 01 "Imaginoty landIcape 1'40.'- e "65 3' :h2! P revltoftl
(1952) by Cog. (601 the 42 .,.cined
M ".
a .. loUd IIw)
2'"
S 2f M """Ientazl_ per No. S, 1965 25' 2 S ...
16- dl PTzzo
Phetteplace 'nterMlulaft I e "65 JO' 2><2
S 2f M Rlcarca Hz e I ... <80' 2
S 2f M S P e I ... tn :h2
S 2f M T",N(O) e I ... 38' :h2
FltMtteploce Poelaggio Naturale, few2orlTlOre lOpe e I ... 12' M -"-
recorders. wIth or without ," ___ g_fUton
(11w Wft""': il'lde....... inaM-cl.,uatJon)
S 2f M OM e 19 .. ... Jo2
.......... 1 PS e I ... J' 302
IaccNlII E I e I ... 3' :h2
Iorbj A + SVI e
""
3' 2
IarblV
Baroni (5)Q) e I." 3' 2
"
hfofti eF I e I." 3' 2
., ....nutl omoggla 0 5 2F M e 19.. J' 2
",Iendl. comb 1/5 1 e
""
3'
C.cCDrell1 MFU e 19.. 3' 2
Cipolla + 3M/ Rei e 19.. 3' 2
Pelleg,ifti
O'Aeottini JSI e I." J' 2
Go_,lni comb d i I, 2. 3 . n at e
""
3' 1
G...... , 0'
e ,." 6' M
Lece! .5} " e , ... 3' 2><2
Carmoui .. AG 126 e 19" J' 2.2+1
Mangione
Morvani ra ndom game e 19.. J' M
Mo'f' Va 1.3)j e 19.. 3' 2"
Nonnucci 4+4+8 e 19.. 3' M
Paoletti GL 1 e 19.. J' 2.,
PheHeploc. TF-O,2 / . 1.3 ( 6 ) e 19.. J' M
Ma'f' F ySqp e 19.. S' 2
Ma" Propolta 10naro III e 19..
"
2.2
MILANO (Giorgio Gaslin;)
ip
Goslinl Cord, nello minieta Ii odono yoei e 19.,
r'
per quortetta e I"GItro mog,...tico
102 ITAllA
-
....... """
"""
MILANO Studio di Fonologia, Radio Audizioni Italiane (RAI)
PO (1953) 1955
flUte for F ond TV not ,,, offldol lish _dol _ie for It cmd TV. oI .....ldoI only Q few 01 the _t t ....... rI"' ........
ON ,i."... (In few .. lI'IUIie for 3 Ott" radIo plaY' waa Pf13du*
a.rlo
'.rio+
Mad ......
a.rlo
Mad ......
Mad ......
loucaurechlt.v
Mad ......
......... ,
a.rlo
a.rio
WilkiNGft
a.rio
a.rlo
Mad .....
MiliJltoldl
Mad ......
a.rio
acucourechli.v
Oiondo
Chailly
6uccnl
Mod.rna
Mllflusiqu. ".1
1t1traHo di ciue\; (poetNI ro:Ilafonico)
Muto:r.;o,,1
Nottur"o
c
c
c
c
Etud. I C
Sy"taah C
Sco",bl (otte:t. 2 _iani Wllklrwon, 1957):
-II
ye",ioni lerio - I
-II
P.r.p.eri"e.
II mira del DUO" lvoO;;o
Improvisotio" K
Lu Choteau. d. 10 Lair.
c
c
c
c
c
c
The"'o - 0",,01il9io a Joyce (nI ... "Iii- C
Nn...1961)
Conlln",o
anQngio_nti el.ttfonici dl regiltl"O:r.ioni dl
jon
MUlie.o IU due di",.nlionl (Ill. per
flouro. regi,m:I:r.i_ ,"'reofC)tlica
T t. I
c
c
c
Fontono Mi. fcanbe cotrbined .... ith-liofo C
for plano" 1957-58 ........ Ia" 1958, "Solo few
Vole. 2 1960, -vilA' 1960)
Water Wollt TV)
liounds of V.Rice (&OIofOfTV)
001 e,tudiol .n oPolie.ion (Ofi;,,...'
title: "001 .... conlrosl ... n)
c
I(on.,.llo,ion.r II, feror;elklo.r C
(i"cludes 0 ... cording of 1 Far
OCV.I" \958; "Konltotllolioner 111" \96\
oGdt a 11 .... organ pGrt , "KOIWt-ellotioner IV"
1964 odd, '"l(ontlellotiQtWr V'"
1964 oOck votcet)
Vllioner aver ." ,ven.k follt"iul
(fOf _ching purpoMl )
11 Montello
Inven.lioni ... , u"O "oc., p41r YOCeioQ- C"
10 ,.....i.,IO:r.i_ 1'/IOg,....,ica (w fonemi di I"kIN
G Helml)
TV
TV
o
o
'9S3
.'
1955 26'
1955 ]']0"
,m 3"l"
1956 ]'25'"
'956
ItS'
''''
'9S>
,'"
'9S>
,'"
'9S>
,'"
'9S>
'9sa
'9sa
'9sa
'9sa
'9sa
,950
1959
1959
'ffl
'ffl
'950
,960
,960
3'
\I'
3''''''
S'OO"
6'.51-
20'
"50'"
20'
.'20"
8'30'"
\I'
3'
3'
b'30'"
16'10"
.'
2'4""
3'
10'4.5"
',I
IAI SZ
SZ
lAl SZ
S2
,." S2
eGO SZ
Phi liZ
Phi liZ
eGO SZ
To,
Pol
Pol
Phi Nor
ltic
SZ
J
M.ltralla
'955
'-'0
"rIo
c.'i,lioni
N....
CI-.ntl
o.lI'O,Uo +
Zu._
N....
v ....
T .... '
0.. ....
.....
Mad_
willa
"rio
ContOn
eonto"
C..ly
Toflol."1
Mad ......
DI.,.,riM"'lto
Omollglo a E",lllo V,doyo
Collo,. II
Pla.fteo
I"toll.,o"zo 1960 (ottoU, toenal)
Trai.ttorle
I: 1 c.rea, leU,on I e.o
S.,eno,o lit
ltee.1
Q"orUUo III
801101'10 0110 po,'o
FI ,.
le rlre
Piece I
Pie e.. I ... h.o
Un Is'onle COlt FI,ur.
.po.izlone I
spo,t.tlon. , 01:1_ QOrI vo-
<. Ir.v-t{ e _tro f'f'09rWtlco (I'IUOW 'ler-
slone: "Laborin"" W)
2 truello.
Strati
Oer1vozio,,1 1'1 . .5
Sou ... eI Sludy No . 2
c
c
c
c
c
c
c
c
c
c
f-c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
Toul finil por tomber don. I. 1'1'1:... C
trou
c
Studio n . J C
tad'"), poI1' notlTo ...... ';(0 pt'OinlOl'li (4
ftI .... dt Ci_1 Corp; jIltOiettati ,;no.Jhoneo"."..
.. )
A'o ... tod
c
o
O / TV
S.
S.
MT
o
Hype,io" (IU .... todi Hald.rli". fonemi dl 0
MOI'W G HelfN)
Lo 'obbrico IlIu ... voce. C..
-'"
Dato
"""
1958-60 17'2!\:"
1960 7'00"
,960 2'4""
'''0
1960
,""
'960 6'
1961
"
1961
1961 11'25"
1961 "00"
1961 "45"
'96'
1961 "'10"- ... ,
16' W
'9.'
2"00"
'96'
13'40'"
19.' (45'/50')
1961
1902
1902
'902
1902
'902
'902
"
16'1S"
S'
'"
",
'"
'9., (45')
'963 11'30'"
'963
"
1963 "30"
'963 '0'
'963
"
1963 2'30"
'9 ..
6'20"
'9 .. S'
'9 .. "'30"
1964 33'
(80')
1964 ]'
1964 28' 2()-
(Sl')
19604 '4'
Tilll LIE
Phi UE
CGO SZ
R,.
eGO sz
CGO SZ
sz
eGO SZ
eGO SZ
sz
S2
.-
UE
S2
S2
S2
R"
ITALIA 100
not In off.It.,
not 1" oIf.litt
....Ithdlla_
....lthdlO_
rey Par;,
GItM
_I NYC
C.. MC
not i" off-lill
l
104 ITALIA
e........- 11ft rOMM'e
-- -
......
-
e_ n ... 0# the-tc
-- -
....... T .....
HGIHII Music for ... nuaphon .. . f0t02 .... e+ 1'65 10"2"- 2
,. ond 2 -t1adl tape
N... 01. Er",lttlung (con nI .. dl Clonl Carpi)
"'
1'65 22' 1
Lrb.ro...lcl Un "'tcll., ",n bldon la ... lta e 1965 11'05" 2
N... Compo.h:lan. p.r orch tra n.2 e+ 1965 II' 1
(Di ad. "olacc. "')1 NIO'IIG ....... cne (1959)
con ,. .......... tfoo
N... !tl c .,d. c a tl honno fatto !lid C 1... 11'20" 1
Auschwitz (con dall'-ErMittiung")
Nono A f1o,,,'a jo .... '" e ch.la d .... 1- e+ 1966 Jj'
,..
do (La forlt., I...".. et pl.i ... d .... 1.), ,.,
",,1'10, .. YOCI .... ttTlcl, ckwlfoletto, ... ..,. dl
1wonzo. r.trl ,.,.. ... tlcl. con RIM. CMlpIl-
flaotorl
Tch ..-pnin G I ", .. pp.'t Wo,k On. e 1966 Ind......

20'
r .......... Glu ".', T e I,..
rl=-'-
20'
r",-,. At lach (can aho '" witt. -CIa- e 1966 I'

rlnet at teet." - .tlll 'n ,......)
VI.. La Fontorco (wen 0- TV ,-
PADOVA Studio di Fonologia Musicale, Gruppo 'nps' (Nuove Proposte Sonore)
PP 1965
all produced as group collobafOUon. (AIIoNI, Chi"io ........... !tamponl). in....... for C or Sn
0",-' 1fIIIIOfIr.... ithdrQwn ("Rlcerco 1-3-, "Op_tivo 1 -2, -fvnzlone 2")
""..... , Mlries of worIc. ( 1967, I'IOt li.rwd) Includ. -lrWrf_ru.. 2-, -altMO 1-]"
Morego Ipotetl I e 1965
Rampaul
Chl"lo Ipot .. , 2 e 1965
Rampaul
Marttga .. Rlc.fCo .. e 1965
Rampau.l
Rompaui Op.rotl ... o 3 e , ...
........ . Funzion. I e ....
ROmp:lui
_.
Funz l an. 3 e ....
Rompoul
A'fonIl + Funzfon. 4 e 1966
-......... Funzlone .5 e 19..
Rampoul
Ma ..... Fun:tion. S A (...oriont.di "FunzioneS") ....
lompoui
_.
Modulo 1 e 19..
Rarnpaxzi
......... Modulo 2 .. ..
Rampaul
_.
Mod_,do 3 e It ..
Rampaul
"
"
"05"
J'SS"
.' 10"
1'3(7'
2'30"
2'
l'
2'<)<
2'30"
2'20"
-..
-
.......... -
-
... T_ 00-
RI.
Sdo
.,.
".
"... in off . I
"t
not inoR.1 I ..
notlnolf.l
'ot
r4nt... 1
N'S
not In off . 1
"t
ner..r .....
c- r .... 0# the..,.
,-.. , Modulo ...
ROMA Accademla Fllarmonlca Romana
PP 195760 ...1 ... .-.,1"':1&1, depufl 1960 cf. Morl,.,zzl
Olaloghl n.II'i"f i nl to
ROMA Discoteca di Stato
io
GellMttf Mltur. I
doaloolo Stud Io I - Sh.m.trl.
G.1_ttl Vodo,,:r..
.110110 Studio II - En. , ,,lo te ... po
del.'o Volu ... ' crhtolll (baeoto .... -StuclSo 1-'
de I.to T."II.", (1:Ia.oto .... Studto W)
ROMA (John EJton1
PP 1966
(.- P i .c.
'.'
Solo Sy"lc.t No .1
(.- Pr.lud. t o - Myshlcin ", .... f.lo" 1
(.- P,. l ude t. "Myshldn. .... ,.ion 2
f o'on PI.c. f or Solo Synlc.t No.2
(.- Wedd ing Match , for two Synk.tI (one
Ii .....
ROMA Edizioni Musicali " Rete"
io
Sc .no d.1 Pat.r opelGdac:a"...ra in
3 port! (con owl1tenza tecniao dl Egi.to
.vuccni}.;
--
"""
""""
--
"""
.......
e 1966 3"0"
19581
"'
19",1
e 19,.
"
e 19,.
"10"
C 1960
"
C 1960 3t Sj"
1961 NO"
1963 7'45"
c 1965
.'
c 1 ., 12'
c 19..
,.'
C 19..
.'
C
19'"

o
1
1966 '5'
1962-66)
-
--- T ..... .......... -
"'" r_ 0tI00n
1
2'"
2'"
2'"
2'"
2'r ..
2'"
.lALIA 105
-
-
...... IS'T
..... ISPT
J
I
I
106 ITAUA
-
.....
Compotiteur TIn ...........
C... ..- nrieofthe_k '\Indio" .....
5c.,..0 d.1 Pour. 2
,9.,
(COIItil'll.lCl) '9"
Guaceero Pro .... dl Inlzlozlon. Th
'9"
ROMA Electronic Music Studio, American Academy in Rome
PO (1958) 1964
\t\ldlo includes SynK.t (since 19M)
no i"'om.atlon rec.ived
w.ning Oyno",ophonic Suit.
5/nittl 0111) fl)' clorln.t and '.Cl)rd.d
clo,inet (original ...."ion
'''''", CPEMC)
Smith E.-.plorotlonl, for tap4' ond jou e,...n,l.
(dorin.t, plono .. bou .. d""".)
Ea.." Cl)nc.rt Millie, fOf' ond jazz en-
(clarinet, piano, bon, d",,,.)
coton Song. for R.P.I fOf'K!pI"OftO. P'WOpl'"
ani ... (one plano) ond 5ynket
Aut'ln
ltoma: A lPI.ate, PI.ce In Style r"..
ilnf)t'O... ilOtion .,.."cl. and 10pe
H.ineman (ti,l. \lMnown)
Studio (li .... Synk.t perfonnonce in Mmvlical hoppen'"
ing")
S",ittl (titl. \lnknown, Including live Synk.t perfonn-
once)
Curran Wat.reolormu.ic (v."ion ....lttI .. '9 De-
vices. 1966. MEV)
Trytho II R Ititl. ",,,known)
Alb.rt Ititl. unk_n)
ROMA Fono Roma (studio film)
io
Carpi f Un jO\lr vn o ... ion {fllmdiCioniCarpi;
10 band... t un mobil. d. 20')
C--

C+ 1961
C+ '963
C+
'9"
C
,9.,
C+
'9"
C 1966?
MT
19"
C
'9"
S. ,9"
C 19667
19667
C
,9,.
'963
"",,-
- """""'.
Tn.d..
35'
,
25'
,
4()'
,
(80')
'1'
- ,
7'","
5'
5'
'8' 2ch
16'
'nd 2ch
2ch
4.5'
7'
.'
ROMA Gruppo di Improvvisazione Nuova Consonanza
ip
compol.r-perfonne" in tne group at _flout. time, include: lorry Autti", Werio a.rlOnci"i. Aldo CI.-nri. John (oton,
Ff'Qn<:o E_ng.listi. H.ineman, Rolond Kayn, E""to Morrlcone, William O . SlRith, lvon Vondot
I
. t""me"fGll MCCltlCf.te-.I.ttTOI"IiICheOOI C
Improvvlsot.
--
-
--......... _ T_ 0Ih0n
-
AU.
J
J
Sh. II' Eoton
C_
lIIre. roww. C_
n ... 01 .... _
ROMA (Domen,co Guolccero)
ip
-- "'""'-
l.pro ......... &lo". 1962, pdavl- C
ca.rDolo (2 o..,U ..
000'" """'tore; dufan .. Ia .. oondo
parte pIo"badt .... ,*tfod .. aa pri.a porte,
-
-
'962
ITALIA '01
o.ffl
-
---
- ""'_.
T_
0...,. ...........
-
_ T_ 0Ih0n
7'30" 1 eft
ROMA LabQ[alOriCLdLelettroacu.tica, I.tituto SuperiOfe delle Poste e Telecomunicazioni
io
de.lo.lo Studt. II .. E".r,la t po
G.I.,..tt'I T."II."I
G.I,...ttl Ou. stud I (bo. ...... Va,loftu-
-r ... IoN)
G.I"",ttl Tr.,,1 dtondo a "'od"lozlo". dl
'nt.",ltell
G.I ... ,., O... ,to louo
G.IMoIttI Modulo.loA' p., Mlehoa.long.la..
ROMA Lu. Film
io
SaMbo 8 010 roto"'.
ROMA (Egisto Macchi)
PP 1962
0",,,1 ...... iqu. 11'0"" F
Porabolo, COfnpGIIII""IMf'-Otfo.,.,,.,..
a"ori, 1OpfOno, COf'O .. due vocl reclJlontl
regllhuzlonl W I"OItn) movrwt1co
C
C
C
C
,
Mo,t. d.II'Qt.cchlo dl VOn Gogh, C+
potr voce reel., ... , cwch.1'ra.
,..troltllOgnetlco
ROMA (Gino Marinuzzi)
PP (1950) 195357 ..... ,. '057 d, A,,,,,,-,,, Filo--., ..
S.
o
Ma,i""ul I (4rude. .. "'I ... nfOl..... te.)
19.., 3'W rl" OhcotMo
' .. , 5'
, .. ,
7' ,1" Oflcot.CJI
't63 II'
, ... 20'
'9" 15'
,.".,
'2'
'963? )x,?
'9"
18'
108 ITALIA

Title of the won
ROMA (Gino Marinuzzi)
PP 196061 wit. d. l'Accod.",ta Filal"l'l'lOflic:a, d.puil 1962 d. NIS Film
Mo,I,.,ul
Colloquia notturno can \In vhlto ..
tor. ditpr.lI:%oto
II formicolo oHoloto
ROMA (Gino Marinuzzi)
PP 1966 w'" do NfS
.Marlnu%ll:I La .Ignoro pOlllotlm
ROMA Musica Elettronica Viva (MEV)
PP 1966
Th
o
Ii.,. .1.Cl'f'onic .,..".ic ".rl'omtCInc. grOlJp wit+! studio (Bryant/Ph.uwploc.lR.u_"J)
h.wslci Composition f., two , lot t'fIIOO ploye"', C
2 ompHfl" glOM plolWt. !'Mlal .,..1,., wood
ond ocCftSOtl.. , 2 .N...o !'Ope, IftOduloton;
ond milll.r ( tope contain 2 p,.-r.COfd.d loy..,
of oth.r ctiON of riM'lear. , mQnipuloi'tld in
FMrl'ormanu)
MEV .... av. I rO i" (B""",on, 1960), fOt 2-S ptlr- C
lonnen .... 1"" Itring.d i,..trv_". IT'ICIgnetie
inductanc. microphon .. , ompl ifi."" .In.-....ov
g.n.rator, ring modulotor, loudspeak .... ond
lOpe (a.hrman, NYC)
.... V Variotion, I V (Cog., 1964), fot i".tn,I- C
menh, voice. hoa,..istor rodlot. Volks.....,,,..,
bUI, "",,., pebbl.s thrown "" ovdlto
dum roof. _ood_ ef,ain, .ton. floor
.... ith YOrlous INNriQl. ond mag,.tlc pick""Upi
lolled wit+. to CreON f.edback
(performed wit+. "Solo fOt
Cello")
pt,etteploce Solo for Cello (Cog., froffl "Concert for C
piono ond orc"-",tro", 1957-58), _iltt ompli-
ficotion ond lOpe ,...corder', circuitry (oliO FMr
formed .imuffaneCllnly _ith "VoriatiON IV")
Bl')'CJnt Quadruple P 10 y, for lour perfCII"'INn, C
rubber bond I,..m-... " with resorooton. con.
fact ornplifl.n. ,...,.rb.lQtIOl"!
ond .. loudspeak ..... ith audia-controlled
lighting '1''''''
Ph.tteplou I'O.,ollglo Naturale. for 2 Iope,.- C
ve",lon fat one performer, 2 rope,..
eon:ten, .... Ith or -tltlout .In.-....a.,. o-neratorl
he"",ki I'lec. _lth I'ro j .ctor., fony C
of mutlcia,.. 0 ... two Ill'OUpI), two to four
danu"" two .. a",.
pllfl.", ... IcudIpeok.n, four-dun".1 photo-
c.U,",,"b:.r. 0ny other sound-p-oduci"l_""
2 tlid ."..ojectors ctnd one or IftON h'a,..lucent
.et_,.: ...nion fot yolu, t-.o
donc."" 2 olPlplified cyn'Dolt. 2 .Ud.-projec-
ton; ond 1 one-chctnnel photocelloodT",w...
(photogfGphlc _ ..... 1 by Jon P'h.ttepJoc.)
C_
C_
......... 10<0
c.....
19607
......... -
19607
MlV
Gel_ttl
Mf.V
........ 1 -
f9.. 21
h""'i
. ,.,....
f9.. 16'27" 2x2 tr. po Cunon
(f9,,) 2ch H.in._

Gel_ttl
he .. ld
19.. 20' I" ... o "".It.Dlace
P'tw'feploc:e
2ch h .,ld
. .,....
f9..
'''''
ind ch P p B.rtoneinl
Bryant
a.,....
Chioti
Gel_tti
H.iMt!'Gn
Ruwtki
MEV
19.. ' nd ind ch P p Phe"eoloce
Bryant
19.. 20' .ch p aryon,
Phetteplace
Cu_
Ruwdci
hit.lbou", 1
. ..,.."
.,ont

Phetteo!oce
,.,._Ioco
h.wskl
19.. fnd 2.2 rl ... S2fM
Cunan
(1 2')
II' Ibe"'" G.I_Hi
19" 20' .
.'"
II' flertoncini
.,.,....

H.h ... mon
",.ltep!ou
b ...ki
rnr.. r...".. .......
"""
Title 01_ wort&: '-;..
"""
Imagll"lory londlll;ape No.S (Coge, C 1966
1952). ftICIltzation for two pJoyers .... ith 2 tapti (1 9,,)
NCQrd." and phanogtapN
19 fOt fape (WoNt'co/onwAlc) C f9 ..
and four wit+. wriOl,ll am-
plln" with contact microphones
Wh.,. or .... 10Tnl? A... d .... hot C 19 ..
are w. doi"g? (ee.-, 1960), I.e",,.
(.t .1...,1___.,. ,..,,) for ....... and 3
(_Ion .. ith noNlatlON in halton otId
Geman), witt. .I.ctroni c opetatiON, f I'wo
.........
Anima 7 (K-..I, 19(4), .Iec:ttonic ...... ion C 1966
witt. viofoncello
Pro i IRo",.n te, P .... 1To mognerico. MT f9 ..
yod.CI:ti_
Lyndo .... Jahnlon (o.lorl), .Iectronlc C 19667
........
r .. p.rsanaUon: Audlodratfto in Sill C 1961
P.tt., far ........... teloItt. w,th CIDntOct- (1.9")
and alr-iClr'Cllphon., two ........... lpulotan,
rour ,.ixef'004.1ft ... -Gf*OkNs; .. two-troclt
tape,.CO!I'den (1 nt<Dfd, 3 plcryeock), 0...-
pllfleft. 8 and 2 four-c:Mnne1
pftotoall_ix." ( .... alto _ ...!puIaNd during
periCll"'l'llllDft) ( ....w ... ",ion rJ "Oal'SteIJung",
1966, IkIffalo)
I"'p.,.anotlon: I'orh 1,2 ond 3 C 1967
(,..,ced .....,Ion 01 1M abov.), for two vocol (19")
solak .. _it+! CQfItoct- ord
two trapoI-ttGnip.llatorl. two ml .,_...,lir .. r-
operoton; .t two-trDck IGpot fecord.", (1 rwCOfd.
3 .. .. loudtpeabn: and
1 four-ct-w.l photocell-.H_r
Mo .. e for -von, c:holf. .. ctally con-- C 1961
.teel sptl"" '".nv_"", INJQMtlc
"'ic:rophon. and ,. .....tb.fGtlon unit
OrllO"lIm quadruplum -que,to J II C 1967
ga,ro con ;11 .tlvoll", perCOf'O ..... fo.
orvo- e nDltro
No .... 1967 C 1967
'.
Impuls." fCIJ .... _p..-Clnlton, sh'ingond C 1967
rubber bond i,.tn,lrnenh, contact ond rnog.... tlc
miaophonet. ,. ..... tbetatlon unit, i"1'Ul.. g.n-
eraton ond modukUan
Bo "II-Ia n g. for electric argon. quartet- C- 1967
tone organ, MlW circular itring i,..tn..,"e ... Is,
conlDCt .... modvlotan and ,. ........
befotlon unit
Rotonda Combin coll.ctl .... wodc for C 1967
ony .. 1'Dpn, photocell_iIIe, and IrlllIfOI
X-e. lot lour pe-rl'onnel'S. boo". bel C f967
lOON, rubber band InitrulTllntl. taped soundt,
conlDct micraph_ and MIa-controlled
Hllh"
Oi.place ..... nt., f celloal'd tfw_ play- C 1967
.!'S, magnetic mioopftone ond pharoc.lI00dl.
.,jd., (-anc i" progress)
Out af 'he oit (woric In PfOIIt'ftI) C 1967
G I ro-G i rO, fOt IOloill with porIabie ,.cord C 1967
ploy. ( ..... f ........ )
(work In prog'" for Inll'nMftenti and .... ) C. .967
Traumdeut",nll. ptlr" yoci con o,...,Wica- C. 1967
tori e rwxh'o rnognetlco (1fI'OfiI: in prog,...)
Ow"
.....
""' ....
T_
3' 3x212x2
tr+ 2 dI
20'-30' ... ch
.u' lch
7' fch
21'10" 2
10' 21 ch
- 37""- ....
15'04" .ch
1'1' .ch
14'.52" 2
fO' 1
IS'
0'"
f2' 'ch
fO' .ch
40' .ch
Il'
10' 2
10'
-- ........... -
DIe< Tape 00-

...
P-
-
,
ITALIA 109
-
-
rlnS2fM
p ,.,. .....
t.z .....Ic1
"nAmA
..........
-
b.waki
.........
b __ i
......... b.-"ci
...........
II I..,..t
Cu_
G.r ... tt f
_<0
b._i
...,.., .
eu.-
Itnwdd
(.tc.)
p ...,..,.
CU....
Itzewdd
(.tc.)
''''''' Itu ..... i
110 ITALIA
ROMA NIS Film
PP 1961 ",It. d. Marinuul
au COI'InMIcetMnt IMf1dant qyel.,. ,.".. a .t Se",,1 FJI",
M.IIiqu. pour F, It, TV (Morlnutzl, etc.)
Dato
Dato
Fon-ynth (Ma,Ir ...u:&I) 1961-62, 5ynlt.t (K.toff) 1964-65: voir oppendice
Morlnuul
Viod
Vlod
Viod
T.rror. nallo 'pozlo
P.r Firenz.
La '''"110 "oUa dl M.d.a
L'E,a dl Nopoli
ROMA Radio Audizioni Italiane (RAI)
io
Kana." flh Oboe "ncl I(o""",.r-
ru. mb I. (Fouung mit .I.k"oni.chem To"-
band)
c-
ROM A Studio C.J.D.S. (Carroll and John Day Stuchell)
PP 1967 (B.rtoncini ... Ogando)
ROM A (studio di registrazione)
io
Guaccero Klo.,lotura, per dovieerTDolo, pianoforte, Co.
Qrrnoniu"" eelftto, glochnspi.I, arpa, vibra-
rono, ncntro
1965
TV 1966
1966
1967
0- TV 1966-07
1962
1965
12'15"'
9'
ROMA (Roman Vlad: studio pas retrouve, probablement dans un studio de Film)
io
VI"" R.q"l.m for a Nu" Th 1958
VI"" 11 Dottor. di V.tro o / R 19.59 10"
(55' )
VI"" Lo Rogozl:o in Vettina 1961
VI"" 11 Giardino d.1 Citl.OI Th 1962
CI.
SZ Prill[ llolio 19.59
Studio RAI?
Tm.. rOW'ft"ll
-
ntie>oItheworit function
TORINO Studio di Musica Elettronica di Torino (SMET)
PP 1964
gruppo. Botco, 0. Marcni, Mc.ch.tti, 5tr.ito, Toni.ni , Zaffhi
0M.IYf'ft de Zomrj pour C ou Sn 'ealemet'lt (-provett'-)
ZofIIrl Tr/. 54 I
Z.IfM TrIa ,. II
ZofII,1 Tr/. ,. III
Zoff1..! Tr i a ,. IV
laffirl Q / 6. I 0)
Zaffir' 0 / ., I b)
lafflrr 0/.' I .)
Zofflrl Q / 64 II (llpt'0gettoi5tatoeMlboratoIn
2504 .,."Icni)
z"m,1 rr/. , .. V 0)
Zofnrl rt l . 5. V b ) (elabon:.:r.i_del''Ttle504
V 0)" con "Q/64 W)
ZofII,' Tr / e 54 V c) (elaborazl_ del "Ttl. 54
V 0) con -Q/64 11*)
Zafftrt Tr / .5. V d) (elaborazi_ d.1 -T,I. 54
V.)")
Zaffl,i T, I .5. V .) (.loborad_del"T,I. 54
V 0)" can -Q/64 II")
ZofIIoI Tr/. S" V r) (.Iabc.a:r.!arw d.1 "Ttl. S4
V 0)" con -Qjb4 II")
Zofftrt Tr / . '" V g) C.loboraz!one d.1 "Tt/. 54
Va)" con -01604 II")
lola Totino Fone",j 1
lora Totino Fone",! 2
lora J:otlno Fone",i 3
laro Totir.o Fo".".i "
laro Totino Fone".1 S
laro Totino Fane"'! 6
leta Totino Fan.ml 7
Lcwa Totino Fo"e",' 8
........ Tf / . 36 I
........ Tr / . 36 II
Vio".lIo Ml 1/ '
lOfG Totino Meuagglo
""' .....
H / 2S
TRIESTE (Carlo de Incontrera)
PP (1962) 1966
d.lncont,...1"0 II R"more
d. ItU:onMfO" "l:lonl Sonar.
Saracino
d.lncott,"ta Collag. 1, pe' due nClstrl magneticl (00f'I
.lementlvlll.lGlioctlibitum)
C
C
C
C
e
C
e
e
e
C
C
C
e
C
C
e
e
e
e
C
C
C
C
e
e
C
e
Th
e
e
ITALIA 111
Dato
0.."
......
-""""'C!S
-
- -
T ......
"-.... -
-
-
1960 12'1S"
1965 8'30"
1965 S'30"
1965 lOtos-
1965
"
1966
"
1966
"
1966 2'
1966 J'
1966 2'
1966 2'
1966 3'
1966 2'
1966 2'
1966 2'
1966 "SO" P ..
1966 S'3.5" P ..
19.. S'2Q"
1966 2'30" P ..
1966 3'J!j" P ..
1966 .'06" p ..
1966 5'25' P ..
1966 4'''''''
19" S'
1966
"
1966 5'
1967 .'TO" P ..
1967
"
1962 12'
1963 7'
1966 5'18" hI
112 ITAlI'"
ComposittUf' TllN rNWT'e
C.....- Title of rtw wortr
d. IncontnlQ Colla". 2. per jianoforte. joMrCUllione.
nostro magnetlco
d.lnconh"e.a Coila". 3, per nauto, pionofor.... pe""
ClIIIlone rnctvnetico
&. Incon"'era Colla". '" - a lullaby for Andrea,
per eelesta, perCUIIlone. nattro ""'Inettco
TRIESTE (Doriano Saracino)
ip (7)
poJ d'TnformatiOl'lll reCfU"
(pas retrouve)
(fnconnu)
(Inconnu)
La N ott_
""'"
""""
-.
--
-
.........
"---
PvocOo.
""'"
......... T ..... _ r 0000n
-
C. 1966 NO"
C+ 1966 a'OO"
C, 1966
1960
19., !.M. ?
JUGOSLAVIJA c_
Tlff. de ro.wr.
C_
Tl**of .......
BEOGRAD Radiotelevizija Beograd
io
SoJ.o' Joho!1 QlJolcol ipse (lAs c::hevallen; d.

Kol!lc
h'provl&acijo 1.0 orgulfe (llPIprOvha-
tlon pour 0f9IHI)
Ohtadovic EpltoF H, za slmfonitki oncetfOr j
---......
lodCMIl"lOvic
HeroS"
Koll1c Zacotoni j o to e (L. dol'HlJr el'llOrcele)
lodo...anovic E1.1c troluko stud i i 0 Nt . l (work in
.... -)
LJUBLJANA Radiotelevizija Ljubljana
io
........
" .. "tion
C
C
C'
C
C
Jeu_ (10"'), paurvobc. ha."..te","*,led. c.
( ... "ion rodi"oniq\lll)
LJUBLJANA (Igor Stuhec 7)
ip (7)
Studijo
NOVI SAD Radio Nov; Sad
io
Kiraly Po. ilia 0 zorj (Poh\41 d. I'aub.)
1(1I'Qly
Si gnal ( PoUMl'lz.idl.n: Rodio)
KiIGly
N .bo (l. Ci.n. za IOpf"Qn i magl\4ltofOf\
RIJEKA Radio Rijeka
io
C
C
C
I
LOIII.ntof;on, RJrBI'IJt1ch. unci tl.k'F'OI'Ihdl1 C
Kia,..
Epizod ZO or4ce'lfQr f magn.toron C.
00 ..
-
1961
1961
19.,
1966
1966
1967
1966
19651
19'"
'"
1961
1962
1962
1963
113
Dlm.1 Pi.... -..
-
Duration T .....
_ ...... -
- "'" '''' "'"'"
9'
1(1'
8'-16'
.'
matWonZOwQ
15'12"
1>
2'25
0'20"
2'W
ail,ho
"'
JUGOSLAVUA
'''''-
n,....r--.
,_
Title of .... wort
Sokol S. va ri (l .. chows)
Sako! Mira!, d. SOfeh (Co'"PO'itJonphonoplo.-
pique, o ..... c projectio.,.)
""'.,
Entrapie 66 (COI"IpOIiHonphOf'lQPiosl'iqu.-.
o_c: projections)
Sol.o'
Vorijoc:ije (Compc.itlon phonoplos........
o_c: projectlona)
Sa.a! Moll i v.liIIl ",a" ..,tl (loF*,ltw_tlo
9'Grd. Il'lClnoe\IVN)
ZAGREB (Miroslav MTietic)
PP 1960-1963 (?)
Mil.tlc
MII.tic! (tr'lUsiqv. pour i,..h\llMntl .t bandt. , pour ""
film industrial)
ZAGREB Radiotelevizija Zagreb
io
Sokoc 3 ,In'.rsk. poem. ,. .... og .... tofon:
MIHokr; Joma, Rot (Monaer .. , L.
GouFfr Lo G",.,r.)
Sollae N.bllrsici odr.d {La brigade du clan
Sokoe Pro' tad (lltl Etpoc.,). 10 OttI.. rar i mog-
netofon
_n
..... ..... ,. -.
--
-
.............. - ,- ..... .......... T .....
"'" T 0tI00n
-
19.. 11'
MT 19.. IS'
MT 19.. 7'
MT 19.. 8'
19"" 10'
c 19611
1903
C 1959 IS'
1961 60'
C 19':; 18'
MAGYARORSZ.A.G
--
F"rICtioo\
BUDAPEST Hunnia Filmgyarto Vallalat (filmstudio)
io
, .....
194:1.t (Bna ..."'","II)
(""4Ic: fot _riGUS ahott ad ... rtili,. ond Iclen,I-
fTc n'",,)
BUDAPEST Magyar Filmgyarto Vallalat (filmstudio)
io
1903
119.,-66)
BUDAPEST Magyar Hanglemezgyarto Vallalat (Oualiton Records)
io
.. '"
Cono n {aft., Ha)dnl 5. 1959
5z ly TI.I","o", 1959
Patod.ich Holhototlal'nog 1950
Pal'Clchid- H.lyOn" 0 vIJcig .... i"d.",.gb." (Un. 1959
.. ... P'ah.fmW.ltall)
5:r.611tky Nil! 0 ba,altllbo" (El_Frau j"d.rkl'Uck. TV 1960
Patac*'ich A vllog",lnd.""g Sd,1( 'Srye"y.i 1960
oi wig. d..,. W.lrolh)
5:r.all&sy Allodln" clodald""pa,Alladinurd n. 1960
die Zoub.rl0""P"; puppeMpi.n
PofOcnich F"I.lul (A'9') 1960
Pol'Clcnich C,iplc.,ol.lika l Oornl'&ch.n; PI.IPfM'"'P,.r) Th 1961
Porodlich Vikar a Syco,"or u.cobon (E!l"llp6nJng in TV 1961
d.,
'):r.SII&y EI.ltho TV 19.,
I'olachich M.n."OI., (Fluent) 19.,
Ileink; 5i"'on MochaI'd lolomcito (Si lftOfM/ The n. 19.,
Vi,ionl of Simone oVacMtd)
uil"ltalo" ..
Lu"acs Au 1'.0 ,.c.io I S. 19..
5I..".ly
EO""" AI. .",110.1' 'rog.di ..... jo (Di. Trog&li.dn n. 19..
M.r.ch.l"I)
Patochidl F.lho,"olyol zona (Grou. locw) 19..
CslnfOlon t-
lullo.:. .. lC.dd (Oi.r.tag) 19..
S:r.'k.ly
5:r.&II&ly ... .,gyol Hall, I. 8abylonbQI"I (fi" fh 19..
Iobylono
0''''"
2'
8'
12'
3'
1.'
3'
22'
7'
"
0'30"
"
9'
S'
m
116 MAGYAlOlSzAG
rm.cMt'-.
Compoeer Tit'- 04 ttl. ......wI!;
BUDAPEST Pannonia Filmgyarto Vallalat (filmstudio)
io
Elutt loleat (COId.tIGIElntt)
"la, "orb,u (Ove')
A "or.ad!1c (l. hol"_)
"la, Kol. t doultope
_ BUDAPEST "Radio Budapest"
io
( ..... Ic fOl' instfu_,," crrd tope. fO' 8 bl"'OOdClllt
prograIN)
BUDAPEST Vigszinhaz Comique)
io
fa_
BUDAPEST (untraced)
Kurmg {mus ic for fil rra, ,inc. 19.58 ?)
(unkl'MJwn)
Date
00 ..
'9"
1962
'9'"
1965
19'9-66
1961
1963 1
2'
e'
HI'
11'
MAROC
117
c_
n .... r __
--
Dolo .....
--
-..
-
rlfteolMwwert:
--
Dolo ........
T_
0iIque .... A....
-
"'" '- ""-
TANGER P. Bowles Workshop
ip
G)'I/ft 'teoth c 1967 "20" p ..
-------,\
118
MEXICO D. F. (Manuel Enriquez)
ip
MEXICO D.F. (Conlon Nancarrow)
ip
Rhythmic Study
MEXICO D.F. Radio Universidad
io
MEXICO
C+
C
Marie Tomb.au d. Julion Cordllo. pcur ,to
pionoa en tie" .t d",i-tOfW .t baMi. II"IOQni-
rique
MEXICO D.F. Radio Universidad + Escuela de Musica
PO ,lUdio ,elQ pt'it a 10 fin d. 1967
VI LLAHERMOSA (Carlos Jimenez Mabarak)
ip
"L. Paradi, "
'9"
'9"
'2' rln Pari. CIJ:M
'960
NEDERLAND
c.....-.. ntr..r .....
'-
Title 01 tt.--.:
AMSTERDAM (Peter Schatl
ip
S .....
Elec'rocu,l. (Indlolding sp.c:ial ,culplUPOI
irwhVlNnt .... itt. 40 oontact ""icrophones)
--
""" .........
"""
MT 19661
119
Ow.. ......
--
-
_ ..... -
"""""'"
T""",
- ~ 0tI00n
-
S",
BILTHOVEN DTaact'sche Studio voor Elektronische Muziek van de Rijksuniversiteit te Utrecht (STEM).
Centrum voar Hedendaagse Muziek, Gaudeamus (Contacto<gaan Elektronische Muziek (CEM), 1962.64)
PO 1962
_'-STlM
MII.tic
lo "",.nrotion, Far lPOIK'" unci .I_ttoni
c '962 .'Jo-
KIO,.
Melina. CEM 63
C '91>3 NO"
Don_,
Elth.r
C 191>3 S'30"
EilmO ath. 3'51
S. '91>3 4'10"
And,i ... ., Sw t feu record.,. , _bloldluit.n C
'9" O'lO" Don
....
"lO"
(8' )
Gortet' K
.,
C 1964-4$
"<10"
.-
Etude
,
C 1964-65 '0'
d. Morn Oy.nt Etude 11
C ' 96-4-65
"
GUfay Phonal i. t." '6S C '91><-6S IS'4O" 1
'4'35"
MclC.n.r:i. lu,";ncllio'H '65
C 1964-65 11'30"
fi lftOO Coop. rotionol A.ool ic olionl, for C '90s 17')0"
violin, ;Jiano and I.QVnd top.
Zup1o. Tro,,,;.",,
C ' 9 ~ 8'2.-
Iti.h" Gu4!ng. d . ~ M.,ldo,ar
C ' 9 ~ 11'00"
'-'
Noch t
C 1965-66 ''''16-
GorN' VG 50
C ' 9 ~ 8'SO"
Gilroy Polychrornie
C 1965-66 6'47"
Por.grQcz PhonOlh ...
C 196.5-66 3'35"
Zup$co Metoc y el.,
C '9 .. 9'10"
Stibili Ito; nbo ...
'967 2')0"
61 LTHOVEN (Jaap Vink)
120 NEDEILAND
.....
ntr." rMII'I'tW
-
-
C.........-
........
r.tt.of tNwor\.
........ 00 ..
C.....-
DE LFT Studio voor Elektronische Muziek, Technische Hogeschool
PO 1957-1960
topet frofft STEM
...on Hall
Moo.
Righarn
...an d. I(ooy
YOn G.ld.r
LIIi.n
on Moam
... ""'"
Sohat
80erman
S .. k
... ""'"
o. leol_ zanger.,
Jan Klaaue"
Klonkitudle
Glen
Poleonthologi.
Nr.IS08 Indlviduo l ht . foriMtruPN""
and taJMI (1)
o. dik. ilion en d. or"'_ Lcuorut. C"
for reciter and f'QfMI
MU1iqua Coner" c
S ludi.
All iog. c
c
c
Rinoe.fo1
C
E'l,Id. Sonar. II C
Th
Th
'"
Th
R.,ononc.. 1 (boll.t. pointir'lg, 1culprur. MT
and .Iectronic mu1ic)
St
,957
1958
'958
'958
1958
19,.
1958
19,.
19"
1959
19<00
1960
1960
30'
40'
S'
IS'
2'30'"
(10')
10'
4.5'
10'
. '
11'
8'
"SO"
1960 lS'
1960-61 12'SS"
1960-61
1961 14'
DEN HAAG Studio voor Elektron,sche Muziek, Koninklijk Conservatorium
PO 1 966 ('oo;;"",k.n)
-
T_
DEN HAAG Studio voor Elektronische Muziek (Dick Raaijmakers + Jan Boerman)
PP 1963
Rooijmoke"
RoaijmcJl,cen
Boerman ..
Roaijmoke"
Rooijmoke"
Roaij moken
Rooijmoke"
Radiat i on 1
S ,C, - 3
ee" grool dood Oi.,
Aioon
Ronquieret
o. 80u"'." von de Mocnt (le, sa'i,-
,..u"
Konon 2
Kanan 2b
C
C
1963 20'
1963 20'
'"
1963
1963 20'
1963-604 b'
19" IS'
'"
,."
JO'
19.. S'IO"
19" S'IO"
.--..
-
o.qu. .... A......
-
"'" T_ 0Ih0n
rwot in oFtII ..
not in of,lIst
1"10' in Iff. li.t
not in off. li.t
rln STEM
,.." 0., Hoog
rlnSTEM
rl"lftlyMl
Itaoij""en
"...., rlOeWt9
_01 .... _
Ko non 3
Ko non"
Monum.nt "oar n 9.,tOt"."
jongen (bawd CIft"Alcheml. 1961")
KIon Ie d. c: 0 r I hw industrMiI eahiltitratt
--
--
c
C
SA
-
00 ..
1965
1965
1965
''''
",'IS-
6'SO"
26'
'J'
O. Z.. C 1965-U
Th. A,t of Opuing (happHing) MT 1966 30'00"
H.t And.r. Woord "OOt Stooldrood 1967 17'00"
-
EINDHOVEN Research Laboratories, Philips Gloeilampenfabrieken
PO (1956)1957 1960
,....ff'OlllSTfM
Kof" .n Alul "56
.... , .. 1957
Song of th. S.c:ond Moon o 1957
Bodi.,. G.luld de rlulijkh.id (Sound,,.,, Th / lt 1957
reality)
lad .... 1957
lad, .. 1957
17'30'"
10'
2'4.5"
90'
.. '
v ..... '0."'. eI.ctrol'dqu. (For ""111,. Pa"ilTon C I S"
In.el. WOtId', fair 19.58)
19$1-58 8'
Di alogues for mon and mod,;n. c
lad, .. C
SyncopotloA
Oiu ..... 1t
Sadi,. EI.ctronic lolle, Mu,ic III
Solro Mortol.
Capriccio , YOOI'viool.rt 21donbporen C+
lad!,. IClo"gflgur.n C
Orlftlnl
Vibration
C
o 1958
19,.
19"
'958
o 1958
'"
'9,.
19S.
0- TV 1959
19S.
19,.
1m
o 19S.
o 19,.
19S.
,. 19,.
19S.
J'OO"
20'
2'3S-
15' /
9'57"
3'00"
0'30"
22'
SO'
7'2.5"
5'
3'lr
3'07"
4.5'
1+1
./1
( l) ,
,.EOOlANO 121
....
Epc
Om
'"
""
"'i+ Pop
""
P1ti Don+
"' ..
""
PhH
,tor
Epc
. ...
....
122 NEOflLANO
laaljrnok.R
ladl ...
loaljmak.R
loaljrnak.",
Raaijmcrk.rs
-
......... ,
Antiphon;., IIOOtblooskwi"tet.n4klol'lk- C'"
......
H.t It."." bruidlb.d (klonluMcor)
Marth 1C0rda D, P. (ActIllSc.1l o
C
T u". (radi."
Mou".m.ntt s.
Fu.1 f.,r the future
In
.....
00 ..
1.60
1'60
1.60
1'60
1'60
"60
"60
"60
1'60
15'
IS'
5'
18'
"57"
0'30"
7'22"
30'
--
-
HI L VE RSUM IA. Brandon)
ip
d. LH\oIw 1.1. 1959 10'
HI LVE RSUM Nederlandsche Radio Unie IN RU)
io
1Ope1 ffOl'l'lSTtM
Oe gra"i" Catat."e
19.52 20'
0-'
195< 5<'
"5< 5'
<00 Thr pi.e., for et.effo"ie orga" C 195< 5'
lodingl o. Noc:kt "oor M.,rge" TV 1956 15'
Job (rodio 01111'0,;.,)
_19S6 35'
1957 '5'
Bodings
1957 20'
Bodings
1958 20'
Tu". (rodio) I. 1958 0'30"
d. L.euw S'l,Idi. C 1958 6'30-
Jonah. YOOt orkftf." .1.ktroniH (I1Orl1lltor. C 1962 20"
2 mol. voices. cho"" and lOpe 1)
d. LHUW Syn.oxh I C 1965-06 18'
Don
Phi
Don
.101
Phi
123 c_
ne.. rOM/lWN
-
..... ..... .....
TH6.01 .....
--
.....
"'--
T_
UTRECHT ITon Bruynel : Studio voor Electronische Muziek en Klankbewerking)
PP (1958) 1961
wed. ift oth.r 1tudle. (STtM ard Delft) prl_rlly Rf'IIIIllW)Aiage
'N,..,.I
'..,..,.1
'..,..,.1.
loaijmak.,.
S t" d I few pklno and two IIOUrd hacb
l.fI.".."
1.,0nGne. I (M11.t. palnti,.. IQllpture
n .lectronIe ,..Ie)
DIode III
Olod. IV
o. T.I."i,i.-le.ldbl,li, (Die T.V.
lildrlhN)
C+
C
Co.lI..og II G."a C
'..,..,.1
lovyMl

a.'II'. 'I'OOf'orpl en vl ...
k ...........
Avtopo,t,oh du 010&1.
DOl G... ald.
C+--
C
MT
1959 5'
19., "40"
1'62 14'
I'"
7'
19., 6'
1963 20'
1'63 10'
1'63
1961-64 It'
l.oW
1.65
1965
1965
1966
5'
21)'
.'
20'
.'
Mill.uAprll '66 (ITtnogropNord tope) C I TV 1966 10'
. ..,..,.,
Arc, YO Clrpl en "i.r klo"' C..
..."..
UTRECHT ITrudi Iltmann)
ip
I",,",,"" Natha" d. Wiiz.
IthnOnn Pc:lnfomim.
iPhnOM
0'15"
1966 12'
1963 3'
1963
"
1963
"
__ n
DiIque .... A.....
DIoc T_ Othon
(Fe
!Fe
Don Don
Don
UTRECHT Studio voor Elektronische Muziek van de Rijksuniversiteit te Utrecht (STEM)
PO 1961
STEM Oidoe,i.cM Studio. , lllrHOvt:N
0 ...... 1' 1961 6' Phi Jo,
Film mu.ie 1961 0'30"
Raaijmoken C,y.tal Diode 1 1961 20'
Herc:lkl., Th 1961 30'
Roaijmoke .. J Plc:lltie!te" C 1961 7'20"
-
-
,lnSltM
,. .. STEM
rl" o.Ift
,In STEM
tin STEM
,In STEM
CompoNt.ur
CompoMt
Wailond
Ih"y"_1
IN.,.w1
kltie

lottie
IHTIIonn
K ..
Modo.
Mad
Weiland
deN .. .,.
op de Caul
MebiUl
Bodln91
'NYMI
Scho.
Scho.
'arlaw
ShinoholU
5 t ",d i a . far piana and two lOUnd track.
Alchemie 1961
Ehde 50"ore II (based on "Alc:h_ie
1961-)
Refle.en
M",s iq ",e borbare (-0.
1C0,..1 Appel-)
Zeil."
EI.ctronic plec. (Inluiti".lmpuls.e)
Two .h.ldle,
S.
e
e
e
e
e
e
Nothon de Wij ze
- n,
Four Etude fcw_WqyinMto.d ....
Pontoml",.
Voriotion., forperaJIIlOf'tord __
Oi.,enl-Illullo"
Roolcvlokken (SC-'u .....")
3 lucebert ,ong', forrrale chair and
.Iec:tronic mulic
) Schwllrll'lareie" nach Tallllen "on
tllc.b.,t, far gell'lhd., .... Chor m4t leglei-
"'ng elektronllcher Musik (h'anIpOIed '4l'1ion
of ") luc.bert
Juli",. Coesor
Fonto.y I n Orbit
Study II
Cyclofoni. nr.3 . vootpiono."elektfO-
"i.che ITIUzlek
Study 1
S tudy II
Botic M.choni,ms in Neuro-Phytio
logy
Compo,itl. 196-4 (.togeSTEM)
Studi. (trove STEM)
Elek'roniHhe Studie (ItogeSTEM)
Ruiutudie {stogeSfEM}
e
e
e
e-
e
e-
e
Concert "001' blaze,. en elalctro- I C+-
n i lche begeleidin; (Pitf'tburghConcerto.
for ..... Ind symphOfty oreh<lsllO and tape: Toccata;
Noctume for .010 clo,I"., and lope; C"f""ba"
and Signal.)
Toccata I
Tocco.o II
It alii r. YOOf orval en vier elak'rOfti,c:n.
kloMspot9n
lobyrint. (total theam/ oplfo)
Oe Alaph (boNd on " l.abyrint" )
Study in el.ctronic .ound
Vision .
e
e
e
e
_ F
n,
0
S.
S.
s.
S.
MT
-
-
1961
1961
1961
1961
1961
1961
1962
1962
'9"
19..
, ...
f-
19 ..
(1962-63)
19"
19 ..
'9"
19"
19..
19..
19..
19'63-64
19"
'9"
19..
'9"
19 ..
'9"
19"
19..
19"
19"
'9"
19..
19..
19..
1964-65
'964-05
'965
'965-66
-4'45-
S
12'.58"
..
. ..,..
28'
111'
13'
5''''''
"20"
,.
22'
,.
,..
II'
..
lS'OO"
13'1/)"
15'
41']0-
3'
15'
2'1S-
..
30'
10'
,.
2'
,.
..
'8'
3'
..
II'
50''''''
7'4Y'
"2S'
S'tS'"
IF<:
PM
0-
0-

WS P
EFe 0-
Don
P ..
rtn Delft
rev 0." HoG;
o.lr,
No.' (5')
_lrfoIdro"MI
,In ColboMole
rln Cotbondole
,In IttMtII'II"I
,I" lruyMl
c-..
e-
K_'
ShlnahllIU
... , .....
....-
K_It
(un traced)
V,lend
TitN de '0WW'tt
ntia .........
Tra",.n. -u:anitcf,eMontag l,.. TMtI,

,.l'WrGfOten, :I Kontak""lIcrophone ",It Ver-
,ldrt.:.r), TonWndef "I'd Prolektfonen
M'tftolt
linea. y Punto., poIlU 1OftWc. .1ecf'f'6-
"ICOI "f win .. tNltNlMnto& de "I.nto
.... p.ltt
Tarm l nus II
Zelle" (SaUl"liil)
Exothe"e Tanl:.
Sound ond 1 ... 08a.($""'1 A""-,,fo Rc.:trl
--
.-
e
e
e
e
e
e
MT
Woter.Muzlak, forlchool orcn..tf'aond C+-
$OUnd tape
NEOOlAND "5
-
"'"'- .....
---
-
.....---
........ T_
DIoc T_ ""-
-
'966 29' 2+bcl UE
(1963-bS) ( ......)
1966 9'20"

19.. 14'25
,
UE
'91>6-67 IS'

'91>6-67 19'

10'
19.. 13'
19661 or Stuttprt?
1966? or AdeJoida?
19661
'2'
NEW ZEALAND
--
-
WE LliNGTON Electronic Music Studio, Victoria University (EMSNUW)
PO 1966
lilburn Th_ Spiral Tattoo '966
Lilburn C , ... 7'30"
WELLINGTON New Zealand Broadcasting Corporation (NZBC)
io
Lilburn Th. Pitch., a;dt". w.1I , ... ]0>-
lilburn Th. It.t"," -Cltourd 1 ..... 01 rhepoem1:ty C+ , . .,
'7'04"
AII,tai, Campbell, for f1Gl'l'Qtor ond rope
Maconl. Forl,.,,,h ond the Perlouins , ... 59'
NIPPON
C..........
ntr. I'0IuwnI
--
C_
nn. 01 the-t.:
--
CHIBA
(Nobutaka M,zuno)
ip
Mizuno
C
Mizuno
FUKUOKA Nippon Hoso Kyokai (NHK, radio)
'0 K _ _
MUllc fow2 play.'. ClAd .Iect,."
Ie ,.,,"d, _
C
...
Co-..,o.I"." 101 tap. '65
C
KAMAKURA (Hideko Ooki)
ip
001<,
C,ftce"a"t .. "' ..... Itt.nh.
and .Ioctn:wtlc tOUnd
few p",- C+
~
" ,-
KYOTO Oepanrrren,t of Electronics, Kyoto University P)
io -----
1.,--
Acd -no-U lot ~ i n g voice ond tope
OKAY AMASHI (Chieko Shiomi)
ip
Shiomi
OSAKA Asahi Hoso (ABC, radio)
io
C+
.... 0..:.
"-
.... ........ T-.
19617
, ...
'0'
,..,
'""1
,.,.
14'45-
19601 "3(1"
'01
- .. -.
~ " " A ....
-.
"'" T_ Oohon
.""".
Yl'tC:.rlO'"
ltudlo
unc.r1aln
(or NYC?)
'27
,I
I
I,
I
II
"
.,
I
"
,I
,
I
I
,
128 NIPPON
OSAKA Nippon Hoso Kyokai (NHK, radio)
io
MotwshUo L. C I oTt r. No I r (nonotor. chorvI, cho ...... c
be, orch.. tra and .1.ctnJnlc IOUndI)
Mahushito Wort.: fOf' "".tId c:horu. and .I.chonic """Ic C+
Mabushlto Torto 'n the 81 hl",.dng
.Marwsnlto J t P II at, for string qua,,,t, oren.ha. C+
ard .l.ctronlc ,ownch
Saito I wal not afraid on the Mounta in.
for chonn, orch .. tro and to".
Ma ..... hlto Th. Pol.
Matwlhito Fantaili. sur I nambr , fornGtTO- C+
tot, chon., orchetha and .I.ctronic sounds
Motlulhlto It.qul.m on the C+
for 1 narraton. chon., orch.itra and .I.etforl
Ie sound.
TOKYO Bunka Hoso (JOQR, radio)
io
l.AGrol M.tamorphosls. for low _I. (nor- C..
I'OtIOfl) and tope (l'I'IUIlc originally compc.ed OJ
th...,.. """ie for "EI.ctronla Hour" . radio pro-
gram)
,m
,,,,
TV 1960
"60
1962
Th 1962
1963
1964
''''
TOKYO Electronic Music Studio, Nippon Hoso Kyokai (NHK, radiol
PO (1953) 1956
ltudlo pouett'" (I 6-hock tapa rec:old.r: .t.reo C09i.. aha o...ailabl.
MoJoj', bockgro.md music (TV and In)!\Ot in oHicial lilt
Studio hperllMlnlol rnnic
Mayu;tumi Mu.ic
'0'
dna .... 0 ... ... ,.I.ctad on Ct
ratio principl. of Pf"ima numb.1"I
M4yuwmi Mutic for modulot.d wov.t, 1.I.ct.d
on a I'Otio principle of prime 1W.,.a.1"I
Mayuzumi I" .... ntion for 'quor. .... 0 v., o "d
towtooth wav
Shibata #r.\.tsiqu. coner ... fot 'lwrllOphonic broodCOlr
Mayunlmi + Vari ations
0"
.h. numerical pdn.
..... , ciple of I. v."
_0' th_ mulic No. 1-8 (TV?)
Moyuwmi Aai-no-U.
Indu.try (TV?)
..... ,
ConltrucHon (TV?)
Motoi Stars of Pythogora1 , for chamb.r or-
dlfth'O. choNt, and top.
MiyOlhr Dndl" fOt" orcJ,ntl'O. female chon.., na, -
I'Oton and tapa
S, '954
C
'"''
C
,."
1955
1955
C 19,.
'"
'956-57
C 1951
'"
19.581
'"
19581
C 1959
C' 1959
22'30'"
7'
,.'
2"
""1 21
'0'
32'

J'20"
S'
"
S'
20'
",
(1'-2')
27'30"
"1
"1
26'SO"
'10"
"-
n....r .....
'-
-" .. -
...,...-
Campanology
......
Ennl", Melody (TV?)
o"T
......
A r.d COCoon. fot chamb.r Ot"c:n..hu,
dtaNI ......... pan.... I ... , slid. ord fil ...
proIe.ion and tape
.....
Wo v and 'Iut. , fornorrGtfon. cho-
"". 0IrCIh.". and ta,.
-..
Ato.rc 'ow.r (TV?)
Studto
EI.Ch'ofIic __ Ic for broodco"
....,10
UftCH1aln
-..
A 10"11, 10"11 way ahead (OI.longe
Ionge S ...... long), for nDmItor, cho.r or-
c:n.. ..... choir and tape
..... ,
Er.ctrle .... a ... u (TV?)
..... ,
Sat.llit. (TV?)
-..
M..lc (3 o.u ...... )
......
YOfl'lol'llloa JoponaM l ... ndeL
-..
Vadet'
T ......... ' PhonollelU. for 12 inu",,.,,,, ond tape
T_
Day.
Idtl)Ol"lGgi Porall.1 Mu.lc
5;...
Sakolr."
To&!ohoVli
l'Olftbili"". de. Liml,.s (l ..
c) Anro..in Attaud)
o"T
T __ U.,
Ie a ( .....e). far piono. orc:n..1'10 and tope
y-
Nadia "01".
'''''-
Invlration to tl .. dorll, 'or ""nation.
tTGdltlanol ina,,",,_/'I" ond
y-
Projection E"fI'Iplo,tlc
Tron,I./'I' '6.
M"",
Olv."i ..... nto, for j"'M.lmenl'lond tape
Moy1.Iw ....i
Olympic Campanology
'.
..... ,
KUioOirCt fMuthroc:wN). for 2 voic ... and
.I.ch'onic IQIndi
Studio
Th. Japon ... W;nt.r, rOC' nGnaton, 01'-
dwttrQ and tape
Icf,i yonogl
K0
............ Thr HYIII"1 for t op
..... ,
Phaeton , 100 nGnation, voie ... 0I'cn..1TO
0",,_
Ishii
Homan (1ipof.). for 1" i ... trumenf'l ord lope
todchouten Telemusilr:
S"""''-- . 01 0, RI, ein Meladj.i,..rrumen,..,Ad Mag_
-ropIooo-.
Venion lar Fla,.

y-
Com.t Il.;e"o, forvoicn, i,..hvmennond
P
- y-
I eon - on .... source 01 whiPw noi ..
OnT ''i.11011o
'960
-- -
- -
C 1959
'"
I,"?
C+ 1960
C+
"60
'"
196O?

1960
C+ 1960-61
'"
19617
'"
19611
TV1 1961
0 1962
C 1962
C+ 1962
C 1962?
C 1962
TV 1963
C 1963
C+ 1963

1963
C+ 19..
C , ...
C ....
C , . .-
C 1 5n ....
C
"64
C+ 19..
C
"65
C .. 65
O
'.65
C
"65
C 19..
C' , ...
C' , ...
C 1967
""'"
-.
0. ...... T_
'0'
,
"1
,
28'
,
.."
,
1'1 ,
0' 2
..,.
2
1'1 ,
"1
,
3><2'
,
20' ".,
7'10-
,
9'2S'
,
1 11
9"0"
,
.'05"
,
9"-10' 4.,
22' 2
50'
,
20'
,
7'3S- ,
22' W2
'0'
,
3' 41'2
20' 2
30' 2
50'
,
44'35"
,
40' 2
9'SO" 2
17'2 .... SI'2
II' 2do
IS' 2do
,.,
2
'2'30" '1'2
N.PI'ON '29
-..
- --.... -
-
- T_ 0000n
Pet
-
ftOt in oIf. r
\
not ill oIf. I
not in off. I
<RC P
P.,
Prl,,11011o
'.65
NG, liE
liE
NG,
NG,
'rDlIll:lIOo
19..
I
11
I,
I
I
I
!
I
/I
. ,
130 NIPPON
C_poIiteur
C.......-
Titr. eM roeuwe
Titt. of ..... wOrk
TOKYO (Kenjiro Ezaki)
PP 196 7 ltudio urMhr eomtNction
TOKYO Hibiya High School
io
Niikuni
Nllkuni Fragm.nt
TOKYO King Record Company (KRC)
io
1ht Worlds, for orehfttroarw:l tope
TOKYO Kosei Nenkin Hall
10
TOmllll'lO Rin". (M.t.mPlyeholtt), for tape arw:l ."iwol
.Ie""',,"
TOKYO (Takehisa Kosugi)
III
KOtugi
'll
KOIugi
Micro I. forl!"llcrophon.
..4.",ho109Y No.8
TOKYO Nichei Ei (film)
io
I
Th. document of the long ...,hl,.
Il ne
C
C
-
-- -
-
I I I
,...,
.. P ..
"65
7' P ..
"59 21 'SO"
, ... 3><2
c 1961 7'30"
''''
C "63 lS'OO"
C "62
~ ntr..r ......
C_ Titte .......
TOKYO (Seiichi Niikuni)
ip
NlrIa.wIl PI.e. Po
NTtIcunI O"ftG(AWOI'I'Dft)
NI"","I Plee.9
NI11N,,1 Piece KI
TOKYO Nippon Education Television (NET)
io
Po.", '0' TV
TOKYO Nippon Hoso Kyokai (NHK, radio) (?)
io
MDyu%Umi xvz
...,.. ..... ,
TOKYO Nissei Theatre
io
Akiya.na Mutic for 1+1. opening J,o..., of rn. Niuei The-
alT., ...ilto! lculp ....,..
TOKYO lJyunosuke Okuyama)
PP 1966 --' ' .... 5 ......
Idliyanog' Spa c., rot 2 p5anol (el.ch'onic .... "ion .... itt-.
2 OIcillaton; and modvlatof'l)
leM)'Or'IOV1 Aldo
Idllyonogl $ltllo,lo", rotvloltn, con,rooobow, bi...a
h h'ingec:! j"'tVfMnt), koto. piano and doubl.r
<.. cial modulcltcr)
.tJd)'G1rICI Env1ron""."tol Mecho" lcal Orch.s-
'ra No. I ~ .... It+. lOpe (electronic '"",-fonna-
'Ion of e.wll'Ol'lfl'lental sound.)
--
_n
C
C
C
s.
C'
fh
C'
s.
- ""''''
-
0. .....
"63
",...
"63 3 " ~ "
"63 2'lrr
"63 3',rr
TV '960
.'
"5) 13'20"
,.,.
1955
"63 32'
, ... Ind
I." SO'
19..
.'
, ... ;nd
-.
T.-
2'"
2'"
;nd
(1""
NIPPON 131
-..as
_ ...... -
DIoc T_ 0Ih0n
p-
P-
P ..
p-
P ..
-
-
(or JOOI:
radio?)
Sc:u rln Sage .....
132 NIPPON
C.....- TtfN de roeuw.
eo..,o- Ti... of the WCHtc
IcM)"Onovi llltusic for environm.nl'Ol ,itvatlon (for Matlu)'G
Deportment Store in Tokyo), for OIclllatoft
controU.d by ol Ph.
wlPh kin.tlc sculptu,..
TOKYO (Roger Reynolds}
ip
hynolch E.hn.lon of Man (onfb:t .... rittenond
read by Il,Icklft'","", Full.r)
TOKYO (Ezra Sims}
ip
-
""""""
Sn
C
Si,... Tap. Imp,clld.o,lon for Ichiyono;' C
Tothl
TOKYO Sogetsu Art Center
PP 1960-66 tnO....d to Okuyorno private dud!o
.... .....
....
"'"""""
19..
'''''
19.. 12'00-
1963
no ftotn Tok.",il'W (mony otn.r short CIOf"IPCI'itiOl"lf ); all oPh., d.tail, from individual compoMl"I
-
T<oro
''''
Group Ol'lgOku C Music): coll.c'i .... COtnpalition by Tak.hiso iCOIUSIi, Mizuno, Chielto Shiomi, Miltia Tojin'IQ,
Yosuroo Tone, G.
""'yclI"O HI h. 19 (A,oon .. 19), ror ting.n, 5 per- C+ 1960 20'
and tope
Tolt.."i"", Wote, Mutic C 1960 9'45 27
Aklyon'IQ 2 hilt; no lan"'o {2nadce,..n 1960 20'
y- A no U. ( """tqI.i. f,..., Noh) C 1961 27'
Metopla'lft 8 -1 5 , lot improYlling iNtN C+ 1961 12'45 1
men" (vIolin, 2 cellI. 2 pi
01101, guitar) ord tapes
fokohalhl rim. 1962 S'
Ic:hlyonogi Music f., Tingu.ly (baI.d on ,ounds Sn 1963 93S
f,om Tinguely sculptures)
Akiyama I.hi n. Uta (Mullc: of Ph. 5 ton.) C / f 1963 28'
Ichiyono,,1 M be 'u re (bos.d on tcurdi from T1nguely C / F 1963 I.'
lculptu,": fot fiI", "Tingu.ly in
Akiyama Klua"'.n n. tame no ongoltv ( Mu.ic Sn 1963 30'
fOt Coff.eo..- I)
y- o., -. womon coll.d "E n" 1963 .co
Akiyomo Music for the opening .how of the Nlnei The- S, 1963 32'
afT9. wit+! lculpluN
Ichiyonagl life Music, fot' ..... ne.I. (1964) or o,dlet- C 19.. 25' 10-
tro (1966) ond tape, wim or without electronic
\CUrd breake,
fok.",jhu iCwaldan 19.. (1"')
-..
D......... A...
Obc T_

NiV'"
SpO
MiG


NiV P
N'V
Nll'PON 133
-
-
'--
.... ,--.
'-'-
.... o..i. -.
_II
-
eo..,o-
_ .... -
f--. .... ........ , ...... "'- .... A_
-
010< T_ ""*'
Akiyowm tkoi no to",. no G"gaku (Mu.ic: fOt S, 19.. 30' 1
... ting; fot rn. ret'lng QIIIrd.n fot the ath I ....
'n the Tokyo Olympic Gamn), wit+. sculp"''''
IcM)'GnOVi Fu.,akakl,llhl, ""'itftlculptu,. Cis" 19.. 12' 2 S ...
Aki,- Shaltuji .,a to",. no onvakl,l (Music. 5, 19.. 30' 1
for Eating: fat 1M bu"'" for me othl.tel in
the Olr-.ic Go.t.s)
'ch_'
MAic few ,,,,... If'OM'Ienlllll tftuatlan (for lalco- Sn 19..
.""
12'"
"...tIu Gty)# few OIIc.iliotoft; conholled by pho-
toc.elh, wit+. .culptut.
Aki)GNI Tonari "0 Yoro M:Jn nexrdoor) F 1965 15' 1
'c:M)'OI"IOVi Ml,llic for S,rJ.,V' No.2 (OM violin) C 19 .. 10' I .. T .. . ..
with Stonza, (one cortridg. violin ..... Im
orr.pliOcotlon)
Tak",l.., Tonln no Kao (levl..ag.d'unoutT.)
,
1966? IS' 1
(100')
Idli)OlGll Man (Gote)
'"
19.. 45' 1
--- --
-
TOKYO Sony Corporation
io
fonMd -JiU"" Kobo" (Exptri .... ntal lobocotory)
pGMibl.,. afso ... COI'I'IpOtitior. by I(ozuo FuI.:""hltftO, HlroyoJ,j Su:l:uIocl
AoI!:i,..- Toro .. a,. no 0","0 (lWIpC'iMned WOfI'D'I) C 1951 23'
. -
1...
Alri."o- "T.c. I C 19!i1 10'
"-
I ...
y- l'E,pu"u G<:inz6. wIPh,lid. C 19'" 10'
proiectl_
y- Anoth., World (Tal.. o,m. "Unknown
19'" IS'
World-), wim tUde FWOi.c:ti.,..
Tokemil'lU It.lief Stotiql,l. 19541 5'5.5-
U""
fak.",itw Vocoli,", AI C 19.55? 3'SO' NiV.
UnR
fok.",il'lu Eurydic.
- L. Mort C 19S6? "010" Un'
t+,. foUowi!!i at to ,ludio
TGil:elftiflu Oialo"l,I. 19581
TGkemil'lU San. Tit,e 19581 1'SO'
ro&.:_iflu 5 Ity, lio"., D.orh 19se 3'20"
TaIc_itw Electronic Mutic f Tokyo Muteum of Mod.m Sn 19601
...
rln TIS
TOKYO (Akimichi Takeda}
ip
"i,. Nln.1
, ...... (--... COIftpOIItI.,.. tine. 1961)
K'*'9i Monodho,mo .... i th Tok.do
'.
for illt- C+ 1961 10'20" hI
pnwiling i,..tyumen" Iviolin. piano, guitar)
.........
Kowgi Manodhotmo with To !o:eda II , f., C' 1961 14'15" hI
il'l'lfHUvning i,..tn.", .. nl'l (alto wxophorl., clo,-
irwt) and IOp4"I
134 NIPPON
TOKYO (Mikio Toiimal

Tojil'l'G
TOKYO Tokyo Broadcasting Station (TBS = Radio Tokyo. JOKRI
io
v .... Kljo ga fuchl - ..... 10 e

.41<1,-- Ishl no Uta (MwticofeheS ...... ) e
TOKYO (Y dsunao Tone 'I
ip ('I
r .... Numb.rt e
r .... COrt .... rlCJ'ron e
,_.
Costum. e
, .... Warortin e
,_.
PiCJno Sound ... i tk rap. e
TOKYO University of Arts
io
I(cwgi MCJno-dhCJrmo I. fof'impto ...ilinvi,..tru- C'"
menPl ( ... iolln. plol"O. CJlto taaophOl"t.,
clCJrinet) orc!
TOKYO luntracedl
Akul'CJgawo Mulic: for Microphon.
Fukushima A butterfly it not ct Ipider. poetic C
dtOfN:l fOf r.citotiOl"t orc! concrete lI"U1ic
TOKYO luntrJcedl
10 1'1
011.0 oth.r by Tomano
TCJlnOnCJ
Tomano
I
Pi.c. for el.ctronic mUlic No . 1
I< CJ b. (Woll), poetft ..,ith concrete music
19"
1963
19611
19611
19611
1961 ?
19611
1961
19561
1959
1959
19661
'7'
28'
10'15"
'0'00"
rl"Sop'"
11
11
1 ?
11
11
2.01
10k
NORGE
c __
Tltre.r--.
C_ Ti ... of ........
OSLO Norsk Rlksknngkastlng (NRK)
io
_ .......
"Th. r.mp '-
_I_
Ka ,hort r , otch.t?a and tope
_I_
Epl toffla, pM orcft.tN. t'lGlWo mognetlco
Nordl\eiM Favola i" MUllcct. , yoicet. Otchettl"ll
and_
OSLO SA ABC Film
OSLO (untracedl
In Moe",.hl"."
SANDEFJORD (Alfred Janson)
ip I
Solkong." (Th. Solcony)
Jo,.OI"t (film on Sig\lrd Winge)
)0 ...."" Ide"tlh"kor'et fnl. Identity Cord)
--
""""""
Th
e+
- TV
135
0...
""'"
-.
-..
......
0... ",,""",n , ...... Dhque Iartdt AutNI
......
0I0c ,_ 0Ih0n
19611 rlnSA A&C
1962 SO' 11 Hon
1963 5'27" 11 Hon
(11')
19641 11 Hon
19611 rl" ,...K
1964?
196.51
'9661
19661
136
Titre. rONl'N
Title of th. work
OSTERREICH
GRAZ Inslitul fu, Elektronische Musik. fu, Musik und darstellende Kunst in (Saz
PO 1966 (?)
rtO ;nfom"lOtion ,..ceived
SALZBURG Radio Salzburg
io
Spiel 101m Job
Rodouer
19'"
20'
,.,9
'S'
SALZBURG Studio fu, Elektronische Musik, Akademie fur Musik und darstellende Kunst "Mozarteum"
PO (1958) 1960-63
Itodaue, FaUlt I
Rodou., 1(0 II igroph i. (flllit Grophik d" Kompo-
ni.ten)
".,.,.6'"
O,tl.,oto
Loaonay Ailiage
Etude 0 chu .. : PS
1Noo"
Studr.
".,.,.6", F rmv'
Rodou.t clalr-oblev,.
StOcle fOr !Clavier vnd
Siotnouw., 2 Stvdien
Hon-Otn
Lo.onct.y .. Collag.
Rodou.r
WIEN (Roman Haubenstock-Ramati)
ip
OhA_ Datum
ronband
n.
'96'
'2'
C '961
8 ....
e 1'61 "'10"
C 1'61 S'5O"
e 1961 4'10"
e 1961 2'''5
e
'96'
".".
"6'
7'1.5-
C- 1962 12'00"'
e 1962 6'30"
e '962 7')0-
' 962 40'
WIEN Studio fu, Elektronische Musik, Staatsakademie fur Musik und darstellende Kunst
PO 1960 (?)
no information ... ceived
I Eln Zwltch.,upl.1 o
I '9601 I
p",
P.t
I
StudlO
vncettaln
'-
n....r ......
C_ mt.oI ... --.
logot+..tk Fonto,,,,a'o (GhoIts)
G ...... I(onj",go'ionen, Op.l0
Kahowoz Mega I yle
C""'" SpIel_I V, ,.TonbondundOrdt .. ter
Z ..... S'n,er, N4h",olchlne lit die b t.
(Of*' oder Ode ocf., o,.mo6e in .I.ben
T.U.,.)
WI EN (unbekannt)
FO-'-Mo_,I-Onen._Rtr 10fCard
(1)
-
....
""""""
....
a 1960-61
Ci a '962-63
C 19631
C+ 1963-64
0 19661
- TV 19641
OmRRE'CH 137
Ow:' -.
-..
......
"'-"'"
T .....
0...,. .... AYhI
......
1M< T_ Othon
20'
,
Mod
9'10"
,
S" Mod
1 1 Shodlo
uncertain
9'10" 1 UE
30'1 1 Studio
uncenail'l
138 PI LlPINES
MANI LA Blue Bamboo Studio, The Poetry Club of Manila
PP 1959 1959
Medolla NII,. ... ,ology
Anti.yntclJI
"""
"""
1959
1959
29'
20'
c_

'-
nt1o"' .... _
KRAK6w (pas d'autres informations)
(1........ ) .. Od.,,, ....
WARSZAWA "Equipe Rytm"
io
WARSZAWA "Films-Documentaires"
io
"S.,vltor. dl du. padron'"
POLSKA
-
--
"'
WARSZAWA Studio Eksperymentalne, Polskie Radio
PO 1957
....
"""
-
00 ..
-
,-
1958
105'
01"- tis,. JI .. t "".cPion: .11. ... que 10 rnoitll de 10 productiOll totol. du If\.dlo. L. a..IW'ft,
dor.t I.. du,,", 50ftt ow flg.,ll'9flt pot. doni 10 list. envoy par I. ,JUdio, moil Ie PToYwnt par CI'Itr. doni
I. au IOftr ... 1: ble." COfV'IuiM
EwngelilPi
I(o_ki
lCotoiliki
Parka .. ;
Szlifi"lti
Oobrowohld
Pork_lei
SzlHiI"lKi
Szll"nici
Oobrowoldtj

Alba rybka (Cubi ... I. pt'lit poillon)
Opowl.i': pr.wie 0 leoneu i_loto
(U.. hhtoi,. de 10 fln du rIIOnd.)
Spoce,.1e ItOfO ';.j,ki (Un.- ptOlMrode
& tl"Own 10 ... 111. onei .",.)
Compi int.gro tf ' oe\,I.".. iroch- ..... )
M;l czqco g ... iol.do (UM .roil.,iI."d ....

NOloroh; (RhinoUrotl
Et;",do no i_dna ud.r2:."i .., ta-
I.,.r. ( Etude pour "" -..1 coup th
Wynolo k ('-"'- .ft.... Mionl
Nowy Jon_o M"'lykon' (Jeonnot I.
"""iei.n)
We,HIJ9 rozkfod", i eJl-dy ( O'oprk 1' 1\0.
roire)
PeJlloceJOlio no 40 I 5
Koneer, .... ow. hki (LH eloch .. dlJ
Ct-oa'eou de Wo_1)
Ozielny io.tnierlylr (Unbro .... pe.it
""Idat)
Kwiotuuek (Une peti,. n.."rette)
Noe perno zolrlofonow ( Lo l"AIi, pleine
d. IOXopt,oneS)
1I0zylill.k
c
c
c
c
1958
TV 1958
0-1; 1958
1959
1959
1959
Th 1960
1960
19601
8'
ind, min
5'
<0'
21'
2'","
1960 1]2'0"
1960? 6'
1960 )'30"
1960 19'
rv 19601
1961 5'05"
TV 1961?
Th 1961?
19611
1961 10'
139
----
-
"- ..... -
-
"'" '''' Othon
z PWM
"'P
140 POlSKA
MarltoW5lti
Wiszni.Wlki
Kotor1ski
P.nd.recki
Winni.Wllti
Wiuni.Wllti
Wisz"i.Wlki
PatlloWlk; to
Iludni.-
Ifi"";
Winni.""",lti

KotoNlti
Markowski

Wilzni.wski
Mazur.k ..
Potltowdc.i

Sikonki
MarlloWlki
Kotomki
P ..-d.redci
PotltoW\ki ...
S1:lifinki
Rudnik
PotltoW\ki ..
Szlifinki
Mazurek
TUr\ki
Winni ....dti
Pend. r.cki
PoHt.oWlki ..

Pend.reck;
Dobrowol ski
P.nderecki
Rudnik
Nosoroiec (Rhinoceros)
Th
Kilko l"I'Iinut
I.adac%nico 1: zasodami (La pula'" rfl-
peCN.US. )
Musica cin.motagrafico
Scyzorylo: (MoNi.urConir)
Igrolzki (Ploi50nhlrilnl
Wiellto 9ro .... Elz.nb.fg
Db. Hz , S
Szochy
0-... u_u! e..J toi e..cJ. P P R
c
c
3 postl"dia el.ctrone C
l it.to (La r.ttre)
Muzyka no tos",,, rno"n.rofono ..... q C
nt. 1 pour band. mognoitique No.1)
lobirynt
Mat. r io
Mikrostruktury c
Suriukll
c
Nod Totrom;
Echo II (quo,i impfovvitozionel . NlI-4 C"
fortepionOw, i 10"", ItOgnetofonowq
D; abty (In diabl.,)
Fot.1 (I.e ro...teil )
Mota-gal
"'nt yf on y , no \ op"'", to""" n'IOQnetofonowq, C
fOf'tepion. fOg (cor). dzwony (doch., ), 2
gongi i 2 IumPO""y
8rygodo imierci (Irigadedelo....art)
Poi .dyn.k 11.. du.l )
Docent Homml.r
II: 0 Z m 0 wa (Un. conwnotion)
Mokbet
praco
$ wiotto i d r wi tk (l.sonetla lu",iere)
Mo 10 ru "dons cy (l. peintres d. GdaNk
Komu bije d:cwon (Fcw ......omtflebell
toll.)
c
Th
Muzyko no mognetofono_q i C"
ob 6 j
Font01",olkop, no orkintr. katnelGll'\OO;
IaSmt It'Ognetofonowq
AII.gro ... i ... ac.
19611
1961
1961
1961
1961
1961
1962
1962
1962
1962
1962
1962
1962
1962
1962
1'62
191>3
1.1>3
1'1>3
1'1>3
191>3
191>3
19603
191>3
1'1>3
19..
19..
Th 19"
1'"
1."
19"
1."
Th 19 ..
1.bS
19b5
19b5
19b5
"SO"
7'35"
7'35"
7'
7'07"
B'SO"
2'54"
7'
7'30"
3'10"
5'
5'43"
lB'
9'30"
5'20"
I''''''
7'30"
13'42"
6'
6'
10'
9'27'"
30'
6'3'"
9'45"
10'
15'20"
15' 30"
10'
12'
19'
14'
9'00"
26'
B'
7'
L
PWM
r.-.,
Mu,
PWM
PWM
Muz+ rwM
Mu,

Szlifirdd
Rudnik
Rudnik
Rudnik
Rudnik
Schalff... a
Schaff., I
SchIlff.r I
Rudnik
Rloldnilc
-
ho.ob bycio
Colloge
Korz.en
S ),mronio
W)'kte, (l.diogrolnfM)
Anembloge I
Asumblage II
Alutflblog. III
Poiegnonie z Moriq
00173
Ni.ba bu: ,.f'ofica
EI.ktrofuko studija nt . l
Nuit blanche (telllte d'Artaud)
HI .. lo Joy Hank
c
c
c
c
c
c
c
c
WARSZAWA (pas retrouve : peut-etre a Polskie Radio)
MotlcO'oOftlti "l., A,tranaut.,
".nd.... dl Ubu Itoi
WaladNlcI Canlono, pour ... iolonc.ll., piono.tbarde C'"
movn6t ique
POlSKA 101
19b5 23'
19b5 S'
19b5 3'
Th 19b5
1965-66 17' 40"
1966 2'
'966 8'30"
1966 18'04"
1966 4'13"
TV 1966
1966 8'
1966 29'
---
1966 4' 11
1966
1967 5'13"
1959
Th 19..
19.. E.M.?
no 1966
1966?
LISBOA Juventude Musical Portuguesa
ip
V.rio Coincident.
PORTUGAL
-- .-
Doto
Doto
1963 H)'

c __
n.r. de r ..........
c........- Tht.oftM_1c
Electrecord (records)
io
(mulle for fil". and TV sine. 1965)
ROMINrA
-"
PvftCtion
-Th. Man who L.a,' his Hwmonlty-
"Television Roumaine"
io
HrbOn ___ A..c_te p_ou-,- un .hOmme .e_1I I-
Doto "",I,
"-
.-..as
Doto Dul'l:lti o" T-u
DIoquo .........
""' T_ 00I00n
1965
1<3
-
-
, ..
EESTI (ESTONSKAJA)
I
TALLINN "Radio Estonskaia"
io
po"
{titl. tomknownl
ROSSIJSKAJA
KIJEV {V,taly Godliatskyl
'i>
GadziahkJ' ". Stud I."":
.. Anti pill nafort."
LENINGRAD luntrJcedl
c
c
c
c
TV '962
r
,964 '1
,964 11
'964
"
'964
"
19bJ?
"
MOSKVA Eksperllnental ' naya Stur11Ya elektro nnOI mUlyki . MU/el A ,N SkryJblna
PO 1195711961
... aho "5y"" ard "Pr. " (Snolpo)
A,'em' .... M.tcht. no vltr.enu (M .. ting the 0
1961
",t.",,' ....... V ko,mo .. (Co"""c Spac.e)
1961
K,.id!i
Neftl,l" Sl'uy (Teon)
C 1961?
IC r. ichi O'golosolo: Vo,toka (Eeno of,.... Ea,' )
1961 ?
Nemtin G r ol k
1961 ?
Afhlm'e ... Z vez.dnyi nok ty ", r n ( StoffY NoCl'l.lme) C 1961 ?
Kreichi
No oldykh. (Tokil"ga lnr) C 19611
Vol "
kan,.rrny; (Cancer,Woltz) C '964
K,.ichi
Se ... unaya pelnyo (Northern Song) C '964
N....,tl"
1",.,,,,_%10 konter,noy. (Coneeft C '964
Intenneuo)
Art.",' .... E1)'l,Id
C '964
K,.iehi P,.lyudiya C '964
Vo!kon,ky (titl. unknown)
19657
Metnchoninov (titl. unknown)
1965?
Nlkol',ky (titl. IIfIknown)
1965?
nol in off. lid
"ot in off. lilt
not in off. list
r ..... r .....
MOSKVA 'Andre, Volkonskyl
'I'
VoikONky
VoIkcnky
"Moscow Ti""."
MOSKVA l untracedl
(uNcno ....") "Th. Fourth "
......
--
.........
n.
n.
sssa 145
19631
19631
1961
'46 SOUTH AFRICA / SUIO-AFRIKA
""'"
""'"
JOHANNESBURG South African Broadcasting Corporation (SABC)
10
......... A,t.rlo" 0-1 '957 75'
KENHAROT Centre for Experimental Music I Sentrum vir Eksperimentele Musiek
PP 1966 PI
SUOMI

c_
TltNdet'MUWN
'-
""'"
0..10 ,,-
- .. ....... '-
'nit. 01 ... work
'-'-
""'"
-
T""" ............ - .......
"'" T_ 0If00n
HELSINKI ElectrOniC MusIc StUdiO, Helslngln YlloPPlsto (Helsinki University)
PO 1962
0...-
Kolnl ko"oo
"62 5'
0...-
Ideogrom",_ I. flrfl.:t't,ldorIMtt, tnMt- e.
"62 5'011" 2>2
boft., .!at ....dc ....... frorI." radl0-0pp0t0'" .11
bond
Kurenni ... d
On-Off
I .,
13'
0...-
IdeollfO"''''.
bond..-Iore
II. for 20 """ik., oxh en C> 19., .'50"
Salmenhao.a
Whir. lott.,
".,
5'
K"ur.nnI_1
Ein-Aw'
e , ...
7'4$"
Rob. Elm",.
e I ... 1'00"
not 'n oft lilt
....
Surf;_ (5 ..... ". e
" ..
4'CO" I - not 'n oft tr.t
HE LSINK I Electronic Music Studio, Oy. Yleisradio Ab. (Finnish Broadcasting Company)
'01195911960
VlIONnjuurl " Du .Ie&no .,a ..,6t1d"
Joha"llOl'l.
Kolma .I.k,ronlsto "'orjo;,.llIIoo
( n..rH EI.ctronrc Stvc:ll.. )
Jy,.ta;,.." SoYnd, I
Jy..-tal ...." Sound. 2
Jync:ilifloen
IdiopoIHc 1
Ie"""i.,., li,",o ocuHic Q
"
M.rilei ...." Eros ja Plykh. {fro. and P,ycn.l
, . ~
O'e,de" om I J. F.bruar 194.5
Jilmo Eli. Eli. lomo olClphroni, fUr Hom.
C.llo, Klovi., und Tonboncl
Jilmo
III" ... a"d O.oth
H.litt6
Piono"vlritt&j&" vopoopiliv8 (F,...
doy 0' 0 plortO Nne,)
Jynd8iMn Sound, J
JyrkialIM"
Idiopo,tic 2 CMw ... ",ior'lo' '' 'diopoitic 1"
HELSINKI Illkka Kuusisto)
'Il
Kuu1i.to
Torvo "5"
1959
rtO' in of(li.r
"60 0' 08"
C
"., "00"
e
".,
7'20"
C
""
9'IS"
C
".,
3'<0"
""
20'00"
I ... 10'10"
C- , ...
"".5"
C , ...
2'''5''
I ... 21'/5"
s. I ... l .. 'SO-
C
""
9')0"
I ...
HELSINKI (Tauno Marttinen: perhaps at Oy. Yleisradio Ab.)
i o (1)
Th. I.t Is" C
HE LSINKI IKari Rydman)
ip
.,..- "KHlc o I Lappland" C / F
HELSINKI IErkki Salmenhaara)
Koru.rtro kahd.ll. Joolo"'h,lulle c
jo Icol",ttlmill. (C-rnt for two $010
viall,. ond laudspeolcen.: .irn contoc.t Ifticro-
pMnM. ol'l'lplifi." and
Po n i 0 Ie (I' Ie u (Po" a .... tf\e Echo) for C
c:uMi_ (wiriol ond Qlflplin.") and
lowdapeoke"
19.. 11
19.. 9'10"
.,
1963 7'30" 2'"
"63 2'"
SVERIGE
GOTEBORG IBruno Epstein)
'll
at preMnt abrocxl. cdd,.. urWnoWl"t
(,.te'n II
ElSoy I
C 19561
E,. .. in.
1I0y II
C 19S71
EpI .. in a
fllayll'
C 1957?
flllNi" II
EUGY IV
C 19571
STOCKHOLM (Jan Bark)
Ii>
.....
Eleo, IIt'PJa.ore,. 2 .. "Ik." INflict."" C+ 19621
,..,.11ora1T.. I.doN. dtJtpe5a,., !J ,...,..h:tfOM'
ocn 1ft.. , annat luar.
.....
Gift for Jone1, tlrpianht,t6ngenlca,
C' 19631
publlk, 3 mognetofonH odI elektronlaJe pktno
(fa, rt8l"1QrorwM ''fIIeltatt INd en 1Iat.tt' IftIId
hl.a. fotocell .... ,.",. .lel.:h'ocHr:""ilca hjalp-
""_1)
STOCKHOLM Elektronmusikstudion (EMS), Sveriges Radio (SR)
P011957l 1964
olto woor\ _ith (Ih.dio 10 ha.... a h)'brkl COfnputli,). appendiJil "5),,,"
Ho......
Fro,"tiden (rodio)
I. "57
............
T1dup.g.1
19$758
-......
t.airlon (radIo)
I. ,.,.,
-......
Pou"lgnol f8r TV
I. 1950
.........
(tltt. uniu'C)wn)
19.59
1J10I"d0h1
Mi",obond." ur "Anio,a" CR."",. vom
0 19.59
M.,...dle" in Z.it ul'd Ravm)
(1'57-59)
lOcf!o,alm
Ri t." f&r en.'hor od! Ijudbard
1950
_"'no
II Ca"tlco d.1 Sol., m,,..c!tatlon, olt,
C' 1963
berryton, blondod 1e8r, 10 iNtrul9lentallOliltre"
.. t.r ocft irwp"lncr' bond
W.,I.
Ora"'m." om Tr,'re ..
0 19..
HD...at'Qeut
Till Oomaskul
Th 19.,
Iodl.
Semllco'ortJ S.once 2
I, 19.,
-......
T.trogo"
C 19.,
NilltOn L
Skorpione", en flIdeltdog.gowa till PiCDUO
C / S. 19.,
todin
5e",II(Olon; Sea"ce 1
R, 19.,
HolN:.rG.....
I( 'pel
19.,
LundtN" +
Kaleidasleap
5. I .,

"9
3'54"
"!l5'"
""1
3>011
1'30"
lo.O'SO"
1')0-
0'08"
1'30"
12'30" Ph;
5'" "''01 OanNtodt
100')
30'
UE
20'
STM
20' STM
30'
17'
'"
P ..
I.' Ik
0'
15'
P ..
V'
17'37" 5 ...
1.50 SVU1GE
.-
C_
nh_r""","
""""""
C_
lirie of the wor\
S.m'kolon; S.ance 4
.,
Iodin
Semi.Glo,,; S.ance "(,,.,,101'1 f 1,.-
Icdln
tN_ntol rhea..,.)
uud.te,,+ "Ioho Arlta
NlllfOftl
IodIn
En optltr.tore, 'nllo kundor I ICinG
Lundt"n
EMS Nr.1
Mon...
'n,.naity 6. S
.'Of1'dakl
A,hl,ono,,,
NII.on L
Aurora
W.It"
Mlno. Polot.
Iodin
World Is y'our World, Ferotgel
och band
lu"'"n +
Visiont of the Flylnl Sa.,c."
NUuon L
NII.-on l
Skulpturfftus'lc
STOCKHOLM (Ake Hodell)
ip
Hod.1I
STOCKHOLM (Sengt Emil Johnson)
ip
Slaplcopp.1
STOCKHOLM (Ralph Lundsten)
PP 1959
aClout 20 COft!PO'iti.".. 101M for 0'Wf' fillnl: no inforfl'lCltion reeei.....d
turdste"
Atom.lcymning (Atooft Twilight)
STOCKHOLM (Jan W. Morthenson)
MT
S.
C
C I
C
S.
C+
C-,
S.
C
c
ip
I
Wech""p'ol II, RWsolofl&,jtoch hag- Ie.
talON
"
"
TV
-..
-
"",t,
--
__
-
""'"
""'-
T_
"'" T_ 00h0n
-
1.6S-66 1.' 1
'"
1.65-66 20'

P ..
1.65-66

Sd
1966 10' 1 ...
1'"
14' 1
1'"
S'32" 1
1'"
17'SS" 1
1." a'
1
1 ... 25'

1'"
22'

1." 1 -

1'"
10' 1 S ...
19641 10"
K., , ..
1'65 1" .-
1 ... 3'15'
I 1961
STM
SVUIGE 1.5\
11tIr..r-..
-- -
0..4',
--
--..
c..- ......
'-
ntll.,.....,.
-- -
........ T .....

......
--
An,.IUI, Mr .iogwr4r: oct- f'orOond
............ Colorohlro, fw ItT1"8I, 2 .Iectrlc ""i.",
pia .. and tape
STOCKHOLM Musikhiigskolan (MH)
PO (n 1966
.... TI... World', Mo., Rodla
.... ftythol\
.... Slip' .... I
.... SUpt II
STOCKHOLM (So Nilsson)
ip
Nthion Entr'_. ",-.. .. ,och band (l*iI..tby
Kort-Erflc w.n,.)
STOCKHOLM (Staffan Ollon)
ip
'ioll'lro l ",.d ",j"o ''!glla, (OitCUMion
.. It+. my binh)
STOCKHOLM (Folke Rabe)
ip
....
....
20th Cen,",., Jorl Tribut
lei lieu" of ric oj,,.,
C+
C+
C
C
C
C
C
S.
1961
1'42
1 ...
1."
1'67
1967
""
I ...
1'"
1 1
1 1
V'
2'00"
3'CS'
3'05'
6'30" 11
"10"
STOCKHOLM Stockholmstudion fo, Elektronisk Musik. ABF-huset (Fylkingen + ABF)
PO 1960-64
studies (Wi .. ,,); ,.. olM) Mr.nilunodtin I (app.ndhc "5001")
-
1.52 SVElIGE
STOCKHOLM Sveriges Radio (SR)
io
Fahlstr&.!
..... Man"." sa," IV.fga.., bilaf (TIM Man
who Abardan.d eo .. )
VASTRA f'.ROLUNDA (SvenEJik Johanson)
ip (11
Th. Ho -T, ..... FIr ... zzo,
violin_ viola, Iclarlnett, plol'lO ach
VASTRA FROLUNDA (Rune Lindblad)
ip
Lirdblad dad
Llndblod Frag"u"t 0
lirdblod Frag,"ent 1
lirdblad Frag,".l"It 2
Urdblod Sateliit 60
Llrdblad Satell it 60 (&htened .,. .. ion)
Llndblod Sfll,
(untracedl
--
-
C+
C
C
C
C
C
C
C
0. ..
0. ..
19601
196$--67 '8'
1962
19S<
"M"
1955
"00"
1955 12'09"'
1956 16'12"
19S6-S7 18'
19SO' 7'
,.'
19601
.-
PaS
n"..,. ......
'- r .... of .. wwt
ANKARA Radio Ankara
io
.....
TURKIYE
-... Dato
"- Dato
19SO'
1$3
Ow'"
-
-..
........... r ......
--..........
-
DIoc r_ 0Ih0n
-
,,,,
1$4 UNITED KINGDOM (UK)
ENGLAND
ADWICK High School
PO ,tudlo plonned For 1968 (Coaper)
I
CAMBRIDGE (Roberto Gerhard)
PP (1954) 1 958
,..alfzotiont at m. BBC Rodiophonic: Wo,luhop pt'"iINWily fit'KIl montov-
G.rhard
G.rhard
G.rhard
C.rnal'd
G.rhard
G.rhard
Gerhard
G.rhard
G.rhard
G.rhord
Gerhard
G.rhard
G.rhard
Gerhard
Th. P,I,o"e, Iopel
King l.eor (cna,.., __ I.or"dtope)
A. Leo.k_ ln the U"i .... , .. (chamber en-
.....
Th. Stronll. Country
'.,lcl., 10".)
All Aboard
Your SkI"
Asylum Dia ry
Coriolonv'
LOrtl_"' 01"1 th. Oeath of Q 8..,11-
figh ter
Collogel, f(HOC'c;M.hOord fa".
Th. ..c.I.ondfQ'"
Th. Cherry Orchard (cnorre.r ..... "OI.
and fape)
Co I, 91,1 I a (charre., -.,nbl. ond lope)
Coligula (bo.i on Ih.abo"e)
Mocb.,h (charrb.,.,..,.,aleondl'Ope)
Scu I "tur. I
Audiomobil. 2 ONA (originollyforfilm
"DNA in R.flectionR 1963)
Excarp'" From "ONA in 1I.I1.ctlon"
Th. An".r of Achill., (orch."!'Qond
.... )
Sculptur. IIV
CHAPE L THORPE I WAKEFIELD (Roy Cooper)
PP(1963) 1965
c .... ' I untitled (,hort dramatic Ic-.ario)
Coop.r .. unthl.d
INdY;fOUP
19,5.4 40'1
195.5 40'1

,.51 2I'W
1958 40'?
1958 S'
1958 5'
19.59 75'
Th 19.59 40'1
19.59
1960 19'
1961 IS'
1961 40'?
1961 1.5'
c 1961 6'
Th 1962 40'1
c 196J .4'IB"
c / f 19bJ 8'57"
o
19bJ 1100
TV 19604 J'
(112
t ll2
,1" sac
rln SIC
rl" lie
rln IIC
Pri.- ltulia
1965
A Night at the Op.ro .'SGrI.tlu""i.
sc.nario fat 4 .,.,..., hQck, . lighting and

DISS (Tristram Cary)
PP 1963 ....... "-t .......
Co",
Co..,
Co",
Doc to, Who (Seriol " : 7
WOrM Co""ra,t
Doctor Who (S..... '0"': 7
Ooy'l,hr .0 . ,,.
I. Vo, "tHo'ln
Th. 1(11/.,
s.
-
"'""
19M--67 IS'
TV 196,)
2S'
10"
TV _ 1964
10"
1964
1964 ."
1964 10"
Co",
Co.,.
Th. Ith),,,,. 01 the FI,i ... , lo",b,'or C+ / I:
two 'IpM6c..... .5 ''''''''-" Iud flOp-.
1'64 211'
Co.,.
Co",
c ..,
c ..,
c ..,
Cor),
La CO"'."o
111".".1 o,.,d Ghosts at t.u W.,t
S.ttl."' .... ,
Til. Pall.",.,
Opu,
Th. Si,.",
Til. Search
Doctor Who (S.r;ol "!E'; 7 epiled ... )
r ... 'Searcll of OltoartV"i'y
f,caloro, Mu,ic:, :Xx)67, 'orOOlCi/.
10'.", (1 ..... 1.. contralled by rhe pawing
JO"uory Pi.ce
Hal' MUlic:, ',ltisfotllDviltonfXP061
The Pa r odi,. Mole.,. 1,.,..,1 in Oepi.
...... )
4 10 M""re de (St1Oped fa,
Li vinv)
FAIRSEAT I WROTHAM Oramics Studio
PP 1959
TV
TV
TV
s.
St
s.
TV
196$ IS'
1'6$ 10"
"6$ 55'
1'66
"
1'66 S'
1966 7'
1'66 7'
1'66 3'
1'66 IS'
1'66
1966 ;nd
1967 ]']0"
1964--67 2S'
1967 S'30"
1'67 .'OS"
1'67 19'
1'67 S'
Sdo
01110 O"""iQ grapftic IGMd INdies r .. potri ....... tra,ltudi-cs 196$.06) For n. .... INdio proj.ct (Je. oppeNti. and TV
COfnfNrciols
I
II irrhriwhr
Til_ r.oStrol.:e E"\1Ii"e
F /1.19 /2S'
1959 23'
UK 15.5
',I
1-
'"
'"

Sou
LEIGH-ON-SEA IJohn Bakerl
ip
alto olk., short (0 tc.)
,01>5 1'2'- LA P ..
Bok.r J
Electfo,wi.t
p ..
'01>5 "25"
LA
&ok.r J

' ..
'91>5
1'205" LA
Boker J
E l ectro-rhythm
'00
0 '91>5
1'2S" lR
Sak., J
EI.ctro,lo ....
-"'"""'"
.,...
Do..
lINTHORPE I MIDDLESBOROUGH Department of Graphic Design, Middlesborough College of Art
PO WOfbftop in proceIIo of b.i",,., up, 'fM'ing 1967
I I I
LONDON IDaevid Allen)
PP 1964
All."
A/I."
All""
Al, ..
All""
Al_
All""
...n ....
4/1.,.
411.,.
Al'""
AIIM
Whot do YOlol won11
51-0. love, me
1M" by .... leatl ..
" 0 t (bosed on "SM
I
.""b.,?
,-
-
M..och1.ft.
.1 SchoolIRo,tlu
You Pufee' W.,d
Th. S .. i ,eh 0
Soft Moehi, ..
No.1
Soft Machi, ..
No.1
Soh Mochhe
No.2
octor
live bocking trock
in'rod",c,o,y toj:te
T",roductory tope

LONDON (The Beatles + Parlophone Records)
ip (+ iol
C '9" '2'
C '9" 3'
C
,,..
11'
F
" ..
HI'
C 1965 3'
C 191>5
.'
C "1>5 I.,.
C 191>5 8'

'9" 30'
C '967
.'
C '967 '0'
C 1967 '0'
C '967
.'
TM &.atl" G1t91 Horrfton. John lennon .. Paul McCartney, Ringo Staff (pop grcuP! C:OIIIIlO'iriON by
McCarm.y. tope por1't by all the group .. ith Geotp Martin)
... rl_ I'," O"ly St p;ng
... rl .. TomorlO_ N .... et Know,
S.attn S rrawb.rry Fi.lch Far.",.r
Seo,I ..
SliP. '.p;J.r', lan.l y I"hartl Club
! Q nd (reCOfd i" pNpGIGtlan)
LONDON (David Bedford)
ip
'9"
2'55"
0
""
2'4'"
, ... 3'58"
"67
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P,I
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Po.
Po.
Po.
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Pop
Pop
Pop
P."
'op
p ..
P."
UK U]
,I
lsa UK
CompolifWvl'
Tin.l'aetI"N
'onctiotl
-
""',.
......
C__
Tirieofthe-'r
'undla,. Dolo 0..00;0. T .....
LONDON John Boyden (Recordings) Ltd.
io
Salz..,do
Th. Tra .... fororchettlOar.d ....
1963 30'
Salz.eda
AIJ,ta"la, for,bcirwtNfMftnorodtupe
I ... 3S'
$alzedo
DIstanc.,. forni,..i,.ttu_nnordtope
C+ "67
12'
LONOON (Patricia Bull + Richard Bunt + Ranulph Glanville)
__ -.ilL
sull ..
8unt ..
lI'IUSic for exhibition
Glanvill.
lull +
Bunt ..
",-"ie fOf .. hibi'lon
GlonvilI.
GIo""II1.
Nona Mer ah Teoy
C
LONDON (William Burroughs)
ip
SurtOUv"'
TO..... f. Op." Fir.
8ulTO.l9M
Call M. Bl,lrrougl" (reodi,. from "Noll.
Lunch". "Th. Soft Modlj,... .. . " f')...a E.press")

St . Vale"tin.', Day
LONDON (Tristram Cary)
PP (1947) 195863 _ved .. Din
Ca",
(e.plrimental ,tudi.,)
Ca",
lh. Japan.,. fi.h.rmon
Ca",
Th. Li ttle ,.Iand
Cory .. Th. Diary of a Modll'lon (5_1.
S.arl.
eo",
ECllt of ,lot. Sun and Wut of ,"'.
M"a"
Ca",
Th. Chlldre" of lir
eo",
Sh.11 - Dream Sound
Ca",
Macb.th (r.vf .d ..._"Iom fOt' th.GtTe 1960
and 1961)
Ca",
Th. End of Fear
s. .. .. 7'
S. I."
23'
I."
3'3'"
Ff 1961-62 II'
C'
1964-65 '0'
C
I.OS 35'
S. 1947-55
I.'" IS'
1958 28'
0 I9sa S'
I."
IS'
I."
30'
I." "3er
1959 20'
,.60 IS'
-..
-
0\IqIM ..... A.......
"'" T 0Ih0n
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L ..
..
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,,.
S ...
c_
n....r...,..
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Ti... 01 .......... ..........
eo", Th. I"f.,nol Moch ine

eo", Solltggto S.
eo", King H.'HY IV Par' I Th
eo", TI\. Wone", of Wool F
Ca", Po ...... , Train F
eo.,. Science and Mlotlic TV
Cooy The SiI.nt PlaYGround F
eo.,. The l
--
L ON DON (Cryil Clouts)
ip
Clau" Ribbo" 1; Now C / 8
LONDON IBob Cobbing + Anna Lockwood)
ip
.. An your childr." 101. in the na?
L.ad.-..d
CabOlng .. Ato Matu"'o MOf'llot'a
1.0<1<_
Cobbing Wor'"
Cabbtl\i lCurrirrurriri
lockwood
Cabbil\i Piece
Lodlwood
LONDON IHugh Davies)
PP ,tvclio to be in optO'Orion 1961
LONDON (Brian Dennis)
if}
C
C
C
C
Melopoeia, cMlri.,..., C..
I\Iba ond tope
Music l or pefCU1l ; On al'ld ro pe (12 C.
plo,.. ... - f_ 1chool childr .... )
MT
UK I,.
-
0.. .. ......
.-..as
-
........ T ......
DIIq.. .... vtNt
- "'" T_ 0Ih0n
-
'.60 20' I
1960 3' I
1961 OS' I
0' I
1962 0' I
1962 30' I
1963 OS' I
'.63 20' I
1 .. -
-
1-- I -
19r66--07 11'30"
I ... 0'47" P ..
19.. 12'45" P ..
I ... I'll " P ..
I ... 2'45" P ..
1%6-61 130')
.'
II'
12'
I
I.OS 11 '30"
I
I.
160 UK
C....".o-
Tl .. ,jera..me ,-
-
Cu," ......
'-..-
Tille of tt.work
,....,;0.
-
Duration T""",
Oennis
a a n go. fot p.rcutllan and tope (any ",,""'r
C+ '9M S'
of ployen f<H .dlool dlildfWI)
Denni.
ExpoMian of a Module, for(optlanal)
C+ 1966-67 2'-20' 15.1
chi_ ban ard lOpe
LONDON (Michael Dress)
ip
0_ Exit ,h. ICing
1963 II)'--
- ",.. Electro
Th fj" 13'
0_ Iph i genia i" lauri.
Th
, ... 2S'
"' ...
,h. Troja" Wo",e"
Th 19" ..
0_
"..,.ic for sculpt,,,. by Yolordo Sonnobnd
s. 1967 34' .. 2
LONDON Experimental Workshop, British Broadcasting Corporation (BBC)
io
Searle
Nigh' Thou;ht.
LONDON (Maddalena Fagandini)
ip
Tn_ Cor.tole.r
LONDON (Ron Geesin)
pp
1965
G..,in
OocrOf".d uc.erpt from '"lnGOldsby lC'gendt"
G ,in
Shott t'tOte from "Mi n;''''''' Speech" (from
""",,,,)
GNS;"
In .... .,tion, fOt' 3 iugs, voie. & o::udboClld
.....
Gees;"
Ph en, i c (cinema colmI.rcioll
Gees;"
Tr.bor Glift., Min" (TV)
Geetin
Alan_
G..,in Potboiler
1955
"63
19b5
C 19b5
19M
,.
"M
,. I'M
19M
"M
IS'
( 50'1

(rW
1'42"'
0'30"
0'30"
17'
10'
-.ooas ......
DItque Bonde A.....
"'" T_ .,.,..
......
'"
C........- n.r. .. r--.
c.....- r.tt. of ttte_1c
G_in Shor' not. for backward bonia &
for ..... ard piano
G_in Aa abo.... with bonia oddoed
G ... ," Jaeger Shop, (ciMfN:! commercial )
G..in NetCof. Gold No.1 (TV)
G .... irI In .... ntlon fa, .trlng banjo & lido
I cen"
G ... ln Th. with fodoy. young
peopl."
G_in Fr dom for" voicu & 1n'e,,"on
01 plono
G..,in Fr do", fa, " harmonium fingert
G ... ,,,
Life a"d Prac ...
G ... ," N caf' Gold No.2 (TV)
G .. i" Ch.ln. u C,h.ck.."
G ... I" Fra_ on .I.ctrlc train
G .. I" Wh." ,and, af S5I_g,,_ ..
G i" L"" .... M. Praduct i on,
G ... I" A.ntrclpat l on af 0 dl,attro.n ......
G_ln Traditional .toremen'
Geet.i" Ju ' 'rood (M
0_," Th. eye thot neorl'f lO.
G ... ," Slight .oclol co""""e"t
LONDON (Steven Grant)
ip
O.compo,ition Mode I
LONDON F. C. Judd (Sound Recording) Ltd,
ip
oho sound eff.e .. orcI bac;:k"round """,Ie few F. TV. and 0 (ec.,le fecotCk)
Judd Th. tuft.,fly
Judd
Judd Voix an9"lque
LONDON (Raymond Leppard) '
ip In
L.ppord
I Th. .. '
fondion
-
Ow.&.
.......... 00" 0 .. ",_
"
19M 0'16"
,. 19M 0'10"
,. 19M 0'15"
,. 19M 0'30"
C 19M 2"7-
C 19M O'JI"
C 19M 3"06"
19M 3'01"
19M 1"'n-
,. 19M 0'30"
"M 13'
1966 1'<5"
C 19" 3'''''
19M 2'
C 19M 17'00"
C 19M 2''''"
,. 19M 0'30"
19M S'04"
C 19M 3'38"
1959 10'
19601
o 19611 9 ...
C 19611 7'15"
n.
-

T_"
"'" T Othon
1 --
T.'
I I? I
UK 161
-.
Nato,
!.
4
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I ..
II'
'I
I' ,I
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I
'1
162 UK
Do.. o.rio ......
TItN" rCMWN '-'-
ntteof !No"'"
.- Do.. ......- r .....
c_
LONDON (Desmond Leslie)
PP 195717) rrtovedtoGICIIloueh,
no jnformatlon recei.....d
l'\"IOI'Iy short S" pl.eel b.For. 1961. rtOt 1".. I'd" for any IjMClnc: PurpoM; only IIIOfW ..atantlal gl_ he,. unMrO" (all
oyoilabi. on hi,. from JOMph Weinberger. Londott. on,.c:ordI
l .. l1.
I ..
lnll.
lall.
lnll.
Lftli.
Leill.
leslie
l .. li.
l .. lI.
knli.
lesli.
l"ll.
Le,li.
.....
L.lli.
Lnli.
l.,li.
Th. Doy the Sky F.II In
MUllc of the Voids of Out.r Space
Socrifice .5,000 e,
Th, Prinuyol Fore.,
Sy",pho"y of the Machi" ..
Arm, Roc.
Oil R.fi",ry
Study in M.tol,
Into Space
Insid, th. Spac. Ship
Lalt Soul.
Magic Fountain
Haml.t
A Midsummer Night', Dr.om
Macbeth
Anto"y and Cleopatra
(nwnie for ,e""" orh_ Sholu1peGr. ploY' on
t.eorcI)
Kol i Yuga
Th. T .... o aortl .. (Morv-nlt.,npoem)
fh, Fence (MOf'ge,.tern poem)
Th. Dro .... ,,.d Girl (8r.clIt poem)
LONDON (John Herbert McDowell)
ip
McOow.11
19571 10'1
c 19.571 3 ...
19571 10'?
19571 10'1'
o 2')4'
2'10"
2'10"
o
o
o 1941 )1'
19411'
1962?
19621'
o 19621
1962?
Th 1962
1962 7'1S"
19631 3'" l?
19631' )'1 11
1963? l'W 11
19O5 S'
.........,..
......
DIoquo .........
OW: Tape o.t.n
......
L ..
L ..
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liS
LiS
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liS
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TlM.r..,.".
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Tltt.af ___
LONDON (Jacob Meyerowitz)
PP11961) 1966
Synth.sls I
Meyetowlhr: Synth.,'. 2
Synth.sls ..
Synth.s's S
Meyerowitz
Synth.sl. 8
..........
..........
c
c
c
c
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51
St
Dote
"'"" Dote .........
1961 1'10"
I 90s
1966 1'00"
1966 2'30"
19.,. 2'3"
19.,. 1'20"
19.,.
19.,. NO"
LONDON Radiophonic Workshop, British Broadcasting Corporation IBBC)
PO (1956) 1958
lelectlon fr'Ollll the studio'. production, whlc:n aor.j,tI of over 1000 iNIN
.. _I worla pop&.Ilor in styl. (Family eo" The eo..... of SN.I. Sui .... z. 10 PltN)
......
r""",
principal of .Ndlo staff (all of whom also compoMd .I.ctn:lnic nulc of the studio):
Oophne 0T0m DftlftOnd B,ltcoe Moddal_ Fogondini Dbythire {1942-}.
Irtan HcdgJon ( 1962- ). Jonn 10k., (1963- )
'r"co.
Britcoe
SNdio
Srudlo
Studio
AllTlt,lro
Studio
Stl..dio
Studio
Studio
Studio
Studio
Studio
Willci.-..on
wilkinson
All that fall
A"'phHryon 38
Prlvot. 0'.011" ond Public NIght.
Opium
H Oc.an
Und.r rh. loofah Tr
Th. Cr.otiOll of rh. An;,"ol.
Emb.rs
Alyl",,,, Diary
Th. 0 .. ond rh. 11.11
Lom.nt on the O.ath of a luI t-
flghhr
fr Fall
Th. Insect Play
P.r"'utated Poe"" {poetryof.,ionGyti"
including:
[ am rho t I am
Collagel, fororehe!itnlard!'ape
T1",. e.at (w'rflRayCatflod.-Georg.
Mortln)
Waltz. in Orbit (wlthRayCothocf.-
Geo'V. Mortin)
Adv.nt",r. Pla yground
Orpheus
Anathema, freci,.randtope
Chrlstma, IS.II, and Carol,
c
C
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49"10-
TV 1957
'"
19S>
19S> 20'
1951 29ft'"
1958 90'
'.58
'.58 I .. SO"
1959
19" 7S'
1959
I."
12'58"
1959 90'
TV 1960 90'
1960 30'
,.60 )'30-
1960 .'JO"
'.60 19'
o 1941 2'1(1"
, .. ,
"SO"
TV 1962 IS'
1962 90'
1962 10'
1962
.'
(1)2
_a

ou
ou
P,I Pop
P,I Pop
UK 163
-.
-.
rln Poril MdL
rln Pari, MdL
P,i. holia
1959
rlnGef'hard
rln Pari, M:tL
r'n G.rhard
164 UK
SM:lio
Small.y
Stl.dio
Studio
Studio
Studio
Gemorel
Studio
Studio
Studio
Studio
Studio
Studio
Studio
Studio
Studio
Studio
Stl.dio
Studio
Studio
Studio
Studio
Studio
Studio
Studio
Du,h of a J.lly Baby
Th. Island (for ion opelO by alII RUllO)
G iontl of Steam (oret-hal """,ic by Ron
G!Oiner)
Fomily Cor
Doctor Who (realization of SCQN by Ron
GlQiner. TV)
Th. Anger of Achilles (orcheshaond
.... )
The Or.o,", (In_tMMtforrodloby&Orry
hm"lOnee)
The Photo of the Colon. I ('orope!O
by .....,. ... 1' 5-.0,1.)
lh . Do--,LAgu
Cholc. (TV)
A",or O.i (In.... ntion for radio by &arry
km"lOnge)
S.cr.t of the Chos",
The Building of the lolftb
The Aft.r-Lif. (' n_tion for radio by
101"1')' 'em'lOnge)
Chronilc d., Tag (radio)
Fomou' Gouip' (TV)
Th. Evening' of C.rtain L.iv., (In-
.... ntlon for rodio by lorry hrmonge)
Suiv.z la Pllh (TV)
Sono-Montoge (background for poetry
r.dtol _ 4 poe" - ..... irio! tnIOted pt".-fecorded
vooic., )
Th. Pagoda Fugu. (orc:MshOl mlJ$ic by
P.ter Max_II Covi.,)
An A.C in Sound (poetryof.cbCobbinv
The Mon who Collect.d Sound.
Shod ow in the Clouds
poetry of Enut Jondl. "l out u"d
LII;,e "
LONDON Stagesound
io
Studio So"o-Montog. (badl:pound for poetry
cltal - 4 poe" - .. Ith kl,.,Ic ort)
0-
"""
"63
o...Ie ......
Duratioft Trodn
1963 4S'
o-a 1963 45'
TV 1963 40'
tv 1963 l'
In 1903 2"lr
0 / 0
,.
TV
1963 110'
1963-64 4S'
1960& Ill"
(1.63-64) (7U')

1960& rna-
1964 ...,.
1960& 75"
TV 1964
TV 1960& 7S'
1965 45'
'"
\965 0'1"
1. '.65
"65
1. ,.65
,.65
,."
....
19..
TV 1966
TV 1966 7SO
I."
s. ,.65
0
0
J
Poe
,lnG.rftord
P,l. hoHo
1965
- -
fin Stag-..rd
...
...
revlK
c __
Tin. roeurwN
""""""
Dolo 0..1.
c_ ntleoftheworlc ,-
"""
0....0;..,
..
LONDON StereophonIc StudIO, BritIsh Broadcasting Corporation (BBC)
io
Searl. N fgh' Though,. (revfMd SNf'eo .,.."ion)
LONDON The Studio (Ernest Berk)
PP (1955) 1957
a produCtiON for the MoHm IoU.L.G..,... (EfMSI-'-'c,..dncliM)
....
....
.. '"
10'"
....
.. '"
....
..'"
10'"
10'"
10'"
.. '"
Wh.r. do ... go 'ro"", h.,.?
Slide Tap. No.1
So",na,.,blll ist (fToIft the abo... )
Chord Composi'lon 1
Chord COlflposit ion II
Chord Composition IV
Chord COlWpo.I,lon V
The Spider
DlsintegrotTon
CotOCIY1",
Fllttte Spa,.
The elllperor o,.d th. Nightingale
(pre-recorded na,"uion 0'" tape)
c
C
C
c
C
c
C
c
C
C
C
C
C
10'"
SCfopology C
.. '"
B.'"
I.'"
I.'"
s.'"
.. '"
s.",
A". cdote
Wi"g* oyer the VolI.y of Death
Egoplo'lfI
Jacob'1 ladder
Lo.er G,OIl
Pride o"d FQII
c
C
C


...
NiiJht Q"d 00'1. ror,.COIder (".,.icby II:
B.'"
.. '"
s.",
I.'"
B.'"
B.'"
John aedeett ) and tope ... cord.,
S"rfJl'I9 Mo,"I"1I rtOmitlon C
ond Iape)
Gem I n I (for nI", '"EMMI' a.rf.;-, 1966) ..,
Und.r'o ..
DagfJerreotype,
Th. Gr.edy ' ,o,h., (pN-recorded nor-
lOtion ond tope)
Triod
Ih
B.
1966 IS'
(50')
1907 4'14"
19SO 41'00"
19S8 .....
1950 I'JO"
1950 )'J()"
"50 "00"
1959 1'50"
1959 3'00"
1959 6'30"
1939 S'30"
1959 3'00"
1959 2'30"
1959 5'07'"
1959-60 35'00"
1960
1961 4,5'00"
r.v 1966
1961 3'30"
1960-61 8'12'"
196(1..61 5'30"
1961 10'45"
1961 5'24"
1961
"62
"62
1962 11'00"
1962 2'30"
1962 8'00"
1962-63 5'00"
"1>3 )0'00"
191>3 25'00"
"1>3 J'47'"
.....
........,.
Dhque a-de .......
T .....
0Ik T_ Others
Con'
UK 165
-
-
,'nlleb ... ,.
r
1
I
I
Ii
I
I
I
I
,
I
11
Ii
i
168 UK
n"".r...",.
--
o.to Dum
-
-..as
-
ntieoftheworit
""""""
.... ........ Tnxio
_ ...........
-
"'" T_ ""-
en.",I,'ry of Fire 19..
.'
Approocking Automation 19.. 20'
arisco. Venu. rk.",e 0 19..
.,
Ti",.lo .. Po.m
19" 3'
a'kco. TIM. Shift - 206' s.. 1966 28'
WEST KIRBY / WIRRALIDonald Henshilwood)
ip
H.rwhilwood - 5-0n-oto 1 C 1963 5'S>"
HenanUwood Th 1963 5'00"
H.""ilwood Sono'o 2 C 1964 8'00"
He,.hllwood 3 C 1964-05 7'<5
H.,.nUwood Sonata" C 191>S 1"'40"
He,.hllwrood Sana to , C 19.. .'SO"
SCOTLAND
I
EDINBURGH Oxford Theatre Group IOTG)
ip
Davi.. H The Scarecrow Th 1963
".9" !9IO,OnIiNCI
UNITED STATES OF AMERICA (USA) f
CALI FORN IA (Calif.)
I
BERKELEY Buchla Associates Iformerly part of San Francisco Tape Music Center)
PP 1966
oho ilflPl'O"l'itati_ powfonMd at , .. ,ival, cnf ...,.. .... , .1966 ( .... chlo rru--)
McO. ...... "-'provl.o,'on. for Donce (ludo.'-
S .... , IftOdukir .1ec.tT'Oftic I'Nnic'Y'''''', "'pavl,..
..... )
Iochl. Elec.tric Laugh (ludlla,ytNm)
McO ...... R. d (ludlla IY' ..... )
BERKELEY IDavid Talcott)
ip 1'1
-..<Od
Talcott loop No.3
CO
CO
c
19 .. 2S' 'do
19.. 9' Sdo
19 .. 7' Sdo
1957 3'50 Fol MEA
Talcott TrilolY in Two Chonn.l. (orlli,.,1
veniQf'l "Trilogy-. 19.57. 1 hade)
c ..,8 "17"' (1)2 Fol w.1>.
tolcott Tribulotion 1958 c 7'2f1'
BERKELEY ILa Monte Young)
ip rno....d 10 NYC
.. 2 'ound, (, .. 1.rryRileyond C 1960 13'-23'
La Monl. ah.o os Mefc.
bolle' --WintMro"d!" ,ince 19M}
DAVIS Davis Electronic Music Studio, University of California at Davis
PO 11965) 1966
Change. : Opeo'l lor troft.on. and !'ope C 1905
<N_ c:.o-rc.iol bod:!iIIrourd ItII,IsiOllI de ... ic .. for
I" 19..
Volks-.oven Adv ... ,j5e1Nnfs
Austin rho Maze: a 'fh.at., Piece in Op." Sryle C 19 ..
for rnr_ darte.r.
moeninft or.t project .. ,.
Minlle At-.eod , fof n .... i llltnJme"h otd C 19..
....
Llmetta Z ... p f geige Ri n"e 19..
10'
11 '06")
32'
10'
10'
21
CPE
3,2 Cpe

CPE
169
,1"1,,:11
Krumm .-
Mill.r
170 USA
1101. for "Stor Chomb.,- (woril: in
I"'OWftS)
c 1966-67 )8'45-
HOll YWOOD Guild Publications of California
ip
Ltnd6 Thil World - Tomorrow, a ,.."I;col C
panorama. for I'IGlT'Clf'OI'. mal. choir, orch..,tra
ond .IKtt'OlOt'lie """,ie (oriQinol rhl.
World of Century T_fyO",,)
HOll YWOOD (John Whitney)
ip
ute of F"rw:k.lu", technique hH """''')
Whitney J"
Whitney In
To the Chicago Aboy"
l'
l'
l'
"62



23'0]-
11 ' )0"
5'00"
lA JOllA (Department of Biology), University of California at San Diego
io
1'10 delOiI. r.c.i.....d: woric wit+! computer, ... a,..ndhc "Syn"
s.
lA JOllA Department of Music, University of California at San Diego
PO 1966
lONG BEACH Piccolo Studio di Claudio San Yon Pan
PP (1965) 1966
Son YOf"I Pon . Study No . 1 S.

Son YOf"I Pan Study No . 1 S.

Son Van Pan Stud y No.3 S.

San YOf"I Pan Compolition No.1

Son Von Pon Compolition No .1 SI

2'
3'30"
3'
3'30"
2'
Gld Gld
SY"
- -
'""
n...r-.
C_ _ ..... -
San Yon Pan O .... oggio 0 Re",i GOIl",onn
Son yon ..... 101111'11 5 ton Collog.
San V_ Pan Sourdtfaca far 0 01",
s.....tt.ad< No.2
ScM YOtII'aA Mont.ge. No.1 o,.cf No.2 (for on 101ft-
,.U ............ ' .. )
S-Yon'- Montogo No . 3
Son Von Pal. Le Trovoll (witt,,...,..cti_)
Son Yon ... OrIgin-Kabuki
Sat. Yon Pan Compo."'on No.4 (forhaPIMning)
Son Yon'" COlllpolition No. S (for
Son Yon'" COlllpo.hion No S (for hoPf*'li,. WOf4t
in ptOgNtI)
-
lOS ANGELES louis and Bebe Barron Studio
PP 1962_,-NYC
011 worIa.., ........... oft.o."lsar.ta.be iSon'On
-
Th. Chin Wo'!
........ Ford 'oltlo". Co .,cial (TV)
-
Mu.lc , th. 5.",
-
Spoe.itoy (lod:)

lOS ANGE lES Electronic Music Enterprises
PP (1940) 1959
se. 0110 -p,.-
woric.lilt.d ... 0":
d..if"Oted by nvlng-fOOl'l" we
Do".. IIIhc.ll0n.0v. untitted IJ\.Idin
Do".. Fo"tolY fo, A... plifyinlll Clo ... lehord
Do".. Robat'l S.r."ad.
Do".. Trio
Do".. Tr io '0' EI.elro"ic Obo. , C.llo
o"d Th., ... invo.
Do".. Awto",ation Morch
0-.. Flying Souce,.
0.. ... Pr.lude to an After"oon wi tk .h.
O.ntl.t
Do....
'"
LI ",bo in H.II-)
Do.... Fantoltic I . ... . , .... otiol'l,
Do".. CoPftpoul'ld Cav"t.rpoint
Do.... lullaby for II loby Co""puter
"-
USA In
-
...
"""-
-.
---
......
-
.... ......... T-", ........... -......
"'" T_ Othon
I
I
C

3' 2
C 1966 2'30" 2
'"
Ff I ... 6' 2
I
I
Ff 1966 5' 2
MT 1966 10' 2
/ TV I ... 3' 2

1966 3'30" 2
f 1966 3' 2
MT I ... 12'30" 2
MT I ... 6' 2
MT 1-., ("') b'
!
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-
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I:
l' 1.62 7' .. 2
I. "63 I' (bl)1
C
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I
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.,.
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I
I
I ;
ii,
S. 1959-66 90'
0 ,.59 20'
"59
5'
"60 2'
\'60 3'
l' 1961 5'
S" 1962 2'
"63 10'
'"
"63 60'
'"
"63 5'
C 5' .. 1.5'
0

5'
In USA
c ....... _
n ..... I'...,.".
C_
Tit_ofrhe __
Oarreg Elleursion into the Enhormonic
(Suite)
Oa_ Th. Endopsychie Quort.t
Oa_ Th. 3 1/ 2 little Gre.n Women
the Flying Saucer (woritinprogteu)
LOS ANGELES E'o","n = Muzo C'
PP (1951) 1960
II'IOIt mI)Iie pop.Ilor inttyle
, ,
--
""'"
Dorio
-
--
""'" -
T ......
D 1966 120' 2
C 1966 IS' 2
0 1967
,
all IiIm """"Ie short (0'10" - 5'), in collabOfGtion with Hollywood nI .. compoHra. _y 01 liIe film ,CI:MWt; on recotdt
olso eleeh-onlc ,....Ic ord .ff.cts fof records of populo, "",1e, inclucll"ll The Ven",,. (Dolton recotds). and Ii ... i,..av-
ilOtion perfonNanol. since 1963 wirh Don Ellis. m. Hlnd\ntani Jon S-t.t. EmU II.lchordt. Mlcr.o.l the
A.. tn.tic """"-y ...... mb1av- (A.H.A.), the I ....tant ,",eel," (coft:IinotlOni of CIOn_ntlor-.l ord i.-tN-
menl'''
leove .. Th. Mogn.tlc Mons.e, 1953
Sea_r Volley of tho Dragons 1958
leo ... , Atomic Sub",ori". (rnu.icb)lAI.lCOnd., 1960
Loul&)
eo .... , Pr ... ur Po in' 1961
leo .... r T h. So tCin eu. 1962
leo ... , Th. MutUf.,. TV "63
Beover e.witched TV
I'"
leover My Fo"'orit. Martion TV 19"
leo .... , At tho Comput.rtron, ft,rBo"i tane C' 19.. 8'016" 2,h
IUchord. EI.ctric Vibroharp, Augmented SoloyolC. echo
and , ..... rb.l"Otion de",ic.t. eqvoli:r:." and
modulotof"J
leov.r Around the World Und.r tho S .0 19b5
Sea ..... r
'n
Hor!l'l " WO)l ,,65
Beo ...... Harp.r "65
!leover Ou, Moo F lint 1965
leo .... r Th. SI.nd.r T hr.od 19b5
Beav.r Doctor Zhi "090 (!I'I,,,ic by Moutic. Jarr. ) 19b5
leover M" T.rri fie TV 1'66
Seo .... r Wild, Wild W." TV '966
Beo.... r Th. World of Cou, t .ou 1966
8eo ....f Walk, Oon't Run
"66
Bea",.r Howai i 1'66
Seaver Wh.re It', A, ,. ..
Beaver Not with M)I Wife You Don ' t 1'66
Bea .... r Th. P"o f ... I ono It , ,,,,,,,ic by Nllaurlc. 1966
JOIT'e)
Bea ... , An Am.rican D,eo!l'l 1966
Bea .... ' A Time of F lighr 1'66
Sea .... ' T i m. Tunn.1 TV 1'66
llea .... r Hombr. 1966
Bea ..... r Th. Hidd.n World 1966
Bea",.r Th. Rapiu (mu,lc i,"",.,,,,lled b)l""e 1966
Aesrn.tlc Harmony A".mblop)
---
-
"'- .... - Dioc T_ 0II00n
-
USA 173 c ___
n.,.. t'MUIfN -.....
""'" ""'"
.....
............
.-
C_ TiMe of I'M work
- -
""""""
T_
DiIque Bond. AutNI
-
_ T_ Othon
... _,
Ent.r Laughing F 1'66 1
... _,
BOD Hop. Pr.'.nt, TV 1966 1
Sea ..... r Murd.r.tt' Row F 1966 1
aeo...., .. Sonat.mpor. (3/ftOYetftenh) .. for EI.ctric C' 1'66 23'07" 2 eh
Pr.tton Horplichord. Al"gmented Conaty cho ond
devices, and rnodulorora
... -
G rllnd PrilC (_ie by Maurice JIIIIT'e) F 1'66 1
Studio Mulic and .ffe<ra for rn. a,.n1"8 production S. 1966 7' 1
tlUnOtr of "GroncI PTix of 1967" "'ow, Los
Vegas (with oreMttMIl musie b)l Jim HOfbe" j
SlvcIlo 2 grouP' 01 ".".Ieal identiRootlon rMmn n,..
"
19....., 1
30 radio tlOtlana (I(ool.r Radio) 0'''')
leo .... r 11'\ Lik. Flint F 1967 1
e .. _
Stoked, the Surf., G.n.ratian (,....- F 1967 1
sic b)l E!I'Iil lichardl)
e .. _
D" 00011 ttl. F 1967 1
SNdio Musical ....,trur. f.ot !he Anfted FCWCM tadto t. t961- (0'1,..) 1
_ T.levision Service
=
Beave, Th. Zodloc (1'rM1c COInpCIIed by Mort 0 1967 37' .... 21 dt El.
Go ... )
LOS ANGE LES Experimenta' Workshop (formerly: UCLA New Music Workshop)
ip
.tudio. fR'UP of art .... lncJucU"II CICIIfIPOMra. a COft'IpOIIIH/..,.i"""/ CIOIRpU.. ,a.ior-. II II
IculpfVt/ eflGli".." a 0110 painters, m ........ " lind g poet
.,.. Wgt., M""ic, fot perQoIII&ion ord .I.c- C 1963 11 tlUdio
tnJnic fiOpe unc.rtain
ey"' P ri,,,,. (or flute ..... btaphone-mo,imbophoow. C 1963
.' PAPOred piano atd lope
'y", Th. Year of th e Qui.t Sun C
",ilUOl) ...
19.. .. withdlO_
e,", O.f." of t ho Am.ricon Co",in.n C 19b5 2x21
'"
INdio
A.goin,t ,h . In",olio" of th. Vi., J.. unc.rjoin
Con; M.nlc 11,
fOf .Me ... I., jon trio, two rock
bondt, p;ano, organ. lingera. octo" ond tofM:
,.cord.n
'y", Th. Ultimot. and Pleno,y C 1965 22'
lit of ,h. Holy Church tog.th.r
w;th the Cammunion of Solnts ond
,h . R.,urr.c,ial'! of the !II used
Ma rty" ( a. cHo-vi-..oI'
Zi!l'lme,....,n .... "H-donc.
,
(rodor.1"OOI'ft; audio derived C' 19601 ird 1
1'"
from tOdo, patte"")
Agnello S cr.Of91 19661
ayrd .. ) untit led film 1000r.., 1967
-.
ey'" R.qui.m onel S.I.cti",. S . rvi c. C 1967
''''' (oudio-"';wol) (loop,
O'IS')
Agnello MUl l c fa, Sl1ent Mo"I 1967
17. USA
LOS ANGELES Swickard Tape Recording Service
PP 1965
Swioard P.rf.ct Day,
SwidcCHd "r""m.,,', mutic fOf oboe, clatlnetond
,N,. tape
Swickard IOSlo,.lIe No . 2
Swickcud Ward ... ", Playe,. and lovers
LOS ANGELES University of California (UCLA)
io
..... Ie. Clpflendhl 5J"'-
s ...... Co",pu,I,lo" No.' (E)(PfltANO)
SttCng Compu,irion No.S
II>
c+
C
c
c
Doto
Doto
1'1>5
1'66
1.66
19M-67
1'1>5
1.66
10'
7'30"
7'
,..
"00"
1'46"
NORTHRIDGE Electronic Music Studio, San Fernando Valley State College
PO (1961) 1962
1C1eool< Au'g.t.eh"_, lind v.r,pi.l,
d.laV. Coord "".,
Vector." pore dolo monoGural
rOf" --..101 !'Ope; frQfft tn.obo_)
lC"nelr Son F.'r'londo Sequenca
Grigsby Th. Awoke"i"".
KT.MIo: 0., golde"e Bock
rhus ,pok. Ayomon"
'",.rooloci(,n, palO clari".t.lOla, con 0
sin KW'IidOl pre-gIObodOi (I nterpolation, for
1010 c:loriroel ...... ith at without pre-record.d

Oiordo 0-7. ,,;oJOf'Icelio 10010 y cintcn mog'*-
lion
NORTHRIDGE (Beverly Grigsby)
PP In 1966
C
C
C
C
c-
C-
O-lV 1961 I'
(SO')
1'63 12'02"
"63 "04
"63 12'
"63
90,S.
0 "63 10'
150')
""
10'
"1>5
.'
"66 14'3S" M
I I I
.'
.. ,
CooopooiNw nn.r..,.".
-
n ... 01 ......
--
OAKLAND The Tape MUSIC Center, MIlls College
PO 1966 --' '-Son ,_"co SFTMC
QIi'Wef'Ol Ha II o. rot .I.ctronlo:lll., ....dIned ptono, 2 c
tape d.1oy tyste_, "loIln" vole., actor,
P"'iectb. ard donee.,
Oli...,. Accord ion. "'0 rot- Cllllpiined acCOldlon CO
witt. .... deloy t)'llwm ond .'vht chal1Mlt
--
A Cool Glow of !tadlatlon. IOtlOlo c+
flute and IQpe
on....". En,i" n Del l gh., fOtPlccoloordS.".. c
en Conductan (no' Electronic), for OMplinca-
.aurCft .. fOlJr fumfobl .. arid mod-

F.ldano Gloslololio -Ritual c+
pen:u.tor., dramatic t .... and orga"
ri.o-- R-o"dd"., -c
hlctano \lI.-hl........ '-ltu,.. cHari..... ..,loU....-==- C._
Coello.. ...,.. perCUIIlon, p5ono and .IKftVnlc
-
ali ...... Circuit,y. lot fl.,. p.rcr",don
{.cored by ligtIt clrQ,litry: ....... 'n PJOIr"I)
F.lciano AII.11oIio "ftOM the MotS for 'e"h-
co1f. For u"ilOft Il'101. chotv.. orvon GrId
el.cmwtic IOp4I
F.lcioro Mo ... for IS milled ...,Ien,
I)I"gtIIIft and electronic top. (worlt in profr.M)
SAN FRANCISCO m (George Abend)
ip
SAN FRANCISCO (Pieter van Deusenl
ip
FI igl,r
SAN FRANCISCO (?) (l. K, Dunham)
ip
CO
C.
c
c
c
f"
C
USA 175
Doto ......
-
--
-
Doto .......... T_
::-=-= -
, ... 20' ,. ...
1966 20' ....
"66 S'
19.. 7'
.'"
,.67 12' El Wl'
. 9(;] --..roo--
I ....
"
1967
"67
.'
WLS
"67 HL
1957 MEA
1958?
19581 10'
19581
176 USA
C_potitew r ..... r ..........
-- -
""'"
....
e_ Tirie of the wort.: 00_
"""'"""
T_
SAN FRANCISCO Electronic Music Studio, San Francisco Conservatory of Music
PO 1966 partlol eontll"l,lCltion 01 San Francllco SFTMC ( ... Cllso Oakla.-d) (Jepaon)
no WOfb yet produced
I I I I
SAN FRANCISCO (1) (Robert Garfias)
ip
Gorfial MudCQitu
SAN FRANCISCO (Henry Jacobs)
PP 1953
1'581
1957-60 ...11'+1 JOfdan a.lton OfVGnlzed progtofN of ,...ic VOInx 'n San Frondu Motriton "'0,.."""". Mulicol
Engi....... ing AIIociam fonnlld in 19S9 (1). EI.ctronic Cr.cU .. Products in 1965 (woAc .. irio! ...Weo..... etc. )
olIO sound collops b l progIOIM (KPfA-FM, ""-.1.,.) ..,.... of wMch 01"1 FoIli:...,. reCOIda
Jo<Db. .1IPM'i_nh in lY"th.tlc mythm
Jocob. Sonata fo, loud.p.oli:.r
Jo ..... Sonoto for loudsp.oli:u (diHerent
CII:HI'IpOIltlon)
Jo ..... Th. Oron". S.II.,
Jacabt Kobuli: i Mo",bo (bawd on
--I
Jod>. Chon
Jod>. Logol
Jac" Rhythm Study No.8
Joc" Rhythmalogy
MSP'/",lc:Ii:- Rock 11"181 th. Orbit
JOeobl
T i "'.
SAN FRANCISCO (Warner Jepson)
ip
Th. Hili
S. 19S3-S4
S.
1''''1
S. 19S41
n. I'SS
C I'SS
C 19St>
C "St>
C 1'57
C 1'58?
C
C 1959?
1960
1963
1'Q"

......
2"13"
2'Cr
2']J"-
2'0$"
12'
12'
11
I?
-..as
-.
oq,qu. ..........
DIoc T_ a...
-.
Fol
Fol
Fol MEA
Fol MEA
Fol MEA
Fol /oIE.A
,tudlo
unc.rtaln
c-.. TJtn de ra.uw.
n ... 01 .... wwk
-....
'-
SAN FRANCISCO KSFR-AM
(radIO)
C
SAN FRANCISCO (?) (Gordon Longfellow)
ip
longF.llow
Not on the Hilto" of the World;
C
_ parb 1_
po" 3
lonofoU_
3S0-2 In.... Flf", 000It T ... )
SAN FRANCISCO (Richard Maxfield)
PP 1966 _ ..... ,_ NYC
Maxn.1d
aacchonol. II
Maxft.ld
Dr.am
SAN FRANCISCO (Steve Reich)
PP 196365 ......... to NYC
R.icn
Th. Pia I ti e Ho ireu P
Reien
Music
'0'
p i ano o,d top.
Reich
li .... lihood
Reidt
I" Gonno Roi".
0'
M , Bro th.,
Walt.r
"
Union Square oft.,
list.ning
'0 T. "y
SAN FRANCISCO (1) (Terry Riley)
ip rno-...dto NYC
Ri I. y
Conc.rt for t ... o pioni1ts and fi ....
tap. r.card." C.I.ctn:Jnic ....l'!Iion)
C
c
C
C-
C
USA 177
00 ..
""'"
.... -..
00 ..

-.
....... r ......
-.
19.. 30'
19S9?

-.- 2?
4'10" 21
1959? 3'20" 2?
r
19.. 11'
1967 0'09"
19.. 3'00"
19.. 4'10'
19.. J'IO"
1965 17'30"
1960
1711 USA
TItN cAe rMUtrN
11tIo ...... _
-
'-'-
SAN FRANCISCO San Francisco Tape Music Center (SFTMC)
Date
Date
PP (1959) 1960-66 _ .... to Oakland <_ oho SF c:...-...., .......... ,.,. _ """")
..... owll.l. "'- Top. Mullc Center Cit Mill, College, Oaklard c.pt 'fIIIOfb by Subomldc (MCA).; no ... Iltt
of th. SfTMC'. Pf'C\IdIIctlon _ish thl. lis' 'roM -, portfa..larly 'Nfl".,.. _ 10 that
Send., and Subotnidt alto II'UIlc for 11:, TV, F
25 c:oU.c;tI.". imptOvJ.otloN in COfK.erbI irwtrvmenh (contoct IftICl"Oph-tl, II..... lec1toftic --'s, ....
10000, .... ltual proiectl_ ... tc.
fllm ord .lid. pmjectiON uwally by Anthony Wlart1n
SIoIbo'nidc
SloIbotnidc---
RIl.y
OIlv.ftM
Riley
5..,bo'nick
S...botrlidc
S.r'lde,
Subotnicic

s./'Id.,
Subotnick
Mc"tiroroo
Collono,..
Subotnidc
S.nd.r
S...botnidt
Svbotnidc
Subotniclr.
SubotnicX
Olivera.
Subotnidc
Subotnid:
on H.roic Vili_. for fOo'r
inttn.lf'lM>ft .... trope ol'd ptoj_ctl_ (Rober,
l ....len)
C'
Ii::T",leor --fh
Five-L.g".d 5'001 (original.eo ... )
Time P.r.pect l"
"Sa,,,krl, Hymn 12
i,.,,,,,,.,..",,, and 3 IOfM .. eotde"
Waiting for Godat
I. C
C
C
C
C'
C
SOUl\d Study I C
Th. Comput.r and the Mind 01 Mon
(,.,i of 6 TV fil",,)
Yo.
1C0re C
The 101 cony
Mandolin. for viola. film and tope
Throne" fOf' amplified plano. tope and
prolectlonl
C
C'
Ttle Tarot, Port II, 'Of' 10 C..
and tope
Ploy t No . 1, fOf' ""'OOdwird quintet. piono. C.
tope ond film
Mf
Mf
fh
fh
Mf
De,er' Ambulonce , for piano accordion. MT
tope. film ond proiections
UCLA C
Ployl No.2, fOf'Of'chestraand tope
P,elude No.3, forpjonoond lope
Ser.node No.3, fOf'nut., clarinet,
violin, pjol'\O and tope
aefore the Music Ends
00"'01"1"
Suite fro," Oonton', aeat""
C
C
C
fh
1"'
)2'
1961 12'
19611 21
1961 20"
'''1
19611 21
1961 17' 3>1
1961 20"
19611 21
1961 0'
TV 1961 6 x 10'
1961 12'
1962 0'40"
1962 30' 2.2
1962 20'
19., 10'35"
19.,
,.,
19" 15'
I'., II'
1963 10'
"63 5'
19., '2'
19.. 17'
,. ..
10'
,. ..
"10"
1964 9'
19 .. 7'
19 ..
'"
1965 13'
1'65 .0' 2.2
"65
.'
withdra_
MeA
MCA
MC..
MCA
MeA
. .".
Oliveros
Oliverw
......

Oli""'01
OIlVleI'Ol
Shapiro

Oll.....rot
Shop!fO
OliYef'Ol
Moglnnil

J......
Ericil:1On
OlivtlrQI.
J......
PIece, 0' Eight, for wind octet and tope C..
ARG-N.Y. 3/ $/6.5. "-5 P.M.
The Ch r onicl .. 01 Hell


Piece fa, Dovid rydor lor
electraonically trIOdined plono, light, "11ft and
.....
Porod .. ond (origil'lCll ,cor.)
C
C
C
C.
Playt No.3, forl'ope, oneployerondnlm C+
George WashinClton Slept He'e For C..
amplified ,,;o'in. mm. projectione. and to;'
fh
Mf
Do..
-
1965
1'65
"65
"65
1'65
1965
1'65
1965
1'65
10'
0'30"
90'
3>'
2'
IS'
.. '
10'-
21
21
.".
3'"
Fr.u,o Oro"_
C 1965
'n the Gorden , forproi.ctlOnlordtope C
Raele Symphony
A Theater P I .ce, lor 15 acton film
proiectiOnl. ,'ay.fI ond tope "
An"pltonie, I, forpionoand lope
Mn.",on iet II
C
C
'Iece for 1.11. and Toy P'ial\ol far C+
OItIp4m_ fay Pfonoe (one pia,..,) and to';
(alto. a th.atwr pIece ,ecorded on .,ldeo .... )
C
Mu.ie 1965. forpiono. 01110. C.
clarinet and tope
C
of " H.. o!tedra" (Mottu.nito)'Of' e.
piol'lO, 2 p.'CUtlion ond lap" ... '
Mne,"onic. V II (Wi nhr light), e.
"'Obile, octOI' ord tope
Flight
C
MT
;,:t:::" Nine Toll., for t+..eo"r group
Mf
The 110.0"', ra,,,IMIOI ptOjectlCMIond lope C
Catho"l. : Open Style fof two impto,,;tcltiol\ e ../ a
erIM""'". !ape and conductor (ropot alone fOl'
...... ion)
r.rro ine
Ric.rcar.o 5 , for t?ombon,.ord tope
T...,.I". Ooy Raga
Apple lox (1010)
App Ie lox (duo)
ApllIle lax Orchestro ",j,t, lottie
Chorul
Joy JOl,lrney
Th. Fly
C
C
C
1965 18'
1'65 12'
1965
",
1'65 0'
1965 12'
"65 20'
1965
1965 12'
1965 12'
19651 180'1
1965 10'
1965
1965
1965 IS'
1'65 8'
19 ..
.'
"" '"
2x112
""
19'
,. ..
10'30"
19 .. 12'
,. ..
;nd 1",
2",
10 ch
"" '"
I ... 10'
USA '79
CPE
'10 USA
n ..... fowrre
C_ TiMe of IN work
SAN JOSE San Jose State College
PO ltudlo planned For ION 1967 (Coket)
I
SAUSALITO (?) (William Loughboroughl
ip (?I
l ................. For 11g Hat"
Loughborough !!loom
STANFORD Stanford University
ip (?)
STUDIO CITY Audiographic Arts
ip 01100' NYC
Gallmann ,Ignenur. "'".1, corwwnercioll. background
lI'IUtic
luntraced) I Russ Garcia)
(7)
aha other IOUnd .ff.ch ord bGCkll'ound II'IUI'C
Garcia
Garcia
luntraced)
Fantastic: Voyage
-....
.-
c
c
e
o.ri.
--
-
""'"
-.
Dltquellonde ......
-
"""
.......... T""",
"'" T_ 0tI00n
2'<0" Fol MfA
19581 21
19M1 I?
In 1963-
19581 35'1 Ub
'co
1901'? SO'
'9"
COLORADO (Colo.)
I
sou LDE R (David Burgel
ip (?)
CONNECTICUT (Conn.)
I
NEW HAV ENE lectronic Music Studio, Yale University
PO 1962
Pow.ll MJ
E ven'l, For CN'd 3 P--COfded
C

_11M!
Second Electronic SeUI",V
C
Gabon.
A""pho". III. (VO,5atior. ono poem 01
e- c._fyJ ........... _ .... _
CKD...
Antiphon_ III, for 16-portcf.on,.ond tape
e-
_11M!
A"ologl I, II, III, IV
C
DISTRICT OF COLUMBIA (D.C,)
'963
"'
1963 4'30"
'963 ...
'964 15'
19., I.,
I I
WASHINGTON Electronic Music Laboratory, The Catholic University of America
PO (1963) 1965
Mer'" .'-hdeo
n.
'963 30'
M.y.",
Sol", JOOI'I
Th 1963 30'
...
'n M.",orialft. -lOpfUnoond tapti
c_
'9.,
.' -... Vorlet/olu on CI ", f." rhe"'e
'9.,
" <Jv.rfUr. to Waitlng for
n. '9., 2'
Meye"
au ..
Etude
C
'9., S'
WASHINGTON Electronic Music Studio, The American University
PO ,f\.dio (vndw cor.fr\lction line. 1966) to b. erd of 1967 (Ulton)
WASHINGTON (Jon Hassell)
WASHINGTON (Evelyn Lohoefer + Dean Records)
ip (> io)
ot"-' ""'OrW;, by Lohoef.r b.fore 1966 (tape iMtru"",nh.), I, .tc.
Lohoef.r
I POI' M.,idian
1961 5'00"
'9., 3'00'
I 19601 ' ,7,
R\ GSm
GS ..
r'n Urbano
,," U..t.cw.
GS ..
182 USA
lohoef.,
lanllMf.,
Pratuts (tape and irwtNments)
Parsl.y all ov., the world (lOptIand
iMhUlMnts)
Vintag_ Riffs I and II (tapeond i.... rtu-
WASHINGTON IR. L. Massey)
PP 1966 (7)
FtOR-IDA (Fla.)
I
fortdtor.
funmo.
-
00 ..
....
, ...
"67
I I I I
JACKSONVILLE IHelen Stanley: equipment at GAINESVILLE University of Florida, TALLAHASSEE
Florida State University, JACKSONVILLE, a commercial recording studio)
io
Stant.y l.unor Enc:ol.lnt.r
Sktnl.y St",diu ,. Pitch EJilpiorot1ott
Stanley S 'udy for E I.c.,onic Top. P.r-
rorm.r
MIAMI IJohn Pfeiffer)
ip
olso pe,i_tal ltudin (ltf.iff.r) fOf d.l'PIC)MtTation putpOMt
Pf.iff., Offie. Ito ..,in for solo done." ehOf\lS
and_
Pf.iff., E e"'o.1 a.d Imog.s
Pf.iff.r Wond.,ful World of WitH.r
PANAMA CITY Metatronic Music Studio
PP 1965 P)
I'll) infotmotion r.e.ivtd (Womer)
GEORGIA (Ga.)
I
ATHENS WRFCAM Iradio)
io
Knight 1.' .
Sport,
e
e
Knight It.f,action,. fO( clo,i".tond tape ,.colde, C+
St. Joan
"'
"62
""
I?
""
11
"6l S'lS"
""
a'
rv , ...
a'
(60')
Th ,.62 20'
"6l IS'
"'
"6l 20'
,
c_
ntr..,,--.
USA
C_
Tifle 01 .... worIc
.......
-
""''-
-
--..
.......... 00 ..
Duration T.,d .. DiIqw Jande ....,.,..
-
DECATUR Atlanta Electronic M
i
PP 1965
us c Center (AEMC)
Rcbil'llOr'l
ForMant Piec:.
Icbil'llOn
l.tt., fro,,", Stu
Falrli.
(ti,r. uN:1'IOWn)
HAWAII (Ha.)
/
HONOLULU University of Hawaii
10
Ho".il ton
Opus 3 .... a dane. for Aeolion Harp. tap.
... cord ... and IMdaphonic Dansomot (additional
$CUrell oc.i-.or.d by dane.,,' tnO ..... men")
Coroggio
Animila.ion
ILLINOIS (111.)
ARGONNE Argonne National Laboratory
io (1964)
eomput.r "",ic:, ,_ OippercHJII "Sytt"
Rob.rts
e
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/-
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""
1'10"
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1 -I
"67
"67
St 1965-67 ( ....
Itab.,,,,
1'00")
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LINK
Thonk you, M, . Computer Man (rock
and roll voc:ol - /)1M or tnoo". It .... 'ing." _ .... i .....
optiCH'ICII COtnp./t.r-generoted accompaniment)
e 1965-66
""
0 1966-67
CARBONDALE Electronic Music Studio, SOuthern Illinois University
PO 11963) 1965
i C1 t 1 01'11. fO( percunion ( 10 ploy.,,) ord
lIottj.
e 1963-64
Di u.nt./lluJ1on
lIottj.
51. Monoehrom., :
8 - F
e
"" 51;"',
Playful Drum'!
4'52"
" (5')
2'
1 .. ,00"
11'00"
1'10"
1'20"
2'30"
2'''5''
Dt.c: Tape Othtn
-
2'
1 -1--1
"
11
Sy,
Sy.
Sy.
Sy.
Poo
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mat
183
,&.I USA
COMpcMi....., Tin.. rOMl'fN
e.....- Titt. of tt.. work
HO"'lt'Ioge a Oebuny
",d .h. Put,. Qu ic;:lcen,
Chod .. idc MU5iqu. Concrir. No.1
8ottj_ Collage No.1
lotti_ Block J.lly a_an,
Chadwldc Mutique Coner". No.2 (lntetMctlor.)
lo,tl_ Studies
"
Equal Temp.ro",en':
Fantasia with. 9 Cllnd 5
Fontasia ... ith 9 and
"
,
I "ve n t ion.
"
J'
,8 'one Choral.
50ii"iTt 1'10
"
'9
J.O" S euJ 0_" _(36 faN)
Chadwick Variation' on a Q"ort.r Ton.
The",.
&.ottj.
"
.h. Hour. Qr Darkness:
Creo'ur., of .h. Nigh'
Heave,,'y lodl.,
VooDoo
CHAMPAIGN (Kenneth Gaburol
PP 1966 I?I
--
........
e
e
e
e
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1-
e
e
CH ICAGO Chicago Musical College, Roosevelt University
PO ,tudio rob. rt'Ody lot. 1967
I
CHICAGO Universal Recording Corporation
io
Cunninghom 5 u i tit
"
.h. F 0 rift 0' 0 Mu ,Iot room e
CUMingham Tic 10< Fugu. e
CunnlO9horn 51,1 i t.
'0'
"Midnight o. Ei gh tOO Ih
C"nn'''ghol'ft T i",. long\
'0'
E te rn it)'
CICERO (Edward M. Zajdal
PP 1962
Stvdifl Nos. 4. 5. 6, a, 9 .... irhdrown
Zojdo Stud.., No.1 e
Zajdo S t",d.., No.2 e
Zajda Stud y No . 3 C
Dolo c..4. ......
.-..
-
Dhque s-o. A__
Dolo ....... T ...... OlK r_ Oohon
-
3'00-
"t$"
1965 5''''
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'9"
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'966
1'10"
1'10'"
2'25-
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"15"
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8'30"
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5'
'9"
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1959
'962 2?
'963 5'
'963
.'
'9" 5'
c.....-- r ... I"......
c_
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Z0td-a
Memori., of fOf'p;ono,
dori"., and top.
Zojda
Do Not Att."'pt To O.'.ot Th.
I" t. dock
Zojda
N.w M."'orl 0' for
dorine' and tape
Zojda
SPudy No.7 .. forpbtoord ....
Zojda
.. th." I kined h., 1110'1. ..
Zoj.
Study No . IO
Zojda
Stud'f No.ll .. forboudorine,. piano.
rope ond peopl.
Zojda
O olotion, ro.-.I.ctronicpionoand klpe
-
G LENVIEW Electro h n POles, Inc.
PP 1966
oho WMldtradu for F .. TV
Th. Promise
PEORIA BradleV University
PO (196511966
Thr EI.ctrottie Pi .c., ( MulOtion..
Mofttove. Two Part Invention) '.
URBANA (Charles Hamm)
ip from N.w Orlea".
Ho_
RO"'ttd (1964: Mvertll ,,"ii:rotiomuli" el.c.
honic de ... ic .... 10..,... t e .)
Ho_
Mobil for piat"lO ord jlgpe
--
'unctiar .
C
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C.
C
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C
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URBANA Experimental Music Studio, University of Illinois
PO 1959
wor4.: witt, (also i,.trurnenllul IT'U5ic:). 1ft opp.rdix "Syn"
Hiller
H...- .
Shollerlberg
/
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Thr EI.etronlc Stud l .,
USA '15
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-
--..
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1965 7' ,
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7'10" ,
'9" to"I.' 2
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1965 7'
'9 ..
'"" '""
( Ul' )
1965-66
.'
I
I
"$9
1959
/
20'''./
(30')
8'
186 USA
rel'lfM),
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Hili.,
Wilton Go
TUl'1Mf
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Sandud,y
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And""
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Ma,timno
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Goburo
--
--
ft.r l"'provltotion. for M.dea
L.ikar No . 3 c
Col loge No.1 (II..-Suede) C
Piano Collage C
Time or the Heathe" (NI.,tma,. Mlnlc:)
Inchoat. Study
Amplification, on owrtv,.. fOf P'Ope r.-
cotd.r and band
loop Study
S .... e" Ele-c'Mtl"li e--StucHel, F two-
cha_1 ,.corder.
Vocali ..
PrapaOia''''
Homoge to H...... hollz
Ord.r.d Di ,order
P.rora,ion
EI.ctronic Study I
csx -1 S'tldy
CompOlition
c
c
c
c
- c
c
Comp",'.' Cantata, (0( loprano, chorile Ct-
and 101M
Improvi,o,ioru ""it'" Ike Harmonic
Tone Ge"erolor :
No.1
NCt.2
No.3
Conto 1963. flut.. C..
clad"." ,ol'loph_. prepared piano. percus-
.ion and tope
Antiphon. 1110 C..
COYGfy ), for mi.ed cfton." ond focIpe
Antiphon. Ill, (or 16-port ChONtand
....
c
Fut ili t y 1964 (wir+opr. ... cotdedfernol. C
$peolc.r)
Machine MUlic, farpiono, percuuiOf1 C.
ond !'ape
Shamyo, (Of' ... iolin, petc:uuion and focIpe
Ca"struction and Impravi,otlon
c
c
CampcHit;o", For twa p.rcy,sio"i." C ..
a",d tap.
Macb.th
St
St
St
St
-
00 ..
I''''
I''''
1961
1961
1961
1961
1'62
1'62
1'62
1'62
1962-63
1'63
1'63
1'63
1'63
1'63
1'63
, ....
, ....
1 ....
1 ....
, ....
, ....
, ....
18'38-
(30')
15'
.'
3'2S"
10'
(45')
3'
S'
10'
.'
23'37"
5'32"
1'32"
4'1'-
1 'OS
1'2S"
S'38"
3'
2'
"30"
,..
3'SO"
"SO"
S' 30"
6'23"
I"
lS'
\)'09'"
S'
12'
5'
7'
Th 196' .. ,s'
Und.rworld , fOt"t.l'IOrsoJlophone, 4 per.
c:uuion, 2 doubl. bone! ond !'Ope
Co. 1964-05 17'ar
Hydro;.", Juk.bo .. Th 1965 40'
l.ma", Drop' C 1965 2'.51"
Pop
T ..
Sup
JME
S,'
H.I NMl Sy",
H.1
IftC),Yol.
H.l
H.I NME
H.l S,'
Hoi
... ,
Nouhauo
.... tl"
...,......
Myhill
h.ld
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....
Hill.,
Hill.r
HHI.,
Wlrwor
Hill.r
Sono,lfe,ou. loopt, for nUN, tN..",.t. c ..
dOI.Ibl. bo., 2 poIfQlllion ond tap.
27'10 .554" for 0 p.,cunionlst C..
(Cog., 1956): RMllizotiQf'l '6.5, for perQluiOlt-'
is., amplified inlt"-'-nt (3 COtlfoclct ftIIiuo-
ph.on.s) and ...ogne,fc ...
Study .5 C
Gho., SOAota C
AdloceAde. 196.5. f0f'2pe,QII.lon, 2
dl,.ctlonol twitching deviu.
and .. loudspeak.,. .... itfl or without .5 winch,
formant ruN', 2 __ and" loud.
speake,.
T e Ad., I y of populor tOI"IQ)
c
Scherzo 0 Tr. Vocl C
Th. Hou of Amach.r, a lOpe C
r.ctlOf'! ...oki,. 0..0;10l:I01. el.ven noun of """ic
fOt' or """lIc we. ot a III'1QI. COMpaIltlon
01 01 a lCR,j,ce for a ""'".,., of diff."At pieeat
(short piece. From a'3O' CD,,!wi oc-
cordlno to Il'IdlcatlQnl in t+oe tcor. )
Flu, Sou"d Plec.
For Har,y (dedicated to Harry Partch)
c
c
No" S.qultur VI, forflwte, cello. harp, C.
piano. 2 perQlllion ond tope
A Triptych fo, Hi.ro"ylfty., 101'1"0- C+
jee'/a,., do"cen, acton, Gntlphonal ;,..tfy_
_ntol gl'OUfll and ...
Suite. .. A C..
rriptych fOl Hleron)'fI'MM)
Primarily Act Thr fOt" 11 ; ... tf\j",. ... " C..
and tope (from ".. Triptych for Hi.ronyrrw.n")
Saynd Sflldy r"
c
Four Stud; .. ror !Iliac II
c
AI;orithm. I ol"td II, COfI'IpUter""""icfor C..
ltereophonic tope and 10 I,..trume"" (won: in
...._1
INDIANA (Ind.)
I
BLOOMINGTON Electronic Music Studio, Indiana University
PO 1967
MUNCI E Ball State University
PO 1966
D
-
-
1 .,
1 .,
1 .,
1 .,
""
1 .,
""
I .,
1 .,
4'301"
(1"30")
"'S"
2'30"
2'<0"
.'
13'-61)'
2'
.'
1965 7'
1965-66 Ind
(l1h)
1 ...
.'
1 ...
.'
19..
1'"
IS'
196460 36'
1966 18'
1... 12'
1... IS'
11'
1966-6,7 18'
IPUdia in preparation (KAi","'). aho to b. UHd o. a... eor troi ... il'lQ peri",. ...tal teaening labOtOtory
IOWA
IOWA CITY Electronic Music Studio, University of Iowa
PO 1966 (Hm;, Shall ..... "')
S,'
P.t
s,'
H.1
S",
S,'
5"
USA 187
r .... NYC
Nouhauo
rI" UT(MS ..
ac
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j,
I'
L
188 USA
Compcni'-"r
Compowr
TIm <M ro.von.
Titt. of t+te work
00"
00 ..
KENTUCKY (Ky.)
I . - . . 1 L 'sville
LOUISVILLE Electronic Mus,c Prolect. Un,vers'ty 0 ou,
PO (1965) 1966
Ostryni.c Pr.lud.
LOUISIANA (La.)
I
BATON ROUGE I Kenneth Klaus)
NEW ORLEANS Ijames Drew)
ip
EI.ctronic Study I
s.
C
NEW ORLEANS Electronic Music Studio, Tulane University
PO 1965
H."ry 0
H.nry 0
Henry a
Po Hog.,
aqu.nCH for (th. fin' N.w
Orleal"lJ howening)
8011.t 1966
Sy",phony in On. MoY."'.nt , No . V C
Symphony No. VI in Four Mo ....
m."t,
rk. Old Glory
NEW ORLEANS (Charles Hamm)
Homm Concerto for piono ond top.
Port r ait of John Cog forpionoancf
four tope r.cord."
C+
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Th
MT
'.65
I."
'.0]
'.64
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Ouro#Q" TradI,
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7'
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20'
S'
25'
11'40"
.'
S' 1
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1
C_
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-..... .....
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USA 19
........ .... ........ T .......
-
-
NEW ORLEANS lOtto Henry)
PP 1965 ...... "- W... , ..........
"-yo
S),mphol'lY in O"e Mo .... m.nt.
No.1 C (,..... Ised_ ... )
"-YO
Symphony in 0". Mo .... m.nt.
( ......fMd .,.,.lon)
No.2 C
H...."o
Symphony in On. MO.... "'.nt.
N.
,
C
(revited _ton)
"-yO
Sylftphony No . 4 in Thr Mo .... _
C
1ft. n h (,. .... '4"IGrI)
MAINE
BRUNSWICK Language Laboratory, Bowdoin College
io
Sd.WOrl'z
MUlle for Orchestra, with
C+
....
Sdt"<llOm:
Fonra.y. for ""N. COnh'abo. and,...
C
Sdlwof'tZ
MUlic ror piano ond tope
C
MARYLAND (Md.)
I ... 17'
11.64) (21')
'966 20'
0 ... )
I ... IS'
(1... )
'966 20'
(1.05)
'.05 7'
r
19.. S
, ...
'0'
I I I I I I
BAL TIMORE Electronic Music StUdio, Peabody Conservatory 01 Music, Peabody Institute
PO 1965 (Kent)
MASSACHUSETTS (Mass.)
BOSTON Boston Experimental Electronicmusic Projects (BEEP)
PP 1966
c I ...
I I I
S'
Coit i on Pf'Og"": <:arnpl.tld com-
posirion to b. 1966-67 l iS')
CAMBRIDGE (Vase Greenough)
ip
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rfl'lWCIIh.
rl" Woah.
rl" Wo.n.
,1"lfMC
190 USA
TItN de roevwe
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-
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CAMBRIDGE Research Laboratory of ElectroniCS, Massachusetts Institute of Technology (MIT! '
io (1956) 1963-67 FonoKI ........
c
F.,.,.tti
Tda
c
F.".tt!
Etude
c
NORTHAMPTON (George Burt)
ip
Burt
COMpo.ltlon for Fl .... ' piono and
tOQ.
c
WALTHAM Electronic Music Studio, Brandeis University
PO 1961
Shirley
Folck
Foldc
Hughes
Shirley
Fold!
Folde
Subotnick
Hughes

Vannoy
Folck
Adami,
Lermon
Folck
leman
Ado",j.
P.r.p.cti .... 1
Lodi .. Day
Etude No. I
Sign Po." I
Sign POI'I II
Puudo-Folclc I
Puudo-Folck II
Young P.rlon', Gl,lid. to Elec-
tr onic Music
Shadow.
E,,,,d. No.2 (Pr.h.lde No.2)
Etvd. No.3 (Dance for f.II.. )
The Color Wh 1
Pseudo-Folck ,I'
UCLA
c
c
c
c
c
c
c
c
c
c
A.uembloge: 12 O.t.,,.,inaU e .... "'h c
Pr.lude No.3 . forpionoond
ElectroniC: Study 1-6-4
Piece One
Conc.ptual Morlon
Piece Two
TI,. Mo id,
Menoll_rle
IthocOI (after 0 pMmby CaYGfy)
Piece Two (Mconci .... ,..ion)
c
c
c
c
c
c
5,
1963
,.,.,
'966
, ...
,.62
"62
"62
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,.6.:1
"6.:1
196.:1
,.6.:1
,.6.:1
1'6.:1
196.:1
,.6.:1
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, ...
, ...
, ...
, ...
, ...
, ...
, ...
I ...
I'"
2'30"
3'00'
1'00'
",.
"22"
7'30"
6'OD"
1001S"
2'12"
O'OD"
12'00"
"OD"
S'lO"
12'00"
7'
.'
3'40"
,'30"
7'30"
33'
2'30"
I ... 4'33-
, ... "30"
5yn
5yn
5,n
MCA
--.
Adami.
Gr'IIIIIO
Gnauo
GI'ItIU:o
Gnozzo
I .. ,
l.I.tc.ier
Yannay
Yannoy
Lucier
Ep',.in P
Lennon
Ep'tein P
Lucier
Y""nay

lucier
La,,,
lucier
Spi,al Millie:
.. ent Mu. Ic
Mi. No.1: Tom MI.
Col loge
s!:; I c (ntt. I..,.ctfvlly
The Jailed Ed I.' 0' __
Mu.lc 'or I,on with Electron ic
Soundl
Co,.ple. Sound Situation
Smoothiftl off the ed,e . ..
fibonacci I.h.a, .. d
lo.o,t MI. 'or MOlnetlc Tope:
Corr pondance and Note, ('otot
I ... t 12 ,... record..... and 8B tapti loopI)
fhgy '0' AllI." A"o.'o,lo
COnon (Jot '-!apn 'n CDI"IOn colterlDIN)
Ehct,onic Study 2 .. 65
Phonomontog.
3:30 for Thursday A,".,noon
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
Mu,ic fo, Solo Performer 1965 f C
-.Iification of Io-c.yc.le olpftg "'y",,,, .,.:'i:
__ ",ith ,..,.,'1"" fM'CUMion i ... 'rvmenk
(!iIO'9, 'impilrll, boss d""",,), 10uchpeoO""
IwitCn.., F'ing de..,lc.. and ltotoge IOfM'I
"..-r.COf'ded modified bra'" _ ..... (tedlnic:al
CONUhan' o. .....n)
Ton.group. I
Th. La,t Mo",enh of laimunda
(ofte, a ,tory by loy Bradbury)
Ton.groups II
c
c
MUlic fo' Ampllfl.d LIp (live .l.c- C
honic """"ic)
Study No.3 c
5 : 50 [ n the morninl c
F,o", M., fint look of 0,.0".. (II.... C
electronic. .... ic)
Medel,hlt!o'.
MUlic 16
Qulntino . fOtWllpl'Ono. flute , electric
guilor, 3 perOJMionil1'l ond tape
Th. C!<'airt
c
-
-
, ...
, ... II' .. I
, ... 6'2T-
I ...
, ...
S, 1961 "00"
, ...
">2"
, ...
, ... 6'12-
, ...
'7'00"
, ...
,.,.,
'965 511.5"
I .,
'''09"
, . .,
N8"
, . ., 6')4"
1965 7'1s-"
1965 i,., i,.,
(90') (''''')
I .,
, . .,
3"42"
I'"
, . .,
"'0"
, . .,
, . .,
"30"
, . .,
ind ch
, . .,
",...
, . .,
"20"
, . .,
"30"
, . ., ind en
"65 ,'00"
, . .,
"SO"
, . .,
I'"
"65 30'
MT
'.66
20'
'.66
, ..
"66
20'
'01
Po.
, ....
sa.
USA 191
p lucie,1
.... _n
lucie,/
OIi""fQ5
TudOt/
(etc. )
I
l
192 USA
--
-
Sh.I'.r 9999 (U..,..iectronlcl'ftUllcutlng C- .. F
1966 I ......
Lucier
Lon"
L .....
GftO'Zzo
tJ"c1.r
L .....
lucie,
La".
l.el"lftCln
luci.,
Sch_rn
hiah1C'in tenline of envlrontMntal
_nolo)
Ec",,..,,lcol COline:! I
MT
Aclel C
For '.nno 0' 50"'_ Mo",.nts 0' My 'n
Ti
Plano Piece
Third Book of .,c1l.,
Variationl on I",p.tlllonence
Wh I.tlers (11_ electronic """ie ",1,.,.-
mot. ""'" 01 dt .....rbo_
i" ....
1"0,,1 and J"dy M ' . :::-::-
Ofgon MUllc for Tudor (It ..
.lech'Qflie -..le wlltt on aural lcore for OOVW
Tudot ",Ino /NIhl.,l. fHdbode ... l
fh. 1t 1 & a.yond or Ccurow',
Scop.
Ab" ... .,;
n. Greot a.bot. (with toJaeond II..,.
-)
c
c
C
c
c
North A",.rlcon nln. Coplule (.Iec- C
hoftic chofel ust"" 0 tpeclol com-
pute, deslaMd by Syl...ankl Elactt'onic SY'M,..)

c
MT
MT
lOT
MT
MICHIGAN (Mich.)
1966 1 ...
1966 12'15"
1966 120'
1966
1966 I ...
1966
1966
19... 67
I'"
1967
I'"
1'"
Ff 1967 8'117
1967 ..
1967
I'"
1967
I'"
1967
I'"
1964-67
ANN ARBOR The Cooperative Studio for Electronic Music ICSEM)
PP 1958
2x2
2x2
21
inc! c;t,
I'"
I ......
2x2
ind ch
I'"
MT: 1960-64 fl)( "Spoce Tkeatre" ard -.YoaniffttotiOtll " ptoductianti ,ince then for tne ONCE Ttlecme Gf'OIIP
Jpecial equip_nr VIed in -cybenonic" (live .I.cfTonic) d.signed ond built by Gord_ Mu_ ,.i'" Wtl!ia",
Ribb.m
""'mma
Mumma
Ashley
Th. So ld Soprano
Rirmii
Th. 1"'0;. in Time (Mclnupelli film)
So ... ndblock )
So ... "dblock 4
Soundblock 5: Vector'
S i nfon i o , fOf 12 imtrument1 and mogMtlc
-Soundblock 6 : O.ruitie, (r . ... ised "'ef-
sion of tape from "Sil'lfonla )
III .... , for Milton Coh.n :
Good Int."Ho"' and Annihila-
tion
The Spy
c
c
c
c
c
Th
MT
MT
MT
1958
1958
1958
1958
1958
1959
1958-60
1939
1960
1960
1960
75'
)'00"
13'00'"
)'00"
2'30"
2'''''
3'00"
12')
3'00"
S'OO"
0'21)"
-
-
Aahley
....,I.y
-
01
...... y
Aahl.y
"""ley
s,.
Aahley
-
Mu .....
Mu.....
""' .....
--
.......
Hum
The 4th of Jul y
C I MT
C I MY
The SottlerlllOn (Mor..Ipelll fUme 0110 .. liN
in 2 .hafter wnkIN)
Mirror. for Milton Coh.n
SoundbJock 7: Mirrors (bo..t on the
..... )
A Gothering or S.o,on.
Two Short Film. (Manupelll film)
c
Hum A9ain (based on "H"",-) C
M.anwhil., A Twopiec forplono, C...
p!erGlllton, any 0"'''' i,..tn._nt and .,... ... tic
-
The House (Monupellt mill)
H.at (Me.,...,J... whh H.,.. 1962. for moe- c
netic tope and owy ........... of pain of hlp ard
low pitched o:hestIQl iNtrumenll)
A Slice or llf.
Sig Oonger in Ft". Pa,,,
filll.,t Ploy. lui.
c
c
c
Public Opinion O.,cench Upon the C'"
Oe"'onl rrolo" , r_ tope and
.,..ipiNnl (electtonic _*lal. pnrpo .... for
ftI. performance OCCDtTorl)
A Closet Loole
MY
MT
MY
New. C I MT
Soundblock 8 : fpox)' c
Sequ.nc. frO,. Epo., (from ttwabo ....) C
Untitled Mobil.
c
c
Som.thini for clarinet. piono, Qnd C"
to pe ( tope pAlpared by"'. perfOfTNl", -"'0
mull be iau l'PMiciOM)
Music for f ... erybody
loxes I V
May 1962
c
c
Enl.mble, do..,bl.bau. 2oprlonal C'"
p"'fQluion and mcag,..,lc tope
Chunk
Commodious M.on" forperforme"ond
rft09M,le tape
a ... , Itid.
Sa"ndblocle 9, blOtlotd
rft09.... r1c I'afM' iPl progNl.)
M.Sloron for William Burrou;t", fOf C+
5 perfOl"NI'1 (ampliri..:' and .1.clTonic:al1y
modified Ii.,. K'lUnds) ard lfI09n.tre tape
c
R.'"rn Trip
lo .... in Truro (Monupelti film)
Gr.y.
MT
MT
MT
MT
MT
MT
""'"
....

19<0
1960
2'40"
17'00"
43'00"
1960-61 13'00-
8"00'"
1%1
1961 "00"
1961 2'''''
1961 7'30"
1961 10'30"
1961
1961
1961 1'30"
1961 "00"
1961
itd, _ 4".
26'JO- (1 -6 ch)
1%1
1961 10'00"
1961-62
1962 8'00"
1961.062 ../be2
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962
1962...
1962-63
1963
1963
1963
13'00'"
12'00"
I'"
ZO'
2'''''
20'00"
10'00"
I'"
25'
30'00"
10'00"
'5'
30'00"
-
, ..
USA 193
p .... hl..,
""-
ere. )
I
j
f
I
!

I
194 USA
Athley
Mu .....
Mu.....
...."I.y
"., .....
Mu .....
A,hley
Ashley
Ashley

Ashley
A Portrait of Vortzettl (lne ConFlAion C+
of TrlJrioI). for l'IOm:lltor. wlrd" percvuion and
mogMtie lope
re",,,s f or Spae. Thea're (Y.llow_r-
IluehorizontahurmMrwo-
... rlol,... Rltdrudlon,fallfiNbreast, WhiNcircu-
IarwinNlQlrMad). with light prot.ctlon, nlm,
scul"tu,., done. and "'tie .I.chonle perform-
E. t. 1'1' Ion I (with solid and lIght ,OJlptu,.)
M.dlulft Siz. MOllroph. for piano 4- C
hands ond cyb.nonle modlrTcatlon equipment
DeceMb.r 1'02: A Film for Hooded
"'rojectar (Manupelll film}
I LOdJ OY -A.1.rJU..d

Soy Noth1ng About Th l. to Arayone
(_lIInIM)
I Mus'S You garding a Mott.r
of the UtMOlt Urg.ncy (Manupelll film)
If You L.o .... M. I Will Kill M., ...
Ie If (Monupelll fII",)
The Wol ' .... 01'1 (con be corrGined ",ith "Th. C
Walflnan, for ornpltned 'oOic.-)
Music for the V.nez.io Spoc;e C
rh.a're (,..,,1... ',.,... T... )
My Ma., (MaflU94llll 01",)
MT
MT
'nterlude for Spoce Theatre MT
Sequence, for Galleries MT
'.0,0", Boy. for piano, bot" d",,,. (Bob C"
Ja....... Trio}with mogl'lelic IGpe (He'ia,. from
"T."'C)I for Spac. Theatr.- )
Untitled Mi t. forpiono. basi. d",,,,, Co.
(Bob James Trio) ",1ft! magnelic
The Dresd." Intert.a f 13 February
1945
le CarbulI.r, forordlntrg. c:yb."onic Co.
concel1On". organ and tn:gtMtic I'OtM
Hor". fOt hornord c:.,oel'lonic:. CONal." C
l.c:.ture S.riel, forpublicodd' ... "yst.",
( .... itt. modificotion equipment) and related
S. co"d Horn. forfolornond cyb."oniccon C
sol ...
M., 0 . for cybenonie "..."', re.d. C
, I ce, for eyb.nonlc: bondOMOn (bated on
m. obow)
Four Wo.,,: performed .I.ctronic ".".ic C
uti"; tapes ard el.ctronic d.v;cn for
tne pertotmanc. ocO)tion
Frog', forampllfiednarrotor. 2 amplified
speak.". 3 f.male dance" and lOpes
'01'1'1)0'"" ..... it+. cyb.rwnic performance
equiprNflt (woi'tt in progNtS)
c
Mr
Fr
191>3
191>3
1963
1963
1963
1963
1963
1963
1963
"63
191>3
19 ..
19 ..
19 ..
19 ..
19 ..
19O5
19O5
19O5
19O5
19O5
19O5
'9"
0 9'9)
19..
19"
1967
1967
17'00"'
37'00"
30'
20'
7'
''''
1'00"
-
l'W 1
1'30'
2'00"
1'30"
6''''
V'
1 ...
20'00"
S'20"
S'OS"
20'00"
9'00"
.,'00"
8'00"
2 tr"-
1 ch
1 ch
lei.
1",
ind ind
20' 2.2
196/>-67 (100')
ESP
.....
ESP
'Sp.
ESP

p "" .....
,Co ..
"" .....
T ......
p AMlI.y
(.'c.)
pMu_1
......I.y
tehrmo"
lucl.r
C_
".,..r...,.".
-
DaIo o.n.
C_
TMeol ..........
........ DaIo
"'"""""
ANN AR
BOR ElectroniC MUSIC StUdiO, University of Michigan
PO 1964 (?)
Fl,..y SHII Are New Worlds, fot narrator,
c:ftofta, ordI.. ho 0'" tape .
Wilson G. Frol '"
F"",- J
Th. FII
Varionh (woric in ptogreu)
ANN ARBOR (Bob James)
ip
T,IIo;., . 'or jou "'oord lape
c
c
c
c
c
Chrfulno', War/d . forplono, dru,",ord C+
....
FIve by Thre for ian h'laord tape c.
C+
..... ,., '1'1 COt'IjuI'ICtion wltfl a"y COtICert
pl.ce. ....rsion for ian
trio and tape
19.. s'
(26')
1964 2'09"
19 ..
19 .. 2'W
19 ..
196<-67 (2'20")
1962
1962 4'06-
1962 8'00"
1962 10'00"
1962 8'<0"
ANN ARBOR The Prime Movers Blues Band Tape Music Workshop
PP 11963) 1966 ........ r_ So.
s""",
Sheff
'hoff
Sheff ..
S .. i".r
Sh.ff
s ... n
COll l op.lo (Gearve CaCioppo. 1962). re.. C.
allzatlon for nu .... totHOItO. cello. piano. P*f.
am/on and IOtM
Oio,j,"o, (or nute(t) or any am.r tol oi,tid. Co.
_numbl. (of rite to"... i"""'lMnt type. to",.
horftoge/W'CM JOUrd quolity) ond lape(s): reol-
i tation
P.ac:e in ,I,. Volley fSj,.trumenl1C1nd
_ I
CO,"potition NO.4. 'Ot4reod." piona C'"
and 2 topn (",I'" gettures)'
C
.....
Ju.t Woll!: 0" I". fOl1e"vll'Of'll'l'llin",1 C+
(non-ril4Gtrlcol) oc'lvltl" orw;t optronal tope
'e,,"il.,. Australio" FII.1 Hom.
C.O.O.
MT
1963
19..
19..
",
, ...
(n'3")
22'30"
1964 45'
19.58-65 7S'
1965 ind
196,5 5'
19O5
"
-
T .....
801
21
21
21
11
USA 195
--
-
D_ .......
-
""" T """"
P.t _tCPfMC
J ..
Joz .-;tf!dlQwn
SP
Joz
i
I
j
l
, I
"
,
I U
I"
i
196 USA
S"eH
SMff
Sholl
Sholl
--
...........
Now ,"-at I 0'" 66 years old a re-
tired railroad .ngin r and at the
.nd of my rope
Th. AII-Americon Municipal North C+
TI",. Copsul. Blu.s, forbh .... sol"oOif
blues bond and .....
Th. 00"" and the Howlu (fil'lt ....r- C
sian)
Th. 00"" and the Ho""lt, (Mcond
... .,ion), fOif pop bond ond tape
MT
o
00 ..
-
1 9 ~
1966
1907
1907
DETROIT Electronic Music Laboratory, Wayne State_Universit
PO 1965 I?)
Felclono
I
Ant. he III, fOif ",I.ed ...oten, OfFn ond elec-
ITOI'!IC Nape
MINNESOTA (Minn.)
1 I
ST. PAU L Electronic Music Studio, Macalester College
PO studio plonl"lMi for early 1967 (Morton)
t'IO informotlon received
1 9 ~
ST. PAUL Ian Morton Electronic Music Studio, Macalester College
PP 1963 (?)
t'IO infom'Cltlon reeeived
I
MISSOURI (Mo.)
1
ST. LOU IS F rank Harris Productions
PO 1967
e l e c ~ i c mnic for eomrNreioh
I
ST. LOUIS Electronic Music Laboratory, Washington University
PO 1965 (?)
aha c;ompur.r music: (Boker): see <Jpperdi)l Syn"
Dr.....
Drew
T,o "s r a ttnS, fM 2-d'Onrtel lope ond per-
o,mion
ConHruction III and 1110
Glida
NEW HAMPSHIRE (N. H.I
HANOVER Dartmouth College
C
C
o
1965?
1966?
19661
3'
IS'
15'
2'1S Pop
I .'
I I I
3'
S'
ACA
NEW JERSEY (N. J.)
I
CLIFTON (Gary Sherman)
PP 1967 --' ,_ NYC
I
MURRAY HILL Behavioral Research Laboratory. Bell Telephone Laboratories (BTL)
io
compur., """ic (01s00 inlhu_nfal ...... ic by T--t), ... oppendiJc Sy"-
ODI"I'Ip-..1'er p"ov"'- Music !-IV, IV G indic:aNd in NoNs colu","
Guttman
Guthl"Gn
Piefa
Lr-i"
In t"-e Sil"u Seal.
Pitch Voriatiolu
StudyJ..-
Stoc"-otte (,leree I}
leat Caftan (pr.rc.e II)
May Calol I
fhre. Ago i nlt Four (May Carol I!)
Numerology (Sludy 11)
Var!otio'" in ti",bre and ottock
( Pierce III)
Study No . 1
rhe S.c:ond low (Study Ill)
c
C
C
C
C
C
C
c
Joy to th. World fOlTOnged oft.r Hand.11 C
Pi.rce
Pi.ree
T ..... ,
fenney
T ........y
r.nney
StIGng
Study No . 2
F,\,e Jocquu (tl'Uditlonol rourd)
Fr". Agoins, S."en .. rOl"ldo",
(PI.rc. IV)
Fantasia (aft.r OTlando Gibbons)
M.lodj. (Piere. V)
Molto Allloroso {Sc:hmolt1: / Pi.rc. VI)
Noite Study fArtologue n
! ic )'cl. ou i l, f or ' .... 0 ("Oo;'ya.II " .
OlTOnged oft.r Ooc ... )
F l ". Stochost i c Studiu
Entranc. ; E.it Mu,lc: (realized for
Georv- Brecht)
Sea Soul'lds
Dlologu.
Rodlopi.ce
Col'ftF'usitio" No.2
C
C
C
C
C
C
C
C
1957 0'15
1958 1'00"
St-- 1959
19" 0'36'
1960 0'38"
1960 "04"
1960 2'30"
1960 3' '''''
1961 l'la-
1961 "36"
1961 3'22"
1961
"09"
1961 3'10'"
I, 1961 0'37"
1961 1'02"
S, 1961 2'46"
1961
1961 O'SO'
1961 1'11"
1961 ..', ...
I, 1962
1962 10'
1962 10'
1963
.'
1963 1 'SO"
1963
.'
1963 2'
1963 2'
Tl
Doc
Doc
Doc
Doc
fl.
Doc
S,. ie I
S)"'I Mwicll
51" withdfCIWft
S,.
I,.
I,.
Syn Mulic III
I,.
I,.
S,.
S,.,
I,.
S,.
S,.
S,.
S,.
S,.
I,.
S,.
I,.
Pop
Syn Mwlc IV
I,.
I,.
S,.
Syn
Iyn
S,.
,I
198 USA
renney
Stf'IJl'I9
renney
Tenn.)"
Math .., M
Rluet
Fvjl""'rG
IYoatheWl M
Ergodo, I (c:anohobeperfonnoedtogeri'ler C
""ith "Stri"ll Complement" or "Re1IponMS")
Compulition No.3 (Mutie for th.IIM
70901
Phos.,
c
c
c
c
Cyel Ie Study (on exerel,.) C
ErliOdo, II (canollObeptirfonned toget+- C
""ith "Sh'i"'lil Cotnpl.ment" or .. RetpON .... l
SlIb,titlltion Stlldy C
Slider
Composition
'nternationo' lulloby
c
c
c
c
c
c
Dolo
Dolo
'963
'963
'963
1963
'964
'964
'964
'964
'9.,
'9.,
,9.,
'966
'966
'966
'966
NEWARK (or HOBOKEN ?I Rangertone Studio. R. H. Ranger Inc.
ip
10'-IS' bel
2'30"
'2'
2'10"
2'08"
indo /NUl;
,.'
3'20"
.'20"
0'28"
.'
6'
2'30"
'0'
I
Project 01 Mutie for Mag .... tic roP'". 19SJ-Sot. continued fYOfO'Ilom:on SNcllo. NYC (Cog.. aro.-" FfldMOn. Wolff.
r ..... ,
Oct. t I. for eight louchpeaken c 3'2.5- 0.,
FeldlftJn '91) 3' 8,'
G"
Gil
GI'
Gil
--
PRINCETON Columbia-Princeton Electronic Music Center (CPEMCI. Princeton University
PO 1967 (Steinbrookl
new ,l'udio c:dditlon Po the NYC CP'EMC
PRINCETON Music IV Facility. Princeton University
PO (196411965

co'"9U"r ....,.;c:. lince 1965 in ouociation with CPEMC. NYC
Randall
Wlnnom
D.....
MudQett .. by a mall "..,.!'defw.
for r>re_COI'ded female ..-olc. ord
digital tope)
Compo.itlon lor Two Sp.o!':.r.
c
c
c
Two la,ho', Hoi!.:u. forfemale..-oice. C"
flut., vlotin. pior'lO and ,,.reo to". record-
R.ciprocal,. C...
two perQfII ion i, 1'1
,..,
31
,..,...1
'966 .'00'
'967 "'-40'"
P
S,...
S,...
Sy.
S,...
S,...
S,...
S,...
'"
S1" Mullc IV G
S",
Syo
Syn rln C, EMC
Syo
S)'" .rln CPfMC
Syn f'n CPEMC
R:andoll
-
-
Va r 10 t I 0"'. for violin ond c:onv.rNd digital C.
....
COMpu,er Vorlotlonl {wort.; In ProQNW}
NEW MEXICO (N, Mex,)
ALBUQUERQUE Rio Grande Electronic Music Laboratory
PP (19571 1964
alperl-...ol 1tud'" since 1966, ,.. opptndlll "5yn"
lobb
lobb
lobb
, .....
lobb
....
'obb
. ...
'obb
, ...
, ...
....
......
'obb
......
....
......
......
' .....
......
....
....
Fo.,I. QU n (pontoMIIM wit+. norTCItof)
PI.a,on' Ob .... ron (revised venlon)
V.locifatlon
Sondiona
Pul,atianl of Ton_
c
c
c
c
c
c
'.tra,r.de Sequ.nce froln III rr.,- C
.dy
Four Noture Poeml (5ounck 01 Spt"il"lQ. C
Su-... 1d.,II, Sea SOUrd1. Th. Cowm)
Four 'iec., lor Tap. R:eca,der C
(TocCDtO. X)"lophonia. O'VGfIUm. Rhythmic
VariatioN)
Thre. Coprlcho,
Col loge, I and 2
S1. Stoccato Etude,
Stud., 4 1/ 2
--r-
c
c
c
c
c
T .... o PI..,. Two Equal. O"e C
Sonotino No.1 for the Unpr.par.d
Piano
Palyrhythmic Variation,
Sonotj"a No.2 for the Unprepared C
Pio"o
I " TV
Dolo
00 ..
'961H>7
'967
''''
'9'"
'964
'964
1964
'9"
,9.,
'9.,
,9.,
'9.,
'9.,
'905
,9.,
,9.,
, . .,
,9.,
'905
'9.,
,9.,
'966
'966
'966
'966
'967
21
I I I
'0'00'
24'30"
J'JO"
(7'30"1
2'10"
5'30-
16'30"
"00'
11'40"
6'00"
11'30"
8'40'
'0'00'
l'lS"
5'00"
S']O"
.'(1)"
S'OO'
)')0"
S'70"
2'00"
"00"
20'SO"
USA 199
S",
Syn rln CPEMC
InUTfMS
200 USA
NEW YORK (N. Y.)
I I
ALBANY Electronic Music Studio. State University of New York at Albany
PO 1966
Chodobo Tap. Mlniatur. No .1 and No.2
Chodobo albany",,,,slc2
Chodobo Th. M.",otQndum
'.ndo Th. O.. ce"denh of Callt (r.Uopoem)
Chodobo olbonymu11c3
AMENIA The Barlow School
PO 1966
Comp_ Electronic mu1ic int.rpNl'Otion of Ed_rd
Manch', "Th. Cry"
Chang
CordoYO Piece No . I
Millikon
Ma"'.
NiliJhtortar.
Marlt. -+ St 1
Ni.renberg
Compton + St.el "Variation,"
O'Connel
BUFFALO (Michael von Biel)
ip
C
C
C
C
C
C
von !ii.1 C,ill Piece, forlbotbecuegtill. , .I.c:- C
hi;h and low contact
and electronic modulation
s. ,- I''''''
,- "51"
'"
,- '5'
,- '0'
'.67 "30-
,- . '
, ... J'
, ... 8'
1967 3'JO"
'.67
, ....
'''''
BUFFALO Electronic Music Studio, State University of New York at Buffalo
PO studio to b. r.ody end 1967 (F",II., .. Poun..ur)
BUFFALO (Frederic Rzewskil
ip
00 ,.t. Ilun; , fQt on. vocol soloilt with
contact- and two tape-
monipulotQt1, one .. mono
toprreeordel'l (I r.eont. 3 playbaek), ..
omplifi." and .. loudspealcel'l (origil'lCll ....nion
af
" ..
22' ....
hhdrown
p VOlt ai.1
r.d",
rev ROfI'ICII
MEV
o RUWllci
So",
rudo<
c......- TItre.,....,..,.
T1tfeolttle ...
BUFFALO WBFO FM (radio)
io
Cit)' linin WIFO lu"olo: broadCICII'
of -City Unb-, for tOUf'dlng
01,,- or ..... ,...,.. fOOD"", I'IvNmltNd
o_r ,..I.phon. n,.., 'ed bod. Po eodt other.
I'llCa"lltoNd, ...h .... ord/Oif 01-.. '" a brood...
COS"", .tudla (to be for 0 ""'n'mum
012" houn)
-....
-
.....
""'" .....
-
"67
, ...
FARMINGDALE Electronic Music-Division, Raymond Scott e-nferprises. Inc.
-- PP 1954
EI.ctronic """'e for (R. TV)
Thr Captlchal
....
GARNERVILLE USCO
PP 1966 m
'n 19S400
C '.65
C 196$
(0"5)
'0'00-
-.
T_
, ...
'IOU1'Id l l\ldio . i lt! fil_ker Stan Vonderb .. k ) 01 ITti .d media cooperoti ... useo (origif'lOtlld in Son Froncitco in
19.59 - d. Colloho" at SFTMC)
.....--'" ;rtcJude G.rd S"-m, Mlcno.1 Col/aha" _ O_n JOIWt , Jud Valkut
"'0 inforlPlOf;on .. c::ei...d
,

'W)Vnd tnldc f Oif Moyi.Orome of SPan Vond.,t,
useo
voriOU$ mix.,d media .nviron"",""
USCO
lo ..... r Eo,t Sid.: Portat ..
AIft.rican l i f. , ,..,i.. d <nedia environment
Sn
Sn
Sn
HAMI L TON Electronic Music Studio, Colgate University
PO (1966) 1967
ctour'OOI'II d .l'I'IOnJtl'Ction mo"-riat
HAMILTON (William Skelton)
ip
SI..lton
IS;, M'n . .... r .n Sooond. fo, Jo.' I C
I , ...
'0'
(1 3 d. )
,,-
'.67
'''''
fI"c:h)
, ...
I "62 I 6'10" I
USA 201
--..
-
"'- ...... "-
-
"'" r ... 0lIwt
-..
rlnN.M.
rtnN. M .
,
,
J
202 USA
--
""""""
HOLLIS Max Brand. Electronic Sound Structures
PP 1958
...... ----
... nd
... nd
... nd
......
... nd
!ito"";
......
......
... nd
8 .. nd
8 .....
Ihi:-4
h-I
Ix -C (witt. voice)
Ix -0 (wi'" yolCft)
Jungl. O,um,
0,,,,,,,. of Africa
-I.;y A
Elegy'
Challenge ond O.,c,,"d (Stvdy 10
"Adomard e..,.")
Rhinoceros (I.II., FunefOl fOf'o Cot)
Noctll,no 8rolil.i,o
Thr Foe., of E .... (Introduction)
a.-G
e.-I
Th. Astronaut., on in .Iectronics Co.
for rIOmltot, chonJl, child,en', ""ices and
IOJM ( including ....oleM Ncord.t durl"SJ John
GI"nn', orbilOl flight'
Four French Falltlong., 10<' voice and
.1.ch'Onic sounds
Thr Pieces to GOf"don i5row,, ',
in Motion" ( Pon, Spooks, Stomly Sea )
Thr PI"c". (Of Done. Gf"OVP (Conflgutotion.
Cortfg., AII"n .. len)
S ludy
C.rb.rUI I
C.,berv. 2
Aulo",o'lo"
II ion I
Engi net
8,,-N
8l1-0
a . p
It
It
It
It
It
It
It
It
It
It
It
It
It
It
It
It
It
It
I.
I.
I.
I.
I
0010
0010
1"9
1"9
19"
19"
19$9
1939
19.59
19S9
1960
2'10"
0'20"
3'40"
"10'"
2'(5"
3'SO"
1960 ... ocr
1960 3'01"
1960
1960 7'38"
1961
1961
1961
1961 1'40"
1961 2'30"
1961 1'10"
1962 20'
'.62 6'11 "
, . .,
12'53"
19.. 2'10-
" ..
)'0.5"
19..
, ... 2'12"
, ...
19.. 2'20-
1'28"
S, 1965 -66 2'3r
51 196.5-00 2'40'"
51 196.5-60
SI 1965-66 1'3;r-
St 196$-66 1''36''
5, 1965-66
SI 196!li-66 1'40"
51 1965-66 2'10"
'-

- '-
ntleof.t.wortt '-'on
...... h-S
...... Ix-T
...... Ill-U
HUNTINGTON Her-Mar StudIOS
PP (1962) 1964
Good Fddoy. chorw
0'" b,.,. quo,....
A Chrlstma. Corol
c
c
CO_ft _t_ouu_o_nd-----J_'r_o.'_.a_'l..", ,... C+--
D...,,,ch
,GIl,...., ,.,..... ...... (pet'CWllan
1st Oft .......... 01 JG1Of'I S.ley)
' ... ocog'lo (ttudM. lot I,A. Moog) C
Th. koad (Ho..g.I'oChcm .. IYft)
50no'0 for top. r.cord.r
c
c
c
Ja:u (Worbong ord lIu.s), for C...
impft)vking jazz lOfo dancer ord
....
Varla"'. Studi.,
R.d V.loch., ... (lldwnord Ito .. ),
...allzotlOfl for cktfirwt, v.topftone (ill'lj:M'O-
ylti",,) and Moog Synt+.,;lz.r
r"'proyi ,lo" I" Thr Mov."".nh. C*'
for 1"'fII"OV1s1"" I,.""",",,, (Neo.... Yor4c 1"9"0-
....itatlan Ovorr." 0'" Moog Synthesizer
SCOt"e for lJftitad NotiON ",1ft (lntematiOtlOI
T.I.COIftOIII'IUni(DtiON Union)
.4. littl. MUlic: (revlMd ..-.nion)
Di .... r'im.n'o c
NEW YORK (Frank Amey)
ip
COI9IpcIIitiof. b., .4._y
Vorio,i!)n. I (Cage, 1958), realization for Cto
prepa" piano and tape
EI.ctromognetlc: _Ie for ToMi. _hibitlon
NEW YORK AudiQ9raphic Arts
ip 0110 at Studio Cry, Colif.
I.
It
I.
It
-
""'I. "-
0010 Duration
T""'"
1965-66 2....5 2
196.5-66 2
1965-66 2'1J- 2
1962
".,
6'10"
196] .'-51-.- -2-
19..
1964
19..
S'W
S'SI"
10".55"
1960h65 9"50"
1965
1965 0'
1945 ind
1965 .... 39"
(12',
1966 3'.56"
1967 3'27"
1960
1961
1 ...
1 ...
11
11
I.ignoture runes. COftWnIIrcial., baclcground
..... 1.
In 11963-
USA 20:\
-..as
-.
.......... - -.
DIoc T_ 01Iten
wiihdfa ....
JO'l rl" IEMC
In IEMC
Pot
204 USA
NEW YORK Louis & Bebe Barron Studio
PP 194B61 .... 0<1 to lao ..... 1
-
Function
Projeet of Music fOf MoW-ric Topes 19515J , contrIVed in Newark, N,J. (Cop, Brown, F.Id .... ". Wolff, Tudor)
all works b)' "&anon- c:oU.... tion of louis ond a.o. lorTOn
th.3 "Th" 011 Broad.:Jy pn:iduc:rions
Oow_ .. ,.,i_nlal stud,,,
00- Heavenly Menogeri
Cate '",oginory L.andscape No.S
Cog. Williams Mi.
00- Th. ISells of Atlanti.
WolFf F Magnetic Tap.
00 For QI"I Electronic N., ... o ... ,5Y..J' e",
No.1
Miramogic:
00- Jon of L.ights
00- legend (mime )
Oowon Forbidden PIGlut
00- Progr.ssi"e B. to
Oowo. Visit to a Small planet
Oowon El ectronic sOI.Ind-scor. i boll., in th.
Standard Oil TV Spectol
Firstborn
Barron lltidg.,
Oowo. MUlic of Tomorrow (musicond light
....wi
B<lrron Th. Happiest Girl ,. the World
NEW YORK (David Behrman)
PP 1966
8.nrrnon .. 0 ... . 'roin, for omplifilld ;,..tn.ll'Mnt's
( .. itt, optional oscillotor of'ld ,I...,. modulo'or)
ord !'Ope
a.hm"Gn Ploy.rs ... i th c ircu i t$, fOtt zither,
guitar, piona" oscillator ond ri ng modulator
Behrman .unthrough. fOf' kali...oa, ring
iTWJduloto", frequ.ncy moduJoIOf1 and val tog.
controlled omplifl."
NEW YORK (William Burroughs Workshop)
ip
Giomo +-
G)"in
I Subwa y Sound
St 1'94-51 (1'-3')
1951 7'2fr'
C 195152 "00"
C 1952 <4'IS" 8:111 /
'.2
1952 10' (lxl)1
C 1952-53 21' '.1
C 1953
"
.. ,
19S< .. (lxl)1
t9SS IS' {bl)t
19S5 IS' lxl
1954 SS'2fr' (4)1
t954 3'10"
Th 1957 12' 2
, TV 19S5
"
(hl }l
Th 19S5 It'
1959 8' {lxl ) t
s. 1960 S' <.2
Th 1961
"
bt
c- 19.. IS' t".
if'ld ch
C t9 .. t2' t ,h
C t9.,. 12'18' 2<10
I c I 19"" I 3'<0 I
P.,
,0."" P.,
p Athie"
B.hrll'lOn
lucier
(oliO b"
Tudor, MEV)
o a.Iotrmon
Luci.r
Wolff l
Chodobe
u.,cier
p hhmlOn
r.itelbouml
Alhley
Behrman
... 1
c-.. nn. rlMW'WN
c_
titt. of 1M wortr:
Giomo ..
Birdsong
Gysi"
Giomo + Am.rico" Eagl.
GY'in
NEW YORK Capitol Records
io
Ang.1 hod a Baby
NEW YORK (Walter Carlos)
PP 1966
Ca.rOl
In prour , fo voleet of'ld !'Op")
Carlo.
Wiota", N .... , Pussycat? (arrangement
of popular lOnSI )
CarrOl
Clot lsh
NEW YORK Columbia Broadcasting System (CBS)
io (1952 n
SY Mphony o f the Bird.
--
_ .
C
C
c
0
0
-
""'Ie
Dot. ........
19"" J'oiO"
t9"" .'10"
t9S<
"
19M-l>7 ('S' )
t9.,. 2'2fr'
t9.,. 3'00"
195455? 11'00"
19617
19617
......
Tracks
I
t
1>2
8/1
8/1
.........,..
Obqw....,. "IIhs
Dhc Tape 0IIIen
P ..
P ..
P ..
' ..
p ..
'"
11 ic
t1
t1
-.
-.
NEW YORK Columbia-Princeton Electronic Music Center (CPEMC) , Columbia University (Tape Music
Studio. 1953-58)
PO (1951) 1953
...... CPEMC sludia at P,i"uton (1967)
RCA Synthetiz., oV.ort.: II , ord use of IBM 709. comput., (Columbio Ur.i ...ef'1, ity) i" oociation wit+. Pri"ceron Music IV
Facility (see Of'iP""'IdiJf "5y"")
lMad-t......ky Transpolition, R..... rb.rotion, h- S, 1951-52 7'S '"
peri",."" ilion
lhIach.""ky U"d.rwoter Va"e S, 1952 1'05-
Uuochevsky So n ic Contour,
C 1952 7'18M
Lue"ing Invenlion ,. t 2 Notet
1952 3'W
.1
01'" A.CA
RW
ACA
'""
I
tu.nlng
UUOch...... y
LI,I.ning
Uuadl ...... y
Toyorno
Wuotil'l.n
UMnil'lg ..
Uttoch.ytl.y
EI-Oobh
LI,I.l'Iing
Smith
Do... ido""ky
LU.l'ling
Wuorinen
Ar.1
kbblt,
n".d.t'_""".
Tirie of the....orit
Fal'lto.y in Space
low Sp d
Incantation c
Rhopladlc Variation., fer, tape,..c:onkt C'"
and OI'ch.ltra
To Catch a Thief
" Poem In Cycl and .elll, rortope Co.
r.COfd al'ld OI'c:hfttro
Carl.bad Ca .... rn. C...,.nc. fIX '"WW.,
-WIde World!!..)
PI.c. for Top. RecQtde, (4 tfOck .... r-
don, 1967)
Theo"e Plec. No .I I, for tape. pioM,
1OpIG"CI, nGf'fIOtot, and wind i ....'",,-
""'1'1" (reyision of "Open',.-, 1965)
Me,omorpho.e, c
0. ..
0. ..
19S2
19S2
19$3
2'SO"
,'..,.
1953-,5.4 17'
1954 10"
19SO l'
19SO w
1956 55'
(40')
19S6
1957
Fol+ ACA+
11'1"+ Inn
Sla
lou P.t
MIT
(1)4 Iou+ "CA
I'
(1)2 ACA
Moth.marle. TV 199
I' N:A
Bock to Methuulo" T1t 1958
1& ACA
lIn.ar COntrOl" (or"inal title "Sl\Idlft C
in Sound")
Dynamophonie Suite
Stud i., in SQund. PIUl (reyi,ion r:tf
"Sl\Idle. i" Sound" )
Th. Boy Who So .... Through
c
c-
Conl.C)rt f,Qm VQice and In,trul'l'le,," C
CQnce,ted Piece, for .... recorder and C
...
Electronic MUlic No.1 c
Electronic Fanfare. forperc"nian , ... - C
cord.r and .yn,he1i:zed -.ncn
Il'1'1proyl1o,ion for clarinet and r e- C"
corded clorin., (,. ... iwd 0' " Duo",
1961)
EI.ctro.,ic Study No.1
de Forr.1t Murmu"
c
c
GargQyl." roty;oli ... Iynth.tiud Co.
--"'
S'.,.o Electronic MUllc 'No .1 c
Symp"o"lo Socro, for JYOic ... 'il"lltn.r- Co.
,.,..nh ond I'Ope
Th. Scap.goot
Oro mo' i c Frog"'."' (from "Th. Smpe-
... t")
Co"'po.itian For Sy "thel; z.er
Wall Str t I",p, ... ion,
c
c
19sa 12'
1959
1959 1
1959
1960 ..
1960 .. ( 1)2 pi P.t
1960 (1)2 oN
1960 .')11'
1960
1960 .1
1960 '')4"
1960 1'30" 01 Pet
1960 1O"2r ... 1/2 01
1960-61 43'
1961 1'2l'" (1)2 .N-
1960-61 10'400'" QI AM' S1"
1960-61
"
.... toden-
......
rinROIIIG AM
""'"
...... 1..

,.-IMI
_,.
EI..o.:..w, +
....... , ..
Berlo
Niltoloi
S.nd.r
loIIOitt
Carlot
Nikolai, +
SIIO....rig""
Firmey
Golds .. in
FIAl'MY
Mc:IcIMI.
ntw..r .......
-",.,.-
A Ooy '" the Country, for violl"and C+
tape record.r
Th. Scap.goa, Suit. C
Lelyt. clnd t"e Pa.t (flOlftvnfln ......
-Elec:tranlc DIOIND No.1-)
c
Cr.orlo .. : Prolo,u., C+
el.ctronlc ocCCMllPlln',.,.,,'
Short EI.ctro"ic Study (alsaUMdCJI
-c:oct.nza- , .. -Music for t",,,,, quo"., and
.lectrofIic NUtId-, 1962)
c
c
Sacr.d S.rvlc.: Prelude ond Post- C
Ivd. (ChiJrc:h Piece)
V'tlo" and Proy.r, Iyn- C+
thetil_ MIIUftdt

EI.ctto"l. Senl", c
c
DI'fu,lo" 0' 1.11. c
D' r", fot .... ! .... , perQM&onond ..... tlc C+
Iapet (t""tp)lotl_ of organized -.-I ... ch-
1'11001 Clttftfance by UI_t A... I and Mea
Mathewt: def1nHl_ ....",Ion)
c
Elec'ro"lc Study No,2, wlrhc:onft'O- C'"
1>000
Labo,I ... ,u. II, perMI"", recitan,j, i .. i_ C+
voool orch.tha do ","ho I'I"CI9Ntic:o
o-..t Oft -E..-laI_'"
Syn''' .. '., fOf ordIettnl and 1'Oj)e
LOI'I'I.ntation. of J.r.",lah, 0 ""-otw
contata donce", sopmno and el.c""""ic:
....
Tot.m - Th. World of Nikolai.
c
Music for .tri"" qua".t and el.c- Co.
, ro 1'1 i c .0 u nd (Inch..:l.. "Short EI.ctrOf'Iic
Stud,,- : ..... ItlOf'! 01 " Mutlc rot Ittl,. quarte.
and electronic .dllotor")
Triad c
E"nmble. for S,,",he,I r c
o i III Q,u.t, for ptoRO and 2 lovdspeok."
Synchrolti",u No.1, C
tronic 'C)I,Inc"
Still At. N.w Wllrlds, fornonoMt,
choM. orch .. tro and Pope
It med to l'I'Ie ..
Compo,rUon for 4 loud,p.ak.,. c
T"r 'iecu, faofTi wird., peru... C.
110ft ord Pope ...
Th. Go"dol. Ey.
c . for tope reeorder ond or"
fodlu .. , oitotCIX, trotrbono C+
.... Iopo
a " F
DaN
DaN
1961
1961
1961
7'30"
28'SO"
S'20"
1961)..61 II'
1961
"
1961 P10"
1961 6'49"
1961
1"
1961 S'
196' 3'10'"
1961 11'20"
1961 10'
1960-61 10'08-
(1 949-.504) (23'30")
1962
1962
1962
1962
1962
1962
1962
1962
1962
90'
S'
JJ'JO"
..
1"
17'
10'
"
1961-63 IO'J7"
19M
19M 90'
4'15"
1963 8'
(2.' )
19M S'
1963 11'
19M
19M '0'
19M
19M 10'
01
AMP Syn
oN
01 Clm
u,
ou p.t
AMP Sy"
bu McM
>.,
( 1)2 >.,
USA 2<11
rln Va,""
!'arb GaM
rlnGRM
mat lAl
rln Hen,." St
rln A,.a-a
I\Ot inardti ....
rll\ Hetlry 5t
I n Ann Albor U
Catle-
Gokktein
labbitt
Mimaqlu
Nikolai.
c;..1"
Mhnar06lu
OovldoViky
ea,la.
S ... idccud
Whi"""""rg
CarlO'
Mimar06lu
... croft

Mimarolu
NUlolo!.
Mimar06lu
lewin-ftic:h,.r
OovidoYlky
CorlOil
l .... in-Rich .. ,
Nikolai.
wening
Appleton
Corlos
Appl.ton
Moayoni
Mlrnorolu
WUOf i nen
.-
........
Rhapsody. fOf' cloti_tond clarinet
Judlon No.6 Piec..
Scane. frolft No ElCit. forspeolclng
YOice ord taped
No Exit: Suite No . 1 ( to be revhed.
1967)
Philo",_I, for.opfOno. record.,dsoptano
and ,ynth_iud occompclfli_t
Vocall
C
C+
C
C+
C
C+
C
Four the N.w. (Visuol Study No.1, ofte, C
Jcnper Johnt)
Sonctum
Variations.} fOtnuteardalectronic$OUna. C+
(Oflglnal title "Motif and M.topNwOO)
Gr n on 0 alock (V"1tUCI1 Study No.2, C
aft.r Anrne' GOnoy)
Contro,'.' No . 1 , for'h'ingOtc:hettl'O
ard lOpe
I mage (i"I''''_"'' and tope)
Electronic Study No . 1
Nocturne , for IlTil'9 ord I'Qpe
Epitoph for Mol' ( ... ith I'IDfTGl'Of')
low.ry Bum (Viwol Study No.3. oft.r
Jec;IIn o."buff.t)
C'
c
c
c
c
Fro", Or.o"" of 1I,0u, For norrotor C
(I'l101. ), 1010 tOpI'Ono. ",I .. d diann, on:h.. tl'O
and topes
Synchron;,,", No . 2 . :or fl ur clorin.'. C
",.oHn. c.llo and .1.chQtl' c
l . tomb.ou d ' Edgo r ;Joe
A Gothic Tole
El ectronic S t udy No . 1
Synchronism, No.3. forcelioond.l.c
tronic lOUnck
Noah, for ...olc." ofch ... ho and top4
El ect r onic Study No . 2
Go lOll Y
Op.nln9 f rom Th eo t . ' P i ece No . 11 C
from 1956)
Study No . 3 (ColurrDia ErucI.No.1)
Pompolitles (wim narroror)
Infontosy
Mi cro'onul
Anocoll,,,ho
Anacolutho (extl'Oct)
Orch.,tral and Electronic
chon;e . , fororch ... hOlJI"dtope
c
c
c
c
e
e
o
'b
.....
.....
1963
1963
1963
1963
1963
1963
3'
10'
0'
.'
9'
1963-64 16'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1960'
1905
1905
1905
1905
s, 1905
1905
1905
1905
1905
1905
1905
1905
5'47"
.'30"
90'
'07"
10'
10'30'"
3'30'"
10'
.,
(10')
0'00-
2'50"
15'SS"
7'20"
20'
3'W
4'45
60'50"

90'
10'

0'00-
2',5600
19'14"
9'53"
16'30"
........ao _
(.)2
Macryani
MilflClroilu
rIOtlnorcMw
Nllcoloi,
01 w:.A
l_ AMP Syn
Tu'
ONelunon
Ghent
rl"Nllco6al.
Tu,
(.)1
'''''''
Shield.
,. .1
Tu'
2+1 RCA CMC
hotd
.outm.r
01 McM
fm4ci
MaMallt
,In Nilcolai,
Tu,
ShielOt
Tu'
01 McM
zoIr.i
Friecil'llOn
Shiekh
rln Nileoloi,
Oll .... rot
haiti
Oli_ro&

IMP
Emki
T"
MoM
Ezoki
Th. F,a",.
Transitive I e
Of Wood and IIroll (reviMd from 2 short C
woricI for Il'IItnJmentI ord tope, both wltndl"Cl"""':
" Untltted" ord "EI.ctnwliQ for Ordl.tro")
.... 90ny (Visual Study No.4, or .. , .... nhil.
Gotto,
c
EI.ctronic Study No . 3 (In IMfftOI'Y of C
Edgord Vom.)
An i mus I. few ITofrGone and lOpe
H.x. 0" Elllplit, Fortrvmpet.
,...."ts ond lOpe (cu.i,. lipls on 4m rrock)
COMpo.ltlon fa, Two Sp.ale.rs
e+
e
I"t.,f.,."ce-, l. '- two...". 01 wi'" C-+
i,.nu-.ntl ... elec:troNc ......
G.orlonno's Fancy
EI.ctronlc M",lc 225
ICOfU' ud 4-H CI\,Ib{2pMl)'l)
FontolY
Mogileo.
C
C
e
Two 10lho'l Holl(u . for 1.,....1. voJoe, C+
flu,.. vIolin, plorto and '''teO lOpe ,ec:otd.,
St\,ldy of Orch ... ,o . Voic CI"d C
Electronic Sou"d (Including ma"rial Frorr
,.c:otdlngl of "..,1"", YOCDI end i,.trufNnlilll
_Au by ,.,. c:ompaM')
Go goli: \,I
Tron.itlv. 11
r to n./ltogr ; fi co r i an
To"-o
Voltl
Soda ...... t GOfl'lorrhe
M.ilo No . 1 (Meditation)
Su i t. from Mocb.th
Don!;. Pi.c.
c
c
e
e
c
The C ( 5 ) rot ONCE , for 11 pia.,.,. and C+
3 fQpe ,.corde"
M.ilO No.2 (MedilOrion) e
Thr PI.c , C+
""-sla,
Th
Th
Th
Th.ot.r PI.c., ,ewQllNd........ 1109ing MT
!Snd tope
Antilion., concert.....,ionforoctorondfOpt C+
Electronic MUlic J13 e
White Cockatoo (Viwol SNdy No.5. of,. C
Joduon Pollodc)
Sub .... ay In New Yorl( c
Th
s,
.....
.....
1965 20'
1905
1966 .'34"
1966 12'40"
1965-66 16"00"
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
1966
19 ..
1966
1966
1966
1966
19..
1966
19"
1966
19..
19..
19..
2'30"
2'''-
10'
9'
8'00-
8'48"
1'28"
11'
.'02"
,..
6'42"
3'
16'10'"
32'
3'30-
25'
3'SS"
IS'
12'
2'24-
USA 209
rln T.I-Aviv
ell
Tu,
MMC
rur Mer

--2 __
j I
I
5""
Muilc IV
not In ord!iw
3.2 not inorct.i ....
s,..
inat inorct.i ....
21O USA
USA 211
-...ca
"",60 ......
-
T1tN. r .......
-
.....
----
C_
..... 0..-
T_
-
c_
ntteol ......
--
D1K T ... ootMn
"-
T1h _r...,.,. ......... 00 ..
""'"
.....
_ ..
-
Disque Ionde A__
TltteJ .... -':
"''''''''''
.....
""""""
T .....
Dhc: Othen
......
NEW YORK (Philip Comer) Walking on the Surfoc. or the Sun C 1.66 2
Shl.ld.
Wink I., Aio .... ",,.on
no 1.66 15' 2
ip
"'.ing .tail i .... un6cnowfl or .; .... Id 01 r ..... r.vant rroftl me compoM,'1 point of vi ew; all worlc. eompoMd
1961 ond 1966
S. 1.66 25' I
Friedman
M",.le for Art
C- Co,"po.ltlon .,ithololt C 1961 ;nd
.,. r 17, For OM or NON l..,,,lllng per-
fonftefl, petCUellCWI r,.tn.I_nh Ot p-c::w.i ....
IOU ..... and Iap4' (,.. olto -p4rfonned-:
"'ytM 01 G.Id.U"y!tnaudlblltty. eMnge of
dY'*"iCII)
Orocl., lope Il'Clterial Oft .4 eMMeI., may C 1.62
be UMd to produce 'IOrI_ dlFf.rent pi.elK
(-Canta .. Oft IMOt... of Wa,, - March .. from
Oracl.- .tc.); IfIOIt performed .... .,ion:
fuga No.1, 111.__ C I'"
2'00" 2
OI:-:IovlE E I.khon.ko _ ......
Th 1966 ..130'" I
Fried_"
or.o_

C 1967 5'15" 2
Valcatcel
Mourl'tlng a.co"'.' Electro (foroplrG 0 1.67 0'20" 2
U-dlevsky
by Marvin l.vy)
Mlkro'"'.I",fonlio (1I1.ltMoniia), III Ii", ... C'
1.67 12' 2

fQfliski oric.. tar !,Nreo magnetofatl
St,ilu W 1e V.r,lon C 1.62 20' 2/1
C-. P'o.,I",e (Phf"I'110"'-"'" C 17'30'
I'
IV
Mlch M .. mira .. iMlo.. ....
.,.. by rodlng out)
Sy"cluonl",u No ." (PtaIIl'tNo,70), fM C'
1 .... 67 6' 2 MMC
Oavldo'WSky
bo,..' Off "'heed chcHvs and tope
1967 l1'W I S,.. NJ
R.clprocols, C+
..... 1. Oodgo
... two perCUIIloni._" ___
- - - r-
- --
C- fro. The" (SaunI "-_lop. loa. on C / MT 1nd 11
_te,lal lot ..... pet-
lonNft , .nd.., oct .... etc. (port of the lape
-y 01.0 ... alone)
M.".,o rt .,: ,.,fo'".,Gltc (on ..... "... C' 1'641 1nd 11
bro.,.. too b. pia.,..., In coneinatlon _,th II.,. (18' )
0If olOM CIS a rodlo braodCCh' or
in pnvote .01-,.. to be ployed only In part)
C_ 5'ro,o.--- Second Loyer. {at C' 196.51 ;nd 11 do SEP
leo,t a so I 0 l. fOl' .Iectrorlic Tra,.forrn:uion
0Ipo"-
1967
,p,o- 2 --
...... ,- I'O(o("ro"t.
--I
sr. 'nh,d .. .....,..) C 1.... 67 2
Mlt'tIOroOlu
C 1.67 5'30- 2
I'1"illo
P'rhtllO
i... prog"" fM N,.". lGltoohone, Frwnch C- 1.67 (7')
Martholll
kam, .,;011" ord tope)
C 1965-67 (5') 2
Sutl.r
(lfIIIOric In prog,..)
Line of Apoi (-0'-": i" P"l8ret1)
F 1.67 (30' ) I
UUOd ...,ky
C-. cu pllr. 10 begin_ win, pianoartd rondorrl C 19651 ;nd 11 do SEP
"'0"". Ottd
A,.i ... "" II, fM irwt1\j,."."" ord,... (wor\c C- 1.67
DNckmon

C-, L I "gto" Av."u. Subway, 80th C ;nd 11
S tr t
'.
12'th Str t
A"jlllu' III, forwood_lndquin .. tOf'ldIopl C
1.67
O""dt .......
('IfOIit in pt'OIIl"ftI)
C- aeoch at N. w par t (Rkode 1.lord) C ;nd 11
I I ... )
IV
C- Th. Piece a' R.olI ty
'.'
Todoy C ;nd 11
Concerto for alto ,ollophon. and C'
1.67
Friedman
tope ('III'Ortc In prot,..)
C 1.67
Sy. rln NJ
".-
Co"'pu,.r Varia Han, (--": i,. Pf'OQI ..... )
..... ;
eon.., Sig Tro",bo,.., forbcnt C 10' 11 P.,.
ilOtiOf'l) Clrd tope
Int.,f.re,.ce, II, 'orperc:uuiQfl C+ 1.67
Lanzo
and tape' (_rit Tn progNU)
Ha ...... og. a Frol't1oil Coup.;';n, I. C 11
Gra,.d, for Panaca; Ie (COIooIper;,. ) ard lOpe
L'op' ...... l dl d'un fovn. (....on..;n C 1.67

"""'_)
C- Po cha "iO Deca,io.,. fOf lope ... itt! im c- ;nd ;nd
'op
provl.i,. -."ic'klrw, ,;,.ing and dancing (l oops) (II'IO"Y)
C-. 00 , fat ( wI ph) (to?) MAXFEED C / MT 1.66 ;nd ind eh Mo,
AM {.,.r.ol. . .. FM, AM/F M (reol.
Do Co po (worlt in progr_) C 1.67

;n progr,", rOt horpiichOfd C).,d tope , C 1.67
Shi.ld.
with optional do"c ... )
Smiley in progreu) C 1.67 iUltion 01 "Maxf.edM by Mo. Neuhavt)
Volc:ar-=-l
COn toto , fOf choNI and (--'r. 'n C'
1.67 C- -'t. irtvOlvi,. a..., ined tOIH'd: C' '96160 ;nd inc:! ch
Hiih Control?
loud MU1 i c , .. lo ri. S po c.
....... )
C 1.67 18' ) S,.
Wuorinen ( -orlt in pt'OQreu)
Im"';"'enc.,
I nter", iuian (ar a.forehond,
oU';"i .. te.) - 0"'Plifled audibility of
purpot,i...... orit
Proj.ct
'.'
Outdoor Seo'H:.
_m "+'idt may UN (os on or- C 1961-66 ;nd ird ch
p"ic COII'IIpOf'IIrnt}: NEW YORK (Tony Conrad)
C Major Chord
SE.
Solo Mvtic a"d Mar., for any nu... SE'
ber 01 solo"" (1963)
ip
1961 ;nd 2.1
Thre. Loop', fOt perfcJnften ortd tope re- O
C.....
Chance, A,ia, (01 .. )
(1-)
R.co",titutlonal
SE'
Flo",lng Cr.a,,,,r
1.63 48'
C_'"
0" Obj.ct
Th. Flicker
"
I."
30'
C_'"
Carrot Ch .w P.rformonc.
I
212 USA
COlIWIpONIrevf n ..... r-. FoMtion C__
n,.of .. wart . .--
Punishment P j .ce, for 0" Young
Chu"SI (1961)
Concert,
for ___ I. (1961)
Movin, Plee:.
Heavy lilul
lovely MUlrc
O"lIIioul It.f.,."c.,
of ThinDs .. hrch h ..,. no yost.r-
day, .0 Pomorto., "0 Podo'l
-u fe. Ii". performance Oftd OII'Iplified or C-
.1"lronic IWrw:I:
Floro.
",-p t.Q-Li u _-.Lo p o, -----!2r
-'0 perfonMr (196S)
.t.ppod- from Clnoth.r done.,
1-
,lti, tt",. (or Solly
Some Hard Edgo,
Hoor it l
Pi. co of plio. of (Ii ... electronic
oucH.nee pi.c.)
c",_ WllDrit. -+aia. mol" Ii ..... Iectronic ro- C-
oli:zation:
Pul,. {wit+. OIdllofOf'l'
1Ic",,, (with OIollaton)
NEW YORK (Robert Dunn)
ip
""""
Poo". for Choir fob l _ Soneh , C
Etc. (or o,h.r 101,1",4 lourco,) (lo
Mon'. YOU"ljl), .Ioc:f'!'oftic: rwlitotion
NEW YORK (Morton Feldman)
ip
Feldman Marginal In'orsoction_ NoOIi1:otlOl1for C
wi""" brau. ",00II., ;I0Il ..... toll, g.omopn
record (pior'IQ). .. tc.Jnd .ff.c,.
r.COI"dlng of ri".ting mocfo,ir'lft and P'wo OId!-
laton (high ard low pitdt.d: irwoudibl.)
NEW YORK (Abraham H. Frisch)
PP 1950
Fritch
.-..as
"",k ......
-
00"
DIoqwo .... -
-
00" """' ...
T..du
_ TGpO 0II00n
1961-66 'nd 'nd ch
- 1-
1961-66 'nd 'nd do
'960 5.' ..... Mc.n.ld
19.51 11'30" 2ch P.t
5t 1 (2"-3') 11-5 1
c_
r ... "..,...
c...,.....
r.ofh....tl
NEW YORK (John G.orno)
ip
-.-..... (Gr-)
NEW YORK (Peter Glushanok)
PP (1958) 1962
G .........
Th. '"oy
GlUiliiiiiiili --
lallnu. 101,.
G..-.... Th. A..",
G ............ Study 2
G .........
Study 3
G''''''''", In the Cav.rn
G .........
Tra .... J.r 3
G .........
World's Fair (KodIa: Chemical)
G ...........
Hopi.,. Astronaut
G .........
Oh;. for Flip
G'_
Wlng.d Fugltl ....
NEW YORK (Anthony J. Gnazzo)
ip
Gnouo
,,, the World (11_ pe"onncrnc .... it+, . I. c-
l'I'onic inltNmen,,'
Gnozzo
.. , . but don't .tep on my blue
!I,.de
bandon.o,," (Iiw peri'om'IOnc. with
.I.ctl'Of'lic iNlT\ltnenn)
GI'GZZO
la"g o it tancu (II .... perfonnanc:. wi'"
.1.ctn3nic j,.tn.I"*n,,)
NEW YORK (Peter Emmanuel Goldman)
ip
NEW YORK Gotham Recording Corporation
io
Oodutader
I Eight EI.-ctranlc PI.c .. :
USA 213
--
"... Dunk ...... .--..
-
.......
00" ....... T .... ,
DIoqwo ...... -
-
"'" .!!!!. Othon
e
'\167 p ..
e 19S9
.'
e 19,. J'
e 1960 S'JO"
e 1962 J'
e .962
.,
"'
'963
e .963 7'
5. '964 3' J.2
e 1964 5'
e .965 5'
e .965 6"0"
e-
'966 18'00" ird u.
C-
'966 3.5'00" ind ch
C- 1966
"V" ird en
FI '965 17'
o 1.959-60 I JS'27- I
214 USA
c ............
c ... ,....
OocK.tad.r
Code,tader
Oodutoder
Code.kId ...
Oodcstoder
Pi.c. No.1
Plece"No.'
PI.ce No. it
"ec. No.7
PI.ce No.8
fra .... 1 ir'lll Music
lUr'la Parle
Apacalyp ..
fwo Frog",ents ham Apacalyps.
O-r-an.
Wat.r Mu. l c
Quat.rmon
fwo Moon' of Ouat.rmau
Four f.le",.try flllp.s
(-.wortc in progress)
NEW YORK Henry Street Settlement Playhouse
ip 195564 moved to Nikolai, prlvat. ltudlo
ball.t productiON mottly rOt' tn. Alwin Nilcolail Donce Company
Nikolai.
Villag. of Whilp."
Nikolai' Kal.idolcop.
Nilcoloi, Prism
Nilcolais CI.ft
Yow
Nikolai, Glint
Nikolois No Wner. IS ird
Nikolai, Contou r.
Nikolai. Canto.
Nikolai. Mirror.
Nikolai. Alle\ilory
Nikolai. Kit ..
Nikolai. Pavanne
Nikolai. Ri tuol
Nikoloh Sea.cope
Nikolai.
entre.Act (Hypnoti.t, Sid. Show)
Nikolai. fat.",
Nikolai. Noumenon
Nikolai. Paddle.
1'-
1960
1961
o 1961
o 1961
o 1963
o 1964
19"
o 1965
1'57"
3'00"
273"
3'00"
7'38"
9'12"
11'27"
19'10"
6'08"

'.'05"
9'00"
14'00"
o I........ ("')
1955 30'
eb 1955 30'
eb ,.56
Ib 1956 30'
I - St 3'
a -Sf 1957 3'
8 St 1957 3'
8 - St 1957 3'
fI - St 1957 3'
eb 1957 20'
Sb 1958
Sb 1959 60'
ISb TV 1959
Sb TV 1959
.'
ISb fV 1959
.'
Bb - TV 1959
.'
1959 8'
1960 70'
Ib 1960
.'
."
1960
.'
mot leMC
Hno
Ni!,coloi.
Nikolai.
Nikolai.
Nihlai,
Nikoloi.
Nikolai.
Nikolah
SeaWTignt
Nikolai.
Nikoloil
Strotu.
Ni",but
CollIgraph for MartYfi
Tot.m - Th. World of Nikolai.
Foc.h
''''ago
CantOUfi
lird Solo
NEW YORK (Dick Higgins)
ip
Hlwim 0
Higgins 0
Higgins 0
Hi.insO
HigQins 0
Higgina 0
HiggiM 0
HiggiMO
Higs;Ji,. 0
HiwimO
Higgll'lllO
Higsjli,.. 0
HiWins 0
c
e.p No.1 and No.2
.. loud S y".phony
Grophl. 24 (scor. fat c:or.tr'l)lling fe.dbadu C
.. )
S Electronic Constellation.
Symphony No.3 1/2 (in "'2.6 Second
F ..... )
MII,ic (collap for TV hoppttling)
A Tiny Movie, lignrand.ride,how
c
M .. chanico! MUlic No.1, C
Joon or lIeourevoi,"; .l.ctrical circuit-
ry randomizing rhe us. of hCJI.II.hold appliance.
and heavy machinery
Mechanical Mlllic No.2
lIill Conll.llation
Oecorat.d Wi,h Witche.
In th. COl'lt , of Sho., ,happen.
ing for ,,.,..., lOpe .. ,
vacuu," deanen, drill., ,ibOom, INJtion pic-
tvre and ,Iide pmjecron, .hean,
piano, """icion., -ontidonc..,, ond 0""., per-
f_"
c
c
Tk. Moon is Ri.ing (doubl.dve"ionaf C
-In Memo,ia",")
M.chanical Music No.3, No.'" and C
No. S, YOrMlbI. oul'Jtut troMfonM" ond r+.eo-
sta"', """ic boa.. , vitr.lol _,.,iol., .tc.
Final Situation ( for Can d); randOfft C
izTng ond changing collage of cirOlltt and ap-
plianc:ft .
R.qui.m for Wagn., tIou Criminal C
Mayor
Gift NOI . I-1 C
'b
- F
Ib
-
00 ..
1961
1961
1961
1961
1962
1962
1962
1963
1963
1963
1957
1958
1959
1959
MT-TV 1959
1959
1959
1959
1960
1960
'.60
MT 1960
1960
1960
1960
1960
1961
1961
USA 213
30'
7"
28'
\7' rln CPMC
17"
.'

.'
.'
3'
lnd incl. 2
(1.... )
20'
rod i .... eft
5'
.'
ind irod ch
'od ind c:h
iod ind en
.'
'od
'od 'nd.2
12'
2"
'od itd eft
' od ind ch
216 USA
_ ..
C_ rm..r.-.
.- ....
Ow'"
....
-
Dbque .... A__
c.....-
nrieofrhe __
-
.... ......... T .....
""' T_ Othon
-
H'9VimO
For t h. 0.0 d (, .. reo lOpe loop CQnltnJc- Ff '9"" 'nd
tio" fOf fiI ... loop)
('-)
Hlggi,.. 0 Automatic Proc."ioIH, hoW-"ing
MT ,-.;1 'nd
ind ch
u.ing rOndomi:r.ct ttonsportatlon and lUrrOering
*1Uipment(-oritin PfOIII.... )
NEW YORK (Toshi Ichiyanagi)
ip
Ichi)"O"Oii
Appeoro"ce, fOl"one ,tTi"V.a ilWtrv_t c ,.67 Ind, min 2'"
p
and one D- inltn", .. "t, one otpn Of' beNt- ,.'
lud.r/
don_, 2 OIcilioton QI"Id 2 ring rnodulolOfS
Bartlett
Moglnms
ShapIro
NEW YORK Electronic Music Studio, Intermedia Program, School of the Arts, New York University (NYU)
PP 1966
Subornidt
Kirchner
Soh1
Subotnldl:
IchiYOl'lOgi
Subotnidc
$..,botnidt
Pr.lude No.-4, forpionoond lape c
String a ... art.t No.3, forl"ingquar1'et C"
and lOpe
A Mitzvah for the O.lId, forsoJo C
violin ol"d cw lape alone
Ploy' No.4, fMlOPronO, li ... trv_nfl. C
lOpe ard 2 fiI"" (Anthony Morlin)
Porod., and Chon,., (new ... " ion. c. i. MY
SFTMC)
c
NEW YORK (Joe Jonesl
ip
see aha oppendix "'lcu"
J ..... J
NEW YORK !Takehisa Kosugi)
ip
KOIugi Music: G No.2, fot 141 OIdlioton. fat-. C
cmdi,."."._""
KOIugi Mono-dhor,,"o '., No.2, forRF OIcil- C
laton ond rec.eiv.n
, ...
"
1966 14'
1964-67 22'
"67
'"
MCA
1967
'"
c.,
"67
'"
MCA
1967 ( W I MCA
St 1954-59
, .. ,
'9"
IS'
''''
"67
"'"
"h
C__"'''' l'itNde ro.wwe
C_ _oItho_
KCllUgi Mo"o-dho,,,,o '67 No.3. fOf'RFOIcil-
laton, Neei" .... and bnt.ze
K_'
Mono-dharmo '67 No.4, fOll'RFQlcll-
lotan, ,.C4Ih.." and irwtn"'tef'JI't
K_' fellI's. No.1, for IF OIc1Hoton. recel_

K_'
Ecllp No . 2, fIF OIclllaton, recel_
-*doM
K_'
Eellp No . 3, fOl'RFOIciliotorJ, reeelwn
and danc."
NEW YORK (GeugILMaciunas)
ip'
Mracl,-,,* Mu.lc '0' mouth G"d ",tcropho"e,
for rnTc:rophoM 'ylNfI!
NEW YORK (Jackson MacLow)
ip
Moclow
NEW YORK (Richard Maxfield)
PP 1959-65 II'IOved to Son Fl'OnCisCO
MeDln.ld
McDcn.1d
Maxfl.ld
Ma.fi.ld
Mc.fi.ld
Molln.leI
,vendl.IeI
Maxfi.ld
Electronic Music
Pattonll Sy",phony
Cough Mu.ic
Exercise Music
A SWOt'" of &utt.rfli.s Encolln-
t.red on the Oceon
s.rocked Oecltl opetG fOf" lOpe
"nve,-actorf and liih'i,. in ft. oollog.
(book by Olde HI.lm)
Radio Musle
'-"00
-
C
C
C
C
C
c
c
c
a
c
Man.ld Night Music C
Folk Mule C
....
00 ..
'967
'967
'967
'967
'967
19617
'9"
(1961)
'959
'959
'959
1959
'959
1959
1959
'9""
"""
,.""
"""
,.""
,.""
'9""
"'"'" Ounmon
2'0'
30'
20'
20'
20'
3'
.'
S'
3'
2'-6'
'"
"
2'12'
"
6'12'
23'
2'
II'
9'
3'14'
USA 217 _ ..
.......
-
.,.,... 10_ ........
T_
-
DiK T Othen
''''
''''
,'"
''''
''''
''''
Po.
' nd
,""
'''''
P.t
j
'''''
l.
r
!'
21. USA
Compo.;t.ur Titre eM roevon.
C_ ......
Fermentation (for John
Muxn.ld P.r.pectl"." fQl' ..,Iollno!'ld 10.,.
MlDCfI.1d Amo!.'"; Groce
Mc:ucfl.1d W i 1'1 rot' MDtophone 0l'1li lap.-
iVtaxn.1d Perlpot.la, fOfWIXophone, plano
.""-
Maxfi.ld Poem fat Choin, Tobl , aench ,
Etc. (at ather lound laure .. ' (La
Monte YO'otng, Yenl.". pNpOred by Raben
Dunn), .Iectronlc realization, to be ployed
..."1+1,, readl,. 01 "Lee"',.. 1960'" (La Mont.
Young)
Maxfl.ld PIOMO Conce,t for Oavld Tudor, fow
p;ono and fape
MClllllfi.ld p.,.p.cH .... , If 'or Lo Mon'.
You "8. for ..,101'1'1 01' offwr bow.d I,.m.-n,
ord..,.
_IleW _Ohhe ..
Maxff.1d Clarine' Mu.le, '. twoOKmoN clorl,."
. ""- Mlnefl.1d S""I,. froll'l Perlpot.la
MaxfI.ld An Op.ro for Simone (few 51"....
MorTh), rot'tope with Of' _Ithout 51......
Maxfield St.OItt
Maxn.ld Orom.non. fOt Iftlx. l .... tNmenJaI ......eI.
."" ....
MaxfJ.1d Conce" Suit. 'rolft Oro",.non, for
e,. __ I. OM l'ape
Malllneid Toy Sy'"pkony, fOf fh,N. ",Ioltn, 1'oyI.
wood." ba." and ce1Ol'IIlc '10M with tope
S.P'tIng of Th,.. PCMfftI by Syl",Jo; Spenc.r, for
lope
Ma:xneld Garde" Mu.lc
6aechonol.
6hogo",octgito Symphony, Chopter
x,
Maxfield Elec;:.ronic Symphony
MoxJleld Africon Symphony
,v,oJlnelct 5 irenl
NEW YORK IJohn Herbert McDowell)
ip
McDowell P,oductl.,"
McDowell At He""e
McDowelt Lanchcope
McDowell MusIc fOl Whll.
McDo_1I Winter Mu.'c, for.5 i,.tfumentland-..
McDo_1I A SOlute to Our Notional Guard
(ho"."l,.. lfiDt4d by OOfftPOMr)
-..
-
'-"-
....
"'"'"
-
0-.. ...............
-. ....
"""'"""
T"",
"'" T_ 00-
C 1900
,.,
C.
"60
.'
C
"60
3'-7'
''''
C+ '900 25' I'"
'900 $$'
C+ ,.60 Iftd ,In IlurwI.
C- 1961 12'
'''''
C
'96'
.'- ''''
r-- C-

<=- 116' "-7'
'''' r--
C- 1961
.'-
I'"
C
'96'
'I'
MT '96' '6'
C
'96'
2x2
'96'
2l'
,'"
C+
'96'
...
C- '962 11' I'"
C- "62 6'
C 196.3
''''
'963 11'
C 196.3 12'
C , .... 11'
C , .... 7'
C , .... 2'
C "$2
.,
'955 '7'
'955 51'
C '900 7' lx'!
2_1
C+
"60
12'
MT 1900 '2' lx1!
2+'

ntrw. 'owwe
e_
n .. "' ........
'-"00
.........
Mc:Oow.ll
Tragic J.lly (Nwoploy -Child,." from t+t.lr
Th

Mc:Oow.lI
Narrotlv.

McOow.ll
Augurle.
Ii>
McOow.JI
flo Greater Woltz ... tho" Th
Ii> _II
Woton'. Wok.
F

Guln.v.re, 01 the 0.0 th .,f the
Th
1C0ngoroo
_11
I.r.

Mc:Oow.lI
U t, for OJf'QOn, pero.lldon ond tope

McCowell
Thr.e Oonc
F
McDowell
V hrday', Twilight Not
Included

McOow.lI
Danc. for lot,
of '.0""1:
.--
...o.-l1
Oe.dlv SI"I
F
M<OowoIi
Fontaltlc Gord.nt

McOowell
'n Th, ZOft
Th _11
Good
Ti,.. at the Cloud Academy

McOow.lI
Th. Phor"Ollll of the Opera

McDowell
Doric PtO I te,.

McDowell
Tunlnl Fa,.
C
McDowell
Lo"g Danc.
McOow.ll
M",rch, a I. Mod
NEW YORK (Max Neuhausl
PP 1964
27'10 . .5.54 - for a perCuu!o"i., c.
(Cog. , 19S6}. aeolizotlOO'l '64, fot QIT'IpIlHI
""CUllion
Four Sy"e,..1 (Brown, 1954). for" MIIpIn_ C.
ded eyll'OoJ. (ltd .. c:onftu;t "";cropno,,...
27'10,5.5"" for 0 percullionilt C+
(Cog., 19.56): ReollzQtlon ' M, for percu.lon_
ilt, olPlplln.d i,...tn.lI""nt (J contact rn:cro-
Ond magnetic lOpe (Urbano .tvdio)
Fontana Mile - F.ed (Cage, 1958 _ N.... C.
haut ), fOt' 4. 12odjUitoble ,...i,klnc ... (po .. ntfo
frlet.",). affecting th. goin, freq..rency rltlpotw
poth Of' pno.. .nih of 2-12 feedback
channe'. (open ojr petfOl"ll"lClnc. .... ith 5 P ....
1yt'--, 1967)
COeur pour bott.ur - Positlv.ly C.
Vet (Buuottl, 1959 - foralliplifTed
and percuulon lOUnch (J confOct
and tftrout "' l cropnone)
MOll-Feed : ,",,.istortodlocirCl.lhry,,,.,c:ro_ C.
pho.., omplinoatlon and HI..fl 1)"1'-'" ("com-
potitlon ond detlen oIel.ctronlc for
rranufGclU,.. OM tal. to the public. )
Public Sup,l y , fOf' 10pWllc ter.phoM c.
IItIft, .... ,'" or rudJo ltation (one
v.nion "'it+. "d.loyMt f"'dt flow" )

F
USA 219
Doto Dwl.
-
-..
-
00 ..
"""'"""
T""",
...... 1Ioodo ......
-
... T_ .,.,.,
'96' 3' I
196 11' ,
196' 7' ,
"62 '7'
,
'962
.'
1
' ...
.'
,
, ...
7' 1
, ...
14' 1
I ...
I.' I
, ...
12' 1
I...,
'0'-
,
, ...
5'
, t-
'965
.'
,
'966
.'
,
.
'966 77' I
, ...
.,
1
"67 '2' 1
1967 I'JO'" 1
"67 SO' 1
'961 '2' I
1964 28' 1 eh Pet
196' 10" 1 ch AMP
19M 9'-4," Pe,
,1" Umana
1965 10'-15' 2 en UE
1966 ind ind ch Mat
'966 ird 2/1 cfI
190')
"67
220 USA
NEW YORK (Alwin Nikolais)
PP 1964 mo.....d from H.ettl")' s ......t S.ttl_n' Playhoule
boll., pnldud'iOl"d mostly rot tn. AI.... in Nikolai, Donce Company
NUcoSoil
Nikolai,
NIkolai,
Nikolai.
Nikolai.
Nikolai,
Nl!c.oloit
Nikolai.
Nikolai.
SanctuM
A Brt.f Glouory of Perlonal Mov.
"'ents
A Gothic Tole
Golcllty
Vaud ."ill. of the flu,,_"ts
Chimera
Choral I
Somniloquy
Ptem i.t
NEW YORK Polytechnic Institute of Brooklyn
io
Ib
'b
.,...
00 ..
, ...
, ...
19"
19<>5
19<>5
, ...
,."
, ...
3'
20'
2"
20'
Ib 1966-67 38'
I - F "61 I"
ab 1967 35'
line. 1966 ,fl.ldie. in """,ie .. ith 11M 7040, ptognJm d .... Ia,Md in FORTJAN 10,....... (r.nney); continued from
...otic at !in. and comput., onolY' i, of music at th. Computational C_",,-,. Yol. .. S),,,-)
NEW YORK (Steve Reich)
Reich
hid'!
Reich
lteich
Come 0"" c
M.lodiCG c
Soxophone PI\fou, fOfto,:.ror'W)lJI:09non. C6-
and
Four Pionol, for four electric pianos ... i"" C
heodphOf\oe1
Buy An lIuy Art I"".ic 01'1 ttl, ... imu l to- >"
neOU1 eorotinuout loop cartridge, )
NEW YORK (Terry Riley)
ip 1T'O.....:t fr .,.,. Son froncbco
RiI.y
RiI.y
, can't uop
Dodo n edt , fOf'KIXophon.oI'ld2top.
record..-J f.edbodc loop)
c
c
C'
19.. 13'30"
,." 10'30"
, ... 10"-15'
,.1>7 20']0' ... eh
'.1>7
70" 3.1
1966? 1?
19661 1?
, ... leh
NEW YORK (Michael Sahl)
PP 1964 1964
SlInday
SaO. Th. Nlce.t Thing About You
Nothin, yo" can do, laby
SaO' Th. Woltz
Soft.
Softl
SaO.
c
c
c
SoM Mo.,obl. SOllnds C
NEW YORK (Robert Cosmos Savage)
ip
So,..,..
Tw.lv. Top. Collog.s for the
Donc.
A Wlnt.r' s Tal.
Th. (r.toft wom.n
T.I .,I.ion Commercial S.rl for
,h. Donce (.7 .,ilOd .. )
Untitl.d
fop., 8 T.I .,l1ion, 8 Cartee'l
(Olodia for _dt TV tet optional)
Woyzeck
Th. N t T .. i",. for trope doncen.
.,iolM .,i. part ,.."." Mozart's
"Don GI_i-) and ,..1 .,I.ion .... ithout oucIlo
Gorilla Q" n
(loy -l j I t OI\. for fope and r.levilion witt.-
out audio fiftd\otCli"ljl commerciols)
Cloy-Pott.'.Ort, for tape and rel .,i.lon
... ithou, audio (includirog COf'Wfterciol.)
C I a y - f .".1. for tape and t.I .... i.ion with-
out audio ( il\Cl..-di"ljl comIMreial,)
(anon for 3 Top. R.cord.n
NEW YORK (Joseph Scianni)
ip
Scionni
1
Horizon SOIl,h, C
tronic ,..."ta.iON tapl}
.,...
Do..
Our" ,iWt
Duration Tradts
19..
, ...
".,.,..
, ...
, ...
19..
19..
, ...
19.. 5'11-
19.. 7':\<"
fh 1960 4,5'
Th 1961 30'
a .. In 19604-67 0"05"'-
1965
' .65
1965
rh
,."
19..
Th
,."
Th 19"
Th 191>7
'.1>7
'.1>7
,.67
'.67
1
'962
3'00"
12'
33'
<.'S'
10'
(incl)
."
90'
(Ind)
'5'
20'
60'
8'
1
'3
' I
''''
hI
lxl
USA 221
222 USA
Scianni TIIft.: Anoth.r Volc. (I,.""
i'I'Ients and
NEW YORK (Gary Sherman'
PP 1965-67 _ ...... CIIf..... N.J.
ahoO YOrl_ ....,11 (Sh..-monl
Sh_" . Shadow of E..,II
NEW YORK (Eric Siday'
PP /1949 n 1962
'-""'
-....
-
-
, ... 32'
1965 J'
01$0 background """ic (awilobl. 0" hire from JOMph W.i,., , al"ld Conrvy, London,
gil won:. papIoIlgr in styl.
Siday (mu.ic far ad .... rtl.ir'IQ In 19'9-42 ( 1' )
tc.)
Sidoy (",.".Ic for radio and TV .ip""",.. h.tnet, CQfII- In 1962 (O'OS.
_rclol., .tc., including Fold. Westinghouie, 0'01")
"""-ri con bpr_, HOJM, w.othe,
fOf.colt." 'POI'" provro"". 111M ch.cM cae
COIOf TV pfOgtalft Identiftcation and
AIC n.f'w.orW t+.etN; olto -!dent/to"'" Inc. ,
50 sO'-'nd imQ9e1 for rodio ond TV stotion call
I.".n)
Sidoy S inc. the Fl i ght (sequ.nc. for coIlab B TV "67 a'
orotl .... Nil .... i,ion boll.t, reeotded on video-
Pop. l
NEW YORK Studio D. Carroll Musical Instrument Studios
PP /1963' 1964
gil popIJlar in Ityl.
P.rr.y (TV OM radio cOll'lmercial,: VolluwOgen, RCA, I.
""
].1'
Bardohl )
P.rrey EI.c:fronic Mu. i c frolft Out.r Spac "65
""
Kingtl.y '" Th. In Sound fro,"" Way Out! 0 , ... 28' .....
P.rr.y
Klngll.y ... (TV and rodio c-rcials: Coco Cola, In ,.66-/>7 5)111'
P.rr.y G.neral fir. , A"...ricon S, .. I, No-Cal , Slop
ond Shop Morlc.,, )
Kl"91l.y. (r.cord in preparation I 0 "67 ("")
P.rr.y
f'}l
Mo.
'"
Von
'"
Von
'"
c_
n....roevw.
C_
Ti",01 ... __
\
NEW YORK (James Tenney'
ip
T ..... y
Co",-II"II' (for lel"etic t+.eate, plec-
S_-)
ColloV. No.2 (for RIM "VIet Flak.-)
NEW YORK The Theatre of Eternal Music
PP /1960' 1962
'-""'
Pvoco;o.
MT
-
... '- -.
Do.. .......... T ....
, ...
, ... 12'
linN, JMrfOfft'Gl'ICM, on of .,cine in P'O oJ.Cl'lMlt.Junda-.ntol
,--i,.. !IIbi,. ""P'Nnt, low-pau CMlplin.rond ___(cNl
",I_ed .... ,.,.,. on toefl 'darb,). 0u1Vtl... '*'1111., John Cal. (.loIa, Illrindll;-3--stilng
dl'aM, .... tri'" dfOM, ___ gong. voices 1962-65), Torty CoNod (vlo"" wtttl ...... ItTl,..
guHo" ",,,bow.d gor-.; line. 1962), Terry Itlley ('I'OIce; srnce 1966). lA Mon .. You,. (lOpI'Of'Iino ......... p'Mtno.
bow.d.-. ... c.; sine:. 1962). Mar... Zaz.. la (I,oWlld pong. voice; sine. 1962) alto AngUJ MocLiM (hand
196.)'. r....., )..,1,. (lOpfOf'IO -o,.hon.; 1964) .. 0-.,,, JohNOn (....,10.; 1964)
v ......
Cc."'politlon 1960 No . 9 (el.ctronlc
,_Jiao,lon: N.lI't Ampe_ 601)
C'
"60
;nd
''''
Untitl.d Work. (veniOf'lfMfoutp"rf __
c
"63 ;nd ind eft
V_ ...
.")
V_ ...
St",dl.s in ,h. low.d or.c. far
ba.....d gang (hoo ar ,_ pet'tom.n) with __
C 1964-6$ ;nd ind dot
pllflClllltl_
C
V_ ...
THE DREAM OF THE
"65 ;nd ind en
HIGH-TENSION LINE STI!PDOWN
(1'62)
TRANSFORMER , ff'Qlfl THE FOUl DREAMS
OF CHINA to Morian {day of the u!'MI"'i.t
etOve - .-. of th. aftoN): ve"lon for two
... joli ... 'With
V_ ... THE TOITOISe, HIS DlEAMS AND
JOURNEYS :
PRELUDE TO THE C
""
;nd ind
THE TORTOISE DRONING IE C
""
;nd ind en
LECreD PITCHES FROM THE HO
LV NUMIERS FOR THE TWO
SLACK TIGERS TH E GREEN TI
GER AND THE HEA.MIT
THE TORTOISE ItECAUING THE C , ... ;nd ind t:h
DRONE OF TH E HOl.Y NUMBERS
AS THEY WERE lE VEAUD IN
THE DREAMS OF THE WHIRl.-
WINO AND THE OISIDIAN
GONG AND ILLUMINATED IV
THE SAWMILL. THE GItEEN SAW
TOOTH OCELOT .... ND THE
HI GH!ENSION LINE STEP-
DOWN TRANSFORMER
THE OIS IO/AN OCELOT, THE c
"65 ;nd ind ch
SAWMILl., AND THE HUE SAW-
TOOTH HIGH-TENSION l.INE
SfEPDOWN TltANSFORMER R-
FRACTING THE LEGEND OF THE
DREAM OF THE TORTOISE TltA-
VEA.SING THE 189/ 98 LOST AN-
CESTltAL L .... KE REGION IUU-
MINATING QUOTIENTS FROM
THE aLACK TIGER T .... PESTRIES
OF THE DIONE OF THE HOLY
NUMBERS
C , ... ;nd ind en
THE CELEBRATION OF THE TOIt- C , ... ;nd ind ch
TO ISE
TOltfOISE
c , ... ;nd inc! eft
USA 22:l
-a
-
DI.qve ..... AIIIrw
"'" 1 ... ""-
-

l
j
1
I'
"
:11
22' USA
Compotitf.vr Ti..... YIMV\'N
COII'IPO_ Tin. offtle-",or\
... Drift Studi ... for J .iM--squat. wa....
and ."iIMa_ wit+. contact ",lent-
phone bound envil'QlWMnt)
Studi" wi"" voioes, ,i.,. _ ..... lind vibrator.
with 'peeinc. COf'!binoti_ of hal"ftOnically re-
lot.d frequencie, (1OUfW:I etTYi_nt)
NEW YORK (Edgard Van!se!
ip
---
""""""
e-. ')n

Vo,'" Oi,.rtl, fOf'..,;nd. percuuion al'd mognetle C+
....
Goo4 .fri doy J!Loc . ui.o.n in VeL'.'
(for m ... "Around ond About Joan MIr6")
NEW YORK (The Velvet Underground!
ip 1965 I?)
".,.. o..f.
00"
"""""'"
;nd
1966-67 ;nd
1953-504 10"
(1949521- -(23')
- 1955 J!,Q-
("')
.....
T".d"
inc:! ch
i .... do.
pop aroup by Atdy Wometl (f..,"" .... in hOI " t .. e.piodlne Planic. 1,...-;... 1. fl'IvtlONMnt); .... 01_,.,... am-
plification and fMdbock in peri"Of'ft'IOnce by 00-. of 1M group. JofwI Col. ("KWic .nola) - ". ... IM,. ...hh TM Thea"
of EI.mc:IIl MJ.ic.
only woric. on v...... record are I hNd: 1'10 other detail. o....,lIabl.
....... Herod n
gro.op Run. Itun.
'u.
group Eu ropean So . 10 0.1,"01'.
NEW YORK (Charles Whittenberg)
ip
Schwortt:
e-
e-
C
Study for .010 clodn., .I.c- c
'ron;c t.n,ian,lfordarln.tand t'Gpe')
NEW YORK (?) (Glenn Williams!
ip (?)
untroc.d
Willio",.G From Inn.r Spae.
1966? lch
19671 4'18" lch
19671 7'.a- l,h
1961 10'
1961
-..
01..- ....... -..
"'" T_ 0tI00n
<:oJ cr.
-..
p ..
p ....
-.
-
rift Par" GaM
,.. ... CPEMC
e_
n.... r .......
'-
n ... 01 .......
NORTH TONAWANDA (Harald Bode)
PP ( 1961) .... 1 ... bo ; .... H... 10.. 1967
'-"-
".,..
....... .....
ROCHESTER Eastman School of Music, University of Rochester
PO to b. NlGdy 10" 1961 (Barlow: s.. also under APLAC ""dio)
/
STONY POI.NT (John Cage + David Tudor)
pp 1960
, ..... Ie<trontc ".non.Dlla *lUipMMt
- .... _ ... ... (Caoel
Tudor: 0 ..... Il_ .1Kf'laftic 10 be Found itG.. eeI ref .-.tten
and ..... T with M.tce c...r.ningham !)one.
Mu.l-c for o""pllfieal toy p l onol. for C
one perl'onMf' and gny ...,nt.., of toy pianOi
(c:onloet mieraphon.)
1960
Our'.
..........
.nd
Cartrfdg. MII. le. 'OfIlnyI'lU.-.,of C- 1960 Ind
e ....
T ....
pkayers "tMall --tI") and loual-
.... " ( rwcGfd .... nl_, 1962, .''P.,h"PGI"
.. by c... and Tudor. VIi,. car ...
"ide- - with ... ,rOUl obj.elt I ... ". into
- aM 0",-' abj.cfl with COnloet ,,"0'0-
phones. -.Ii, .. ", voIloMN and
tone control.)
Ant' c M t (done. ..."Ion 01 "Solo for
piono" , f"... -Concert for piano ond ordol.. tra "
1957-58, .i,., '"'WIA'" for t+.. operQ-
ti_ of Iftachi,.... . 1960l Iech'on;c ,..nion,
for omplif'led ptonG ond .I.ctricol clrcul"
WI"t.r Mlll ic (for 1-20ptonis") ric- c ' a
tronic .... "iOfl (aha poerl'orrned wirt. "A,lot
fdi oticali,")
Atlas Ecliptlcalls. for clIa ........ r or or- C- / Mr
dtesh'al ..... ,...1. ( _11'h or _Ilttout "Win,.,
Mudc", .I.ctronlc ...." jgnl ... "ion with con
fact mlcropt,onet.. ampllf'l." and 10lolc:hp.Gic.e"
Gpetoted by a" QUillon. to tft.t conductor (part
ffOftl "Cartridge """ic":
1962 _It+, .Max Mom .... 6-chon,...1 el.ctronlc
tGUnd 111'-)
Variationt II (foronYl"IUne.rofpka)'.,.. C
ony 10000nd..",oduci"9 moeo... l Iectronic _r
liCIt! (a lto performed ,lmullCneoo.nly _ith
111-)
Vorio t lons III (fOtone orony """"D., of C
;Mopl. poerfonning orty actiont ) Iectronie ver
,i_, For pfwog, and confGct microphones and
ICIIooIChpeok." (aha poerfontl4d 11"",lfan.ously
...ith Vorio.ior. II" )
EI.cttanlc MII.ie f llr Plano, farpian C
...Ith conlOc' ".,lcrophOM1 {olw. performed with
0'00" (tolo to be in any _y by gny-
_ ),1942)
Variati on, IV (for any nvtr'Iberof pi aye". C / MT
ony IOU"';' or corI'Ib inatlON of produced
by any means ... Ith or without 0"'.' activiti .. )
I.ctronic .... " iQfl ( ,..CQfd ....." ion. 1965 .... ;I'h
microphon_. ,.cord radio tune".
.. cord." with pt".--f'.c:orded lOpes. mi n. om-
"lIfi.,. ond faudlpeok." t
Fluor.lC.nt Ught, compoIi,lon for ligh, C
grd -..nd (""l crophonM)
'20'1
1961 ind
1961 ;nd
( 19571
1961 ;nd
" 0-1
1963 ;nd
(1960-61)
1'63 ;nd
1.... ;nd
1.... ;nd
(ISO' )
19651
PI....
- ..
T ......
Dhque ..... AIIhI
"'" T_ 0tI00n
..
;nd eh P
;nd ch P
lnd eft P
irld eft P
ind cf.t P
ind ch ...
.net cf.t ' ..
irod en
USA 225
-
-
p Tudor
Cog.
rlldor /
On I'"
WoHl /
a.htman
Wglffl
(.tc.)
Cog.
Tlldorl
Pou.eur
Tlldo,
- CDgoI
rudor!
CDgo
Mu_
1 .... 1
Icni)"Onogi'
Mo,.fi.ld !
Sh'a"9/
Wolff
eo..
Tlldor l
Iud",
D rudor
I
II
j
226 USA
T ......
Tudo<
Cog.
Cog.
--
-
Variation, V (37R-Au r.t_ Audio-
Vi sual P.tfomanc:e). fo, 01., .lId. (Sian
Vond.rO..Ic), donee .... lopes and .I.ctrlool
clrcvitry (Including MCIIlIYoth."" 96-c:nanMI
mjUt, lilly KIO_r ITISJOeflng
d .... rce. ReD., Moog anNn-
no "'ggerr,. d.Yiec ..... ON octlwl'.t by
the mow_nil 0' ..... donce ...)
Mlltle for 11'101'10 No." (Ichira.-gl.
1960) Iectronlc
londoneon I (hrc:l_ Foc:toflol), for
bandOf1eOn 18.ound
circuits al"ld J TV cltQ.Ii" ("'dual ifNIg .. by
Lo_1I C ... )
C
one. ond (tl'ldudtng 10-
dla tr.-I., ,.1 .. , 'bl..".' ond noi ...
_ .... _)
wo". train (I.hrtraft. 1966), venlon for C+
2-3 pHI,.,.., sh'inged ... miaophonet,
ampune ... _ loudtpMken. aacillol'on, ring
modulator and lope (' __ n. NYC)
MUllc for Carillon No .... Fotan C-
.Iectronic i,..trufllleftt ...;th electronic OCCQI'I'I-
pani_, and log (percuuion 10_
.... )
Diary: How to I",oro". tk. World C
(Vou Will Only Molt. Moth ,.
Wou.:, .Iectronlc ___ ion, 'Of IoGlce (air,
throot aNt C:OtIlOet and el.cffonl c
eq.J ipme"t
MT
SYRACUSE Electronic Music Studio. SYTacuse University
PO (19661 1967
(WOr4C1 In P"09reu) MT
-
DaM
"65
1965?
"" (1'60)
, ...
, ...
''''
, ...
(1.611
;od
(<0')
;od
;od
;od
;od
15'
It)'
6-16 d!
(Sx2
.. I II')
rod do
ind ch
rod do
t ...
;od do
t ,h
1966 ind indo min
(t'65) (30'..0') 6 do
...
, ..

...
TRUMANSBURG Electronic Music Studio, Independent Electronic Music Center, Inc. (lEMCI
( R. A. Moog Co. 1964-661
PP (196411966
Fairlie
Morri.
Morri.
'obI>
.obI>
Pe.,.y
JalZ ""agel, fat ;"'P"' ..... ing ian _i- C.
eian(s). 1010 donerr ond tape
5 culpll"lr e-S ird Coltaae C
Co nc r ete Pl.c. C
FontalY of Echo., R.memb.r.d15on;,
For the Sird., Tarankllol
c
for Top. It.card., (Sch.rzo, Po,- C
sacoglio. Gigue)
Approach - Stor .... nt .. Retr.at
""
"SO"
t'65
"65 ,'39"
"65
.5'37"
"65 17'
"65 5'SO"
,.65
<Aoo Tudo'!
<Aoo
Mu....
T ......
r ......
o lucl.r
orr ......
T ......
p a.hrman
Gnona
T ......
<Aoo ""'-
Tudo'/
lucler
011........
T ......
III Tudor
Jot. r.v Hunt'don
"Of inarcJo,i ....
Oouhdo
W.ldenllOf'
Mynill
RobI>
Hunlcr,.
Dod .......
Ghent
W.id.-.
FairU.
, ...
Monaurol ''''pravitotion No. I an
E elora
Monaural Intprovllotton No.3
Uncle TolI'I" Corbo,n tltl.
"Fluted Coh,," .. ")
A lIttl. Night Mu.le
Coition (MerIon 01 "Corttan - Intuitlon-
F",ition". 15')
Thi. Is It
Four March for Clorildr.n
(-"Cl ...
r ... Th" ... 4.,1"8 Scr ..... of the
S.r.,"I11,'. 0!l'II,ht
H .... on [11I,.It ....... m-p.1. i,.",,-
men" 0"" !apt (Qlelng .Ignal. on 4th trade)
c
c
c
c
c
c
c
c
R.eonna;uonc fof vloUn. bout "- C-
electn:lnlc M"'PJ (Moog synthesize, and J I-
ron. Of9On). piano IMd peramiOr'l
Music fOt The A1fOCICIdo Soda (WOff.: in fHOg_
-)
NORTH CAROLINA (N. C.)
s.
s.
o
DaM
DaM
"65
'.65
"65
t'65
,.65
"65
,.65
,.65
"65
""'" - Trodt.
3'
s
3... (4)2
,'07"
1'00"
2'00"
6'3D"
1966
t... 6'09"-
t ...
.....
, ....
I .... s 2do
t ....
I I I
Owl
GREENSBORO Electronic Music Studio. University of North Carolina at Greensboro (UNCGI
PO 1966
Hl"lnklt"ll Study No .1, fo, fo",' C , ... ..
Hunki,. St",dy No . 2 - VariatIon, by tale C t ... 13'
mo",lpl"llotlan
OHIO
CLEVELAND Case Studio for Experimental Music. Case Institute of Technology (CIT)
PO 1965 to".,.... to CI..... lord t ...tltu .. of Mullc (Unlvet'l i ty Circl. EI.ct"",lc Mullc Studl.) _.tI. 1967
Wilding-Whir. Ecee Homo 196$ 5'00"
tlculation, fOf concert bond and lOpe C+
t'65 5'00"
, ...
Stargat.ing. for.t.",."lOrybortdond Jape C+
"65
3'00"
Wilding-Whit. Pavon",. , ... St 7"
In Mirk_ood c , ... 1'30"
Pop
nor I", an:hi_
_Itftdraw",
In archl ....
.. "-dIG..,
NV Hur.t'don
I'IOt inorchi_
whhcflvw"
IIIOtUTtMS
.ltW.o- fo,
,1"CI'EMC
P 'MIi .. J
WlIdlng-
'MIH.
228 USA c __
Titnlde t'MVW'e
--
C.......
Titlitoftht __
...........
Wilding-Whit. Do,,'t Call U. W.'" Call You
Wilding-White Str t Sc.".
WlIdlng-Whlt. aondftllullc. fOf'c:oncertbondondtope C+
Wilding-White :) SOftgl (rrom -. c:umnlI,. So.9-). rOf C+
"'Olc., plono. and ....
COLUMBUS Sound Laboratory. Ohio State University
PO (1963) 1966
IlIIprovilotion No. t c
K..... Study No. I. fO( doubl. bou and 1'CIpe"'- C+
""'M
K.... Il'I'IprG""lsatlon No.2 c
K..... m._ mIIIie'OI' WOSU-TV (NET) ,.ri ..
CI,y of To.,,,uy
OREGON (Oreg.)


EUGENE Electronic Music Studio. University of Oregon
PO 1962 (7)
no infonnation ,..c.i....d
Atlci.-.on
Eorl,
Taylor
Hunter
Appleton
Appleton
Col l age
Dithyramb,
S ound Piece No . 1
Study No. I, for sf'ereo !ape
Study No . 2,
Circus, lorfll,l'. , dod.,.t, .. lolin, cello
and two tolM rwcC)fd." ( ani 8' tI:IP'I loop)
Th. Vi, i t
(titl. unknown)
PENNSYLVANIA (Pa.)
c
C
c
c
c
Ih
C
Date
Date
1966
1966
1966
1967
1963
1963
1966
I. 1966
19..
1966
1962
1962
'.62
1962
1963
19...
1964
19...
1965
1966?
"",,-
0..-
"30"
4']1-
2fI
10'
18'Il"
24'40'"
2'10"
19'07"
3'](1'
o
n'
3'05"
PHILADELPHIA Electronic Music Center. Philadelphia Musical Academy
PO 1966
......
-..
"'- ..........
T""', 010< T_ 00I00n
2
2
2
1
11
11
11
21
11
21
Rudin
I
PQ'd.;Q ( .... .. .. "' .. IC 1"67 I
'S
'
ocr
12 I
and film
......
......
c_
n.,..I'..,.". .......... Date
""' ..
"-
Title 01 the work
"'"'" .. "" ..
0.......
PHILADELPHIA Sound Research Laboratory, University of Pennsylvania
PO (1964) 1965
-
ludl.
Rudin
___ studio
Electronic Study c
New Year!':, N Votlc
II Gluoeo (AilttraetOpera No. 1), fottape C
and HIM
Poor lito. Th
For At re" to Adult
c
Coclctall Mu.lc. for IT". p!rfonNd .Iec- C
hoftlc toundt ond ,.1-,1".. .Iectronically ma:I
tned iratf\WMntallGllMldl
1965
"30'
1966
'"
"66 lS'28"
1966 10'
1966 1.
1966 12'
1966 13'
, ....
-.
T,"""
UNIVERSITY PARK Electronic Music Laboratory. Pennsylvania State University
PO 1967 (Com .... ;.)
I
WASHINGTON (Otto Henry)
PP 1961-65 ........ "''''"wO,' ....
He""Y 0
Henry 0
Henry 0
Henry 0
H ....ry 0
"...,.0
H.,..'1O
Henry 0
H.,,'1O
Henry 0
Henry 0
Henry 0
Henry a
Henry a
H..,ryO
Henry 0
Henry 0
Henry 0
Vitlon II c
c
Jonuory the S I.,h c
Th. [u_"ce of Two or Hu , 0 COftI- Ci>
poIltlon ro,. voice ol'd tap.- ,..conMt
Juroulc I and II
Som Gito
Four Song, f or Magnetic Tope
Tint i nnabulation
A",roto 7
"'''"11' and the S'o"n. ohoppening fOt'
....,le.. lope ,.eotd ...
Sonatina (from rh-obo .... )
C
C
c
c
c
c
Fo"" Lond,cop., from H.G . W.II, C
Th. Land of Wu C
S y mphony i" 0"- Mo .... "'."' . No . 2 C
Somplon ond ,h. lion; In th. Gor- C
d.n of O.lIlah
Suit. (or Magnetie Top. No . 1 c
Sui,. for Magn.tie Top. No.2 C
Sy ,,"phorty i n On. Mov.m.nt , No.3 C
Su i t. f or Mogn.rie Top. No.3 C
JO:(1 EI.ct r oniqu.
S.r.ltd i plty
c
C
I I I
1961
1961 2'20"
1962 o
1962
1962 7'
1962 ..
1962 7'
1962 ..
1962 7'
1963 S'2""
MT 1963 17'30"
1963
19 ... 21'
19'"
1964 10'
19.. 3' JO"
1964 20'
"64 12"1l"
19 ... 28'
1964 30'
1964 10'
1964
, .... .
1965 ..
USA m
-..
......
............
......
010< 1_ 00I00n
I
I
I
Le.
.v Le.
.v Lo .
230 USA
COOI'Ipositnlr Til,.d. r_,.
C_ lilt. of the work
HeMyO Two See"e' from Ri ena td III
H.",.., 0 A To I. from 80ron MOnchhQ,,,,,.n
Henry 0 Sy,"phony No.4 in Thr
Henry 0 Th. Seve" Oeadly Sin'
RHODE ISLAND (R. I.)
I
SHANNOCK (Vladimir Ussachevsky)
PP 1966
TENNESSEE (Tenn.)
Mo".
"" ..
,-"'"
""'"
C I 90s
C I 90s
C I 90s
19O5
NASHVILLE Electronic Music Studio. George Peabody College
PO 1966
TryrhGll G A ... "'"
Soprano, Op.ll. brow C
quintet oM ,,.,eo tape
rrytholl G Alpha Ilhythm. Op.14, for jou C
and , .. tope
Tryrhall G Entroo)" Op.". forfl" .... 1<.o1'Jll. eel.,,., C
piano (2 oioye"), ,,,,reo btoa" group' and
II.reo 1'Qpe
TEXAS (Tex.)
I
AUSTI N Electronic Music Studio, University of Texas
PO 1966
1'10 i"formotion r.ceivi ( Klein l )
DALLAS !David Ahlstrom)
ip 1963-65
Ahl",ono R. e i tot i ..... Aria and Cad."%a, C>
tope ond plona (from "A ChorrCet' ()n,...., .. )
AhIIFf'Ofll Numb.r Two, f0ll'6doncetl. C
tope rKQId.r, Wurlin. ... EI.c:tTonic POono {2
ployenl. percunlon (2 ploy.,.), Wurlitur
Sid .oYG" (2 pla),.r11. wi"" optional eontn:l-
be. (Of cello), flu .... clari".t and ...,.ana
AhI,tram Introduction and lam."t .. i C
No i I. (from the abo .... )
AhJ,h'om Anth .... N",mb.r On. AII.luio, C.
fOt'soplOAO, organ and ''''Naphan;c lOpe N-
=<"
Ahl,tf'Ofn A"tlu", NU!'IIb.r Thr .. O"ward C
Ch';,tian Soldier,
19"
1967
1967
19.,
1963-64
19.,
19.,
19"
Ourl. .....
_ ..

Duration T".d ..
01" T. Oohon
,.'
"
20'
23'06"
I I
b'32"
3'14" J.,
.'00"
"
20'
0'
"
'Y'
,.
'yo'
......
......
rey La.
C......- ntr. .r....,.
"-
TiMe 01,.. wGd;
AhlliTof1t Suit. Numb., Th,.. - Th. O"",b
Will ter (to b. used with meaNt piece)
Ahl,h'oIfI 5y.phony Numb., Thr - No Exit.
ftw ..cNnical clock. It.NOfJhorHC. tape N-
COfder, with optional .,.,hlpl.
Of' OCIIII .,.. .. 1., ond (on cef1aln oc-
i,.m..-"tal ....... 1., and"en
ond doncen (wMn poUibl. Po b. in
. """"')
A"th Numb.r Four - It i. F",II
Ti .... fa, You to Walt. fro ... SI p,
for- d-.lld sola, choIr (SAri). otVD". cong,.ga-
ttan (""-i,. Of'd NOdI,.), lape 10
dio and orgctn (tope 10 be pNpONd by ..... per-
r.otlzatlan by 1tI_ COInpOI;M)
....hl.t_ 5aftoto Numb.r S I". fOf i,.."-,, Of
tape, dancen, octo ... and ( lope tMliw-
tion by rhe C'oOII'IpW.r)
AAIItY'OM 50"01. N"mb.r S ..... " - '" Mema-
do .. Sa.".1 Acoc.k Ph.$.non of
the Granary- Iu,-yi", Grov""d 0"
T, o"t Stt i" lolto". f_ IN..
,...........,Ic ..... recotden, one Of ....
...,....
.u.1.h'\:lIIl Suit. N",,,,b.t FI ....
-
Varia rio", on
My Old K.ntucky liom., far jon
group (trial. ptanr", rode group, ,.. Ncord ...
n and concNCI'Ot (0"), !'Ope coonpaii.ian by
Oa...id AJ.1,Ff'OfII ...:I)' b. uNd )
DALLAS Audiovisual Studio
.. ,'"'
Unit 2. fOf' "oi .. !'unabl. am-
plili .... , fiI,..1"II and attla,dotion d .... ic" (Ii .... )
1-atI! in P"'av,esl)
Hi .. i,.. H
DALLAS (Robert C. Ehlel
PP 1966
'-'""'
-
....t. ......
'vnction
"" ..
Dwation T_
Th 1964-65 10'
MT I .... OS 38'
C 19O5
"
MT 19O5 ;nd
(12')
C 19O5 10'
C 19 .. ;nd ;nd
C 1964-67
C 1967
me foll_ing -orb _N incl...ded in me Ii,. l.nt by EI.etronic Mvtic CornpQlitiOf'l labotOlory, NTSU, O.nto", but
_N AO' th.r.
Ehl. 5 pi ro I 01 Archim.d.,
Ehl. C."'.n' Mulie
Ehl. Th. Ch i".,. lute ( Pottorol Voria,iOf'll )
fhl. H)'pa,h.'; col Orbits
DALLAS (Houston Higgins)
ip conti,..,," at Audio ... itI"ol Studio
I
So lito), on, rOf' YOice ,...mbl. ( -.oriOl1) ond
elec:t'I"Onic modifie" (bridg. atl:l ri ng ItMldulo-
.... )
19..
C 19.. 3'
C 19.. 5'
C 19..
"
I C
1
'9
"
I
USA 231
'I
AmNOOCU
......
Disque 1IaftdI; .....
......
I "'" T_ Oohon
,
""
'yo'
I
'Y'
'Y'
'Y'
'yo'
J.,
'ap
232 USA
e..-- ntre de fOW't'N
--
""'" ""'"
-.
--- e_ nne of tt.e wort ......... 00 .. ......... T ..... ........... -
_ T 0IIw.
HlggintH Raoqu i" C , ...
Hlgg,,.H Tachyogora, fof'pianosolo ... I.crronic C , ...
;"" inct dI
mediAen OM filM' nehWoftt (th.oh'lcal)
HililliJi,. H Mutlc for Jos-ph 'yrd, For\oGflOUIrocK C , ...
''''' ''''' d.
'"
ani roll bond. and electronic modlfle"
DALLAS (Jerry Hunt)
jp 0' Audiovisual Studio
oJI Ii.,. electronic_worb-eeploy theatrical ... vifOftMllfttl;
Hunt H.I ill: 3 (ony inlmm.nft), tapI ",e"ion for C "63
.t.efftM\le sounds
Hun. "r.parollsl, for l-IOorche.h"CIllf'OUPt, C , ...
''''' ''''' d.
\IOr.l. 01.. " (OM ot ,...,... p. llroup), mo:6-
ulatoft and MYe... r ompllflClulon 1)'$"'"
Hun. lobuloturo SOYllo, fotD-Il oeouitle ;n- C , ...
'''''
ird dt
stNmenh, yOri"", wa .... ""'5hciping d .... ices, ","-
obi. omplln.n and amplitude modulation
Hun' Unit 1, for .010 sjtvation, .t.c"onic ...."ian C 19651 ;"" it'd dt CPf
(th ) fot' Clcoultic imrn,"'_n, witf, .I.ctronic
modification
Hun. F or Vi YO I d i, .1.clTonic and acoustic Yer- C
"6<t ;""
ird eft
liont, acoustic '#II"iOr'! Uling II'OCGI material
DALLAS Pams PrOductions Inc.
PO 1965
IJvdio (electronic music for cornme-rciohl
'n
1965-
DENTON Electronic Music Composition Laboratory, North Texas State University (NTSU)
PO 1965
EIIhM Feedback Fanra,y , ...
"N
EIIiIM Th. Et.rnal Can Ca" C , ... 7'00"
Po,M 1st EI.ctronic I'iec. , ...
"30"
Labbi Chanc. I'i.c for clarinerand moun-tic C ,.6<t 4'18"
....
. Ellh M Geo,g. Ma,.y Pla y. the Flute C , ...
''09''
Labbi Mu.iqu. Concr.t. Study No. I , ... . '12'"
Payne E le"y an the Death of a Mod Do" C
'9"
.'
-
-
e_
c- n ... of tt....ta
...... Why?, for ",ix" choNlordprepared tape
Po,... for alto laxophone ond tap.
....
Sana to NUMb., I,h, (forlurt
Turetrlcy), A#t A-nOllfl SQl"lClto for contra-bo.
tape ,..confe,.. piano (or otpn), chonA
(Of' I'KICIf'd player), conductor, con-
ductor (or dodc), or mono doncen (or ..
and .........t*t. and hurd .... of ball-...
Em,M Old Mon IvofY
ElthM Ep i lad for I'f\MIIIptt and II.,. .lectTGnic
ifllhUlMntl
Mlwtln V Oonee and Secr.t
EUisM Centrlr"IJon.
It .... lee,"""l.; l,..tMMnfl (""'oog lyntMsiur)
..... O.ellla,loft_
.lecttonJe lOpe
flUsM Kal.lda.eap., .....
(al_Nrie 'ICON) and It... elKh'otIle i.. hV-
Men" (2 Moog '''' ..... Iu")
LUBBOCK Texas Technological College
io 196164
C-l Four random Itudl.s
C-l 0.' C.ntury (HOf'IDge toShO..,l,..ky)
C_l Decophonici
C-l lana _"e"c. {ana poemofV_ .. ,I.
fo, 1OfIJ'OftO and +-dIa"nel flapS!
C_l Antiphoni
SAN ANTONIO (Philip Krumm)
PP (1959) 1967
--
""'"
""'" ...........
""'"
.........
C , ...
.'
C , ... 4'
C'
, ...
'S'
"67
S'lS-
CO
"67
6']0"
C '.67 4'
CO
'.67
12'-14'
C'
"67
S'
C '961 \1_16'
C
'96'
S'CO"
C ,.62 306
C "63 01l'"
C'
, ... 5')8
C , ...
"30"
,inc. 1967 collat>oarion with Rachel'l Childre" (pop music group) and U"h./Saynd Cen,..-
(N_ Conc.rt M",. ic, fOf' tope and orcn.,ho C '.59
S'35-
(N_ Four Colloid., fOtflapeand Of"ch.itlG C
"59
411l'"
(N_ Parrern' III, for flaps and ..... m:,I. C
"59 ;""
(N_ ModulotioA S.t, fOf' flapS! ond .r.ctron- C '.59 ,.'
ically mcdlned piano with ring madulal'on
(N_ Excurliant, for ..,...Ie ard ..... C
,9..,
..
( ...... Ant 'Iee., 'or nGrTCIt'Of'" and lope C "60
.'
( ....... Pot.",kin (2 perQlllioni.", and tape) , . ..,
'0'
Sheff (30')
(N_ N Vea,', Son" C 1961 '5'
(N .... So .l/piana / tap. C
'9"
S'OO"
(N_ i"...aI..,ing CO '9601-65
CMlplifi_" and rino modulotetn)
tSA m
-.
---
-
T ..... ......... -
-
"'" T_ 0IIw.
.,.
not In off. list
2d.
2d.
4d.
hZ
h'
,'nSMff
revCSEM
7.U USA
Krumm Force Bcue
COImMIrciol bod.:grt.an'd lft,llicai d.... ic., For
Volk.wagen Advertisements
c
Bon for " Eden Fir . " (wor/!c C
Base for Chamb.r" (work in C
progrftl)
Bou for Oork Harbor (....otic inP'OV. C
-)
SAN ANTONIO Les Miller Sound
io
conwn.rekll bodlpound mulTcal ct.vI'ces for
Ad""""'_nts
SAN ANTONIO (Robert Sheff)
ip 195860 mo-' to A_ ........
Sh.ff Choral." for OfVOn, voieft 0I1d tape
Sheff Pio"o MUlic , for piano, COfttact micro-
wove and "i"tercepton" .
ond one mtio i,.tru_t (!Odio C)I' .. , .... i.ion
01'" oul'ooNlbii. or or roll.r eooster,
.tc.)
'lh.ff Mu,;c for G eatg_ Br.ch,', "Thr
IS e9i ", ". for yok. and t'OpI
Sh.ff Mu,ic for "Nigh t 01 the 19 uono "
for Thr.. ins""'_nh, and tape
Sh.ff Bol'ad (1IIil:otionofgroph,corel, for lOpe
wit+. 01' witnout i,.tn.ltnef'l" or voiCe! ( .... it+,
ge,,,,,,,,,, )
Krul'NPl .. Potemlcin (2 pero.mionilt'l<lnd rope)
Sh.ff
VERMONT (Vt.)
8ENNINGTON (Henry Brant ?)
ip (?)
Ihonl Dot.Ii".s: Limbo , foromplified lIiolin,
.Iectronic chi,"", bun."" b.Il" chro
matic outomobil. norm, sirerw ard KlUnd gen
C
C
e>
C
C
c
I.
I.
8ENNINGTON Electronic Music Studio. Bennington College
PO 1963-64
s!'\/dio directed by lioroel No-olc, "'<) eotrtpotitiom produced
1965
1966
1 .... 67
1966-67
196ft.67
1966
1958
1958
1960
1960
1960
1960
5'00"
11'06 )
26'30"
Jt,..,.
40'00"
11'06)
15'
;nd
5'
10'
;nd
10'
130' )
ind c:h
"I
?'"
mat Oovl. Cal.
rln MiII.r
mot OCIvl. Cal .
MOtOovt, Cal.
,In KI\HMI
rln Krumm
VIRGINIA (Va.)
I
CHARLOTTESVI LLE Computer Science Center. University of Virginia
PO 1966
WASHINGTON (Wash.)
I
SEATTLE (WiliiarTLO. Smith)
PP (?) 1967 m
..... io contal,. 0 Synket
no infol'1NtlOfl reoei-...d
I I I
WISCONSIN (Wis.)
MADISON Electronic Composition Studios. University of Wisconsin
PO 1965
Scandr.tt
Scardrett
Scandrett
Klimlco
Thr.e St.llor Folk Tun.,
Composition Numb.r 0".
Electro"i.: Composition Numb.r
On.
Th. WugQly Ump
Goo mbo r Impravisotions on "'11'1-
provisationl on 0 Toy Piono" (W.l.
Whit., 1964)
Two Poems of Gerard MClnley
Hopkin., fcw'o'Oic.ancltape
MILWAUKEE University of Wisconsin - Milwaukee
io
50"'1
(untraced)
c
c
c
Graue, In f.rno c
1965
1966
19..
19..
1966
19..
19"
1966
"
.'
2'
"
3'
3'
30'
1?
6'30" I? Fol
VENEZUELA
CARACAS Estudio de Fonologia Musical. Comision de Estudios Musicales. Instituto Nacional de Cultura V
Bellas Artes
PO 1966
-
Ho",."o j e III Ca'OCOt (with __ tho" 50
ocloft, lorv- _tol th\.lctu .... 8 film PfOiec tor1
30 did. Pf'Oiectol'l, 20 n'IOloObl. pri_. and
, i"",11aneouI IOpeI )
1966-47 27'
MT 19'" (120')
Optional Realizations / Partitions Comportant
Une Realisation Electroacoustique Facultative 237
...... r.llmtJoN ow-- in tfM _in part 0' the catalog, QNf ON h.,. 1I,t.d ' " olphcllMricol ordei' by COItIpOMn, wit+. no IndteatiOta 01 country, city and
Pudlo 01 or'eln/l. -...-. ng..,,.,t leu,.. dan. Ia partl. principol. du catalogr.M: iei .11.. CI9POfOhMnt dant "ord,. alphabfliqu. diM COIIIpO_
.a..di.dot;giM
,... ,...... ... far ... ,..l1zatlon. and .... INdio t,. .... Ien It .. 1'IDd., ... aI- I" paNntt.... on. oIGch tltl. ' 1Malto appel"ldb. -"'-)/1.
COIIIpOII...... CI)ON --' cMqtH "'-'I.tlon, 01,.,.,. 1 Judlo 0) .11.0 , .. '-dVM, MWlt indlqu" en'" cnaq.,.. ,Itre (eI.cauI 1 __ le ..... )
....... Jihe COMpOIition 01 II. oriel"'" ICIOft r. glW" 1ft poNnftl.... b.low the dot. 01 1M NOlizotion, when diJhftn,/Io pNIIIl .... I.e r4t-l,.. a 10
11..... I ....... __ a 10 CIMIpOIItion eM I. partition origlnet.
THE fOUOWING lLAUZATJONS NEED NOT IE MADE ELfCTlQt.lICALLvAfS PAlTlTIONS SUrvANTES Nt COWOlTENT PAS OIUGArOlltEMENT
UNE IfAUSA TlON ELfClI:OA.COUSnQUl
.... h_
So ... t. NUMb., 51.. (Ahlsm:. .. Oallot..
r ... )
1965
c.c_
(c .. ,iop.ro (Sheff, """ A!bot, Mlcft.) 19.,
(1962)
WIAI cor. ro. .... QpMItIM of_chi ...... 1961 Po.
""'-riM--.Jth--AMlc MMt" (c.... Stony (19<0)-
...... N.y. )
27'10 . 5.5. 'or. ,.rc""'."ht
''''
..
f ......... NewYorIc. N. Y.) (19S61
27'10. ".'" ,., !t.re", .. ' ."ht 1965 ...
( ............ U40,., III. + New V", N. Y. ) (956)
F .....
Me""".,
Yaft:.. N.Y. )
"t'.tt.ctl." (f.w-.. , .........
19" Po.
-
10.,,,,4 ( .. .. I reolt_tf_. Urt:.n.. III.)
19..
'''Y'' Sl ,",. I I, 19.. SZ
"""-'I) (1964-66)
III.., (oflcorf '.r two Illo,,11h llI"d flv. 1960
t.". rocorel." (1:11..,. 50ft hoftcltca,
Colli.)
THE fOUOWING lfAUZAfK)NS MUST If MAO! EUCTlONICAlLY/US IUUSATIONS SUIVANTES NE PEUVENl UIE QU"fLfCTIOACOUSTlQUE
MCIIUIII .... of the ....." geM1'Uliud r,.""ctioftI, !heir ,.ll&otl-. hal .... 1ft .... OGIM bHft ,... ".,., ell,.,.,....",. by dlff.ennt COIl'IpCMn/
ceI1ar.... CIH potritiolw CMtpu m r4alhottor. '"-ell ....,.,,'" 1M I. port. dltUr.nts COIIIIpOIi,.,." I .. lndloal'f_ arigi,.l .. IarllOnt
_OI"I... 11M .......... _ .... de
.... ,..,
So thhll '0' clorl",.r, plo"01 1962
Gifld '1l1U ( ......'.1. OEM, Ann AAkw. Mien.
Condelao MusIc (Cog. " Tudor. Stony
'o'ltt, N.Y.)
1960 1m Pot
Cartr i dg. MUI i c (&u.ottl .. "'-neploce, 1965
FI-.)
(1960)
P,.
Fo"tono MI. (Cote, ItAI Milo". lape
1"*59
,..liaotJoo,l

Fol+
'ot
n ...
Fo"to"o MI . (Nevftou.. NewYorIr.. N.Y.: 1965
II.... elKh'onic 00f0fRnD Mhi: ( 19",)
F...r .. an ON .. dlffeNnt pet"fonmnc. ) -
Pot
IIII., I ,ury Lond,cop. No . J (Kogel , 19 ..
.... -
I Cage'. r.allzotian j " OCJperdhc (19"2)
.."... )
Pot
IlIIa,inory Lond,cap. No .5 (Cag., 19S1 ..
N.wV .... , N. Y.)
P
IIIIo,inary Land.cope No . 5 ( Phette .. 196.\-66
P'ooe. S 'If M flrenu .. N!E.V ,_) (1952)
P
V ' IO . H"- '0'0 p.,cuu t o"itt
(2 _izatlonl by Nevhaw, _ ..... ,
0-;. .p.".lo" of a Modu I. (0-... .. ,
Mel.,oe l o (D.,..,.i" London) 1965
0.,..,,.
Music for pe , cullion and top. 1965
(Oet'ftil .. l.ondon)
Dono. 'hetftopoe l o (De,..,;" lorden) 19..
F,,,,-
Inu,uct ion (fead_", Ne_rfc, N. J .) 1953 Pot
.... , Di o.hon i e (Kogel , K61n) 1965
(19")
.... 1 'hoftophonle (Kogel , K&lft) 19.. ' lIE
09.,-64)
.........
'au"..."
Silcorskl
Tre,..e", (Kogel, STEM Utr.d!t)
nOlc.morre (Merd .. , Son""')
MGIII.- F d (N...,hout, NewYorW:. N.Y.)
Max-F d (Carner, N ...,Vo.6r:, N.Y.:
00 , for (.IItt) (ro?) MAXFEEO AM (.teNet)
FM. AM,1'M)
SCQl'llbl ... ro.2v.-slonidi
Wllld,*",)
19..
(1963-6.51
1963
19 ..
19 ..
1957
1957
1957
Echo II (Sikonld, PoI.kl. Rodlo Waruowo) 1963
Epitaph. lliaur E ... atllt. GoOlol. 1961-62
1----1-___ 1
_______ _
Epltoph fDr (vorl.t. Goiol. (WTId- 1965
berger, SFI a.,.Un: deuhcM Fa..ne) (1961-62)
UE
.AU
-
-
!'hI SZ
THE FOLLOWING lEALlZATlON$ NEED NOT IE MADE ELECTlONICALLY!US PAlTlTIONS SUIVANTl$ N( COMIOITENT.AS OILIGATOIREMfNT
UNE lEAllSATION ELfCnOACOUSnQUE
ttl .... ,COt'M; Ud gropilic and other ird.te,...iI'lllN ron.. or nota,lon. and do not tpecirTCDlly rNntlon .1.c:tfOnic rwaU&CItlOl'lil, although rhew ON not .. clud.t
in the iN'ruc,iOl'll fOf' eMU""'" IOnt por des partition. 'I'O'onfai,._r il'dl,..iM.t (por graphiql,lft). a.a...co...p de !Mia/I,
concernant leur rialhation IOnt, donc, loi .. au gr4 det y campi, ""'- 10 NlIU,.. du .........1ou 1OftON .,i fMUf "'" 4IlKtraaQa.!"" au nan
.......
'row".
Ikmottl
coo
coo
Cov
coo
Ichiyanagi
IchiyafWlgi
4 Syst ..... , rorpiano(.) ordlO/t ofh.,1ft-
lhU_" ... .ourd..,:wcdueing medto ( Neunou..
New York, N.Y.)
It.ri V.locltot.m (O-..,-ch, Huntlngto ...
N.Y.)
Co."" pour batt.",r (d. FOOHM;
N.uhaus. N..... York, N.Y.: Meo.u,pour
batteur ... POIlth,ely V.... ,
S a I a for C.110 ('ram "Concert for piono
0'" orch"hv"; Ph.tteploce, MtV 1t0fr'0)
Solo for Piano (*'Ofn "ConUf't forpiono
and oreh .. tra" . r.alizotiO" 01 " Antic Me.,'" ;
Cog Tudor, Stony Point. N.Y.)
Solo for Vole. 2 (Ll,lci... Olivef"CII.
Tudor. Stor1y Point, N. V.)
Solo 0 I 00" (4'33" No.2; Ph.'''plac.,
Fir.nu)
Varia'lonl I (Arney, Ne .... Voric. N.V.)
Variotio", II
N.Y.)
Variario"' II (Echort.+ Voggione.
...."idod NaclOt'1C1I, C6rdoba)
Variations III (Cage + Tudor. Stony Pain'.
N.Y.)
Vari a rio ... , IV (Cage "TIodOl', Stony Pain' ,
N.Y.)
Variation, IV (MEVRoma)
Wh.r. or. w. goi"'lI? And .... hot
or ...... doing? (PfMltteplace, MfVIt_)
Wlnt.r MUlic (Cage "Tudor, StonyPoin'.
N.Y.)
(14 composHions. Corn.... N.w Yorit, N.V.:
Ii.ted 01 .... ortu which may"". ornpllfication, or
which may includ. II ..... 1.c:PrQnic: r.ollza,lon)
Mutic for Piono No.4 (Tudor, Stony
Point, N.V.)
S poce , fartwopial'lOl(lchiyafWlgi ,
Guyorno', sPudio, Tokyo)
I ...
( 19:54)
1945
1945
(1939)
19 ..
(1957-58)
1961
(,.,7-58)
19 ..
11.6<)1
1945
(1962'
196<)
11 958)
1963
(l96G-/oII
19 ..
(1960-61)
1963
19 ..
19 ..
119.. ,
19..
(1 960)
1961
11957)
1961-66
19651
(l960)
I ...
UE
P
...
C.I ..
p
Po.
..
ME. ..
...
E_
'.,
. ..
. ..
..
C_
'-
lehiyonggr
..... '
Motlulhha
Y-
Y-
...
-
' .
,'1
,
-
.. 239
r .... r .......
-
.... Drio
-
---
-
n ... ot .... wortr. ......... 00 ..
-
T_
.......... -
-
"'"' T .... ""-
S to",za,. F".. ,tring i ... tn..-nt{s) (Idtiyonogl. 19 .. . ..
..... ToI<yo) (1961)
A,.i_a 7 (MfVlOfftCl) 19 ..
(19")
H.. oh.clrCl (Motor" SFTMC, Son FfOftc:kco, 1965?
. c:.III.)
Co_po.iUon 1960 No.' (Young" New 1960
Y.... N.Y.)
'0 'or C,,",oirl, Toltl.1, a.nch , 1960
Ere . (or other ...,rd 1OUrc.t; Dunn. N. .....
"fen. N.V. +-Mlbcn.ld, Ne. N.Y.)
2 tOu",d. (lII.y "YCIUftg, Calif.) 196<)
I
t--- t-- I- .-
- f- ----

=
.;
-
I
i
I
I
'.
i
I
j
,
I
i i
I
'"
i.
I
,
I
I,
"i
I,
I
I I'!
it ' I' ll,
"
I
I, I
iii
Unrealized Scores of Electronic Music I
Partitions Electroniques non Realisees
"'"""'"
--
"""" ......
........ T_
theM do not Of'F*If in tM moln part 01 the cmtalog (with rhe .. 01 that by E...ongelilril. cand are II.,,*, In alphabetical 0Id., by COfR-
pol.'" wi", no indicotjon of eounlTy. Only 00",,1 .... COf'ft, could be reoHud ird.,.ndentlyof .... COII'IpOiMn. a.. /I .. O&! VNI qui
",i en', a I'eceptlon eM cell. d't--...lldl. ,.. n.,,.nt pol do,.. 'M II,,.. dn .tudlot,; II ,.. "CII't.,. de ponltlOfti 'ult.. pouwnt
done 'tt. r4a1l,," ..... In ........ ntfon .. compod."
"'-...... Scor. 'at ,4,"'OftO"'1 No . l,bGMdon C '9" ind."""
'"" ",oeMottng IM'lnclpl ""'" ".ctrlcol Of' non- U'
electrical IOUftd ICIUrai
nvenuH Roc CI)" toll. brew drafMD rappretenfiCltho C' 196' 20'
per coIOMCI .""","Ico 7 "41to"
,-, Oct.t 11 . for ei9ht loucap..a5ce... C '957 "00"
.. ,
E ...... lt.t1 ea,.,p i i nh9,cHI (.-MlltG.lond Paldel. C '9,. ;td,min
Radio Woruawo it'lliN ..... )
"
GIMY...aerts Compo. l tt. "r." l'1li.' dode ' o"e" C '952 9'16-
No.4 GUJl ION mom)
-......
Fr qu sonor , fa,t,.tNfIMnt- ad. C- 9 .. U'
- ... "" ..... , h6oto......... "" ..
Kor\OIchko Klang .... S cut l ll: C 19651 21
'''''
'Mlllul ., 7lauftlongatrohl.r ( Kia,...,.., C 1959-60 7' In
eftal in wet Kiln + PoI"'ie ladlo
ube, nldolt ,..lIsl.rt)
Ligerl 'hctroniqve Nt . 3 C 1 957-SI
.'
Morth.,*,n In l .rf.r.nc .. I , Fat ", ,,, och .Iektronlu.: C '9 ..
"",sik
Niluon , WOr f el,pi.1 C 1957 1 ' 1
Nlluon I Zellen C '951\ I '
Wyschl'M9reddl; y Etude C '95.3-504 ''09''
THE FOLLOWING SCOlES MAY IE _EALIZED EUCTJ;ON1CALL.Y/pAlnTIONS DONT LA REALISATION ELEClIOACOUSTIQU EST fACULTATIVE
r+..w compoli tiON, ... itft the .lIto.plion at th ...-oR. by 'I'G.... lhll. do 1"10' oppecu in me trai n port 01 the ODtalO9= . I.ctronl.c realizal lON 10.0... 1"10' ;.' IN.n
1IIOd., .. dnoa, lont for an optlonol .I.ch'onlc are Qi _ in the $COI'.""'o de ,.Iho.lon Clft pDtrltlor"ll.
qvoiqv. pr6""" "'a pot ",core '" V,mIN; c.. OIeVVNt",. fT ifoIrent done pot datil I .. Ih, .. ,rydiQl , a I ' exception d. cell., d't:'l'Gngelh,1
leOW"
eo..
Chi lds
1(09.1
.... '
Oecemb., 19 52. forOMOfmor. i,..,,,,- e-
IMn" ond/ or .ound-prodvcl"lll lMdia If",,"
" Folia-)
Nov.mb.r 1952 (; yn.r9Y ), foroiol'M)(, c
ond/ or other i"'tn.lmentr Of l ound-pt'Oduci"",
med ia (from
Varlo. i o ru VI . fOf'a ",lvPOllty of M:lUnd
'Y".1'fa
Inre,ba l anc .. VI, fat horn. plonoand C
two taper (tope-t 1'0 be by rh. perfOf'"-

Di . Schacht.I , oz ic)M",il'l"lO-1cenit:aper
5 0 7 !fIimi, ...0<:. (l Ad'" IV 1"10"1"0 dil" ibl.! i ta
w I conan), p'oi.'toI' i (minimo di 2) ,
pi ccolo orc;h.,tro t'I01 tro (reol izotion by
AI... ,in. OcJvi Call f.)
Spo!: i o a S , per 4 iNPP; dl ... .
,,;oci ed e l. ttronici:
conCNI'a_I.ftTonic:a imp,cwvl sala C
(r.all:z:otion by ",""Pin, Oovis, Calif. )
Com.ra O.cu r o , d'lf'OffIGtl,c:h.. Sp;el RJr C
lichtqu.lten unci Do"hlilef (TOtIband_r mIn.en
.-:z:I.1I gemocht
I(o",,,,_,,'ar. v"d ElIt '.",por. , fOr C
men,.,. )timtNn (Tonbender mQuen 'Pui.1I
i.macht word.n)
Match , fOrlSplel., {2Vlalonc.lllul'ld C..

Sonon. , Rh GitalT'e, Horf. , 1(0000traba.. und c.
F.lli,..tNmenhl
MT
19S2
'''''
AMP
'''''
, .... AMP
'9"
'''''
, .... P
'9"
ind, l'I'IOlIt Ind
13"1- (2x1)
1962-63 ird.min n p ..
20'
19S9-61 i,-.d.min roo
7'
4/1
' / 1 ch
'965 Uf
'9"
2" :!x2 UE
'9"
1' - 17' It'd
'960 P
C_ n...rOJeilWN
--
"-
""""
.....
-..ell
......
.C_ Tht. fII the 'III'OfIt .--. "- ........ T_ ......... -......
0;", T_ 0Ih0n
K ... '
TrolUicicSn II. fDrlClovl .... Schlog:z:e\19 C+ 1958-59 10'-2-4' :!X, Ti .. Uf
urd zwel Tonbind.,
K..,.. Allatropla. perorch.ttl"O conorilcolo!:lone C' '962-44
'""
Ind ch SZ
"",ltlpJa (ClUett auFRwt.or dutch MI ... l reui .h-
V", .1 .. t?ooIcvt,isch.
K..,.. pet' ' .... 0fVDnI .lettronlcl (ovd! C' '965
'""
ind ch SZ
aufflh.bor dutch MI .. WM:" .... ftll -'.&tho- (2'30-
"'tftchefo 11:1...,..,....1 ... ) "00")
-,. Millev OI..,ln_ paur2ordrertfft# lou2 C'
,-.> 27' h2
chen d'CH'ches" 2 2 ')'1-
d. 1OnOf11Ot1Ofl Ind6peI"lNnh(2x-4 canca.tx)
va.... Eellatodol, __ I.choir. -4tnHt1pe.. ,-4
C' 1961 '5' 2,h a.
piano. orgon. 6 percuuioni.ts ard ('933-ln
2 otdn Mor,ena' (pwfoonMd by 'town and
Plo"t "" acillo9Qft 01 tUbttllUm for 1M
a.n6er Marteno" . I" New Yore: not pretctlbecf

f--. -
-
-- -

i- ,-
-
-
-
,
Discography / Discographie
ELECTRONIC MUSIC (workJ Ii.Nd in the rnoin purt of the catlalog)
IlLUSllATED INTlOOUCTlONS TO ELECTRONIC MUSIC (also inchJd ... cerptt. fTom -..iticn ore too Ihort itt ,.5atlon 1'0 tfte tofQl
l.ngttoI of the wottc to be cor.iderwd in tfte Onr ,ection tc.)
WORKS IN THE APPENDICES (which do I'IOt ott-w .. in the c::atalog, eJnd ON ...... not .1.ctn;Jn4c ... Ie)
The COfHct tltl. of eompoeitlonl ha .... been "t"em ............. th. n.Nd on II f'KlGIId ;. MlffIei_",ly ttl. hat b..n added 'n quotation maria
_IWli" por."th __ (th. JOme oppU., to ha".latIOl"ll)
Wh.n the flttl,.. 01 II record hot; *n ,.faue,d in a dlffentnt ClGUnlry (lCI'Mti..... on a different reClOfld '_I), aNy th. ortgllGl "- "'"" II .. ..,,. and
tiM ,..iuu. 0,.. noh<I in
Ma"'1 r.conk includ. non_lectronic wotk.: thl, con be .eef'tained f",... 1+1. dufatlona 01 the individual electronic wons. When a MCIDfd In
0f'III MetiOl'l of tn. dil.cograplly abo appean 'n on. Of both 01 Itt. other MIctiON, an (.) pNeed_ ,,, ,..,...
MusiciaN Ihted In rh. ,.cond I.Ctlon do not .. appear in th. catalog: Fritz. EnIt.1 (WDI K31n), lager MDren (USA). AbrohofR A. Mol.,
(aU Pori.), Veelo., Nelh"cet (USA). Anton Spring. (Telephonbou "nd NOf"I'IQlzeit, Ftonlcfvtt), HaN H.inz StuchNd...Wt ( .. ,Un, aRD)
MUSIQU( EUC11I0ACOUSTlQU( ( __ n,.-t .... J.lbmd .......... )
INTROOUCTIONS ILlUSTRffS It. LA MUSIQUE EUCTlOACOUSTlQUE .. etlan lnctut _I I ..... 1" PfqI CIIUrlI pour n.-- ... ka MC"
lion
OEUWES CinES UNIQUfMfNT DANS LES ANNEXES (.t, done, n' t pal CllJNkM"-, d'.,. nc. cri..H., COMIM d. ka ...... 61Ktro-
proprMMftt diN, Cd .prefac.) )
L .. oeu",... tOni dftign'" pa' titN COtT.ct: 10I"Iqu'url ditque en donM un titre dlffnnt, c:. demi.r est ojow" entregwlll.fMl't.t en" po,.,ttM..,
wi...ant 10 meme prftentation adopti. pour In troductiOl'll.
Si I. c:onr.tou d'un dilqu. a .t. Integral.lMnl ...edl,. cDr. un outre payt (parlo. waft un_ ouh'e etiquette). Of' i ......,. 10 .,...ion arlfIinot., Ia
'tonl mentionnfe entre pa'enrn.....
La bonet. arlglnol. d. CMtaIN dT... '''No nt manophanique: I. Win iON ont .N rai_ pot c. n,.. d. dl ..... CftU
f't,ilipt.).
Sur beoucowp d. dilq'lfl, In QaYvt .. ".ClT'aac:ous'Jqu. 'I01li".n' o ....c dol.lfT'a qui ""tili...,t.,a I .. ftOdlttotw.l.: 1'tOUI,.. fll'lerttiGnnOl'll pCI& en
Mmiir , mail I .... , focil. a d'e.l.t, dft qu. 'e minul'Og. tOKiI dI.I di .... elf vidbl .... nr ph" rrw:t que eel,,1 de , ....... ,. d .. ow"",,"
.. y flguront.
Signglans anrin qv. ceftoinl !1'UIic:ie,. da"" 10 d .... i....... ction d. 10 di'COVfOpfti. MI figuNnt pOt oillw" .... Ie """f'Ol,.. C .ant: Fritz Enk.1
(WDR KISln), Rover Monn (USA), Abroham A. Mol.. (CElT Pari.), Vadov N.lh,..tM1 Anton $pfinger und Normolult, FrvnltNrt),
Hans H.inz Sludt.nsch",idt (lerlin, IRD)
.. uN.nawn/ moiton d. disques inc.onnu.
m ' mono
,t ..
diamet.r/ diametre: JO em ( 12 In), 25 em (10 in), 17 c:m (7 in)
lpeed/yi'eu.: 33 (rpm/ t), 45 (rpm/ t)
ELECTRONIC MUSIC/ MU5IQUE ELECHOACOUSTlaUE
Aeh ACHELf (Pari.)
JL8 1 (m, 17 em, 45)
8"", In$ttl,l",entotion .... rbol. (440'")
InHrumentotion verbal. (J'SS")
FD 1 (nt , 17 em, (5)
FGR-l (m, JO em. 33)
Whittenbfl'g EI.ctronie Study No.2. ","rn contrQ-bau
FGR-S JO em, 33)
.. w....ic ftc:lm the ONCE F .. tlwl"
Mu.ic for the V.nezio Space Theotr.
FGI--l (in pqpNQtion) ( ... 30 an, 33)
Sdo-...
1009 (OIl, 17 CM, 45)
Scuffriou
Souffriou
AVIS s006 (ni, 30 CM, 33)
Ava ""VAKIAN (New YodI, NY)
JC-I (m, 3.-30 cn'I, 33)
JCH (", JxJOao, 33)
Fonto.y, fflu .. , conha .... ond ....
Vorratiotl .ur 1,111 lOti de piano
Variation lur un Ian de tombo"r
AWS AMfIICAN WINO SYMP'HONY (New Yartr:, NY1)
Bodl"", Pithburgh Concerto
aAM 80lTE It. MUSIQUE (I'ori.)
EX 241 (m .. 11 em, 45: yotr ouui to 070)
Fetl'Ori
",ilippot Ambiance I
OISCOGlAPHY /DISCOGlAl'H" 2<3
S ....... ' "'.p.cr n 11mentol (y.nion de " Troi. "",,ti_lOu.")
Schaeff., P Etud. au. allure.
EX 242 (m, 11 c:m, 45; yoir ou1l1 LO 070)
FHfQri E tude au. ton. t.ndu.
Er"d. au ... 'onl onime.
X.noki, Diotrlorpho ,
La 037 (nt, 25 em, 33)
La Itolentie, pourr.cilOnteerboncie
LO CUO (m, JO 01'1,33: voir oussi EX 241 .. 242)
E tud. OUlI oceid.nt,
Etude au ... Ion, tand"
Philippat Antb io ne. 1 (version original.)
I I
loU OISCOGlAI'HY/1)ISCOGlAPHIE
Souguot
Schaeffer P
Scha.ff ,

LO 071 (1ft, 30 Cn'I, 33)
loucourechllev
hnatl
Phillppot
VOftId.II.
LO an (oo. 30 .... 33)
, .on (.t, 30 em, 33)
- MulIquIi E_p&.olrHntale II-
kyle
.......
Canon
Fel"l"Uri
Mal.c
LO 30S (m, 2$ em, 33)
""""l"
LO (m. 0;25 CM, 33)
Phi I ippot
lor SARCL,AY (Poris )
GJW 1 (m, 17 em, 45)
Wolman
89005 (1'1'1, 30 em, 33:
Trol. alp.cU le",I",."toux
Etude aux allur
Dlamorpho ,
Tu:t. II :
Toutologo, II
CI--"--cIU.io,,
Vapeur (wnion 1963)
Tl m., Five
Tu,",oc I
Tou,olo;ol I
I;.fl.t.
\._ crob. qui jouoit o ... . c 10 ",e, ( conte ...... ical)
',"proyi,or i ons (9'30",1963)
" Pr.,ni., Festival d. I 'Art
louin.
Bot BOSTON (BOlton, Moss .)
0220 (milt ? 30 aft , 33: in pt9pGllCltton)
8.,10
aTl BELl. TELEPHONE LASORATOIIES (Munay Hill, NJ/N ..... Yorir.. NY)
122 227 (matrix "."mer) (111,25 O'ft. 33: non-c.ommercial )
"Mu,ic from Moth_tio"
Guttman Pit c h Variat i ons
'--win Study No.1
......... M
Matt........ M Thr "swoi ,ut Four (May
a.ot Canon
Stochotto
Variation, In tlmb,. Clnd attoclc
Itz ANASTASIA IITZOS (hrn)
(no"""" .. IlMiNd "ilion olloo CIOfH,,) (_, JO CM, 33: nort-c:omlMrc:iol)
"lCoII'Iknt.. POtiJe SCUfId P'oeWy Artilcu50tlQMfl"
/1)ISCOG ..., .. IE 2.'
KI.I". Coroll (foM.tkc:h.b __
V. 0-1 II 0 g I r-(foneti.dIe 1Mwetitl"ll a, ri6t""'iiii""ftat..' d. y,...)
eo. CAlLrON (Now V ..... NY)
;I.c,ro" iq",. (half-length 4IdINd ... pNIUINIbly not by 00III'Ip0Mf )
eGO CQM.eAGNIA DEL DISCO (Milono)
ESZ 3 (It, 30 c., 33)
c.tltllonl
.........
ropl
Viad
COLUMBIA (Ne. VCM4r:. NY)
ML .sea (1ft.. JO c-, 33)
MS 6146 (It, JO CIIt, 33)
'."p.etlon.
Col loge II
Quartetto III
Musica HoI dl.le di .... n.ionl ( II )
Ii c.,c;o r 1. tHatti co
(in e",f'OP" on PHILIPS A I... only; in UK 01'1 PHILIPS AIU. 3392, rftOnO only, d.ln.d: l'tIilip. Modem Music Sed. )
V.oN
ML S162 ("" )0 CIIIt, 33)
MS 6362 (.t, 3Q CIII, 33)
(in UK on ClS .. O nl06, 1'IOr'IO, SIIG nlC)6. ltereo)
" Music of E" Vo,"-
v .....
MI. .s966 (1ft, JO CIII, 33)
MS 6.S66 (.r, JO OR, 33)
EI.cff'aftlc Mlnlc c........
Stereo EI.ctro"ic Music No.1
Iobbitt Composition ror Synth i z.r
EI.ctro"lc Study No.1
l.irla and the Po.t
Creotlo,, : ProI08"'.
.
I.
I i
2<4 OISCOGlAI'HV/DISCOG ....... IE
ML 6163 (1ft, 30 an, 33: Canadian CoIvmbka, Montreal)
MS 6763 (tt, 30 an, 33)
M.rcur.
(reconi In preparation) (m/d. JO an, 33)
Ichlyonogl (untitled work for doIorw and .... )
Nortk A... dell" Tl ... Cap.ule
Luc:J Organ Mu,lc for Da .... id r",dor
(record In preparation) (rn/.t, 30 em, 33)
Stockhausen Mlkrophonie I
5todthouMn Mllcrophonle II
COft CONlOY INTERNATIONAL FILM lItufty (L.ondon)
$oyffriou (_tfQita d. plvti.,,, '*"YN't, taut d .. ,I.,.. dlff4,.,.,fI:; And",... ...... 1VfQ 1oNa11., ........ ,
lonotpNN, Metallurvy, Sa:U""" Sulphuf)
(no (1ft, 30 em?, 33: 1"
.. '"
a.yond Su (fTtOYetMntfram "Nil. Mulic")
B.'"
Clu",b Ch",b ("Varicant")
B.'" Clrthlll
B.'" Cruclbl. ("Eggth.1I 5'-"")
B.'" D rt Do..., n (.lltract ff'Ol'l'l "The Empercw ond tIM NlghtlngCI'e", original .,.",101'1)
I.'"
I.'" Idl. Thought (ltIOWfMfItfrarn"NII.Mwtlc")
.. '"
Moon 01011'
Moon.cape ( ... tract frOll'l Col'Iden St'H''' )
B.'" Moon $'orlll
.. '"
Moon Void (mo...-nt from " Nil. Mulie" )
.. '"
.. '"
Welding Arob Copper (IOE<nNm
Ot! COMPOSeRS RECORDINGS INC. (N .., Yoric, NY)
CRI 112 (m, 30 em, 33)
CRI 2G4 (m, 30 em, 33)
01 SO 2001 (Jt, 30 em, 33)
DoYldovsky
Dovldo""ky
(record In preparation) (m/st, 30 em, 33)
Po.. IIMI
A Poem in Cyc:let and !hll.
Suite from King Lear
PI.c. for Tope aecorde,
Synchronitftu No.1, fotflu"Oftd .Iechonicsaundl
Synchronl.m. No.2, fornu .. , clotlnet, violin, c:elfoond.lectronlc,oundl
Synchronltmt No.3, fOf cellocand .lectTonlcsoundt
Second Electronic Setting
Crt OIlllIf ( ..... )
o.c OfCCA (Londoo)
Off 1536 ( .. , t7--o., 4j)
STO IS36 (If, 17 CIa, 45)
.tS...f 11137 (., 17 011, 4S)
OfSCOGlAIKY /DISCOGlAI'HIE 2<7
Concert.d Piece
Syn,h h
No exit: Suit. No.1 ( 1967 ...."Ion)
Of Wood and Iroll
GlOtMr Doctor Who, .... ".. (eleCtI'onlc _Iutlon tty IIC Iodlophonic Wortuhop)
DECCA (New Yoric, NY)
OL. 9!CD (., 30 0-, 33)
DL 79103 (It, 30 a., 33)
tift Ul UUNSWICK LAT 8S2J, _, Sf A 8523, ..... eo)
Pitch VorloHont
........ Study No.1
Study No.2
licycle buil. rOt ''''0 (Ooi.y8.1I, afTOnw-.... nt)
............ Frlte Jocque. (troditionol round, rwalizotion)
............ Joy to the World (ofTO"!iIedofterHondeO
............ Num.rology
............ The Second La ...
............ rlott Agoinlt Four (MoyCatoIIl)
Pierce I.ot Conan
M.lodi.
Pierce Molto Amoro,o
Stocho Ito
Pi.rce Vorlotion. in timbre ond ortock
Them. and Variation.
r .... , Nol Study
DOG OElmCHE GlAMMOPHON GfSfUSCHAFT (_'O)
.0' 10132 (alto In"2 1.P'E) (tn, 25 em, 33)
E tUde fJb., Tong.mitch.
EiMft'f FOnf St/J ell.
G I oclt .n1pi.1
/
I I
1 I
I
I' I I '
I
/'
I
II
I
I
I
:i
II
2" OlSCOGRAPHY/OISCOGRAPHIE
lP 16133 (alia In.f3 <m, 25 Q'tI, 33: d.l.ted/
Stodchallien Studi. II
lP 16134 (0110 In .... LPf) {In, 25 em, 33)
Koenig
''' ......
PFing.,of.ta,ium _ Spiritus Int.lllgentl , $.ne"" (Teill)
SliM 138 8\1 ht, 30 em, 33)

lPEM 19322 (m, JO em, 33)

Studio II
18 738..9 (tn, 2.30 CftI, 33)
( tonto numlro, ,I togo limit. i!t 600 '.''''PlaiNS) (m, JO Cf't, 33: han CO/M'Ierce)
Henry P
l'occ;id .... t ut bl.u - l'on S6(poioIrde1poern.,d.Cloud.PalaJl)
Don DONfMUS (AtNtt!tdoml
("0 nuweer, indud.d in publilhed ICOfe only) (m, 17 Oft. on.-,Od..:j)
Mobile
on.. OUOEltT-THOMSON (Pori.)
320 C 100 (01,1"; DUe 8) tft'O. )0 em, 33)
l in UK or1 LONDON OTL 13090, mono, del.ted)
d. 10 Coner.t. No.1M
lIo'i't. a MUlique
Henry P
Borr,ri. fugae.
! id ul. en VI
Henry P
Concerto de. "",biQ",Ttil (Finol)
Henry P
L, '1oil , d'Orp"" (vo"io" 1953)
Henry P
H,my P Tom-Tom 111
SeMen., P
Etude 01,1 piono II, dit. Etud. nair.
Scho.ff., P
Seno.ff.r P
Sc:ha.ff.r P
Schoo.fr., P
VoriatiG"" iU' un. fll)t ........ iealn. (venion3'OO")
320 C 102 (ouul (m, 30 em, 33)
" .....
Philippot
0... DUNWICli (USA)
(Fe (1ft, 2' c:.I. lJ)

INyMl
......... 1
Vocali ...
(tud. I
L Oina., lAI
lelilr
(IS EXPOSITtON INlU.NAnONALf DU SIJtIEAUSME 1959 (Pa,i.)
La IIt.bi, Galant. d. a.niamin P't.'
EI. EUKTlA (N .., NY.\..:..ndon)
EKL .tQ09 <rII. JO a-, 13)
W 711'1 (.t. 30 c... l3l
"n.. Zodtoc c-ic So.".nh"
OISCOGlAPHV/OISCOG ...... 1t 249
&_- Th. ZadiQC (.I.c"onicmusic forNa:)td by Mor, GOf'Kln)
Eni ENGLISH IOOKSI1OP {Porq j
(no....-..., limited ..:Iitiort jl_. )0 "", JJ: del.ted/ .,;",)
(On rei_ in USA ESP..QISK' 1050. 1IIOnO)
1009 (If!. JO CftI, 13)
S-1OO9 (s'. 30 em, 13)
Athley
Co t I ...... I", ,ro",g), I ( readinQ$ from NNak..:l Lunch". "Th. Soh /I,oI,ochi". ". "Nova
Th. 'Nol fman ( ..e"ion with jan trio)
E.plolior,. { .... "ion .... itt! jozz trio;
fI'.a,ont loy
Untitled Mixe.
(i n UK on LONDON OTl 93121. mona, d.l.ted)
"Po!"lOrcmG d. 10 Mlltique Coner.t. No.2" (t" ETtINA ( .. ,Ii ... .. DOlI
Henry po Antiphoni.
Henry P
Henry P
Schoeffer P
A.trolo9ie (4 .,u .... tir .... du film)
Symphonie pour un hom,.,e ul ( .... "Jon 1949-SO)
-710205( .... 30 m? 13 )
MIla.: I (1 963/6,W
Kubia'" Ein S'Gd,b", ... ",.I .. Fa. fnrSubhorehon:f",nd fon.r.otchnNr
DISCOGRAPHY/bISCOGRAPHIE
Ku....
Wehdlng Con c. rt i no, fOr .I.ktroni,che K15nge, StreichotcNtN', lind Sdllogz ....;
8 20 423-4 (m, 2:.30 em, 33)
Lv k u II U 5 (Auuchnitt YOn 3' Fur Subharc.:hotdl
E_ EvueST (Lot Anvel.. , Coil'.)
6132 (m, 30 em, 33)
3132 (st, JO em, 33)
C ...
'El F. E.L. PublieotiOl'll (Chico90. III.)
( record in pr.-paftltion)
Glouololia
L--
,. FESTIVAL (ParIs)
FLO 76 (m, 30 Cf'II, 33)
10 00,i.." Milha!Jd YOU1I ...
La Kj .... i.r "do,m!. (EIud.. .. )
Fie: FICKER (Old Greenwich. Conn)
FR 1002 (m, 30 CIft. 33)
Fouett Symphony of the Bird,
Fat FOLKWAYS (El"IQlewood Clifh. NJ/ New YOfk, NY)
FL 9905 (m, 30 Cl'tI . 33)
FM 3355 (m, 30 ctII, 33)
Violin". Valu,.,. 5

(ITIInique conC,-jt.'Uf Crordboil, AtwM Hibert. Cill .. H'tO.Ih. Roland
Pilon. Ri no LoW\ier. Yve, Pr,*ontoiM, !auf Mon. Lapoin,.)
Fan,alY . fOt" violin_ p;ClnaCind .1.ctt'Ol'lie 1QU...di
FM J.434 (fotmerly MM 34.34) (rn, 30 aft, 33)
FM 3436 em. 30 em, 33)
FMS 33436 (It, 30 Cl'I'I. 33)
Olnldc ..
Scha.n ... M +
Wolt.r
.abO
Schoefr., M
Stephen
Na.,il
Pinball
Driplady
SlImmu idyll
Th. Orgalmie OpUI
DISCOGlAPHY/bISCOGlAPHIE W
FS 3861 (f.otMefly FP 86-1) (1ft, JO Cft'I. 33)
'odia Prag_ No.1: H.nty Jacobs' 'Mlnic and FalkIClf".' "
Jo",",
FT 3704 (m, 2xJO CIII, 33)
FW 8881 (fII, lO em, 33)
To,..... WallO
T,o",positlo", ' ..,.rl,.rotioft .. Eap.ri "t. Co.positio" 'M'OnfIy
caUed .. Vah." on dllc)
U"d.,wat., Val ondkc)
FX 6301 (om-Iy FSS 6JOl) hi, JCI em, 33)
"Highllgh" 01 Vorton"
Jo",",
Jo",",
Jo ....
Jo ....
Talcott
Talcon
FOrI FONTANA (Paril )
FhI fONOTEX (Argent il'lCl )
FDO .4001 - 3 (m, Jail 0l'I'l , .4!il
Voggiane
Gil GItAVESANEIILlTTEI (Mainz)
ChClft
logol
Rhyth", Study No.8
Not an tha H itto,y of (I World: pcwt 3
3S0-2
loop No . 3
Trilogy (Migi...,1 -...ni..,)
Jazz at Jazz, pc!I.Irpiono.tbclt'ICM
Eft Ml.t.8 (lei. nI HMt 27/28 der GfO\fftOne, lIatta,) (It. 17 em, 33)
TClIIIOlo"ol 1
MOd..
MClth.Wi M Cyclic Study
I
II'
II
II
II: II
I:
'II '
il
I'
I
I,
I
!,
I
I
:t>2 DISCOGRAPHY !bISCOGRA', ".
Mothe .. M
Substitution Study
Ml3Ol (a.ilove &1.1 H.ft 23/24 d., GfO_ner ale.... ,) (I'll, 17 em, 4.5)
... ndung .Iel.:h'oni,cher FUr den Film von Oskat Solo"
Sol.
Sola
Sol.
Sol.
Sol.
Sol.
Sol.
lull"., Koleidollcop 5 AtnIchnifte)
DCI1 Mogische !!Iond Auuc:h"itt)
01. T,lu"'. au Hu,,, Jul .. Verne (FU....... ik. 4 Auuchnln..)
I c: I Mo rs TorOordlt\.ldl.
Improvisation mit de'" ItCII,IICh,e"erotor
Stohl, Themo mit Vallatlo"." (Fi'""",,,Uc, Auac:hnitt)
Unhr d., Ob.rfladu (Filll'WftUlik,
ML 309 (hiloge UI H.ft 23/24 d.r GIO..... c:IIn.' al4't.tl (m. 17 em, 45)
"'it d_ Compjyt., (Oigitolr.chner)"
FroNU Fonl05io (ofm Orlando GibboN; .. cerpt)
Pitch VotiotiOl'l1
Lewin Study No.1
Numerology
Th. Second Low
Voriotio.u in tlmbr. and attock
Gid GUILD PUILICATlONS (Hollywood. Colif.)
LP-6256 (1ft, JO CI'II. 33)
lP-6258 (d, )0 CJfI, 33)
L&.z16 Thll World - Tomo"ow
Orr EDITION DU GRIFFON (N.ucMl.l. H.I ..... tto)
(10M .....,Mr'O. do,. t. livre NicotCls Schaff.r. par Guy HC!lbcuqu t Jaeqv., ... ) (III. 17 aft. 4S)
H.nry P SpGtiadynCllllis",. I .t II
H.I HEUOOOR. (N .,., y.,... NY)
H25047 ("'. JO em, )))
HS -25047 (It. 30 em, 33)
"EI.cuonic Mu.ic ffOf'l'l rtte Utli ..... "ity of Illinois"
''''n


Ha_
Hill.,
Morlirono
-H-25053 ("" 30 em, )3)
(". 30 CIfI, 33)
Fulil i Iy 196"
F., Ha"y
l.",on O,op,
Canto 196)
Machin. Music
U"d.' ..... orld
"Compul.r Mvsic hOI'll Ph. Uni ..... ,..;,., af lllinoi."
Co"'pur.r Co"tatCl
HMV HIS MASTER'S VOICE (London)
ClP 1531 ("" 30 an, 33)
EI.ctronic Sound Pict""
Nlkalah
Nikolai.
Nlkolais
NlkClHJi,
NikoiCli,
Nikoloi.
NlkoMii.
Nlkoiois
Nikolai.
EI.ctronic Sound Patt.tn,
Aeolu. (ucefPtftom KI ... 1'50")
Fillotion (Uc.rpt frOlft "Allegory, 0'40")
Gly",i.try (pc.rpt fl'Qlft "Pri",," , 3"26")
Iliulionol Fri .Ie (_o.rpt from "MlrTOfI", 3'20")
Ly.u -,_c.e'lll.f!orR
L.ythic (uc::.fPt From ""'i",,". 3'70")
Paroph.rnolio (_CMp' from "MoIIt" PfopIond Mobllft", 2'50")
HIW HOt.f, IINEH .... f AND WINSTON (N .,., yon.:, NY)
Und.rwa t., Volu (wronrgly called "Sonic Contou,,"; poIIibly both 'IIfIOrics will be Induded)
I"", INNOVATION lECQlDS (G_ Bruck Enr.rpri_) (USA)
L.ueftirov -

FantalY in Spac.
Incanlation
In ... nlion i" 12 Not
low Sp d
Sonic Cantou"
JOlNAOAS DE MUSICA EX,UIMENTAl (COrdoba)
JM( ME. 1-2 (m, 030 em, 131
p,.ludio "L.a Nock." (I)
Can'&!
VCli. inou1
Echort.
T,.no
HIII.r
P.raration (from "S.... n EI.cttof'lic Studl .. ") (Estudlo No.7")
PI.ctros II
Th. O,e.d.n In,.rI.Clf 13 F.bruary 1945
StronQ
Campulltion No.4
Voggione 50notCl I V
250 DISCOGlAl'HY/l>ISCOGlAl'Hlf
Ed'lCllrte
Voggione
Kfen"
JuG OlE JUNGE GAUllE (K&ln)
Mao,
Kef KERIEROS FOtLAG lStodcholm)
KIC KING llCOlD COMPANY (T.. ,.I
SKI( 122 ht. 30 CIft. 13)
"Tokyo Olympic: Gomft"
"
Variations II (Cog r.atlzaci6n)
Qu i ntono
Etude Xilla
Komposition XI (2. Fauung)
Kompotition XII
Gener.1 loul,
Eleetro"ic Mluic for the Opening 51,0. of th. Tokyo Olympic Gom .. 1944 -
exe.rpt (- "OIY'"Pic Campanology" 1)
Heichieck Po.m.-partition a2a3 0'" E.orei.,,,.
Nu_r: Aufloge 120 eumplof.) {m, 17 em, (5)
Moo.
Me IO()! (m, 30 QIt, 33: deleted! .iti)
Oeoth of Satan
MUlie (If the Void. of Out.r Space
Lnli. Socrif i ce ji ,OOO '.C .
lex LEXINGTON RECOIDS (New Yodr;, NY)
(,.co..:! in p'lI!pOlCtion. EA" lobel) (.t, 30 aft, 33)
!aobbitt Philo .... 1
{ ... c:otd in fAY lob.I} (st, 30 em, 33)
lib lIlftlTY (USA)
I.lP 3CB4 (tn. 30 Oft. lJ)
7005 (,t, 30 c., 33)
DtSCOGlA_/DISCOGINHIf
Garcia FantolticQ
liS UI/ING slWCuruu ( ..... , ..... NY)
Sh 5/6 A. (.,. )0 CM, 33)
(,-..0 ,.,..... not kno-l (st. 3D CI'I. 33)
tnti. HOM I. t (back;round music for obftde-d .,..,ian of the
-" Nia"t', Df.--
.... lTi
(_ ... "'-") (00/". 30 _ 33)
-.. .... CI_ ..
lAos".
._ ....
loftll.
Lesli.
Lit lint.+. (Etema) (lertin. 0Dl 1
Lou LOUrsVlllf (loui,Yille. Ky .'
lOU SlS-S (M, 30 c;rtI, 33)
lufft OCSOUfS WMEN (Por;' )
,... MMCATlE (Milano)
" Mitch"",,,,., Night', Dr ___ a___J.laockground ......ic few abtldpd. .......Ian 01 I'M
Anton, and Cleopatro (badegror.H'ldll'Micfor.Wpd ...... ionofNpkry)
Th. te".p t (bodegrourd ftIIUIic fOf aI:t,kig<ed ",",ian 01 the p&oy)
Rhaplodic Variationl
Et I'enfant ,uta ,.,.11 (conNIftUIic:aI)
a poftrttre, do,. rw..ue Marcgtr. ) (m. 25 Cfl\1, 33)
Chapin H
Ouf,',.
H.idli.dI
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lft
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"
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II
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II'
I'
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I
256 DISCOGIAIHY/DISCOGlArttIE
M-131 (nil, 30 em, 33)
M-IJ3 (m, 30 em, 33)
Dorion It d.
Fontana Mix - F d (Cop-Nwt-n, 4p<erfotttlances:: Ch1caooApriI13,1965(9'.o-");New
Voric JUM .. , 196.5 (IO'm"); Madrid Nov. 27, 1965 (10"37"); New Yotk o.c. I. 1966 (11'05"'))
MEN MINISTERE DE l'fOUCATION NATIONAU ET DE LA CULM! (lNull .. )
Gaull.
GoIthal.
a"""'"
Pouuou,
..anW"",
Mtir MfRClJa;V (New NY)
20768 (m, 3D an, 33)
1:IJ768 (d, 30 em, 33)
- the Bob Jo-. Trio"
Stud I. I
C.llatop.
Incantation.
Trol. ViulJu d. li I".
Mygiln.
JOIMI Qu t
Met METlONOMf 'h ..Hn? litO)
ME' 604J (11'1. 17 r;II'I, 4.5)
Sola A fl.ur d'.ou (Auuug)
Sola D., Fluch d., g.lb .... Schlo"ge (Auuvg)
MiG MINAMI GALURY (Tokyo)
(no nurte.r, eclition of 1000 copie., in c:otolog for 1963 Til'9.le1y unibition) \11'1, 17 em, 45)
Ichiyanogi
Mou MOUlOUOJ\l'fESTIVAl (Pori. )
EMZ 135 10 (1'1'1. 30 em, 33)
"Avec"
Almuro Structur. rouge htNcfUres JOnORI pourd ... ,.x'" dih.t chantfl pDf Colette Movny)
EMZ 135 14 (11'1. 30 em, 33)
d. a'VQUI'"
.... nd ro;y" ..... sia t iqu ..... do I .. c.n t
Alrnuro Gord.o vou, au couchant
.... 1"IUro L., como rod.
.... Imuro Phonol i t. I
.... Imuro Phonol i t. II
Almuro Th.8tre cruout'
,.,1 MUSICUE POIA L 'IMAGE ("".)
WIN - lOS (_, 25 aIIr 33: han OQINMree)
" Mu&ique pour \., ..... No.S; spoc:. - Ac.tuoli"-
... yr.
layle
.... MUSICU6 ( ..... V .... I'l'f)
IJt.Jz MUZA (Warua-)
Andro .. id
Titan
Fol "0" St"dh ... fOr e'elttronitek. Klinge :
Studle fOr eleltHonhche Klln;e 1959
Studle ro, .Ielctronhch. Kla ... .,e 1961
StuGle fOr .Ielctronhche Klange 1962 / 1
Studle fOr .I.klronhche Kla,,;e 1962/ 2
Zl.456 o".c pGrtirion PWM) { .. , 11 em, 4S}
200 (W 610) (1ft, 2S eM, 33: I hace.
-Won.tawtlta
2\1 r:N 873/874) lM, 2S eM. 33)
J.-.i."" (1963)
Dobrowolski
Wiu.ni ..... 1
212 ('Ii' 25 CJI'I , III
Jfti.,," (1963)
Sikon.ki
2'" {M-3 )(W-712l (M, 25 CM? 33)
"'Woruowdta Jesi.,." (1966)
NGr N&PfON GRAMOPHONE (Tokyo)
E'iudo no iedno udu(enie ., tol.n.
Milcro,truktury
3 po.tludio .I.c.trone
A"tyfony
Muzyka no 10'''''\ i oboj tala
( ...001 in pfl'pGlOtiOl'l) (""',r; 30 em, 33)
Siodthouten Solo, V.nlan fI), fl&..
StodtlooMn relemu,ik
I
I
--L
I I
, I
\ I
I
\
251 OISCQG.... "'y /OISCOGIAI'HIf
NIV NIPPON VICTOR (Tokyo)
SJV 1.501 (st. 30 em, 33)
Ichiyonogi
L i f. My.i c (".rsion fw Of'chestro, and .Iec.h'onic 10Und tw.ak.r)
SJV 1503-6 ht. 3xJO 0111.33)
Takemihu Kwaldon (-cef1J1' from",,,, II'MIc)
Takemibu VocalilM A-I
Takemif'IIU Wate' Music.
NuC LA NUOVA CARTOGRAflCA (Ir81da)
INTERFACOlTA' fPIU 6001 (dam Ii",. "Scrittori w tIOI.tfo II", tl lOge limi" 6< 600 .... mplait'ft) (1ft, 17 aft. 33)
"SCfittCM'i IU """"0 II"
(.fondo 'IOftOfO pet 10 I.HuIa dl Guill," (M .... "illll.l"lto 'lornpIduIo"). ...io ("La noia"). Pound
("Canto XLV-I. U.... ttl (-La tl .. fa d.lla dgin" Run"))
OU 20-21 (doN fewe OUr '.,oII"'ro 20-21, thag. litlli") (m. 25 cttI, 33)
Chopin H Vibrupace
I a 1ft tho t I am (electfonic realization by BIC
Pl. tal Poe". (electronic realization by aac Radiophonic Worio:shop)
H.id,i.dI
Gpi"
Calling all R.oc'i .... "g8"t,
H.id,i.c.k L. quOltit"u pion
ou 26-27 (do", r ......... QU, nu",.ro U,-27, ,irage Ii",i") (m, 17 em, .. 51
Chopin H I nd i ca'; F I
Chopin H La futet' in lerplan'tair.
La Coge
Heidl;edc La convention c oll.cti " e
H.H:hiedt
ou 28-29 {dons revue au, nume'ro 28-29, 1;109. l im;") (m. 25 em, 33)
Bruyndonduc
&ru)'nc:Iondu
Bruyndonduc
VeronikQ ( ron.t;lch. bewertcing op , ek,t...an Poul d. V,M)
Brvyndonc.b
Verti go gli (fon.thchebe_rt.:ingop leklf...an Pould.Vr .. 1
Chopin H Sol Air
Tfip,;cr iryth me
au 30 (0 porottr., dons ..ewe OU, numero 3D, 111098 limire) (m. 25 em, 33)
CMpin H I.. corp' en troit poni.,. nu, d'corch', .quel.".:
,
.I
Owl OWl. UCOIOS (ao...ld.... Colo.)
OlLP 6 (.t, 30 em, 33)
Oodutode,
Docbtoder
OlLl'7( ... 30 .... 33)
Oodu-
ORLP 8 (tt. 30 Oft, 33)
Pa, P ...... IS (Pori.)
313001 (III, 30 em, 33)
......
......
......
......
PaS ,J,l.,AVAN 5YNTON {G&t.bor;J
Epd.i" B
t.irdblod
pt,i PHIUI'5 (El..aOpf)
OISCOGlAPIiY/OISCOGlAPHlE :..
Apocalypu
Luno Pork
QuOl. rlllloH
(Wort.: in prognw)
Carillon don. "eou bouillon'.
Conc.rlino tr;ple (rife,
5.lf-5.rvice
Euay IV
So t.ll i t 60 (.hor,..,.d _nion)
835 056 AY (Modern """ie Seried (It. )0 CftI'. [PIC LC 3759 mono ItC 1118, 'te1'80; iuued on lee UfId.r Epcl
(in UK on PHILIPS SAlt. 206, ,"r.o, d.I.r.d; .n u_ on .,
Copriec:io
T ..... k 10 nle (ConhOtn)
A QO:S6.S-4 L (Mockrn h\.I.ic _iet) (11'1. 2x30 em, 33)
m 4S-6 AY (.t, 2x30 eM. 13) I 1950/ 60 - Elfth'Ofti.eM MutikM; only 1
(aho an OUTSCHU - (X.noki.), I {Pout"",')' -S.leltrion I
fecord, win, 6 compoIition&: (llpt!), ,nolO r,
(E-.rt), '"llwtno - o.-.io 0 Joyc. (leno
.. eMs w.n;qu.,
Sororwsef ..
Oufrfne
a.rio
e.rio
U 41
Mom.nt;
TIo!.mo _ O",oggio a Joyce
260 DISCOGlAPHY;tlISCOG .... PMIE
Modo_ Conti'HIO
Orient-Occiden' ( ... "ion Q)nc.rt)
8oucou,.,!o.lie.., r t. I
Elmert S.I.kHon 1
He""'Y P Enti'.
.... 1 Tronllci'" I
Lige.; Artikulation
, ....... , S combi I
A 00567 L (Modern .Y.ftic Series) (1ft, 30 cm. 33)
U.s 487 AV (.t, 30 em, 33)
T't t Q ....... dy Dra,on
Mache ",61"d.
SoMofr..., E'vth 0 .... obj.', (wnlon
l 00.564 l (Modem Manic S.ti .. ) ( ... , 30 em, 33)
835...w LV (st, 30 em, 33)
H...., P
(FRANa) (Pori.)
A (rw, 25 CIfI, 33)
432 762 1 (m. 17 em, 45)
830898 OSY (PrOlf)ectiv. XXI. S;."I.) (mhr, )0 em, JJ)
Henry pi
680 201 Nt. (m. 30 c;m. lJ)
' ....
(ditqUe 0 pGfUf'tr.) (Pro.pecti .... XXI. Siecl.) (PII/s., JO CIft. lJ)
Henry P
Herwy PI
Lo Noir. a Soi.ante
Herwy P La Noir. Q So;.ont. II
(dhq". /II para",.) ('toIfMcti.,. XXI. 5",1.) (..v"" JO ca, 33)
Henry P L. vail. (...."ion 1966)
PMIUPS (N(DULANO) (1-0)
4(1) Q36Al (11ft, 17 -=-. 4S)
(iA UK _ PHILIPS AlE I CIl1J .Nt.fIed)
Iodf"",
633 JD2 Il (., 30 01, 33)
140 mlY (". 30 _. 33)
DtSCOGlAPHY;tlISCOG .... PMI! 261
(t .. UIC 011 all,.l ..., QIIIYi in USA on PHILIP'S 1ftOnO, 11wr'eo)
.,....,. .. Othit
Oi...... t Fa n ta I., in O,b i t ("'VrMtion". -At*ric", "5peariteadt". "Zanzi" "Anchor cftai,.", "T"'Pieo'GUn-
GeMMlon", "WCIOfIelOngs". '"Waltzing Matilda", "Pacinc down", "Gold and t.ad, Mexicon ",im:>r",
"S.COrwft to .... -entry.)
"'OP9'" Of (inclloded in T.dlnit.d! Tijcbdwift 19 No.9, atllG CIt a ...",int) (lit. 17 eM, 4..5)
(i.. UK in ",ilip' r.c:h..icol l.,.,i ... 19 No.6, aha at 0 ,.-ifl'; en FlOflQe dans ae-..ue t.eft"i"". Philip! 19 No.6, r'... IIMro 6u eli 099 S98 DE)
""' QI.J... J!I ca. 331
._ ....... .
Aopol
C22 S64 N( ( __, '7 a-, 4S)
.,.....,.,MYlJscI'I 'ees'"
laoij ..... en

,. (Bleil (M, JO CIJI, 33)
KoTn .n Ab.1 (abridged ..-.nlon)
It.,b.r.
S'Incopa,ion
Vibrotion
Whirlin,
(_ CorwadII on PHILIPS PHM 61-041, PHS 2(X)....Q.47, l ...... lRO. d.l.ted; tHI.. ...,.. cal .. Nd os foliOWl: "Moan Maid" (Dfiftinog"), Orbi,
-so.-1t .. -Entry" ("W'hirling"), "The Ro'l Mak.,, ("Medtonical Motions"), .1M Vi.itor fl'Oflt ,_, Spau" ("Vibratfon").
"T';:I." Ozone" ("'ntefMdiOlt))
The bcincrting _Id 0' .Ied\"anic """,ic
Oiue ... h
oru..-..It
looijlrlDlt."
( .. 1 .... )
llooiilMllt."
( .. 1 .... )
S'Incopotion
Vibrotiofl
Whirlin,
Orifti"V
M.chonicol MotiOn'
Pianoforte
So 11'1 V of ,"'. S.cond Moo"
262 DISCOGRAPHY/DISCOGRA,.."
'HI liPS (SVERIGE) (Stod<holm)
A 01522-3 L (In, 2xlO c:n'I, 33)
(i n USA on COLU.-..IA M2L 405, M2S 90:2, Im.o)
alomdohl
838 750 AY (originally oNrongly nu,..red 842.552 AY) (It, 30 CIII, 33)
Hambroeta Kanit.llalion.r 11
I'ot POlYOOl (ftari.)
45 605 (m, 25 c:tn, 3.3)
L.. y III (pout 10 chal'l&On d. J .on Von.)
Almuro Operation (, ci.1 oU'I'err (pour 10 cnor.o., de Jean Vosc:ol
152 (In, 30 CIft, 33)
..... Ballad. du Co,monoyt. 1. dIG.-de Morcel
"I 'AltlOPHONE (london)
PMe lOCH (m, 30 em, 33)
" I'm Only Sleeping" - , in litO auf ELECTlOLA, "" ... ,OOEON, etc. )
Beatl"
PMe "XJ27 (m, 30 em, 33)
Pes "X127 (.t, JO em, 33)
(o rh., I_I. a. for ..It.... olve, .. )
" Sgt . Pepper'. Lonely Heatb Club Iond"
/IItorrinG.
(. "toy Calbed.")
Mortin G.
( .. "Ray Catnode")
5570 (11'1 , "5)
(ortl.r lob.l, 01 for "ltovol"'et")
RAI ItAI (FONtT) (Milano)
rim. a eo' (.Iech'onic mulic by 88e RodiopN,ftic Worinhop)
Wol tz j n Orb; t (.Iedl'onie '""aie by SIC ltodiopNMic Wot!o.lhop)
St,awbury f i .ld, for.v.r
(100", numero, inclv, dons "EI.ttroni co", 1956 n .3l ("', 1] c;IfI, 33)
.. Pro\P."i .... MI."ico"
B.,io Mutoz. ion;
Mod.rna Notturl"to
ilCA ilCA ITALIANA (Ronoo )
MILOS 20243 (It, 30 c;IfI, 331
. "Gruppo di ItnpI'O...... ilcn:iOt'l. Nuo...o Con.ononz.o"
SI'uppo (musich.,m..",entali "eoncr.t.-.I.UronicJ,." i":P'0 .....
SLO-61005 (3) (,t, 3.30 em, 33)
" to Monico Nuo...o"
lCA VlCTOIt (CANADA)
CC 1008 (III. JO CIa .. lJ)
CCS 1008 (It, 30 CIa, 33)
lCA VICTOR (USA) (Now Yo,,", NY)
tilt IlKS (Stodtho' .. )
-
-
Fro ... Or.o" .. of 'ro ..
Corhbod Co".,n,
Iff tAOIOOIFFUSION-ftUVISION F .... N(jA1Sf (I'orit)
( .... runiro) (III, 10aJ0 atI. 33)
"'Di. Ant d"tuoh Itcaiophoniqu.s du Studio au Club d'Euai 1942-1952"
.....,., .
W-... ,
H...,. ,
"...,. ,
Sc:hoeff.f ,
S. S(IENUS (New Yoric, NY)
s.p 2010 (111 , 2.5 c:r117. D)
L'OiUQu RAI (exh'Oir)
-The ;",id. of th.t a..."id./ or the ou"id. of the '.,.id. (Who ore !hey? Wlwr. do they COfN from? Why ore *'.y her.1)"
Konju",o'ion."
SFP SOCIETE FWAN<;AISE DE PlOOUCTIONS I'HONOGItAPHIOUES (Pori, )
JOOO6 (M/sr, 30 em, 331
l. Robot, ball.tpontomi",.
(milt, JO atI, 33)
Symphoni. rou .... ( .... IS')
Sil Sllvn ... l.IOETI (nNE. GEe) (N.w Yon:, NY)
Fanta., I", Spoc.
2.. DISCOGlAPHY/DISCOGaHIE
Oavidovsky
(worit to be .1.eNd: P'O'11bly MElectronic Study No.''')
SLl SOUTHERN L.laRARY OF RECOlOED MUSIC (loncb'l)
MQ 760 (m, 17 CM, 4')
G.rhard
MQ 769 (m, 17 CtI'I, 45)
Excerpts ftell'll ONA in a.flectio,, ( ..... tltt .. : Alyndeton.l&.IbbleCllldil .. ..
MeNotich. SpeculUM, S"Idof, TeJera1c)
loIt.rJ Electrorhythm
(_ "MatM_ JOO)
80kerJ E t .ettoslo ....
(- "Moth.ws J")
Iak.,J electro-.""u",_

.... .,J U.ct.ro-t .... i . t
( ..... "' .... J.)
SoN SON NOVA (Naw Ycwk, NY)
I (m, 30 em, 33'
5-1 (d, JO Cf'I, 33)
"Mutic of Mel Po_II and Milton Bobbitt"
3 {19881 (m. 3D em, 33)
5-3 (1988) (It, 30 em, 33)
"Son-No...c 1988 - Electronic Mlnic"
Ar.1
",.1
SpO 'SPACE DESIGN (Tokyo)
Imp,ov;,o,ion 4'1'
lineor Contro,,,

(no numb.r, in r."". Dftig"" No.1, July 1965) (". 17 em, 33)
Tolcemitw
Sup (PlOho)
'OV 0221 (III.. 30 em, 33)
"Elektronlclc6 Hudba"
Herwy P
Hill.r
Malowc
P.nd.r.cki
Riedl
Riedl
Wotu ",,,,,i c (exc.rpt)
L .,oi I. d 'Orph'. (venion 19S3. 2 ellh'CIltl) (-ZoltOj dvf lli .... ,.W &f,lI-)
Voce I it. (from "S__ n EI.ctronic Srudin")rVc*olrza I.e SedMt .Milt: c.I")
M.I .... i!li ...
P\GI"",. 1961
S,..,di. fOr .I.ktronl,ch. Kllln;_ 1959
c.l 1'iS9)
$t..,di. f/3r .I.ktronitch. KUling. 1962/ 2 ("Srudl.z.f.tyI,NdI(pro.l.klTon'dc4a.""*7:
!.' 1962/2)
'Sfudio O,l
(d_;; ........ ) (_. 30 _. 33)
Mato..c
s... SVIIGES ItAOIO (Stodlhollft)
LIO I (lit, 3D c.. l3:. tICIft-cGlflnlllrclal)
LPG 1 (It, 30 a... 33)
Hl\,ldbo k p04z II
, ... OoIru..... tlon ,-
"'1.
.-oG:2 (II', 30 0., 33)
S/IOD2 (w, lO _. 33)
SIOO3 (fit, ]I) c.. 13)
SI1IOD3 (u, 30 a., XI)
SIOO9 (M, )0 CIe, XI)
S/1DC9 ht, lO c., ]3)
eJotw. c.o.. -Oritttor..WOoI""
TOt rOSHl1A (Tok}'O)
JSC 1005 {d. lO c., 331
Kaleid01kop
Aloha Adt.
S ftc. II ... ,denhe""IMII'S ... II'-)
S Ilpkoppei
Cctrtdd,e M .... ; c (.....,ion 20')
(ir'l U5A on TIME S2OII ....,. 2(151. , .. two)
Mi,..1
JlI '88 (In CDrtoGrI bcdt COft4*"t- by Yoii !Curil (1ft, 17 CIII. 33)
r\lf n.aNAlOur ( New YorI!:, NY)
TV 4004 (1ft, 30 OIl, ];3)
TV l4OO4S (.t. JO Oft, 131
\locol is.
Vorlotio,u
EI.ctronlc S, ... dy No.1
lo ,y .... '"
L. tolftb.a.., d'Edgor Po.
DISCOGlAPHYMSCOGINHIE 265
I
i
I
I
1!,
266 DISCOGRAPHY/DISCQGItAPHIE
TV 4046 (m, 30 em, 33)
TV J.4046S ht. 30 em, 33)
.... io
( ... cord in p'epcuQtion) (m/", 30 em, 33)
aa.,.le
Molec:

Fenori
Mimarolu
U Ut'll'lnSAL [o.tlON (Wien)
UE 1J500 (m, JO aft, 33)
Uni UNIOISC (Park)
EX 3J 145 (m. 17 em, 45)
"1.'HC)f'I'Itne du XXIe
He"..y
EX 33 183 AD (til , 17 em, '.5)
EX 33 195 M (til, 17 em, 45)
H.n,y P
Vlsog.
Fontana Milt ( .... tlionfor tope alone. 11')9" )
Agony
Animu. I
Struc:'ur (Doho"j)
Anocoh",ho (ul1'Oct)
(oeu .... e non .neor. cn04lie. probabl._n, "fl, t au.u. du Dragon")
(work to be d.cid.d)
L'Homme du XXI. Slecl. (d'cor ___ )
PM 30 In 01 / 03/ 05/07 (m. '.30 em, 33)
" L'E...ongile .elon S, Jean"
L'E ... ongil. ulon Sf J.on (i n'.rludftlNticao ....')
PM 30 Lc 09/ 11/ 13/ 15/ 17 (I'll, 5Jo.30 cm, 33)
"1.'E...ongil. Sf Luc"
PM 30 Mt 19/21/13/25 \11"1, '.30 em, 33)
"L'E...ongil. ,.Ion St Mofthieu"
H.nry P
PM 30 Me 27/29/31/33 em, '1t30 em, 33)
H.",..,. P
1.'E vo ng il . 1.lon St Marc: (in.. rl ...... mutic:aull)
ue 25 103 M (m, 25 em, 33)
Henry P
ue 25 123 M (1ft, 25 em, 33)
H.nry
L.Mortyr.d.PolyCG"P-.
tl
gf1Oc.d ......
t
i0ch4: oc. d'Antloc:h. (dlcor.onore)
1.. Martyr. d. Polycorp t lin
UO JO 131 M ( .... lO aw, 33)
STf 30 JQI)5 (.t, JO OIl, 33)
H..y'
I.W UNIVElSAL ItECcaDlNG (Tokyo)
OtSCOGIAPtfY !DISCOGu.PHIE 2/i1
La It.in. Vuh .. dur.peclael '6.)
ALI 1009 (or ptU 1 limited .:Iition of 300 capi ... ) (m, 2.5 em, JJ: del.,ed/ lpuiM)
f ........
Van VANGUAlO ( ........ Yodr, NY)
w.s 9'222 (., 30 c.. lJ)
VDS 79222 (It. JO c.. lJ)
Vd' VOCE DEL 'lama)
QELP 9016 ( J() c.? 3JJ
Go.lirW
c:.30S1 ( 3OCI'I,lJ)
H.... '
T 31 SP 800J (1ft, JO ca, 3J)
Philippat
Ver \lf1V (New YotIc, NY)
V-S0C8 (III, 30 OIl, lJ)
'16-SCOB h t. JO crw. 13)
V.I ...
V.I ... , lkderground
Eurydie. - LJI.. .Mo.r..L-
1t.II.rStotlqu.
Vocolr.,,, A.I
fh. I" Sound fro'" Way Outl ( UnOd<wItifiedFI.,.lngObj.ct" rn.Lim.ManfromMon
"Ca.mic IoUod". 1'_n'. Splothdown", at 6". "Barnyard in Otbit", SpooIu in Space",
Girl J- v....., "Iectronlc: Con-<.on", ..Jungi. fral'll Jupi,. ..., "CoMputer in l,ov.". "Vlta
1'0 the SIIon")
L. mo,i09. d. 10 f .uill , du clich' (decofI0nor.pourOClnfatodeMilhoud)
R.h i noe'rol (_iqu. de ,eene: .... ",iQrl obAgrh d. 10 piee. d. ,.,eetrtl)
European )on to O.lmor. Seh ... ortl
H.roi n
Itun, lI:",n, R.un
Ii
.:1
,
. ,I
V1M VIDEO MOODS (New yotk, NY)
Souffriou
W.r WElGO
"WEI 6OCI05t" und II (1ft, b30 aII# 33)
Schuff., P
__ -, 0Wc- EI ,,60006 (11ft, 30 CIft# 33)
"EI.tfatlische Mue"'''
WEI IJXHI ("".t, 30 CftI# 33)
WEI 000'" (111/st, 30 em, J31
WEI 00017 (mI.t, 30 em, 33)
lloch.,
Wd WESTMINSTER (New NY)
XWN 18962 (III, 30 em, 33)
W5T '''143 (d, 30 em, 33)
GoumDnn t
Salo
Sa'.
(,..cofd labeh 110' known)
Etud. No . 1 IUt piano pr.pot'
l"'pr."lon ur ,'EI.ctronlc 30
Etud. au- ollur
Epitaph fOr Ai\dc.ki Kubo),otno
Electronic. (tto-n)
(AlGENTINA/luenoi Ai,., ) ( in P"lfPCIfG'ion)
801ob
In,.n, i dod )' AI ,,,, ro
('UNOE5REP'UlLlK OEUTSOtLANO;\.rlin1) (tn1, 30 em. 33)
Studio
Herz l choll (Iynthetitc:n.Herzt6M)
(TU a.rlin_ YO)
(IUNDESIEPUlLlK OEUTSCHLANOj MGnchen: urGeitonn .. ludlhondlung) (tn, 17 CI'fI,"S: d.'e,ed/ 4p.tit')
liedl
Studie fOr konk,. .. K18nll. Nt,'
(aSKOSL.ovtN5ICO/Pruha 1; Supfophon1) (0 pcxaftre)
p;fM,.
IConc.rt pro ",olln.,ofoon a o r ch.,lt
(FlANCE/Pati. ) (0 pora'l'tlw: ",, 30 em?, 33)
(FlAI'oICE/Pari.; Unidi.( 1) (0 pol"lttN: ",j ,t, 30 em, 33)
H.nry P
( FtANCE/Pa,if,) (0,.,.,.,..)
H...., P
MConcert (Al1.crir"
"),1.
,-'
Mgt.c. Tutti
(1lI0I'I.... coUectlf)
, Itud., d. bruit :
Etud. au plono I, dlt. 1h,ld. vlal.tt.
Etud. a", piano II, dU. Etud. nol,.
I'ud. poth4,lque, dU. Etude .u. c.... rol
(ITAUA1, (a ......... '
Incon'r l dl f c onor.
(UNITtO (1n .1, 30 CftI, 13)
...
Th. E.p.ror ond the Nightlngal. (1966 __ )
(UNITtO STATU) {in .?, JO C1111, III
The .. ,II' 01 July
(UNITIO STAnS) (in pft'POfOrion: "'. 17 all, "S)
....... 5poceboy (lock)
(UNITtO STATE5/f"o&e- Yottc, NY?) (i" ..,..,..lOtl_ 1ft. 17 em, 45)
Ch.r i .h (onvnee-nr 01 papu-tonCI)
(UNITED STATES?) (in pNptl'Otion: ".fl', 3J C'I'I , 3)
E .... P i .c. for 5010 S1nk., No.2
50nll' (or 1.' . 1.
AMozln, Groc.
Concert fot O .,ld Tudor
(UNITtO STATES) (in pNpCIl"Otlon: ,.f1t,.)Q em, 33)
-
, I a c. , lOt' cybenonlc boncIoneoft
Th. 00".' o " d ,h. Howk. (wU'" pap band n. ......... )
OISCOGIAPHY /bfSCOGIlAIttIE 269
!
TI i
1
"
\
;".
ji
'i
til
II'
iI,
I
"
270 DISCOORAPHY/DISCOGRAPHIE
ILLUSTRATED INTRODUCTIONS TO ElECTRONIC MUSIC/ INTRODUCTIONS IlLUSTHES A LA MUSlaUE
HEC TROACOUS TIQUe
Amo AMADEO {Wi en)
5006 (m, )0 an, 33)
" KUil'9' eine EinfOhnmg in die elektrcnisc:n. KotnpOIltion und ihre Arbei""",tt,od.n"
."'.
KIe ... g_ u ... te rw. 91: ein. EinfOhn.lng in die .I.ktronitche KompoIlt1on unci Ihre MelttlMthoden
Set' HUELSMANN-VERLAG (Phono-Abteilung; vomer " Eurcitcher Phonoklub") (GlltenIGh)
(nurmer not known) (m, 30 an?, 33)
EinfO h tu n9 (kun.. &eilpiel. aut: "Selektion I" (Ei_rt),
I" (Kag. l)
aTl. BELL TELEI'HONE I.ASOR.ATatlES (Munay Hill, NJjN.w York, NY)

Cal CASTLE (Recorded Tuition' (london)
i ... trod",ction to tach wort.: an me reeont, .."jtten by M. V. MIl ..... "" and BNetI E. Sttau.r,
,poIeen by Phil TCW*.n)
EFX-I (m, 17 em, 45: 0150 iuued on 1Opt!, see under Cal)
Soul'Kk and Wenic"
Judd
(el.ctronic eH.ch)
EFX-2 (m, 17 arI, 45: oliO iuued on tape, lee unde!' Cot )
" Electronic Mu,ic and Weniqu. Coner't."
Judd
EFX-3 (1'1', 17 em, 45: oho iuued on !Upe, see under eo,)
Judd
(boogoround mU1ic: "AutomotiClrl". " PerpeNO" "TOImpotu".")
Col COLUMBIA (New yone., NY)
Ml 4938 (m, 30 em, lJ)
Fouert
Stra nge to Your Eor, (i llU1t1'1:1ted introduction)
DGG DEUTSCHE GRAMMOPHON GESEllSCHAFT (Hor'l'lbvrg)
16132 (0110 17242 !.PEl (m, 25 em, 33)
Eilnert
E infOhrung
Ew ETERNA (Serlin, 00)
*720 205 (1ft , 30 CtII ?, 33)
"Ellperimentelle """'iit I (1903/ 64)"
Di. Spur rOhn in d .... 7. Hilft",.1 (Auuehnitt 0'40")
H&pfnef
SOdlhtlich du Mandel (Auua.nitt 1'45")
Homig
otSCOGRAI'I<Y/bISCOGRAI'I<IE 271
Ku,", Moss fOr Mall (Auaennitt 0'30")
Wehdlng
Vorb.r.itung.n zur Orchel,erbollod. (2 S.i,pi.I., O'SO" +2'25")
Studio (lFZ "rlin, DOlt)
Fic FICKER (Old Greenwich, Conn)
FR 1002 (m, 30 ClI'I, 33)
Fol FOLKWAYS (Env1ewood Cliffs, NJ/NewYorie, NY)
FS 3861 (formeriy FP 86-1) (m, JO em, 33)
"Radio ProgtullWM No.1: Hen/)' ' Monic and folklor.'
Jacobo
Jacobo
"The Qrch.1ra ond itt
J
Nelhyb.1
FX 6(1J7 (1ft , 2x30 etft, 33)
Audio Collage
loop 2 .. channel r+o.ylivN
'ipeeiol Recording Techniques (boMd on excefP" from n-.e ..,.,..ic of Vacio" Nelhybel,
by AllDOnd... s.-I.rl
(obbre,, ;ated ".nion on FOUCWAYS FX 6136, one disc)
Science of Sound"
Jocobs
Tope-ioo pi ond rhyth ms( introduc'tiClrl )
Mar.n
c al GItAVSANEIt 8L.ATTEIt t Moint J
EnIt.1
P,ycho - und Eleltl.oolotuoilt "u Sch o llbi l dlynth ...
Nr.2 (S.ilog. zu H.ft 11 / 12 :)ef G", ...flQner (1ft, 17 em, "5)
und Infocmorions_ndl.r"
'ipl'inger To n loge"regle, und I nformation, wond ler
Nr." (Se iloge l.U Heft 14 de. Gravesane\" (1ft, 17 em, .is)
"ltesidvol tOf'1 und
Meyer-fppler i! esiduolto" und Forman"" "
ML 164 (Beilage .tll Heft 17:je1 Gtove1Gn.r (ITO, 17 em, 45)
"AncJlnorpj,o&.' HI"
Scha.ff.r P
-ML JC8 (Seilege zu H.ft 2'3/24 de, Grovne.,., (m, 17 em, "51
So lo
Ton- u nd am MTIt lur o l :illogtophi lchen
8 eobOcf'tfung
" Nodlholleltperimente d.., I,olldndi, chen Stoo"rodiOl"
(untl"Oced)
Nochholieiperilll,nt. d el holldndhchen Sraotlfodiol
i
I
I
II'
I
11
! f
I
1
I
[
J
2n OISCOGlAIttY!DISCOG ....... IE
T 71 489 ,leilop ;w GfG-'CJnet'" Blatter) ("', 17 45)
V 8 S02 (I.i. au G.o""''- IUll'Mr) (II'. 17 CIt', 45:
De, fin,I", .. de' Mlluephc"" auf die t&nende lottchoft
"Klorqlmwandlungen dutch Frequenzu.,..tz:u .. "
HltW
HOLT. RlNEHAlT "NO WINSTON lNe ... YOlk, NY)
(,..cont in ptepGfGtion) {II', JO CIII. 33:
(intraducrlon, 10')
""'t
.ZL428 (untqu.fMnt o".c portltion P'WM) ("", 17 CI'II, 451
W ","frO (I)"
( tra;' de "Contir.Jo", 1'14". pour "UrG ri'fX'Ila" lOuchimodo
Mod-
(eJltf'Oit d_ "Nonumo". 2'\8", pour "C.onigli lOtto 10 luna " (,,",noti
PHILIPS (NEDERl.AND) (800m)
.r:H9 597 DE (induded in Philip' r.dmiu:j, Tijd,chrift 19 No.'. oho lX 0. r.9f'inr) (m, \7 aft ... 51
('" UK ' " "'ii'", To"'"'ool ... ,._ 1. No . , ,h,'" ." doN"""" ""'"'qu. """'" ,. No .', du "- rR9 598 D' )
E I. c t ron i c MUll c (treJ .. ,;ol \II..:! in "Koi" en Aboel". d.. cribed in occo ....p:l1'.yin; articl. )
Po' P'OL'l'DOl (IlO)
MIl,,,,.,,,,I,,,," "" . S .... ', 10, ""_,,,,,. ""' ... .'N",I. P ........... Zoub."'I,.'., (SS 033 17 ', 45)
lInd Id.inoe (M!.Itik VOft l1o""jl.:n: 55 04A KN/m, 17 01'1, 45) )
.... Milo
I.,io
"",pi m./Iicali:
Voc.e di n_9'0 10",b"rO africono
Compon_
loch : canon. IV 0 2 doll' "Ofhoo Mu,lcal. "
Goccia d'aequo
SequenZO ,iO'""".tricCI dl impuh!
S.q",e,.,,"O olim",."ico di ifftpuhi
Str""II'. di timb,; o(monic; ditou"onicl
I
i

i
I
;
lCA
Sil
I.A. MOOG CO, (T.....-....... NY)

RCA VICTCI. (USA) ( New Yori!:. NY)
.tudio
studio
Il1..tdio
""dio
IlUdio
..... "
DISCOGlAPHY 273
Moog 900 S.ries Electronic MUlie 5),11."11 (pf'OMOI\onaldernonstl'Otionrec:otd)
(d_hatlon of rhe lCA Electn)nic Mutic Synrn..izer Mottt I)
a 11,18 Ski (lenin_ do_ ba"")
Fugue No . 2. fr'Ollltt.W.U-Temper'lldClavidlonf(laeft,ltrudcondpludtadltringl)
Holy Niihl (.Arda"., :wgan)
1'10""., Sw t Ho ..... "engi_" ltyl.)
HUt"lo9orion DO'He No.1 (110M., 9YP'y'r,-le)
N 0 I a (Arndt. pianoi
nephen Fa,ter M.dl.,-(lii1n,illybond)
:OITtONS OU SlUIL. (+ SEiVlQ DE L.A IEOUICH, OIfF) (Pori,)
,
O.'.r.F.-Sl2 (,..; 3.:30 em. l3l
hibel
... ,

SIl,V(I ___ Df." (TlMf GEq (,....... Yor4l, NY)
(NCIWd in pr.-wot1on) ( ... , )0.:., 13: __
...,.,.:nq ""-ic 0_. Albu-t b. ;J:ft:Ofd No.2"
tl'lona)
OV WI I,.., )0 em, 33)
EleilrrnnickG i'iucba"
Ubi
wUCO
-WEI 6OXlS/l UfId II (fI', 33'
I" rrod u cti OM (d..--trQrion of tn. COf"IOIX;liorol used in "Pi.C4I fO( Tope
EiMfOluUMg iM die "ev. MUlil.:
Akutt;,eh. und ,h . cue,ilche GruMdb.griHe
Zur G.,ehiehte und .rur Kompolitionl,eehMik
274 DISCOGRAPHY /OISCQGRAPHIE
(OGG Of Philips?, in ouociotion with UEl
(record in prwpgt'CItion) ("'? 3)(30 an. lJ)
Wusik: EinfGhrung in die StNkl\lr dn Klonges/ Musique electronique: Introduction Q 10 stNcture du !0f'I"

A\ICI AVAKIAN (""'w York, NY)
JC-I (m, ).30 em. 33)
JCS-l (5t. 3.30 an, 33)
c ...
Elektronilcne Musil< : EinfUhrung in die Struktur d .. Klonge, / Musique
.Iectronique: In troduc tion 010 structure du Ion
Londscope No.1
aTL lEU TELEPHONE (.Mumy Hill, NJ/ Ne .... Ycwk, NY)
*122227 (motri. nu.... t) (m, 25 cm, 33: non-cOfl'llllltrcial)
" Music from MorNtmotid"
B.II T.lephon. LabOl'Otorin
Hill.r ..
hooeson
Pi.rc ...

Slep;on
(.,ol. )
Th. Voice af the IBM 7090 Compurer
\llioc Suit., fOfsrring qvortet (e.certll from :.perimen' IV, 2' )
MUlj C by Chon ce (e"periment in stI)CNntic nat cQn'lPUted )
- (no ourreer. included ..... ith aTl orticle Speecn" ) (m, 17 cm, J3; one..,ided, non-cOO""..,c:;ol)
8ell Telephone loborototie1
CdM CHANT OU MaNCE ( Poril )
LOX 8368 (nt, ]0 em, 33)
LOX A 48368 30 cM, 33)
Col COLUMBIA (Ne ..... York, NY)
aD 430 (m, 25 em, 3J )
&Omaud -
Blonchard
OTh DUCRHET -THOMSON (Por;,)
(numero inconou) (m, 30 CM, 33)
&ollef
DuM DuMONT SOtAUlERG (Ka'n)
in book "Fo:m' AAninv_- by Hel".) (m, 2S em, 33)
Fo:m' Ahnie'iwow (Auucnnitte. ei,.chl. S"",kl\l r I. I)
Gil GItAVSANfR lLATTO. (MaiO%)
ST/" - 1.080262
Grf EDITION DU GRifFON (Ne",cna,.l. Het.,.,io)
H.I HEUOcaI Ne .... York, NY)
H-l3OSJ ( .... 30 em, )3)
HS-1S053 ht, 30 em, J3)
Transforme! Musicol .. (Forma 1-'1,1962)
.... """ic from ttle Uni ...."ity oIlllinoil"
Illioc Suit., for IlTing quartet
Phi PHILIPS
DISCOGRAPHY/OISCOGR:APHIE 27.5
S ym ph on i e " les E cno ngll1" (origiN:lI ... nion, ond jon Yel'1ion b.,. Georg GnJnt:l.)
Tim TIME ( New NY)
58001 1m, Xl em. 33)
s, BOO1 Isf, JO em, 33)
Kogel
134 (nt. JO an, 33)
SIJA (If, 30 em. lJ)
( NIPPONI (i n preparation)
Xenoki1 S r rotegie
276
Tapes / Bandes
This oppe"IU. it divided I"to ........ tediora:
ElfCllONIC MUSIC tI,.., 'n the .... ,1'1 pIIf't 01 the Clltalog)
IUUSTaATD INTIOOUCTtONS TO EUClI.ONlC MUSIC (alto Irdud .. ... Ie)
WOIKS IN THE AmNOICES ( ... Ieft do,.. otherwiM oppeot h, \'he ell ..... GrId ............ I.c ..... c .... ,e)
The.,... 11.... he,..,. 0_11_'. prj ..... ,,. '"- IIUIIc for 01 1ft riM _11'1 part 01 .... catalog. this I, ........ lIy
in addition 1'00 topII IMIt. 0\10, ... 1. rn... .... ,tudlo '" wfo.lch It ....... produ_. 'tYheft 1'10 lnd'_"- it gI...... 1M trape hi Oft hi.... Por ........ Tn .... ' ch
... I. UMd in !COMbInation ",t+! I ........... or ..".... , .tall. '" ttM ChO'.,.lIIty of !he .. _,.,.1 ON ._. SI.. ,Sort,., ...... ond
9apft. that 0 .. for .1. __ be.n li.Nd.
MUSIQUf fUCtlOACOUSTlQUE (CMIU_ ".,.ont daM I .. Il.... d_ .1Ud1.)
INTlOOUCTIONS IlLUSTIEES A. LA MUSIQUf. ELfCBOACOUSnOUE (cette secrI .. Inckl' _II. dtcor. ....... )
CITEfS UNlQU(MfNT DANS US ANNEXES (et, done, "., ..... ,... _ critt... 410 ......
.. , (cI-O___
u.. ........ Iftyrent .... de "",.." "I 1..,.1 .11. sont ...... , .. (.., .." ...... --CIOIdl!l"-J. En ,....1, .11.. ,...,.., "--_nt
.tt. d.tDndI. a I.,.. ltudlo d'orJei .. . .... ItlUlIquet ........ font "eIIfe'cf-'une I ........ .. ...,.... ct..... , Ie ....... , ...... cutton
iN*-NoI. au 1M partt'*-.t ....... .......... tont .. I ... ,. ...... .
II .t MIU_t pa.itll chohlr 10 vi,.... I. tM p ..... t I. d..... ..,. _ _ ___ , If c::anvI.rdta '" "..r.-t ..
<*tol. .,. d...,. CDI.
,,- tNdu/p .....
tpHd/ Ir-r.
7-'/2 / 19
3-3/ 4 / 9.5
_. - publi __ unltf'rlfl'ltlft/UiNur iftCOl'lNl
IOle en ....n ..
hi,.. ..,Iooatlon
..... portItlon
,...t - (perfonnon") ,....,101/_*'.1 d"orchoMtN
Most of IN SCOfel 111,-, 'n thi. opptn:Ji. are for.perfotmanc. of I,."""",-"lal ".".Ic wtth .... n.. foUowf.. ON ,-dM ,..Uaotlon ..,.. 01
(1a94) "","Ic::/ta pl.."art dft porthiorw .1,,.1 ... da,. 1:41". CN'II'IIh. 10 patti. dOu,.. .... 'tN Mi.te. Void I .. .,. ....... CMU.......
dont ov c;:onhai,.. to partition a 10 rIolI.tlon 4'.ctroocoutt..,:
Don
Mobil.
1.II.f (0150 perlonnonc. score)
O,T L. Clottr. Noir (olsopetformanc. . oore)
""""
Mond .. nalc.",orte (OI50pet'fOftllGnCeUON)
P.t Cog.
Willlo, .. Mi.
PWM Dobrowol.lci
lCotof'.ki
Sikonki Echo II (0110 per#atrfDnc.e score)
SZ Donaroni Quart.tto III
v .... I' c.tcor I.uron' co
E'I'Ong.eli.tl Incon'" di ' o.c onor.
Koenlll flloy
Nllaanl
Stock"--n ICetn'o.,.
Studl. II
ELECnONIC MUSIC/MUSIQUf EUCnOACOUSflQUf
ACA
AMa'CAN COWOSIS AUIANC ( ..... v ..... NY)
u.o ....... ,
u..che_y
l'-dle...u:y
"....,. .... ,
............ ,
u.odoo.ol.,
u..d.o .... ,
u.. ....... ,
u.odoo.ol.,
WhitteMerv

Gild., ap..a (tape ... 1IIOt hi,.)
Carl.bad C ..,.'n' ....,.". rv
Th.oter ".c.e No.lI, ball.t( ....... ,...thi,.)
C,.o"on: 'rola,v. (Jepe ... _thl ... )
Ll n.a, Contra.,.
... orpho,
Scen f,o", No E .. l t (tape .... c:or.hl,.)
Sonic Contours
Th. 'oy Wtao Saw m ..... ic
Und.,wa'.r Val
EI.ctronlc St ... dy No . 2. with Cl)nfl'ao-&ast. ( Jape " ,cor. hi,.. )
E"'.n' ( .... . _,hi,.)
AIM ASSOCIATED MUSIC I'VI1I5HElS (New YOfIc, NY)
.... itt
.... itt
.. .....
A&$ AHN&. SINaOCK (Wletbodert)
Enger,,*,"
IMt Wfl'flTEI
....
K......
KIene.
K......
'&1 IOTE & lOCK (te,lIn. liD)
.M.,
COlllpo.i,ion for Synth., ; z., ( lOpe J\i,.; 2", 7-1/2 or t5 ips)
E,,,.,,,bl .. fo, Syn,h i z.r (tope hi,..; 2 tt, 7-1/2 or IS
Ph 11001'1. J (ICON (with piono ""ctlOl'l) IDI., IapoI hi,.; 2 Pr, 7-1/2 or IS iPl )
V 1.1 on and ',a y. r (.CON 101., tape hi,.; 2 ", 7-1/2 or IS ipl)
Tim Fi .., . ' .... lI"IOthi,.; 4 (EvrapeGn) Of' 2x2 IT)
4 5 y . t.m, 101. : c;on,pote,", .. "iOt'! don not tope)
Cod.nza (lope
Triol (tape. _t hir.)
o i. I rriah,,." d Odyu .... s 1oJ1." (IN:It hi,. .. Pope no' o..aiW:. I. )
A.Ic ... ( ....... ,.'h;,.)
Avsg.,.chn., ... nd ... .,'pl.lt .. Oper (POpe .lNIth.,.)
D.r gold.". Oper (INIt hire, Pope fIOto..ailabl. )
D.r Zo ... b.r.pi.,.I . 0,., (-, hi, tapenoto..ailobl.)
Q""n,lna ( lop. .. _thiN)
I.lct,onisc ... l.p ... l ..
Mul tipl. lou.p.,., tI ... " ( .... + Ken hi,.: not .... lI'CIlly ChOi... I.)
TAl'ES,ilANofs m
218 f .. "Sj\ANOES

Bloch_
liartlg
Klobo
Klobo

I&H
IOOSEY & HAWKES (Poris)
COnItont
Tara" t.11 a (Tristan), lall.tt (?Ope ... mot "iN)
Zw isel\enFIlII. b. i .i net No.land.,,,g, Ope, (.con: (with piano reduction) tol IOpt -+ /NIt hi,..)
EI coria I , ap.r (!'MIt hI,., tape not o...ailoble)
or. E,,"ord""11 Cl:hon, {)pi, (.CON (with piano , ... ctlon) tal., tape -+ mot hire)
MenOllur., lalle" (tII;Ipe + I'I'Gt hire)
Anolll.ondu. Ende, o,.r (score (wi.... piano rtductlon) .. I., .,. ... mat hire)
l. iou.ut d. FIOt., ball.r radlophoniqI,M: {bof-de + ItIIIt.n 10000tion: 1o ...."'Oftd.conc-tOMllt
10 band.)
tow IOWDOIN COL.lEGE MUSIC PlESS (IruNwick.
5 ue nod. No. 3 101./c:orn,l... ,.nonnonce mot (tape ... 5 tCOlft) tale)
SubotnicX
IN
IlUIZICHELLI (Flrenu)-
..... "'"
Cob C.hOeM (IN llft)
....... ,.
Chevreuill.
deMH,te,
d. M ..... '
CHF l:ESKY HUDON; FOND
Kupko
CI. COLLAGE (Polenno)
G...occero
KOAzert fOr Oboe und Kolft/fler." ",bl. ("."IGftoriQirGt ............ partltl __ .,.nte
mat_location)
Tu oyro. "oIR, TrI.ton 196J,ballet(deJefMDn: ma,_locatfon.banOe_dM,oniltle)
D' "" 0 i a b I. d r i qu.' (ma' en location, band41 I'\OfI dlipO"ibl.)
L.o ira"d. T.n'a'ion d. Saint Antoln. (I:Ia......... teftloca'lon)
!Controlty (\I.al"de" mat .",Iocatlon?)
IClavia,"ro (p:utitlonp,lblh do .... COU 6, 19661
elm eOlOMIC ('or,.,.,ly RICOROI) (N ..... yotk, NY)
CMe CANADIAN Mu51C CENTRE {Toronto)
"ecroh
F,o,," O,.om, of a,on (tape
COt eOSTAlI.AT (Porit)
S 'I 0'" i. i ov .... lSymphoni. No.2) (IIIDt .n location; l'oeil"'''' n'..,ploi. pol d. ba...d.)
(Soi".I.,
5ylnphonie rOllge (Symphonie No.1' (bgnde" mot .... Ioco';on)
ePE COMPOSERjPERFORMEl EDITION (Oo ... i" Colif)
(oho publishet \,Ind., "S,c")
AII,t;n
Aus,in
Change, (tape .. mat so l.)
Hllnt
U" i t I, fOf )10 situation (,core 101e: .I.ctronic venion not ayoilobl.)
Miull.
Straight An.od (tope "mathi,e)
Oil OlllA (Pranol
Pochod." Prom. theo ... o, (bond. + mat.n location)
Kra.otit, op+tl'O (band. " rnat.n location)
DatI OONEMU5 (Armterdom)
Andriet .....
Sw t for r.corder, (,core.,le, -.penir.)
Copri ccio (tCOl'. (with piono ,_erion) tol., .... froftt STEM)
Martin Korda 0 , p" opelO hcore (wi"'" piono redue,IOtI)tGt., mo,hl ... , IDP" froMSTM)
ladl ... 3 luc.bert Songs (score sale, tape from STEM)
3 Schwlirme,.ie" (score sole, tope from STEM)
Arc (score sol., tape hire)
Mobil. {.cor. ,al. (incl\ldlng .... cont, Me und... Don), IDpe hi .... ; 2 tr}
f""S""NOES 279
1t.1 ii'f bee,. 101., \'ope' hire: PfiYOte ,Mlio .... rslon .",1'1, STEM _rsiOl'! from STEM)
Antlpl'toni. (SCOf'e tOle, tape from STEM)
L.ob y r I"t, ope'l'Q/ MT ("Iond.n uit h., Labyrint: .core tol., !Ope from STEM)
'FM EDITIONS flANc;AISES OE MUSIQUf (Poris)
Sa'll.
Malec
Mari.
fpc VIC (New Yorit, NY) ,
PI uri. 1 (ConoM CoUectif) ( .. t _ loc:atrOtl, bo!'Id4I dhponibl. au GItM)
S equ .... ce pour 0 robu. (1tICI' .... location, bonde dtspor,ibl. cal GlM)
0'11" bou' a 1'0", 'r. (Concert CoIl.ctif) (_t en location, bond. dhponibl. au GItM)
Collog., (c-.rt Collectif) (mgt .... locatfon, bonde au GlM)
G-mp-OS i ta.. (Concart .CoI.lectiO (.:It en locatlon.-bonde ditfIoniW. ow-GlM)
S '1ne'll i (Concert ColI.ctif) {!NIt .n locotlon, bond. dltponibl. au GIM)
Volu,. .. (mot_IOCIIKon, ....
Til ttl (COf'Ieilf't Collectlf) (_t _ location, bard. dhpont"bl. au GaM)
Imog Thlll"oi'quu (bond. mate" locafiOtl)
l' de" c. ",b i gu' (Coneert CoUec,If) (!NIt en (ocariOtl, band. ditporlible au GlM)
A"olog i qll. A (_'.n location: borde "Al'IOlogique a" diiponibl. ou GAM)
EC 81.' (tape sole; .. eft (- 2 "), 7-1/2 ipt)
(olto ,.uN on recood EP1C, ... u ...... PHllIP5 (ElMOPE) 835 QS6 AY)
Capriccia
Bodi,.. Evolution."
Bodi,.. Gen
loaiimo n
. ESSEX (london)
'El F.E.L.. pueUCATIONS (Chicago)
Felciono Mo It (tape hi,.)
Gid GUlLO puallCATIONS Calif)
LOul6
GSm G. SCHIItMfR ( N.w YOI'il, NY)
Po_IIMI
Pow.1I MI
Pow.ll Ml
EDITION HAGAR (IIrtI.... )
F,i.,c:f,
Nofdheim

lMi ISlAflI MUSIC INSTITUTE (T.I-Aviv)
f.1
This World - Tomorrow (lDpe+...:IIthh .. )
A ... olog, I, II, III. IV
E .... "ts
5.cond Electro"ic
E p ito f f i (.C0f9 4093 tol., tope + _t hi,.)
Favola in Mu,ico, TV bllllI.t (tape + mat hire)
J( III tho f1 is, boll., (tope + mat hir.)
Oommen ( The Judgment) (rope. rnat hi.. )
Tita"ic (lope .1core hi .. )
Conc.fto fOf cembltlo (tope "'soonhire)
I
J
:
I
2tO TA,.S"ANIlES
Tal
Tal
Tal
Tal
Tal
Tal
IMP tSRAELI MUSIC PUlllSHBS (T.I-...."I-w)
Concerto No.4 (forpiono)( ...
Concerto No.5 (few piano) (to.,. ... sCIDf"e hi ... )
t:.odul II, ball.t
FroM the Oepth of the Soul, boll.t
Micro'o'"''
1M INNOVATION PHONOTAPES (G_ SlUde EnN:tp"iHt) (USA)
P. H. 5. 10020 (tope tale: dele-.d1/ .,iM?)
(01,0 iuued Of'! r.coed. see "nd., 1M)
_ _ClaV MUSIC (Now V ..... NY)
a.....-
Logo'
thyth. Study No . 8
For 'he ITg Ho,n
loop No . 3
Trilogy (origl ....1 -*-I
An i mul I ( .... + $CICIN hi .. )
MIT MUSIC FOI TH( THlATB (Now V ..... NY)
ICing leo', thea,., ..... c( .. ptdt....,.lon 1966)
MMC MAlKS MlJSIC (New YOlk, NY)
o...w...k, __
,-'
TAP6"ANIlES 281
...... , ..
---
Inca."atlon
" ..... ntion in 12 Not

Sonic: Contours
lop LOPU (L_on)
Soh!:..:!o
DistonCu (tape + mat hit .. )
(_ic for two ball.ft, ""'grion"", "n- fro_II_"'"; ..... _t hi"., I"Qt prwrolly owiklbl.)
Solz.edo
Mot MASS AU (New YorIc.. NY)
MUSICAL CORPORATION OF AMERICA ( N. ... ycn., NY)
Subotnick
Subotnidl:
Subotniek
Subotnic:k
Subotnick
Subotnick
Subotnidc.
Subotnick
Subotnick
Subomick
Subotnick
McG INNIS & MARX (N ..... York, NY)
Oovidovsky
Wuetinen
MOl'ldol in . MT (lOpe .. lCOf'l' hi,.)
Porodu CInd Changu , MT
Plo.,- ' No.1 (tap" " /NIt hi ... )
Playl No.2 {tope + mathir. l
Plo., ' No.3 (tope .,conki,.,
Ploy I No." (tapti .. mat hi,.)
Suit. from "Oonton', D.o,h"
The Taro', Pa r t II (tope ._thiN)
Th. TClfot, !'Clrt III (tape c:onhire)
UCLA
(-cdc fet etchestra ord tope) (Iop!e +- rNIIt hiN)
Synchronitmt No . 1 ('CON (i npNPOtV'iOft) sale, lOpe + IftOthir.)
Synchronilm' No.2 (lCOft (i l'lpfwpcuGtlon}.le,
SYl'lchrol'li,ml No.3 (Icore (il'l pnpcwatlon) tal., tape. -, hi,.)
Orcl ... ttal ond Electronic E.chonte. tope+-.."hl,.)
S y.phon i a So cro (.cen (in prepara,lon) tale, tope + _t hire)
MEA MUSICAL ENGINEERING ASSOCIATtS (Soutolito, Colin
MEA 101 (1ap4I tal.; 2 tT, 7-1/2
Or90l'lic Trion;l.
Jo"""
Chan
..... (DIllON
frilcHuwdtt

Frilchknedtt
LaooN'"
Wi.......
...
GIIt,ol'ld.ttT
I'lzzlcoti
'onto.moto, 1 tor)
Epitaph. pour hui". Goloh/Epltaph f4l, E ... oti,t. Golal. (ICON fIIIIthi,.,
..,. not 1I...a1.-1.)
ON litted in .... Edition Modem CDtalog, .Ano.piogtophe" lind "Kia,. rn. f'IIpft
II,. not .,...l'OlIy o .. ilal:tM)
NMf NEW-MUSIC EDITION {TModore P, ..... } (I'Y" """'"' Po)
.... ,t +
Hill.,
Hili.,
.... NOlDISKA (5tod..hoIm)
..........
OnT ONGAICU NO TOMe (TGlcyo)
Matwthita
".t C.F. (FI"Clr*fvrf)
C ompu ,. r Can '0 to (s.c:ore 1101., tape + mat hire)
Machine Mus ic tape + milt hTrII)
IC on, t.llo lion.' II {tCON (ClitMy 1I...ollobl. In lCon".lIotioner I-IW; -Kon.tello,iOM:' I- CII'Id
ICQN)eI&otioMr lit O"oOilGb&e MpCII"Qtely) tOl., tape not owilabl.)
(l CON lIDl., 1Gpe l'IIOto...oilabl.)
l. Cloft,. No i, (1OlM_1.,tupenoto..ailaWe)
l. Clott,. Noi,
J..,.. Music 196Q-)
Metomorphosi. in""'terpi.onol Music 1959")
l'Iat(:emo". (ICON! .. Iapt notowiklbl. )
(Verne,.., fOr IRO, o,te.,..idt und 1111. o.lblock-l,lItder, .i,.cW. OW...,)
Worlu in 1ft. Ftonlcfvrf lid CDI'I .,."..ally be tupplied in NIl..... yodt, ... vic. -...no: IOfM 1Opft .. not 0...00001. fet 1M test 01 !hoe 'IIfOIld (agent:
h:t.n, London)
Di. Schoch .. l, .,a <.thiN .. tapenoto...aia.i.?)
282 TAPfS/tANOES
Kag.1
K.I.men
C.F. (N.w York. NY)
Sodings
Cog.
Cog.
Cag.
eo..
Cag.
eog.
Cage
Cog,
Cog-
eo._
C .. _
Cag.
Cage
C...
eo..
Cage
Cag_
eog_
Cage
Feldman
F.ldman
Finney
Finney
Ichiyonagi
Id!iyonagi
Luening ..
lkilOu,.""ky
lueni,.g
Luening ..
Uuoch ..... y
An ti th , C/MT .. Film (L.ib... tto-f'artitul" 70830 ,al 10pI hir.; 2/\ h'. 190/138 em)
2 StOck. aUi d.r Mu,ik &.u "Judith"
Pit tlbu r gh Can c. r to (Concrt YOCM' .n .1e4ttronilC:h. begel.iding) (ICC'" 66060 tol., tope
from STEM)
Atlal Eclipticalis (11 ..... I.ctronic: 1IID,6182,o1.)
Cartridg. MUlic(Il ..... I.ctf'Onic: Icon 6703,aI.)
Fontana Mix (Icore 6712 ,01 IOpet hire; 7-1/2 ipl - 6712a/2x2 h'. 7-1/2 iP' - 67121
ImaglnJH), landlcap. No.3 (ICO" 6717 (001.: cornpcMf', ....niondoes not jnwl .... tope. tee
urd ... mird section)
Mu.lc for amplifi.d toy piano. (11 ..... I.ctnw'lic:lcore672 .. tol.)
Music for Carillon No.4 (2-oc:to ........ nion. 1I ..... I.ctronic: ICON 67Votol.)
MUlic for "Th. Marrying Moid.n" (.CON6731,oI., lope 6737(1 hire; , h'.7-1/2ip.)
Roz.ort Mix (,c;.ont 6800tol tape notca'olOilabl.) .
S a I a for C .11 (I (fToITI "Conc ... t rot Piono card Orche&tnI) (II..... Iectronic ... nion: .c:cw. 6705f .. I.)
Solo for pia no (from "Cancert for pionoand Orchestra") (Ii ..... I.ctronic: .... nion: SCON 6705
So I a for Voi c. 2 (It ..... 1.ctTonic venion: ICON 6751 .. I.)
Solo 0'00 (4"33"' No.2) (II .... I.ctronic wnlon: ,COt. 6196tol.)
Sounds of V.nic. (10C0A 6756,01., topes nota'olOilobl. 7-1/1. ip'
Variotionl I (SCON 6767 tol. : COITfIO"'r', ....niondoes not inval .... 1.ctrortictnUlic)
Vcariationl II (sc;ore6168,oI.: campoMr'.ve"iondonnotinvol .... I.ctronicltUic)
Va rio ti ani III (,cote 6797 ,01.: composer'l venion doel not irwol ..... I.ctfoflic music)
Va rio t ion, I V (Icore 6798 tal.: cotnpCIMr'l .... nion doti not invol..... I.ctfoflic lftIIic)
Vori ca t i on, V ('co ... 6799 sal., topes not Q'oIOilobl.)
Voriatio", VII (li v.el.ctroni C:: ,coIW\Ole)
Wa t. r Wo lit ('CON 6771 tOl tope hir.; I tr. 7-1/l ips)
wa AI (Ii ..... Iectronic: ICore 6772 sal.)
Where or ...... going? And what care w. da;"g'? (tapet6773hi",;"xl tr, 7-1/'2iP'!
compoM:r'l voetl;on does not ;nvah .... I.ctfonic music)
Will joms Mi 01; (ICO,. 617" ,al., topes hi ... ; 8Jc1 IT, 7-1/2 ipt. - b7741ca/,..2 tt, 7-1/2 ipt - 677.)
Wi nt., Mu, i c (live .I.ctronic ...."ion: g'1S tol.)
27' 1 0 5 5''', fOC' percu"ionist (scot. 6778 \Ole: CompoM!r', ....nion does not involve tope)
Int. rH c t; a '" (fOf tape) (,cot. 69,7 \Ole, topel not o...ailabl.)
Morg i 110 lin t.n. cti on (Ii ..... I.ctronic: 'COC'. 69fR ",I.)
Still Ar. N.oN Worldl{voc:ol,core6553IC1I tape+mothir.)
l if. Mus i c (lcore 6873 101., tape not a'olOilabl.)
Music for piano No." (,cot.b58, .. I.: compot.r's ....niondoes".,tinvol ..... '.ctronicmut
iC
)
StanJ:as (Ii ..... I.monic ........ ion: ,cot. 68n tol.)
A Po.m in Cycles and a.ll, (tape+fnOt6600.Shire)
Conc.rted piece (tape" mat 66010h;r.)
Gorgoyl .. (tape to score 6HJ(1l hire)
Rhapsodi c 'lor 10 ti on. (tope to mot 66006 hire)
luening
Mltyuzumi
POI HElSElT POST PlESSE (Manen.n)
LA............
S yn th 1. (tope ... mat 66003 hi,..)
Companolog., {tope 6337 hire)
Olympic Campanology
Thr H)'mnl for 'cap.
Variationl on the nu",.rlcal prlncipl. of ...... n (1I:Ipe 6331 hire)
Sc.norla
PNM POLSKIE WYOAWNICTWO (KIGIt&W)
00b1O'l'<'Oiski
C>obrowolski
KatoNki
p.nd ... dd
Plerd... dr;1
Sikrii
Sikrii
Py. P'YlAMINX (fairport, NY)
.....Istrom
..... htrom
Ahl,trom
Ahl.trom
Ahlstrom
Ahlstrom
Ahl,trom
Ahlstrom
Ahlstrom
lie RICORDI (Milano)
(voir ovui Clm pouf Vorise)
Choilly
Nona
Nona
Nona
Nona
Nona
'do
SCHOTT (Main&.)
alarnc:klhl
Fortner W
Henz.
Nona
Storl.
511Orl.
Zi,.",..rmonn.
Etiudca no I.dna ud.n..ni. w (poniti ___ te. boftIM_..disponfW.) __ ---------
try gada (,.,i.rci
P10lmU1 1961
A"tyfony (pClrtitlon en wn". bond. MIn dkponibl.)
E chca II (partltlon.n vente. borde
A",th.m Numb.r On. - AII.luia (tope+,c:or.hire)
Anth.m Numb.r Thr O"wcard Chri,tian Soldier,
50noto Numb.r Si)IC (tape + mot hire)
50nato Nulftb., Eight (tope. mat hi,.)
Suite Numb.r Thr.e - Th. Dumbwaiter
Suit. NI/mb.r Fiv. - Variationl an My Old K."tucky Hom. (mat hi,.... MOI.-.ot
avoilabl. unlesl from onarn.r oI\fOn.: published by PyfOmirut )
Symphony Number Three - No E"it {tope mot hire)
II Mont.lla. opera (bond. + mot en locotion)
A flor to. iovem e ch.ia d. vido (bond ... matenIOCGtion)
Die Ermittlung. musiqu.d.t+.iOrre
La fabbrico illurninato (bord.porritionen location)
Omoggio 0 E",ilia Veda va
Ricordo ca,o ti honno fotfa ad Aulch .... itz
Ani Q r 0, opelG (Icore (wi rh piano reduction) 10690 tol rope + mot hire)
I" ... In.m Gort.n li.bt Don P.rllmpl1n a.liso. Oper(Tore,ond YOI"IWOIKIW",herge,. .. lIt
"Pf,ff.": Icore (with piono reduction) 5260 tol tape to mot hire) ,
001 End in.r W.lt. Fu..... oper(1. tapet ... IIICI' hire)
Compos i & ion. p. r arch., tro n. 2 (Diorio polacca '581. nubvo ....rsion. 1965 con rGttro
trOgnetico (partition d. 10 version original. AV 66 en ven .... mat 1M loeotion; hoMe en lac:Dtion?)
In toll. ro nzca 1960. op4lG (partition AV 75 .n ...en ... bard .... mot en location)
Th. Diary or a Modmon. opIfO (tape by Cary ... s.arle: 5CQre:(-wit+.pianoreductionll0686tol.
tope to mat hire)
The Photo of the C e lon.l. topelNtt ... ire)
Oi. Soldat.", Ope, bcore (with piano reduction) 5076tol tope to mat hi ... )
!
j
SfP SOMfTHING fLSE PlESS (N.w Yode, NY)

al pur. to begin (li .... I.ctronlc: ..
C Mojor Chord (Ii_ .I.ctronic: .cor. puitli.hed in "Th- FeNr Su',,)
a.con.t l t" tiona I (11_ ".chonic: tcore 'n "n.. FeNr $,,1.... )
Solo Mu.lc ond Mor. (I1.... I.etronlc: .cortlp.!bllshed in " The Four Sui"")
Strata, - - S.cond loy.rs ( at I.ott 0 1010) (lIw.l.ctronic: IcorepublitMd ift
"11M Four Sui"")
SF' SOCIETE FlANlA1SE Of PlOOUCTIONS PHONOGIAPHIQU(S (ttotis)
L abo t, ball.t pontomi". (bond. .n location)
Shw SHAWNEE PlESS (o.lowa ... Woter Gop, Pa)
E, ...
Sil mlTIONS ANDU SILVA,aE
(band. ... _,.. d.M1-pI.N, 9,5 cmI2 bortdes,..."... en ....n,., d_i.."i.,., 9,5 CIII)
I. ba,.w.
"$OIIi... tSpfOtcholctl_n-
GomierP
Gorni.r I
Gorni.,P
Src SOlaCE (Da-nl, Colif)
(publi&hed b,. CPf)
Sp,.choletlon No . 1
Spr.choktion No.2
Spr.choletlon No.3
Sprecholetion No . 4
Spr.chok,ion No.5
Soni. No.1
50nl. No.2 SoufFI. I\'Ion lf ,.
Auton' troi., .oni.
E tude du "0"
Accelerotion ling"iltiqu.
Spatial
E rcic ur I "j" et Ie
Wortv.rrau",lichung.n 196.5 :
rhololto
(3 01.1"," en collaboration o ....c Gomi.r PI
Motl "ivontl 1965:
Hi.r
Siffl.
(26 0""., poi ......)
Th. Mol.. (.cor.publilhed in "Saurc:e" vol. I No . 1)
STM STIM (faENINGEN 5VENSKA TONSJ.TTAAE) (StoOho!",)
W.ch I,p 1.1 II (Ico... hi,.; ... owilable?)
" Co"tico d.1 Sol. (rope + rnCIt hi ... ,
W.rle
SZ 5UVINI ZEnON! (Milono)
Mutol.ion' (topeS992hi,.; I tr)
.....
Cl.... ti
''''
--
--
--
--
--
--
.......
.......
' .... '
Vlod
T.I TEUTA1 (Landan)
.. r . ,
Collag. " (lope 6Ql5 hi... ;" tr)
Quort.tto III (.-.5824101., lope 6001 hirtl; 4,,)
Continuo (tape.5995 hi ... ; I If)
'u uno "oc. (tape mit hi.... 2 tr. .cor. notowilobl.)
Notty,"o ( tope Yl97 hi,.; 1 tr)
S.qu.n, trutty,. (tape 5167 hi,.; I If)
Su.no'a III t ...... 6OQ2 hi.. ; 4,1')
S, ntcnrh (tape 2 tr)
Iotto"o .110 porto, op.a(soor.(TV ........ )S714tDl., I'ape+-Mt.57l6hlre/tape.,..
C.... _'-) 5966 INN)
Atollltod, .... (..- 6334 hi,.)
S,,,dlo n.3 C..,..6342hlre; I Pr)
Sco .. b I I (tape "" Mr.. 2 ,,)
aec. i to ti'lo (.,.. 6J78 h .... ; 4 "')
It Dottor. dt Vetro, ope ... (MO' (1Od1o ...... ian) S602 hi,., .... not awl""./rnat (rMa_ ......1(11)
6369 "'i,., .... ftOtCNai .. '.)
li-J.".. 1l4-.5 (tup4 101.; Mif _dr, 7.1/2 I".: d.leted/.,,,,,)
( ... ho i" Mcond .. etlan)
J ....
rel TfOtNICAJ. R(POtT. UNIVf:ISITY Of rlLINOIS EXPUIMfNTAL MUSIC STUOIO (UM ...., III)
Hill.,.
lIE UNlvtlSAl. EDITION (Wien)

.... io
Iorio
Ie,io
krio
.....
........
Ei....,
Ei-,
Eimert
S ...... " ft.ct,onic Studl (tcanpublrllhed in "redwllca' Report No.6",
Po.i,lon (sCON 75C1:S 101., tape Ere.WOl)
.po.II.Io"., MT(whtldtawrd
Loborintu. II < ..... rnathi,.}
Mo",.",i
Co.ur pour b,ott.ur ("Sen. FoaW)(.core 13238/U '" pr.,clfotlan: CIOfIIpOII'1 venlando. not
involve el.chuftic IIMic)
Epltoph fOr Ailelc"l lCub010",.
fllnr StOcle.
Glock.n.pi.1
'ncontri dl fo.c.. lonor. <.CON 12863 .. I. tape hi,.)
I.
I l
286 TAPES,/tANOES
Holfh ...
_ ... 1
Oiophonie (1.1\1/111) ( ....... ItDt hiN)
_ ... 1
Phonophonl. (tope .. mat hi,.)
_ ... 1
E.loy (.COf. 128851OIe. hlr.)
Koenig Klongflguun II
Prlng.torotorium - Splti,u. In,.lIig.ntia Sonctul
. , t. r. ball.t (Iape .. mat hlN)
Nil_II Audlogromm. (tolM + ICON hi,.)
Pacegninl S.qu.n:l: I'tuftur.
E I.c". (.OOA 13843 (In pteflD"ltlOlllt ifOphical ICON by Iuuottl) tal tap. hi,.}
Trail vi.o; d. U.,.
- p-
s .............
Kontok t. (perlonnanc core 14246101 _llzotlOl\ t_ 13618 In p"polOtfon .,.. + 'CON III,.)
Mllcrophoni. I (IIWI .1.Cffonlc: ICON in PNpQlOt'on)
Milcrophoni. II (1 1 ..... I.ctf'Ol'\ic:
Mill 'ur (11 _ .1.ctrotIic: 104261 'i01 ...." I\i, . )
S a I a (llv I.ctronic: ICOf. In prepalOtlon)
Studl. I
StockhoUMn StudT. II
Stockhaus.n T.I.musilc (ICOf'. i"preporatlon. IupehiN)
Way WAYSIDE PlESS (Charlottes .... II Vol
Mar;;lnni.
WLP WORLO lIlRARY PUILICATIONS (Cinr;;innatl, Ohio)
F.lciano Olouolollo (f0ge ma'101.1)
WLS waLO LIBRARY OF MUSIC (Cincinnati, Ohio)
F.lcior'IQ AII.luio from ,1\. Mall for '.nt.co,f {tape ,C0t'9sal. ?)
(CESKOSLOVENSKO/Proha? ) (0' poroTtr.)
Pjlb Konc.r' pro mogn.'ofoon a orcl\.", (partition Q potaftre; bond " locotion1)
ILLUSTRATEO INTRODUCTIONS TO ELECTRONIC MUSIC/ INTRODUCTIONS IllUSTREES A LA MUSIQUE
f lEC flOACOUST IQUE
Cot CASTLE (Recorded Tultjon) (london)
EFX1T (tope 101.; full 'lOck. 3-3/4 ipt, 3' 0110 inu.d on r.cord. , .. und.r Cos)
MEi.ctlOnic Sounds and MusicH
Judd (.I.cfror'lic .fl.Ch)
EFX2-T (tape sal.; full trod:, 3-3/4 iPl, 3'1opOO1: 01'0 illued on reccwd, ... uncI.r Col)
-EI.cfTQnic Mutic and Mvsiqu. Concr.""
Judd
fFX1T (tape 'i01.; full h'adc. )-3/4 ipt. 3' tpool: oho inued on r.cord. , unde, Col)
MRhyrh"'ic EI.ctronic: Mvtic"
(background "VIic: "Ac.ltomotlon". "Merf)'"90"'f'OI./nd". " r.mpotune")
T.I THETAPE (london)
li-r.,. 134-' (tope 101.; hair .... d.;. 7-1/2 ipl: dele'-/IpuiJ)
( ... aho in n", section)
J .... EMpulm.n' 'n Sound (introduc'ion)
WO.ItS IN THE APPENDICES /OEUVRES ClUES DANS lES ANNEXES
1&1 tort &. lOCK tlerlln. NO)
I&H IOOSfY & HAWKES (flath)
- x-",-,,-=
x_.
X_h
O.c.mb.r 1952
"ann." IlUch wah,.nd "AI"me,.-. Op.r und ..Jacaboway _ del- <lb.",". 0"...
_rd.n: (with piono Nductlon) 101., I"IOt hi,.; ICIfMI not owilabl.)
Eolt'o (partltlon,",_ .. , _t,",l_tiOlt)
Mor.i mo-A",or.imo (partition en ....nt.. 1'Ma' _ loootfon)
S T / 4 - 1.080262 (partition." _t ....,t .... loootlon)
ST / l0 - 1.0110262 (1110,..,IOO3ti_)
ST/ 411 - 1.240162 (1110,..,locotion)
L'''I.lr du r'vSr.nd p.r. Gouch.r (lIIOt.nloeotlon)
Clm COlOMlQ (fonnerly I.ICOlOIl (N... Yor4c, NY)
Ecuo,orial (.CIOftIOI ma,hiN)
EFM EDITIONS FlANc;.-.ISES Of MUSlaUE (Pa,Is)
Fl. FlUXUS ( N. .. NY)
Li e-,I
McH McGItAW--Hlll (N ... Yon.:, NY)
Hill.r +
'--
A tr 1 (mot.n location)
III lac Sui t., fO' ,tring quor".' ('CON publithed In book Mhperimen. 1
NME NEW MUSIC EDITION (TheoOor. Pr.... r) (Iry" IY'G_, Po)
til ioe Sui t fO' .tri"9quomt (.COf.IOI., Vol.30 No.3)
P., C.F.PUERS (FRlnl.th.trt )
.... 1 Sonant (.core Yf72 SClI. )
C.F . PTElS (N... yon.: . NY)
Imogiltory lond,cop. No.1 (t_i:V16101. )
Imaginary Landlcop. No.3 (Joon i:V17101.)
Imoginory land. Cope No.4 ( Morcl\
Morcl\ ( Imog inory la ndt cap. No.2) (uZ),. 6721 (in prepaRirion) 101. )
Ko d I 0 MU1 i C (ICON 6783 (I n preoporo,f<n) 101. )
Sp c,,", (mat 6793 101.)
Voriotlo n, VI (Icore 6802101.)
2. TAPES",",NOES
Py< I'YlAMINX (Fairport, NY)
Ah"trom
,"- SCHOn (Mainz)
'o"
Sdwll.,
Wi...berger
,Z SUV1NI ZEHONI (Milano)
.. ,..
.oyo
Uf UNIVIISAl EDITION (Wlen)
.....
.... '
.....
.... '

(Tonbard 'IIIIIIIh,.nd "SI"1"" Toe- I,md ..,1... Mil.., .... Oper ....rw.ndeh 10IIf'e (with plano ""'ct5on)
5.540 tol., tope ... _, hi... )
(tape In "Th. Vbita'lon". opeta: .". + I'NIt hi ... )
(Tonband ...ahnnd "H.f'O WId IoII.tt -...Nt: .. pe + _, hi,.)
Allot,op10 (Icore 641.l1li1., ftID,hn)
Ko,"",e,,'.t. und E., ... po,.
fron.lci'. II (..care 1l809 ....
Sun. III (_th.,.)
Jazz (Jaz)
WOIKS FOt TAPE AND JAZZ INSTRUMENTS / OEUVRES POUlt IAHOE ET
INSUUMEHTS DE JAZZ
--
-.,
-.,
-.,
.,...
SIIi,. Nu.b., Fi .... Vo,iotionl on My Old Kentucky Ho,"o, few
jou pioni." rode 1iI"""'P. Iape ,..0CHden 1IIrw:l
S.",.,hi"1 for clori"ot, piano. o"d top. jon """j.
c.... )
Th. Wolf.a" (jh1 veniOl"lI'lOt .-ciriedby fwpiono. bo., ""' .... (lob
J_T,io) ... thlllllfnetlclOJ!e)
Un,i,l.d Mi *piono. _. .... tt.-.wriclOpl
O.h,,,. 01 the "",.ricon Contin.nt Again.t the Invalian of the
Vi.t Cang (An,I-"ggrftlion Mutic Nu .... , 1). For dICI.... , _--al jou: trio. two
roQ ba ..... ptor,o. 0f'V0". ,i..,... OCIO'" ard r.:Ipt ... eoI'M",
, ...
, ...
, ...
, . .,
, . .,
J Ott lII'Iag., (worluone ord 11_). for jcru: _;cool'l(,). 1010 donur 1964-0.5
....-
I "t.'.e..cJJ .".JOt .,. .... (iou).ct.,. 1961
Conc.rt M"lic. for .... Oftd jou ...... I.(dOfiMt. pfonD. -.. , ...
Int.rvention, pourplono, pero..ioIIetbonde , . ..,
, . ..,
,..
API'(NOIOS
OltqW IOtJe AUtr.s
Cite Tope Otfwtt
"y.
'00
...
" ...
ESP
'00
Jazz et JOtz. pourpiono.,borde 1931-52 FOf'I
.....
"'-
, .....
Tryt+.ollG
Chri.tino'. World, , ...
Explo.ion ...... "iO<1 fOt' jou trio ilob Trio) ord lOpe , ...
Fiv. b., Thr , ...
Q" t. , ...
Trllo .,. for jcu.z tr;o(lob J_ Trio)ond ....
'"''
JOt z.x II. CIG'If bond. -r'tlqu./ paur _apftone. t'I'OfI'IpItte, borte-ri., eont'febou. 1966
.t .... ".... ...
J a z z.x III, pour tn:wnpette, batter , .t bond. mog..... 'iqu. 1966
S igfr , (/IItIU'I on:hftl'nt "io d. jou:., hondo mogn6tique 1966
p,. AII-A ricon M"nicipol Nor,h Ti",. Copl"l. II" , 'orbl".. 1966
.010 or bluet batld (The Pri_ Mov.., II" .. land) c:tnd lOpe
Th. AII-Am.rico" S.r.nad ... m.r..... n": rhe 1958-65
Prl..... Mo-n I,,"" lord) and IOf"'S
Explorotio.u, for rope atld jon __ I. (c!orirwt. piano, batt. d"" ..... ) , . ..,
, . .,
wOu:S FOI TAPE ALONE / OEUVtES POUR IANOE HULE
RiI.,
.ieffronicl dl r.giltrationi di jon (SlOn Klll'lton. "II R_. S'-ty It .,. 1958
etc.)
Of ......... the following tpecloliu in jou: 0 ...... 1t. Hodel" J_. MtgUordi. Runo, Sh.ff. Smith
M''''
Olv.rtim.nto, for i ... lN ..... nll and I'Ope 19..
ESP
Mo
ESP
m JAZ
Oth.r o'pecrs of jazz:
jCl;u ,.cordl,. occ:a.ionally """ In the _rlt of
... t 1 w ""Stv f P tho9OfOt " witt-. (I jClu c::on,o of vibraphone. piol'lO, bmt. bOf9:ll orod dru ... odded to
=:.-::.!:t:: II". "MoI...-" III" . -"c:.t und Tech"ik". "Por1N"cnaft"), __ II.
loge pleeM, pGrtlcularly 'n the USA (MId! IX Coge'. "lrnogfl'lOrJ' Londscope No. 5")
.lectftJf'lic lNAic .. b.en uMd in connection wlttl jon in CzechollO'OlQkio. 1'10 detail, truc:.d
.Iecl'fonil; lfIIISic by 8eg.,., in JMltformancfl with DorI Elli., IfM Hitldu,,"o", Jon S_te' ond em;1 Richards
Titn.cf.t' __
TItle of the 'OfOI'Ic
(,
Painting / Peinture (Pnt)
WORKS LISTED IN THE MAIN PAn OF THE CAT.... lOG/ OEUV.ES FIGUR"'NT DANS US
LlSTES DES STUDIOS
-, Musiqu. barbar.
..... Etude XI
..... Etude XII/a
..... Etud XIII /a
..... G,,,,ndge.,olten ",,,d Voriante"
..... lCoMposi'ion
"'
..... lCompolitlon V
..... lCo,"positlon V,
..... -X.o1ftpa.ti.tlon
..... lCo,"po.lt/on XI (2. Fouu"!il)
..... Ko.poshlon XII
..... Kompo.I,lo" XVI
..... Kompo.i,lo" XVII
-
Ko,"polilion XYIII
-
Kompo,itlon XXIII ...
Grundbild Sei.e 0
Grundbild Seite b
..... Shdre XVIll/3
.-
Kolligrophie (mit G..... ik dft KCM'IpOI'Ii'N")
291
APflENOIX

Disc
1961 PM
19"
19.. JuG
.. .. JuG
"65
I ., l.G
, . .,
, . .,
- 196'-
==l96<
, ... JuG
"65
1965
""
, ...
, ...
"65
1961
App.1 ond Maot 0,. botft pIIlt""",, Ap,el't borM,.M -ow otiginolly far a fillT! on r+ae poin,.', __ . All ttl Moo,' el.dn)nic
1_ 0,. IOVfId torar.lo.>or. of Indi... tckoal po;n,I ... ..nidi 0 .. in.. nded 01 on addiri_1 di_i.,., 01 rhe pointi ... and I'IOt 01 J!'Mic rhot .. it" ind.".nd-
enlly. hch pointing i. in.-II McriON and photro-eledTioally by ........ 01 a ____ int.:. ""ieh ore ar-
ranged into a Color il ,", ... loNd into d.,._ie 1 ..... 1 JflDt .... Iori-"" 01 indi... iduol MQ4';_ "'l+Ii" a poinring { ... Iori .... to Ph. c.n-
ttQl 'h'uc.tv,. or to rheit hei!tht ..,in,in the fro_l a,. tnmtkJ...t i"fo pildl. di,JiOrou info of IVDe). and into fi orb,. .
Heidti.do. Po.m e pa r I i rio" o (wr d .. peinlum de Jea" DI.ooo,. y)
HeW:kied.: Po.me.por';';on 02
H.icki.& Po.m.-portirian OJ Z ('MIt 7 d. J., .. Agone .. )
Heicki.ck Po."' por';t io n J {tvr d .. peinrurft d. F. JoniCOf}
H.ichi.dt Po.me-porr il; a .. T (wr d.. peinf'Ul"es de Tapift )
OTHER AUDIO-YISUAl WOIlK USING ElECTRONIC SOUNO eOUIPMENf / .A.UTltES OEUVIlES
AUDIO -IIISUELLES EMPLOVANf UN APPAREILlAGE ELECrt04COUSflQUE
''''
Molino
CrOM l
01i ....10&
Tudo<
(e"fMrimenh ..,ith viwol r_eling to """"ie, I,..ri"" II)r Wi_nlc:naftlidl. FofOgtOfi. ul'ld
lCinemoPolooie. Stvrtgar,)
KUI i c {ki netic _icl. oudio-vitual d.vice ""im ""ic;ft IOYfId Cll:trrbinati_ a,. influenc.d by
kinetic p;ctvm ,
fl. etroni c Ilftogel. el.ctronie point;,. produc.d by _nt 01 of ... '-"iti.,.,
ilNfl" ..,in, !jlenetQJon ord mag.tic fiekk (Philip' EIK"';c:Q1 In:luttpi... .A.delaOd. )
Elee' r anic Art . ... I.vil ion modulot.d ...ith (olsa peri_nn.;tf! vOdeotope)
Vid.o r 1(8)
lighl Piece for Da ... id Tudor
C i rcu i try ("""n.: in provre .. )
"sa
,.sa
1961
1961 OU
1959-60
196.5?_
, ...
"60-
, .....
'965
"65
"67
, ...
c:o..-'teur
eo..,-.,
Tltred.I'OIIUVI'e
Tltl. of 1M W'CIfk
Poetry / Poesie (Poe)
'OEMS REALIZED WITH OWN EQUI'MENT/ POEMfS lEALISES SUI UN EQUI'fMENT '''IVE
All.,.
All..,
BlaIt.
....
.....
....
',au
....
."'"
.....
.....
Cu'_
Chopin H ...
P.tronio
Chopin H
Chopin H
Oiopin H
Chopin H
Chopin H
Chopin H
Chopin H
Chopin H
Cobbing
Duft'".
Oufr.".
Ovft.'M
Duffin . ..
Wolman

Fon"tr,,",
Gom!.r'.
NiikUf'li
Gomi.rl
Garnier I
Th. Switch Doctor
Oeco"'pOlltlo" of WIIII_. lurrough,
Concerto de Jonv l .r (ue:a..tlOftendINct)
Ebredo
Inatr"mentot l oll verbale (.5 ' 20", _'c:uti_endlrect)
L. JLF liD, crltyttMne
E.pace et O.,t.1 17,1962-6.)
l"dlca.1f I
rnd I co .If II publi' daN: " Livre "ectro-grapnlque d. John Fumi....,1 at H.n,i
Chopin'", W. H. Otopln, Parll,. 1966, Jl u ... loi,...)
l. corp n trail portl , ""'. dlcarch', ,qual.". (twJIINO
daN CU 30)
L. v.nt,. d. lartlnl
So I Air (ouui pour ball.t; t ..... pub Ii , do .... Cinqui-. SailOn I I, 1901 )
Vibr.,poc.
WorM
Cothor. 6, criryJt,_
Comrro.ant li r e Ghil
Cdryth".a
Cdr y .h"". d''''n Print.rro.PI
La Ir.b i , Golon,a de lenio",'" P.r.t
Pou, .n fi n i r o ... . c lorge1 et "Hi,toire d. l'E'.tnit.
(voir GUI,i studio priv'. 72 poema, dont 6 MIt dl,qu .. Adl. Mot, CU)
F!glor i S ... .,'9. (Bitd. in Sweden)
Spr.chaktionen 1962-64:
Spt.chok tlon No.1
5 pr.choktlon No . 2
Spr.choktion No . 3
Spr.choktio" No . 4
Spr.choktioll No . 5
T"olo',a
00 ..
00 ..
,.OS
19..
, ...
'95'
, ...
19..
, ....
, ...
, ...
, ...
"63
"63
"63
"63
, ...
, ....
, . .,
I."
1961
""
""
, ...
, ...
, ...
, ...
1959
""
, ...
1955-67
19641
, ...
"63
"63
""
, ...
, ...
'.OS
AHENOlaS 0_ ......
Ohc Tope
ou
ou
OU
ou
Mo,
ou
ou
Sil
511
Sil
Sil
511
511
G-n ... ,
Glomo
G,,1n
G, ....
G_.
Hldel
Gy"'n
Grtln
H.ichiedc
Hod.1I
HI/llunl
Niikun;
NI",,,,,,
NI/lcvnl
Nlrlcunl
Titre d. "O!eUw.
Tltl. oI .... -.odr.
MotJ vi......,.. 1965. Yc:anprf,:
HI.r
Slffl.
SonJe. 1962-64:
Sonle No.1
Ay,on, Hoil. to,,'.
Accll'ro, i oll l i "gvi.tlqlle
Al'lthropo'og'e
-.--Spo ,1.'
I',ef.oft.
lo,pb.,ry
SybW'oy 50lllld
It.ath
Collin, 011 l.ocrl .... Ag.n"
Co .... to Fr.e the Wo,d
(....,Ir .Ndlo pri ....., JI poM,ed;
1.0 Co, LGbrI. (1.lglcJue), ICA """<I1'in 1M (UK)
La con ... . ntion collectl ...:: 165 (UIC)
La Penetration. A,pprodt.. No. 1
',-
Po .... -partitlon B213 ov E_orci,,,,. -
en coHabotVtlon o ..... c Gianni lettlni et t'o..IJ Annar.ct G.tt. (1964)
03Z -Ci...,i--SaisonI6 (prNntCI tlon),17(2em.1IIOU-..men,)
,o.,. . .. portitlon D4P au Art Po.riqu Clnquii-MSailonl8 (notwt)
HI e, H2 Oil I. 4e",. Plan -OU2'2 (utftllih),OU2S
Po.",e-partltlon J PI'OlII. No.4 (lrosil )
Proph.ti .... Latt,I. (Belgique)
Gen. r ol loul,
510pkopp.l
Ent,onc.
Frogm.",
OnnG (AWoman)
Piece Ki
1Iec. Po
'Iec. 9
ODE 29:l
AnENOlas
0iIIiW aana.
Disc To,.
, ...
'965 511
""
511
1963 S1I
"63 511
"63 511
"63 511
""
5il
19.. 511
, ...
Sil
-19
19O5
1905
19.,
, ...
I'"
"62
1962
19641
,.OS
""
,.OS
'.OS
"63
"63
"63
1963
ou
ou
ou
ou
ou
OU
OU
N'o,
5...
I:
NoWlc
No'&
Nov6&c
Nov6&c
Wolmon
Wolman
Wolman
Wolmon
Wolman
Wolman
Wolman
Wolman
Wol_
Wolman
Wolman
Wolman
Wolman
TifT. d. I'oeuwe
titl. or the -'c
Oialollul
G'logl. !i\j Jolt jllu :r.abfjeli tadnlto (G:oJogl.cueo..-nt_
aVON "" nohw papa)
G",h Nocht
No konef .. enf ... rh {A 10 fin iI n'yopo.d.neig.: l ...."iONl
P,o,'ory noiieh Ii"otu (l.'espCICI del'll "i .. : l ...."lons)
P'o".rbio
Tell",g;.
C'e.t 10 fin ..
Improvi.allon ... (12'OO", .. /curion ."dlr.ct)
Improvilotionl
{I 1'00" )
L.o flone d", pirate - rM9aFN--''''"
L.'homm an. voi t 10 r.m", on. t"e ( 'CUlion ... direc:t)
Tu va 10 toir. to gue",l.
Un co lip pou r deu.
Un coup pour d.n
Viv. "Internotionole
2 tedel pour (film de Wolman):
I "'pro" i '0 Ii on, .. "w90Pneumet (6'30")
POEMS !tEAL.IIEO IN EL.ECTitONIC MUSIC STUOIOS/ POEMES REAliSES EN STUDIO
Akiyama
AkiyarnQ
lo:iln
Jodin
Iodin
Iodin
Kriw.t
Kriw
Kriw.,

lebl
Piece I
Po.", for TV
Torowar. no onno (In'l9filoned Woman)
M 10 pO., i ., oCcompGpe d. """iqtJ. concAte
Un Islont. con Flgur.
En optitrelor. ; ingo hundor i Ki no
S.mikolon; Seonc. 2
S.",i\colon; S.onc. "(2 _"IoN)
Antl-Etilde, du I., Moi
JAJA .. Harl ' 2
E I. clropo_lII. I. _ un poem. d'And'" o..lOma\lll. pour 6 ,..:citon ...... , 6
(j .....,., gen.) ., bond.
A I., :r.vulcow projekce "lIN pro ,ter-ofonnt :r.&:r.nom (Aber, T.t'lOl'l FfGn:r. Man)
Do..
Do..
" ..
" ..
'963
'9"
'963
'9"
'962
'9"
'9"
'9"
'9"
'9"
,9"
1961
'963
'9 ..
19S9
'963
,.,.
'963
'9bS
'9bS
'9bS
'900
,9>'
'9SO
19S1
1960
19S1
'9"
'962
'9"
'9bS
'9bS
'96>-66
'9'"
'963
'9bS
'9"
'9bS
'9"
APP'fNDICES
oJlqUe aanae
DIIC Tope
"'"

L.otv Totino
lotc Totino
lora Totino
lora Totino
Lota Toljrlo
MEV
Titn d. I'oeu",..
Tin. of 1h.'IffGIic
S. n. rvultavO Pf'Oift:!:e teJo.hJ pro ,,.reo#on,,,( :r.OZnon'I (Ein TlVUm, red YOn
Vlodimir LAbS)
Vod n f 1'110 I rr, :c.vuicow proje.c. ""N Pf'O 2 hlluy 0 ,",.o'onnr lGrnom (D.,
Wauermal .... Text YOn Hel""", H.i_nbOt,.l, fDr 2 SIi_" lind Tonband)
Fonel'fti 1
Fo,.,.,..1 2
Fon.",i ..
Foneml S
Fan.",i 6
Fone..,; 7
Lyndon JahnlOl'l (el.ch'onic ".,.iQft 01 poem by Oiarl)
Do..
Do..
'9"
'9..
'9"
'9"
'9"
'9"
'9"
'9"
'9"
'9 ..
19:61
1966?
--_ .. --;
AmNDIOS
Ohqu. BOnd. AU",,"
Oilc Tope Otft.rt
!"OEMS IEAlIIEO IN COll.AIO.ATlON WITH eOMPOSEItS/POEMB lEALISES EN eOUAIOIAllON AVEe DB
COMP'OSITEUIS
Cabbi"g
CcDbing
Cobbing
Cobbing
CClbblng
o...f,a,.
Gysin
J""'"
Jonmon II:
d. V,,"
d. Vu.
d. Vre.

d. v,..
d. V,..
d. V,
An Ale in SOUI'd (wi'" alc Rodiophonic Woriclhopi
Alo MOlulIIO Momilla (wi"" locil....aod)
(_r;ro.:au,. I'OCIO'IJI ...,ill," par Henry P do,. - Adh ........ cel pour Daphne- (bollel)
1964, -CoonJ:r.... ( filml 1900*)
'.rlAutol.d Po."", (with lac including:
I am tho t I 0/11
Poet, y of Er ... st Jondl , - l o ut ",,,d lui,. " (wir+o98CRodiooioon;c
Worl",hC9; 6 0f r+o. 13 poems publi,hed 'Nolt.r-V.dog. Olten_ Swinerland. 1966)
Ange l hod a lob., ( ...i", Earl. 8'0..,, )
E4In .00. 0 rOl. (fon.tilcr..b._rlting...an8Nyndoncb )
EII.nt i.el (fil'" wt poem. d. Paul d. Vr en phnie\j" IC"9'eI; '_tildl.
bewertcin;...on Irvyf'dorodo:.. )
M i i n E VO"OOlt. t film wr poimel d. Poul d. Vre.; Fonelilth. be_rking...an
Brvyndonch)
Or go non (rOM-lildl. b ...... rlting von de Mn1.ter)
Ri v i .ra (fon.tilch. bew.rking yon Goelhall )
V. r till 0 91 i (fonetisch. bew.rkitw;l !;In 8/'\1yndoncX. )
v. ron i ko (tn,. p...bli' dons Cif'q\lilme Soitqn 17, 1962-63)
l," vr o u_
Appou;onolO
MO!jJdol.no
Mi in E"o"oo".
19..
'9"
'9"
'9"
'966-67
1962
'960
'9'"
'9"
'9"
'9"
'9 ..
'9..
'9"
' 963
,9.,
'9"
'9"
'962
'962
'963
'963
'963
'9.,
'9.,
au
ou
ou
....
Ou
....
au
ou
au
TIIN de '"owwe
Tltl. tJf the wortc
00 ..
00 ..
PROSE WOIKS SIMILARLY TREATED { not indicot.d in ",oin port of the cot%g) / OEUVReS EN PIOSE
Iu ........
Iu ........
other poeh;
DiarYI Ho_ to I ... pro .... the World (You Will Onl), Make Motte,.
Wane), II.... electronic _Ian( .. to 1M publl .... I" -A Y.a, m:.. Mondoy,
W"'.,..,. Uni-...nity PNtt, MkIdI.town, Conn., USA, 1967)
Oas gro ... Eb.,.bi/ct (radlo.-y)
Sehall.pi.llhtdl. /I
1964-65
1945
19..
(1945)
1962
1943
1965?
Fa ; M' Ahn i ,wow, StNktvr I, 1 (IfIQntDge at Studio fOr ElekfronhcM Mut.1". woe Katn) 1959
(1951-59)
Lau,gedlcht. (ownequiplMftt, frar*furt) 19631
Al'PfNOIX

Ok.
e ..
plUlie,,1'I fwd. MUM. IIGr AI".,.", (lttNt del (,tudlo Ofiw. aRT, Mai,OII ct.. I.e'","), y 00ft'Ipri, trot, ....... d'AI".,.ro {Androgyne
Adol cent, Epn:w,. EphI"""" l.G chol'llQl'l du IHtQf\
Iu ........ O.ca ... po.ltlorl of Willia", lu"o",h. (lkiKe)
19"
H.I,.. Hyp.tlon (09"'11 by ModM'lO) 19..
Hel,.. 'n .... ntioni ." 1.11'10 "oc. (Mod.mo) 19..,
Kd..... t Potition (Ioehmer) 1961-62
Man A Ie (Aber, by L"O
'9"
Popular Music / Musique de Varietes (Pop)
Ti .... de l"oeo.IW1'e
Titl.oI th. worit
TAPE ALONE (original compo,itionl, arrang.,...nts)/ IANDE SEUlE
..... "
...... J
.......
CorlOi
____ ------ OhM..... t
Go.do
.......... M
""'-glonl


Roaijmake.,
RCKlijmake'"
Electra-.law
E I.et,a-.ulp.",e
I.et,a-twh,
Spac.boy (lode)
Tend.,ly (Ol"l"'OngelMnt)
Che r i.h (onvnve-')
Who, ' l New, I'"uyeo,? (omMgllment)
Drifting
Vl broJioft
Whirling
, 0" tat tI c:a (ll' reCOld)
Ooctor Who (TV liratuN fU"., tape ,..Ib.:l by sac Itodlgphonic Woriahop)
The In So"nd 1r01ll Way O"tl (LlNCIWd)
aic),cl. Built for T_o (Dohy I.",
Happy Itrthdo y
Coiro T_ltt
Hell llde
lalla I, V'y." II, Jjrk I, Jlr" /I
L 'otcool t"e
Mec ' o,t (TV)
longo' (bollet)
Afr" I
5 0"9 of ,h. Sec"nd Moon
TAPE WITH VOICES AND INSTltUMENTS/IANDE AVEC V01X Ef INSTRUMENTS
.,....
Suire Numlur Five - Voriotlon, on My Old K.nh.,eky HOllie,
'- jon IiJf'O'IP (trio). pton .. t, toO: 1f'OUP........ OOfdenond corductol'l
D.fe" of the AIRericon Con,lne,,' A,ainlt U,. In",ulon of
tlu VTe, Coni (Antl-......... lon MIIllc """"'** 1), fot dtowOer ..... ,.,
;au: trio .. two to batds .. piano .. organ, tingen, acton ond lope reCOfd.n
MII, l c for Jot.ph 'y,d, forvoriousrodr;..-d,oIlbondsorwdeleChunic
madm",
Venll' An 2000 (wia.t bonde mognItJquc TV)
00 ..
Oole
'945
1945
1967
1945
1967
'967
I'"
1951
19"
1951
19511
I.OJ
19..
'967
'962
1945
1962
1962
'9"
1945
1962
19..
'9"
'945
'9sa
1957
'9>4-
19..
1945
'9"
'9"
'943
MIlENOIOS
61..... hrde AUt;;;
Oke lope 0 ......
SLJ
SLJ
SLJ
SLJ
""
""
",I
""
La.
0..
Von
Von
ITL,.
0..
""
Phi
""
S,n
S'"
J ..
J.z
298 POP
TilT. d. l'oeuVAI
Title 01 the .. ode
TAPES WITH SINGERS AND POP GROUPS/ SANDE AVEC CHANTEURS
AI let!
Almuro
AI"""ro
SIC Rc.:ll0pft0nic
Wo.tnhop
sac RodlophQnic
Woriahap
&.otfes +
MortinG.
1.,1 . ...
Martin G.
&.orl. +
Morrin G.
Sheff
Velvet
V.I",., Underground
So't Moen;.,. II",. boddng frOck No.1
Soft Modli .... inITcd",c;1ory tope No.1
Soft Moeni.,. ;ntrod1.lctory lape No.2
L., Vi II., (pc:R.tr 10 doo_ eM J.n VOice)
Op'ration Q ci.1 ou",.rt (poIoIrlochonsond.JeonVotco)
Tifft. S.o, (wi", Ray Cathod ... " George Mor'ln)
Waltz. in Orbit ( with Roy Corhcde, "' GeOf'g4tMarrin)
Strowb.rry FI.ld, For.",er
Sgt. ".pper't lonely Hearts Club lIo ... d (LP ,..CQtd i n preporoflon)
50 II ad e d", COlm ana u te (poIoIr 10 chon.on de Morcel AItIont'
Thank Yo"" Mr. Comp",ter Man {rockardroHwocol.orwlJllmor.lt ...
singe,., wi"" optional accotnpOniment)
The 00 v., o"d 'he Hawlti ( .. cordv.,.,ion), flJllpopbond(TheApoufes)
.nd ....
E",rop.o ... SO" to Delmore Schwortl. (Ii .... Iectronic)
Heroi" (Ii- elech'onic)
Run, R",n, Run (II",. electronic)
00 ..
00 ..
1967
1967
1967


1961
1961
1966
1966
1966
1967
1964
1966-67
1967
19671
19661
19671
APPENDICES
Oi.. Au""
OJ..- Ort,en
'01
,.1
"I
'"
'"
'"
',I
"I
Pol
Syn
V"
V
V.,
WORKS BASED ON POPULAR MUSIC RECORDINGS OEUVRES 8ASEES SUR OES ENREGISTREMENTS OE VARIETES
Allen
Com.r
Comer
Echort.
Echor'e
Fairlie
JcIlnwn It
RiI.y
SOn Yon Po"
f.nney
Po cho "go 0 c C01 i on, flJll IOoe .. ith impro",ising iTIIJlicions, ,inging ord dancing
(Latin done. """,ic)
5 i g r r a II'Ibon., 'Ot' bon trotreon. and ?aIM (l'Qdc ord roll )
Ro), Conniff en Vi,t No""
Twilt" gritOl: 101 lI,oflu ("rwistandSMu''' )
Where Have All the Flowu, Gon.? (boll. I)
Angel hod Q Soby (EI",i, 1t,...1 .,: "Ang.I", wi", I.p::uot ...... ic b" Earl.
I can't I Iop
Rolling Stan., Collage
Collage No. I (Blue $.Jede, '" Elvis "Slu. Sued. Shoe," )
Of th. abo",. c.on'IpCe", following lpecial iu in pop.Ilar .,."ic:
LIGHT MUSIC - Diue",.h, Garcia, Gooin.r, Kingsl.y, It..-ny. Scott
POP MUSIC - Mocki.,.. Bea,let. Morlin ee, Vel..,., VndergrOl,lnd
1964

1966
1967
19So1
1966?
1966
1961
Scot .. (voice ond piano) pop 'ongl on ditct are ge"el'llll., {oliionga by LItfVK)t1 and McCartney of 1M Seotles publilh.! b., Nor",em Sengi,
"""'onl I . co 1966;n _ ... ;, .... ', ....... ""."'n, "'. ',,:'n, ,,,-
fopel orw:l el.ctf'Qn;c effec'" have beCOlfte )' c:.om
ho
":' ::rure-d lope and .fleCR pl'O'ftinenll.,:/o.pui, 1966, I'emploi
Soft Mochirw, the V.lve' (olleody 11Ir.dI, .!he fo4,lowl,"8 ,"",Ii u. de 'o'Oritir.s. NOUI d'i
a
cite Th. Apcntles, Th. !\ea,I .. , Th.
d'.Ff.h .1.ctToocouttiquel (r.,nlectton, tTt1"'ecr ' t f 0)'0"' beoucoup employ. ces eHets:
Soft Mochirw, Th. Vel",et Urdef9tOl,lrd, O\,IJCquel, tl ...... t qu. qlJe, ou,., 0
The Cyrltle (USA: recOfded b" Colun,io (i n UK on C5S ); including 00 singl. "We hod a good t+ting going-)
Th. EI.ctric Prunes (USA: rea)rded by Repri,.; including a ""'ill. " I hod too much to dream lot' nigil''' )
The Gra,.fvl Deod (San francisco, USA: Ie corded by W_r lrothe,.)
L.ightSOIoInd Dimension (Son Fro"cisco, USA: not "et r.a:wded; milted media group)
Mob., Grape (Son Francisco, USA: reCQfded by CoI",,,eOo (in UK on CBS) )
Pink FIO)'d (LondOl'l, Eng5and: ... by CoJ",lftbia (UK); il'ldudlng a single .. Elllil)'
Ilocn.,, Child,.... (Son AntQ'lio, TexCII, USA: not y.t reootd.!i Ie. loInd.r Philip KNfMI private sf\ldio)
Velvet UncI-vravnd (Me urd.r N..... Yorir.; PftJbobly 01$0 Ii_ electronic: "",mbel'1 Oft 1.1' reCl)fd MTh. V.lvet Underground-, iaved by Mera.try. incJudl,.
-PlycMdelic Vitllen-, "".,enedeUc:
o,h.r application, in pop mUIIc::
Jape effecl'l f opening and end o( a pi.c., sil'lt:e 19661-tc. f"*,,,. n,l y tupened.! th. fode-ololt; one 01 the eorliest occur.nces of this was in -rel.lor. by
tt.. Tomodas (UK, 1962. ,..corded by Decca, london)
"The.,',.. C-il'lg to Tait. Me Awoy, Ha Hooa" (Nopolean XIV, 1966) US" tope s.pe.! c:hang.. with spoken VIOice, wi", pet'cuuion bcdtgrourd (flip side
01 ,.,.. reo::wd ;1 tM whole pi.c. played bcdr.'t/lIQtdt)
pop songI CCImpCIMd by COIIIpUter (iolitho ... KI.in M): se. "S)'I't",--'!aIad_. Callr., USA)
in ..... ' in .I.c,"",ie music hoi led to ph.:.. dllJiOrtion 01 voices (Ieoties, .tc.) and mulH-c:foIOnnel recording and II'Ijlti"'il (8 and ewn 12 hadls 0,.110 10l'I0<< UI"MUOI)
Lith,. ,"ull" Ity'e:
IIC Ilodrop-,ie Woricthop (ocC01 lonal worfa, '.e under It..dlo liII,)
EIe6t:tron .. Mut:ic' (leo"."
lI:undfvnlr.- und ... chni,ck. Z .... ,rotom, (Klbieult. 1(",,.,.., etc.)
Moje_Iti, Sondloll, Sc.hultu)
llruce Clcut.:. (Ji"", l. WorIul\opl
Frank Harri. Prod",cliQnl
GO"_n (Audiogtopni<; Am)
1I:;'9le)'. ".,.,.y (CorroW, Musical StudiOl)
Po....
Scott (Ro)'iftClr'td Scott Enterprnes)
Stday
I
.1
I
r '
\'
>
300
Precursors / Pnkurseurs (Pre)
MUSIC USING DISC ItECOROINGS / MANI'UlATIONS AU TOUINEOlsaUE
IUENOS AIRES Ion.. f'e9i5"". IOnOfGI
.... 1 8 fttudlOl
IRUXElLES IMtitut No,IOtIOI eM Rodlodlffution (I"")
-
"""
...... 53
monipulotlON tI.C;tfooCOUl'iquft ... ,. MI.'tll.ir dY """ ... ,..... pow' t... .. .s .. ... (o..weuill.; 1951 .. JOI,
partition chez C.a.o.M)
D'u" Olobl. d. 1,1q".t ..
0 .... '5 "'NI1.,. de COIfIpOtitlon """ieal.
troyoiI sur dl..,.. d. 1948 a 1950
10iSHI., Sy""phon ' e rouge (S)IIIIPhonie r-.&o.l; y "'OM:illo,..".-,:

1944-49 SFP
01'11;1'101. 1947 ai' dl..,. Sf')
loi1lel., ,. Chol'lt d .. Ho",,,,, , 1941-50
otcillo""'n)
aoi,.. I.t L C)Dot. ball.,-,-"toMI_ b .t 0ICi1'--'t) 19-4754 SFP
loilHI., Sy"'phonie io","_ No.2; y comprb oteillot.un) ......... S ..
loi ... I., Symphonie noire en CGYrs) ......
10i_l.t Mu.ique fonc,lo"".II. (24 en ooun) 1941-
PARIS Club d'Eaai, RTf (Groupe de hc:herchn Ml,raic:ol... )
C-
SFP
C-
depJi. 194 jutqu'." ov,il 19.51 I'owvr "rin d. Pi..,.. Henry ... !'ten-. Schuffe, (u ... d'_ ....... ) .. ploiN _cl",iv_t t. t'ec;hni"" ., tillon
ferrM dedi
UNITED KINGDOM
LONDON (T,i,traM Cory)
eo..,
Co.., Th. Jopo.,.,. Fi,h.,,,,o" (_ioploy)
o ,h., IIUI of dllc ,.cording., olcillo,O", .tc. (!,.fo,. 19-48) ;
DEUTSCHLAND
IULIN R,unclful'llc.... ,."d. .. U Stoattlc:he KochIiCN'. fir M...ilt
"0 19'28-30

19>5
1m'
I
Plf lOl
H"-'-I,,",
r ....
o<SSAU .......
Fu,. OUt de' G.ogr.,hl. Sdwll,*,l1WI-
_Ion
_ olIO Uftdet. filM experf-.,,, {....,.... FT.dll,..,. Mohofy-Novy. TlGUtweln,
PMIS
.MlIhaud vit ... ..arl" do,. _oeu_ ..... c
.. "
UNITED STATtS Of A.Yl.IICA

CHICAGO s.choIM 01 DMi.,.
NEW YOlK
Vom.
M.rch (I"'.tll'lo,y Landscap. No . 2).
coli of _I,.. (I,...,... in'" 0 cortrWp)
IlIIIog'na,y Lo"dJcop. No.3, forpercual_ ... Nt-: tl",CON, ,.., .... 10"1.
_10 -.0, ... 1 .,...., """tabl .. lor rhe 0' ,._
eotdll"lfl on:t ptWftIfDt wfti...... b..taur, ClfllPlln_ coli of ....1,.. and mariltDuloo OMplified
by IMON 01 a CMIoct_crophone
'",ollina,y Londscop. No.1 , f0f'2_iabl.-speedpihono-",,,,,taW .. , ConllQnt
and ... riGl. f,..,.M.Y ,..cordl ... , ""'. p'-o ond ( to bot ptl'i""'" III a ,.._
cotd1no or on,.cord tM On' plo,.., IIIet vtctof !l:ecord 84.522 I
ord Vic,." CG..tol'll No .. a.cord No . 2", .. CQnd play., "'" VictQr IteCOfd
"'22 A)
....
...
1m.
'930'
" ..
c . l9'36
1939
]'
3'
6'
KJUnd .ffe,,,, and 0,,",., _ni"",latl_ 01... ., UMd fat rodio ploys "nee ot'OU'" 1940 U.. d'E_i, ItTF Pari,; SIC Lore..,; .rc.), /?IOo.,l)' with,..cords
ployM at YOriGle otld in ,.. ....". (the trumtobl. ;. fi._ 1'0 r.YOI .... c:ounter-clodt_iM, and .... ditCi _ played fr'Olft IN! i,..;d. out).
MUSIC OI.AWN DIIECTLY ON FilM (Oro_n SOl,lnd) / MUSIQUE O(SSINEE SUI 'ELLICULE
, ..
'"
,.r ...."c:es i., the moin port of tt.. oatalOi 0,.. 1'0 the -on: 01 eo ...... + Gwrd (Paris), C (Man"",), Ja,..., .. JoI'In Whlmey and Oorreg (Hollywood)
OTTAWA Notional FII... Ioard of Canada (NFIC)
McLaren
lladdNm
Now I. ,h. TI,.,.. (MeL.orel'l film)
Two 10go,.II (Mclare",OIIft: _lyNo. l ... drawn ..... ,..,)
A 'hon,olY (McLat.n nllII'e -.ophonet and dIG"," wwnd)
19.51 3'20"
19.52 1'10-
I'"
3'Oj-
3GZ PIE

McLo ... n
Mcl.or.n
N.Ighboun (MclA...., "1m)
81inldty Blonk (Mc:L_ film)
(McLor.n fII",)
MONTltEAL "C.C," (Cioni Carpi)
Carpi C
Spall (Toches; fl lMd. Carpi C)
MONmEAL Notlonol Film Soard of Cot'lllda (NFIC)
1I.0mbvm
Conan (Mcl.o,.., film: i"ItN_" cx,d drawn sound)
McLaren Mosaic (McLo... n film)
a pus 3 (mill dlHIMrt)
MONTREAL SI'UdIOi Morh
Corpi C
Carpi C
Point and Count.rpoint (lftoIIiqu. t\Oftd .. i",: C)
L' 0 i au Ma yo (II'IUttque concr .... t \On d .. I"" filM d. Carpi C)
Spac. Oonc. (nt m)
PARIS Soc:i'" Induttrl.lI. d. Sonoritotion (SIS)
Co"oi.r
Co"oi
CQ"oi .. ..
Girard
PARIS Studla MtI, ignon
Ca".o,.,
D.,,,i., I. ", d'artific. (fi lm)
Noctu.n. Pa.'y (fil m)
U,.. "''''011' d. (fil m)
Fo .. to;,;. lU' " co.d., (r,lm)
UNITED STATES OF AMERICA
HOLLyWOOD
( 1940)
, aho .I.<:h'oni<: l'IMic CQm9OIitlonf
Whitney Ex.,ei,. No . 1 (Whitney film)
Whitney
Ex.,dn No 2 (Whitney mm)
Whitney ex cil. No.3 (WhUneyfllm)
Whim.y
ex.rein No . 4 (Whitney film)
E reiu No.5 (Whl tn.y fi lm)
Oorreg ( ... pe, imenral ltudles on film soundl'radc )
Whitney I n (about 20 ,tudi., on film
_a
-
""' .. "- ......
Date
""""'""
""'
T_
19'"
3'28-
1955 0'00"
'956 9'00"
'960
"
'9" '0'
'965 S'3O"
,-
'967 7'
'960 S'
1961 3'
'966 S'
'959 S'
'960 S'
'962 S'
1957
'943 S'
'944 3'
' 944 l'
,944 l'
'944 S'
19.... -45 1'30'"
1947-48 0'10"-
"00"
(10')
SAN FRANCISCO
Allure, (a.ltonfilm)
NEWYOtIIC
"'I. Way to 5hodo .. Gord.n (81G1thop flllI'I)
NEW YClRIC
(fillN awil_l. from NFIC, Canada)
Sch.rzo (Mc:Lor.nfll",)
Ooh (Mcla,.... mm)
p.ri .... ,,', with dra .. n ,o\lnd:
-
Date
19641
1965?
,."
,."
1939
'939
'9<0
'9<0
'9<0
PI! 31D
0'
'0'
12'
2'1.5
211.5"
2'1.5"
2"S"
Fl.chirog.- FriOld,ich Trourwein (Iouhaut, 0 ..... : oround 19'31), for nlfIII by FiteM,., (who Qho peri_t>ed witt-. d_ e-o-h'icol Nt
.. ,Ii ..l
V"; nov (USSR)
!hoe films by Jardon aehon (_ 01\0 1oIfIde. ,t\ldio. Son FIGncilco, rOf' VOltrE)() ond Ston 8IGicnoge lit'" abo... are d.c:ribed 011 "_iDloOIot>ed
one! ".xpt!,i_tal iOUrd" ,...,.,cl'".ly, God rnoy !"lOt helve be.n drawn by hand
1M """"" of John ard Jame\ Whirn.y i, not hand d.o ..... , bvt""," 0 'peciQlly designed i ..fnaoroj<: i .. m._nt corei,t;ng of GlciUoting per1duIUIM ..... ie:h
porte,.. on an opliCilI \OUndttaa:: tine. 1965 WIOgIWlic !'Ope ho. been UMd {_ IlveHo in Hollywood'
other cwJicotions 01 dIU." sourd or. lIi.... 1'I il'l the '.ction EI.crric Musicol (Varlopll_). in 1+1. appel"dix (Cotnpo..trtTon, ANS,
Growl'l Sound, and 01 eTL), and Fritch', _1+IocI of d!'awiAII 'CIUnd IIIOgneticolly directly onto tope ( ... pt' ...at. ,rudio, NYC)
orher U'I,. of rwcorded 'IOUnd on film rhot anticipate .1.c!Tonic _ie: tec:hniqu,n il'lc:1vdr. "Wochotnend." (Walther II",,"-'tft, 1928, IOUndttacir.
.. it+. "'CI v;wg l, ), 110_' ploybGck Ipetoekl"YYft &aud,l.,) om ploybGcIr. in ... ( Hon.gger; the ;nltnlmen!'OIICOte wri"_.,.", in ... vene, 10 mat th.llrw:lll
_ie. i, ploye<! i .. rit. nonnal dir.ction ... ith ul'IJwol ti..c,r ech): ""91., of wch tecf.oniq..., occur ift films lik. "Zero de conduit." (Jla.lb.rt, 19'33),
(H"' r " Honegge', 1934', " U.. cornet d. hoi" {Joub.rt, 19'J71.
ElECTRIC MUSICAL INSTRUMENTS / INSnUMENTS ELECnONIQUES
o .. lee'*' Ii,t 04 the _t pnwninent pt!riQrlftlOne. iretrumenh (no COMpOIiHol'II ror tMm Ote Ij.ted. ,1ftC ,*,-y a,.. too ru __ and in-el __ ", to tM ...... op-
....." of .I.ctronic: ...... ic)
1900 ( rellharmoniu", ): n.mdd.u, eMili, Woshington O.C. (ptece<!ed tl\e i"'...... 'ion 01 I'M loo.Idspeolt.r by twenty y-., and lINd
I i .... )
1924 J&tv Mogel, hrlin (2 mod.It, 0,..1 ... " Po,til\trapfton" , Ool"l'MlocH, 1935)
1928 0...,.... Mortenol! Maurice Martwnot, Pork
II
1928
'928
OynaphoM: Rw lemond, Pori,
0010
0010
TrautOtl"-:: Fri.rlch T .... .. ,11" (lurdf\lnlc.......,_fWlI SfaCltllche Hodwchule fOr Musik) (M.....al flllCldel., inch.dlng -Elektronisc:h.
MonochMd" at StudIo Hlr Musilc. woa !Cain_ during the .any yean of "'- ,,,,,,IOf ,.. 0110 -Mlxtvrtroutroniu",-, 1949)
1934 Croix Nlcol_ Oboukhov, Paris
"4' .. : G..,... Jenny, Por"
"4 Electronic Sadr.l:lut: l. CaiMl, Ot.-- (Notional ReMarch Council)
1949 M.loc:t-dt HafIDkllod., [)Queldorf (?) (crt Studio,. Elekttonisdl. ""'-ile, WOIIC8In. during the lIOfiy 1*1'" of the studIo)
194' Mi:.furtroutoniulI'I: Dllcar Salo, h,Un (baled on the TfOUtonium; originally wed QI 0 perfOfWlCll"," inltrvw.nt, 10", _ the c;efttral pott of Salo', .Iee
I'fonic .... ie. JlUdlo; '"' appendix "5),"")
19.50 Finno Hohne" froul...-n (-.oricus mod.I.)
'935
'944
ygeny Sholpo, len;ng_ {4 mod.ll; \1M of graphic coding, 1,iNlII., wilt. nlfIII. In the nnol tope: ao-
pn:duced WOI Vult",." (fUM """ie), CoOfIIIPOMd by Sholpo in 19<$1}; foftrunnet' of ANS... .,.tdTx 5)'"
C"Cn.I-Gral,.,- nperi_nlal i,.",,,ne","}: PefCY GfQlng (ouk ... by lumett Crcu). New vortc ("Konoaroo-POIoIch" _tfIod of I)'ndaronlz.ing
and playing 8 o.clliaton. for ployi,. "F,... ".lfc:". with ,Udlng in,.-I. OM my"""": lftCIdel I,.. 1952, ... ht 1955 ..
,tudl .. !rIII hanc:rlptION)
during the 19.&0'. Conlon Nonool'f'Ow, Me.ieo City. COMpCMd 0 .r'" of -Rhythm Studt .. " punched directly on p4oyer-piol'1O roll.
USE OF MECHANICAL ANO NON-MUSICAL INSTRUMENTS (I'nc. 19.U)/ INSTRUMENTS NON-MUSICAUX
Goldstel,..
Liebermann
Livetl
NiluQrlI
See You Can Soy' Oh, o patriotic COfIfOta(concrl_rw) fotl........-, 3
altai, l rG:Ilo.. YClcuum clM ...... (with hoM e)ll;teMion), tJmplifl" _Pra.-, 010""
clock type only), .I.ctric: .ha ....,. toy 9'01", Q'" bird call
Im08inQry LondlctJp. No.4 ( March No.2) , fatl2rG:1io., 24ploye", ond
....... c ...
RadIo MUlic, fori ro8 perfonN". eGchQ'o,.patoteradlo
Sp.ech, for 5 radio. with"""""'er
-S it. ns f or Ed go rd Vo r e (a rnetnOl'ia/). fOf pkano. orton, and .1.c:"""lc ClUto-
mobile honw
S y mph on i e "Lei Echo ni.'" , fer 154110,.".....c;hinen (Compu'errealizotion YOn
Or . von 1lca111ftOOI. Zltrich)
Poeme Symphoniqu., fOr lOOMetrCIIMfM
Szen. III, fO, (we,." mtt.glich weh,..nd d.r lenten 2' toll.., v..,-
,chi".", Schollplotterooufnan..n - mind.. tent 10 /,Ib.rei".,nder ",nd m6glidw, ICM.I'-
hinz.ugefGg' werden)
Noture Morte, fOf' irwtN"",ntal e"'''le (inch.di"8 2 hO ... ittor todlOl,
3 records, Qnd Io'Oc:\I\Im cleaner)
'9,.
19S1
"
,.,
'9,.
.'
'01
'2' '01
'9., '2'
1964 3' "hi
1962 tnd Fl.
(10')
1941 6' u.
limllar \llag.1 b.for. 1948:
1913-30
'9'27
FufU,;sti (Futurists) in Milon. " intonalV1llOf"i": "..chonical i",tNlMn'" (tome otM .... .le<:h'iOCllly) by Luigi RunoIo, in 6 ",,,,,II ..
(by 1916, 21 in'onarumari t'IOd b .. n "rvmorannonioM (rVllololano), built in 1924, __ 0 lceyOoard ven.att. Worb LulglluslOlo for.
_mbl. of intonGNmori; wor\l. for intonoTVlrlOfI and conwntlonal i ... by Motc:ella Fiotdo, 1011110 Pratello, AntonIO
.... 01.
IfOliQrl iden,lfiOCltion .ignal of RocHo Iudopest _ ".Iectronic", produced by a .peeial device (- mit PNchotiltch \lelr-rf'e .Schwingtolrogslc,...... )
in 19'14 by Dr. End... Mogyori; Q"cord mod.1 conItnlCted in 19H I, stili in"" poIMtIion of ,*,e POII.YI.IMum In euda,..,
-Soll.t ,,",caniqu.M by ""theil, includ ... eor hatnI, airplone prcpellon, .... aNi anvil. wi'*' 8 pianol and b.ells (,.CIOfded by Colu..elo
(USA) and Uranio)
..
Sculpture (Scu)
APPENOlaS
TItM d. 1'(IeU"'.
Titl. of the woric
o.te
o.te
DhqUe lONfe
DOc Tope
COM"OSITIONS USING SOUND MATERIAL PROOUCED FROM SCULPTURES/OEUVItES DONT LA SOURCE EST UNE
SCULPTURE
li"ed in 'he ",ain part of the catalog:
Sculptur. I (,CUlptunlS ofblQll rods by John YCIUtIgIIIOn)
Sculptur. ll-V (In Cltf MSc:ulpture' )
Mixture (Tinuue'YIOollptures: alto for fiI", "Tl".,.ly In Toj,cyo)
Mu.1 <: fl)r T I ng:u el y (Tinguely lculptur.: for TI,.,.ly .. hibitlan)
'9",
'9'"
19", MiG
'9"
COMPOSITIONS ACCOMPANYING INDIVIDUAL PIECES OF SCULPTURE / OEUVRES ACCOMP'AGNANT DES
SCULPTURes PARTICULlEltES
list.d in the main port of ,h. catalog
,t,ki)lOftlCl Ikoi no tame no on"ok", (M..ic for biting; for the ""ing prd.,. for theo",le" '9"
i" the Tokyo Ol)""llpic Go-), with lC:ulptu.. .. in ItwM .culpture)
Mlaic lot the .how of the NilMl TheotN, with tOollplUN ,.'"
...... ..... pauf '"leur IfIIGtio-dyno",. 1OftQf'.", leur c)4Mm'tique de Nicol. ScMffer '9S>

..... '
Spotlodynoftl ilme
,
e' II (hoM Mlr to I'I'IUItque pGIIr Tour
,.'" G"
tanare, pauf un dhqye occompognon. ",,,II,,.... Mlr Nlco'" Sch3tT.,.)
Ichi)"O"Oii Fllno!';oku,hi (lcudspeaIc_ in,r-.Q.llp""'" by Mltsuald Ta_o) 19..
-... '
MUlieo poro I. to". (Iteel taw., by CHar JOrMllo, 40 1M"'" kigh. witt. 14 19S3-$4
loudapeak_, ond by CompGler for 10 large tenohedro mounr.d an !+Ie
-)
Ma ..... Ouodreny PUio p.r a ,.rra meconico (lculptur.deMaiMSViIl.IMi) '9"
0- Epilode M. to III c (far mobil culp",re by Andrew IabtO'W1icl) '9.,
-.
Troil Vi,og.1 d. Li_ge (utl li_' da'nli. IpOIcNide -F_ e' Lumie,.." avec: 1961 MEN
"Tour Cybe",,'tiqu." d. Nicolas Sd.&fr." S2 fI'Ii"... )
S 2f "
""ienfazione \OIftQIa pet' MSlgrI-G.. talt No.16 dl Pluo '9.,
U(
SOUNO SCUlPTUIES "UFOIMEO WITH ELECTtONIC MUSIC/ SCULPTUlES SONORES JOUEES AVEC OE LA MUSIOUE
HECTilOACOUSTlQUE
Niluon L
""",
ond Im",ovila'ion, forlOJlpture. percuniQrl, and IQpe (percuuion
soIo;'t on w.lded ,teel ,culpture by JaW)f'l Seley)
fat eft ... (for Talcamahu City), for OIdliaton control,,, by
phofoc:ell. (witf1loudspeak.n in ltone sQ,llpturei by Mitwolci Tonctka)
fOf environmental .ituation ( For Malsuyo o.portrMnt Stor.), fOf Qlu;illotan con-
trolled by me.... men" of PM IpOIctaton (witf1 kinetic lcul"",re d.igroed by Icni,.onogi
ord QIc")'CIrna)
S'ru ctut.s m' to II iqu .. No.2, poIr .culpfU,. rMtolliquft (d'Armond
Vaillancourt) et bande tnOgMtique (probabl.ment ousti d_ "StNctur .. miilOlI...
No.1 .t 3")
Skulpturmu,ilc (skulpNralt ;",trumen'o ... 011. Adrin)
E I. ctrocu Ii., musical tneotre, inch.ding speeiol $(:I,I!ptutol ;",tN",.nt "ArtcII.Idofoon"
wilt! 40 conlOC' micropt.on..
"63
19..
'9"
1961
'9"
1966?
SOUND SCULPTURES PROOUCING SEl,F-PLAYED ELECnONIC MUSIC/ SCULPTURES SONORES JOUANT DE LA
MUSIQUE ELECnOACOUSTlQUE
th .. e are not lilt.d in tne cotolog
Cleno_nee IculpNrel, induding: 1961-
Tableau Toc,il. Sonore. oudio-... i",.'.t i,.trvmenlQl ('IIIIOOd, iron, It .. I, 1963
Dollegret
("""''''-')
DeMario
(NewVGI'4l)
"""nd element, amplifier box. leai.. ,-Wilhelm-MIANtft, ler.feld)
(titl'tl sOJlptur .., aluminium, I SO cellul .. photollectriqu.t, bruits
ent'egi"r IV' bande chongft par I., mou....rnents d ..
InlHum.nt fot La Mon'. Young (196S;0IuminumboIlClndl'rough),SCIUP'd
.culp"'re for perfomonc., wilft omplifieotion Clnd aCOUl,ical d.ign by LA Man,. YClUng
(fi"' of ptaj.cted Idltion of 9; COfdie, & Ekstrom GClII.ry, N.w Yor/.:)
1966?
'9"
!
I
I II
,I:


306 SCU
FahlltT&rl ...
S ............
WI.. n
(Srockholm)
Seawright
(N.wYOf'Ic)
Talcl.
(Potid
YOn Thien.n M
(Me,.U en France)
Tinguely
(Poris )
Vardan.ga
(Pari.)
Titre de I'oeuvre
Titi. of .... woric
MUli Icll'la,k in I. scund (wi"g haMi.ton and ptJrtNd drcuift) .. th ...... , ... tWH... i.. ' ...
afd athM sound sourc_. ftI ... " arod 20 loudspeaken. and (for r.GION) ma.....,1 oanfT'ol 01 pulse
generation, CUllplitude and dittribution of .oundI 0"" the 20 chonnel. (th .. _enine for ..... production aI
lOfdomized """ical,tNctu, .. "ofIIOI a INdy for ..... conuNc,lon 01 .. Mulik .... ln 11-. the Elelctronmulilc-
"",cHon at S ... ,igea RocHa Stodcholm, '"' appendix -Syn")
mec:hanlc:al t,.tMnenl'l ( .. i,.hulMnb, and lculplUfol l,.fNMMll ... ,. by .... 01
obi.cft), SOfM ralno .1.etl'le (photoc.lla). .""Itenine devica. _I,. devlca .. .......
'Ike devlc.: ___ produced wi ..... dnnN, and alh specloll"'-ilt i""""*'''i !'Kent woric
inck.lck.:
Ja&& S.t
For Fa tl
Ora_cd., _ ..i_mol .., .......... ai-oS "._._dot 01 .......Ich-oontai,.-o-.odla. and miJtinv-d..a-
(lilly KIOwr)
-W a tc h.r. li:lnetic lculpture fRO_r cyd ... 4 tGWtooth CIIellloton
wlrh ""'P11fl., ond IwdIpeok.r, Individual pitdt ond wokIme control ond rr..... oantroI b,
photCMIl.etrle s.er.1ng, controlled by IltI'It I" ..... uulp""" oN cna....
('fMCl'aton ' "'--"". etc.; In a prlYON
in PfOgI''')' ""Ith laund ""ith .. para,. en ... lotH ci,cuitl, sound ptOduct1on
controlled by _ ..i_nt Clrod modi';. by proboDility citCIUih, pltcn can,", by probability cltCIUitl
T'I'-Iculpture MutlcClle (.'rTed.lculptu,.: ot..ntpentlOMnt I.ctro-
oll'l'lCl"t, corde d. piono, d40tlte. ai9Uill .. , CI'"PQUI.)
T'16-sculpture MUllcal. Lumineul.
Musical. " , quelqu.foll a .....c mlcrophon. d. contad' wr la cord. d. pMlno)
AdQglQ (brann, ilONl, llub .. lOdlo, eellvl. 'I.ctrottotlque, _'_'OIyr'lChrone. ,.Ioi.)
AltClbl. iftOll, 61T'O""lton, hautparl...", t.loilj
Hommalfe Go N."" York
Caul.v rl Ion ore., ,o.olplUr. cin'tlCflo/e ovec 'I.men" wnot'9I
Clth.r Iculptorl who ho .. e with oudio-vhual r.la,lonlhlp.:
Ilu".,."cweig
CalQl
Malina
Pie,elli Strutturo 10nClro No.1
"" ..
"" ..
1961
1963
19"
19..
,_
19..
1965
191>$-66
1967
19.,
191>$-66
19:sa
1963
19..
19.,
19.,
19..
195.5-
1955
19S9
1960
19..
19.,
I ...
I ...
I ...
o...... r lculplUral ;,.tftlllMnh {-L..t, S",",cf\Jr. SClftor.. - of ond FfUnc;oit 8a1chet, Pa,i., lronti- gf Vincent Geminiani, Pa,,,} ore d .. lgned For
.nutical perfonTlOnce, and wenerally do not include any electf'ar'lic devicn. IUch 01 omplifrc:otlon
Synthesizers / Synthfhiseurs (Syn)
ELECTitONIC MUSIC/ MUSIQUE ELECTitOACOUSTIQUE
TOlONTO Elec..... ic Mu.ie Studio, Uni ... rsity of Toronro (UTEMS)
00 ..
00 ..
Neent ".petl __ ... ilt! wine IBM 1710 digital COntrollY'''- witf, '1M 1711 d"i ... _ICIII interface {OAO. in FOITRAN
aSKOSlOVfNSKO
no .lIIIIil, r.cai ..... phap. Cit Ja,.&_ wlnfdcidt uJrn'" (JAMU) in Irf'IIX Mi", 22l
ltUi&o
EI.lttron i o I , ptomagn.rofoortaOf'eft_" (1)
1966?
DEUTSCHLAND. aUNDSlEMLlK
FIRENZE StudIo d, FonoIClllio Musical. di Fitenzo (5 2F M)
lin::= _ilft on 11M 1620 coonpwte, ar Uni ....."ita dl Fi,-.u:e (G".i; allO at Computing C_ ... , l..tial1O Uni_"ity, IIIC101O'1ingpoq.,. I""., tJSA,
SOJUZ SOvtTSKICH SOCIALICESI(ICH RESPUILIK (SSSI)
MOSKYA Eltsperi_ntal'noya 1fUdlya elektrClnnOi ...... z:yki, Mr.tui A.N. Skryobirc (ANS)
INdio prcdIIctron IIMI ANS (...."". after the comp:IH A N Sltryab ) pt, I
19'7, Of ot 1_. by 1959. Optical codlng".tf.oo.k include'a blodeeftC gl: in otHt'CItion in
ttwrwd WOI'k Oft. _concf 1ftCId.1 in 1963. on I COIIIftIIOMr ra ...... Ine .".....".". Ve""Veny Mul%in.
I(ENHARDT C..-.tre for E.".,i .. nlllCll Mutic/5entnlfn vi r ElcsperlmenlOle I.\tsi_
electronic ord computer ".,.ic (Joop SIIICIIft, direcror;, linee 1966 (1), inducHng ."-'din wirf, Itad'lo1,ic lIIIAic and information tNoory
1'1
11
I;
" '
i'
301 SYN
TltNd.I'C)eIIIIVN
Tltt. oIth ....adt
STOCKHOLM Elektf'anrltulibrudTon (EMS), S_iV- ItGdTo (Sl)
00 ..
00 ..
APPENDICES
01 IOI'J. AutNa
Dhc Tap- 0"-'
studio to 1.1.... 0 hybrid c:oMpV .... ",.IIMinary .....cU. by G.,.nnlllr Hellstr6m ord Knut Wigger!. TM inittol ...... 1t'MII -MulilcrrDlkln ,. (se. opperdhc Scu),
and t+t. "'lkMaIkin 11-. The nn' cxwnp.Ited COIIIIpOIltlcn (rIOt yet ,.11 ..... IKtftlNoally)" H.lhtfBM't '"WI..... 1- (19657).
",Ina a SEvtD CGmfIUteI' with a progtGIII in Th. Elekm.-..lkltudlon, sc:Ndul..t few COI'!'IPI.tlon by the end 011967. is
d.igned to function in -,., ti .. - ....rdet 0DfI'It'U- control.
UNITED STATES Of AMERICA (USA)
California (CAUf.)
LA JOLLA (D.parm.nt of Univ.nity of Colifomia ot Son D1eeo
hybrkl compu ..... r..ed Few sound a-netalion, pt'08n1ft1 In FOITltAN d...... lcptd from rhot ..... by G .ald Strang ot UCLA (boMc:I on Ill's MIllie: IV)
COIfIPUNr studT. (slnoe 196(1)
lOS ANGELfS UrMi...enlty of Colifomla (UCLA)
eatnpu .... 11M lON, JM'OCIf'G'I' adapted fftIM ITl', "",Ie IV (liSYS-IIJOI_itof s1' ..... ), DAC. hwUMlnary -tc __ Iocal fodllt1.- In Lont
aeocn, aeMI saurd praductlon at UCLA (COIt'If'U'Ttl<W1 No.1 !lOt realized, NOI. 2 and 3 at I'l). alto UMd In a.ptatlon In Lo JoUo, Cajlf.
, ...... COMpu,ition No." (EXPElAND)
, ......
.tJtGONNE Arv- Notlonol l...obo.ootofi.,
(19")
19..
19..
Control Dala CDC.J6DO COI'I'Ip<Iter, CAC, .Adyonc:ed Scientific lr.tNrnenh ASI210 computer; COC-J600 prognlm Mutlc o4f (yenion of ITL't M.lslc IV
adopted in FOTltAN), ASI-210 ptQgrQm MAESTltO by Robt K. Clark .Y.u.ic o4F 0110 lINd \n odapfOtlan In AUuaUUQUE, N. Mu.
Rob.rts
Rab.rts
Rob.""
YOriCIUI ,tudift (Etud., Soliloquy, Kal.idoscope, .tc.)
LINK (Film)
Thank yo .... , Mr. Comput.r Mon(rodtond,ol1vocal-oneormoA'i v
$ing ., - ...itt. optional
UftaANA ExperimenfGl Mlnic Stvdlo, Uni...."ity of lIIinoi.
, also Syn: Ins",,,,.-nl'O\ Music
1965-67
19..
1966-67 Pop
COITIpUt.n; IClUrd 'yn .... "'I' ... It+. OX-I (19b2) 1963-65, program MIIIic-IX, IlLlAC II (19M) 1966-; OOII'IpOIltlanall'ClUtln..... It+. ISM 7090 1963, '1M
7(R4 19604. , pl'OfP'Om MUS1COMP {M.nic-Simulotor-Int.rpr ... r (or Ccwnpo..itlonal P,oc:edura;; originally d.v.loped in IlLlAC progrommi l"llllof9lOg.,
un,iI II.LIAC I c.ompIter withcll'Gwn at beoginning of 1963), boiled on 15M 7rO/7rJf1" mach'n. SCAT.
Bak.rR CSX-l St .... dy
1963
Bak.r R t Comput.r Cantata, forsoptano, 1963 ".1 NME
Hill.,
Martiml'lO Un d r W 0 rid, fOf' t.1"IOf" WlIophone, " perc:uuion, 2 daubl. baIs.t ord lOpe
, ... ...,
".1
(c;OfI'II'lJter only used)
..... Sonorlf.,o ... ' loops, (01' fill", tNmpet, do"bl. boa, 2 F"'OoUlon and !ape 19"
Sch.rzo a Tr. Vocl 19..
..... Non S.qu I tu r VI, fOf' flute, harp, piano, 2 perClolNlon ord tape 19..
Granmon Four S,,,,di .. fOf IIllac II 19"
HIII.r Algorithms I and 11, eomputermusicfor,,.,.onlclOpeand 'Oi,.",,- 1960-67

I
I
I
1
,1
' I
,
IJ
Compo.it..."
Comp"'"
Mos.aa-.ttI (MDu.)
TitN de I'OM./vre
Titleoftt..worit
CAMIlIOGE R_rd! L.aDOfGtory of Eleetf'onia, Moaoduem I .. fltute of T.dlncMogy (MIT)
(1956) 1963-67 {Fel'nltri to 1ftO... )
computei' 11M 7O'U U-viauliy 11M 704, IW 7090) wH" OAC (12-bit OCOolfOcy at 14 KC). PrograM ...... tten by Ferretti
Fern"i
F.n-ertl Tdo
F.l'nltti
WALTHAM ElednWlie Music Studio, SIGrid... University
luci., North American Tilll. Cop ..,I. (11..... I.ctronic;chon:Il woritlllingospeciolputpOM
COI'I'IfIU..... del .... by S)'lvonia E1.cfr1:InIc S,.,....)
ST. lOUIS flednlnic Mulle Woihi...- Uni..,."lty
N.. JerMY (N.J . J
\
SYN lOt
APPENDIX

Db,
1963
'9"
19..
19., Col
COIIIIp.It.f': 11M1'04 11M 7090 19f1G-63, 11M 709" 1963-66, (new .... 011 yfl vndec:ided, peortIOpI 00' 22" 011 GE 64S) 1967-. 11"..-
Mulic I-tV, IV G, _ irdloated in IfM IlUdio litturd., Notes RlKlent IoU of vtSlolGI Oit,Ior. light !*'Ieil...,..d few _low functlorw (polO-
_ .. ,,:pitdl, 'nte,.ity, my"'''', vtbtofo, etc.)
... compl.te In.. ("" -tal ",nd.r ttudio; ClDllllpCaitlClr'll by (I), FvjiltlUlO .. Mathe .. M (0, Guttwon (2), G ... ttman Mot+..- M Lewin
Mathe .. M (IS), (9), RI.. t (1), Sp.elft (1), Shang (2), TeI'lM)' (9)
'_y: oll.,.oor\r;s 0.-.:1 hCep' fOf "NoiM Study (only c:ompuler.,...,aNd)
"Ennanc.../Exit Mullc (r.aliud for G-ve ltecM)- - "Exit Mu&ic" i, "Entnlnc:e Mwic" p40yed in ... _
aha CGftIPU" (Stoa-'ic Quartet in i.. _ion "Stochc.,ic String Ouortet-, optiOl"llClI i,.h\lfnentol oddltlON
"String -Re.porM'I- - 1'0 .I.c:.tf'onic "Erpc. I" and II"; m. Iopet; co,. be played in .i"'-r direQiQnt
PlINCETON MuIoic IV Focility, Prine.ton Uni....Airy
(19604) 1965
linC. 1965 in -.ociation wit+. CPEMC, NYC
0I:I'npI1W: 11M 7(RA., Pf09"I"' Music'" odopr.d fI'OIft Ill't Music IV
no i"'QI'mOtion possibly alto worb by Willictm Gole, Eric Rever-. TobiGIlobitorl
Winhotl!
tardlOll
Mud 9. tt (monoloque-s by 0 rna" murd.... r. for ON..,..oatded ...oie. 0.-.:1 con .... rNd
di'ilitollape)
-Campoli'ion fat T_o Speake,.
(ti,l .... nlcnownl
-Two 101ho', Ho ik ... , fat f_l. Yaice, n ....., ..,iolin, piono and ,r.reo lap- record.,
"e ci pro co Is, far con...-Nd digital tope and ",",0 per'ewlionists
Va rio t ion., for .nolin ond con..,erted digital !ape
Computer Voriotions (work
.. INCHON Sound Proce.lng loboratoty, DovW Sarnoff R:eMG1cn Cen .. " R:adlo Corpototion of ...... ,;ca (lCA)
(19S1119S2
'9'"
191>5-66
1965-601
'9"
19.,

'9"
""is list hoi not been included i" tf,. !!'IIi" port al thot ectolog, 01 t+._ wotIu do I10t quallfy 01. .I.ctf'onic _Ic c:omposltiora: !hei, obi.a it 01 falt+.M
on imitation of il"llhU_ntal sounds os
ltudio conIi." oIltCA Elech'onic Mullc; Synth.i-...Marte 1(1958-59 0110 ilCA EI.eh'onie Music S)'"tt..iz ... Mortt II, ...nicn m. linc:e b .. n port of !'he
CPfMC, NYC: wcrtu by Maltby arC Ti_ I.IIing .Matir. II are jrCicot.d by on OIterisic (-)
dl,.cf'on: H..bert lelor, Iiarry f. Ohon
ill
,
I
! I
, ,1
I'
! j
I'
310 SYN
CompOIlt.ur
eo..-,
Tltf. d. I'oeuw.
Titl. or tt.. woric
"\ldlo .. isis for rh. ute of RCA laboratorlft in rh lUdy of CIS related to 'ClUne! ,.,roductfon
Do..
Do..
APPENDICES
ohiqU. 1Ci,...
Dhc Tope
the -styl." of eac:n anangement is given aftw rhe compaI."s name; the onanv-nfl of Gopin, o.o....y and K,.I.I., con be 1CI'd .... il+l 70"1rt cenolnty to be
dr.tl'9lilhoDl. by OIIly ar'I. p.,on aut 01 four fn:Im the identical patIOgeI ffom reCOfdlngt
INdio II ue Ski .. (h,lin. dana bo".)
1952 RCA
.tudlo Nola (Amlt. piano)
1952 lCA
studio St.phen Fo.t.r M.dley (hillblllybal"ld)
1952 lCA
studio Holy Night ( ....... , argan: ""Th.HalyClty-1) 19.52 lCA
INdia Hom Sw t Hom. (111hcp. ".ng'''''''' ''11.) 19>2 .CA
studio
F II g". No.2, from the W.II-TlII'I'Ipered Clovichord (Boch. ltNck and pf"cked d,I ... ) 1953 lCA
.tudla Hungarian Danc. No.1 (I!GM.. lirYPIystyl.) 1953 RCA
ltudlo Polonal in AI., Cp .53 (Oopl". piano: alto 1m-Iliad wi .... a ....-dl ... by IMltI)
1'53
studio
Clair d. L"n IroN Sui,. .... piano: also I"",.u.ed ""'tho".-
COIdinv. bl...Rubi..... in)
1953
.tudlo Old rroln. fo,.yiolinondpiono(IC,.lsI.r: allOlnNnnlllleal .... ltha....-dI .. lIoy 1953
Krei,l.r cand Horowltr.)
studio S w t a nd low (Io,""y, voice and l,.tnJ_nful acc:omponl-m)
1.54
studio (spok.n vole. _perl...,fI)
1'54
Maltby (wtlout Wtort pop.Ilor """"ic OQrnpOIltlCnl and amlnoemen.) 1956-58
1'i,..,.".". Ob.lln (latin .t.-ICDn)
1.511
Timme... -Juan ita
1'511
Timmens *Jongl. Woltz
19511
Moltby *(wrIOUI Jhort pcp.Ilo, ,..,.ic OCIrfIPOIItICnl and Oml,.-.)
1'511
TI_,.. Thr o'clocl.: in the Mor"lng ("Jlllt Seal.")
1'511
N.w Monico (N. Melli.)
Al8UaUERaUE Ria Grund. EI.ctronic: Mutic Loborotory
'1M 360 digital COft'IpUt.r at the Univenity of N..... Mellico, pmgrom in FORTlAN ., adapted """ic (Arvcnn bcned on ITL's Music IV)
N..... Vorf,: (N.V.1
NEW YOlK Colu..eto..."inc.ton EI.ctronic Music C.",.r (CPfMC), Calunaio UniYlfnity
Bobbitt Campolition for Sy"th.,j,.r
1960-61 Col
Bobbitt
1961
aobbitt
AMP
80bbitt
1963-64 AMP
Threlt Pi.Cltl, for 6 i,.tnJmenhond Synmftiur 1 ...
linc. 1965 compulwr music in anociotion wilft Music IV Facility, Princ.ton Uni .... nlty
Cotnp.lt.r: 11M 7094 (Columbia Uni .... nity). program Mlnic oil adopted from ITL', Muti<: IV
work. by Dodg., How., portiolly ntOlized at Princeton
I 01'0 Syn: Ir4trumental Mutlc
Ho ...
1'6>-66
Moksimovlc Two Bo,ho's Hoi!.:u, for f.male \IOiee. fluN'. vial in, pianoai'.d tape recard. 19..
Oodg. R. <: i pro co I" few converted digital lOpe ond two perCUl,iannls
1'67
Comput.r Voriotionl (wodt inprogrft') 1.67
Wuorlnen ( .... ark in pf'09l"eul
1967
.. "
TI,... d.I'oeuvre
Titf. of the wrotk Foncrian
Function
Do..
Do..

Duration
SYN 311
APPENDICES
6....,. 10....,.
Disc TOpe
!'he following CIOMpoliHon. us. soufld rno.... iol ( "ani
moin Pl'rt al!h., tOOtalag); gentru y y portlolty) 118nerutwd by "'.RCA. EI.ctronic Music Synthetiz ... Mont 1/ {not indlc:otec:l in the
luent"CI
EI Oabh ..
wening
Lu.ni"lil
"rio
Luening
Nlko4olt. ..
S .. wrloK'--
Oynomophonic Suit. (Marie Iluill at RCA Princeton)
n for for petCUllion, r.cord.,ond
Ga ,go ,/1 , for vieW;n solo ond .ynthesi2ed sound,
Cr.at/o.": Prologu., fot" 4 cftorusftandel.ctronic
oCCOrtlpOniment
Labodntul II, per mimi, recilO,.,l, i,..ieme yocal.,
ardletFTO do aJlftero It """'0 1I'09'I.,ico
SyntJ"',is, fon:h.ft'oond IQpIt
NEW YOlK 1'oIytr.dw.ic;: I,.tl"",. of Iroaklrn
1'511
1960
1'60
Col
1960-61
Col
1961
1'62
1'62
01
19..
"ne. ......... in oo-puter "",{c ",itt. 11M 7040 CCII'I'ipUter, Pf'C9tI... in FOITlAN (T .
""'IC at the COIIIpItoriclftCd Centw. Yol. Unr... .,.ity (no eornpa.:itlor-.) CIII:WItfnued fro,.. WOftc at ITl, ard COIIIipUtw enol)"is 01
CHARlOmsVlW c....outw Sc:ienee Cen .... , Uni-...niry of Yirginio
oomputw: 5.5(0, COMpI .... -corwowtw ..... ilag 200, ptagrom MUSICOl in ALGOL
Mod.",;..
1 ...
INsnUMfNrAoL MUSIC / MUSIQUE INSTrl:UMENTALE
DEUTSCHLAND -IlUNOESlfPUILIK
no i"formafion .. cei-....d
TUaINGEN Mu._ .. i-...c:N:.ftlicr.ft l,.tifUt, Uni .... nirdt 1U
1964-65 Atb.i...,itlld.aft mit 11M Sind.t""S!en ( ........ rt computer '1M 16.20: Ntrgll"O Spiritual, Invention 1m StH Saw
ordircteur (COfnOu,.., 1 c-.a af), ptOgrulNNl ALGOM (langoge ALGOL)
outsi I'IOII'ICr.u" fit .. (CIC:IW'I'!. metrvga) d. 80fbaud
Iotboud ..
''''pr.visibl.s Novyeallt's (Alpit+.".. I)
Ilonc:hord
:JO.I, .,......". i,.lTumotntal
.........
7!, pclI.Ir petit orcr... tre
llonc:hord+
ChorOorw-tr...
'londoo...
Algorithm , pour ,.,Iod'ond! ..
.. ......
Non.fta in forma di
trion9010, pour petit
i,..tMnenlOl
l50ncnotd
Fan(ar., pour quo". cul ........ t ICipI'Ona
........
.Lo bauuol. des precieulII, pourdcuu
l,..tNmenn
1'59 20'
1'60
"
1961 10'
1961 11'
C 1961 10'
C
1'62 12'
Crt
ACA
Pot
ACA
UE
P.,
312 SYN
COI'I'IpOIit.ur
COI'"pc.. r
.100nchotd
......... .
Charbonnier
.........
......... .
ChcubOlnni.r
.........
.........
.........
.........
.........
.........
X.nokil
Xenokl.
XenoM/'
XenoMi.
X.nokl.
Xel'lOlcil
Xenoki.
X.nokb
Tokoho.hl
Tit,.. d. I'oeu..,....
Titl. OIr 1ft. \IfIOftt
Ch i miOirOimOi. pour quotuor d'onckol Moml'lOt,
piOino devx P"'CUS,iorli,'"
.',eOl",)( OI',ienl, pourpianoetc!av.cin
VOidatiOins h.ud.tlqu , pourmardolitM,
banjo, guitar., OIho.t
LOI VOiflovlenn., pour petit ordt.sl'N
M""ico d'invenzio"e .. pourd.l)( piartOll et
petit groupe instrumental
CogitOition .. lymbolicOi. I, pourdil(
a cotd_
COigitatiOin lymbGlicOi. II, poIr vingt
i,.tru-a a v.nt
Haq",ehu I.G . E.,powr,lxcui...,..
ST/ 48 1,240162. pour 48 j,.tru .... ntl
Sf / 10
- 1,080262, pou,10 i,.tn.lments
H / 4
- 1, 080262, pour quoN Q cord ..
AmGtlimOlManlmo (ST/ IO. 2). peNt 10
inttNme"tI
MOI,.imoAmGrll",OI {S r / 4- 2}. pour.
i"",,",men,.
Atr' .. ( ST / IO 3,060962 ), pour 10
i,.trumentl
Strot'gie, ioeupcur2Ofc:hfttres
E 01" to , pour piano eot 5 Q,jiYTttS (portiellement
ealQ,jI' por ordinoteur)
Vivikto, fo.oW)loobo.
UTRECHT IUj lcsuniwniteit te Ut,.cht
!Co.ni;
Koenig
PrGj.c.t I (Mod.lllcompcl$itiOtl Rtt Comput.r),
ffitl,.IN"'4ntel
Proj. k t 2 (Mod.IIIcGmlpO'ltlon fOr COfnP'j"'),
fOr I,.'rument.
Fonctlon
F",nction
c
c
c
c
c
c
c
C
C
C
C
C
c
c
00 ..
00 ..
19.,
1963
1963
19..
19..
, . .,
19"
19..
""
1967
1962
(1959-02)
1962
( 1956-62)
19.,
(1956-62)
19.,
(1.56-621
1962
(1956-42)
1962
(1."-62)
19.,
( 195962)
19..
(1963-64)
,."
19"
19.,
Do':'

01..... IOnd.
DulOtion Ollc Tope
'"
30'
10'
30'
""
Dlh
.'
12'
$'
40'
"
11'
'&H
12' '&H
12' G8I '&H
"
'&H
11'
'&H
IS' EFM
.&H
18' CdM '&H
10'
c:omputeC': CIFA 3 (no outaMot{c Neilltl .. ), progrvm in machllM klnguoge:; dnca 19607 Elliott 4100 computer, PftJIIiIIOI'II in ALGOL
51_
"M""lc fOir plono, bron ond p.rculllon C
Only through tt",e, tl ..... i. conqu.red, for C
baritone, organ, m..Dan., and ... .
MLo",d., II, forIMtnl\lMnta'......,.'.(......ttIn
-->
c
c
19..
19.,
, . ., ....
"67
Tin d. l'oeuYTe

SOJUZ SOVETSKICH SOCIALICESI(ICH RESPlAliK (5SSR)
TllliSSI (TIFLlS) Uni..,.."ity (1)
c:omp..m: lhl II
Zo,ipov
(titl. I,Inknown), fo.o 10101 011101
UNITED STATES OF AMERICA (USA)
Collfornio (Colif. )
PASADENA EI.c.troOata Olvitlon, Corpo.olion
Data"on CIOrIpINr
(Conn.)
NEW HAVN c-."utatiCII'ICI' Centw, Yo'.
CIO'I'IpU'-r onalpis of ffVl;ic (T.nne),) 1964-66, contl,.,ed In N.w YotIt
FonctiOf!
Function
c
LMIANA Digil'lll Computer loborotory ... MIn/c. SrudiG, of IIlinoi.
I.e 01,0 5),,,: EI.ctronic. Music.
00 ..
00 ..
1959
,.,.
SVN 313
APPENDICES
Disqu. iGnde A"'''ft
Onc. Tape Oril."
Pop
con:.7; IlLIAC ( I), 0WfI program: linee 1963 c.ompuNr Gnd progl"Om (J8M 7094, MUSICOMP) CIS for CQmpulution of eompoaitiorool t'OI.Itlne in .Iec.tronic.
Hill., ...
, __
Hill.,
N_ Jerwy (N. J .)
Illiac S",ite.
An Avalonc:h. for 'rima OOinno, Pitchman, C
Pionolo ond P.rc.",uioni,t (GOftIpul"''''''',ic for
li"'lJ8f , speoke" pera.ruion and pla),er piano)
MutlAY HILL knaviOf'QI iC__ rdol Loborvtory, 11 Talephane I..ahorotarl.. (BTL)
... 0110 SYR: EI.dn)nie. Mlnic
CICMIpUter and ptOIII'IIm (11M 7094. MlnIc.IY) ClIo for OOIIIpIl'lltlon oIel.cn-onle. """Ie.
T-..y
Stocho.tle Strin; Q",o,t., (l""trunMnfOl
C
of .I.etronlc. -Stod.ostlc OuortwtM)
T_,
M""le for Ploy., PIGno (piOinoroll)
C
T_,
SI,lng Comple",ent (lnd.t.rminote notution,
C
'or lIM with elec.tTonle -Ergodot rIO and 1/_)
T ..... y
String, WGOIdwind, .ro .... P.rc",ulon, C
ond Vocol t pon 1 (few..,.. with eleetfonie
-ErgadQl I- and "ErvodOil 11-)
21' ITL'" Mc.H+
Hel NME

.'
'.63
.'
'.63 $'
'.63
'''''
19M
'''''
I'
31. SYN
N.... Vor\c (N. Y.)
Titn d.!'.,.." .....
Titl. of the work
NEW YORK Colune,ia (i M cont'I.ction ... ith CPEMC)
eomputer IBM 7094, own progro.." Is.. alto Po, i., IBM Fronc 1966)
fokohoshi
Fonc:tlon
Function
c
OTHER RELATEO EQUIPMENT/ EQUIPEMENT SPECIALEMENT CON<;U POUR LA COMPOSITION MUSICALE
1967
In the USA two (Buchla Auociofft, Collf. ; 1 . 04. . Moog Co TNmo"""V. N. Y.) _foCN" range of .I.cnonic _Ic ..,ip-
iM f_ ....nick oatl be ,...I.d into 0 studio COftIPI...nen, of toUnd om d_lc ... MIIny ltudlo. 'I'I the USA
am .I wh.,.. now poueu l'I'IOinly Buchkl Of Moog equiPfMn,. FIfO"',.. af both 'ylN_ I.nd ,*,--1_ to om _i-auforllOtic a,pllcotION.
0 .... , ntadulor equ;prr4nt: Gordon """_ (CSEM. Ann Artlot. Mich. ) hot. d .. 1gned and b..til t a flU .... ' of IftOdulor siVr"ICIl procewi"l d .... ices. IofV4lly fOf
live .I.ctronic p4f'fonnanc.; mese 0,. lIGinly ot !+I. OEM. In Italy Gino oV.ori ......ni d"igned ond built a I1IOdulor studio .. with th. OIIi.tanc. of
Paolo K.toff (fonotynl'h, ". ..... II'ICId.1 und.r comI'Nctlon 1967). and K.tofF hot .ine. de ....loped hi, 0WfI .... rtMI 5y"'.t (M. NIS FiI.", 10l'I0). S1'*.",
in ..oriouti lnCdeis. or. at m. AtNricatl Academy in ROIM. and owned by John Eoton (lama) 0'" WiII'- O. S."ilh (Sea ttl Woth.) .... lott.r in II ....
I.ch'orlic perionnonce mod.I,. N.w -. ON und.r COnIh'Uctlon few ond....Ennio_MoiQIfW (Nth In 1t0fNl). Jl"....,Q C)k\f)'OftO itt TOItyo
hon:xw.trvcNd ,,!'iii., of devic ... UMd In hi, priw .. ltudlo (fonMrly ot Sophu Nt Cen,.,. Toltrol.
for. Jhe, PO" 01_ .tudloa. inctude&: foMiCl OfGwn SOUnd (Fain.,. UK), d .. lgrted ond built by Daph".
OroM. in which all CDn be drown on separate m." nadu and _..-ted directly Into .auld Olf'd .... (CON,",ctfor't ItDtted ift 1962. exptIri-
IMnlalslUdl .. 1965-606). MI.tur-TroulOr'lium. d..... loped by OsIcor Saki ffOIfIlt\.e TlOUtonh"ft (Me "..). Itt Sala'. ptl..ote studio. W.. , "rlin.
Originally 0 iN""_n'. s."w,ard\otd. d..... loped ot the Rurd"""'- t.H'Id F."...htechnitchet Z.nhoiomt in Eolt Berlin (Enw, Sc:nr.iber), I,
si..,.ilor to tM MI.""-Tl'OUtoniu.,,, and CDn olso be iliad few bo,h perfonnanc. and IOUnd IJeMtOtfon MOdel, ho". 0110 be.nlNtaH.ct 1" .1.ctturMC """,Ic
sludic. at OEFA ON.:I.n, lrathlaw TV, ond one will b. Uled in tM .Ndlo UftIMr c;o,.tNc,l_ ot EOlit Ierlin Ilodlo.
L 'eq..,ipemen, d'UR ,ludio $e compot. , _ d'oppor.il. prl."iri_t d .. ,I'" soit ou loboratoiN ".CtTon ..... sol, a 10 rodlodiffut;ion do.I""
hati".tnen' a.... fCI9h it des fit .. d. competition lTUIiaol Nous signolorw iei I .. .. CIDl 01:1. c' .. tou c;onlToire. I. souci _i<Zl1 a kI
conceptiQfl.t 10 reoli .. uian d'un d. , Ndlo. Aux EfOh-Uni d... x nnnti (Bucklo A.ocicu .... a. ... 1.y. CollI t ILA. Moog Co TTVfI'OnI-
burg, N. V. ) roo, iquen, toJt. u". go"..,.. d. modul., pouwn' CONtiN.r UIM iNloliation de gfM'ratian .t de _nipoo.rlotion du son. C... ,..."..
bl .. off,.n' 10 portic:ulorj" d. pou....,i r fh". Ol"OgfOlM'Ift au ."",Ioyft ,.Ion des automotiqu" . 0. '&On cdti GCMdon """_ (OEM. At!n Arbot.
Mich. ) proj.... t ,-li .. nomb.. d.lIIOdul .. CDn.... non' pgrticuli.,..".." a 10 translonno,ion du d'_'c:u,IC)nI.n dlNct. E" ItoU. Gino MlNI-
nuni Poolo K.toff (Rome ) ont collobcwi it 10 rMlIIIG,ion d. ... " .t d. "Sy".''' . pe,lt .tvdio, .I.men, baM .. r I. principe dft !'nOCN1., . Iv"
Japon. d'outNIopp:s,.. i l, ont 'tt ."i. au poi"' por Jyuroo.uk. Okuyoll'lO .
Si9"Qlcw. enlin I., NolIlG,iom et.ctrontqu.s ",ivon'". tau ... ..,.idol.". .... ' d .. ,I,. .. 10 COItIpO'ition _ieol _I.". .. pr4Wntont POI tout r.:w- de
modul.,: fn Anvl ... rre, I. Oro."ia Dtown Sourod. d. Dopftnot Oram. cio diff'N"ft pGirOIMtr.. du .on sont d_i ....... d .. peillcul., pour'PN con ....".
diNcte.,.nt lit! vtbrariorw 1OI'IOtft. l. Mia tvr-frautoftiu." (Owua!' Solo. a.rlin de I'au..t) et I. (Emit Sch,.ibe,. 'undfunk- und Fe.........
'.ch"i,ch .. Z."trol_t. S.,lin d. l'E.t ) CQnI'ituen'd ...... empJ.. port;cuJioirftMnt "abet .. .I.etroniqu., a clovi.r, pou'olOn' .. "';r_i
bi.n irwIN_h d. con.cert que !CIUrc.. d. modulotion a l'I"Nri ... , d',," ,tudlo.
01 RECTORY OF PERMANENT STUDIOS /
GUIDE DES STUDIOS
a... i o a. Ih .... ... eM taus I .. I.wTCI oIflci.I, OY ptI"" foActfGft"Dtt" lap perwarwnte. ,... poro..... done pat let
0.. .-..dlal.,..., c-' I.." actl""t4. au 1'1 , ... pal .nccww etth'41 ,.,. kI pM.. de ptQduction. UrI 0IIt4ri.... (.) prfc.w. I. ,... del ..-1aI I offNnt
lOUt ___ au _ outre, .. OCIUn d'Tnlriorion OUX NicntMqu-. d.lo ...... 1cp.Ie 'l.ctnlGco....... ., ,
315
:,idot .... i,.;tiol_n' COII'IpOf1'er ".;..e,. d'ou",,-: irMCMWlCltl_ II,Ir Ia s'"'ctu,. Nichni.,. .t odminittIGtl".. 01,.1 lUI' I .. condttiC)nl .t I .. Pl*1-
bd' IJUdio. C....... ,'. depouill_nt d. .. 0 .... it GppOftIttre que 1 .. pi", itt.w.......d. c.. otpoIch _
., pc.ib.""" -lGf'It ptMqU. ,?,i-. defi n _ 001 p'r 0CIt , ., rMI ,.I ....n' d'oucurMI AI... I,..,.,....-s __ bom6 Indlquer I ..
---,IudICl, au d. .. detoll. pClUrT'Or'I' foumi. GUll in.....,
Quon' QUa ,....igr-..tI" corteemDn, l'appaNii. spedfl.,. d. choque , tudio, on pouno trw....,. do,. I .. Ii.,.. d' __ .t do,.. 1'0",... sur I .. lyon-
lhtiiMvn (S.,.,.-l .... indleotiorw ",ff'ilGn,.. poo.n ce qui es, d. notn propoI. Des irlomariorw phis teeMiqu ... d.lou. iei _ rrcu.... nt leur place do ...
1.,""",,"- de l'"EI.ctronlc Mutic ..... i_.oi,.i qlledo,.. I .. au"" reV\lft "cioliN...
E.tud i o d. fonolo,fa M".lcal
laborotofl. d. Acu.'lco
Uttlv.,.idod d. ,,,."OS Alr.,
Pe,u 29.
IUlNOS AIlES
labototori. d. Mu, i c_ Elec'ron ' co
C.ntro Lotinoo",.ricGno d. Alto. Esrudiol
Musicol.,
ItI. t l,,,,o rorcuo t o di T.llo
Flarido 936
IUENOS AIlES.
Migu.1 Anv.1 I.Gtldono
Alcu.nogo 1277 O.pt. B
IUENOS AIleS
C.ntro d. MCI"ca E"p.ri.".nt ol
Univ.,. i dod Hoc i Gtlol
E,cu.lo d. Art.,
Pob.llon M';j iCG
Ci udad Un ..... ,.i'aria
C6.DOU
Horac i a VO'!il i O".
A... . nido Sotl r; . l d. 2do B
C6100U,
Val r .
EI.ctrav.n i c MUl i c S t ud i o
15 Fai r ... , Sf.
HAWTHOI.N
Bruc. Cl orlt. ' , Jingl. Wark,hop
420 S,. lC ii do load
MELBOU'Nf S . C .!

Artenlt
S t ud i o d. MUl i qu. E I. ct r o " i Cfu.
42 . Or . ... . du Coporol
81UXELLES 18
St"d i a d. M", i q". EI.c tt otl i qu. d. ',,,a.II.,
A.S . I . L. ( .4" ElAC)
II, Plac. J.on Jocob,
I
L.o KOpp.,
Stud i a d. I..ch.r c h.s . t d. St r uc t ",a ti on,
fl. ctroni qu., Aud" i ... ..
26. A v."",. J.on".
81 UXELLE S 5
ttl,t i tuut ,oor P,y c hooilo .,i.k .1'1 EI .ktroni,ch.
M",I (l PEM)
I.i jilsun iv er, i t.i,
M" i "kkoo i , 42
GENT
J"n IrU1ndO"ckJ:
BoI ,k,trao' 13
HElfNTAlS
a., i "oldo Ca ry olho
Conu, yoro';O Noc i o"Cl I d. Conto O rf.6nico
Pro i a do Flam.ngo 132 ( "".0)
Iro DE J.4NEIIO - GUGnGboro
CANAOA
Bri tl,,,, Colu."blo
EI.ctro"ic MUlic Studio
O.par, ... ", of Mu, i c
Uni .... ,, ; ' y of Bri tisk Colu",biG
VANCOUVER IJ
H" , h L. Co i n.
Ei mu l Lab
Rod i o & Ele c' r i co l fngin r i ng Oi ... l , i o"
No, i ano l R... arch Coutlc i l ( Hl.e )
OTTAWA 7
EI.ctron i c M"sic Studio
Fo c ul,)' o f Mu, i c
Edward JohnlO" Bu i ld i "g
Un i ... . " i '1 of Ta rant o
TO' O Nro 5
E I. , rro" i c MUl i c Stud i o
Fo , u l ,)' of MUl ic
Mc Gill U"i ... . rsi ty
3500 ledpo,h St .
MONTlEAl2
Otto Joo c h i m
1910 Wo ... . 11 'ood
ca,. S t. - Luc
MONTIEAL
CESKOSlOVENSKO
Ea p. ri ",.nta l tl.
t .. koslo ... . tI.k y' 'a:r.klol
l.n;na ... o " Gift 13
UATISlAVA
I
I

316 5TUOIO OIltEClQlV /GUll)( I)(S SlUOlOS
Zv",l!:o.,' PrclC:o.,l.ko
.. ko.lo ..... n.l.:o r.I.,,(zia
SNP 38
.RATISlAVA
Elektronic:k'
itoz:hlu
I ,ho"."o'lo ..
UNO
!,';-dlo pro fl .. ktronlckou Hlotdbu
'l/yzku"'"1 Utto.., Itozhlolu 0 r.I.,Ii;u
Ie laden.leo 60
PIAHA 6 - Voknic.
Electronic Mu.ic Stud i o
D., iyd.k. Mu.ildtonl.rvatoriu,"
:26
Jerg." ptoe'ne,
Studio 60
lIyrf'I"b-a-lclce" 7
K.ALUNOI01G
DEUTSCHLAND - IUNOE5UPUILlIC
O'.Ot 5010 EI.r.tronlach Studio
im Hou .. Marl-FilM
I IElLIN 20
Chorlotte"burge, Cfotou .... 51 - 55
Thomelll Ke"l.f
Studio fa, EI.I.:'rOr'l i l(:h. MUlil. a.rtln
I IERllN 33
Schorl.",eroll 19
Studio fOr Elektronlteh. Mu. i k
r.c:hnl.ch. Uni .... r,I,!,
1 UlLIN 12
Hord.nb.r!iil.,ro". J'
Studio fOr Iconk,.,. ",nd .I."'roni.eh. Mu.ik
5cho",.pl.lho",. loeh"'m
463 IOCHUM
St",dio fOr EI.k tronileh. M""a
T.eh,d.eh. Moeh,ehul.
7.5 KARLSRUHE
Karl$tron. "2
St",dio fOr EI.letrani,eh. M""ile
S'aatlicl,. Ho ct"eh",l. ( Or M""ile
.5 KOlN
Dogob."" ro ... J8
Studio fll, EI.letrOAi tch. M""ile
W.,td.ursch.r Rundf"'nk
!i ICOlN
Wollrofplotz 5
Ton-Tr i cle,t",dio
W.,td.",hclHr RundruAIe
5 KOLN
Wollfofplelll .5
Studio fOr EI.let r onitch. Mu. i le MOnch.n
im S i .",.ruhou.
8 MONCHEN 2
18
DEUTSCHLAND - DEMOICRATISCHE RHUILIK
E"'p.rl",.ntol.tud l o fllr kOn,tlich. Klong- und
G. dl",lCh.tz.u gu ng
Loborotorl",", fOr Akultilch-Mu. i kol itcho
G,oAzprobl.",.
Rundfunk- u"d F.,,, .. ht. e h"isch Z.n',olom' d.r
O.uhch." POlt
1199 aERLIN-Adlonhof
"'goitro ...
ALEA
Son a.fnob' 18, Gtico b
MAOIID-5
Lolon .t Morc.l von Thl."."
R.". R.gnolll,
95 MAREIL EN FRANCE
Andr"
10 .... ru. d. Slvr
75 PARIS 15
... ,"".
132. A".nu. d. Clo""a r t
92
Poul 10i ... I.,
12, '1,1. Gorni.r
92 NEUIUY-SUI-SEINE
Mich.l Fe...
Au.u fJ .lM._
80, ru. C.rd l no'
75 PAilS 17
J.on-Eri.nn. Mori.
C.Atr. d. I.ch.rch Mu.lcol
5. A".I"I". Moria
9210ULOGNE-IIt.LANCOUIT
GrClup. d. I.ch.tcn., Mu. l cal
S.rv i c. d. 10 t.ch. r ch. d. "OITF
C.ntr. IOludon
5, AV.Au. du l.cteur Poincor'
7 5 PA.IS 16
J.an Sch.utl .t Ph i lip I n
189, loul.vord MurO'
75 PAilS 16
St",dio Ap.o ....
179 , leL St G. ' lftoin
75 PARIS 7
( odmini.trotion:
Soei I,' Ap,o",.
6 quor. d. l ' Op.ra
7S PARIS 9 )
Hon, Eu g. " Fri \chle".ch t
Bir leen ...... g "6
300 0 UR N
Jacqu., G", ,, onn.t
S,,,,dio d. Mu, i qu. Con' .... pofoin.
7, loul. vord Jocqu OolcroL.
1200 GENE VE
C.nt. r f or EI .ct ron i c Mu, ic i n Itro.1
H.b r .... Un ;" .,, " y
JERUSALEM
8 , ocho Edit" ond AI .... and.r r o", i,
P.O. 10lt 4 10
JERUS At.EM
Studio di Fanatag ia Mu.icol. d. Fi,ona.
Via Copod i mondo , IJ
50136 FIUNZE
S,udio di Fonolog i a
It.A . 1.
CO,.o S.Mpiono, 2.5
20100 MI LANO
( odmini.,rotion :
Dir.z io n. C.n.rol.
. . A . I .
V, a dol l 9
00187 ROMA )
Stud i o di Fo"ologio Mu.ical.
Gr",ppo 'npl'
l l v i .,a SOft lon.d.,to, 7
JSIOO PADOVA
Eloctronic MUlic Studio
AM.rican Acad.my in Ito",.
Vi a A"g.lo Mo,ino, 5
00153 ROMA
Egi.to Mocchi
161 , Via d.i Grocchi
00192 ItOMA
G i no Morl"uzzi
Vic Anglono , 9
00183 1t0MA
Mu.ica EI tro"ico Vivo
c / o Ph.tt.ploc.
PiOLI.O d.llo Rotonda , 2
00186 ROMA
'0010 K.toH
NIS Film
Via Rocco di Papa
0011-, .OM ....
.. SI",dio 4i EJ... ,.tt.oAi.c:.-ef1 T.,II"I.
COriO Vhrorio EMonu.I., 32
10100 TOIINO
Corio d. Incontr.tO
lila Son Vi to . 6/ 1
.. ... '00 1'lIESTE
NEDEILAND
.. Di doct i lcl<l. S,,,,dio voor EI.krro"i,ch. Muz i .1e
von d. Rijluuni".rs i ,. i , t. Utr.ch,
C.,'ttr",m voo, Muz i .k
Gaud .. o",,,,.
Gero,d Do",loon 21
IILTHOVE N
Didl Rooij",ole." ." Jl:ln IQ.,lfton
Sfudio voor EI.ktroni,ch. Muzi.1r:
Zuiling.t,00,25
DEN HAAG
To n I,,,,ynil
S, ,,,dio voor EI.ctlon i ,ch. "-'",z i .1e. .n
ICll:lnleb ....... ,k i"g
"orl .. trool 2 .. bi,
UTlECHl
S' ",d io EI. k l, o n ;' c h . M",zi.s.: " On d.
Ri jle,un i" ." i toi, ,. Utr . c ht
Plo",,,. ' or.nllfoch,I .. _16
UTRECHT
NEW ZE .... LAND
.. El . c 'ronic MUlic Studio
Vic'orio Un iv.r,i' y
p . O . 10 ... 196
WELLINGTON
EI.ctronic MUl i c Studio
Nippo" Ho.o
2-2 UdtiJOjwoi - Cho
Chiyodl:l-ku
TOICVO
J},lIno,,,,k. Okuyomo
1]0 Shi,."olllie.
I Cho-m. , S.lci-moc.hi
N.';Mo-ku
TOKYO
OSfEllEICH
.. S'ud i o fGr Eltk,ron i ,ch.
Stootsa!r:od.Mi. fllr M""iic ond dorst. I I."d. Kun,t
l Olh ri ng.fltrou.
WIEN 1
Studio Ek.p.r}' "toln.
Pol.ki.ladio
AI Ni.podf'.glosci 7 7
WARSZAWA
SOJUZ SOVerSKICH SOCIALICESKICH RE S PU!llIK
EJup_. _d .-... to I 1"10)10 t tUGi-,... .. 1 .. 1rt ro'""n'o' j- ""VTYIri
Muz.i A,N. H:ryob i no
MOSteVA G-2
loll. Vokhlongova, 11
Electronic M",.ic S,,,,d i o
H.lting'n Yl i opp;' t o
VIronkolu l el7
HELSf NICI 17
E f han .... ' 'lI:.t"di on
S .... ti"., lodio
... 9SS
STOCteHOLM I
UNllEO KI NGDOM
Rob.rto G., lu , d
I .. Mod i ngl. " !load
CAMU I DGE
Roy Coopo r
C,oft
Ston.y Lon.
CHAPElTtiOU'E/ Nr. WAKEFIELD
Yorlc.hi,.
1',;",0,. Co' y
Wood For. Hou,.
Ff."ingfi. l d
OISS
Norfolk
Dophn. 0 ' 0'"
Orotltics Stud i o
fo".r
FAIRSEAT/ Nt . WIOTHAM
K."t
Do. v id AII . n
97 , rue
7S PARIS 2 ( Franc. )
10" G i"
34 Elgin Cr.,con'
N . lC.nl i n9to"
lONDON W.II
Jac o b M.y.ro ..... j t.c
63 An" i . Mon, ion.
Antr i l'll load
LONDON, N . W. 3
318 STUOK) DfRECTC>aV/GUIDE DES STUOIOS
Rodiophon;c Workshop
lritish Iroodcolling Corporation
Delaware Road
Maida Vale
LONDON W.9
Ernest I.,k
Th. S,'udio
249 Camd.n Rood
LONDON N.7
Unit D.lta Plul
c / o P'et.r Zi"ovieff
49 O.odor Rood
LONOON S .W. IS
oesmo"d llrisco.
P'arton Hous.
Gros"."o, Rood
STAINES
Mi ddl.ull
UNITED STATES OF AMEltICA
luchlo Auociot.1
110111-5051
IEltKElEY, CaliL 94705
oovi, EI.ct'onic MUllc Studio
U"lv.tlity of Colifo,nio at Dovll
OAVIS, Calif. '5016
P'iccolo Studio di Claudio So" Va" PO"
732 Wo,hi"gto" Place
LONG leACH, Calif. '0813
LOllis a"d I.b. lar'o" Studio
1200 N. I.".rly GI." lIolIl.va,d
LOS ANGELES, Calif. 90014
1"0' Oarr.g
Electronic MUl ic E"t.rpri,
3246 Wi",lo_ Oriv.
LOS ANGElES , Calif. 90026
EI.ktron " MUltiC
I
2825 HyQn, S I .
lOS ANGELES, Cedi'. 90026
Swickard Tap. R.cording Service
409 Sonftill Rood
LOS ANGelES, Colif. 90049
EI.ctronic MUlic Stud i o
MUlie o.port,.,.nt
SCln F.rnondo VolI. y Slate ColI.g.
18111 Nordhoff St.
NORTHRIDGE, Calif. 91314
The Tap. Mu.ic C."t.r
MUlic D.port",.n,
Mill, ColI.g"
OAKLAND, Calif. 94.613
Henry Jocobs
So.. 303
SAUSALITO, Colil. 94.965
Richard Mo"field
455 Eddy St.
SAN FRANCISCO, Calif. 94109
COnnecf; Cllt
El.clro"ic Mu.;c Studio
School of MUlic
Yol. Unive"ity
NEW HAVEN, Conn. 06520
Oiltrict of Col",.,blo
EI.ctro"ic Music Laboratory
School of MUlic
Th. Catholic Univ.n;ty of A,.,.rieo
WASHINGTON, D.C. 20017
Richard Robin,on
Atlanta Eleclronic Mu,ie:. Center
3065 Irook Drive
DECATUR, Ga. 30033
Electronic Music S,udio
Music Oeportm.nt
Southern Illinois University
CAUONOALE, III. 62901
Edward M. ZO'jdo
3635 S. 59th Court
CICERO, III. 60650
Ehctrophonicl , Inc.
7.7 Glenayn Dri"e
GLENVIEW, III. 00025
I.ctro"ic MUlic Studio
O"por'",e"' of MUlic
a-,.tll.-y U"i-v.,.it-y--
P'EOIIA .. 111.01600
E.peri",."tol MUlie Stlldio
School of Mu.ic
University of IIIi"o;,
URIANA, III. 61801
EI.c'ro"ic Mutic Proj.ct
O.lIart",en' of MUlic Hillary
U"iv."ity of Lo",;,,,;II.
1.IIe"op Ca"'plIs
LOUISVillE. Ky. 4.0208
EI.ctro"ic MUlic Studio
o.port",."t of Mu.; c
N co,,"b Call.,.
Tulane U"iv.rlity
NEw ORLEANS, La . 70118
0"0 H.nry
2114 Milan St.
NEW ORLEANS, Lo . 7011 S
101'0" ElIp.ri",."tol EI.c'ro"ic:mu.ic Proj.etl
23 rave'" Rood
10STON, Mall . 02115
EI.ctronic MUlic Stlldio
School 0' Cr.oti .... Ar',
Iro"d.i, Univ."i'y
WALTHAM, Mall . 02154
Th. Coop.rotive Studio for EI.c'ronic MUl ic
P.O. lOll 440
ANN ARlOR, Mich . -4S107
EI.ctronic MUlic Studio
School of MUlic
Ulliv."i'y of Michigan
ANN ARIOR, Mich. "8105
Th. Pri .... Mo v." IIlu .. lo"d fope MUlic Workshop
11-4 N . Oi vision St.
ANN ARiOI. Mich. "8108
EI.ctronic Music: Lobor.CI,ory
O.po",.,."t of MUlic
Woy". SICIte U"i v.,.i,y
Mic". 408202
Electronic MUlic Laboratory
School or MUlic:
WOlhington Un;v."i,y
ST. LOUIS , Me). 63130
Mu,ic IV Facility
D.por"' nt of Mu'ic
'rinc.ton Uni"."ity
P'rinc.ton, N.J. 08540
Rio Grande Electronic: Mla ;c laboratory
1623 S i9 ""0 Chi .ood
ALIUQUEltQUE, N. Me.:. 87106
flee-lTo''''';- MlI,le S",diO
Mu.le O.p.rt",."t
Stat. Univ.'I"y of N.w York O't Albany
135 W.stern Ave"u.
ALBANY, N. Y. 12203
I uttOft Kaplan
The lorlow School
AMENIA, N.Y. 12501
EI.ctronic Mu.ic Divi'io"
loy"'o"d Scott En'.'pril Inc.
3 Willo. Parle C.nter
Raul. 110
FARMINGDALE , N .Y. 11738
USCO
21 Church St.
GARNUVIlLE. N .Y. 10923
E I"clron;c MUlic Studio
C,.oti". Arli C.nt.r
Colgo,. U"ive,.i,y
HAMILTON, N.Y. 13346
Mall Srolld. EI.clro";C MUl ic: Struc,ur.,
100-35204.,1, St.
HOU.IS, N. Y. 110123
H.r-Mor STudioi
19 C'OIl"'O" Ploe.
HUNTINCTON , N.Y. 1174.3
David I"hr",on
108 E. 93,d SI.
NEW YOU::, N.Y. 10028
Wol"r Corlol
.. 10 W.1t End Av.nu.
NEW YOU::, N.Y. 10014
Colu",bio-P'r;nc"to" I.ctro";c MUlic C.n'.,
e32W.IBthSt.
NEW YORK, N.Y. 10027
Abroho", H. FrilC"
320 . 53rd S t.
NEW YORK. N.Y. 10022
Per"r Glvlho"ok
270 Riv."id. Dri v
NEW YORIC, N.Y. 10025
EI.ctro"ic MU I;c Studio
In'.rm.dia Program
School of the Art,
N.w Vork Uni"ersity
144 1I1 ck.r St., S'udia '3
NEW YOlK, N.Y . 10012
Mall N.uhoul
210 F;fth Av.nu.
NEW YORK. N.Y. 10010
STUDIO DIlfCT<:aV/GU'Df DfS STUDIOS 319
Alwin Nikolai,
E 10002
S '.ve Reich
ta3 Ouon. St.
NEW YOIIIK, N.Y. 10013
Garry Sherman
"I Churchill oriv.
CLIFTON, N.J. 07721 (N.w hruy)
Eric Sidoy
390 Welt End Av.nu.
NEW YORIt, N. Y. 10024
Studio 0, C/lrroll Mu,icol I""rum.", Studios
209 w. 48t" St .
NEW YOlK, N.Y. 10036
The Th.alre of Et.rnol MUlic:
P.O. tOll 190
CanalS, . Station
NEW YORK, N.Y. 10013
Jo"" Cog. o"d David Tudor
S-r-O'NY POTl"fr,-N---:'f. I
ilicJr.on.lC;,. Mu.sJ c -S.tu-"dlo
O.port"'."t of Mu.ic
Syrocut. Un'v.,.ity
SYIACUSE, N.Y. 13210
EI.ctro"ic Music Studio
'"d.p.ndent Elec,ro"ic Music Cente" I"c.
nUMANSIUIG , N. Y. 14886
North CoroHno
Electro,,;c Mu,;c Studio
School of MUlic
U",i"e"i,y of North Corol;no a' G, ",Doro
GREENSIOIO, N.C . 27412
So",,,,d Lobato 'ory
School of MUl i c
Ohio SIOie Univ.,. ity
1899 N . ColI.9. Itood
COLUMIUS, Ohio 4.3210
EI.c'ron;c MUli c S'udio
School of Music
U"iv."i'y of Or.go/1
EUGENE, Oreg . 974.03
EI.ctronic MUl ic C.II'.r
Philadelphia MUlicol Acad.1I'I1
1617 Spruc. S'.
PHILADElPHIA, Po. 19103
So und R.,.oreh loboratory
D.pOrt,,"."f 0; Mlnic
U"i " ."i ty of P"n".yl ... onia
PHILADelPHIA, Po. 19104.
EI.ctronic MUlic Sludio
School of Mus;c
G.o'ge P.obody Coll.g.
NASHVillE. Tenn . 37203
Alldio ", tuol S'udio
1'.0. lOll 47163
OAI.lAS, Till. 75247
I
I
L
!
----J
320 STUDIO DIIEcro" tDE OfS SruDtOS
Iltb.rt C. Hie
2101 Hallfu
CAIUOI.LTON, Tex, 7'006
Electro"ic Ml,llic Cltlflpo.itlon Loboroto'l'
School of M",sic
North T.xol Sto,. Uni ..... rsity
DENTON , Tex . 76203
Phil ip I(rl,llfllfl
103 Erlkine Place
SAN ANTONIO, Tex. 78201
Comp"'t.r Sci.nc. C.nt.r
Oeportm.nt of Ml,lllc
Uni ..... rsity of Vi rginia
CHARLOTTESVILLE, Va. 22901
EI.ctronic COfl'lpolition Studiol
School of MUllc
UniY.f1ity of Wilcon,i"
MADISON, Wi .. '3706
VENEZUELA
E.tudlo d. Fonolog(o MI,I,lcol
Co",i,i6n d. E"",dlo. MI,I,lcol.,
Inltit",to Naclonol d. C",lturo ., a.1l01 Art
Apoftodo d. Con.os d. Saba"o Gra"d. No.12488
CARACAS
INDEX OF COMPOSERS I TABLE DES 321
t-a- CIAO gi_ in the forwt _t n.qu.ntt., \lied in conctt progtOfN. No.nes b.ginning with "d." ... ....an.. , "von", .tc. are i...-x.. I'M seCDfld port
01 the _ (e.g., Few van Thl.".", ... "'nHr Thi .,."),
No';(W1Qlity ;. gi--., fQtfMr thon place of birth. Wh.... two c:ountTi.. 0,. lisr.d (e.g., England4.JSA), the latter moy only be the country or a CCIIftpOIIIr"
perwGne"' rftidence, ard does. not MCft.IOfily indicate a change of I"l'lltiOr'lGlity. In the caM of courmi. w+.ich ha"" be." dIvided lince a oompo.er's birth
inro two independent and oppoI..:i politic:olllOm (e.g., OinCJ, Ge",.,,,y), OtI'y the pr.,.nt nCJ.ionoUt)' i. ;i_n: !'hu. O-U"dlIONI 0011., Itnd no'
o.utsehlor'ld-o.u"dlland OCR. Engl:s.h and Fr.... a, t1ontlo.lon. of mmt COUr'ltries <:CIn b. found in the Ust of CCMmtri.l; oth.n Ote:
Anlbiyo EI-Muttohido
loIi .. ia
8illgorijg
C ....
fire
,.,,;
"'-rto.ico
T ..... n
T'oi-won
Vi,, __
Z_
English
rgypt"TUnit.d Arab
Bolivia
Sulgaria
C ....
Eir.
'.N
Puerto Rico

Tolwa" (FonftOIO)
Vi.tnam
China
The 'f"OI aI birtt. of 'COMe COfI'JIOIe'" is frequently publid"ed incorrectly, o..t hoi bH" pel'1Or1OlIy CQtl'WcNd by"". compoM'j the _t promi",.". cos. is thot
of Egard VorfM. w+,0I. yeor of birlt! was disco ... r.d to ha_ beef! 1883, ond not 188.5.
N",1IDen refer to pavon in the CCltalog: those in the l'I'IOi" po,t (",., to Itnd including p.236) are from tha.e in the appendic" by (/).
COMPOSElS OF ELECTTtONIC MUSIC
OTHEIt REFERENCES (p.J2n
n,. first section rhe no_ of 011 of electronic ......,.ic rho, appear in lite CIOI",,",, When the i1 ptec.ded by
ctn o .... rl... (.). ,.r.r.nces. to hi,., will 01.0 be found in the t.cond 01 !'he ind... .
n.. second incfudes 011 irdltecr ,.f.t.nces, wch at dedicate.. .....r,lctt ha ... been reallud electronically by onother
.tc. All references to o"-r compoun. ltvl .. or dead, wh.th.,. Ir'I d.iiOlltion or in I'NJllcal quotatiOtl, how Inclned; li",Uotfy r." the contribt.ltlor.
01 ,culpton, ... nwn. ete., .. hen daMly relotecl to iNt gJ the COII'IpOMf. Since detail, of ClUthorsftip of to ... _ AI"". etc. ho... g.'MfQlly b...., ".Itted
in lite Clilolog. I"IDrIWI or oulhcn ...hich occur ore COMid.Nd 01 port of me till. of 0 ""One, and It,.. not indexed.
\.""""'" tell quill. opporoiuent Ie pll,lt lO.I_t. wr I .. de concert. I.'ordr. tient pas det. partlQ,lI.. ,,-II.. qA
deM , -_ -_-, e'c. (por , ..on Thi_1'I: ""Oir Thi.nenl.
0" 10 noli_lite du plurat Ie lieu de noi.-,ce . deu .. POY' _""';annes (por elt. Fronce-\JSAI, Ie d.mier indiC)l,l.
10 , .. Od.nce penna .....",. du cornposit_ . celo ",,'impliqlolOnl pot forume",,' un char.gement d. nCJtionoli"-. Do ... I. COl d .. PO)'l cyont itf, op..t, 10
...aiuance dI.I OOII'IOOIireur, di .. il" en d ....... 1'01'\ inciClpendant\ 'Chi ..... , AII _g,.. }, SeIIle 10 noh_lir' oc",.II. _nrionne. IOeuru:n!and-OOll., .,
__ pol D.,tKhkandO ... "ehlord DORL
-'roDi"o EIWll.lttohido
IoH ..io
fl"j'garijo
C ....
Ei.e
"'''' 1\,""olico
To;....-.;In
Vi ft-f'Cm
' ..........
Up ....bl i.,. Arab. Uni.
Iolivi.
!I.Ilgorie
Cuba
Eire
P'rou
Porto-8:ico
eo".

Vi',,.,..,
Chi".
Novs oYQnt t....., a fai,e ""rifi., lei dor" de noillOnce por les comtKK"eu" ..., .....,..he I.", ."..u" d ""ie' )Oftt, en eff.r. tfn 'fponduel: iI wffit de
ti"-r Ie <:CIt d'",n COI'9IpoI'r..ur ou"i 0:.0....... que " or.a,.., n4i.n lBBl, ., .- 1885, c_e Oft .etit loOU ... .,t.
LeI\ croiff,e\ qui wi"."t nom ,.""oO."r 0"'111 po;,,", du Re:pe.toirt I. cotOlpolit..... esr cir'; I. ceo, 'c"eo"r, I., chiff , eorr.t.pondont a 10 Ii,,.
j)r;ncioole \Oftt por (/ J d. c:...,.. qui renvOi."t ou .. pege, dn o:Il'\IW.e,.
COMPQSITtURS DE MUSIOUE ELECnOACOU'STIOUE
AUTIES REfERENCES (p.nn
Do". 10 ."..mi ...... wction, 0tI trou..-..o I'oIn I .. I'M)mS ql,li, do", In Ii",", ligvr."' doni la colon,... COfPII)OI.it..... "M. L.I no".. prtcedt1i ott4,;sque (- ),
\OIl' Igole_t _,iQfWI don, 10 d ...... ilme sec.ion d. 10 tabl .
C.lled g'o.ope IOUI 1., notPII; citil d rirr. indi,.ct: dklic:oroir , CIU oureu", d'l,In. porritiOtl dont 10 rfaliwJlion .I.ctroocoutfiq\ol. elt dO. b loIn o",t,. composi.
rwr ... .. ilolOn" ou mort. dont un 00'10;. mu,icol .tt cite! do", u<w oeu ...... tlectrCJOcoustiq",e ... Figur,"r ,""cor. :tOM celie .. crion I .. ftOII'II. del'
ta.,jpreurs, ingc:,,;eu", ere. , do"t 10 contTi burion fo" porti e i"'*gfO"'" d'une CQm:)01irjo"" I'1IIIl;cole. Seult ont ele omil le-s norrtl fde met,.....,"'.n ,ei"..
d'our_, d. le.. tn) qui ". fig",re"1 do ..... I. cofOlO9'Ie q"'. porce qI.I'ih lOft! cit l!!l dom Ie d'u". oe\I .. ,e.
COMPOSEtS OF EI.ECTRONIC MUSIC/ COMPOSITEUItS DE MUSIQUE HECUOACOUSTIQUE
Aberd. (USA, 1 ) 17.5 / 280
...... i" Mict-llHeUal, 1m) 91, 190-191
Agnello, Mict-I (USA. 1 173
Ahltfrom, Dovid (USA, 1927) 130-231 , 133 / 237.283, 289, 297
Ai*-", lobet-t (Conodo, 1939) 19 / 250
..... i),o",o. K",nihon.r ( Nippon, 1929) 131-13"' / 29., 3O!i
Ak",tDgtawa, YOIUIhi (Nippon, 192.5) IJA
-Albert, SI."n.., (USA, 1 ) 106
Alfonti, Memo (ilolio, 19."1 lG4
-AII_", Doevid (Auttl'Olio-UK, 1944) 1!i7 1 m, 298
.... 1 .... '0. And'" (Ftonce, 1927) 60-02, 60'-65, 73, 82, 163 / 256,
AI.. 65 / 294
Amocht-r, oYGl}'Qn".. (USA. 1940) 187,201
FlO... (USA. 192.) 203
Amy, Gilb.rt (Fronee. 1930) 76
AndreOtli, Riccordo (i ralia, 1929) 100-101
Andri ... .". Lou;, (Nred.rJand, 1939) 119 / 278
And"", Oorald (USA, 1933) 124, 186
Angelini. Loui. (USA, 193.5) 103
Anhalt, 11f....6n (MoGyo,oru.6gCanodo, 1919) 17,22,207
Antoniou, Thecdor (HeIlCli. 1935) 53-54, 91
Aponte-Led .. , Itofoel (Pwrf'O Rico, 1938) 2
Appel. 1(0,.1 (Nederlond, 1921) 124/261,291
""ppl.bo""", Loui. (Conodo, 1918) 17, 1920 / 307
-Appletor'l, Jon (USA. 1939) 195. 208-209, 228
-Arel, BDlenl (TOr1dy.-USA), 1919) l!i3, 2Ob-207 / 245.264
'Armo, Paul (Mog)'CIraruag-Fronc., 1905) 62, 82.s.4
Arooil , Thomal (USA, 19J5) 229
Arrigo. Girolomo (Itolio, 1930) 73, 103
I:
,
,
I"
i
II
II
"
i,
322 INOEX OF COMPOSlIS/TAaLE DES
Artem'ev. Eduatd (S551.. ? ) 1
Art+M"ys. Philippe (France. 1920) 71n. 88 / 244. 2048. 255, 27B
*Aahl.y, RoDert (USA, 1930) 192- 194 / 237, 249. 2fH. 289
Awar. JoN Vieent. (Chile-V.nez.uela, 1933) 30, 46-47. 236 / 253
Atehot-tOa. IIa$ (ColorN:JkI. 1933) 2
AtkinlOfl, Dennis (USA. 1 ) 228
*Auttin, Larry (USA. 1930) 106,169, 179 i 278, 284
A..",i. h"i (I_I. 1927) 19. 20B / 26.5
*labbitt. MiitarI (USA, 1910) 206-2C6 / 245. 254. 2n, 310
laccnelli. 1 (ltalia, 1944) 101
-Jodings, Hen!.: (Nedef'land-o.uhchland MO, 1907) 5, 121-122,
12.-125,140/243.259.261,278-279,282
lak.r. Jon., (UK, 1937) 156. 163 / 2"',297
*Baker. ltoNrt {USA. 1933) 186 / 252.281.308
Balesh'ini. Nanni (italkl, 1935) 103 / 294
lallif, CIGIIde (F!Once, 1924) 7475
*Barboud. Piern (France, 1911) 53
Iolbi, Alvaro (halia, 1941) 101
Bolbi. \/alerio ( haIOo. 1946) 101
Baril. Jon (S_ 1934) 149. 17'9
80rlo ..... Woy.. , (USA, 1912J 10, 124
8omni, oYtorio (Italic!. 1934) 101
Barannet. Jean (Ft'CInce. 1929) 63. 73. as..a6 / 259. 295
Jeon (F!Once. 1928) 71 / 2 .....
Ion'Ol'l, Sebe {USA. 1928) 171 . 204 / 269.297
Barron, Louil (USA. 1923) 171.204 / 269. 2'97
BarthoIOl'lllkoPienw-i I.ISlique,-t931) 10;-t2-
*Bartl.tt. Mortin (Ca,oda. 1939) 17
.. d'lJand BlO, __L ...L:J2"
lauett, l .. lie (USA, 1923) 195
Iknri". Ernnt (USA. ? ) 187
H.rbe,. (Oe\,lhchland SRO, 1925) 36. 39
*10'11 FronljlOil (FrGrIce. 1932) 63, 74-SO / 2+4. 257. 266,
269.279
8azOn. Olcor (Argentino, 1936) 2-3
*aBC Radicphonic 'Nc:wluMp (UK) d. Sludio
a.atl.I. T'h. (d.Honison, L.nnon, McCortne)'. Starr) 157 /
262.298
Seauchornp. J-. (USA. 1937) 186-1B7 ,1 297
*Ieaver. Paul q r l (USA. 1925) In-l73 ' 249
I.ek. L6u.16 {Mag)'QronzeSg. 1925) 115
.. ck ..... i"'. Jon" 1927) 19
ledford. David (UK. 1937) 103. 157
a..croft. /'bMo lConoda. 19J..4) 20B / 263. 218
S .. n. Philip (FfOftU, 19"2) 63. 76-80. 8.4 ' 262. 289. 298
B.fani. Franco (ltalio. 1 ) 101
*a.hrman. Oo"Od (USA. 1937) 9. 191, 204
Silo;. 1"..01'1 (Mogyaroru.6g. 1931 ) 116
*S.nvenuti. Arrigo ( holio. 1925) 101
B.rger. Roma", \Pohko-t.dco.loven.1<o. 19JOl 24-25
*&.rio. luciono tl talia-USA, 1925) 78. 207 / 244-245,
259, 262. 265-266. 284-2B5. 311
Er"..t lUI(. 1909) 162. 16.5-166 / 246. 269
S.rl.ndi" Morio Utalia. 1 ) 101
hmord. Guy IFlOnc 1907) 63
aernf.ld. B.n Ilominia, ? ) 1.3
a.rtooci",i. Mol"io (Italio, 1932) 106
S.y.r. Rab..t IOeu",chlond MeO. 1901) 49
Eti.n.w rBelgiq\ol 19.5) 12
Bioleu. , Oeutschlond BRO, 19071 53
-lICIn 8i.l. Mid.a.1 (Oeutschland BRO, 1937"1 50. 200
-"ocher. Bori, (Oeu",chlond BRO. 1903) 40-41 / 268. 277-27B
-llodcbYrn. Mc:!u,;ce- (Canada. 1914) 23
llok Micho.l (UK-Franc 1930) 88-89. 92, 161 / 292
d. Blolio. """tonio (Itolia. 1925) 105. 107
*SIOITIdohl. l(a.l-lirg.r (S ....';g 1916) 149-150 / 262.283
Bodi,.. (S".rig 1935) 149-150 / 265.29"
Boekmer. 1(0Nad (Deuhchlond IIRO. 1941t 47.50, 125 / 285
Boel'lftO,.. Jon INederlond. 1923) 120121, 124
lloewnans. PtoiliQge (B.lgiqu. , 1936) 12
Boill.let, P""I france, 1917) 62--63 / 2bJ, 278, 284, 300
&0101'10., CMr 1931 ) 2 268
Boon Chorl..., USA. 1939) 175
Ilosco, Gilberto Iholia. 1945) 111
1I0ttie. Will Goy USA, 1925) 124, 183-184
bcau,.ehlley. Ard,,' (Bul!jQrija-FlOnce, 19'25) 73. 102 / 244, 260
lIouln. Pi.m fFranee-o.utschlafICf BRO, 1925) 35. 65, 70 / 244
Bourne . Craig USA, 1941 ) 227
b,ilier. tlw:.roat (USA. 1 ) 209- 210
Brand, Mo.. IO,,.n.icJ,-USA. 1896) 202-203
loont. H."'Y tCanado-USA. 1913) 234
SfOU. Jean t Franc 1930) 604, 67. 82. 84. 87 / 242. 292
Sraun. Peter Michael (Oeuhchland BRO, 1936) 49
Bf."" H)'lf'Gn ' South AfTico-Canodo. 19311 17 / 250
BrilCO 01tlmOnd (UK. 1925) 163, 167-168 ,1 252
Brntic!. Gabri.1 (Chil., 1942) 2
Brown. Eo.l. (USA. 1926) 68. n. 199. 205 / 244, 277. 295
Irtl". H.rbert 1918) "9-50. 52, 186--1B7 /
243.252. 30B
lruyndoncb. Jon (Belgi 1926) 13-U ' 245. 258. 295
Irvyn.l. Ton ' Ned.rlond, 1934) 120. 123-124 / 248-249. 276. 279
S'yan,. Allan USA. 1931 ) 108-109
Buechi. Volentina (Itolia. 1916) 102
Buchla. I>orold (USA. 1937) 169
Budtin... &ouo.wijn i8elgii. 1945) 12-13
Buko...y, ViIiGft'l 1932) 26
Bull , Patricia (UK. 1945) 1.58
Bunt, Rld'Iord (UK. 1941) ISS
SQrdt . F,.;t (OeuhchlofICf IRO. 1925) 3.5
*i!lun"oughl. Williell'l (USA-UK. 191") 1.58 / 249.296
Burt, Georg<e (USA. . 1929) 190
*BulSotti. S)'lvana (Itolia. 1931) 99
Butl.r. Roty (USA. ? ) 210
Iytd, Joseph (USA. 1 ) 173. 180 / 289, 297
*Cage. Jolin (USA.. 1912) 102.191.204,217,225-226 / 237-238.
243.2"6,250-251,265266,276. 2B2. 296
*ColloMt'I, Micha.1 (USA, 19"51) 178
*Co"'i.r. Robert (Franc., 1921) 8.5, 87
*Cant6n, Edgardo (Argentino-France. 19J..4) 74--80. 103 / 253. 279. 'lW
Cald ..... Corneliul (UK. 1936) 50
Carlos, Wal"-r (USA. 1939) 20.5. 207-2c:B / 26.5. 269. 2'97
COtma$,i, GiVlepplt (Italia, 1945) 101
*Carpl. (ioni (ltalio. 1923) 22
Carpi. Fior.nlo (Italia, 1918) 106
CartOn, f'to!ilippe (Franc 1936) 73-78 / 2"". 279
Carvalho. hginoldo (Irati!. 1932) 15-16
Cory. Tri,tra"" (UK. 1925) ISS, 158-159 / 300
Couuto. AI....aro (P04'tugol. 1938) 142
COltiglioni. Niccola (Itallo. 1932) tal / 2"5. 285
Celltillo. Graci.la (Arg.n.ino. 19371) 1
Cecc:ar.m. Alberta (ltalia. 1915) 101
Ciety. t93Otl03;-189;""227
C.rho. Friedrich (Oitet',.ich. 192&) 137 / 285
C ...... JoeliUSA. 19'3'0_ 200
Chad....ick. Gordon (USA. 19-(0) 184
Choilly, lucklna (IlOilo. 1920) 102 / 283
Cholrne", Jolin H. (jr) (USA, ? ) 170 / JOe
Chang, Won H.......1c (Taehon4JSA. ? ) 200
Charpenti.r. Art+tur (Conada. 19"") 19-20
Ch.rney. S,ion (Cal"lCllda. 1942) 20
*Chevreuill 1901 ) 7 / 278. 300
*Chiod, GiUMppe (Itolia. 1926) 99-100
Chiggio, E""io (holio. 1938) 104
*Chopin. H.nri 1922) 04-65. 90 / 255, 258. m
Chr;'ten. Adlill. (Hel".ria, 1914) 92
ChristOt.l. Jon; ( H.llas. 1926) 91
Ciomaga, GUlifO" (Conada. 1930) 19-21
Cipolla, francesoo (Italio. 1931) 101
*Clarit., Irvc. ( ....UlltlOlia. 1 ) ,;
CI.mentl ..... Ido (Italic!. 1925) 103. 106 / 245. 295
Clou"'. Cyril (Soul+l Africo4JK, 1926) 159
Clount. Oli"i.r (Franc 1935) 7"-75
"Cobbing. Bob (UK. 1920) 159 / 292. 295
Cohen-Solol. Rob.rt (Franc.. 194.31 78-80
Compton. Jolin (USA. ? ) 200
*COI'Itod. Tony (USA. 19.(0) 210
"COntran'. Morius (I.omtnio-Franc 1925) 70 / 2t1J, 263. 278
Roy (UI(. 1930) 1.54-155
Coraggio. P.r.r (USA. ? ) 183
Coldo'ICI. Jodi (USA. 1 ) 200
*Come,. pt,iI,p (USA. 1933) 211-212 238. 284, 298
opd. Caul. Paul (Ned.rlond. 19"01 124
" yon Crame H.inl (Oeyt1chlond IIRO. ? I 52 / 296
Crone, P.t.r IUSA. 19S5) 2J5
Crou, lowell l U$A. 1938 ) 19-20. 233 291
Csintulon, lonl6 (Mogyorol"u6g. 1934 1 115
Cunningt-.o.... JOIM' (USA. 1m) 1&4-185 / 249
"Cunon ..... I"in (USA, 1938) 106, 109
()'Agottini. Corrado (ltalio. 1946) 101
DoII'Oglio. R.nlO (l fOlio. 1924) 103
"Darreg. ),, (USA. 191 n
Dovidovsky. (Argentina-USA. 19].4) 206-210 / 2.5-246. 204,
280-281
Oo ... lyle (USA. 1938) 191
Do"i.,. Hugh l UK. 1943) 156. 167-168 -' 279
Dltbl'Os. louis 1a.lgiqu 1938)
O.c.sen),i, JOnos (Mogyo rorll:6g. 1929) 116
Ocfone.z:. !len' (hlgiqu 1905) 12
D.fIII'" fcf. To... ir) 97
8rion rUI(, 19.1) 159-160 1 237
"O.rbyWlire. D.lia (UK. 1937) 163. 166-167
Poul (Oe",hchland DOlt. 1894) H. 55 / 250
...on Oeu,.n, Pieter (USA. 19351) 17S
"Deuhch. H.';"rr (USA. 1932) 203.226-227 / 2B9. 30S
Oiondo. Hilde (Argentino. 1925) 102. 174
Oidcman, Stepl\en l USA. 1943) 192
Oin.y.lt, Tom ( Ned.rlond. 1921) 121 .123-124 / 261.289.297
"Oobrowolp:i. Andrzej (Polp:o, 1921 ) 139-I.tO / 257. 276. 283
"'OodulQder. rod (USA. 1932) 213214. 227 / 2.50. 259
Dodg Oorl .. (USA. 1942) 198. 210 I 309-]10
00161c. J6n 1934) 25
Oofllltoni. Fronco (Italia. 1927) 103 / 2.5. 27';. 285
Donner, Otto (SuolTli, 1939) 119, 147
Michoel (Owtschlond BRO-(JK. 1935) 160
Dr."". JOl'!\e1 (US..... 1m) 188, 196 / 2n
Orvckman. Jocob (USA. 1928) 209-210 / 266. 281
Dufourt. Hugh" (Franc.. ? I 93
"Oufr'ne, Franc;oil (Frane 1930) 66-68. B3-88 / 2"2. 2"9. 25.5.
258-259. 292. 294-295
Dogger, Edwin (USA. 19.40) 136, 209 / 310
DunhaM, l.K. (USA, ? ) 175
"01,1,,". Robert (USA, ? ) 212
Earll. Paul iUSA. ? J 228
:Eaton, Jolin {USA. 1935) 105-106 / 269.28 289
Echoft Pedro (A"JIfntino. 1942) 3-4 .1 253-254 298
Eden. Bracno Olrael. 1928) 97
Ed , H.I ...... t 1916) 53 / 2n
EdlOoOrds. Rcm (A"'trolie. 1943) 5
Ehl Rob.rt C. (USA. 1940) 231
"Eilftert. BRO. 1897) <1.8-50 / 247. 2S9-26O,
fi'ltl'lO. Will ( Nederiond. 1929) 119
EI-Cobh. fl-Muttohido _ USA. 1921) 206-207 /
filii. Men"iII (USA. 191,;) 232-233
1922) 36. 43 / 277
E&t ...&s, Pe"r (Mog)'Orornog. 19"") 115-116 t
Epst.in. S"'no l S_rige. 1 ) 149 / 259
Epst.in. Paul (US..... 19]5) 188, 191
Elb. Donald (USA, Inn 227
"ErickH)fl. ilobert (US..... 1917) 175, 17'9
Erlih. 0."Y (France. 1928) n
Escobar, lui. Mforlio (Colombio, ? ) )1
"Evong.lilti. 1926) "9. 269.......2Z6.__
Ezaki. J(.niiro ( Nippan. 1926) 187. 209
Fagandini. Maddol.no (UK. 1929) 160. 163
Fohlltr&m, Oy"irci (S ..... ,ge. 1928) 152 / 292
Foirlie. Mo ... t (1.lSA. 1928) IBJ. 226-227 / 299
"Folck. Robert (USA? 1937) 190
Fona. Mic:h.1 (France. 1929) 63. 68
*Fo_tt, Ja.n.t-r; (USA. ? J 205 / 250
von feilituc.h. ICori (O .... 811:0, 1901 ) J7-J9
.F.lciona Richatd (USA. 1930) 175, 196 / 250. 279, 286
F..ldmot'l. Morton (USA.. 192';) 198. 212 / 237. 282
F.II.gora. Vittorio (Italio. 1927) 105
F.fJ)OlZi, Corio. (Argentino. 1937) 4
"F.rTOri. ;;;n. 79. 94 / 243_24-4. 251 . 259-
F.r ... "i, Ereolino (USA. 192(11) 190 / 309
s_.,.;z {A"'V.n'ino-Ff'Onu. 1937) n-79
FIr""'Y. 1tGSf, l (USA. 19Gb) 19.5. 2fJ] / 2B2
FOI'1ner. Jock IUSA. 1936) 19.5
Fronehi,.fIG. Cnor (Argentino, 1923)
Franci, Corio (Italio. 1927) 106-107
Frank,. l.E. (US..... 1931) 197 / 247 252 309
F.iedn'lOt'I. Gory (USA. 1935) 209-210
Fritc.h. Abroho.., H. (USA, 1900) 212
lions Euvet'l (H.lv.tia. 1939) 92 / 281
G. (O.... "chlond SRO. 19", ) 47-48. 50
ful"' ....ra. Oton.,. ( NipPOn. ? ) 198 / 309
Fuk",himo, I(OIUQ (NipPOn. 1930) 134
"Fuller. RornQ'l 1930) 186
Gabu,o. K.nne", (USA. 1928) 181. 186-IB7 / 252
Luigi (ItalOa. 1938) 101
Garcio. a ..u ' USA, ? ) 180 ,1 25S. 297
Go,{ial. Robe.t IUSA, ? I 176
Gomi.r. II,. \ Oeuhcnlond-Franee. 1927) 59 / 28. 292
Gomi.r. Pie". (France, 1928) 59 / 2&4. 193
Goslini. Giorgio (Italic!. 1929) lor / 267
(USA. 19(3 ) 37-38, 180. 203 / 268
Gou"".r. S, _ (France, ? )
Gout I Didierjll.lgiqu., 1940) 11.13 / 256
G.... in. 11:00'1 (UK. 1943) ItIJ-161
..an Gelder. Ho.., (N";"lorcl, ? ) 120
G.Uhor". Mortin (UK. 1945) 156
Gel ..."Ui. Vittorio (ltalio. 19261 100. 105. 107, 109 / 258
Gl!nlrner, Horald (Oe-uhchlond 8RD. 19(9) 36
Gethard, iloberto (E$pOna-UK, 1896) 154. 163-164 / 26A. 305
Ghen'. Etnmo...... 1 (USA, 1925) 209, 227
Gittoy. ( Nede. lorG. 1910) 119
Giorno, Joftn (USA. 19]61 204-205,213 / m
Girard. Pie,..e, (Franc.. ? J 85
Glon"lll RonuJph (UK. 1946) 158
Glasgo"". Hugh (USA. 1933) 19
GllMonok. P.tH ( USA, 1914) 213
At'lthony J. (USA, 1936) 19-21 . 191-192. 213
Godzlo"lcy. Vitol}' (SSSIt, 193';) 14.
Goelhol,. 1.J.Iei.n (Belgi'. 1931 ) 11-13 / 256 295
-GOItyvo.rb, Kor.1 (1.lgil. 1923) 12 49 '.
Goldman, P.ter Ema...... 1(USA. 1939j 213
Goldstein. Molcol.., (USA. 1936) 207-2Q!
G_I. ltalo (Italic. 1933) 99-101
Al}U!tln 1927) 57
Gorter. Kious INederiond . 1901) 119
Gottwald. ClYM (Oeuhchlond IRO 1925) 53
"Grai ....,. Ron (Australio-wc. 1922)' 160
Grau. Chorles (USA, ? J 209
Grvu.r. Vi crOf' A. IUS..... 1937) 235 / 2SO
Gredingcr. Paul t H.lvelio, 1927) 49
G,eunoy. Potrid. (Fra"c 19441 68 / 289
INDEX OF COMPOSElS/rAllE DES COMPOSITtURS 323
*Grigw,y. a._rly (USA. 1928) 174
Gr6gero...6. Bohu..,ilo (e.,ko.lo_nllco. 1921 ) 28 / 293
Groot. Rent ( Ned.rlarcl. 1930) 124
"GrOlsi. Pi.tfo Orotio. 191n 100-101. IOJ
Grouman. Gory (USA, 1942) 187 / 3{J!
g'oup (. McMahon) 1 B8
Group Ongolc.u ( Nippon) 132
group lV.lvet Und.rgraurd) 224. d. also V.lvet Urclergrourd
G""ber. Hei,,1 Korl (o.,..r ... ich, 1943) 137 / 263. 281
Grtlnbau. 1.J.Iu (Deutschland BItO, 1929) "0
gruPf)O (NuOIlCl Co...ananza) 106 / 262
g""ppo (SMfT lino) 111
Guaccero. Domenico (Italia. 19':27) 105-107. 110 / 278
Gudrnunds.n-Hol"'Dr .. n. P.II. (Oo..-ric, 1932) 32
Guthra. Jomes (Conoda. 1923) 20
Guttman. Newman (USA. 1927) 197 / 244. 2.7. 252. 309
G",yOlV'lltt. Jacquet (H.I_tio, 1933) 9J
*G)'lin. IIrion (US.... 1916) B3. 117. 204-205 / 293
HoiLuen ? ) 183
Holffter. CriltObaI (E$pOIio. 1930) 57-58. 125 / 2B6
va", Hall, Marl.en ( NederloM. 192B) 120
Ho ....:lta."'. hngt (S_rig 1928) 49. 53. 102. 149 / 262-263, 281
237, 252
Hor'llJ'. Jon .... rako, 1915) 28 / 278
Ho,.,i.Oft, Georve-(UK. ""3) I-"';-cr:-alsa liGtlH"-
Hartig. H.iflZ--.Fried,ich {'*"tt.dlla.,d YO, 1907)-----40..41/ 27i!1
Hoshogen, Klaus (O"" .. dlIQI!d 52=
Hou.ll. JOft 1937) 19. 48, 104, lBI
Hartwig, Motti" (Deutschlond DOl, 1920) .54
(Pohh-lwu.I..o,,.,.,.lcn, 1919) 35 1.
H.ck. ludwig (Deu .. chland S.O, 1901-196&) 35
Heieking, WoIfffUII (Oeubchlorcl COR. 1927) '"
BI / 2.54-25.5. 258. 291. 293
H.in. Hem'lOnn (O-Uflchlord BaO. 11197-1966) ""-45. 49
Henlt6. Poovo IS_i. 193.5) 147
H.nry. Olta {USA. 1933) 19, 188-189, 229-230
*Henry. Pi.m (Franc 1927) 69-n. 79. 85-87 / 24;_2"9. 252. 260.
263-264. 206269, 295. 300, 30.5
H.nsnilwoad, (UK. 1 ) 168
H.nze. Hans (Oeuhd'lland BItO-ltalia. 1926) 51 / 283
H....".r. K",rt (o...,f'lchlard SRO. 1902-1965) J8
Hidalgo. Juon (EJpClIla. 1927) 7.
Higgi ..... Oide (USA. 1938) 21.5-21';
Higgi ..... HOUtfOn (US.... 1940) 231-232 / '197
Hill. AI.c (UI(. 1941 ) 167
-Hill.r. 1924) 1as-187 / 252-253.264, 281.
Hi,ral. J_f 1920) 28 / m
HobOl, Sorbara (Canada, 19.4) 17
Hod.ir. lFrance. 1921) 70 / 251 , 289
Hod.lI ...... is_rig.. ? ) 1.50 / 254. 29J
Hodglon. Brion (UK. 1938) 163. 167
Hoffmann. Jo ...., (USA. 1929) 185
HoI-oe....... Nolfgong (O.... hd!lond OOC. 1927) 55-5.;
"Ht.pfner. Herwarr (Oeut1chland 00ll. 19271) 55-5';
HOf'nig. Roirw, ODfl:. 1935) 55
Horvath. Josef Mario (Mog)'O'ornog-Ottl! .... ich. 1931) 136
HOIOoOId, Olt'On C. (USA. 1918) 185
Ho......... Hube.t S. lir) (USA. ? ) 198-199. 209-210 / 309-310
Hrtlontd AI ondl\l r.orntnio. 1936) 143
Huber. I(lous; (H.t .... ria. 192", 9" / 2n
HUbner. (Oeuhchland BRO, 1940) '8
HugiI.. , Phil (USA. 1940) 190-191
Hultberg. Cortlond (USA-Canedo. 1931) 17
Humpert. HCIn$ Ulrich (Oeutschlord 811:0. 1940) 48
Hunlci ..... Arrhu, (USA. 1937) 227
Hunl. Jerry (USA, 1943) 231-232
Hunt.r. Donold (USA. ? ) 228
'chiyonogi. 131-133, 216 / 238-239. 246,
ineonnu (llolia) 112
incon,..., (Krakow) 139
;ncon .... CaliFornio. leningrad, MoskIoO, Ned.rlond.
SveriqeJ cf. Unlcnown
,nco." ... (Wi.,,) cf. Unbekannt
de InCOl'llTelO. Co.lo (holio. 1937) 111-112
lrino. Yothiro (Nippon, 1921) 129
Ishii, Moki (Nippon. 1936) 12'9
ittrnann. TrueH (Ned.rlond. 1921) 123-124
1,,""1. Jean Eidl.lberger (USA, 1923) 19. 191 / 250
"Jacobi. Henry (USA. 1924) 176 / 251.280-281
Sob (USA.. 19:)9) 195 / 249.256.289
Jonson, .... lfred i Norg 1937) 135
J arfal. TarnOs (Mlgyororuag.? -1966) 116
-Jo ...... Maurice (France. 1924) 6S
Worner (USA. 1930) 176, 17'9
Joachim, Otto (Oevtsehland-<:Onada. 1910) 22
JOhonniton. Mog".n 1I1.s'rdol ( rtlond. 1925) 96
Johonn. S_n-Erilc (S".rige, 1919) 152
Johon"on. a.ngt (5uQn'li, 1914) 147

324 INDX OF COMPOSERS!rABLE DES COMPOSITELaS
"ngtElftn (S",.riV-. 1936) 150 / 26.5,293
Joh,.on. Roy (USA, 1 ) 298
-Jones .. Joe (USA. 193<1) 216
Jones, O_n (USA, 1 ) 201
J&rIV, H.lge (o.. .. cnland aRD, 19.. 1) 1.47
JOMck. GUnter (Deutsdlland DOlt, 1934) .$6
-Judd. FNd.rick C. (UK. 19131) 161 / 285
R.ija ($_i. 19'34) 147
Kab.16l. MilClilov 19(8) 28
KaC1imky. A. (Fronc.1, 1 ) 90
Kaeg/, W.".., (H.I",.tia. 1926) 93 / 289
-KaV.I, Mauricio (Atpntino-o...,tscnlond liD. 1931) 2. "7. SO. 52
54. 125 / 237238. 260. 210, 282, 286. 300. 305
Kahowu. GOnter (OtterNicn. 1940) 137

"KaricOichka. Er+o.d (Deutscnlarod BRD, 1923) 52
Kallrk. V6'elav 191n 26 / 278
Kayn. Roland (Deuhcnland stD. 193J) 066. 106 / 237.285
KeoM, Da.... id R. (USA. 1943) 228
IC ur. (USA. 1940) 235
K.lemen. Milko (JU9QSlavija. 192.. ) 54 / 282
K.II.r. Hamlr (USA, 1915) 228
Ket,l.r, Th0rra5 (H.I ..... ttaO'Vtsdllond 110. 1937) 40
Killmay.r. Wilhelm (O...,hdlland YO, 1927) 5253
Kingsl.y. G.rshon (O'Nrreiehlsraelo.llSA. 1922) 222 / 267,297
Kir&ly. Er"a (JU9OIla.... ija, 1919) 113
KlrcilMr. l.'on-(USA, 1919) 216--
Kleb.,.......G.iMlh.dDeubchland BRO. 1925) "l. 49 W8
Kllmko. 1936) 235
Knight. Monis (USA. 1933) 177. 182
Koenig. Gottfried Micha.1 (Deuhchland 1II0Ned.rlond. 1926) "9
SO. / 248. 276. 286
Kohout_. C"rod (c! OIlo.....n.ko. 1929) 26
-KoI6'. 1912) 28 / 293
Kolmon. P.telt 1937) 2.
K'omoroul. Rudolf CIIlo.....nslco. 1931) 2728 / 2604
Kon, ShirO (Nippon. 1905) 127
yon de I(ooy. 1 (l"Md.rlarod. 1 ) 120
Kowgi. Tok.... ise. ( Nippon .. 1938) 130, 13213", 216-217
KatBe, P." .....nsko, 19.. 2) 27. SO
Koton.lei. Wtodzimi.n (Polska. 1925) 50. 139.1"0 / 257, 276. 283
KOII, Hons ( Ned.rland. 1930) 12212 ..
Kroul MonfTed (Oeutschland BRO, 1933) 0&0
Kreichi. Sloni,)o .... (SSSR. ? ) 1.....
KI'.,.. Ernst (O,t."..idt-u5A. 19(0) 0&0, ..9, 54. 17". 191 / 248.
254. 277. 286
Krieger. Annondo (Arg.ntino. 1940) 1
-Kriw.t. F.rdinond (Devhchlond 8RO. 19"2) "0. 54 / 29 ..
Krepfl. Francisco (Argentino. 1928) I
-K",",",. Philip (USA. 19"1) 169170. 193. 233-234
WolNr (Devhcnlord DOR.. 19311) 55 / 249
Kulera, Vefcla.... (tnkCIIlo",.,.leo. 1929) 27
Kuhl. Rolf (Deuhd.lard ODII.. 19'281) 55-56
KuillO. Emonu.1 .... ,.ko. ? ) 25--26
Kupka. Kar.1 1927) V / 278
Kupicovit' . Lodillav (teskotlo_nsilo. 1936) 2"25
KUpper. Leo (Belgiqu 1935) 910 / 29"
Kur.l"Ini_i. ErUi (Suomi. 19.. 1) 1.47
Kurt6g. (Mogyoron:og. 1926) 116
-Kurth. Addy (Oevtsciliand ODR. 1922) 5556 / 250
KUUlilto. IIkko (Suomi. 1935) 1"7
Kyrou, Mireill. (nomd. j.u". fill.: o.c.-u. Franc 1931 ) 73-75 /
260
lobbl. Adolpn l. (USA. 1941) 232-233
lochenrronn. Helmut (Oeuhcnland BRO. 1935) 12 / 283
lafoss Rog.r (Franc.. 1 ) 59
long. Moll (H.I ..... tia. 1917) 9"
-lorua. Alcides (Argentino. 1929) 208210 / 253
tolke, Otto (Deutschlond BRO. ? ) 192
-lonI6. AI and.r (MagyoronzeSg-u5A. 1895) 170 / 252, 279
lawrylhyn, Zer'lOby (Canodo. 1943) 2021
-lebl, Valdim:r 1m) 28 / 29-4-295
l. Coine, Hugh (Concxio. 191") 17 / 250
l.cd. Aura (I tolia, 1939) 101
d. l.euw. fon (Nederland, 1926) 122 ( V9
-lennon. John (UK. 19"0) 157, d. olsa Hotles;
l.nn. Daniel (USA. 19.. 1) 191192
leppord. Raymond (UK. 1927) 161
l.men, Richard (USA, 19.. -4) 190-192
lesli., Desmond (UK-ire. 1923) 162 / 25.(255
l ..... y. &urt (USA. 1935) 186
L.win. Da.... id (USA. ? ) 197 / 2 .... 247. 252, 309
l.win-4tichter. "ndnh (Espaiio--US". 1937l 207208 / 265
L.wis. Jo"," (USA. 190(0) 187
lib.ro .... ici. (ltolia. 1930) 104
Udhalm, Ingvar (S_rige. 1921) 1"9 / 286
-liebermonn, RoU (H.I ..... tiaDeut1chlond RD. 1910) "6
-Lige:Ti. Gy6r'ilY (Mogyoronzefgo,terr.ieh. 1923) 50 / 259260
lilburn. Oouglos (N.w Zealond, 1915) 19, 126
lHien, Ignac. (Pollko-Ned.rlond. 1897-1904) 120
lin, Em (T'oi-an USA. 1934) 186
lindblad, Rune (S ..... rige, I92J) 152 / 259
lockwood. Anno (N.w Zealond-UK. 1939) 159 / 29S
logotnetis, Anettis ( .... 1921) 137 / 281
lohoef.r, E ..... lyn (US... 1921) 181182
longF.llow. Gordon (USA. 1933119601) 177 / 251
longton. Michoel (Canodo. 1939) 17
l_. Mio (B.lgil, 1938) 12
LOIO Totino. Arrigo (IIQlia, 1928) 111 / 295
Lorentun. "nt (eor-nc. 1935) 32
La.onay, Ardor (MogyorotSz4g..oINn'eich. 1932) 136
Lothor, More (D.... tsc:hlond flRO. 1902) 37-39
1 ) ISO / 2.51. 281
-Luei.r, AI .... in (USA. 1931) 191192 / 2"6,309
lu.ning. OIto (USA. 19(0) 106. 205--208 / 245247. 253. 255,
263. 277. 280283. 311
luk6'cs. J6,. (Mog)oroftz6g, 193.5) 115
lunchten. Rolpn (S.....nge. 1936) 1"91.50 / 265
luMHO, Stonllr( (USA. 1937) 169
von Moom. A. (Ned.riond. 1 ) 120
Moen. GOnter (OeuhcJ.iand 8RD. 1923) 5J.$( / 254. 291
Mcto)'Oni, A"d (Iuoel. 1934) 98. 208209 / 280
McJbolGk. CarlCli Ji_z (M6'lIlco. 1 ) 118
Mocdti. Egisto (Itolio. 1928) 107
oYtach (Fronc:e. 1935) 73. 75n, 9", 1 .. 1 / 2 ....
251. 260. 2tfl. 279
Moelmil, Donald (USA. 1923) 207. 235 / 286. 311
MaCiUnol. (USA. 1 ) 217
Maelow. Jockson (USA. 1922) 217 / 293
Macenie. Robin (New Zealond. 19.. 2) 48. 126
Moddcc ....... rthvr-1USA, 1940) 1.. ,. 186
-Mod.rna. S",I'IO thalioo.uhchlond PD. 1920) 102103, 110 /
2.45, 259-260. 262. 285
Geoffrey (AuJhalio, 19.. 11) 12"
.Y9sIilW'lis. Will .. (USA, 1938) 179
MogM, MidMl (Ftanee. 1930) 82 / 259
-Maj.wslei. Ha ..... -Morrin (Deut1d1lond 8RO. 1911) 3536
Mak,imo .... ic. !tajleo (JllgCllla.... ija. 1935) 198. 209 / 309310
Mal.c. Iva (Jugoslovija-Ftanc 1925) n. 7 ..n. 79. 88 / 24", 2M.
UD.279
Molipi.ro. Ricc:ordo (ilolia, 191.. ) 103 / 285
Malo ..... c. Jouf (Cesko.. o ..... nsko. 1933) 2425 / U,"265
Mangione, Amelio (ltolio. 19"2) 101
Mongh Runor 1928) 10
-Monupelli . G.orge (USA, 1931) 194
Manzoni . Gioc.omo (Italio, 1932) 103 / 285
Maranec. lucia 193") 12
Marchetti. Walt.r (ltoliaEsporil, 1931) 58
0. Marchi. Giulio (\Iolio. 1931) 111
Marco. TOfI"ds (Espana, 1942) 57
Mar.gJ. S.renella Illolia, 1934) 1004
de More: O7el"ll. T.ra ( Nederland. 1932) 119
Morgani. FlOnca (ltolio. 19.1) 101
Mari., Jeon-n ...,.,. t France. 1917) 64-65, 74. 7677. 118 / 279
Mari'lon, Pi.,.... (H.I ..... tioFranc. . 1935) 48
Morinuui. Gino (ir) (l tolia. 1920) 103. 105. 107-108, 110
Ma"'ow.i, Ardruj IPol,leo, 192") 139-1-41
Mo"'I . GlOha ... (USA. '? ) 200
NIonhali. Del'lni, IUSA. 19"2) 229
Mannol/, Ingram IUSA, ? ) 209210
-Mortin. Anmony lUSA, 1936) 179
-Martin, G.ne",;' .... IFlOnc 1929) 76
-Mortin. George (UK, '? ) 157 / 298
Martin. Ve rnon {USA, 1929) 233
Mortirano. SaJ.,.atore IUSA. 1927) 178, 186 / 252. 3al
Marttinen. Tauno ISuomi, 1912) 148
Monlus, Jan ( Ned.r1ond. 1913) 120
Mom.r. a.vce (Conado. 1939) 20
Mathe ...... Ma. V. ( USA. 1926) 197-198 / 2"5,2-47.251-252,
297. 309
.v.oticit. JO.... I: (JugOllo .... ija-Franee. 1926) 80
Motwdoita. Vori-AJ.:i ( Nippon. 1931) 129
-Motsushilo, Shinldli i Nippan. 1922) 127-'28 / 276. 281
.v.otthln. Siegfried \O .... rtchlond OCR. 193") 56
-Ma..fi.ld, il:ichord (USA. 1927) 177,217-218 .1 269
Mayh.w. (USA, 1939) 187
Wlayr. A. lben Otalia. 1943) 100101
WlaYU11,I",i. TOlhiro f Nipj)O". 1929) 128 129.1 31 / 25".267.283
Wlazurek . Bohdon IPohka. 19371) 140
-McCartney. (UK. 19'(2) 157. d_ aho Beatle1
McOermed, Charl-.; (USA. ? ) 169
McDo_II. John He.bert (USA. 1926) 162, 218-219
McK.nzie. Gory (USA. 19'(3) 119 .
McMohon. Robert H. (USA. ? ) 188
Mebius. Johon (Nederland. 19'(3) 124
Medalla, Oa.... id (Pilipi"..4JK. 19"2) 138
de Meetter. louis \lelgil . 1904) 7. 11-13 / 256.278. 295
Mellnlk, A..... IS ......ige. 1933) 119. 150, 179
Mend", Gilb.rta \BlOIil. 1922) 16 / 238.276,281
MefCUAI. (Canada, 1927.1966) 21-22 / 246,305
M.rilainen. Usko (Suomi, 1930) 1 .. 7
M .. hchanino ..... P.tr (SSSR, ? ) 1....
Messiaen. Oli ....ier (France. 19(8) 70
Mestr., lui, (CuOo--tJSA, 1938) 181
Mfttl'tl'1 Ouodreny. M. (EspaM, 1929) 57 / 305
MEV (ROt!'ICJ ) lal109 / 295
M.y.r. A.. I (Nedertard, 190(0) 124
Meyer-ippler. W_ (Deuhchland BRO. 19131960) 43
t
1
Mey.rowitz. Jacob (Soutft A"ica-{JK, 1928) 163
Meyoen, Emenon (USA, 1910) 181
MeyerTormin. Wolfgang (Oeuhdtland ItO 1911) 12
MIgltardi. Mario (ltolio. 1919) 102 / 289 '
Mif,o. K.itoro (Nippon. 1 ) 129 / 289
M:ld.:Mei':' .... r. Hanton (Oeuh""lond BiD, 1 ) 53
... 119
Millileon. (USA, 1 ) 200
Jon., (Canodo. 1943) 20
(TlJri.:iye-tJSA. 1926) 2011210 / 265.266
Mlyo"u. Alma (Nippon. 1933) 128 / 265.281
Mizell Joh" (USA, 1940) 169 / 278
MlzUM. !'Io&obu..-a (Nippon. 1 ) 127. 132
Mew. W. (Nederland, 1 ) 120
=.n-,.:;: BID. 1 ) 46
-Moron. Robert (USA. 1937) 179
Morel, Front;Ois (Conado. 1926) 23 / 250
I
1':129 / 267.276,281.283
AbTi" Fro.... lin E. (USA, 1920) 226
Jon W. (S ...... ige. 1940) 103, 1.5Q.-1.SI / 284
Motcn-Iti, GiOtgia(ltolia. 19.... ) III
MauurnG"'Iu:H'''./ozor. KryWyno (POIIIto. 1924) 1 .. 1
/ 242. 2"9, 289
Myhill, JoM (UK-u5A, 1923) 187, 'l27 / lIlI
-Nancanow. Coftlon (USA-Mellico, 1912) 118
Nonnucc:i. Ma..trh:ia (holia. 1938) 101
Mik!n ? ) 28 / 293
Nournorw.. (S ..... rige. 1919) 1 .. 9 / 284
NayolTO. Jorge Ararodio (Argentino. 1929) J
N_f. H.,....",. (Deuhcllland DOlt. 1916) 55
lorry (USA. 1 ) 186
d. Ne ....... lobert (Ned.,-tond, 1943) 12"
Ne ...tin. A' __ rodr (SSSR, 1 ) I ....
Neuhaus. Max (USA. lno- "!!7. 219 / 238. 256, 280
Newson, (UK. 1932) 1M
Matlfr.ed (Oevtscnlond BRO. 1933) "7
Oorlott. (o.u .. ct.lond 8RD, 1915) 43
NI.rerberg. ion (USA. 1 ) 200
Niilcuni, S.iid!i ( Nippoo'l, 1925) 59. 130-131 / 292.293
21"215. 220 / 253. JII
80 (S-riv-. 1937) SO. 151 / 276. 281. 286
Nlluon. leo (S....,.ige, 1939) 1 .. 9ISQ / 265 305
Nit1chle Manfred (Deut1chlond DOlt . 1926)'
Nona. (Italia. 192.. , 103-1004 / 283
Nordh.i .... Arroe (Norg 1931) 135 / 2tH. 279
P.r (OonlPGrit. 19'32) 34 / 279
Na"olc. ladislo .... .....Nkct. 1925) 26. 29 / 29"
1927) 113,210
Odd. COrtny (o....r.chland DOlt, 1916) 55
Ol.jor. P.r", (USA. 1937) 20
_ OI: ..... ilO. Willy eo,rfg d. (Brosil. 1938) 16
Pouline (USA, 1932) 21. 175, 178179. 209 / 291
Ol,v,er, Jocqu" 7 ) 93
Olniell. Ha,....y (USA-Conodo. 1917) 1819 / 2S0
Olzan. Staffan (S ....efig.. 1 ) 151
Oolli. Hidelo:o (Nippon. 1919) 127
163 / 253,297, lOS
d. Pablo. lu;, (Espana. 1930) 57
Paccognini, Angelo (ltolia, 1930) 103 / 286
Pod., EI.. ,,",uie (Donrnorlo:, 1924) 33-34
-Paile, Nom JI,I ... (Taehan-USA. 1932) .(8
Paoletti. Gionoorlo (Italia. 1932) 101
Paporis::, '!orom (Poilico-llrael, 19...... ) 97 / 280
Paraslt ....cudis. Graci.la (Arg.ntiroo. 19"0) 2
Pormegioni. a.mard (Fra'H:e. 1927) 65, 73--80,83 / 289 297
Ptlrt, AI'VO (E1tonsleajo-SSSR 1935) 1...... '
-Polcol. Cloud. (Fn::Inc 19i1) 86
Patodiich. I..d'n (Mogyorors::Q9, 1922) 115
PatkowsJci. J6uf (Polllo:o. 1929) 139.1"1
Pay".. FlQnIc l. (USA. 1936) 232.233
Ped.n.n. J.,. Wilh.lm (Danmari.:. 1 ) 34
Ped.,.,.n. Paul (Canodo. 193.5) 1920, 22
P.llegrini, Val.ntlno (llolio, 1938) 101
P.nd.r.cki. Kn:yutof {I'alska, 1933} 139141 / 264 283
P.nndorf. Wilhelm (O""hchland DOR 1932) 55
:P.ri ... i. luc (Fronce. 19J") 7"76, 78, 80. 83
P.tr.y. JeanJacqu.s 1929) 222 / 257.261 297
P.rry. Kolt!ryn (USA, 194.0) 226 '
P.trie, lvo (JU$fOIla.... ija. 1931) 113
P.tronio. Arlhvr (1IoIio..franoe. 1 ) 88. 90 / 292, 29"
P.h-owitz. Tha",:u (Canodo. 19"3) 17
Pf.iff.r, John (USA, 1920) 182
Pfi,t.r. Hugo (H.I ..... tla. 1914) 94
Jon (USA, 1940) 99. 101 . 108.109
INDEX OF COMl'OSERS/TAllE DES COMPOSITEURS
.PhilipPat. MId.I (Ftano., 1925) 70. nn. 75 / 243.244, 2.9. 267
PI.rc Jonn R. ( USA. 1910) 197198 / 245 247 252 309
P'lnilla. Enrique ("-nl, 1927) 210 '"
PiAot. Alois ..... l1IiIo. 1925) 26 / 268,286
Pla.tn.r. J&rg.n (00_",. 1930) 32.33
Zd.Mic (t.IkOlla .....nslco. 1935) 26
POfIIillOa, Zolt6n (Mov)'OrorndV. 1912) 119
Pons luetor ( Nederland, 191.. ) 119
Papp, And" (Ftanee, 192.. ) 83 / 260
Paul (H.I ..... tio. 1925) 53 / 296
Pottebaum. William (USA. 1930) 19
POUIMUr. 9.10, 12... 9.102 / 238. 256. 259-
Po...... lI. Me, (USA, 1m) 181. 207 / 246, 264. 279
Po...... lI, Morvan (USA, 1938) 187
Prettn, Tont (Donmo"'. 1938) 32
PNSron. Don (USA. 1 ) 173
Pri.to. Claudio (Eapolro. 1 ) 57
Puig. Mlch.1 (Franee, 1930) ao
Ouon. You"" Joo (Toehan. 1940) 181
*looijmole.n. Did!: (Ned.rland. 1930) 120--123 / 259 261 V9 m
Robe. Folil. (Swr;g.. 1935) 1 .. 7. 151152, 179 ,
Radou.,. I?"fried (Ol,...,.ich, 1928) 136 / 282.291
RodoVCItlOVu!. VlodCln (J"'VCIIlo.... ija. 1932) 113. I .. '
Rampaul, T.,.., 191.. ) 104.105
___ K. {USA.I929} 198.199--/-3Ot
Itonds. a.mord (UK. 1935) 200
Ranki. Gy6tgy (Mag)'Qroru6g. 190n 115
d. RllUlin. lel'Y'lClrd (Frvno.. 1m) 7 ....76
Rou,..nbodt, G."*-d (Oeuhdtlond BID. 1944) 48
Itedn.r. Harry (AUltl"oliaoo(JK. 1 ) lCO
*1t.ibel, Guy (Ftane.. 19'36) 78--80
Reich, St. .... (USA, 1936) In, 220
"'.k:t, Ro. (USA, 1932) 186
Itag.r (USA, 1934) 132, 19..
*1tldtordt. l'I'Iil (USA.. 1 ) In
Riedl. aRD, 1929) 51S4 / 2<t8. 257.
Riehm, Rolf (Deuhdlland flRO. 19'37) 54
R:-"n, Rai".,. (Oeuhchla!'ld BRO. 19.. , ) 119
Itlgharts. 1 (Ned.rtord. 7 ) 120
'"1t!'ey. T."Y (USA, 1935) 177178.220 / 237. 2S6. 289.298
Rluet. Jean<laude (Frane 1938) 198 / 309
Rinin. Da.... id (BlOIiI..ftane 1938) 78
*1tobb, Jonn Donald (USA. 1892) 1920. 199, 201, 226--227 / 2SlJ
Itaberh. Artt.ur(USA. 1912) 183 / 298.3(8
ltobintOtl, Richord (USA. 1923) 19.21. 183, 227
Rllhlig. Eginhotd (D.... "chlond 0011. 1928) 56
Rollin, Moniqu. (Fronc 1927) 70
Rondono. Migu.1 Angel (Argentino. 19J.4) 2-3
Rosenf.ld, G.mard t o.uhc:hlond DDR. 1931 ) 56
Mavricio (Arg.ntino, ? ) 76-n
Roueou, Norbert IBelgi., 1907) 12
*1totter, Jorg. (Arg.ntino. 19'(2) 49
Rudin, Andr.w (USA. 1939) 228.229
Rlo.Idnik, Euqeniu'l% IPolslea. 1933) 140.1"1
ROfer, ROdig.r IO.... "chla!'ld 8ltO 1933) -40
Ru,ling. T.rry (Ca.-:la, 1932) 12 1821 187
Ituliaa. !tudolf ) 26 / 307
Rydman, Kori (Suomi. 1936) 1.(8
-Ruw!lei. Frederic (USA. 1938) 56. 108.109.200
SodCIi. Vinhok (fll1lgorijahra.l. 1935) 98
*Sahl. Midto.1 (USA. 1934) 216. 221
Saito. Woto", (Nippon. 1937) 128
Saleol. Stanimir (JugOllo....ija. 1918) 113-114
*Sola. Oskor (D.... hdtlond BRO. 1910) 35--'0 / 252. 256, 268
Salm.nhoora. Eri.:lci (Svomi. 19", ) 1.. 7-1-48
Saludo. leoroord (UK. 1921) 158 / 280
*Sandloff, Peter (Deutschland saD, 1924) ;)6.)9
SandU1lcy. K.nt (USA. ? ) 186
San Yon Pan. Claudio (Zhongguo-u5A, 19.... ) 170.171 / 298
Soracino. Dariona (lto/ia, ? ) 111
Sone, Korl Ernst lDeo..ohcniand DDt!:. 1923) 55
Soui. Roland (H.I ..... tia. 1928) 92-93
Souguet, H.nri (Frana. 1901 ) 71-n / 2 ..3.2 ....
So..age, Robert COIII'1O$ (USA, 1938) 221
Sovau,.t, Aloin (Fl'Onc., 19"2) 78.79
Soondrett. Jann ( USA. 19"3) 235
Scha.ff.r. Myron (USACa.-:la, 1908-1965) 18-19 / 250
+scha.ff.r. 3:-74, 79-80 / 243-2 ..... 2-48.2-49.
*Schafer. R. Murray (Ca.-:la, 1933) 22
Schaffer. a...,ow (Po/dca, 1929) '''1
Schot. P.t.r ( Ned.rlond. 1935) 119120. 12" / 276. 279, J05
Sehibl.r. Arm;n (M.I_tio. 1920) 93-9"
Sehir,.n. F.rnand' (Belgiqu., '? ) 7
Schlotter, G.rd (Deuhcnland DDR. 1930) 56
Scn&nbod-t. Oi.t.r (Deutschlond BRO, 1931 ) 42-43
Sef,r&pf.r. Wilfried (Deutschland BiD. '? ) 40
Schule. a.rnard (Helv.tio. 1909) 93, 95
Schl,lltz. S ....end S. (Oonl'l'Qrlc 1913) 34
-Schuttu. Norbert aiD, 1911 ) 36
Sd-tIHz. H.in:: (Dev"ehland BRO. 1926) 51
I
326 INDEX OF CO . /TAUE DES COMPOSITELaS
Senwartz. Elliott (lJS.A . ..l6) HW. 192 / 2.(3
Sc:hwan. J_ 1939) 78, 8-4 / 289
SciaMi. Joseph (USA. 1928) 221-m
Scolori. Henri (FraM:8-+i.I ....tio. 1923) 94
Scott, taymond (USA. ? ) 201 / 297
Scriabine, Marina (SSSIt-Franc 1911) 10
Sculthotpe. P ..,.. (Au,trolio, 1929) 5
"Seorl (UK. 1915) 158. 160, 165 / 283
S_WTight, JCIn'Ift (USA. 1936) 2f1l. 21.5 / 3.1 1
s.lcOl'lki. J.ny 1 ) 139
Send.r. ItCMlOn (EipJM-USA, 1934) 169. 178-179. 207
S.rodd, lCozimen (Polslta. 1922) 141
-Shall.riI.rg. lobert (USA. 1930) 185
-Shapiro. GIHOId (USA. 19..2) 179
lab,", (USA. 1945) 195-196. 233-234 / 269. 289. 298
-Shennon. Garry (USA. 1933) 222
Shibota. MillOO (Nippon, 1916) 128
Shi.lds. Aliu (USA, 1943) 209-210
"Shinohonli, (Nippon. 1931) 124-125
Shiomi, ChiMo (Nippon, ? ) 127. III
Shirl.y, Wayne O. (USA, ? ) 180, 190
SidGy. Eric (UK-tJSA. 1905) 222
5ieb.rt. Di.ter(o.u"c:hlond SItO, 1931) 35
Sifonio. FirmitlO (Holio. 191n 103
Sigurdbi&nuon. Thortc.lI (, Iond. 19391) 186
Tomou 1939) 140 / 238. 257. 276. 283
{imoi. Povol .... 1930) 2"-25
Sif'l'lOr. le&! (Colombio. 1909) 31
Simoro. lodillo .. (CeskOllo ....Nko. 1 I 27
Sims, hra (USA. 1928) 129. 132. 189
Sk.lton. Willio", (USA. 1 ) 201
___ 1938) 136
Smil.y;-",n (USA, 1943H10
S'"'"". wilH .... O. (USA, 1926) 106, 206 1-219
vOn Soe".. loymord (1.lgil. 1943) 12
Sollb.rger. Horvey (USA. 1938) 209
Some". Harry (CanoOo. 20
sa,..te...,ld. Gvnnar (Nor9', 1912) '35
Souff,;OI,j. A.rs4ne ("19i"" '926) 8'0 / 243, 246. 268
SourM",. A._ (Cat'Dda. 1937) 20
SPEcnA (B.lgill '2
Sp.erh. Sheridan S. (USA. 193n 197 / 247. J09
"Spek. Joop (N.o.r'Qnd, 1929) 120
J_' (USA. 7 ) 191
"Spvtnic;k. Iii Joy" (USA) 17b
V1odi",;r .lcOllo.... mko. 1923) 27-28
Stanl.y. H.I." (USA, 1930) 182
SlOrk.y, Itict.ord (UK, 19..0) cf. 510"
SlOrr. 151. d. oltoleotl"
Milot (C-Wc..o .....-o. 1 ) 26
5t.irwr. Itichard (USA. 'I )
Steph.n. VtJI T. (AuihGlia. 1918) 5-6 / 250
Stibilj; Milan (JU9OlIa.. ijO. 1929) 119
"Stockhovs .... ; Korlheiru: (O...... chland liD. 1928) 49-.50. 70. 129 /
246,248,257,268; 270. 276. 286
S"f'OZ'IW 1940) 25
"'Strang, G_ld (USA, 1908) 173, '97-198 / 253. 308-309
Str.ito. S ... non:Iil'lG (1 IOIio. 1936) III
Au,.1 1932) 143
Sludio (Aftwrican ACDdemy. It_) 106
/ 295. 298
Studio (GIM Pori,) 71. 79
Studio (NHK To6!yo) 128-129
Stvc:lio (Po"" P,oducriom. 00110,) 232
Stvc:lio (Stagonound. london) 1604
Stvdio (TU Se,lin. litO) 41 / 268
Studio (Uni...."i,.,. of P.rv.yl...anio, ,*,ilod.lphMi) 229
SNdio (WDl K&ln) 50
Sludy grcup (. Coope,) 154-155
19G" (Jugo.IG ..qo. 1932) 113
SuOotnidl. Morton (USA. 1933) 178-17'9. 190. 216 / 278. 280
Suchy. Gr"9O"io Koridet (USA. 1 ) 235
S .... idtord. Rolph (US.... , 1m) 173, 2tII
Sdk.ly. A.ndr6, (Mogyororuog. 1929) 115
Szlifinlci. Krzyutof (Polsko. 19341) 139-, .. ,
Sz:&II&y. AndrOl (Magyororudg. 1921) 115
5 2F M (Fir.nu) 100-101 / 305
Tohourdin. P.rer (AUltralio-UK. 1928) 21
Yuji ( Nippon. 1938) 129, 132
Tokedo. "''''imichi (Nippon. ? ) 133
Tok..... Toru (Nippon. 1930) 129. 132-133 / 258. 2604. 267
TCiI. JOlef (Oeuthlond-l,ra.I, 1910) rn / 279-280
TCilcott. Do.. id l. (USA. 1938) lin / 251. 281
TomCItlO, YoJ,io (Nippon, 19'30) 130. 134
Tombo, Akira (Nippon-Fro"u. 1932) n-ao
to,"i,. AI .. ond... (Polsko-hra.l . 19'31) 97
taylor, 1C.11t! (USA. 1 ) 228
Teh.r.pmn, s.rp (USA, 1941 ) 49. 10.&
TenMy. Jafttft (USA. 1934) 186. 197-191, 223/247. 298.
309.313
t.no"'i OimjITiQt (H.llos, 1935) 48
TharieMn, W.t_ (O.... "chland ."0. 1921) 40-41/278
YOn Thi.nen. Lolon 192.. ) 60
f
.\10" Thi.".n. Morcel (Franc.. 1922) 60 / 243 Yo,.,.", V.... (IoMf'nia-luoel. 1931)
Th"", Joel (USA. 1939) 229 ""You"fil, La (USA, 1935) 169, 223-22" / 239
fhy...,.. Joachi", (D...... c:hlond DOl. 1928) 56 YUO.:l. Joti (Nippon. 1929) 129-130. 132-134
Tilbu,y, Jc*tn (UK, 1936) 166
Todoroff. Lodi,lao (Ar9' ntil'lG, 1942) 2 ZocCD9"ini, GiulMlno (llOlia, 1933) 99-100
Toffol.tti, Movimo (i lolio. 1913) 103 Zoffiri, Enon (Itolio, 1928) III
Togni. Camillo (l lolio. 1m) 103 / 245. 285 lojeta. M. (USA. 1941) 184-185
Toiirno, Mileio (Nippon. 1 ) 132, 134 Zbind.n, J\t!ieon-fran"iOi. (H.I .... tio. 1917) 9 ..
1:
29
, 132. 134 136
Tosco. Virgilio (Argentina. 1930) 3 Iov- (USA, ? ) 173
INDEX OF COMPOSUS/TA8lf
"'MPOSITELaS 327
...ii, ill, 204, 21'r , _"s. 240-241, 2n,
8rown. Richmond (USA, 1 ) 203 / 238
SI6 .... H.rb.rt (Deuhchlord-llI"o.I-usA. 1918) / 270, 281. 313
'r)'Qnt ..... lIon (USA. 1931) 108-109
lIuchlo, Donald (USA. 193n 169 / )14
lurg David (USA. 1930) 181
-SUlTOl.l9hs. WillMim (USA-UK. 191 ..) 89, 193,204 / 292,296
SvlSOui. SylYOI'IO (IlOlio. 1931) 219 / 237-238. 285-286
-a,"" J...",. (USA. ? ) 232 I m
-Touli_, Jean-Pi.rr. (Frartee. 1939) 76. 78; 89 a.md Alois (D.... hc:nland DO. 1918) 48-49 / 283 Cocioppo. GeQIg. (US..... 192n 195 / 237
To,.arno. Michi"'o (Nlppon, 1913) 127.206 / 2.51 ZimmemDWI, ltoff(O .... ttchJand 001,192.5) .56 Cage. Jc*tn(USA, 1912) lUI. KlUI. 3, 48.53.99.101,108-109,
rrythall. Gilbert (USA, 1930) 230 / 289 Zino ..i.ff. ,.,.., (UK. 1933) 167 187-188. 194. 198. 203. 218-219. 226 / 237-238. 240.
Tryrnall, Richofd (USA, ? ) 106 Zuccheri, MDril'lO ( halio. 1923) 103 254.2.56.274.282,287.290.301.304
Twg., G. (Nippon, ? ) 132 Zu,.,ch, AlGN' (H.lvretia, 1931) 92-93. 102 Cohill, Thodd_ (USA. 1867-1934) / 303
Tudor. David (USA. 1926) 225-226 / 291 Zuplto, It--. (USA. 1932) 119 Col JaM (USA. ? ) 223-22", d. 01$0 V.lv.t Und.rground
Nguy, Vlln (Vitt- - FranOl, 1929) 73-76 Zybn, Otto 1935) 137 Collohon. (USA. 194.51) 201
Tumer. Tha.ftot (USA. 193n 186 Nino (ltolio. 1926) /306
Tu'1ki. lbivni_ (Polska, 1908) 1..0 .C-ei .... leb.rt (Fn:llnce. 1921) / 301-302
Camon, .... ilip (UK. 1 ) 168
unbeleonnt(Wi ... ) 137 OTHEit UFEUNCES/AUUES ItEFEItENCES Co"t6n. EdVcltdo(A'Pntil"lCl-Franu. 1934) 74. n / 273
unknown (Iudopet,) 116 Co,IOI. Woh.r (USA. 1939) /2n
unknown (Cotifornia) 180 Ado,.., ShlpMn (England. 1844-1913) / 273. 310 Corpi, Cioni ( holio. 1923) 103-104. 106 / 301-J02
UMrtOWn (l.nirvrod) 144 Ad,in. all. (5....n ? ) / J05 Corrillo; J\lIiQn (Mellico. 187S.. 1965) 04. 118
UnKno....,.. (MoUt...o) 145 Aet ..... tic Harmony Au...olog. (USA) In Cory, Tri.tram (UK. 1925) / 283
unleno....n (Nederlond) Ago'"' YlJOcoY (luu.l-ff"CInc. , 1928) / 27S, 305 CotOvolo. Franco (ltalio. 1891-1955) / 304
unkno ....n (S".rige) 1.52 AhhtroM. Oo.. Od (USA, 1927) / 288. 304 Corhod Roy (pseudonym of G.org. Martini 163 / 262. 298
UnicnoWfl (I lOtio. KrakOw) d. I"connu -Alb.tt, SI'eIpften (USA, ? ) /314 -Chod<:ib., Jo-I ( USA. 1938) 204
unkno....,.. (Wi.n) d. UnDettonnt .... lford. 1 (USA1. ? ) 121 Charbonni.r. Jeo"i_ 1930) / 311-)12
USCO ... tvill.) 201 Alleon. I)oe.o..id ( ......... I .. UK. -Ch .... reulI. 287
-UUOc:h."",y, .. ___ ..

UY. Paul 12 "'Alftey, Fronit 1924) /238 ....n '!.. FI __
Uyn ...... ck. Paul ("Itil, 19:34) cf_ Uy "-ant. (fronc:e;-? ) / 262, 298 Chopin, H.nri (Fl13na.
.Vogglone, Horacio (Arventi llO. l'UO) 3-4/251. 253-254 :: / 290 1? / 3fl!
Vol05rcel. Edgar (P.rU. 1932) 210 01'lOlt)'lM (XIII. wlel.) 70 Clorh. Sruce (A."straHG. 1 ) / 299
Vand.II., 1t0000Id (France . 189.5) 7 .. -76 / 2.... An ..... iI. G-ve (USA, 1900-19.59) /274-21S. 304 Cobbing, SeD (UK, 1920) 164 / 295
VQndor, 1932) 106 Apo.tl". ",- (USA) /269.298 Co6!.r. Wihon (USA, 1 ) 180
Vom., Edgatd (FraM:8-us ..... 1883-1965) 71, 121, 207. 22.( / Jon (USA. 1m) 199 COf'W'iff, lI:oy (US"', 1 ) 3 / m
245. 278 A ... I. SCI..,., (Tbriti.,..-us ..... 1919) 2Q7 'Conrad, Tony (USA. 1940) 223
d. IQ V.,.. Aufelio (C...bcI-lJSA. 1925) 17.. ."'-, Po..d 1905) vii, ill / 301, 303 Co,..tant , MoriUl tRomtnio-FlGnc.. 192.5) n
_n d... V.lden, !te"i (1.lgil. 1910) 7 Amdt, 1 (USA?, 1 ) / 273. 310 Coopoer. Itoy (UK. 1930) 1.54
V.lv.t Und.rgrourwd (USA) 22" / 267, 298 -A.hl.y. lob.rt (USA. 1930) 194. 20C COl.l1i. Arcongelo (Italio. 165J-1713) 66
V.mi .... And'" (France, 1915) d. AI.r -",,"tin, lon-y (USA. 1930) 169 / 240 Comfi, pa,ilip (USA, 1933) / 238
Vionello. Riccardo (Halio. 1 ) III AVlQi_. '? (SSSR, ? ) / 303 Coup.rin. ("I. Gl'Und") (France, 1668-1733) 211
Vilof. (France, 1944) 68,89 ""itt. Miltoo. {USA. 1916} /2n. 303 Crod.n. Mic:hoel (USA. 1 ) 172
Vlllolpordo. Alberto ? ) 2-3 8och. Johoowt (D.... hchlond. 1685-17.50) 78 / 272-273. yon Cramer, H.in& (oeuhc:hlond 8RO, 1 ) 41
VI...iM. Cdil. (France. 1930) 73 310-311 Crodtw.lI. [)Quglou (USA. 1 ) / .)03
IIlod, It_n 1919) 103-104. 110 / 245. 276, 28S "'Iadl,. ....... (Nederlord-Deuhc:fIIord DO, 1907) / 2n Croa.. 81,11''''" (USA. ? ) / 304
VolleorcUcy. Ard,..i (SSSIt, 1933) 144-145 W.t .. ltoberT (USA. 1933) 196 / 309. 313 CrOl', low.n (USA. 1938) 226
Va., lobert M. (USA. 1 ) 191 801lon, IGei u-udon)'t'l of Rooijmok.") / 261 CufNn. AI .. in (USA, 1938) 108-109
d. Vr"N, Fr'idf,ic (1e1Ilil. 1929) 12 -80mc-t, Piemt (Fl'Unc:e. 1911) / 274, 311-312 Cyrkl Th. (USA) / 298
Vri.rd. JO" (Nederland. ? ) 125 -Sorlow, Woyne (USA, 1912) 225
V\tOt.nj""," .MIIrttl (SuoMi, ? ) 147 So"""" J ...... (England. 1838-1896) / 310
Bartl.u. Morrin (Conodo. 1939) 21b
WolociNlci, Adom (Pol"'-o. 19'28) 141 Botch.t. a-rd (France. 1917) 92 / 306
Woll'lOl)rtt.. 1_ (UK. 1909) 150 la,eMt. (FranOl. 1920) 9'2 / J06
Wolt.r. ATnold (O,t...,. .ic:h-<:Onada, 19(2) 18-19 / 250 So.I Willo.- l -CClUnt) (USA. 1904) 193
Word-St.i_n. Da..id (USA. 19361 186 Soudri .... y"," (France. 1906) / 303
...an W "t, E_""II {lelgil. 1932) 11-12 / 2.56 10,1 Fn:IIl'WjDil (France. 1932) 79 / 273
W.f.lmey.r, Sernd (Oeuhc:hlonci OCR, 1940) 56 UC ltodiOfl"'O"ic WOI_1hop (UIC) d. Srudio
*Weftdi"V. Ham Hendrile (O..,ttchlond 1915) 55-50 / 2.50 leod! 80Y". The IUSA) / 299
W.id.noor. Reynold (USA, 1945) 21. '127 -leotI". T .... ' d. HOlT"on, lennon. McCartney. Starr) ), 157 I
W.ilond. Frih (Ned.,lond. 1933) 124 29!3-m
W.i,., Eberhard (Deu .. chlond 001. 1934) .56 Ieo .... r. Paul j rl (USA. 1925) / 290, 299
W.i.golt>er. Elliot 1919) 17 I.cht,. Jonn ' UK.. ? I 165
*W."n. Korl-Erik {S_ige, 1934) ISO lehrma". Do"Od (USA. 1937) 108. 191. 19". 225-226
W... I lei" Johon (S.... rig 1926) 1"9 / 284 8.lor, H.rbrrt (USA. ? ) / 309
-Whit.,.)". J dln (USA, 1916) 170 &.11 Tel.phofte loborotori., (USA) d. Studio
Whiu.rMrg, Charlet (USA. 1927) 207-208. 22" / 242. 2n IeliOrl. Jordon (USA. 1926) 176 / 303
Wi_, He,.. H.inrich (DeutschlGnd IIlD, 1921) 41. SO ...., .. I'IU'i. Ani90 (l talio, 1925) / 240
Joc:quet(H.I .... tiQ. 1m) 40,93 / 238,281 -lerio. Luci_ (ltaliG-U5A. 1925) 10'2 / 238.272
-Wildi"V-Whit.. RoylftM"Cl (USA. 19'22) 227-228 I.rlin. 1""""9 (IOllijskojo-U5A. 1888) / 273. 310
-Wil"'il'&On, Marc (UK. 1929) 102. 163 S.,tQnGini . Morio (ItoHo. 1932) Ice, 110
WiI"". Jd\n (UK. 1'fJ1) 103 I.rhand. 1 ... (F,once. ? ) / 3OJ
WilliontJ. Do.. id E. (USA-<:Onodo. 1931) 20-21 .yo" Si.l. Micha.I / Deuhchlond 1I1t0. 1937) 225
Willioms. GI.M (USA. ? ) 22" Si,hop. Henty l Englond. 1786-1855) / 273. 310
WillOrl. 8 . (USA, 1927) 19.5 aloch.r. Sori1. l o....hchlond Slto, 19031 / 2n
WillOrl. Gordon ( USA, 1 ) 186 -Sloc:lcburn. Maurice (Conada. 1914) / 301
Wi"dt.l. Fritz ( Deuttdt lond SItO. 1907) 40 Sloh. MidwMl (UK-Frana. 1930) / 296
Win","". GQ:jfrey (USA7. ? ) 198 / J09 IIlond!ord. Ropr (Fn::mu. 1919) / 274. 311-312
Winkl .... P.ter ( USA, ? ) 210 I!IIOfI'dohl . ICotI-&irger (S ..erig 1916) 44
WirtlOl'". ",ilip (USA. 1 ) 103, 178; '87 SJu_ncw.>g. '? (Arventino. 1930) / 306
Wiu:ni.Wlki. Zbigni ..... (Poltko. 1922) 139-140 / 2'57 At.d,.w (UK. ? ) / J05
yon d.Woes,ij".. eo... id (1.lgil. 191') 7.11 Iocch.rini. !Migi (\ Iolio, 17.(3-18QS) 66
Wolf, JOl'Otlav J. ? ) 28 Iod Horald ; Oeuhchlond IItD-u5A. ? ) 225 / 304
-Wolff. Owi.tlon (USA, 1934) rot .ao.n ......,. Kor.ad (o....hchlond SltO, 1941) / 296
-WOlmCln, Gil J . (Franc 1929) 63.83 ..... ,87, 89 /24.(, m, m Ioji. HaIO!d IO..,hchlord BItO. 1934) SO
Wright. Geoffrey (UK. 1912) 167 Iolirho. DaugIos (USA, 1 ) / l99, 31J
Wuori".". 0-1 .. (USA. 1938) 206. 208. 210/280, 310 Souln. Pi....,. ( Fronce-Dwhchlond 110, 192', .... iii 1I ... iii
Wy4cet, lolMrt (USA, 1926) 196 Iroh .... (Deutschlond. 1833-1897) / 273. 310
In:llef,oge. S .. (USA. ? ) / 303
X.l'IGki,. Ianni. (H.tlot-franc:e. 1922) n-73. 75-76, 9 .. / 243-2..... SI'OII, Jean loui, (Fn:IIl'IU. 1930) 67. 84 / 242
259-260. 279 Sr.cht. George (USA. 1932) 197. 234 / 309
Doer 7 (USA? ? ) 197
Doll-sr.t. Fn:IIn?,i, (Fn:llnc.-Conodo. ? ) / 305
Oorr.g. l..or (USA. 1917) ... i, III1V ' 302
Oo .. ilPt. Hvg/'I (UK, 19.3) 48. SO. 159
QQ..i." '.,.r Mcuc.... 11 (UIC. 1934) 1M
Do..i,. Mil" USA, 1926) 66. 84
Debuuy. Cloud. Achill. {Frene.. 1862-19181 184 / 310
D. Morio. Wolt.r {USA., 7 ) / 305
o.rbylhir Delio (UK. 1937) / m
oeVClf'I'IO\la, Andr' Ia.lgiqu. . ? } 10 ' 29..
Oevhch. Herb.rr iUSA. 1932) / 238
'oiu._lt. T_ ( Ned.rloncl, 1921 ) / 298
Dobrowolski. Ardn.i {Pollko. 1921 ) / 272
Oaduod.r, Tod (USA, 19)2) Jlvi. lUI ..
Dufr.... Fn:II"'iOil (France, 1930) 81. a6
Dunn. Itob." (USA, ? ) 218 / 239
Durant.. Amcndo l Arg.nt'tIO. 7 ) / 291
-Eoron. Jailn (thA. 1935) / 3"
Echo,re. Pedro (Arg.ntina. 1942) / 238
Edison, n.on.a, (USA. 1847-1931) 2"
Egk, W.mcr i Deut'lchlCl!"ld BRo, 19(1 ) 51 ..' 288, 300
-Eimert. He.tl.rt fDevttddond BRo, 1897) 193 / 270. 273
EI.Clric P",ne" Th. (USA) / 298
EldttrOrt "" Muzi C' (USA) d. 5tvdio
EIIi"910n, Eelward K.nnedy \ .. (USA. 1899) 66
Ell Oon (USA. ? ) 172 / 290
E .... I. Fritz rDlNhchlQnd aRD. 1908-19.59) / 242. 271
Robert IUSA. 1917) 170
-E...ang.li,'i, Fro"co (ltolio. 1926) 169 / 2-40,28.5
-E:r:ok., K.niiro (Nippon. 1926) lJO
-Fohhtrl)on, Oy ..;nd (S .... rig., 1928) / 306
*FQlck. lIob.rt (USA" 1937) 190
-Fonett, JOIne' (USA, ? ) / 270-271
"F.ldman, Morton (USA. 1926) 2CW
-F.rro,i. I...Ic (Frana, 1929) / 273
*Ferreyro. l.cHriz (Argentino-Frane.. 1937) / 273
FiordcJ, Mare.llo (llolio. 7 ) / 304
Fi1chingoer. Odcar ID-uhchlond 8Ro, ? ) / 301. 303
de For,.,t. lee (USA, 1873-1961) 207 / 2"7
321 INDEX 0' DES COMl'OSlltW
FOrlner. alD, 19O1} 50 / 283
FOifer, Steph"" (USA, 1826-1864) / 273, 310
Fri,ch, Abra'" H. (USA, 1?OIl) / 303
Frltsch. Joha""., G. (DeutsdtlclI..d laO, 1941) 50 / 279
Fulunhima, Koauo tNlppon, 1930) 133
-Fun.r, Ramon (USA, i930) 200
*Goburo. ICe...,."" (USA, 1928) 184
Gal., William (USA, ? ) / 309
-Garcia, RUN (USA, 1 ) / 298
eGo,"i." Pi.". (FrG!'II:: 1928) 29 / 284, 194
GaI'lOl'l, Mort (USA, 1 ) 173 /249
-Ga_II, Reml (USA, 1908) 171 / 299
-Gel_ttl, VHtotio (Itallo, 1926) 108.109
G_i"",,,,, vtncent (Frana!, ? ) / 306
GibDons. Orlando (England. 1.583-162.5) 48,197 / 247,252
*Girard, PI .,.. (Franc.. ? ) / 301-302
*Gnouo. Anthony J. (USA, 1936) 17, 226
-Ooeywerts, Ko,.1 (1.lii., 1923) / 240
*Goldtr.in, Molcolm (USA, 1936) / 304
Gam, St ..... n (USA, ? ) 229
-Gral"e" Ron (Aultrolio-UK, 1922) 164, 166-167 / 2C. 297-299
Grainger, P.rcy (Australia-USA, 1882-1961) / 304
Grateful Deod, Th. (USA) / 298
*Grigsby, a ..... rly (USA, 1928) 174
-Groui, Pi.tro (tta!ia. 191n / 307
(GlM Pat.it.) .L2b9-#-d .-AWLS!udio __
Grunn, Geor; (H.lvetio, ? ) / 275
Gl'in. a'lon{VSA, 1916) 163 / 258,295
-Holrbraeu., !engt 1928) / 240, 281
Homiltott, Chico (USA, 1921) 67
Hund.l , Georg. Friel.ric (O.uhchlond-fngland, 197 /
247, 303
Ho"i,ch. Eduard (Oeuhchlond SID. 19(8) / 272
Harbert, J im (USA, ? ) 173
Hoydn. fronz Josef (o,'.IT.ich, 115
HiO.rt, Pl.fT. (Conodo, 1 ) / 3OZ
-H.cK, Lud.... ig (O..... "chlond 81t0, 1901-1966) / 272
H.idsi.dr., S.mard (Franc., 1928) 67,87
-H.ineman, John (USA. 1939) 108
H.in."bOtt.l, H.I""", (Deurschlond 81.0, 19171) 28 /
H.llb.rger. Sruno (Deut1c::nlond SRO, ? ) / 304
H.llllr&m, GUl'Il'IOt (S.... 1922) / 3(11
H.lmlloIn, H.nnonn (o.ullchloncl. 1821-1894) 186
H.lms, Hanl G (Oeuhcnlond BRO, 1932) '296
-H.nry, Pi.rr. (France. 1927) / 273, 295
H.rvig, Itichard S. (USA. ? ) 187
-Higgins, Oick (USA. 1938) 217
Hill." l.joren A. (It) (USA, 192.. ) / 274-275. 287
Hlnd_lth, Pcsul (Oeullchlond-USA,
Hineludoni Jon S .. tet (USA) 172 / 290
HeM,... A,thu, 1897) / 303
Hah..,,", Wolfgang (Oeuhchlond 001., 19'27) / 270
Hohner (Firma) (Oeullchhmd PO) / 304
Arthur (H.lyetio-franc., 1892-1955) / 303
H.rwort (Oeut1chland ODlt , 19271) / 270
Hornig, ltoine1' (Deuhchland DOlt, 193.5) / 270
HuwiJl., Keitt. (Australia , 1 ) 6
Hunt, J.fTy (USA, 1943) / 278
Tashi (Nippon, 1933) 132, 282
Inllont Theatre. fhe (USA) In
Itoocson, leonard M. (USA. I92S) / 274-275,287,313
1"91, Churl" (USA, 187.-19.54) 203
Jocob., H.nry (USA. 192") / 271 , J.03
Jo,,*,. tab (USA, 193'9) 194 / 289
Jondt, Ernst (&terr.ich, 1925) 164 / 295
Jon.lIo, Cetor (Arg.ntino, ? ) / 305
*Jotte, Mauric. (France, 1924) 172-173
Jouber', Mauric. (Franc / 303
J.nnings, T.ITY (USA, 1940) 223
J.nny, Georg.s (France, 1 ) / J04
-Jepson, Warner (USA., 1930) 176
Jo"'nton, u.nni. (USA, ? ) 223
JOf'Ie., Joe (USA, 193") / 306
Judd, Fred.rick C. (UK, 19131) / 270, 286-287
Kog. , Monfrecl (Deuhchlond SRD, 1 ) / 291
Kog.I , Mauricio (Argentil'lO-oeul,chlond 81tD, 1931) / 237, 240-
241, 27S.
Kotltoschko. Erhard (Deuhc"'lond aRD, 1923) / 240
*Ko)"l, Rolond (oeul1chlond 81t0, 1933) / r 288
K s. W.ldon (USA, ? ) / 303
K.ndall. OImond (UK-Canodo, 19(9) 17 / 307
Kent, Chari., (USA, ? ) 189
K."ton, Ston (USA, 1912) / 289
K.toH, PoaloOtolia, ? ) 110 / )14
*I{ingsl.y, G.rshon 1922) / 298-299
Klau" K.n".'" (USA, ? ) 188
"Klebe, Giselhe, (Oeuhchlond aRO, 1925) / 287
KI.in, L.othor (USA, 1932) 230
KI.in, IYtartin l . (USA. ? ) / m , 113
KUlv.r. lill y ? ) 226'/ 306
(USA. 1,933) 187
Koenia, Gottfried Mlc:t-I (O.uhchlond IRO-Ned.riond, 1926) / 312
"Kol6f. JiFr (c!.. OIloven....o. 1912) 2]
fok ... ilO (Nippon, 1938) 109 / 239
Kreid.r. Frin / 310
Kri .....t, F.ldinond (Deutschlond BRo, 1942) 50 / 296
.1(1\1""", PtliHp (USA. 1941) / m
"Kubicz.w, Wol,., (o.uhc:ftlonc:i DOl, 19311) / 299
KuPfJ". Hubert (Deuh.chlond 81:0, ? ) 1 260
Kurth, Addy (Oeu"chlond 001. 1m) 56 / 271 . 299
I.onzo. Alcidon (Atgentlno. 19'29) I
-t.ai1Id'. AI._der (Mogyaronmg.4.JSA. 172
*t.eo!, Vladi"'-; 1928) / 273. 296
.t.. Caine. Hugh (Canodo, 191.) 20 / 304
l_. Froneis (USA, ? ) / 303
Lennon. JCIhrt (UK. 1940) / 298, d. olso leoti ..
L.,....... Peter (Del.lftdllond 81:0, 1 ) / 304
levy. MII,..,in (USA. 1932) 210
li .. _. 10H (H.lvetiaO ... hchlond DO. 1910) 55 / 275, 304
Ligetl. Gy&rvy (Mogyaronmg-O,1\In'81d1. 19'23) / 240, 287, 304
Oi....... ion (USA) J 298
luci.r, Alvin (USA, 1931 ) 194, 2O.t. 216, 226 / 238, 246
*lu.ni.-.g, OHo (USA. 1900) / 273
tully. (Fronc., 1632-1687) 66
*Macchi, Egi,,., (ltalio. 1928) 105
MaCUM. Angus (USA, ? ) 223

&Nna (ltalio-Oeuhehlond liD, 1920) / m,-2l8. 296
Moe.,. Jef..("lgi,. L ) 88 /. 278
Moger, J&g (Deuftct.land. J J03
-Mogil'll'lil, WilliGm (US.... 1938) 216
Mogny. CoI.n. (Fmnc., 1926) 62 / 2S6
Mogywl. Emre ? ) / 304
Maj .........i, 11o,.-Martin (o ... "chlond YD. 1911 ) / 299
Molino. Frank (USA, 1912) / '291 . 306
Malftly. Itichard (USA, ? ) / 199. 309-310
Mol'IUpelli, GeOf\l. (USA, 1931 )
Maren, lO9'"' (USA, 1 ) / 242, 271
*Mori. , J ean-fti.nne (Fran.:., 191 7) / 2 .. 1
Mori"",ui , Gil'\O l ir) (hoHo, 1920) ! 31"
Mort.not, Mourice (Franc., 1898) / 303
-Mor,in. Anthony (USA, 1936) 178,216
Mortin. ... ieve (Fronc., 19'29) 7J
"Marti". G.onJe (UK, 1 ) 163 / 262.298
Mouen.t, Jul .. (Fronce. 1842-1912) 211
Mouey. iLL. (USA. ? ) 182
'''''nlle ... , ..... V. (USA. 1926) 207. 225-226 / 270
Matsuihita, Shin-Ichi (Nippon, 1922) 179 / 239
MoIN...,. JoM (pHudonym of JaM Bak.r) / 2M
*Mcnfi.ld, Itic:hord (USA. 1927) 215. 225 / 239
McCortney. Paul (UK. 1942) / 298. d. 01.0 Seotlft
Mclon!n, Norman 191 4l / 301303, 307
MEV {lOf'lOi 204 / Z38-239
*Mey.r-fppler, W.rner (Deutschland BRO, / 271
Milhoud. Oorius t Fronc., 18921 n / 261, 301
Mingvs, o.arl , USA, 1922) 67
Melby GI"Ope !USA} / 298
MonolyNogy. Lould' (Mogyoron%Og-v5A, / 301,303
Abrohom A. (france, 1920) 1 242, 2n
Mon, FI"IIr\& ' Oev"chlond 8RO, 19261 296
Moog. Ilob.rt A. {USA. 193.t) 203,226-227, 233 / 27), 299, 31..
*Moran, lI:ob.rt (USA, 1937) J 239
"Morgon, J.ff (UK, 1939) 48
Mc.oi, Mo'toto (Nippon, 1930) / 290
*Morri cone, Ennio (ltolio, ? ) / 314
Morthenson. Jon W. (S .... 1940) / 240
Morton. Ion (USA. ? ) 196
Mottaen 01 Inv.ntion, The (USA) / '19'9
Mov., The IUK) / 299
Mozart, ....olfgorog AII"ad."", rO' t.l'Teicn, 221
Mulligan, G.rry (USA, 1927) 66
-MumlT'Cl. Gardon IUSA. 19351 193,
Munari, &n.ono (I 101 ia, 191 7) 100 / 291
Ve"98"y (SSSR, ? I / 307
"NoncolTow, Conlon (USA-Mlltico, 1912) / 304
Napo!-.on XI V (pseudonym; USA) / 299
Vodov (555R-USA, 1919) / 242, 271
*Neut.au., MOlt JUSA, 1939) 211 / 237-238
*Nil,$CIn. 10 (S .....i9'8, 1937) / 240. 288, )04
Nernolm, lb (Oonmar4., 1931 ) 33
Nowak. lionel / USA, 1 ) 234
Obaulcno.... Nicolas (Ros,ij1kojoFronce-, 1892-1950) / 304
Jocques 1819-1880) 10
Ogando, Edoordo 1 ) I JO
Okuyomo. Jyvnowk. (Nippon, 1 I 131 / 3O!i, 314
*Oli .. . ros, IUSA, 1932) 191 , 226 / 238, 246
Ollen, Poul 1loV\ing (Oonmart., 1922) 3J
Ol.an, Harry F. (USA, ? ) / 309
*Orom, J)rap;,ne (UK. 1925) / 314
Orphft IH.lla" legendoir.} 139. 163 / 247-248, 260
263-2M
d. OfJlh'.
... ski . S,l'Oni.IOUI ('olw,o,i\u,tmtio. 1922) / 291
'"Jllaik. Nom Ju". (Toehon-4JSA, 1932) / 291
,.. Productlor. (USA) d. Studio
Jllart.er, Churli. (USA, 66 8.t
*1'Qnnegiani. S"'l'IOrd (Franc 1927) a2 / 273
Jllartcn, Harry (USA. 1901) 187
"Pascol, Claude (Fmnc 1921) 71 / 2048
1710-1736)
fronc.-USA, 1929) / 298-299
'f.nnln;-, R,,*lf (H.lwtioOeuhchlord sao. ? ) / 303
"'-tNploc. . Jon (USA. 1940)
Pi.rce, JoM It . (USA. 1910) / 27.
P'i.relli, A. (ll'Olto. 192.. ) / 306
Pi,. Flo)'d (UIt) / 299
Pipe,. Oovtd (UK, ? ) 161
'iuo. ? (llolio, 1934) 101 / 305
Plaut. fred (USA, ? ) / 241
H.nri (h'aiqve. 1929) 200 225 / 238 27..
Prol\lllo, 8011110 (1IoHo. i 304
Presl.y. EI"i, (USA. 1935) / 298
Prime Mow" 8Iu., &and. The (USA) / 289
"ooij",,*ers, Oick (Nederlard, 1930) 120
lI:och.I'1 Childr.n (USA) 233 / 299
Jean-Philippe (Fmnce, 67
Rc.un, J.ffrey (US.... 1 ) 129

lI:o.ndlenbet-g, Itobert (USA. 1925) / J06
ltegener,Eric(USA, 1) / 309
..... 1. Guy-(Fronc.. 1936) 1 m
".kI, Ito. (USA, 1932) 48
libber'l:l, WiliiOftl (USA, 1 ) 192
"ichords, Emil (USA. ? ) 173 / 290
JOMf Allton (O... hchlond 110. 1929) / 290
'11.." Ten-y (US..., 1935) 169, 177, 22l / 2J9
"'obb. Joh" Donald (USA. 1892) / 310
II:ceison, Tobiot (USA, 1 ) / 309
Ravel'l, Shorty (USA, 1924) / 289
lolling Stonet. The (UK) 171 i 298
-Kort.r. Jorge (Arg.ntino, 1942) 48
:!:: BItO. 1930) / 296
Ittntolo, Antonio (llolio, ? ) / JO.&
Itussolo, Luigi (llolio. 1885-1947) / JOt
Rwttmcm. Wol""r (o.."t1c::nlond, / 303
..b ......... i, Frederic (USA, 1938) J04
Sacdli. Guill.rmo (Argmtil'lO, 1 ) 3
*Wil, Michael (USA, 1934) 200
/ 271. 304. 314
'"'Sondloff, P.,., (oeu"dI'ond laD, 1924) 1 299
""5orocino. Ooriano (ltalio. ? ) 112
Sati., Eric (Fronc., 1866-1925) 191
Pi re (Franc., 1910) n / 271-273
*SdIofer, It. M.ornry (Conodo, 1933) 17
ScJo,i)ff.r, 1912) 71,
'"SdI&nbodl, Di.ter (o...,I1chlord 8RO, 1931) / 290. 299
Schoono...." Jane (USA, ? ) 106
Sdlr.iber. Etnll (Oeutldlland oOR, ? ) / 314
Schull.r. Gunther (USA, 1925) / 288
Schulman, Richord (USA, 1 ) / 296
/ 299
SaioOin cf. Skryobine
*Searl., HurPlpflrey (UI(, 1915) 164 / 283
Seaw,ight, Ja",., (USA, 1936) / 306
Sel.y. JalOn (USA, 1919) 203 / 305
*Sholl.nb.rg. Robert (USA, 1930) 187
Sftonnon, M_E. (USA. ? ) / 274
-Shapiro, G.mld (USA. 19"2) 216
'"SI..ff, Rob.rt (USA, 1945) 237
*S;'ermon. Garry (USA, 1933) 197
--S;,inohoro, Makoto ( Nippon. 1931 ) SO
9oo1po, Ve"'!ileny (S5SIt, 1 - 1951 ) 1 / 304
"Sidoy. Eric (UK-USA. 1905) / 299
Signer. Mey.r (Conado, 1 ) / 296
(ItOl,i jikojo, 1872-1915) / 307
*s.nith, Williom O. (USA. 1926) 235 / 31..
Soft Machine, The (UK) 157 / 298
*Spek, Joop (Nederlord. 1929) 43. SO
Spoen-i, Bruno (H.! .... tto, 1 ) 9S
Springe" At,ton (Oeut1chlord IIRO. / 2"2 271
SlOm, Joop (Suid-Afrika. ? ) 146 / 307
Steinbroa.:, Oovid (USA. ? ) 198
5....". G.1d (USA, 1 ) 178. 201 _
Sfockhou,en. Ka,lheinz (O.ubchlond BRO. 1928) .t8
*Stro.-.g. G.rald (USA. 19(8) 225 / 308
Strovintky, 190t (ItOlSiisMoio-llSA. 1882) 49,233 / 268
*SITae, ""rei (IOIfIfnto, 1932) / 312
5tr&rO.rg. P.r..olo" (Sv... ? ) / J06
(C>.utlchlond saD, 1901) / 2"2, 273
-SfWdio (SIC london) / 247, 258, 262, 283.
..
INDEX OF COMICSERS/TAIU OES 329
/ 271,274
"Studio (GRM Pori,) d. Groupe
Studio (Par.. Productions, 001101) / 299
Studio (RCA Princeton) / 273. 299, 31D
Studio (RFZ S.rli." DOa) / 271. 299
Studio Rlr EIHtToni,che Mw,ik MOnch.n / 2n 307
Studio (UTEMS Ton.'Ito) / 307 '
-Studio (Wo. K&ln) / 283, 296. :4
(wftose OWMl'lon 1'\0' otn.rwi,.
!';;:;: pot I. - de leurs ne sont
Iowl .. , Paul (USA, 1910) 117
'rondon, A. (NMeNond, ? ) 122
Gront. S .. ...." (UK; ? ) 141
Greenough. Ve.. (USA. ? ) 189
Scherchen. H.",.,,.., (D.uhcnland-H.lw,to. 1891.1966) 94
Stuchell, Co".,,1 and John Ooy (USA, 1 ) 110
Thys, HeM (lela.... 1 ) 10
StudiCII und., .CGl"dtTuctiOl'l (nat o ...._i .. referred to)/StudiOl en can-
.trvcrion (c'18 c. tin):
B.rlin. Funltt-., a.rlin-Db.",chtln ...... id. lODR) 54
ll00mington. Indioi'm Uni.....,ily 187
&udapoest. Mogyar Filmg)'6rtO V&llolot 115
Chic:ogo, 1t000.wlt Ut1i ... "ity 184
Groz. Akaderni. Rh M.nik unci do"r-Uend. Kumt in
--Grot 1-36
K.... i"llton. Uni.,."ity 01 N. .... SCf.jtfl Woles 5
College of Nt
Escuelo d. M$;i= lIB
a..Aec, Univenitllowl 23
St. loui., Frank lioni, P'rc:d.Ictfont 196 / 299
Stuttvort. S9oatlicn. Hocftu:hul. *Dr Mlnilt 50
UIIIII, HocMchul. Rlr Gestaltung 54
Suzuki, HifO)'OIhi (Nippon. ? ) 133
*ToIcohoshi. Yuji (Nippon, 1938) / 312, 31..
ToIcedo. AkiIRichi (Nippon, 1 ) III
faki, (pMudonyrne: d. Vauilaki,) 68, 203 / 306
Tanoka, MihuCilki (Nippon. ? ) / 30S
Torp, Sv.nd Erik (Danmort., 1908) JJ
313
T..-men, leon (louijkajo. 1896) / 300
TMremin, d. T.,.,.."
w" Thienlln. MorQlI (Fronce. 1922) /306
Tirntnlenl, Jim (USA, ? ) / 299 309-310
Tin;u.l y, Jean (H.I ... 1925) 132 / 256,
TadI, ErRit (O'te ..... im-tJSA. 1887-19M) / 301
T omodOI. The (UK) / m
Tauli.,. Jean-Pi ...... (Fronce. 1939) / 273
troditionol (france) 197
Troulweiil'l, F'ilidrid! (Deuhchlond BID. 1.19571) 303-304
Tudof, Oovtci (USA. 1926) 179, 191-192. 194, 198. 200, 2()1.. 218.
246. 2SI . 269, 291
Ultgn, lloyd (USA, ? ) 181
untToc:ed (Nederland) / 271
UlICIche.... y, V1adimir (ltoslijikajo-tJSA, 1911) 230 / 273
Horacio (Arg-entil'lO, 1940) / 238
Votllonoourt. Amond (Conado. ? ) 22 / 305
Vord.rbe.k. Stan (USA, 1 ) 192.201, 226
Vordonego. Gregorio (ltalio-France. 1923) / 304
VoN',., ",viii, JUlviii. 49. 100, 209 /
Vosco, Jean (Fronce. ? ) 61 / 262, 298
Vaui!oki" Tokis (H.llos-ftvl"lo.. 1925) d. fald,
V. lv.t Underground (USA) /
Th. (USA) In / 299
ViII.lia. Moi... (Espo;;', ? ) 57 / 305
Vinic, Joap {Nederlond, 1 ) 119
Viwldi, Antonio (l talio, 232
Voinov, ? (SSS1, ? ) / 303
d. V,.., Pow! (S.19il. 1909) 258. 295
Worhol. Andy (USA, 1930) 224
Worner. Henry L (USA, 1 ) 182
Webem, Allfott (o,tenwidl. 50 / 268
!toM Herdtik (Deuhlchlond 001. 1915) / 271
-W.ltn, Korl...frik (Sverige. 1934) I"
White, Jonn (USA. 192.) 227
White, W. l. (USA, ? ) 233i
Whitney. JOII!IoH (USA. 1922) / 301.303
*Whitney. John (USA, 1916) / 301 - 303
Wigeen. Kl'IUt (Norge-Sverige, 1927) 151 / 306 3Ql
Itaymond (USA. 1922) 22]
"Wilkirson. Morc (UK. 1929) 102 / 238
WilliOlJll, A&berto (Argentino, 2
Win,.,rgw, 1m) / 288
"WoHr; Christian (US.... 1934) 198. 204. 225
-WollMn, Gil J. 1929) 67, 83
Ivan (low;liskoio-fnlnce; 1893) / 2..0
X.nold,. Ionni. (H.Uot-frcatlU, . 19'22) Itvi;i. IUl;vili / 274-275, 287. 312
J
f
330 INDEX Of DES COWOSIT! ......
VallNt. -Jud (USA, 1 ) 2q11
0'(..,.... ",,',... IIJS.'I, '''''51. 212, / 239, :lO5
You_n, J""'IU,," ?) /:lO5
laripo ... , ...dot, (SS5l .. ? ) /313
ZoaHta, MIi,kln (USA; 1 ) 223
Zt ...... rmDM, Aloi. liD, 1911l 48