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Flauto solo

Huivering

Instrumentation

Clarinetto in B / basso in B / sopranino in Es (Es is strongly disirable, but not obligatory) Oboe

Corno in F (doppio) Trombone (tenore con valvola F ossia tenore-basso)

Arpa (C 1 , D 1 , Es 1 — fis 4 )

Percussioni (2 esecutori):

I esecutoro:

Marimbafono ([B–] d — b 3 )* Campanelli (cis 3 — c 5 souno reale / cis 1 — c 3 in notation) Triangolo (small or medium) Piatto sospeso

Gong (sospeso) = Wassergong (an interpreter suspends the gong in rests and uses it as a simple gong or, on the contrary, remove it from the stand: in last case it is Wassergong) Tamburo (with natural skin, not plastic)

2 Bonghi (with natural skin, not plastic)

Wood chimes;

I e II esecutori (both play on following instruments):

1-2 Roto-tom[s] (great G is the pitch of one of them (G-pitched r.-tom is disposed closer to second percussion interpret); the pitch of second one (if it presents) is not important)

2 Temple bells (little metal cup) or Gongi javanesi or Campane in lastra di metallo (tabular chimes) — at option of interpreters/organizers (pitches — c 1 , d 1 ; in score named as “Instrument X”). <Vibrafono – I interpreter plays on it just one sound (can be changed by low Campanelli), II interpreter plays permanently>

II esecutoro:

Vibrafono (f – des 3 ) Crotali (des 3 – f 4 suono reale / des 1 – f 2 in notation; fixed on the stand [for bowing]) Tam-tam grave (disposed closely to Trombone) Gran cassa

Violino

Viola

Violoncello

*) c 1 is middle c

Necessary equipment

Flute solo: 2-3 microphones, amplifying system, loudspeaker (it can be combo instrumental amplifier as for keyboards).

1 st (or 1 st and 2 nd ) microphone(s) is (are) for amplifying the flute. It can be condenser or dynamic, directivity (receiving-beam pattern) can be cardioid or super-/hypercardioid.

2 nd (or 3 rd ) microphone is for feedback: any dynamic microphones with “on/off” button.

The loudspeaker must be disposed near the soloist either on the same distance from listeners or though more deeply on the stage but not closer to public and not higher than the performer. Amplifying (on the normal distance to microphone) must be quasi unnoticeably. But flute whistle tones in quiet sections must be audible on “ppppp”.

Trombone: simple metal mute.

Harp: 2 “middle-hard” mallets like for kettle-drums: the diameter of felted head must be about 3 cm.; 2 violin bows.

Percussion: I interpreter: 1 brush, 4 soft marimbahpone mallets (for ex., laced) 4 hard marimbaphone mallets (with plastic head) 2 mallets for campanelli (little metal heads), triangle stick, “middle-hard” mallets for kettle-drums (thin staff, felted head, head diameter is about 3 cm) 2 bass drum mallets or 2 large soft kettle-drum mallets, 1 “middle-soft” kettle-drum mallet with middle-size head, 1 snare drum mallet, 2 bows (for marimbaphone, campanelli, suspended cymbal, gong);

II interpreter: 1 brush, 4 mallets for campanelli/crotales (little metal heads), 4 hard mallets for

vibraphone (with plastic head; as a more soft variant it is possible to thing about mallets with dense rubber head), 1 “middle-soft” or soft kettle-drum mallet with middle-size head, tam-tam mallet. Also can be required special mallets for temple bells / gongi javanesi / campane in lastra

di metallo: it is depends on choice of kind of instrument.

Violin, Viola, Violoncello: all three instruments have to have mutes and metal mutes (usually such metal mutes are used for home practicing).

[time]

FlautoFlauto

Clarinetto piccolo in Es, poi soprano in B, poi basso in B

Oboe

Corno in F

Trombone

Arpa m. d.

Arpa

m. s.

EsecutoroEsecutoroEsecutoro III

EsecutoroEsecutoroEsecutoroEsecutoro IIIIIIII

Violino

Viola

Violoncello

Huivering

Nikolay Khrust

down gliss. scale 1 3 2 ~6" ~5" to to (noise) (embouchure hole is absolutely
down
gliss.
scale
1
3
2
~6"
~5"
to
to
(noise)
(embouchure hole is absolutely covered by lips)
"jet"
noise
embouchure hole is opened
~~~~~~~~~~~~~~~
maximum
inhale
exhale
a piacere
("jet" intensity)
1
2
&
O
6
6
6
O
O O
O
O
6
m6
O O O
P
º
F
f
moltop
1
&
1
&
1
&
?
1
&
?
gliss.
3
Tamburo
(senza corde)
1
tratto con spazzola
to
2
in centre
in margin
6
}6
2
P
ƒ
timbre "gliss."
Gran cassa
tratto con spazzola
to
in centre
in margin
6
}6
π
f
timbre "gliss."
more
mettere sord.
1
&
mettere sord.
B
mettere sord.
?

1

2005

Fl.Fl.

Arpa

Mar.

V.-no

V.-la

V.-c.

Huivering

3 2 4 2 5 2 7"-11" 5" 5"-6" ~2"-3" n n # G a
3
2
4
2
5
2
7"-11"
5"
5"-6"
~2"-3"
n
n
#
G
a little more tone
gliss.
gliss.
gliss.
#
#
D
D
to
noise
ord.
3
5
(nat. 7th)
μ6
g
&
&
g
espr. (ma non vibr.)
p
f
S
2 /2"-3"
1
2
2
to
(position ord.)
pres a la table
to
(ord. pressure)
(strong pressure)
3
4
&

º
f
1
/2"- /3"
1
pressing gliss.
gl.
oo
f
?
œ
n
Z
arco
3
4
?
œ
π
f
S
3 /2"-4 /2"
1
1
5"-7"
2
con sordino
poco sul ponticello (sul sordino)
3
poco sul tasto
flautando
to
} ≥
poco
≤0
vibr.
non vibr.
≤0
3
"цепной смычок" (одна перемена)*
4
5
gliss.
&
w
mw
mœ w
(sharply bright 3rd (quasi Pithagorean))
(nat. 3rd)
poco espr.
p
π
Ø (quieter than V.-la & V.-c.)
gliss.
*) Unnoticeably bow changing
*) Менять смычки незаметно
2
con sordino
poco sul ponticello (sul sordino)
poco sul tasto
flautando
to
} ≥
≤0
"цепной смычок" (одна перемена)*
B
w
w
w
w
*) Unnoticeably bow changing
*) Менять смычки незаметно
2
con sordino
poco sul ponticello (sul sordino)
poco sul tasto
flautando
to
} ≥
?
"цепной смычок" (одна перемена)*
w
w
*) Unnoticeably bow changing
*) Менять смычки незаметно

2

Cl.

Cl.

Fl.

picc.

picc.

in Es

in Es

Ob.

Cor. in F

Trbn.

Mar.

V.-no

V.-la

V.-c.

Huivering

6 7 5 8 7" 7" 8"-11" 1" 2" 3" 4" 5" 6" 1 1
6
7
5
8
7"
7"
8"-11"
1"
2"
3"
4"
5"
6"
1
1
/2"
5"
6"
5 /2"
1
n
-d
2
#
D
6
7
8
,
&
º π
dim.
molto dim.
molto f S p
R
C
n
œ
(unison with flute)
œ
&
R
F
S
F
molto∏
º
A
1
1
/2"
2
r
6
(unison with flute)
7
8
&
œ
muta in Cl. basso in B
&
F
S
F
º
molto∏
2
2
4
(12th)
(nat. 9th)
6
7
8
,
&
P
éfπ
f
S
fnon tanto
1
1
3
6
(nat. 9th)
7
&
P
º
~1/6"
?
(-nat. 3rd: 5th "untertone")
,
bw
F
º
moltop
3
~ /6"
1
Marimba
muta in bachette soffice di Marimba
Bonghi
?
6
7
tratto con dite
8
,
÷
6
6
&
æ
&
œ
,
p
f
π
5
muta in Roto-tom con arco
Vibrafono
Roto-tom
timbre "gliss."
arco sul raggio di ossatura inferiore*
÷
1
p
moltof
*) ñìû÷êîì ïî îäíîìó èç ðàäèóñîâ íèæíåãî êîðïóñà
poco sul tasto
to
2
"цепной смычок" (две перемены)
ord.
2
}
}
только смычком вниз
6
7
8
&
μw
,
p
sP
poco
poco sul tasto
to
"цепной смычок" (две перемены)
ord.
}
}
только смычком вниз
B
œ
R
p
sP
º
poco sul tasto
to
ord.
"цепной смычок" (одна перемена)
}
?
sP
º
dim.

3

Cl.

Cl.

Cl.

Fl.Fl.Fl.

basso

basso

basso

in B

in B

in B

Ob.Ob.Ob.

Cor. in F

Trbn.Trbn.Trbn.

Arpa

C.-lliC.-lliC.-lli

Vibr.

V.-noV.-noV.-no

V.-la

V.-c.

Huivering

9 10 9"-10" 1" 2 10 frullato 9 nœ nœ μœ kœ μœ μœ μœ
9
10
9"-10"
1"
2
10
frullato
9
μœ kœ μœ
μœ
μœ
lip gliss.
μ œ μœ
&
lip gliss.
lip gliss.
f
sons fendu
6 /3"
1
~~~~~~~~~~~~~~~~
9
9
&
O
P
4
lip gliss.
bisb.
bisb.
bisb.
bisb.
0
1
0
1
0
1
0
1
9
0
1
0
1
0
etc.
0
etc.
nœ œ œ œ œ
œ Kœ jœ Bœ Bœ bœ
&
1
0
1
p
poco piu 3"
poco piu 3"
poco piu 3"
1
double tongue (non frull.)
3
muted
B
9
μœ
μœ æ
μœ æ
&
lip gliss.
æ
lip gliss.
gliss.
F
é
gliss.
fpoco
6
gliss.
gliss.
n œ mœ
B
gliss.
P
4
1 /5"-2"
4
4
4
4
1 /5"-2"
1 /5"-2"
1 /5"-2"
1 /5"-2"
3

battere con bachette
æ
9
æ
?
&
b6
b6 æ
m
n
ped. gliss.
æ
æ
ped. gliss.
æ
moltof é f
battere con bachette
?
&
n6 æ
æ
m æ
N )
m
)
ped. gliss.
æ
plastic mallets
8
(m. d.)
9
&
nœ æ
nœ æ
nœ æ
m. d.
7
m. s.
P
Í
poco
m. d.
nœ æ
&
æ
(m. s.)
f
é
f
æ (m. s.)
ord., senza sord.
5
sul A
9
μ œ
n œ
0
kœ ≥
Kœnœ 0
&
P
f
fF
cresc.
ord., senza sord.
gliss.
æ
bw
j
œ
Jœ æ
Jœ æ
μœ æ
&
æ
gliss.
æ
æ
gliss.
f
é
f
gliss.
ord., senza sord.
(nat. small 3rd)
?
æ
b
w
n
w
f
é
f
4

Fl.

Cl. basso

in B

Ob.

Cor. in F

Trbn.

Arpa

V.-no

V.-laV.-la

V.-c.

Huivering

10 11 4 3" Ïðè ïåðåõîäå ê ñëåäóþùåìó òàêòó ñîðèåíòèðîâàòüñÿ ïî
10
11
4
3"
Ïðè ïåðåõîäå ê ñëåäóþùåìó òàêòó
ñîðèåíòèðîâàòüñÿ ïî ôëåéòå
whistle tones
O
O
O ˜
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
O
O
œ
O
˜
œ
O
˜
œ
~
O μ œ O
μ
œ
˜
œ
O
O
μ
œ
μ
œ
O
μ
œ
O
μ
œ
˜
œ
O
˜
œ
O
μ
œ
O
μ
œ
μ
œ
μ
œ
&
ord.
ord.
º
π
º
º
π
º
o
reduce frull.
b
œ
ord.
n
œ
10
11
&
μ
O
n
O
μ O
b
O
μ O
bisb.
10
n œ œ œ œ
œ œ œ
œ
11
&
O
O
O
O
f
O
O
O
O
10
11
&
bw
b
œ
μœ
finger gliss.
3
4
1
11
muting
palm muted
2 (3)
10
11
gliss. by muting
œ
μ
œ
?
&
m
œ
n
œ
œ
n
œ
œ
m
œ
O
º
π
gliss.
gliss.
μœ
B
gliss.
n
œ
pocoéf
Fespr.
gliss.
~1"
~2"
o
3
o
m œ
any harmonics (no eighth!)
ord.
-
m œ
o
?
10
mœ o
11
w
?
&
O
f
o
?
?
w
w
O
-
2
~
1
/7"
3
4
sul D
œ
0
sul G
10
L ≥ 0 œ
μ œ
n œ
0
œ
11
,
&
μ
O
μ
œ
f
2
~
1
/7"
4
B
,
μ
O
μ
œ
f
~ /7"
2
2
~1 /2"
1
~
1
/7"
gliss. di arm.
o
4
11
12
13
14
o
o
o
o
11
o
o
o
nœ o
n œ
o
o
o
n
œ
o
0
œ
o
o
o
o
o
μ œ
œ
o
o
o
œ
o
œ o j
?
0
o
o
m
œ
n
œ
m œ
œ
œ
œ
œ
œ
œ
μ œ
,
,
μœ
n
œ
n œ
œ
&
œ
œ
œ
œ
œ
f
F
5

Fl.Fl.Fl.

Cl. basso

in B

Ob.Ob.Ob.

Vibr.Vibr.

V.-noV.-noV.-noV.-noV.-no

V.-la

V.-c.

Huivering

4 / 12 4 13 Δ = 2"-3" 2 3 4 w. t.
4 /
12
4
13
Δ = 2"-3"
2
3
4
w. t.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&
4
º
e
o
= 80-120
o
o
o
1
/2"-2"
n
œ
o
o
12
n
œ
m œ
œ
.
13
a piacere, espressivo capriccioso
μ œ
m
œ
œ
.
&
n
œ
®
R
μ O
6
m6
finger gliss.
n
O
12
13
&
4
m œ
e
= 80-120
Z
π
cresc. molle
12
/ .
Œ
®
R
 - tune by lips
&
π
2
arco
&
n œ
b œ
moltof
3
4
poco espr. &
2"-3"
a little slower
espr.
aug.
μ
O
vibrato
vibr.: no
more
12
˜ œ
œ
13
more saturated vibrato
&
R
˜œ
˜œ
p
con sordino metallico
senza vibrato, alla barocco
μœ
μœ
B
moltop obj.
poco cresc. molle
moltop obj.
poco piu profondo cresc.
con sordino metallico
(nat. 3rd)
˜œ
˜œ
senza vibrato, alla barocco
?
moltop obj.
poco cresc. molle
obj.
moltop
poco piu profondo cresc.

6

moltop

Cl.

Cl.

Cl.

Cl.

Cl.

Cl.

Cl.

Cl.

Cl.

Fl.

basso

basso

basso

basso

basso

basso

basso

basso

basso

in B

in B

in B

in B

in B

in B

in B

in B

in B

Ob.Ob.Ob.Ob.Ob.

Cor.Cor.Cor.Cor.Cor.Cor. inininininin FFFFFF

Trbn.Trbn.Trbn.Trbn.

Arpa

C.-lliC.-lliC.-lliC.-lli

Vibr.Vibr.Vibr.Vibr.Vibr.Vibr.

V.-noV.-noV.-noV.-noV.-noV.-no

V.-laV.-laV.-laV.-laV.-laV.-laV.-la

V.-c.V.-c.V.-c.V.-c.V.-c.V.-c.V.-c.

Δ = 2"-3"

Δ = a little shorter

1

Δ = more shorter = 1 /2"-2"

6 /

shorter 1 Δ = more shorter = 1 / 2 " -2" 6 / 14 Δ

14 Δ = 3"-4"

2
2
3
3

Huivering

4
4
5
5
6
6

14

14

&

14

&

14

&

14

?

?

14

&

?

14

÷

&

espr.

vibr.: more

(ord.)

14

&

˜œ

B

?

more (ord.) 14 ≥ & ˜ œ B ?   k œ œ œ π P
 

kœ

œ

œ

π

P

2

œ B ?   k œ œ œ π P 2 lip gliss. œ Lœ 6
lip gliss. œ Lœ 6 m œ 6 n g nœ 6 μ œ œ
lip gliss.
œ Lœ
6
m
œ
6
n
g
6
μ
œ
œ
œ
6
œ
π
π
P π
P f
π
lip gliss.
cis
6
1tr
11
e
= 76-80
e
= 112-120
sharply
sharply
mœ \
ten.
ten.

mœ \

muta in Clarinetto piccolo in Es & muta in Clarinetto basso in B & m
muta in Clarinetto piccolo in Es
&
muta in Clarinetto basso in B
&
m œ
F
F
º
piùπ
molle
poco piu espr.
6
11
e
= 76-80
e
= 112-120
sharply
sharply
ten.
ten.
mœ |
|
F
F
4
2
1
}
opening
(palm muted)
(half-muted)
gliss.
&
P
gliss.
º
~1"
~1"
gliss. by opening
"Catch" harp glissando and "continue" it by short slide
in range of minor third approximately.* t
œ
~~~~~~~~~~~~~
œ
gliss. con vibr.
* t )Ïîäõâàòèòü ãëèññàíäî àðôû è "ïðîäîëæèòü" åãî
êîðîòêèì ãëèññàíäî ïðèìåðíî â îáú¸ìå ìàëîé
òåðöèè.
Take off a mouthpiece
Снять мундштук
p
"Look" toward a Trombone and
flash glissando to it.* t
8
14
*)
poco espr.
o
any harmonics (no eighth!)
o
o
o
B
œ
o
o
10
by tuning key
~
o
O
O
3
g
O
g
O
O
œ
g
~
O
O
~ œ
g
~
p
~1"
1 /2"-2"
1
un
peu prés a la table
*) Touch strings by right hand palm side for harmonics,
pluck strings by left hand (or on the contrary at will).
*) Прикоснуться к струнам ребром ладони правой руки,
защипывать левой (или наоборот - по желанию).
b
O
"hammer" - by key**
n O
m œ
n
~m - 
* t )"Ïîñìîòðåòü" íà Òðîìáîí è
ïåðåäàòü åìó ãëèññàíäî.
**) Strike & simultanuosly clip the string (Gis 1 ) by key (press with clapping)
so that H 1 sounded.
8
**) Ударить и одновременно пережать струну Gis 1 ключом так, чтобы
звучало H 1 (примерно).
e = 60-70
bachette metalliche
÷
muta in Marimba
p
12
arco
muta in Crotali
&
b œ
n œ
gliss.
π
P
9
5
reduce
red.
poco vibr.
non vibrato
no
non vibr.
to
to
molto sul pont.
sul tasto
sul tasto
ord.

molto sul pont. (sul sord.)

2a

˜œ

˜ œ ˜ œ ˜ œ gliss. 7 13 ≤ ≤ 0
˜ œ ˜ œ ˜ œ gliss. 7 13 ≤ ≤ 0

˜œ

˜œ

gliss.

7

13

0

μœ μœ nœ π obj. absolutely equally ("tenuto", non cresc.) piùπ obj. poco cresc. menop
μœ
μœ
π
obj.
absolutely equally ("tenuto", non cresc.)
piùπ obj.
poco cresc.
menop obj.
2a
7
13
molto sul pont. (sul sord.)
˜œ
˜œ
o
?
&

π

obj.

absolutely equally ("tenuto", non cresc.)

poco cresc.

& m

œ

& m œ |

|

menop obj.

moltop

Pizz. on both sides from clipped place (m. d., key clipping - m. s.) & slide by key.

7

Cl.

Cl.

Fl.

basso

basso

in B

in B

Ob.Ob.Ob.

Cor.Cor.Cor.Cor. inininin FFFF

Trbn.Trbn.Trbn.Trbn.Trbn.

Arpa

Mar.Mar.Mar.Mar.Mar.Mar.Mar.Mar.

Crot.Crot.Crot.Crot.Crot.

V.-noV.-no

V.-laV.-laV.-laV.-la

V.-c.V.-c.V.-c.V.-c.

Huivering

15 11 8"-10" 16 9"-13" 1 ~4" ~5 /2" 6"-7" 3 /4" 1"-2" 8 9
15
11
8"-10"
16
9"-13"
1
~4"
~5 /2"
6"-7"
3
/4"
1"-2"
8
9
a piacere
lips
presto possibile
6
75% noise/ to
25% tone
ord.
noisy
slap
t. r.
noise
ord.
15
6
16
6
6
&
6
6
6
˜g
œ
˜œ
lg
m œ
m
O
l –
6
º
P
>
π
π
p
(air)
F
é f
º
keys
&
l ¿
m ¿ m ¿
l ¿ > m ¿
m
l ¿
>
>
>
>
¿ >
>
f
marcato
(keys)
(senza vibrato)
15
16 mœ
(Cl. bss. B)
&
2
p
*)
F
obj.
e = 180-240
ten.
j
*) Аккуратное cresc. к концу которого Тромбон должен построить идеальный унисон с бас-кларнетом
15
6
&
6
6
6
|
4
2
}
opening
(palm muted)
gliss.
(half-muted)
15
b œ Bœ
11
nœ 
&
œ
b
œ
b
œ
n
œ
n
œ
π
F
S
π
7
Биения ускоряются:
*)
mouthpiece
&
œ
(0 Hz)
~3 Hz
~5 Hz
~9 Hz
~
Ω (equally)
poco
#
L
μ
gliss.
μ
œ
?
?
?
(Trbn.)
gliss.
*)
F
obj.
moltop
*) В нотации для мундштука используются только звуки до-мажорного трезвучия.
Их можно играть в транспорте на любой интервал, т. е. ми по записи = любой звук
(лишь бы сохранялись отношения между ступенями).
*) Аккуратное cresc. к концу которого Тромбон должен построить идеальный унисон с бас-кларнетом
&
6
battere con bachette di timpani
vibrato
?
c # e b
m 6
~m P
gliss.
8
9
11
3
π
f
π
Wassergong
Roto-tom
tratto con bachette (rivoltato) sul ossatura*
arco (2 archi)
œ
15
16
battere con bachette
÷
÷
œ
÷
muta in Marimba
&
π
f
*) Скользить тростью палочки по окружности рамки
molto
3
10
π
f
π
tratto con arco senza pressare
arco (2 archi)
&
Vibrafono
&
π
f
pppp
[
obj.
]
molto
p
f
[
obj.
]
5
più tranquillo
more saturated but more slow vibrato
reduce
non vibr.
15
&
˜œ
˜
œ
º
small gliss.
5
8
via sordino
B
μœ
º
p
5
8
9
gliss.
(3rd)
˜œ ≤
small gliss.
˜œ
m
œ
via sordino
sul D
?
º
p

8

Huivering

17 18 7 8"-14" stromento 17 18 Fl.Fl.Fl. & nœ non tantop voce e =
17
18
7
8"-14"
stromento
17
18
Fl.Fl.Fl.
&
non tantop
voce
e = 60-120
Œ
Œ
&
ΠXxXxXxXxXxXxXxXxXxXx
senza voce
nœ -
œ
œ
-
-
Es
C
17
18
(nat. 7th)
Cl. basso
(Cl. bss. B)
in B
p
F (+)
( obj.
=
)
17
18
Ob.
(Oboe)
P
(possibile)
( obj.
=
)
18
17
Cor. in F
(Corno)
moltop
F (non tanto forte)
( obj.
=
)
(-nat. 3rd: 5th "untertone")
Trbn.
(Trbn.)
π
F (non forte)
( obj.
=
)
nail (finger pad - ord.)
4 ord.
mute
.
. .
\ mute
.
.
.
bx
x x x x x x œ x x x
17
18
&
f
Arpa
(Arpa)
?
3
mute b 3 key
bx
x
x
.
x . x .
.
.
.
.
18
17
muta in "Instrument X"
Mar.
&
F
bx
Vibrafono
&
|
3
7"-12"
e = 120-240
rallentando
vibr.: fast
max.
min.
off
arco (r. h.) & vibrato by changings of pressing on a tympanum
≥ (l. h.)
&
÷
1 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Vibr.
Roto-tom
œ
f
2 1"-2"
senza sordino
to
col legno
sul tasto
sul pont.
·
·
·
·
·
·
\
0
sul A
mute
·
 . ·  .
mute
 .
œ
 .
?
V.-c.
(V.-c.)
.
.
.
F

9

Cl.

Cl.

Cl.

Fl.Fl.

basso

basso

basso

in B

in B

in B

Ob.Ob.Ob.

Cor.Cor.Cor. ininin FFF

Trbn.Trbn.

Arpa

R.-tomR.-tom

V.-no

V.-la

V.-c.

Huivering

19

7

3

6 espr. lip gliss. gliss. "thin" vibr. lip vibr. (stromento) 19 (more rapid) (7th) (7th)
6
espr.
lip gliss.
gliss.
"thin"
vibr.
lip vibr.
(stromento)
19
(more
rapid)
(7th)
(7th)
(3rd)
œ
œ
(breve)
œ
œ
œ
œ
&
gliss.
p
f
S
poco
voce
œ
œ
&
5
6
6
19
&
muta in Clarinetto Soprano in B &
p
5
6
6
19
&
&
p
2
1
6
2 (1)
*)
19
(exactly tempered)
&
&
π
p
*) Do not tune this cis from Violin.
*) Не строить этот cis от скрипки.
6
?
turn trombone bell to Tam-tam
4
7
(pizz.)
nœ o
3
19
&
P
not in centre (but not "pres a la table")
arco
to
?
÷
~~~~~~~~~~~~~
muta in Vibrafono, 4 bachette di Campanelli (metallico)
f
poco
3
7
molto espressivo ma molle
saturated vibrato
19
&
f
-
*)
p
Ø
poco dim.
dim.
3
5
/2"- /2"
5
senza sordino
*) "f-" in V.l. & V.c. parts
must be a little more quiet
than "f " of V.la
*) "f-" в партии скр. и влнч.
должно быть немного тише,
чем "f " у альта.
molto espr. (ma molle)
2
aug.
vibr.: no
very saturated (almost as Roto-tom vibrato)
(or very little)
(3rd)
*) "p+"in V.la part must be
B
gliss.
p
f
p
somewhat louder than
"p " of V.l. & V.c.
*) "p+" в партии альта
+ *)
3
должно быть чуть громче,
чем "p " у скр. и влнч
7
some less vibr.
molto espressivo ma molle
saturated vibrato
(exactly tempered: ges = fis)
bœ ≤
nœ ≥
?
f
-
*)
p
πP
poco dim.
dim.

*) "f-" in V.l. & V.c. parts must be a little more quiet than "f " of V.la *) "f-" в партии скр. и влнч. должно быть немного тише, чем "f " у альта.

10

poco

in centre

Huivering

20 7 *) *) 20 (diminuendo is longer than crescendo) nœ nœ Fl.Fl.Fl.Fl. & kœ
20
7
*)
*)
20
(diminuendo is longer than crescendo)
Fl.Fl.Fl.Fl.
&
kœ S
f
p
º
π
f
π
&
*) Unconducted.
2"-5"
7
1"-2 /2"
1
1"-2 /2"
1
1
/2"- /4"
3
1tr
1
1
1
/2"-3 /2"
4
the same time
20
Cl.
Cl.
Cl.
&
muta in Clarinetto basso in B
&
in B
in B
in B
Ø
P
nœ -
4
f
20
Ob.Ob.
&
7
1
/2"- /4"
1
1
1
1
/2"-3 /2"
3
5
0
20
Cor.Cor.Cor.Cor.Cor. ininininin FFFFF
&
nœ -
p
f
~2"
4
5
?
bell to Tam-tam
Trbn.Trbn.Trbn.Trbn.
resonance
p cresc.
moltof
gliss.
3
6
e n
f b
c #
d #
(e = 120 - for V.-c.)
prés a la table
20
&
bœ }œ
œ
ƒ
P
(pizz.)
Arpa
œ
?
6
20
?
&
*) Два любых металлических звучащих тела (кроме вибрафона и трубчатых колоколов):
"Instr."Instr."Instr."Instr."Instr."Instr. X"X"X"X"X"X"******
muta in Marimba con 4 bachette soffice
Temple bells, Campane in lastra di metallo или Gongi javanesi (выбор палочек зависит от выбора инструмента).
œ
œ
f
sul tasto
less vibrato
20
mettere sord. (ord.)
(exactly tempered: ges = fis)
V.-noV.-no
&
P
2
~2"
~2"
~2"
sul tasto
0
*)
0
*)
0
n œ
œ
œ
B
,
,
º
p
º
p
º
p
º
mettere sord. (ord.)
(nat. 7th <fund. - Oboe>)
O
B
œ
V.-laV.-laV.-laV.-laV.-la
&
*) В мельчайших паузах-запятых - чуть подснимать
смычок со струны D, не прекращая его движения на струне G.
3
e = 120
pizz.
less vibr.
(3rd)
}w
?
mettere sord. (ord.)
V.-c.V.-c.V.-c.V.-c.V.-c.V.-c.
&

Ø

P (= Harp P)

11

Huivering

21 6 6  6 g ( & ) ∏ obj. p obj. to noise
21
6
6
6
g
(
&
)
∏ obj.
p obj.
to
noise
half-tone/
half-noise
21
Cl.
Cl.
Cl.
6
g
&
muta in Clarinetto piccolo in Es
&
in B
in B
in B
∏ obj.
p obj.
œ
& b
n
n
œ œ
n
œ
π
1
/2"- /3"
1
Хаотично чередовать звуки аккорда так,
чтобы было одновременно ощущение:
3
muta in Campanelli
1) маленьких "мотивов" из звуков аккорда,
2) аккорда арпеджио (прямого, ломаного etc.)
5
n
œ
3) повторяющегося очень тихого эха от вибрафона.*
?
21
n
,
b
n
œ
Mar.Mar.Mar.Mar.Mar.Mar.
œ œ œ
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
÷
Wood Chimes **)
f
π
*) Первый раз можно взять аккорд одновременно - ad lib.
**) Имитируют Маримбу; или, наоборот, Маримба
предымитирует (подражает) Wood chimes.
This is a time of natural Tam-tam crescendo
2
4 bachette di campanelli (metalliche)
e = 120
4
col mano
n œ
in centre
b œ
÷
w
Vibr.Vibr.Vibr.
&
Tam-tam
n
œ
n œ
(single striking)
>
f molto molle pesante e misterioso
ç
(
)
spectrum
°
It's a natural crescendo after striking, no tremolo or arco!
Take a sound so that crescendo was great possible long.
Взять звук так, чтобы crescendo было максимально возможно долгим.

12

Cl.

Cl.

Fl.Fl.Fl.Fl.Fl.Fl.

picc.

picc.

in Es

in Es

(

Ob.Ob.Ob.Ob.Ob.Ob.

Trbn.Trbn.Trbn.Trbn.

Arpa

Tam-tam

V.-no

V.-la

V.-c.

Huivering 5 n n 22 16 q ~ 90 7/5 x movement (q ~ 90)
Huivering
5
n
n
22
16
q ~ 90
7/5 x movement (q ~ 90)
º
circular breathing
o
o
legato sempre
œ
l œ
l œ œ
l œ
l œ
n
œ
n
b m œ œ
n
œ
b m œ œ
n
œ
μ œ
n
œ
μ
œ
œ
º
&
a few seconds
XxXxXxXxXxXxXxXxXxXx
XxXxXxXxXxXxXxXxXxXxXxXx
(general dinamics)
22
m
œ
m
œ
n
œ
m
œ
n
œ
m
œ
m
œ
m
œ
m
œ
&
œ
p
œ
g
g
&
)
75% tone/
half-tone/
75% noise/
25% noise
half-noise
25% tone
to noise
to noise
noise 100%
22
&
g
g
gliss.
S
º
p obj.
∏ obj.
pochissimo morendo con trombone
3
>
8
>
teeth on the reed
Z
!
Z
22
Other note
!
J
&
J
gliss.
p
B
gliss.
I
III
III
VII
?
(
b
6
)
b
œ b
6
6
6
noise
E
B
gliss.
I
III
III
VII
?
b6
b
œ
6
6
9
ord.
bisb.
æ
bœ æ
articulate: [Ci *
hE*] [Hç*
Hç*
U*„∏]
P
ƒ
e b
22
7
&
prés a la table
battere con legno di bachetta (stick is placed between strings)
ord.
bisb.
bisb.
mute mœ æo
?
n  6 æ
b 6
&
moltop
2
half-mute (no strike)
÷
Æ
p
obj.
[
]
4
¤
o
o
5
4
m
œ
k
œ
1
/7"- /4"
1
&
1
2
/3"-2 /3"
1
glissando-tremolo
con sordino
harmonics glissando-tremolo
k
O
l
O
over the general glissando
k
œ
O
4
~
O
5
œ
~
22
&
gliss.
4
2
1
1
/3"-2 /3"
glissando-tremolo
con sordino
gliss. di arm.
11
o
o
10
o
10
9
o
o
8
o
o
μ
œ
o
o
7
o
m
6
o
œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
o
o
m
œ
o
œ
5
o
œ
μ œ
2
o
4
o
n
œ
n
œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
o
o
n
œ
œ
œ
œ
o
m
œ
n
œ
oo 3
œ
œ
&
n
œ
œ
œ
œ
œ
œ
4
2
1
1
/3"-2 /3"
glissando-tremolo
con sordino
gliss. di arm.
o
8
o
o
14
o
7
13
o
o
13
o
6
o
o
o
12
o
11
o
œ
o
o
n
œ
o
5
n
œ
o
10
o
o
j
9
œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
o
o
4
o
o
j
œ
œ
o
o
œ
n
œ
2
œ
μ œ
j
o
o
3
o
m
œ
n
œ
m
œ
œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
œ
j
œ
o
œ
œ
œ
μ œ
m
œ
m
œ
œ
œ
œ
œ
&
œ
œ
13

Fl.Fl.Fl.Fl.

Cl.

Cl.

Cl.

Cl.

Cl.

Cl.

in B

in B

in B

in B

in B

in B

Ob.Ob.Ob.Ob.

Arpa

Tam-tam

V.-no

V.-la

V.-c.

Huivering (22) pochissimo accel. (q = 150 - 180) poco rall. (q ~ 110) to
Huivering
(22)
pochissimo accel.
(q = 150 - 180) poco rall.
(q ~ 110)
to
to
(ord.)
whistle tones
ord.
mark & hold single tone
· ·
·
·
K
œ œ
n
K
œ
n
œ
m œ m
œ m
œ m œ
º
&
π
Ø
π
xXxXxXxXx
XxXxXxXxXxXxXxXxX
XxXxXxXxXxXxXxXxX
XxXxXxXxXx
XxXxXxXxX
Kœ Lœ Kœ
K O
K O
Kœ Lœ Kœ
nœ nœ nœ nœ
&
K
œ
K
œ
L Oœ
L Oœ
L
œ
L
œ
Ø
π
10
e = e di flauto
E
legato sempre
75% noise/
half-tone/half-noise
25% tone
&
mg
XxXxXxXxXxXxX
mg
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
ng mg ng
ng mg ng
º
pppp obj.
moltoπ obj.
more quiet than flute
12
Es Gis
ord.
&
j
œ
(π)
S
13
>
Z
!
first note
J
&
15
un peu prés a la table
bisb.
º
m
b
œ
æ
œ
&
14
º
f
16
sotto
e = 240-310
prés a la table, by nail
voce
r
sim.
r
&
&
m. d.
bisb.
m. s.
>
>
p
S
o
æ
o
S
m
b œ
œ
&
poco dim. π
morendo al º
º
π pochissimo cresc.
p (non tanto)
louder
than r.h.
[unconducted]
mute a little: leave to sound high part of spectrum
15
÷
X
11
14
15
&
º
Ø
f(non tanto)
11
14
(√)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&
º
Ø
f(non tanto)
11
14
(√)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&
º
Ø
f(non tanto)

14

Huivering

6 23 11 n n -d Gradally outwarding the embouchure hole # ( -d )
6
23
11
n
n
-d
Gradally outwarding the embouchure hole
#
( -d
)
#
D
nœ >
(holding the same fingering)
the result is:
Постепенно отворачивая дульце от себя
J
(аппликатура не меняется)
вследствие этого:
ad libitum unnoticeably
1
/2"
2"-3"
≤ º
23
mg
mg
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
XxXxXxXxXxXxXxX
Fl.Fl.Fl.Fl.Fl.
&
XxXxXxXxXxXxXx
Ø
º
moltop
mouthpiece outwarding glissando
6
e = 110
Z
S
.
J
&
sp
23
Cl.
Cl.
Cl.
XxXxXxXxXxXxXxXxXxX
&
m6
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
in B
in B
in B
n6
m6 n6
º
Ø
dim.
poco cresc.
&
j
œ
S
3
23
J
Ob.Ob.Ob.Ob.Ob.
&
(p)
S
Similar dinamics as in previous
sounds with teeth on a reed.
2
Примерно такая же динамика
как в предыдущих звуках с
зубами на трости
2
1 /2"-3"
molto rubato
8
1
1
1
very small rest
2
2
2
,
очень маленькая пауза
sharply
3
3
noise
ord.
23
B
F
?
Cor.Cor.Cor.Cor. inininin FFFF
&
b6
n6
b6
n6
f
n6
S
f
v
v
n6
p
v
v
m6
v
v
v
articulate:
[tCe*
thQ*
tha*
tCi *
t∏u*
tHo*
t∏„]
8
sharply
Trbn.Trbn.
p
f
S
23
&
Arpa
&
5
7
1" or
23
tratto con dita
muta in: una bachetta metallica
less
&
÷
di
C.-lliC.-lliC.-lliC.-lliC.-lliC.-lliC.-lli
Bonghi
6
Campanelli e una
bachetta piccola ( ~ 3 cm)
di
Timpani (medio-dure)
π
4
1" or
a few seconds
less
Отвечая (подобно) валторне: несколько неравномерных ударов пальцами;
все звуки - максимально разного тембра засчёт разного места удара,
приглушения мембраны другой рукой разными способами
(в т. ч. в разных местах, с разным давлением, извлечением флажолетов etc.)
battere con dite sempre
-
-
-
- -
-
÷
œ
œ œ
œ
œ
?
Tam-tamTam-tamTam-tamTam-tamTam-tamTam-tam
muta in Gran cassa
œ X Xx XxX Xx
muta in Roto-tom
p
23
V.-no
&
Ø
dim.
pochissimo cresc.
~~~
(√)
~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
V.-la
&
Ø
dim.
pochissimo cresc.
(√)
~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~
V.-c.
&
Ø
dim.
pochissimo cresc.

15

Fl.Fl.

Cl.

Cl.

Cl.

Cl.

in B

in B

in B

in B

Cor.Cor. inin FF

Trbn.Trbn.

Arpa

C.-lliC.-lli

TriangoloTriangolo

Roto-tomRoto-tom

V.-no

V.-la

V.-c.

9
9

Huivering

~ 200 to noise 100%
~ 200
to
noise 100%

e

q ~ 140 noisy

& & & ? & & ÷ ? &

&

&

&

?

&

&

÷

?

&

&

? & & ÷ ? & & n n G -d # lips -d # œ
n n G -d # lips -d # œ g . D # # #
n n
G
-d
#
lips
-d #
œ
g .
D #
# #
g
D
C
ord.
μœ μœ
kg
œ g . D # # # g D C ord. μœ μœ kg ≤ jœ

to tone

XxXxXx

e n

D C ord. μœ μœ kg ≤ jœ to tone XxXxXx e n K g p
D C ord. μœ μœ kg ≤ jœ to tone XxXxXx e n K g p
D C ord. μœ μœ kg ≤ jœ to tone XxXxXx e n K g p

K g

p

π

n g

kg

m 6

jœ to tone XxXxXx e n K g p π n g k g m 6
m XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX 11 noise
m XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX 11 noise
m XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX 11 noise
m XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX 11 noise
m XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX 11 noise

m

XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX

11
11

noise

6 p 10 11 pohissimo frull. frull. μœ kœ moltop molto 9 e ~ 200
6
p
10
11
pohissimo frull.
frull.
μœ
moltop
molto
9
e
~ 200
pochissimo rit.
(senza tempo)
prés a la table
ord.
n É
o
n É
Z
h # c # g # a n (e n )
f 
f #
p
nail
Надавить (и одновременно ударить) ключом на струну так,
чтобы звучала нота, обозначенная крестиком)
?
μ
μœ
~
- 
9
e
Z
~ 200
bachetta metallica
œ
Ü
muta in Marimba con: dé bachette per m. d. (una
J
&
bachettra dura e una soffice) e una bachetta per m. s.
(soffice)
π
bachetta piccola ( ~ 3 cm)
di Timpani (medio-dure)
œ
Ñ J
11
muta in Vibrafono
o
 ~~~~~~~~~~~~~~
con dita (ударить и этим же пальцем
вибрировать, изменяя давление на мембрану
&
9

π

9

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

π

9

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ π 9

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

B

(noise)

half-tone/half-noise

to noise

90% noise/10% tone

m g

g g

π n g

(quasi echo)

m g g g π n g (quasi echo) XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx Ø n

XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx

Ø

n

m g g g π n g (quasi echo) XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx Ø n

m g g g π n g (quasi echo) XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx Ø n

&

π

16

Fl.

Cl.

in B

Ob.

Cor. in F

Trbn.

Arpa

Mar.

Vibr.

V.-noV.-noV.-no

V.-laV.-laV.-la

V.-c.V.-c.V.-c.

2 3 5 7 / Huivering 4 24 Δ = 3"-4" n Δ 2 may
2
3
5
7 /
Huivering
4
24 Δ = 3"-4"
n
Δ 2 may be
a little shorter - about 3"
24
-d #
#
œ
D
œ
œ
frullato
&
ƒ
ƒ
ƒ
frullato
ord. (tone)
24
&
œ
œ
œ
çƒ
çƒ
çƒ
ord. (tone)
24
μœ
μœ
μœ
frullato
&
çƒ
çƒ
çƒ
ord.
1
frullato
B
24
&
œ
œ
œ
çƒ
çƒ
çƒ
frullato
ord.
?
œ
œ
œ
çƒ
çƒ
çƒ
un peu prés a la table
non arpeggio possibile
m
Ö
m
n
m
Ö Ü
n
e
f
24
m
Ü
&
P
sordinare
n
n
Ö Ö
?
m
Ñ
(m.d.)
(m. d. + m. s.)

simile

24
&
æ
æ
æ
nœ œ
nœ œ
nœ œ
ç f
ç f
ç
fmolto

m É
m É
m É
&
Ñ
Ñ
Ñ
ç
ç
ç
°
°
°
e
~ 200 (all strings in the same tempo)
portato
>
-
-
-
-
-
-
-
sul tasto
poco sul ponticello (sul sordino)
senza vibrato
m
œ
œ
>
m
œ
μ œ
œ
24
μ œ
&
moltop
decresc.
moltop
decresc.
e
~ 200 (all strings in the same tempo)
sul tasto
poco sul ponticello (sul sordino)
portato
senza vibrato
>
>
-
-
-
-
-
-
-
m
œ
} œ
&
B
œ
0
moltop
decresc.
moltop
decresc.
e
~ 200 (all strings in the same tempo)
portato
sul tasto
poco sul ponticello (sul sordino)
>
-
-
-
-
-
-
-
senza vibrato
>
n
m
œ
n
œ œ
} œ
sul D
B
œ
?
0
moltop
decresc.
moltop
decresc.

17

Fl.Fl.Fl.Fl.

Cl.

Cl.

Cl.

Cl.

in B

in B

in B

in B

Ob.Ob.Ob.Ob.

Arpa

V.-no

V.-la

V.-c.

6 Huivering 7 25 4 a little less than 8" Δ = more shorter =
6
Huivering
7
25
4
a little less than 8"
Δ = more shorter
= 2 /2"-2"
1
b
#
C
(5 harmonic from G (V.c.),
25
15 harmonic from C 1 (Arpa))
œ
&
&
3
4
4 /2"
1
7"
Cl.
25
muta in
&
&
Kœ nœ nœ mœ œ œ XxXxXxXxXxXxXxXxXxXxXxXxXx
Cl. piccolo
f
in Es
Гобой и Кларнет могут
3
не совпадать по темпу
4
25
μœ mœ nœ œ
&
&
XxXxXxXxXxXxXxXxXxXxXxXxXxXxX
f
3
~ /4"
ord.
>
*)
n
É
e = 180
o
m
Ö
m
É
o
o
n
Ü
(ped. c # ! no n )
nÉ o
25
&
P +
o
o
m
É
n
n Ñ Ö
m
É
o
à
p (non tanto)
?
*) Strive to equalize sounds sustain in a whole range
i. e.higher note should be more marked out (louder)
*) Добиваться наибольшей продолжительности
звуков по всему диапазону, т. е. чем выше звук,
тем больше его следует выделять (брать громче)
2
~2"
arco
25
muta in Campanelli con arco
muta in Marimba con arco
&
º
º
65
o
k
œ
&
ord.
(E-A)
25
æ
k
k œ
&
œ
0
*)
flautando
poco
π
poco a poco decresc.
poco menop
ord.
(D-G)
flautando
B
æ
*)
poco
0
poco a poco decresc.
π
poco menop
B
B
æ
sul C
μ œ
ord.
sul D
?
flautando
æ
œ
*)
0
poco
0
π
poco menop
poco a poco decresc.
13
o
œ
æ
sul C
&
*) Это diminuendo надо сделать больше,

чем к pp molto pp), а при переходе в слудеющий такт "восстановить" динамику. Этим компенсируется разница в динамике между ordinario

и последующими flautando/флажолетами,

и тогда возникнет ощущение точного

diminuendo к звукам следующего такта

18

Fl.Fl.

Cor.Cor. inin FF

Trbn.Trbn.

Mar.Mar.Mar.Mar.

Vibr.Vibr.

V.-noV.-noV.-no

V.-laV.-laV.-la

V.-c.V.-c.V.-c.

Huivering

26 10 n n # G n 6 1"-1 1 /3" # # D D
26
10
n
n
#
G
n
6
1"-1 1 /3"
#
#
D
D
random
,,
,,
26
œ

randomized repeating rapid as possible
*)
Insert
μœ
,
#
œ œ œ
μœ
(duration of the rest "," = note duration)
D
μœ
œ œ œ œ œ œ
μœ
&
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXx
œ
f
*) Вставка: должна быть "врезана"
в любое место текущего основного
материала.
q = 78--|
3"-4"
2
1
2
1
B
- -
q = 78--|
q = 78--|
3
(nat. 7th) *)
26
œ
œ
œ
}
&
œ
R
œ
R
œ
R
F
œ p
g каждый раз может быть разной длины, но всю фразу нужно "уложить" в 3-4"
*) Don't tune by lips! Rich lower tone by marked fingering
*) Не подтягивать губами! Понижение достигается засчёт аппликатуры
q = 94
nœ -
j
-
-
-
-
p
-
- -
-
Kœ -
œ
r
œ
œ
œ
.
œ
r
r
œ œ
r
r
œ
?
J
œ -
œ
œ
œ
œ
œ
5
F
P
~1"
2
Хаотично чередовать звуки аккорда так,
чтобы было одновременно ощущение:

5
m
œ
>1"
26
1) маленьких "мотивов" из звуков аккорда,
2) аккорда арпеджио (прямого, ломаного etc.)
n œ
&
nœ nœ œ
n
œ
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX
muta in Campanelli con arco
F
P
ß
ß
3"-4"
q = 108
3
3
œ
3
œ
3
&
XxXxXxXxXxXxXxXxXxXxXxX
f
S
J
J
J
œ
œ
muta in Crotali con arco
œ
œ
π
F
moltop
f(non tanto)
4
'Andante' q ~ 45-70
≤>
o
n œ
6
All-strings local tempo: Violinist leads!
26
sul D
 
&
 ˙

>
(non tanto) p S
4
'Andante' q ~ 45-70
All-strings local tempo: Violinist leads!
>
 
 œ
œ
œ
B
Œ
J
æ
æ
3
(non tanto) p S
4
'Andante' q ~ 45-70
o
7
All-strings local tempo: Violinist leads!
œ
&
>
B 
μ œ
œ
n ≤> 
?
B
}
œ
(non tanto) p S

19

Arpa

C.-lliC.-lliC.-lliC.-lliC.-lli

Crot.Crot.Crot.Crot.

V.-noV.-noV.-no

V.-laV.-laV.-la

V.-c.V.-c.V.-c.

Huivering

10 1 /2"-2" 4"-6" q = 42-88 bÖ o nÖ o h b g n
10
1
/2"-2"
4"-6"
q = 42-88
bÖ o
nÖ o
h b g n
a b
&
?
&
8
9
≈ = 120-250--|
arco
снять сразу после кроталей
&
÷
muta in Tamburo
p
8
9
® = 120-250--|
arco
®
&
p
8
1
/4"- 3 /4"
&
decresc.
7
1"-3"
снять сразу после виолончели
B
decresc.
7
8
7
 o
B
æ
decresc.
poco dim.

20

Cl.

Cl.

Cl.

Cl.

Fl.Fl.Fl.Fl.

picc.

picc.

picc.

picc.

in Es

in Es

in Es

in Es

Ob.Ob.Ob.Ob.

Cor.Cor.Cor.Cor. inininin FFFF

Trbn.Trbn.Trbn.Trbn.

T.-roT.-roT.-roT.-ro

C.-lliC.-lliC.-lli

V.-no

V.-la

V.-c.

Huivering

27 13 2 2"-3" q = 120 n n n n gliss. gliss. gliss. gliss.
27
13
2
2"-3"
q = 120
n
n
n
n gliss.
gliss.
gliss.
gliss.
#
#
# #
D
D
D
D
U
molto rubato
œ
œ
kœ U
œ
espr.
27
J
J
&
gliss.
3
3
π
P
f
poco cresc.
moltof
gliss.
3
gliss.
R
R
E
b
C
q = 94
5
-
œ -
œ .
œ
nœ œ
œ
j
œ
œ
27
œ œ œ -
œ mœ œ
œ
œ
œ
&
R
R
P
F
P
p
P
p
5
6
3 /4"-1 1 /4"
Meno mosso
q = 60
rit
27
lœ œ œ
&
Kœ lœ œ lœ œ
P
P
F
moltop
4
1"-1 1 /2"
 q = 90
mute
œ -  mœ -
-
-
mœ - .
27
œ
.
œ
.
-
J
&
œ
œ
œ
F
P
poco piùp
7
~
1 /2"
q = 86
nœ -
.
-
œ
.
Kœ -
œ
?
J
r
r
œ
J
R
R
œ -
œ
œ
p
7
27
con corde
÷
œ æ
p
5
8
arco (2 archi)
œ
&
π
moltop
poco cresc.
'Andante' q ~ 45-70
All-strings local tempo: Violist leads!
ricochét (breve)
27
>
n 
n œ
œ
&
p S
'Andante' q ~ 45-70
All-strings local tempo: Violist leads!
o
7
œ
&
>
n 
>
 .
 .
n œ
B
˙ .
œ .
æ
æ
p S
'Andante' q ~ 45-70
All-strings local tempo: Violist leads!
>
>
n 
n 
n œ
 n œ
˙
B
‰ æ
æ
J
p S

21

Fl.Fl.Fl.

Arpa

V.-noV.-no

V.-la

V.-c.V.-c.

Huivering

12 2 3 /4"-4" finger gl. n n n n -d -d -d # -d
12
2
3 /4"-4"
finger gl.
n
n
n
n
-d
-d
-d
#
-d
-d #
#
#
#
D
D
D
#
D
œ
œ
whistle tones
~~~~~~~~
&
finger gliss.
(accelerating)
9
13
<2"
1"-2"
3"-5"
mœ nœ nœ œ œ
&
XxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxXxX

random
moltof marcato
œ
un peu prés a la table
nœ bœ nœ œ œ œ œ œ œ œ œ
œ
&
XxXxXxXxXxX
f
11
~1 2 /3"
tranquillo
in margin
mute a little: leave to sound low part of spectrum
æ
muta in Crotali
œ
&
÷
con bachette
piccoli di timpani
&
P
[
obj.
]
10
&
}
Unnoticeably bow changing
B
π
dim.
dim.
molto∏
10
B

22

Fl.

Ob.Ob.Ob.

Arpa

T.-roT.-roT.-roT.-ro

Crot.Crot.Crot.

V.-noV.-noV.-no

V.-laV.-laV.-la

V.-c.V.-c.V.-c.

Huivering

n 9
n
9

28

w. t.

28

&

-d

D #

º 4 3+1 kœ A b E b
º
4
3+1
A
b
E
b

bisb.

bœ

æ

C #

Ø ∏

~~~~~~~~~~~ kœ O

p molto

Thin mallet for timpany, other end

3

1 оборот = 74 MM

6

tratto

6

muta in Piatto con arco

F

5

arco

bœ ∏ moltop poi muta in Vibrafono 2 'Andante' q ~ 45-70 All-strings local tempo:
moltop
poi muta in
Vibrafono
2
'Andante' q ~ 45-70
All-strings local tempo: Violinist leads!
>
l 

l œ

P S

2

'Andante' q ~ 45-70

All-strings local tempo: Violinist leads!

ricochet

tremolo

(как можно дольше)

a punta

> d'arco

 

&

5

o

œ

7

 

n

&

n œ

œ

œ

 
 

'Andante' q ~ 45-70

All-strings local tempo: Violinist leads!

ricochét

æ

æ

7

&

œ

  'Andante' q ~ 45-70 All-strings local tempo: Violinist leads! ricochét æ æ 7 & 
q ~ 45-70 All-strings local tempo: Violinist leads! ricochét æ æ 7 &  œ
q ~ 45-70 All-strings local tempo: Violinist leads! ricochét æ æ 7 &  œ

28

&

d b

28

mœ

æ

&

S

&

28

&

28 & d b 28 m œ æ & S & 28 & & 28 &
28 & d b 28 m œ æ & S & 28 & & 28 &

&

28

&

28 & d b 28 m œ æ & S & 28 & & 28 &

B

B

‰

P S

23

Fl.Fl.Fl.Fl.Fl.Fl.Fl.

Ob.

Trbn.Trbn.Trbn.

Arpa

V.-no

Huivering

8 n n n n n n n # # # # # G G
8
n
n
n
n
n
n
n
#
#
#
#
#
G
G
G
G
G
C
C
legato
C
#
#
(C)
D
double tongue lightly
œ
œ
D
μœ
œ œ
œ œ
œ œ
œœ
œ œnœ n
œ
œ
J
&
XxXxXxXxXxXxX
XxXxXxXxXxXxXx
XxXxXxX
&
9
j
-
- -
p
.
-
cup mute
œ
œ -
œ
œ
œ
?
r
r
r
R
œ
œ
P
5
e b
&
poco morendo
&
&

24

Fl.

Ob.Ob.

Cor.Cor.Cor. ininin FFF

Trbn.Trbn.

Arpa

PiattoPiattoPiattoPiattoPiattoPiatto

Vibr.Vibr.Vibr.Vibr.Vibr.

V.-no

V.-la

V.-c.

Huivering 29 7 5 1 /2"- 3 /4" Insert "jet" &  a piacere Вставка:
Huivering
29
7
5
1
/2"- 3 /4"
Insert
"jet"
&
a piacere
Вставка: должна быть "врезана"
(на взмах "5") в любое место
f
n
n
n
n
n
n
n n
n
n
S
окружающего свободного
материала - куда "попадёт".
#
#
#
# #
#
#
#
G
G
G
G
G
G
G
G
-d #
#
#
#
#
#
#
#
#
D
D
D
D
D
D
D
CH
D CH
~~~~~~~~~~~~~~ Jœ
w. t.
to noise
finger gliss.
L œ μœ
j
œ
œ o œ
to
legato sempre
œ
29
~~~~~~~~~~~~~~~~~~~~~~
w. t.
&
finger gliss.
º
p
p
subito dim.
29
&
Валторна останавливается subito, дирижёр
"ловит" момент остановки и "включает" "5"
(которое может быть на мгновение позже)
º
dim.
4
2" -2 1 /2"
~3"
1
/2"- 3 /4"
harmonics
(7th harmonic
)
glissando*
no mute, open
1
1
1
1
2
2
2
2
29
*) Глиссандо на фоне трели:
&
&
œ
œ
œ
œ
œ
œ
несмотря на то, что исполняется legato,
каждый обертон должен быть отчётливо слышен
F
pochissimo dim.
œ
œ
?
r
J
-
œ
œ
p
7
o
o
É
29
&
P
&
2
3
6
p
arco
arco (2 archi)
29
œ
&
÷
Campanelli
p
presto possibile
(senza tempo)
7
.

.
œ œ
.
¿
.
q = 75- - - - |
bœ bœ b¿ .
.
¿
¿
® ¿
¿
œ
Crotali
bachetta piccola ( ~ 3 cm)
di Timpani (medio-dure)
Œ
&
&
p
f
F
°
°
'Andante' q ~ 45-70
All-strings local tempo: Violist leads!
ricochét (long as possible)
unnoticeably change a bow
(when ricochét is over)
>
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
k 
l œ
œ
29
Œ
&
F
o
7
 œ
'Andante' q ~ 45-70
&
All-strings local tempo: Violist leads!
Strings are independent from each other
>
.
.
.
.
.
.
.
.
>
 
k 
μ
L  .
n  .
 œ
k œ
œ
μ
œ
L ˙
.
&
˙ .
J
J
æ
æ
glissando lungo
æ
e
F
o
5
o
o
5
4
o
o
5
4
o
4
 œ
 œ
 œ
μ œ
μ œ
μ œ
&
'Andante' q ~ 45-70
q = 50
All-strings local tempo: Violist leads!
.
&
μ
B œ  .
μ 
B 
μ 
B 
μ
œ 
μ
μ œ
μ œ
μ œ
μ œ
>
S

25