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  • PHOTOGRAPHY AFTER PHOTOGRAPHY :: Memory and Representation in The Digital Age Book 1996

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    Philip Pocock
    3K visualizzazioni15 pagine
    ARCTIC CIRCLE early video(b)blog conceptual Net performance piece 1995 by Philip Pocock and Felix Stephan Huber - an 11000 km trek by camper van from Vancouer to Tuktoyaktuk in Canada is perhaps the first art video(b)log and (b)log 1995 by Philip Pocock and Felix Stephan Huber for Photography After Photography traveling show 1995-6. Arctic Circle is an investigation into contemporary loneliness: one the one hand, traveling through a vast wilderness in Canada's North, while on the other hand, searching for a sign of life on the other side of a laptop screen. The original content of Arctic Circle was a travel to it in Canada's Yukon to walk along it. What began as a strict conceptual performance media work turned into a cyber-pulp roadmovie when two Canadian hitchhikers Norah and Nicholas hopped on board the 1974 Ford SuperVan. Viewers participated in Arctic Circle by sending in their 'postcards' as comments. Normally when traveling the travellers send postcards but for this online journey that was reversed as the concept of mass media opened up to become what is today termed participatory, user-generated 'prosumer' media.

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    PHOTOGRAPHY AFTER PHOTOGRAPHY :: Memory and Representation in the Digital Age book 1996

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    ARCTIC CIRCLE early video(b)blog conceptual Net performance piece 1995 by Philip Pocock and Felix Stephan Huber - an 11000 km trek by camper van from Vancouer to Tuktoyaktuk in Canada is perhaps the first art video(b)log and (b)log 1995 by Philip Pocock and Felix Stephan Huber for Photography After Photography traveling show 1995-6. Arctic Circle is an investigation into contemporary loneliness: one the one hand, traveling through a vast wilderness in Canada's North, while on the other hand, searching for a sign of life on the other side of a laptop screen. The original content of Arctic Circle was a travel to it in Canada's Yukon to walk along it. What began as a strict conceptual performance media work turned into a cyber-pulp roadmovie when two Canadian hitchhikers Norah and Nicholas hopped on board the 1974 Ford SuperVan. Viewers participated in Arctic Circle by sending in their 'postcards' as comments. Normally when traveling the travellers send postcards but for this online journey that was reversed as the concept of mass media opened up to become what is today termed participatory, user-generated 'prosumer' media.

    Copyright:

    © All Rights Reserved
    Scarica in formato PDF o leggi online su Scribd
    Segnala contenuti inappropriati
    3K visualizzazioni15 pagine

    PHOTOGRAPHY AFTER PHOTOGRAPHY :: Memory and Representation in The Digital Age Book 1996

    Caricato da

    Philip Pocock
    ARCTIC CIRCLE early video(b)blog conceptual Net performance piece 1995 by Philip Pocock and Felix Stephan Huber - an 11000 km trek by camper van from Vancouer to Tuktoyaktuk in Canada is perhaps the first art video(b)log and (b)log 1995 by Philip Pocock and Felix Stephan Huber for Photography After Photography traveling show 1995-6. Arctic Circle is an investigation into contemporary loneliness: one the one hand, traveling through a vast wilderness in Canada's North, while on the other hand, searching for a sign of life on the other side of a laptop screen. The original content of Arctic Circle was a travel to it in Canada's Yukon to walk along it. What began as a strict conceptual performance media work turned into a cyber-pulp roadmovie when two Canadian hitchhikers Norah and Nicholas hopped on board the 1974 Ford SuperVan. Viewers participated in Arctic Circle by sending in their 'postcards' as comments. Normally when traveling the travellers send postcards but for this online journey that was reversed as the concept of mass media opened up to become what is today termed participatory, user-generated 'prosumer' media.

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    Photography after Photography Memory and Representation inthe Digital Age Aale/Cucher Fond/Chakin Neiaien Bante Fischer Porkovie/Baltz Brodsky ait Pogala Burgin Hershman Selichar Burson Huber/Pocock shaw Colin Van Lamswoerde ‘razseh Enadort Lord an Der Kaap Export wahner Photography after Photography Memory and Representation in the Digital Age Baited by Hubertus: Amelurnen, Stefan leant, Florian Rateer in callaboration wit Alexis Cael and Naclaus G. Schiieidet A Project of Siomens Kulturprogramm in collaboration with Aktionsforum Praternse, Mnchen (Germany) Kursthalle Krems (Austra) Statisehe Galerie Enlangen (Germany Brandenburgische Kunstsmmiungen Cotas (Germany Muses for Fookumt, Odense (Denmatk) Fotos Wintethut (Switzerland) phy, Helsinki (Finland) Insttte of Contemporary Ae. Philallphia (USN Adelie Festival (Aastra Finnish Museurn of Phot GtB ants oogsophy” Re Photegsply Vicor Buin 1h imagen Reces: Pagal Pog andthe Locate of Cltre Matha Roser Ley Manovch "a Paradoxes of Digital Photagsaphy Woliging Cay In Photographie Memory egies Clayen Digital (Revolution Tinothy Drache Fal Visio George Legrad Ionage, Language, nd Bebe in Sythe Pete Lumen At Postistry: Digits Photography ‘ Ehetins Seite Kasten Laden Digital Ce Painting Got ager Ange and Digital Photography The Technical tuts Philippe Quin Pheto-Vitality Hebert W, Franke ‘Comments on Digi Photography Hubert»: Amon hetosraphy afer Photography The Teter ofthe Body in Dig Space 6 % s Artists Anthony Arie Sommy Cucher Levis Bale [Un Stal) Nate Baokehin / Lew Mannich Michael Brabs ot Burgin Tomes Dre ‘Navey hasan Vie Fer (Calin Calin [leis Cal) Keith Cotingham Michael Endo Vale Expr (Haber: Anelumcen) Peter Fend/Gearge Chaikin Alain Fes Jochen Ger edema Ma oo Hall Laan He Fel Stephan Huber Philip Pocock Ines Lamsucere Caer Schorr George Legrady Chip tort Avene Mailer Pie ‘Waren Nedich [Ladger Dental) Slavica PkovilLews Balle [Wn Stab) Barbas Poot Andros Ws] MirsaRogat Lyme Waren] (Gaithe Selichar Jeticy Sh (Ralf Sache} Holger Tileseh Huerta: Amature) Al Usha sll Vn Der Kap (Pal Crt) Mathias War (Lager Deena) 26 ¥e 46 We 96 66 v6 ey Appendix Biowrphis Select Bibography

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