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  • Vós Que Tendes Sede - COMPLETA

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    Philippe Catarino
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    The document appears to be a musical score containing lyrics and notation. It includes multiple verses with lyrics sung by different vocal parts including soprano, alto, tenor and bass. The lyrics are in a foreign language, possibly Portuguese or Spanish. The musical notation contains symbols for pitch, duration, dynamics and other musical elements to guide singing or playing the song.

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    Vós que tendes sede - COMPLETA

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    The document appears to be a musical score containing lyrics and notation. It includes multiple verses with lyrics sung by different vocal parts including soprano, alto, tenor and bass. The lyrics are in a foreign language, possibly Portuguese or Spanish. The musical notation contains symbols for pitch, duration, dynamics and other musical elements to guide singing or playing the song.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Scarica in formato PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    26 visualizzazioni2 pagine

    Vós Que Tendes Sede - COMPLETA

    Caricato da

    Philippe Catarino
    The document appears to be a musical score containing lyrics and notation. It includes multiple verses with lyrics sung by different vocal parts including soprano, alto, tenor and bass. The lyrics are in a foreign language, possibly Portuguese or Spanish. The musical notation contains symbols for pitch, duration, dynamics and other musical elements to guide singing or playing the song.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Scarica in formato PDF, TXT o leggi online su Scribd
    Segnala contenuti inappropriati
    di 2

    Vós Que Tendes Sede

    Vós que tendes sede


    M. Wittal M. Wittal

      
    q = 90

          
    Soprano Solo 

          
      
    Soprano             

        
    Alto                     

                   
         
    Tenor 

             
    Bass
    
              
     
      

       
    6 1. 2.

    S. Solo      

    S.

           

              
     

         

    
                
    A.
          

                     
             
    T  

    B.
     
          
       
               
     
    2
    10

    S. Solo         

    
           
    S.
     


           
     
    A.

         
    T
       

       

    B.       

     
    14

    S. Solo             

    
    S.           

    
    A.           
             
    T
     

      
          
    B.
      

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