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FM7 b
E 7 Dm7 b
D 7 C7
-9
G7 b -9
FM7 Gm7 Am7
IM7 V7X
__ VIm7 _
V7X
VIm7
& c œœ b œœ
V7
œœ b œœ ˙˙ b œ œ œ œ b œœ œ b œœœ
b œœ œ œw b œœ ˙˙
˙˙ b œœ œ
? c œœ b œ œ b b œœ œœ œœ ˙˙
˙
bb˙
œ bœ ˙ œœ b œ œ œ ˙
˙
B bM7
-9
G b7
-9
b -9
C7 FM7 b
B M7 Am7 A 7 b Gm7 C7 G7
˙˙˙ œ œ bœ œ
& œœ œ œ œ b œœœ œ b œœœ ˙ œ œ b œœœ b œœœœ
bœ œ b œœ œœœ bbœœœ b œœœ
/
? ˙˙˙ œ b b œœ ˙
˙˙ b œœ œœ bb œœ ˙˙ œ b b œœ
œœ b œ œœ b œ
FM7
ø
A 7 Gm7 C7 G7 b -9
bœ œœ b œœ ..
& ˙˙
˙˙ b œœœœ œ b œœœœ bœ œ
œ b ˙˙
b ˙˙
? ˙˙ b œœœ b œœ
bœ
œœ œ b bb ˙˙˙ ..
˙ œ œœ
The chords have been changed in this selection to include substitution chords. By adding
substitution chords, we are adding "color chords". When we use the basic chords from
the scale, most often the melody falls on a 1, 3, 5 or 7. Substitution chords allow the melodies
to be on an extention such as a 9, 13, 11, etc.
This is just an example of what is taught in the advanced class. Have fun with the sounds.
You will learn the exact theory of 'how to add substitiont chords' and "how to use them in
songs.' This is and extreme use of the chords, but will be fun for you.