by Amanda Dodson Jastrzembski
leafandscreen@gm
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THE COURSE OF CONSIDERATION OF
VARYING MEDIA EMPLOYED
To Begin in General Terms:
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A PARTICULAR TRAFFIC ISLAND |
It was a spring day here in Brooklyn, and I made my way toa |
tangled corner of blocks near down near the waterfront, where strips
of highways run above knobby cobblestones and the dust clouds of
construction. | set down my backpack on the top of a low a cement
and brick wall, freeing my arms to heave myself up onto it. ‘The wall
was retaining a green slope that dropped down off the side of the
Brooklyn Queens Expressway in a graceful s-curve, like a flared skirt.
I climbed the little hill; it was clean, the grass neatly mowed. At the
top the highway was directed and held back by white lines and guard
rails. Lines of traffic steered northward, cars spacing themselves out i
like beads, ticking along under bridges, bending in on-ramps and off, ||
gaining and losing inches of clevation in inclines so slight the drivers |
would never detect them. It only took me a few steps along the
expressway, against the traffic, to reach a beach of grass even more
stranded than the slope. This one hovered at the height of the
highway, above surface streets of the neighborhood. If you had
happened to be exiting the B.Q.E. via exit 28B that day you may have
glimpsed me there, squinting.
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I first went there months ago, and since then I've taken a
little time to think about that particular traffic area, its indeterminate |
location, its lack of use, or purpose, the sites around it and the views |!
of it and from it. There are similar spaces all over the place and we all
sort of know them, after staring at them out the car window or
through the boiled air of a summer parking lot. I have watched from
the back seat of a car the acres and miles of traffic islands and pillows Ht
‘"
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of land bounding the highway blur into soft green and grey and yellow i
a = Bi}bands. With this I’d hoped to look for just a bit of meaning in the
triangle I noticed here in Brooklyn, and the others around.
Beside this leaflet, I invite you to visit a website I made
where you can see video, film and photomontages of the near-triangle
(it curves a bit on one side) and its neighborhood ~ the bridges and the
traffic.
httpy/trigonometry.tumblr.com/
: i Considerations Philosophic
WRONG INTERPRETATIONS - SIGNIFICANCE LEVEL
ge» P = number of ways a situation can be interpreted
total number of interpretations
If you stand on this triangular traffic island, it's a platform from
which to engage in nothing but observation. It’s generally unpleasant
enough (bright, loud and in a cloud of exhaust) that you wouldn’t
want to spread out a picnic blanket, set up an casel or pose for a
photo. There’s no logical reason to visit - it doesn't border a rest stop
and it doesn’t connect to anything. There’s nothing to lean on other
than a couple twisted guardrails, and no shade.
You could think of it as an accidental space, a punch-out of
natural material, like a wedge of moss in a sidewalk, formed by the
chance requirements of the surrounding buildings and roadways,
poured and pounded into shape over the years. What you see and
experience from that point is one-of-a-kind on earth - its particular
elevation, and the wide panoramic view. It’s past by but never seen |
Is it wasted space? Do freeways create wasted space because |
they’re so fast and in such discord with their environment that they
require buffer zones to regulate speed, to protect property, to protect
passengers?
{te
; ae Analysis and Complementary Notions
(49 Standing on the triangle, you're at almost the same elevation
("as the pedestrians on the Brooklyn Bridge: tourists, commuters,
bikers, runners, and in the summer - water sellers ($1 a bottle). I
can't think of any other view (except inside of some of the private
by most people in the neighborhood. |
condo buildings) where you can spy those pedestrians from that level
It's like looking at people standing on the other side of a canyon. The
land drops and rises in between for highways, strects, rooftops.
Right of Way
If you look carefully, the triangle is visible from both the
Manhattan Bridge and the Brooklyn Bridge, where pedestrians
encounter bikers in the tight lane that’s supposed to accommodate
both. Signs and human-like white silhouettes pasted to the ground are
supposed to demonstrate the rules. All pedestrians on the wooden
walkway of the Brooklyn Bridge, moving in either direction, are
supposed to restrict themselves to one side, the pedestrian side, and
all bikers, moving in either direction, should stay on the other half
(the north side) of the walkway. However, tourists like to
demonstrate their knowledge of American right-handed traffic flow,
so they switch sides deliberately, moving into the right-hand side, the
bikers’ side, as they change directions. This infuriates the bikers, who
shout at them and tweet their whistles.
On the pedestrian walkway of the Manhattan Bridge, the
rules are the opposite, all types, bikers and walkers, should always stay
to the right-hand side, no matter their direction of motion. (The
Williamsburg bridge, not in the neighborhood of the triangle, but still
worth noting, has yet a third system, requiring walkers to share the
lane with bikers, but against them in both directions, leading to almost
total confusion for all parties).The triangle is no shade from sound - beside the lanes around
and below it, the close-by Manhattan Bridge has two levels of traffic,
carrying four sets of train tracks and several traffic lanes. The trains
rattling over the bridge spray the neighborhood below, the fresh glass
condos, with a crushing reflective shower of tones.
Witnesses
The reason the grass was trimmed and clean on the slope which
leads to the triangle is thanks to the Jehovah's Witnesses, who own the
large complex of nearby buildings, all painted beige with slim green
trim around the windows. On the building nearest to the triangle is a
sign that reads "The Watchtower, Announcing Jehovah's Kingdom."
(Another building has a sign which reads "Read the Watchtower and
Awake!" Is that grammatically correct?). This complex, who's main
building is on Sands Street, is the administrative center of the
Jehovah's Witnesses. Part of the surface traffic below the triangle is
private buses that take the Witnesses to various sites around Brooklyn
Heights. From the triangle you can also see the red, digital
Watchtower clock, just to the south of the Brooklyn Bridge, which
displays, in a flashing serics, the time and temperature in Fahrenheit
and in Celsius.
Versification
AND POETIC FORMS
Streets in the near area of the traffic triangle:
Prospect
| 40 Water
Plymouth
Front
Main
Poplar =
, \ High
20 Nassau
: / York
Pearl
|
\
Chapel
vay
Bridge
Cadence and Harmony i