CHARLIE PARKER OMNIBOOK — Tronsposed for B Flat Instruments » Transcribed Exactly From His Recorded Solos Tenor and Soprano Sax, Trumpet and Clarinet)Charli There have been three books written about Charlie Parker which cover his life thoroughly and these are recommended to learn about the hard life he led and the way he influenced Jazz in America. The books are BIRD by Robert George Reisner, CHARLIE PARKER by Max Harrison (British) ond BIRD LIVES! by Ross Russell. He was born, brought up and educated in Kansas City, Kansas of a poor family, with his mother heading the family, the father long gone for other pastures. His mother managed to see that he learned the rudiments of his instrument, the alto saxophone and it was even a struggle to buy him a horn and get him lessons. In some ways, he was like Picasso, ever searching for new woys of sion, bored with the stereotyped changes in ad-libbing (impressions), he experi- mented until he discovered he could produce his ideas associated with personal exper- fence by using devices related to the higher intervals of a chord as a melody line. And like Picasso, once arrived at his ultimate style, he stayed there since imitators could not comfortably or naturally follow his direction. Just as you can look at a mod- ‘ern Picasso work, you can hear a Parker solo and identify them easily, Unfortunately, Parker lived 35 years, Picasso almos! 95. Because he preferred to work with small groups, he was able to develop his unique characteristics; mobility of attack, freedom of accentuation, imagination and fluency of his inventive faculty and rhythms. His “bop"’ adventure brought about a fresh harmonic complexity with richer melodic language, employing a greater range of intervals. This creative crea was not accepted immediately by his peers or public because it dared to be different and it took years before his “sound” became popular. I hove followed Parker's career through the years and when scouting the Har- lan Leonard band in Philadelphia about 1938 or '39, he might have been the sox section. Definitely in 1941 while with Leeds Music, now MCA, | brought the Joy ‘MeShann catalogue into the firm along with some works by Charlie Parker and heard this band live. Living in New York and frequenting the 52nd Street clubs, it was always possible to hear him with his own or all-star groups. An old friend Billy Shaw, his manager, was kind enough to entrust my company with his copyrights and this began © long association with his music that resulted in the acquisition of his compositions which comprise this book. A great deal of preparation went into the production of this book. The actual solos were transcribed by Jamey Aebersold and Ken Slone, a monumental task. We are very proud to be the publisher of the most important collection ever made of the works of Charlie Parker. Parker Michael H. Goldsen Publisher oCHARLIE PARKER OMNIBOOK Transposed for B Flat Instruments ¢ Transcribed Exactly From His Recorded Solos (Tenor and Soprano Sax, Trumpet and Clarinet) CONTENTS Title Page AH-LEU-CHA (AH LEV CHA) 8% ANOTHER HAIRDO. 104 ANTHROPOLOGY 0 AU PRIVAVE (No. 1) @ 2 ‘AU PRIVAVE (No. 2) 2% BACK HOME BLUES - Ds ares 108) BALLADE ........ va BARBADOS. » BILLIE’S BOUNCE (BILL'S BOUNCE) = THE BIRD. E 10 BIRD GETS THE WORM 94 BLOOMDIDO 108 BLUE BIRD |. Bikes scees BT BLUES (FAST) |... aan 14 18 ‘ F 78 CARD BOARD 92 CELERITY CHASING THE BIRD CHERYL ... CHI CHT 101? CONFIRMATION CONSTELLATION COSMIC RAYS 4 DEWEY SQUARI “4 DIVERSE m4 DONNA LER. ° . 48 He G, RLUES 2h pn bavossa soos 20 KIM (No. 1) bi KIM (No.2)... 54 KLAUN STANCE 0.000... 89 KO KO i 62 LAIRD BAIRD 32 LEAP FROG 130 MARMADUKE, ao 68 MERRY.GO-ROUND |. 17 MOHAWK (No. 1) 88 MOHAWK (No. 2) 40 MOOSE. THE. MOOCHE 4 MY LITTLE SUEDE SHO 120 6 ORNITHOLOGY 6 AN OSCAR FOR TREADWELL 42 PARKER'S MOOD ... 134 PASSPORT : 102 PERHAPS. 7 RED CROSS 66 RELAXING WITH LEE. 122 SCRAPPLE FROM THE APPLE t7, 08 SEGMENT . SHAWNUFF SHE ROTE (No.1) SHE ROTE (No. 2) SUSE STEEPLECHASE THRIVING FROM A RIF VISA i WARMING UP A RIFF YARDBIRD SUITE, taetee Charlie Parker (Biography) it Introduction iw ©1978 ATLANTIC MUSIC CORP, International Copyright Secured Made in US. Al Rights ReservedINTRODUCTION The solos in this book represent a cross section of the music of Charlie Pe In presenting these solos, we hope to bring musicians closer to the true genius o rd", These solos are in Bb key, transposed to sound in unison with the original solos in Bb key. For Bb saxophone a few of the lowest notes are out of range. Playing Bva @ note or a phrase or even a whole page, at the discretion of the player, will provide an artistic challenge. Most Jazz musicians have learned to play by listening to records and imitating the notes, articulations, vibrato, etc. of the masters. We encourage you to play these with the actual recording. Listen to the record first, then play through the solo slowly, gradually increasing the speed until you are at the recorded tempo Bird played it. | don't feel the idea is to try to play the solos exactly as Bird did, but rather to find phrases, articulations, scoops, turns, etc, that you feel you would like to incorporate into your own playing. By being able to see and play the actual notes, it should help speed up the learning process. Many players ploy like Bird but retain their own personality. Practice with a metronome. Each day try to increase the tempo a little, all the while retaining the inflections, articulations, ete. that you would use at the slower tempo. Try practicing some of these solos with the Aebersold Play A Long records. Take @ slow blues solo in F and play it with one of the records in the series that has a slow F blues, then move to a record that has a faster F blues. It is fun to work towards play- ing the solos with Bird along with the actual Parker recorded version. Blues make up the largest portion of this book. Rhythm changes come next. Some compositions have the two versions recorded by Parker in separate solos. When @ measure occurs without a chord symbol above it, the chord is the same as the meas- ure preceeding it ‘Most players like to analyze solos in order to find out what the musician is do- ing. Our ears cannot always HEAR what is happening so we slow the music down, transcribe it, analyze it, practice the licks, patterns and phrases we like best, and end up playing them in our own way on our instruments. We have put chord symbols cover most all bors to enable you to analyze the notes in relation to the chord. Remem- ber, each chord symbol represents @ series of tones called a scale, Older musicians used fo improvise mainly on chord tones; Charlie Parker was one of the first to broaden thot to include scales and substitute scales. For information on scale substitution refer 0 the Scale Syllabus chart.” Bird loved to use the b9 over the Dom. 7th chord/scale. The Blues scale and its accompanying licks was an important port of his music, even when playing songs other than blues! When you find licks or patterns that you enjoy, practice them in several keys so the melodic phrase becomes a part of you. It should become automatic in order to really be useable in o playing situation. Only @ minimum of articulations have been put in this book. We feel that jazz, being an aural art form, is often times best imitated by listening over ond over, and then playing the notes the way you hear it on the record. This might seem like the long ‘way to do it, but experience has proven reliable. After all, who would object to listening anyway? Listening is what music is all about, The records from which these solos are taken are listed at the top of each solo page. They are contained in approximately eight records (some are two record sets) and most all are still available. The two record sets are a bargain! We hope you have as much enjoyment with this book as we have had putting it together. Jamey Aebersold * For SCALE SYLLABUS gee pase 143 mm ee ee eee ees =Confirmation By Charlie Parker eave 8008 » 42206 (4-bar Intro) | s 3 te ye 27 Dew G7 1 #4 D- D- 7 ¢ c co Ej = a J 3 Be Bb? Eb A D7 6 J s g_ fe 57 ar Db o ©1946 ATLANTIC MUSIC CORP. TURN PAGE © Renewed and assigned 1974 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Al Rights Reserved, ww.or aT 37 Fag 1cr ci, D7 ar aT =? Gr BT 7 Bag Fg B7 a ete 4; b>Moose The Mooche By Charlie Parker PARKER 407 aii ; | © 1946 ATLANTIC MUSIC CORP, © Renewed and assigned 1974 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. wav = m= ee ee ee ee ee. D- G7 EB (Eb-) D- G7 crOrnithology By Charlie Parker and Benny Harris ‘aun symsois PARKER 407 ©1978 ATLANTIC MUSIC All Rights Reserved. ww. e@ = = a aBe FAT Ss ae . 4 BoeYardbird Suite / By Charlie Parker ‘ao symaots Jeo craneen aor Pe Cid CHT Fie 37 © 196 ATLANTIC MUSIC CoRP. ~ © Renewed and assigned 1974 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww#749 D 87 aT Fie cH “Fr10 Anthropology By Charlie Parker and John ‘Dizzy’ Gillespie 1:30 DRUM, 1946 ATLANTIC Music Corp. Renewed! and assigned 1974 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORP. All Rights Reserved COLUMBIA 34831 = = = = =tor & - = S (ror Pye)co aT Db oT“ Dewey Square By Charlie Parker JATE GREATS 10-617/8LUE RIBBON Bon) 4:64 F G id. co 7 F Dz e FHT ©1958 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww. = = e = =16 Scrapple From The Apple By Charlie Parker LUE RIBBON #O11/UP FRONT I7/CHARLE PARKER RECORDS 407/SAVOY 108 dea ,. zs EQ EERE Per ©1987 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. wavco cto a7418 Blues For Alice By Charlie Parker Blues 4285. om 57 z az [VERVE 9010/VERVE 2515, L fa 1956 ATLANTIC MUSIC Corp, ©1978 ATLANTIC MUSIC CORP. AN igh wav = 8 = ee ee oe oo49 Be Bb- Eb7 Ae D720 By Charlie Parker Blues je26 4 = K.C. Blues D7 VERVE 8010/MGM 4949/VERVE 2515 ez (pd © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. wa, = =24 (BOOK ONE) vue By Russell Garcia PROFESSIONAL ARRANGER COMPOSER © Best selling text book used by leading universi © Basis for course in Practical Arranging and Composing BOOK ONE in the professional field. For the advanced arranger. © Endorsed by leading music educators and composers and arrangers. RUSSELL GARCIA AND NOW! — THE PROFESSIONAL ARRANGER COMPOSER A {BOOK TWO} By Russell Garcia © Discusses contemporary trends in Jazz, Pop and “Modern Classical’’ Techniques. New scales, chords, progressions, free improvisation, vocal effects, using tone rows in practical music, ete, © Contains a record of many of the 169 examples and the recording of a complete score of an exciting contemporary composition by Garcio. (Musicians used ore the top instrumentalists on the West Coost). The both books complement each other! You need both books for a complete course! CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, 90028 Calif.Celerity By Charlie Parker 128 9 @ Do a VERVE 9002/VERVE 2512 a7 © 1958 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww. — a a a a os28 E- a7 or © (-) D- 7a Au Privave (No. 1) By Charlie Parker cause ee d2220 Be o >» oF © 1956 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. wi = = = = = == STAGE DANCE BAND26 Au Privave (No. 2) By Charlie Parker VERVE 8o10/VERVE #840/VERVE 8002 Blues 3220 G7__ Solo 1 7 7 7 Be E7Tb9 3 g A v7 oh, - oD a) De 7 1956 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww = = — ee = an3 Any Musicion Can Arrange With This Book! First Chart N FIRST wrnensy CHART |meatsanoet died by by Ss ~ An Important Elementary Arranging Book For Schools Contains two records of charts in the book: and “Moonlight In Vermont" for full orch. 13-4 examples of contemporary les by a leading university orch. BARNEY KESSEL says: “This book ‘pens the door fo an arranging ca reer for musicians. Van's first book di this for me. 2728 By Charlie Parker 35220 Bb? Bb? Chi Chi o F7 BIg Sl - oo fas Fr" ©1955 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP, All Rights Reserved waw a Fe VERVE 8005/MGM 4949/VERVE 8409 = = = = = = _— = om(thw we )30 a Chi Chi - cont. F7 Bb7 c oF Bb7 Cosmic Rays 7 By Charlie Parker vein serene veal 5/2 Ss 6 > a © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww 1Cosmic Rays- cont. ds s F¥- — Bb7 (bs a7 9) Ee al a4 [_RITERION us ORPORATION PUBLICATIONS | SSEATEN ERATIONS | SAXOPHONE eae Sb Om Bas ‘TRUMPET yy ts Aman nuns a iets wan cuanner somLaird Baird By Charlie Parker ‘VERVE 8005 ipso Sr) ca} ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All ights Reserved, ww,Ab? THE GUITAR Barney Kessel A Mos Uni Guide fer Guitarists ‘BOSSA GUITARRA G7sus umn ry tsete 1 age Cont Sat ead a3 Cae ents‘ roiae et Rn ia te . {eitonn Sehemaen Chops Msc an Se VENTURE FOUOSShe Rote (No. 1) By Charlie Parker ‘in serene ‘VERVE 8002 VERVE 2515 2:27 pedal concert F A> Se --- +--+ -- = -- e ¢ Ee aT E- ay ©1956 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. waD. Bb7 c c aL36 She Rote (No. 2) By Charlie Parker 42266 edar concert F VERVE 8010/MGM 4949 ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.Bb7 a7 3738 a Mohawk u (No. 1) By Charlie Parker VERVE 8006; 518 aE ATLANTIC MUSIC CORP. ATLANTIC MUSIC CORP. All Rights Reserved. wwc (Eb-) - cL e40 = = Mohawk (No. 2) i Parker ‘VERVE soo8/vERVE 8002 Blues 12 184 © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. wwevaz An Oscar For Treadwell By Charlie Parker Pawo. #230 rm © 1956 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP All Rights Reserved ww = = = = =7 B7 Fa B7 Bb7 ar 43a An Oscar For Treadwell - cont. PIANO & bis aos a= Saari a sat = teeter ‘a Bn Tine we Aarts ee ‘anne wen rut on Sate at PIANO soLos ACCORDION teens Sur be ‘ors Ta =—_— = = am 6 e an = = a =a5 Constellation By Charlie Parker seta ds32# D 2 © 1918 ATLANTIC MUSIC CORP, © Renewed and assigned 1976 ATLANTIC MUSIC CORP. 01978 ATLANTIC MUSIC CORP. All Rights Reserved.46 Constellation - cont. = = 72a ES ae Sew SS Ses a7 EB B7 Fe a7 BE D7 = = =. i Citerion’s ook HAWAIIAN SONG BOOK Polynesian HAWAIIAN BOOK FOR ALL ORGANS: EXOTIC BOOK FOR ALL ORGANS cRITERION'S HAWAIIAN SING.A-SONG LYRIC” BOOK a748 By Charlie Parker d222 w Donna Lee ©1947 ATLANTIC MUSIC CORP. © Renewed and assigned 1975 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved savor 2201 = = =D7 cto 4950 Donna Lee - cont. —— ORGAN —— = = ee ee ee- BA | : Kim l (No. 1) 1 By Charlie Parker VERVE 8005/VERVE #840 ] 32820 07 > a BE a7 > oF y ] I c7 F7 (Db) a i © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, wow.Bz Kim (No. 1) - cont. === D G7 c F7 (l c7 c7 ———| +h eee o ofS o > or re » > a = ~ 1 = + v ee ZF ce ca FT (Db) cw ca g ORCHESTRATIONS {UIMOD A LUMA mat en)54 Kim (No. 2) By Charlie Parker VERVE 9005/maM 4949 72320. c © 1956 ATLANTIC MUSIC Conp. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww.Kim (No. 2) - cont. FT =A GUITAR METHOD THAT TEACHES READING & PLAYING 7 INSTANTLY! simplified] Endorsed by BARNEY KESSEL NOK MARSHALL GEORGE RUSSELL Edited by Burdell Mathis A SHORT CUT— —NOT A GIMMICK AN APPROVED MUSICAL METHOD YOU HAVE TO SEE TO BELIEVE! For: THE BEGINNER THE SLOW READER ‘THE “PLAY BY EAR” MUSICIAN "THESE BOOTS ARE MADE LET THE GOOD TIMES ROLL,” TINY BUBBLES," ond 15 other58 By Charlie Parker Blues 260 Cheryl D7 G7 ©1947 ATLANTIC MUSIC CORP. ‘© Renewed and assigned 1975 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. D7 savor 1108 ee eee = oo lo == ce == GUITAR FOLIOS oots” FoR cuiTen Gutarartangements itn conelete pats for Soil agin FROM THE ROMANTIC ERR Concert gutar sing traneebed Latin Amends Capit afore Bestaven Greg ete Hossa curTARRA Si sos by Lsurindo Almeida 9th les line and chord syle suRFIN’ GUITAR COUNTRY GUITAR Wits fom the Country Field OUST SOMES FOR GUITAR ISmple to Advances) MIR", "Philadephia Lawyer le 20 GREAT TUNES FOR GUITAR (ick Styl 39 Great Arrangements by Dan Fos, featuring ‘oan In vermont ‘OSCAR MOORE GUITAR SOLOS VENTURE FOLIOS ie WALK OON'T RUN -2— Hit ike JOURNEY TO THE STARS 1 Wits Me JOSE, INSTANT GUITARS -4— Hits tie DIAMOND MEAD, GRINGO GUITAR soLos Aon FLAMENCO. on DACIOUS & ANGRY GENERATION AULLERIAS ¥ CANCION O TEMUACAN S GUITAR BOOKS [GUITAR TUTOR by Lown Almeida ‘complete Concert Gutor Method THE GUITAR by Barney Kessel ‘Aunque guide for guna 5960 Thriving From A Riff By Charlie Parker spa 422%, 5 > c c FHT F Fo ic Db 7 +3F o Pa7 F F- c DG? © 1945 ATLANTIC MUSIC CORP. © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved = es = = a — = =e PRT F FHo DG? FR? F Pe c or ca 62 Ko Ko J By Charlie Parker sworn {] 12308 ©1946 ATLANTIC MUSIC CORP. ~ © Renewed and assigned 1974 ATLANTIC MUSIC CORP. | O ATLANTIC MUSIC CORP. All Rights Reserved63D7 a7+9 Ko Ko - cont. G7 =65 ce ce Gt7, Di-66 By Charli J=210 Parker Red Cross (Head) © 1945 ATLANTIC MUSIC CORP. © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP, All Rights Reserved. savor 2201 oe uJACKSON BROWNE FOLIO Six Songs From His Hit LP Doctor, My tyes » My Opening Farewell Jamaia Say You Wil © K Chi In These ils » Song For Adam + Fram Sverike For Piano, Voice & Guitar 6768 By Charlie Parker 72208 Marmaduke Ae D7 - D7 Ap © 1948 ATLANTIC MUSIC CORP, © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved savor 220169 Bom a creer) = Buns - (Arno) (Dems . 3 (Torn Pie)70 By Charlie Parker Bes j= 108 1 Marmaduke - cont. Barbados D7 4 @ ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. savor nosm crdely-----4 6 a Bo a io oj D7 st oD s SHAPING FORCES IN MUSIC By Ernst Toch An inquiry into harmony, melody, counterpaint and form. A complete advanced music course now being used by many leading colleges as their text book.Er By Charlie Parker J 200 (Head) D Perhaps D7 SAVOY 2201 ATG Cly D7 a7 ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. = = —_— = on = = — = — aay D ATb9 The Fake Book For All Groups VARIETY PARE BOOM Crivrin’s isms SESRE BALLADS # GLUES STERN © DIIELAND EXOTIC « FRENCH IAPZ# ROCK ® LATIN = NOVELTY © POLYNESIAN (HAWAIIAN) © RHYTHM « PICTURE » SHOW TUNES « WALTZES # XMASNow’s The Time (No. 1) By Charlie Parker Blues #282 For Melody see Now's The Time (No. 2) - poge 76 (400) 67 7 or ©1945 ATLANTIC MUSIC CORP, © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. Al Rights Reserved, G7 ‘venve 8040 = — = = — = on Se a = = om =G7 UNDERSCORE By Frank Skinner ‘A complete course in scoring for motion pictures and television, featuring an actual score that was writtern, arranged and recorded for a motion picture, with timing sheets, orchestra sketches and orchestrations. 7576 Now’s The Time (No. 2) By Charlie Parker vor sei Blues @2220 wena e Db7 Cc? 1g? co be Foe PN © 1945 ATLANTIC MUSIC CORP. © Renewed and assigned 1973 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. a = = =a = =78 By Charlie Parker Blues 2439 c Buzzy 3 ©1947 ATLANTIC MUSIC CoRP. © Renewed and assigned 1975 ATLANTIC MUS! ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. savor 22017980 Billie’s Bounce (also known as BILL'S BOUNCE) By Charlie Parker Blues dhs wy f =: tt a Sait © 1945 ATLANTIC MUSIC CORP, § Renewed and asigned 1979 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CO! ‘All Rights Reserved. = See a eS a -—_— = =82 ~ Chasing The Bird By Charlie Parker savor noe |] 2210, h D7 c B a D7 3 © 1948 ATLANTIC MUSIC CORP. - © Renewed and assigned 1976 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP, All Rights Reserved.By Charlie Parker das Blue Bird © 1948 ATLANTIC MUSIC CORP © Renewed and assigned 1978 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved D7 savor 2201 =e oe sess = lll86 Ah-Leu-Cha (also known as AH LEV CHA) By Charlie Parker savor an mewoor- mes Dans d=m0 . by s © 1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved87 7 o Z o Fe Decaven _ e 2 --- eee ee88 Ah-Leu-Cha - cont. See eee 4 =, 89 Klaun Stance By Charlie Parker sina a D- Gc? c c Gz) © 1948 ATLANTIC MUSIC CORP, © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved90 Klaun. - cont. Bb G7 (Bo) Cc FT (07) G Be Bb- AS (ab) « (nor 5210) (Po $010 ) zyo4 (Bo) c cs Bb AT D7 B+? Ey92 By Charlie Parker Card Board C74 v i as ES ze AT. ©1056 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. ww. = = os = e = e am 6 =9394 Bird Gets The Worm By Charlie Parker savor st ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.Rano) ( 3ASS4 Dens) 95 (‘orm Page)Bird Gets The Worm - cont. ce : = — = = = = = =—_ =Segment By Charlie Parker d= c #9 G7b9 c Shpg c G7bs Gms c G7b9 © 1957 ATLANTIC MUSIC CoRP. © 1978 ATLANTIC MUSIC CORP. All Rights Reserved, www,98 G7 Segment - cont. ce a co Gr G7 = ee ee ms99100 u Visa - By Charlie Parker VERVE #000 NERVE 8009 Blues J; u ©1053 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved wow. | a101 Fe 7 aT D7 A = Paes a le D7102 Passport By Charlie Parker d=200 c D- or ¢ a7 © 1953 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww. ‘VERVE 8000) VERVE 8008 G7 ee eee103 lay SA104 Another Hairdo By Charlie Parker Bas Jay SAVOY 2201 itt if + N IHI/s It 3 © 1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1978 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. = oe106 Back Home Blues By Charlie Parker scum sesh weavaiadatemiEe Blues da/h D7 D+ D7 aT D7 co AT ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww. = =107 bid B7b9 E a7 D7 A pedal Dz a108 Bloomdido By Charlie Parker VEnve 8840/moM 4949/VERVE 8006/VERVE 2501 Mues de280c 7 c 7 © 1953 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP, All Rights Reserved. ww109110 By Charlie Parker = 224 D- a p7bgd. The Bird ) J © 1956 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. Db Bp AT D- Ag a 8 bet + Se aoe = oe =a4 Cd A709 - m6 alguz Steeplechase By Charlie Parker savor 2201 ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.3aa By Charlie Parker G7b9 Diverse G7b9 VERVE 8009 ©1957 ATLANTIC MUSIC CORE. ©1978 ATLANTIC MUSIC CORP All Rights Reserved, ww. ae ee115 c G79 c 7Diverse - cont. 2 == osa 407 Merry-Go-Round By Charlie Parker savor 2201 42500, ( (7) c AT De o7 co a F FHo c 4 ©1948 ATLANTIC MUSIC CORP. © Renewed and assigned 1978 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. (Torn Page)118 Merry-Go-Round - cont. i = =119120 My Little Suede Shoes By Charlie Parker VERVE 8000/VERVE 2515 3, ( JeA8 em es 4 D7 (b9) ©1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww —_ os oa a a a a a ee ee ee ee sc124122 Relaxing With Lee By Charlie Parker VERVE 8040/VERVE 8009/VERVE 2501 J Ls Bb7 © 1953 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved ww,123 (TPT Solo)~ Ker males UP i. Step (nH PANS SoD) iis 10az Blues (Fast) By Charlie Parker 1009/VERVE 2501 42265 c ©1977 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ww.: 125126 Blues (Fast) - cont.CRITERION’S BOOKS & JAZZ PUBLICATIONS FIRST CHART by Van Alexander (Edited and Gontributed to by Jimmy Haskell) {An important elementary arranging book. Fea- tures step-by-step instruction to help musicians through that “first char.” Includes all the modern styles, Jazz-Rock, Blues-Rock, Contem- Porary Latin, etc. Includes a record of two of the ‘charts including John C. Fogerty hit for ‘Credence Clearwater Revival, “Lookin’ Out My Back Door’. 112 pp. Price $14.95 ‘THE PROFESSIONAL ARRANGER COMPOSER (Book One) by Russ Garcia Text book used by leading schools, Basis for Course for practical arranging and composing in the commercial field. For the advanced and pro- fessional arranger. 172pp.,1951 Price $14.95 ‘THE PROFESSIONAL ARRANGER COMPOSER (Book Two) by Russ Garcia Discusses contemporary trends in Jazz, Pop and, “Modern Classical” Techniques. New scale chords etc. using tone rows in practical music, Contains a record of many of the 169 examples ‘and the recording of a complete.score of a comp- sition by Garcia 91 pp.,1978 Price $14.95 NEW HOT DISCOGRAPHY by Charles Delaunay The standard directory of recorded jazz. Tit personnel, dates and numbers of 20,000 records, £608 pp. Price $24.95 ‘THE STECHESON CLASSIFIED SONG DIRECTORY by Anne & Anthony Stecheson A classified directory of over 100,000 song tt 395 different categories. Used by every major ecord company. 503 pp. incl. 68 pg. supplement, Price $40.00 CHARLIE PARKER OMNIBOOK {60 Recorded Solos — 4 Books Eb...C.. Bb... Bass Clel (New!) Price $11.95 ‘Now! CHARLIE PARKER FOR PIANO. 15 Piano Solos Based on His Recordings Arranged by Paul Smith and Morns Feldman CHARLIE PARKER FOR PIANO. Recorded by The Paul Smith Trio Cassettes avallable $8.98 by mali CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, CA 90028 127128 Shawnuff By Charlie Parker and John ‘Dizzy’ Gillespie d=326 = Aas aha (ano Baeek Le oF 7 FiO a AIS D oT ©1948 ATLANTIC MUSIC. CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC COKP. All Rights Reserved.| | 7 F7 Fio Fo c7 7 E7 129 cr (1 fage)130 By Charlie Parker 12330 Leap Frog © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved, ‘VERVE £640/VERVE 0002/VERVE 8006/VERVE 2501, www. il131 Leap Frog - cont.132 #7 aT 7 (Ther)a SS Se hlUcE SE SS SS 41338 Leap Frog - cont. Ae D7 G Ae D7t98 Parker’s Mood By Charlie Parker savor sn2201 Blues Jez a — (Robate ) (ATempo) Fa — $ ep tht Baek 7 > CORP. © Renewed and assigned 1976 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved.135,136 By Charlie Parker 32236 G7 Warming Up A Riff 3 ©1949 ATLANTIC Music Corp. © Renewed and assigned 1977 ATLANTIC MUSIC CORP, ©1978 ATLANTIC MUSIC CORP. All Rights Reserved savor su.2201 e —— =< = —(form Page)1384139 6 cH De Pe7 ce cH b=140 Si Si By Charlie Parker verve vez-2512 || 72/8 ‘Rawo) © 1956 ATLANTIC MUSIC CORP. ©1978 ATLANTIC MUSIC CORP. All Rights Reserved wwCHARLIE PARKER FOR PIANO Recorded by The Paul Smith Trio Cassettes available $8.98 by mail CRITERION MUSIC CORPORATION 6124 Selma Avenue, Hollywood, CA 90028 1a142 Ballade By Charlie Parker verve meveco J D- G7 c Ae g 0 Dig © 1958 ATLANTIC MUSIC CORP. 1978 ATLANTIC MUSIC CORP. All Rights Reserved. ww Due kere Ce ee eRe