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The cafe was the primary theater of everyday life in nineteenth-century France. Until the nineteenth century, drink was a luxury for the well-to-do. Drunkenness was the general rule during the "fat days" of the ancien regime.
The cafe was the primary theater of everyday life in nineteenth-century France. Until the nineteenth century, drink was a luxury for the well-to-do. Drunkenness was the general rule during the "fat days" of the ancien regime.
The cafe was the primary theater of everyday life in nineteenth-century France. Until the nineteenth century, drink was a luxury for the well-to-do. Drunkenness was the general rule during the "fat days" of the ancien regime.
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PLCASURES.& ARIS = DAUMIER 4 PICASSO
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Barbara Stern Shapird ha the assistance of Anne E. Havinga
Essays by Susanna Barrows, Phillip Dennis Cate, and Barbara K. Wheaton
foWhoa caf, without newspapers, there
would be no Paris.
‘A. Morand, La vie de Paris,
Tort the history of French caf would
efor ll portal parpones to write the
istry of France
Willy
bonne wad
lee
Nineteenth-Century Cafés: Arenas of Everyday Life
qe
Susanna Barrows
However diverse ther observations, no commen-
{ator on nineteenth-century Paris could overlook
its most characteristic fixture: the eafé. Other na-
tions, to be sure, had their share and panoply of
drinking establishments, bot by common consen~
sus, none replicated the ambience of the French
café. Morand may have pushed trth to hyperbole
when he claimed, in 1855, thatthe café was “one
ofthe great elements of Perisian life, and 30,000,
individyals would hang themselves on Sunday
night if they were closed, as in London." But his
fantasy suggests a fundamental abservtion: the
café was the primary theater of everyday life in
nineteenth-century France. The scenarios, of
course, were as diverse asthe locales themselves,
bout all bore witness tothe changing cultures of
drink, polities, and distraction,
Until the nineteenth century, drink was a luxe
tury forthe well-to-do. While the richest of
France’s notables could indulge inthe practice of
daily drinking, the mass ofthe French population
tumed to Liquor only on rare and largely ceremo-
nial occasions, on feast days such as Mardi Gras,
festivals of saints, marriages, and the like. The
‘taditions associated with drink varied no less
than costumes, dialects, or diet; France itself was
‘a patchwork wrought of local custom, linked by a
‘common thread: most of its people lived on the
margins of povery.
But on those rare days of general drinking,
“drunkenness was the general rule. Countless
‘songs and poems beloved by the common people,
popular illustrations depicting Mardi Gras, and
ample reminiscences reearded by the police beat
witness to the ubiquity of inebriation during the
“fat days” ofthe Ancien Régime? Drunkenness,
even tothe point of vomiting or losing conscious
ness, received almost no popular censure. Ina
world where spirits in any form were dear, the
ability to consume a great deal ona single outing
"represented to poor people a badge of prestige
and a display of well-being. Middle-classreforn-
fers, as late as the 1860s, were mystified by the
sight of Parisian workers returning t the city on @
Sunday evening ("the whole family was walking
slong perfectly sober until they saw the octri —
the tax barriers — then they started to sing, wob
ble, and shout”). Local police knew better; they
could interpret the behavioral shit with insight
(These people were showing of to their
neighbors”)
Beginning in the 1830, as industry and trans
port began to change the nature and volume of,
W
French production, as toads, waterways, and rail-
roads pierced the countryside, the wine trade and
the distillation of hae liquors revolutionized
French drinking practices, Industrial liquo
distilled from beets, sugar, grains, or potatoes,
became one ofthe fastest-growing instr in
the North of France and gradually lowered the
price of spirits othe level of ordinary people's
budgets. Improvements in French transport al=
lowed producers of wine and spirits to move their
products from one comer ofthe caus’ to an-
other; Pais was one of the ist beneficiaries of
this expansion. Cheap prices fo alcoho, wide-
spread and rapid distribution, and persuasive ade
vertising broke down many of the particularities
associated with local pattems and shythims of
drink
By midcentury the price of wine, liquor, a
beer had dropped dramatically and wow fell
within the budgets of all who were not wholly des:
titute. Within fory years, drinking passed from
the realm ofthe exceptional into the everyday. At
4 very modest price, it olfered laborers an ant
dote to the cold, a substitute for filing one’s
stomach, and a means for alleviating hunger. Be-
‘cause food and fuel prices remained relatively
high and wages relatively stable, alcohol beeamne
the sector of working-class budgets that expanded
the most rapidly between 1840 and 1900, Survey~
ing workingelaes life inthe 1840s, the Catholic
sociologist Paul Leroy-Beauliew wa forced to a=
rit that, at least in urban areas, cafés had be=
‘come the “cathedrals ofthe poor.” secular
hutches offering comfort, rituals and solace to
the dispossessed. Cathedral, indeed but with
this difference: the host beng distributed was the
sill of Bacchus, not of Chris. And that gilt was
richly given; alcoholic consumption tripled be:
tween 1840 and 1870, and the variety of aleo-
bolic beverages expand according:
[Nature's harsh hand further transformed the
new world of drink, ln the late 1870s phylloxera
stouck French vineyands, Thghout the coun:
try, worried winegrowors watched grapes wither
‘onthe vines, andthe national consequences were
disastrous, Over ten percent of the French popu
lation faced personal ruin, while the ordinary
Arinker was forced to choose between an expen
sive and usually unpalatable wine and a substi
tute aleoholic beverage: beer, absinthe (frst poy
ularized by French soldiers returning from
Algeria in the 1880s), Vermouth, Bye, rum, or
eau-de-vieig ont Dati, Pe Mf he re
‘Thanks tothe implantation of vines from Cali-
fornia and tothe French government’ decision to
encourage the massive implantation of vineyards
in Algeria, wine reappeared onthe tbles and
‘counters of both Paris and the provinces by the
1800s, But the new habits of alcoholic consump
tion were not easily sloughed off millions of
French citizens simply added wine to their a
ready ample intake of aperitif, digestif, cider,
and beer. By the tur ofthe century, France, the
ration whose international prestige had been
slipping since the fall of Napoleon, found itself
unsurpassed in at Teast one respect: she had the
highest per capita consumption of aleohl
‘This alcoholization ofthe French did nol pass
unnoticed by reformers, social erties, scientists,
and governmental authorities. Doctor, scientists,
and a haneful of public servants hud long been
larmed by the troublesome increase in drinking,
but widespread awareness of the problems associ-
ated with excessive drink came late to France. In
1852 the Swedish physician Magnus Huss coined
the word “aleaholis”: his treatise was translated
and awarded a prize by the French Académie de
Médecine, then dismissed a iit had concerned
subtropical bacilli wholely unknown wo France
“There may be a good many drunkards in Prance,
bt happily there are no aleoholies." Twice dur-
ing the reign of Louis Napoleon, the French leg:
islature discussed the possibility of instituting a
law against public drunkenness, only to reject
such legislation as interfering with the liberty of
the liquor trade. In 1875, the Grand ditionnaire
universel du XIXe stele could stil reassure its
sders that “in our country, although drunken:
res is not unkove, iis far from having a char-
acter as repellent and as nefarious asin England
‘and Ameriea.">
Denial of the existence of French “alcoholism”
was one way to skie the problem; elaborate dis-
‘inetions drawn between “healthy” and “danger
‘ous forms of aleahol was another, Throughout
the century, the French medieal and scientific
ued that wine and, to lesser de-
‘ee, beer and cider, were “hygienic drinks —
ood for one’s liver, at aid to digestion, a stimu
lant for work, a necessity for nursing mothers, a
cere for “fatulent appetites. Distilled beverages,
‘especially the industrial alcohols produced in the
North, were seen as the culprits that accountedvente cogadide ery
{or the rising tatisties of alcoholism. But the sta-
tistical exporés and medical lectures did litle to
‘cuth national predileeton for drink: a the
nineteenth century drew to a close the French
drank more alcohol than any other nation,
Much ofthe revolution in drinking was a pub
lic spectacle, visible in any one of a dozen types
of drinking establishinents all legally subsumed
under the category debit de boison. Compased
With other nations, the French have always con-
sumed a remarkably high percentage oftheir ab
‘cohol outside the confines of the household. As
‘early as the seventeenth century, notables and
sturdy bourgeois took ther ibations in the digai-
fied surroundings ofthe café, Urban dwellers of
the simpler sor, artisans and skilled laborers,
found refreshment a less elaborate débis, at
‘wine shops, at taverns, or at cabarets, which were
‘concentrated in working-class faubourgs. But the
most popular debite — the goguettes and guin-
ucts (suburban and rustie cafés) — lay outside
the city limits, because liquor consumed there
‘was nol subject to urhan wurtaxes and henee
slightly cheaper. These institutions did almost all,
their business on holidays, Sundays (the day for
family drinking) and Mondays (the day reserved
for male workers honoring "Saint Landi"). Some,
like the Californie, served atleast five thousand
clients « day ough wine and robust euisine
By whatexer name, cafés were closely moni-
tored by the government, which requited each
proprietor to be licensed by local authorities. By
the 1830s a special arm ofthe lew, the police des
debits de boisson, watched over the drinking es-
blishnents of many cities and large towns. In
the countryside, focal minions of the Law, the
_garde champétre snd the mayors, exeresed simi-
lar functions. Monicipal regulations contolled
the hours of commerce (especially the closing
times of 10 oF 11 pum. incites, 9 p.m. in rural
areas), forbade the sale of drinks during hoy of
fees, and counseled proprietors not to permit the
singing of political songs or the recitation uf sub
versse ballads, In 1835, some 283,000 cafes
‘were sprinkled throughout France. Their distribu-
tion was uneven; large cities lke Paris or Lyon
boasted most ofthe elite eafés; areas just outside
the octvis catered tothe popular classes, eile
the eural auberges offered drink 0 local ne
ident, fod and lodging tothe traveler.
Ina world set into rapid motion, cafés came to
fill a cluster of diverse and basic needs. Almost
all of them served food, since urban laborers had
9
neither the time nor the means of transport to
take their meals at home. No Tess important, they
‘assuaged thirst. Until the late nineteenth century
potable water was a scarce commodity in the ur-
bn landseape. While Baron Haussmann’:
building of the city’s water supply inthe 1850s
and 1860s had improved the quality of Parisian
tap water, public drinking fountains supply
spring water were vietually unknown before the
British philanthropist Richard Wallace gave them
tothe cepital a decade later. In most workings
class neighborhoods there was an average of only
one fountain for every fifteen hundred residents."
With some justice, French workers regarled
water skepticaly as dangerous and a potential,
‘carrier of disease. To be labeled a buseur deat
by fellow workers was to be triply insulted: ax
someone who was destitute, unmanly, and short=
sighted. Working for ong hours at heavy tasks,
often sweltering in shops, factories, or alongside
dusty construction sites, laborers relied on their
cafés to famish the very staff of life food sn
tink,
‘The great waves of nineteenth-century migrants
France came to regard the café asthe only
Fixed point in an unfamiliar universe, Often lit
erate, and ilhequipped to navigate about strange
tovens and bewildering cities, newcomers, espe=
cially those speaking in dialects. learned quickly
tw make a map of theie surroundings whose major
landmarks were cafés. The very names given to
many of these establishments ~ the Golden
Lion, the Grapes, the White Sheep bei
the most popular — were announced wi
raphie signs affixed to their exteriors. These
{cons allowed rural migrants tobe reunited wi
their fellow villagers within hours oft
in cities hundreds of miles away.” And they re-
tumed there often, to converse in thet mother
tongues. to reenact rituals in part transplanted
part weought out ofthe eons
ditions oftheir urban labors
Cafes constituted, in fact, the place
reaus for both day’ andl seasonal workers. In
Paris, masons clustered in the débits adjuce
the Hatel de Ville, metalworkers gathered in the
side streets around the Place de la Bastille, while
‘woodworkers and furnituremakers ava
ployment in cabarets dotting the Faubourg St.
Antoine, Each ofthese trades hada customary
claim tothe specific locales of drink and to the
‘variegated rituals that linked work tothe con=
sumption of alcohol. When a new mechanic was
fiom their villages,hired in the working-class district of Bellville,
the neweomer was obliged to furnish a quand-s?,
the ritual buying of rounds of drinks forall the
shop's veteran laborers. Parisian moving-men
‘and painters gathered several times each morning
for their own special coffee break, white wine,
which even today is described as a café des
deménageuts.
Beyond providing the basic necessities, cafés
offered workers specialized networks for ob-
taining housing and financial credit, Migrants
tramping to towns and lager cities found crowded
bout cheap quarters above rural auberges. It was
far from unusual to see urban cafés in working:
class neighborhoods function also as boarding
hhouses oF as informal housing bureaus for would
De lodgers. In between pay days, café regulars
often asked their proprietors for an ardoise, 8
‘charge account or small loan fo tide them over to
their next payment which often took place at the
‘counters ofthe same cafés, Independent shop
keepers and skilled artisans regularly retired to
their local débi to seal business arrangements
with a tere (a glass), since sharing a drink con-
stituted a ritual contract, the customary French
equivalent tothe English gentleman's handshake,
However arduous the rhythms of labor in the
nineteenth century, migrant workers still had
time on their hands — evenings, holidays, Sun-
days, and in some pars of France, Mondays.
Lodged in dreary, crowded quarters, urban work-
fers could find in cafés the amenities that thei do-
‘mestic surroundings lacked: hea, light, and dis-
traction. Most had been raised in family circles
that valued sociability ver privacy; once io-
stalled in the city, they tumed quite naturally to
the café for their new sense of community. There
they could smoke; ifliterate, read newspapers or
‘pamphlets, if literate, be read to; there they
‘could digest and editorialize on the events of the
day, or keep in touch — by word of mouth or the
rare letter — wi
their families in the country-
side. As news centers, singing and gambling s0-
Cieties, employment centers, housing bureaus,
‘essential half-way spaces between public and pri=
vate, branches of the village grafted on the city,
as reading rooms and libraries, cafés by the
1850s offered to all but the utely indigent a
rmordium of decency and the good life. “Here,”
‘wrote the popular novelist Jules Valles, “One can
have all the luxuries ofa millionaire fora few
Indeed, the expenditures of workers in such
‘modest pleasure palaces elicited the concer of
social reformers and writers onthe social ques-
tion as early as the 1840s. Armand Audiganne,
René Villerme, and Leroy-Beauliu deeried the
improvidence of the laboring clases, who ap-
‘peated all too willing to squander a week's wages
ina single evening. Surveys ofthe budgets of art-
sans in Pars and other urban areas suggested
that increased wages quickly passed into the
hands ofthe tavern keepers, and that the laboring,
classes would never emulate the thrfy habits of
the bourgeoisie. The Parisian Chamber of Com-
merce estimated that in 1848 a constriction
worker spent more of his eamings on alcobo than
on lodging for his family. But their alls fr pru-
dence and sobriety found few echoes in popular
practice
‘Even more than improvidence, French govern
ments feared the dangerous political activities
that transpired within the confines of café. Until
1880 all French regimes, be they monarchical,
imperial, or republican, rightly viewed the eaba-
ret, the goguette the auberge, and the eafé asthe
prime places for politcal organization, forthe
transmission of news and dangerous ideas, and
for the mobilization of strikes and popular pro=
test, To the novelist Honoré de Balzac, they were
the “parliaments of the people”: tothe politician
Leon Gambetta, “the salons of democracy.” Fol-
lowing each of France's waves of revolution in the
nineteenth century (after 1830, 1848-1851, and
1871), “the strictest surveillance” ofeafés was
‘ordered by governments eager to dismantle forms
of working-class and radical social organization.
‘The very militance ofthe French working classes
produced its nemesis: vast bureaucracy intent
fon recording their every move. Its legacy to twen
tioth-century scholar: perhaps the richest set of
documents on all aspeets of eafé culture for any
county inthe nineteenth century.
‘As cafés grew in number, so did the anxieties
ofthe men of order. By 1851, as Napoleon HIT n=
stalled a more sophisticated machinery of pliti-
cal repression in order to dismantle the Second
Republic, he immediatly singled out the café for
special surveillance. On December 29, he issued
‘orders that held a sword of Damocles over every
dlrnking establishment in the Land. He gave
prefect the discretionary power to close dow
any cabaret, auberge, or café. Napoleon's motives
were frankly political; he held cabarets, espe
ily those inthe countryside, responsible forMtoe rou reed
“disorders,” the sse of secret societies, an what
he called the “progress of despicable passions.”
Uniler the twin pretext of polities and immorality
any existing café could be closed by prefectoral
fat, any new ones refused Kienses to open. With
in three years, the number af seh subversive fo-
rms ha! been eut from 350,000 to 291,000,
‘As lunchtooms, watering holes, and centers for
political mobilization, cafés were multipurpose
institutions closely patlered afer the needs of
the commen citizen. But to enumerate these
‘ere functions isnot to brig them ack to if.
Like X-rays of loved one, such catalogue of
cotity records a strutue that, though el, ep-
pears lifeless, almost unrecognizable to subject
and viewer alike. Cafés were not simply “useful”
as clearing stations for people onthe moves they
vere the very houses of popular culture, the pr
rary arenas of ital, and the central stages for
socal drama. The participants wee the regulars,
men who assembled a regular hours, greeted
‘eachother with handshakes and secret nick-
ames, exchanged ritual gifts in the form of
rounds, and ofen occupied for deeades the same
place al the same table or counter. The cafés
vere ideal settings forthe symbolic reversals of
Status and the eration of mock hierarchies.”
‘As highly specialized insition, almost all
cafés depended upon a steady clientele, a pate~
ular set of activities (boule, billiards, music,
cardplaying, dances, or ~ that cheapest and
‘most dangerous activity — rises brawls}, which
Ihave been described as “the duels ofthe pos”).
No less ordered were their shythms of commerce
Workingmen in cites could be seen fortify
themselves ative inthe morning on their way to
ork, at noon sharingan aperitif after linc sa-
toring a digestif. and at ve in the evening honor
ing the “hour of absinthe.” Each ofthese bands
of regulars was a ceremonious circle; each had its
particulae paroles, By the 1880s the densely tex-
tured workinglas slang and patois had became
so extensive that a less than a dozen dtionares
of French argot found their way into publication
worker’ own reminiscences are tbe believed,
café discussions represented the most eloguent
moments in the discourse of ordinary people
Here wee retold the events of the day, in dra
‘mate, playful, musical, or poetic form. Herel
borers could grumble aginst harsh foremen, de
liver sarcastic gibes against kings, presidents, or
emperor; here they could comment on the pee-
cadillos of nobles, offer scathing pasties of
a
priest, local bores, tax collects, meddlesome
neighbors, or haughty moraizers. The rch e-
shaping of daily experience int café discourse
allowed every man tobe something of « Homer,
‘everyday to become a chapter inthe epie drama
ofan otherwise unremarkable lie
Often underdogs, vitims inthe world of labor,
café habitués did more than brig the righty low
By their very choice of nicknames, they cou ap-
propriate for themselves the symbols of power and
authority: Anyone who has worked in nineteenth
century archives has been amused by the calor
sedoption of aliases tha supplement dhe egal
‘names of nviduals interrogated by the police
Like the wearing of a mask, these nicknames
served as disguises tothe prying outside word of
public order — the word that required each la
Borer to ear a iret (labor passport) ~ but were
«esily recognizable to members of one's particular
circle. The veral equivalent to the disgises
adopted in times of Carnaval, these humorous 0-
Iriquets often pointed to a mocking or eversl uf
social hierarchies. Although most atempes to
translate slang are doomed to failure, let me haze
ada few examples. Common nicknames inthe
1860s included Emperor af the Drunkands,
af the Pigs, Savior ofthe World, President ofthe
‘World in 1860, Mohammed of the Bars, Le Grand
Louis, the Cure, or the Pope ofthe Cabaret.
Other nicknames evoked masks dirctly: witness
Messeurs Hering, Head, Woodcock, Wig Face
Baldy the Tesible, Stel-Head. Sill thers su
gested anesome aleahalie capacities: Woode
Stein, Corkscrew, Son of Faso, and Colery Foot
Many cafs even foun thee space baptized in
telling ways Places boasting more than one room
efien named the more puble space the “Cham
ber, and the back toom, reserve forthe inner
circle, the “Senate.” Large establishnents with
three room differentiated them hy eeference to
ane ofthe thie esates af the Ancien Régime
In slativey tral times these symbolic re
versal of power were hardy more threatening
the social and political order than the ital iver
sis of Mand Gras. But during periods of revo-
latonary protest or ines of severe government re
presion, the nature of café rituals could ove
from innocuous satire to subversion, frm eiique
{0 poplar assaults on the regime. Inthe past ten
years, socal historians of mi
France hae schly documeated the centrality of
the cafés the primary point of political mobili-
zation during the Second Republic (1848-1851)
eteenth-eenturyDuring the massive insurrection tht followed the
coup of Louis Napoleon in December 1851, café
‘owners were among the ringleaders of the rebel-
lion, and nearly sity thousand were shat down
for alleged subversive political activities between
1852 and 1855.” New laws against sedition made
any critique of the regime a rime, be it the sing
ing of the Marsellase, the insulting of local nota-
bles, the public complaints against unpopular
‘wars or the high cot of bread.
Especially in the 1850s, Lovis Napoleon's sys-
tem of repression was both sophisticated and se-
vere. No less than 26,884 citizens wore arested
as dangerous tothe regime; some 9,581 were
eventually deported to Algeria or other French
penal colonies. But despite these draconian mea
sures, he could not wholly eradicate radical crit
ques of his regime. OF 528 tial fr “seditious
speeches” recorded by the emperor's courts i
the 1850s, 377 mentioned the loale in which the
‘offensive language had been voiced. The majority
of these verbal assaults transpired in cafés,
uberges, and hotels. The seditious speech acts
themselves offer a colorful and richly textured
picture ofthe manner in which citizens chose to
voice their disaffection in a period of massive re~
pression. The language itself was “rough”: “Nar
poleon is an assole, con”; I would like to rub
huis face with shit”; “The Empress Eugen
whore.” Rejecting the bureaucratic and “proper”
language of the regime, Napoleon's critics will
{ally intertwined political commentary, obscen-
ity, the popular language of the marketplace, and
the patois oftheir regions. Using icons and
images to reinforce their sentiments, dissident
Frenchmen spat on images ofthe emperor, in-
sulted coins and statues that bore his likeness.
How mich had aleahol infact loosened the
tongues ofthese critics? When brought to trial. at
Teast 150 of them claimed that they had been
drunk at the time of the speech. But their defense
of inebriation should not be taken at face value,
since drunkenness was commonly accepted as a
rmtigatng factor that lightened their sentences,
‘During the so-called liberal phase ofthe See~
cond Empire (the decade of the 1860s) the stat-
utes against sedition ad the power of prefects to
lose cafés remained intact, but the regime be
came far more tolerant in practice. By 1870, on
the eve ofthe Franco-Prussian war, the number of
cafés throughout France had reached some
360,000 — far more than during the Second Re-
public. Governmental surveillance of French
drinking establishments now focused on a
broader range of café activities than polities alo
Ticentiousness and drunken comportment
found their way into dossiers on “dangerous de
bits. But the regime that had tried to eradicate
politieal aetvity decided that the rights of
Frenchmen to besot themselves orto frequent
prostitutes were apparently inalienable.
“Then came the France-Prissian War and the
‘Commune. Reacivating the existing machinery
of repression, the head ofthe French governme
Adolphe Thiers, urged a thorough purge ofall
‘alée whose proprietors or clientele had sympa
‘thized with the Commune or who dared voice e:
icism of the new, and largely monarchical, e-
ime. The close surveillance was quickly
extended tall aspects of café culture. In Now~
ember 1872, the Minister ofthe Interior lashed
out at those “veritable schools of depravaton,”
the cafés-concerts, Prefects wee instructed to
“repress energetically” any establishment that
permitted “obscene songs, smutty sketches, a
all other items which might compromise moral:
the public order." The fllowing year the Na
tional Assembly saw ft to declare publie drunk
enness a crime and to equate obscenity, immo
ity, and vice with revolution. A new hegemony
over the nonpoitcal aetivities of citizens becat
the order afthe day. Forms af café sociability 1
had been tolerated during the Second Empin
the right to intoxicate oneself, to employ wait
estes, to install a piano, oF to sing slightly off
color dities — were now declared illegal and,
teed, associated with politial subversion. Si
conflation of politics and moras signaled an
phase of state control over the citizen and soci:
space, The new restrictions on calés now
presumed to enforce not simply political but,
infect, a total conte over one's public
comportment.
Both the law against public drunkenness an
the purge of cafés were regarded by France's
workers, rep
Left as class conspiracies, as secular arms of
litical repression. The Societé Frangaise de Te
pérance, elablished immediately ater the Co
‘mune, railed repeatedly against the ravages of
alcoholism among French workers in both the
and the countryside and sponsored competitio
ian, and men and women of
for the moral reform ofthe “dangerous classe
bat not one of ther articles conceded that ale.
holism was a disease that could eros class in
Until the mid-nineties, the subject of aleoholie