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Acoustic Guitar Tabs

Acoustic Guitar Tabs

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TABLATURE; EXPLANATION

TABLATURE A six-line staff that graphically represents the guitar fingerboard. By placing a number on the appropriate line, the string and fret of any note can be indicated. For example:

3

tst string, 15th fret, 2nd string, 15th fret, play~ together

Definitions for Special Guitar Notation (For both traditional and tablature guitar lines)

1/2

;;;;

Full

;;;

1/2 (or FuU)

=

5th string, 3rd fret

BEND: Strike the note and bend up 'h step (one fret).

BEND: Strike the note and bend up a whole step (two frets).

LEGATO BEND AND RELEASE: Strike the note. Bend up 'h (or whole) step, then release the bend back to the original note. All three notes are tied; only the first note is struck

GHOST BEND: Bend the note up 'h (or whole) step, then strike it.

GHOST BEND AND RELEASE: Bend the note up 'h (or whole) step. Strike ~ and release the bend back to the original note.

UNISON BEND: The lower note is struck slightly before the higher. It is then bent to the ~ch of the higher note. They are on adjacent strings.

;;; VIBRATO:Thestringis vibrated by rapidly bending and releasing a note with the fret hand or tremolo bar.

SHAKE OR EXAGGERATED VIBRATO: The ~ch is varied to a greater degree by vibrating with the fret hand or tremolo bar.

;;; ;;;

= ;;;

=

SLIDE: The first note is struck and then the same finger of the fret hand moves up the string to the location of the second note. The second note is not struck

SLIDE: Same as above, except the second note is struck

SLIDE: Slide up to the note indicated from a few frets below.

SLIDE: Strike the note and slide up an indefin~e number of frets, releasing finger pressure at the end of the Slide.

PICK SLIDE: The edge of the pick is rubbed down the length of the string. A scratchy sound is produced.

HAMMER-ON: Strike the first (lower) note, then sound the higher note with another finger by fretting ~ without picking.

PULL-QFF: Both fingers are in~ially placed on the notes to be sounded. Strike the first (higher) note, then sound the lower note by pulling the finger off the higher note while keeping the lower note fretted.

FRETBOARD TAPPING:

Hammer ('lap") onto the fretboard w~h the index or middle finger of the pick hand and pull off to the note fretted by the fret hand (''T'' indicates 'lapped" notes).

an open E chord

Harm.

;;;

A.H. A

;;;

A.B. 8wJ,

i:

lOundlq pitch: E

TREMOLO PICKING: The note is picked as rapidly and continuously as possible.

NATURAL HARMONIC: The fret hand lightly touches the string over the fret indicated; then ~ is struck. A chime-like sound is produced.

ARTIFICIAL HARMONIC:

The fret hand fingers the note indicated. The pick hand produces the harmonic by using a finger to lightly touch the string at the fret indicated in parentheses and plucking with another finger.

ARTIFICIAL ·PINCH" HARMONIC: The note is fretted normally and a harmonic is produced by adding the edge of the thumb or the tip of the index finger of the pick hand to the normal pick attack. High volume or distortion will allow for a greater variety of harmonics.

TREMOLO BAR: The ~ch of a note or chord is dropped a specified number of steps, then returned to the original ~ch.

PALM MUTE (P.M.): The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.

MUFFLED STRINGS: A percussive sound is produced by laying th. e fret hand across the strings without depressing them to the fretboard and striking them with the pick hand.

THE ACOUSTIC CLASSICS 17

Tablature Explanation page 17

MOOD FOR A DAY

As Recorded by Yes

(From the album FRAGILE/Atlantic Records)

Music by Steve Howe

Vivace J = 138 G/D

F./C# G/D F#lct G/D

II ... n 1 I h_ ~ D_ r-n
._
: :
@) -4 * "'-4 ... -4 -4 ... ... -4 -4 ~
..... ..... ..... -
11if
:::
T
A . ,. .
R ~ ~ ::: * ~ ~ *Gently tap face of guitar.

~ Bm

A

G

G/B

F#/A#

II .. ~ r-1 r:J nnn ilr::-J ,..... r-r-, Fr1 __r::::r:::t _l ~rJ
. .
@T I r r r r HP "1- "1"1 r "I#r "I I r
r ~
HP H
~ ::. ...--...
~ ':!
, , Bm

G

F# H

G/B

To Coda

F#/A# -+

NC

n~n~fi z> -3-. ..
II .. n..m r::t _ .r-r- Fn rr-, I ., r-i I " ~3--. ~
~
.
~ r r 1/ r HP "I - r "I#r I ("
r ~H "I poco Tit.
~ ~ HP
---- ~
~ , ~
~ PPHHPP

- f

fr Grad. pick closed to sound hole)

P P H HpPHHPPHHPpHH

18 THE ACOUSTIC CLASSICS

Copyright © 1972, 1988 Topographic Music Ud.

All rights for the World administered by WB Music Corp.

All rights reserved Used by Permission

Bm
0 P Em/G ~3~ ~3~ )I Gm(B~ B~ C B~A/q
" ... ~ ~~ ~ t:::::=:r--I
@) 'I r' HP P '----'''~r .. ~ ... iTt" ~ .... ... ~""
*sul tasto H P P i w/nails-' ---------
P HP P
)
~ ----:""
'Play over fingerboard. HPP
O/A E7 G D/A Em/G II .. -= - .. ~ . r --.--. t\
-
@) $f: 'I j If t"' t"' i i ~~ r' , sl.
r r w/nail • .J
~
...
~
v II ..

N.C.

~3~ ~3~

m-ifis~~

sl. J, =84

HPP

<::» i ~'r

H P P w/nalls-J

HPP

Esus4 H P P

P

=--- DA

A

G

Bm

11. F#/A#

/F# F#7/E

B

rn JIl :> f1:1 iii s.;] .. M4Bmrn :> m
" .. rn r-r- I r-n r--r-,
: , :
, I
@) r r' r r fH r 'I #r I #r:resc. poc~ a poco r
P P
,---.., ..-...
,---.., ~
, , ~ --.;
,
u + _r;] jJ~ D,-
II .. H I - oJ "" - - -
,---..,
,
,
@) I I ~l ~' I' r r r' I
~,
fH r.it. 71if *T mf P P rit. a tempo
'P ....---._ ....--... ,
~....---._
~ F#7 5

Esus4 P

D P :::---..

D E7/G#

1] ~- n rr5

*T 'T=thumb

A G J= 86D Gadd9

r-:n m i ppp3---, 'f>p3--, HP

~oJ ~J J~fl I I il J.EI ;I~n FA

D Gadd9

pp3--. 'f>p3--. HP

J • .rm -Ir~1 rTTi J.m}1 n 61

II ..

PPP P

PP P

HP

,---..,

PP P

_..-.",

PP P

HP 2:"'>

THE ACOUSTIC CLASSICS 19

D.S. alCoda

~

II ... l"""'- I I ~ I I *r1 r--"I n
.
@) ~.. .. -ill -ill .. .. -ill -ill ... ... ... 11 I
ft _!
:; :;
I ':: ':: ':: Coda

Bm

A(6)

'Exaggerated rake p with nails. G

n

II ... r--1 nnr1rJn.r.nnn n
.
~) I r r r ~ L" I
I_t p
v
'::
. Ft H

G/B

F#/A#

Esus4 p --...

D

p

A

G

F# H

G/B

II ... r-r--, Fr1 r-r+ '~. J;J ..r:JjfTl r-r1 r-r--, Fr1 I'TI
:
Ie; "I VH r "I#y ~ I l(norm.J r p t r fH ~
r cresco p
sub. Trrr f' .--... over sound hole
~
.--...
~ v V
p. 112. Esus4 D qm D :> E7/G#
p p . ::;- F#/A#

II... I

F#/A# r--1

~ ~ J jj:J

#f sl.1 (norm.)

r p

Jwlto rit. - - - -

sl.

A :> G

FUm

Meno mosso J = 84 D p-p-p3---.

1~-!r~1

II ...

I e; II

---- -------- -----~

<>

p p p p

~~

p p P

P P P P

HP ~~

P P P

H P

Poco meno mosso

D,___ 3 G ad~3

P P --., ---,

II ... lfflJ 1-1 I I T l Jlf:L-----n~

D

I

<>

P P

"I --

H~~r

wjR.H.

P P P P

~~

rit.- - - - - - - - - - - - - - - - - - - - - i

PP

P P

u

.........

H

pp

20 THE ACOUSTIC CLASSICS

Tablature Explanation page 17

DUST IN THE WIND

As Recorded by Kansas

(From the album POINT OF KNOW RETURN/Kirshner Records)

Words and Music by Kerry Uvgren

Moderate J = 96

Intro

Rhy. Fig. 1 C

**(Acous. gtr.) 'm

Cmaj7 m i m

Cadd9

C

Asus2

Asus4

m

'Fingerpicking: m = middle; i = index; t = thumb (use thumb for all downstemmed notes).

"Doubled by 12 stg, gtr.

Am Asus2 C add9 C

Cmaj7

Cadd9

Am

Asus2

1 st Verse
Asus4 Am G/B C G/B A~
close my eyes,
(end Rhy. Fig. 1) G

Dm7

Am

G/B C

G/B

Am

All

my

dreams _

p

Copyright©1977. 1978. 1988 Don Kirshner Music and SBK Blackwood Music Inc.

All Rights Controlled and Administered by SBK Blackwood Music Inc.

All Rights Reserved International Copyright Secured Used by Permission of the Hal Leonard Publishing Corporation

THE ACOUSTIC CLASSICS 21

G

Om?

Am

O/F#

G

a eu - ri - os - i - ty.;

Oust

in the

tWl

p

p

p

p

Am

Am/G

O/F#

G

Am

G/B

All they are.L is dust inc; the.L, wind.

i

r

H

2nd Verse
w/Rhy. Fig. 2 GfB
C
, (J ir
Same old
C G/B
, (J t
All we p

p

Am

Ita:

5

G Om? Am

IlJ tJdtU: []JRl acr

GfB

~ song.i,

Am

11 I

do

just a drop of wa - ter in an end - less sea.--
G Om? Am
I EJ w=r f F f I (4 Uf3r J
;;;J
crum-bles to the ground.; though we re- fuse to see. __ OfF. G

&,;S f1

Oust_

in the wind. _

OfF. G
I b1 EJ r
All we are is dust --...-.'tJ II

in_

the

F(#ll)/A

F6(#II)fA

e

p

22 THE ACOUSTIC CLASSICS

Violin solo (arr. for gtr.) VIn. I Am add2

F($ll)/A

VIn. II

G/A

w/Rhy. Fig. 1

~---------------------.=----------------------- C

II. 112. i=F=!==l FFFi I

6 # 1)/ :i: .J,J.J .J.J~~ .!f

Cmaj7

J

F6( #ll)/A j1ffllffl FJ •• I A J - -
fI j .. -- - -
- -
: ..
I!) I 1...--:1 I V r r
v ·
, ~
_.._
fI ~ F"'r"=l r--:I I="i""""=l r--"':l FT""i ~ _£C"'3.
. ~
. ~ ~ : .
.
I!) L I _tJ i I IJ i I rJ i I _tJ
-
v ·
·
v
v C add9 C Asus2

Jm~1ffilm J

J1

J

Am ASUS2..Jill

Jmlmlm-===

Asus4

II!) r

r

r

,------

,u

Cadd9

C

, Cmaj7 C add9

imJm1IDlm :r

Asus2 Asus4

J----J.

Am

G/B

J

1'1 -

,------

--------- r'

tl (Vocal) Now,

'U

f .. \

THE ACOUSTIC CLASSICS 23

3rd Verse
w/Rhy. Fig. 2
C G/B Am
, F lr ItE27~
don't hang on, __
C G/B Am
, F= J tc?iU Itt])
slips a way, __
D/F. G Am
& J "I @1 0 ItV'
Dust L in the wind.
Am Am/G ! G ~m7 Am G/B
I E E r r L ~ F gTLf"tr F "I ~ I
:J
noth- ing lasts for - ev - er but the earth.i. and sky. It and all your mon- ey won't an - oth - er min-ute buy. __

Am/G

D!F#

G

~ ~ If -=-

F IF Sf f ( ICC\! I

All we are., is dust

inc, the wind.,.,

Am/G

Dust __

in L, the

wind.

Ev - 'ry-thing.i, is dust

in..; the

we are.; is dust

inc., the

wind. _

t tr)

p

p

p

p

D/F$

G

Am

Asus2

Asus4~13

Am

Asus2

Asus4~13

in the

wind.

The__ wind.;

p

w / Ad lib vocal Am

Asus2

Asus4~ 13

Asus2

Play 3 times and [ode Asus4~ 13

24 THE ACOUSTIC CLASSICS

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THE ACOUSTIC CLASSICS 25

Tablature Explanation page 17

DEE

As Recorded Ozzy Osbourne (From the album BLIZZARD OF OZZlJet Records)

Music by Randy Rhoads

Slowly. in 1 J. = 48 G

H

D6

Bm

G/B

A/C'

1\111 1 rD) J r~~' 1IJlIl-IJl[J f p!
. .
'@J I r r' I I -I r;
mp Let ring
l! Harm.
-v
A
R ~ ..._., Alii - m ~. J I J J I I I 1 I
-
.
ft) I r -j r r
H f'
~ v G(maj7)

1

3H ~

D/F#

A7/E

D

A/C' Bm

G6 sl.

A,.L_ D/P. Dadd2/F# ~ B7
~ B1/D#
11111 H I I I rn I (OVerdU~ J r 1 J l 1 r 1 I J
@J r I I I ~ l+r' f
H P P tJ
P ...--:;---..
..--....
v v
Em p. E7 A7 H P P Harm 1\111 ~ I I l JJ A r1 I lsi. !~;' ~ 3 -,,-
- .
@J r' ------f P #f P r------r· H P P 'p=p"-"'~4
P P
...--.. "'--"ft st. H:m. H P P
-
-y-y 1''' D

H P

nm

G/B I

r-il

Ji-...t

D J J.J m A~

I@J

f" I

H P ..---...

P

P P P

~ ...--..

A/Qp

Bm Bm/A sl A7

D/P#

A 7 (overdub)

A7/C#

D6

..f1 ri lsi. rir-1A 1AJ> J-J) Harm.
1\111 I I I t~
-
I@J r r";-f r r .. U- f tp ~
P r- .___.. i: P rit.-~
.---... sl. sl. P ...--.... ~ Harm.
..-..
<,
~.
...___... -.c ........... P

P

26 THE ACOUSTIC CLASSICS

Copyright TRO ©1981. 1988 by Essex Music International. Inc.

All Rights Reserved Used by Permission

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THE ACOUSTIC CLASSICS 27

Tablature Explanation page 17

LITTLE MARTHA

As Recorded by The Allman Brothers (From the album EAT A PEACH/Capricorn Records)

Moderately fast Tune both guitars to open E:

®;E@;G# @;B@;B @;E@=E

Intro Rubato

Gtr. I

J= 184

Music by Duane Allman

f\ II If r--- r--"l ~
.
@) !~ = -r ~-r -r = l~ ....
"II ...

ft .. :. ;; .,
H E

B7/E r.'\

E

In tempo

f\ iii If. - EH ~ I ~ p
: : .
@) ~ = ... ~ -r v~r U
p - - - -
• i i ~ ~ i
p H Sustain all notes as long as possible p
.----.. . ..----._ -...
. n

Gtr. II
1\ II If
: .
.
IV '--" I r ~
H P
In\


-......-~ _____.. H

p

B

E

I\liIlf H i. I H i. I I
@) "/ r - ~- U - - - r -
- - - - - - - -
i i i r i i ~ ~
H H

---- --------
(.,\


I\liIlf
'---" . '---"
4!.i - . ...____...... I
H H

n
<c:»: ------ H

H

28 THE ACOUSTIC CLASSICS

Copyright©1972. 1988 by No Exit Music Co.

All Rights Controlled by Unichappell Music Inc.

international Copyright Secured All Rights Reserved Printed in the U.S.A Used by Permission

f\ II l±. ~ h I " BI ... E
p H --,
. ,,--.._
~ U~f U - "I r-------r r r I -
- - - -
r r r r
p H

---------- ---------
/."

.A

f\ II l±
~
.
~ r p If . ..._______.... -,t •


-------- ----- '.,
p

H

A

J

f\ II Ii. ~l h_ I ..---------.... I I'IP I }.. H I ~ I
.
~ I r ~ r I Lr I U I r r:
H p H

-------- --------- ------------
~
~
~
f\ II l± H ~ P H
.
~ I r I
H P H
., ., .,
<, ------------ -------- f\ II 11 " I. I E H " I I h I P
~ .
~ r U'---r U I - - r - - Ui U
r r r r
H ., P
------------ ~,
(~\ "

f\ II 11.
. .
- ~
~ I - I ,
H P

<, ----
------ H

p

THE ACOUSTIC CLASSICS 29

B

E

To Coda

...

fI I/, l! H ,.. I
. .
@) ! - - r - u ! - ....
i ~ i i
H
..
...---...

fll/, .It
@) If .. ....____..... .. ....


------ H

B c#m; AlB B C#1B AlB F#m/B
fll/,l! oJ ~ J~J I I J r-1 I oJ ~ ~ I I I
@) ~ U "I LLr--r ~i U~ U t.tr r i rrrr

ft ~ I~\ .~ ~ ~

.:, ~ y ;; ;, ;,
joJ ~~ 11J DJ j oJ oJ ~ ~
J~ L----J I J l n I
fI I/, l!
@) ~ U UJ'--r ~i U~ U rrr--'j i rrrr

.. :: .. :: ;:; ..

v C#m/B

AlB

B

E

fI I/, l! ) oJ oJ ~ ~ J--=---J - p.
I I J 1 I 1.,
:
@) ~ U LLr'--r U"I r : =1t,--~
p
:: ·
·


-.__...-
fI I/, l! j ~, ~~~ 11 ] n J p
-
:
@) ~ u u_r'---'j u ~ i ~ 1 -I
·
· 30 THE ACOUSTIC CLASSICS

r.:"12-. -Harm-.--------------.----------------,-----~ C#rn/B

B

A/B

!lOll! ~ t .fL J~~ l ~::=---J J I I l
: ~
4!! -.T H "11 P "11,,- I "11
(Sustain all notes)
Harm·-------------------l H p
.. ~" ~
~ ~ ~
:.
.___.. ....__.. ...__..
y
H P
II 01 If ~ ~ =::~ ~ ~ ~
~ :
~
4!! I ~'-- (Sustain all notes)
H ,,_!...__
...--." ..
"'--'n ~
. ~ Y
. .._.... ....__.. Y B C#rn/B B

A/B

B qrn/B

B

A/B

/I 01 l!. J,--~ l .J_. ... _J ] I~ J:~ 1 .J:--J ] r1
..._,
4!! H "11 P ... I ..". H 11 P "11 ___ I I -.T
H P H P
- ,,~ .. ----." ,,----. ..
.;- ~ ( .--... -
,:., '!' ,:: (
..._,Y ~ Y Y ..._, Y \Y.~ Y

H P H p
1101 If c::: =::~ -!- .,.(~ c=:: :c:~ -!- ~ ~
4!!
H P H ".J!....
- ~ r ----."
- .-... - .--. Y
.......... .......... ..._, ~ P·F#rn/B A/B

B

C#rn/B

A/B

F#rn/B

1101 If I rr ~ • n I ~
:
.
4!! ~ ...-1 r r -.T "11 -.T' I I -.T
.. n .,
.
~ ~ .

y
/lOll! ~ ~~ .fI- .fI- =:: ~ ~
:
4!! I I - 1
;; ~ ..,
~ .. ;; ~ y
\Y/ Y THE ACOUSTIC CLASSICS 31

Coda

E B E B

Harm.- - - - - - - - - - - - - - - - - - - - - - - - - - - 1

"....

E

D.S.a/ Coda

~

;: ~:-:'~ ~ "....
t\ I> l±. iE· ._-::: ..
-' .
'-- -
@) 1"---' ) !~
Harm.- - - - - - - - • - - - - - - - - - - - - - - - - - - ,
..«i
....
'::
v

'Slowly pick strings from bottom to top.
Harm.
t\ II l±. ".... (i
@) •
Harm.
,.~
~ .. E

1\ II ~
~ t__~
p




---
P
1\ II. +I ~
~ """"'"' I I
;;
..
v 'v ROCK OUT!

... with these hard-hitting guitar songbooksl

Each book is accurately transcribed in tab notatation.

~ ~

SANTANA

Brand Newl Now you can play the soaring leads to songs like -Black Magic Woman,· -Evil Ways· and the 13 other classics Included here. Authorized by GUITAR for the Practldng Musician. 118m' CLOO9989 $12.95

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HEAVY METAL GUITAR Volume One

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YNGWIE MALMSTEEN: RISING FORCE Transcribed by WaH Marshall. this matching guitar book contains "Evil Eye,· "Icarus Dream Suite,· "Black Star" and 5 othet' Malmsteen workouts.

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32 THE ACOUSTIC CLASSICS

Tablature Explanation page 17

BLACKBIRD

As Recorded by The Beatles

(From the album THE BEATLES (THE WHITE ALBUM)/Capitol Records)

Words and Music by John Lennon and Paul McCartney

Moderate ~ = 96

Intro

G

,.

G Am7 G/B
(Acous. gtr.) _.[ - I-- 1:; ==
II .. - sl. .JI .JIr-::- _:'I :lI ~ ... 1--4·
@j _ i L:::::::Jsl. I I sl.
"if 'Or
Let ring sl. sl
-~
T ..:.>.
H
v- 1st, 2nd, 3rd Verses

~ ~ G Am7

G!B

G

sl. • Strum upstemmed notes w /mdex fin. of pick

hand whenever more than one upstemmed note appears.

e e.o D

sl.

II ... r--=
: ~ ~
~
~. the d~f
1 , 3. Black - bird sing - ing in night, take.; these bro - ken wings, and learn., to fly.;
2. Black - bird sing - ing in the dead of night, takec; these sunk - en eyesc, and Iearn., to see.;
rlsi. LF Fr-l_l'- F~ I I ~ I J I J 1
II .. ~ - ~.JI ~'JI I. i.JII'JI I. sL
~
: -
@j r US/. I I --- sl. r !lr r ltr
r
sl. sl.
~
. ':' .....
.
~
v sl.

sl.

Em

Eb

D

e

3rd time to Coda II em ..

II .. ~
.
@j r ~
- All YOUf_ life, __
- All YOUf_ life, __
(3rd time) All YOUf_ life,
n-~ r.LFfJ J::J
j j .r:J 1::1Frl ·r-L__ff]
II .. 1 J
- - -
@) r T r r r !lr ~r r r r
v
v e G/B A7

D7(sus4)

G

II... G/B 3

you were on - ly wait - ing for the mo - ment to a - rise.; you were on - ly wait - ing for the mo-

II .. I H R"1

r

r

r

r

r

r

...........

r r

r r r r

r

Copyright©1968. 1969, 1988 by Northern Songs Ltd.

All Rights Administered by Blackwood Music Inc. under license from ATV Music (Mac len) All Rights Reserved International copyright secured

THE ACOUSTIC CLASSICS 49

r::;"12----------- Bridge

. D7(sus4) G ~F(add2) Em

Dm(add4) C

B~(6)

c

fill - ~
~ ~
4!.'
ment to be.., free. Black bird_ fiy,_
1l_lO_ r--l=l l=3i r---= =r-1 J I J I "J I I I r-,::,_MI IF9 Rl
- -
eI r r .. ~ .. 'I r r r pr r r r
r r
n v
F(add2) Em Dm(add4) C

A7

2nd time to Coda I

D(m)7(sus4) • G Am7 G/B

fill 11.-." ~ r-c
.
- ~ .
eI of the dark bl~
black bird.L; fiy_ in . to the light_ night.;
fill _J ..J l "J I I l rAFn ~~ I ",.n" HI ~ r--, r1sl.
~
~ 'I r r r t1r r r r r r r LJ~·
r
'., '.\ sl.
.-

I" sl.

G

c

D

Em

_r:r;:. FD .J--J.~ I U-. FfJ JJ1- FfJ
fill 1.JI~.J1 .J.JI I J I J _J ..J
-
4!. I I USI'r ~r r iir r r r r
sl.
. .,
..... v f.
a _"7_
..... sl.

D

c

em

G/B

A7

D7(sus4)

D.S. al Coda I

G ~

r

r

r

r

r

i

i

50 THE ACOUSTIC CLASSICS

Coda I

-$- G

Am7 G/B

G

1\01
.
@! __./ igh
_nI t.
I:r= F= 1: F=~ ~F Fr'" r-F F~ 1';\ sl.
..c ..l .. L~}_.~
1\01 ~ r--, nsf. ~_'f:' I" .. _.~ .. .. .. f"f" ..II :.. ..II ..II 1"1" "I"
/
~ ~
@! - i OSl. I I I I I Li ~.
r (strum- - - - - - - - - - - - - - - - - - - - - - - . - - - - - - - - - - - . - - 1> \!.I sl.
sl. sl.
, .~ .~ -=,.,_ "" """"- ,.,_
<,
(~. , .n '"
<, sl.

D.S. al Coda II

Am7 G/B

G/B

C

A7 D7(sus4)

1\01
!@!
I\jj I I I l I n:::I Fr1
~
@! r r r r i r r
r D7(sus4)

flol _

G/B A7

- ~

D7(sus4) ~

G

G

C

3

sl.
Coda II
-$- G/B A7
flol 1:"""'1
I@! you were on - iy wait - ing for this mo-
r-1_Fil ~ I==ri
1\01 I
@) r r r r ment to a - rise.L

You were on

""-----=- •

iy_ wait - ing for this mo - ment to a - rise .. - _

I r l

r

r

r

r

......

r r

r

r

r

..

r

r

r

C G/B A7 D7(sus4 G
1\01 -1';\
@_'
You were on iy wait-Ing.c, for this mo ment to a - rise.L,
rit- - - - - - - - - - - - - - - - - - - - - - - -I 1';\
>-
1\01 I I I---i t--i - ~ '" ~.
@! r r r r r r _.
I THE ACOUSTIC CLASSICS 51

Tablature Explanation page 17

EMBRYONIC JOURNEY

As Recorded by The Jefferson Airplane (From the album SURREALISTIC PILLOW/RCA Records)

Music by Jorma Kaukonen

Moderate J = 114

@=D

mfLet ring

H

H

~

H

..-..

H

H

H

p

H

·Unintentional notes due to hand motion to next position

fI .. I=i I bl .J~. =
: :
_J - J r J WJ U "I ~ J ~ J
- - ~3-' r -
sl. f

H -
H ------
~
.
~ ~
-
v .....

sl.

H

1.

H

c:-l I-----~ 1
fljf r-----"'l I I , I 1
. ~
,.....,_
~ r !~j r~U' r LJ L - ~ ~:
-
H -
------
n ... ...
.
:: .
;; ~
~ v 52 THE ACOUSTIC CLASSICS

Copyright©1963, 1988 by leebag Music All Rights Reserved Used by Permission

2.

H

H

_C_j 1-..f j i _J. i I
IIlI I -t tJ -, r J----==--. J J l ~
:
@) LJ l - ~ f ~ U U ~U U
-
H H
-----. -----.
:: :: ~ ~
-,: ~ sl.

sl. -------

sl.

sl.

sl.

..----. sl.

H

H H
.,n
fill I~J.J I rl --., H .. t J 1 1- ~H
~
-
@) - J U U ~ J - J tJ t_ J - J
f f f
- - - - - -
H H
-----. H -----.~ H
-I:;' ~
. ------ ~ ~
.. ft ft H

sl.

sl.

Uu

sl.

sl.

H

sl.

sl.

sl.

sl.

THE ACOUSTIC CLASSICS 53

H

u

uuuu

uuuU

H

H

H

H sl.

sl.

H H sl.

~

H

H

I.

H

2.

sl.

sl.

sl.

sl.

i---U'

r'

rit. '..:.I

54 THE ACOUSTIC CLASSICS

LET IT ROCK!

YOUR FINGERS'LL DO THE SCREAMING WITH SONGBOOKS LIKE THESE!

A ROCK PLAYER'S GUIDE TO CLASSICAL GUITAR by Ben Bolt

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METALUCA:

MASTER OF PUPPETS CL007920 $12.95

Brand Newl This matching guitar songbook features 'Damage, Inc.: 'Disposable Heroes,' 'Battery" and the 5 other bone-crunchers from Metailica's monster album. Note·for·note with tab notation, this one Is also authorized by GUITAR.

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THE COMPLEAT BEA TLES CL001326 $29.S15

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CL001322 $15.95 (Volume One only) CL001324 $15.95 (Volume Two only) Absolutely the most definitive collection of Beatles songs avallablel Every song ever performed by The Beatles can be found In this fantastic two-volume set. Volume One contains everything from 1962-66, and Volume Two covers 1967-70, plus select solo material. A must for fans of the group, this collection also features Interviews and exclusive photos I All songs are arranged for plano, vocal and guitar.

Send to:

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RISING FORCE

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YNGWIE MALMSTEEN:

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BOOK NO. TITLE QTY. PRICE TOTAL







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ADDRESS add appropriate
sales tax
CITY STATE ZIP
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Exp. date ___ Signature as It lIflPGarlon card Tablature Explanation page 17

GREENSLEEVES

As Recorded by Jeff Beck (From the album TRUTH/Epic Records)

Traditional

Slow J = 66
Intro Om r-i j\ I Om I e r-""1 j\ I Dm/B (Bm7~5J 1\ Bb maj? ~ ]I I
r4-..-" -
e.> r=-r ~ r~r ~ r~i f r--:_____-r f
mp Sustain notes to form chords
1 I ' 1 , I I,
a 9 a a a a a
ri-- l! l! a
0 9 9 9 e
pc:...::: l! l! Asus4 III a -~ j
f':\ j J--J d
1\ - 1\ 1 1 J I I I
~ -
Ii' r--------------f- I- f" r-
rubato r--[_3--
motto rit. - - - - - - - - - - - - - - - - - '1
"
0 S
I Moderate J = 104 n

G( dd9)

3

e

Arn

Om

E7

ArniE

Am/G

1\ I r1 1 I I I I ,....., 1 I I I -I
-
-
Ie.> r- r- - T r r
r
~ - A A a a -w
)
;; a I
-..
-
.- " Om G(add9) .---d--' e Am Om Em Dm/F
1\ J I j J---J ) J,SI. j_ I I I 11 J ffi,
~ r- , r- "f r- r r 1
j'--r
11if H P
a .~ '--3-:' p sl. 0 0"""'--""
<, A
:; ... ;. A
I
,. 'T

'T Th b

Fie

= urn A J J J hJ
1\ A7 .. I DIll 1\ I I 'I J
r-.;- T~ r r -u'-'r- ~ r- r-
mp p --==11if
_.....--.._
I~ .
"
..... -.. 56 THE ACOUSTIC CLASSICS

This arrangement copyright©1986, 1988 by Cherry Lane Music Publishing Co. Inc.

International copyright secured All Rights Reserved

Em/B

Am I

Dm

E7

Am

j-"1 JI I i1 r1J H I
fI ~ I I I I A I
eJ r r ... r' - -....J U LJ
dim. F'
_ .. H
~
- - - ~


ft Am/G

F/e

J

Em

Am

fI ~I J ,_,D , I )D rc, I 11 I 11
-
I@.I f' ~. r j' r r r
11if..
• ft ... oft ..
.. .~
• ft
... ~ Dm

Em

Dm/F

A7

Dsus2

fI J I I I " I I I .-3~ I I I
eJ r r I l- r r' ------------r~oco rit.
.ft ft
-
Meno mosso (J = 84)

Dm G(add9)

3

e

Am

Dm

fI J 'I J J--j ~ j J I I I I 11 J I I
eJ r' c i' j' r ~oco acce/.
r'--/L3~
... ..ft.
... .. ;, .;, :;
- .A

.. E7

Am

Am/G

(J = 96) Dm

G(add9)

3

fI I ~ r1 r- I ri ,_, J 'I .J J--QJ,SI .
@) - r ' t'--'U T: r:enlY {.
- r--L3-"
F'
>- si.
ft
<,
t
i <, e

Am

Dm Em Dm/F A7

D H

J I 11 J H ~I ~n n ,Ill. ,-d
fI I I Ff' I I " I
eJ r r r r I I- r [' ~~
111fJ rit-------------------- ~
HP .!l P\!.I
... c> ft -.. .........

;; ::
;; ~ ft
- THE ACOUSTIC CLASSICS 57

Tablature Explanation page 17

BLACK MOUNTAIN SIDE

As Recorded by Led Zeppelin (From the album LED ZEPPELIN/Atlantic Records)

Music by Jimmy Page

Tuning (low to high): DADGAD Moderate J = 120

Harm.v-> ---- - - - ----- --,

r,..

I '

Free time f ~ fi n time ..-3:---0
II .. ~,.. ~
@.i i~ I H P ~'--~ qr -
f "f ~
rrrf Harm.-----------------,

~ "
.... -- _...-,., ......- -
~ ~
v v H P - Tablas enter

1111 ~ _......, i"""""'I'-' ~ I I i"'-'I"'iiiiI .......-oJ. L
@.i f H P "f ~--~ qr - f H P "f ~ __ ~ qr - f H P "f ~--~ qr -
~ ~ ~
-
~
-, - ..... _...-' __ ', .... "<, ..... -, /

v v - H

p

H P

H

P

_r--3..=o _....., I ~ --"'I I
II .. I I """"""'"
@) f H p- ~__....~ - f H p- ~---~ qr -
"f qr - "f
~ f
" " -"
~ ·L .. " _~ A ,,,'
" ......- " _.... ...... .... ' '"' _....

" H

P

H

P

r-3--, rTTJ--J sl. J J _)--rJ I
II .. I \"'"'iijiiiiii ~ I I sl. '"
.
@) f H P "f ~--~ qr - ~ __ [ ri.r - r - =V I -
~ - r.....____......r- ~-
_A sl. sl. sl. _.. _"-
- ....- .......-
..... . ......-
..__. ..___..
~
v /" ... _...- " " ... H

p

sl.

sl,

lL p
<, ~~
1111 I == '" I Ie I
.
. .
@) - H- P lj- rr r CO" ess O~lr
-r H P --f'
....---......
v
:: :. ;;
~ ;;
- - ~ _.,_
._.
'-I H P

sl.

58 THE ACOUSTIC CLASSICS

Copyright©1969. 1988 by Superhype Publishing All Rights Reserved Used by Permission

~H P

H P H P H P
I S/:..!. -, sl. I '--3--..
1111 '--3-... I ~ ~
.@J - - - -- - 'jf·t· "f t ~ H P "f ~~ ~f -
~f· ~~Uf ~ f'-----~ f ~ ~
sl. sl.
_.- -
.
....- - .. ..__.. ...... _"
,..,v " .»
-
p p fI p
,....3...., I ""'3-, , ,....3-. I 17i.-.J sl. J
1111 ~~ I~"""" I I p;iiiiiIii;i - I r ~~~~f ~ Uj~r-l _tsl.1 -

.. sf. sl .

......

...... sf.

,.., --v sl.

H P

H P

H P

II II sl. ~ J .J\--.rJ I .--3--..
I ~
I @) r - ::Y I - _H P
r-> ~~r
sl.
;:
...... v
...__ ......__...
VI H P .:; sl.

r-r 3--. I
1111 .. I "'"""""'-
@J r:._;--U = ~H P "f ~~~ ~r
V
v ....... ..._,._V
H P '--3-.

Ip;iiiiiIii;i_ I ,

sl._

- ~H "f ~~~~r - U:W"f LJ~
P - ~ H P
~ ~
sl.
- - - - .
........ -._... '':' ..__.. ..__.. ;:: ft -- ..
.. ~ _.-
H P H P
THE ACOUSTIC CLASSICS 59 I sl. I - I I _...,..., ~ I -
1111 ,.... ,...._ I
~
e.! ~ ... • ~qf -~ f p '-- q ... §{~
- -- - ---r p
--Uf - f-------f' ~--U ~--f
r Let ring----J
sl.
. I •
.._.. A A
-- - V V .. . .._..
v- ~] ...,. /V
V V p

p

sl.

I -, I I
II~ ,.___ I -.--::I ~ I I ~- I
:
e.! ....7 .. "'f ~ qf f H p 'f ~~~ qf - f H p U~~qf 'f
sl. -
~ ~
~ ~ V A
A 01
..___....___.. " -.._...-.~
A
<;
" -V- Rhy. Fig. 1- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1

'--3

'--3-,

sl.

p p

...........----

p_p

sl.

H P
l.~ P P
6
p p
~ p p
...----:-----..
I I
-,-" 'T p p

<i:.:» p p

H P

Solo (Rhy. Fig. 1 continues behind solo)

p p

sl .•

6

I.

p p p p

(End of solo)

1111
Ie.! .. / . .. .. /" " " /" .. " / . " .. / .. "> .. :j.~" .... -,J- " " " q:l ~'
sl. sl. sl. sl. sl. sl. sl.

ft ft A A A A ..... _..,_
/V / ..... ..... _V --- /" sl.

sl.

sl.

sl.

sl.

sl.

sl.

- J nIJ I -
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60 THE ACOUSTIC CLASSICS

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H P H P H P THE ACOUSTIC CLASSICS 61

Tablature Explanation page 17

MIDSUMMER'S DAYDREAM

As Recorded by Triumph

(From the album THUNDER SEVEN/MeA Records)

Music by Rik Emmett, Mike Levine and Gil Moore

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Copyright©1984. 1988 Triumphsongs All Rights Reserved Used by Permission

62 THE ACOUSTIC CLASSICS

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THE ACOUSTIC CLASSICS 63

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64 THE ACOUSTIC CLASSICS

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