Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Acoustic Nation
Bass Player
Electronic Musician
Guitar Aficionado
Guitar World
Keyboard
Revolver
Search Guitarplayer.com
Gear
Artists
Lessons
Frets
Video
Store
Subscribe!
Gear
Artists
Lessons
Frets
Video
Store
Subscribe!
Gear
Guitars
Amplifiers
Effects
Accessories
Home Studio/Recording
Live Performance
Product Spotlight
Contests!
See Stevie Ray Vaughans Number One Strat Up Close in This Historic Video
McCaffrey Audio Announces the Run Rabbit Run Vibe Modulation Pedal | DEMO VIDEO
Artists
Features
Reviews
News
Artist Videos
George Martin, Who Signed and Produced the Beatles, Has Died at 90
Lessons
Guitar Player 101
Artist Lessons
Rhythm
Soloing
Quick Licks
Styles
Guitar Essentials: Turn Rock Licks into Jazz Licks | TAB + AUDIO
SUBSCRIBE!
Print Subscription
Digital Subscription
Renew
Customer Service
Give a Gift
Newsletter Subscription
GP Vault - FREE
Previous Page
Next Page
19AC offer some rather challenging exercises to help get your ears and muscle memory in sync.
FIGURE 19A is aimed at whipping your 1st finger into shape. The first bend is the all-important quarter-step bend to the ultimate blue notethe Twilight Zone area that lies right
between the minor and major 3rds (in this case between Eb and E). Next comes a dead-on half-step bend to the major 3rd. The fretted E notes are reference pitches. Your quarter-step bend
should end up a little flat by comparison,but the half-step bend should match perfectly. FIGURE
some pre-bend action. In all cases, make sure you lock on to the reference pitches.
FIGURE 19AC
19B features a multiple-bend workout for your 3rd finger, and FIGURE 19C includes
20AC).
FIGURE 20AC
21 AG.
In 21A, we start with an A minor pentatonic (A C D E G) blues-rock phrase. 21B modifies the phrase by inserting a B, for an Am9 quality. 21C has the original phase ending on an F#, which
suggests an A Dorian (A B C D E F# G) tonality. 21D has an A Aeolian (A B C D E F G) vibe, thanks to the inclusion of a b6th (F). An added b2nd (Bb) implies the A Phrygian mode (A Bb C
D E F G) in 21E; a maj7th (G#) provides some exotic sparkle in 21F; and a b5th (Eb) spices up an A blues scale lick in 21G.
FIGURE 21AG
FIGURE 22 AF
23 offers some shapes to get you started. Classical vibrato (involving back-and-forth rather than up-and-down motion) can also be effective
FIGURE 23
FIGURE 24 is a slow, graceful walk up the C major scale (C D E F G A B) that hits a variety of embellishments all drawn from upper or lower neighboring tones.
FIGURE 24
Previous Page
Related Stories
No Record Found
COMMENTS
comments powered by Disqus
Next Page
Featured
Lessons
How to Play the Blues: Chords, Patterns and Fills for Major and Minor Blues
Lessons
Jimi Hendrix: The Five Rules of His Powerful Rhythm Style | TAB + AUDIO
Lessons
Steve Lukather Gives a Classic Lesson in Shred
GEAR SEARCH
Reader Poll
Favorite Ritchie Blackmore Riff that's NOT "Smoke on the Water"?
"Space Truckin'"
"Stargazer"
"Burn"
"Man on the Silver Mountain"
"Perfect Strangers"
See results without voting
Lessons By Style
Gear
Artists
Lessons
Gear
Artists
Lessons
Blog
Video
Store
Vault
About Us
Contact Us
Advertise
Media Kit
Privacy Policy
Terms of Use
Site Map
Subscribe
RSS Feeds
Customer Service
Newsletters
Copyright 2016 by NewBay Media, LLC. All Rights Reserved. 28 East 28th Street, 12th floor, New York, NY 10016 T (212) 378-0400 F (212) 378-0470