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Oscar Wilde
The story begins with innocence and beauty, moves through temptation in a
garden, and ends with murder and death.Everywhere the Kantian evil of
treating people as means permeates the story.
Even the hopelessly sentimental Basil Hallward, who sees in Dorian an Adonis
of his own, uses him for his own artistic and emotional purpose, Dorian Gray
is merely for me a motive to art.
The cynical Lord Henry Wotton
appears to have no reason other than that of sheer devilment when, in the
garden, he tempts Dorian to worship his own youth and potential for pleasure:
The only way to get
rid of a temptation is to yield to it.Resist and your soul growssick with
longing for the
things it has forbidden to itself, with desire for what its monstrous laws have
made
monstrous and unlawful.
In Arts