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For Beginners
Is the revolutionary teaching system especially designed
for the beginner to understand the basic rudiments of
music applied to the guitar while learning to play a variety
of styles of music while methodically evolving the degree
of progress with ease in this unique presentation.
Ultimate
By Rick Ruggieri
Introduction
I
Book 2)
Style Section
Book 3)
A section of a variety of music including over 100 songs from around the
world, separated into groups of specific styles, music from various
countries, and for special occasions building a well rounded repertoire of
music.
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Played
Guitars
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Classical
Jazz (Sitting)
Electric (standing)
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The Types Of Notes and Rest values will determine how long to play
the sound of the note or count the length of silence in the rhythm.
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Take Note
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Now lets play E, F and G in either the plectrum style with a pick
using down strokes ( ), or in the classic style, using your right
hand fingers, ( P I M A ) as indicated, counting evenly.
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Now lets play B, C and D in either the plectrum style with a pick,
Using down strokes ( ), or in the classic style, using your right
hand fingers, ( I and M ) as indicated, counting evenly.
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Waltz With Me
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Yankee Doodle
Ricks Waltz
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Introducing The Dotted Quarter Note
Now lets use the dotted quarter note as we play the song.
Merrily We Roll Along
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and
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The repeat sign is placed at the end of a given measure. This sign
tells you to go back to a repeat sign facing in the opposite direction
and play to the double bar or final ending.
Example
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Beginning a song with an Incomplete Measure
Lets say a song has a time signature of ( 4/4 ), that means there are 4
beats to a measure and the first measure contains only one beat. This is
called an Incomplete Measure.. To play the song, start by silently
counting off the missing 3 beats and start playing on beat 4 ( also called
the pick up note ). Continue playing the song and you will find the
remaining three beats in the last measure . These three beats combined
with the single beat of the first incomplete measure will then add up to 4
beats making a complete measure.
Lets Try It !
A Tisket, A Tasket
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(open)
Mulberry Bush
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The E B G bees
OK,
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A Rhythm Study
Using the different note values, we will play the three open strings
we have learned in various rhythms
Chug-a-lug-a-boom-boom in 4
Do-Bee-Do-Be-Da in 3
Da-Da-Di-di-Di-di--Boom-Chick-A-BoomDi-di-Da-da
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The TIE
The Tie is a curved line between two notes of the same pitch (
).
The first note is played only and held to last the count of both notes.
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We are now ready to play our first Solo Song
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You will need to review these simple A-B-Cs in order to play this
song
A.
B.
The TieHolding the note for the length of the tie symbol
C.
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Congratulations
You have played your first Solo song. Play it over and over until
you become so familiar with it that you have it memorized. You will
develop an ear for harmony and rhythm as you build a collection of
songs to perform as a soloist. Later in section 2 you will learn to play
many songs in various styles which will create a vast repertoire.
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called Progressions..
..which provide the changes for the verses throughout the song.
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Introducing 3 string chords
The C chord
The G 7 chord
The G chord
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G7
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The D7 Chord
th
Arrangements
D7
Note
3rd finger plays the 2 nd fret
Play 3 strings
Build It
Lets take what we have learned and use it to play this song --------
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(open)
finger)
Now lets play D, E and F in either the plectrum style with a pick
Using down strokes ( ), or in the classic style, using your right
Hand thumb, ( P ) as indicated, counting evenly.
Lets move the notes around using the F# on the 4th fret
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Applying The Eighth Note (
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)..
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re
mi
A.)
fa
so
la
ti
do
Build it..
B.)
Build it..
C.)
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A7
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A Spanish Waltz
Dm
A7
A7
Dm
A7
Dm
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(open)
Now lets play A B and C in either the plectrum style with a pick using
down strokes ( ), or in the classic style, using your right hand fingers, ( P
IMA)
As indicated, counting evenly.
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Ok, now play the arpeggios (building one note at a time) and
strumming the C, F and G chords in a basic 3 chord harmony
set to rhythm as we play
Do - Me - So - Bop
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(open)
finger)
Try It Out
Lets use the notes of the 6th string, E and open A to play power Bass
to a classic award winning theme
PETER GUNN
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Now hold the G chord down and play the notes shown until you get
to the next chord then form it, (trying not to miss a beat) then play
the notes of that chord as they appear and we will see how G
harmonizes with D7th to the
BOOGIE IN G
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Dm
E7
(Dm = D and A)
(E7 = E and B)
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The Tarantella.
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A7
B7
A7
B7
E7
E7
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Alternating bass
will allow you to play bass notes and arpeggio
notes of the chords in progression with rhythm..
Try it.
Pickin Licks
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Techniques
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Syncopation
Is placing an accent on a beat and playing that beat with more
expression. Play these exercises with up and down strokes as
indicated, accenting on the first beat of each measure.
Syncopated notes
&(2)
1 &
(2)&
Pattern 2
4 &
1 &
Pattern 1
&
Pattern 3
Pattern 4
4 &
1 &(2)&
3 &
4 &
Pattern 2
(2)& 3
&
(2)& 3 &
Em
Am
D7
Am
Dm
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E7
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Walking Bass.
is a chord orchestration progression with syncopated bass notes
leading in or identifying each chord played in the specified rhythm.
You will be learning to play with extensive walking bass with moving
orchestration chords in the intermediate level of The Ultimate
Guitar.
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Chord Melody
is a technique used to express a full harmony of an orchestration
by playing both the melody and the chords with optional bass notes.
The next songs will demonstrate this technique.
Heres How
A.) Form the chord in the measure on the beat it appears
B.) Keep the chord form in position while playing until the next
chord
symbol appears
C.) Play the notes on the beat of the measures shown then strum or
pluck the chords on the beat in the measure on which it appears.
Lets try it with this ol country song.
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My Country
Play finger style or strum with a pick
(chord melody)
Ex 2
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(chord
melody)
Ex 3
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Congratulations !
With this ability and understanding, you should progress with ease
and confidence to the Intermediate level of studies of The Ultimate
Guitar.
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