Sei sulla pagina 1di 38
Guitar Promises, Promises Slee\ y NNTR'ACTE Orchestration by Jonathan Tunick Maestoso aD a 2 3 2. ENTRIACTE Promises, Promises GE ow c Am? & OF Dm? cm? (em?) BbMaj? 7 SI EbMal? AbNaj%6) EbMaj? AbMaj2(6) 8) BbMaj7 Bhé Ajay, 0 a7 = EBB) hy popes” rit. (last x) May? DMaj? DE DMaj7D2_—BbMaj9 Bbé BbMaj® on 3/25/10 [#4 dA Promises, Promises day nt ~ tt fom BTA ' 24355 Hameasbo2e| mene |, Clancy's Bar (v2) ce ine HOCK herbs 0a dt i. unk. Heeb: Ca 5 heaping up slop whiskey. sopping up cheap whiskey... Tdiggustme... [mean what id Lexpec ? Imean what did I expect? ‘That se was some Kind of pare untouched and unblemished rose ust waiting for me to come along? Yes that's what I expected. ° 8 Listen, {don't want to talk to you anymore... call you next week. Eugene, Eagene, ike 2 dollars worth of cheering up. 1 2 poco rall. are va Seco Vaee Pe Guitar Promises, Promises Agoure /S| AFACT CAN BE A BEAUTIFUL THING Orchestration by Jonathan Tunick Stee\ [ACOUSTIC Moderately ina 8 (Vibes) "And a" E7(edd 6) Ema Fim? B7 (add 6) DAD E7(acd 8) Em9 Em? A7sust AT D GMaj? DMaj7 El D 4 #8] GMaj? A = DMajl ph GMai7_ AD Majh Y GMaj? A DMaj? Em? Ffm7 2 2 22 23 24 Ebip Bi7(no Stn) BbMaj? By? abt 28 7 28 Ebi Bit pis pyr 6 Guitar 2. AFACT CAN BEA BEAUTIFUL THING Promises, Promises Cy ha pet [2] erledas) Em? Fam? B7ladd 6) E7(add 8) Em9 Em? A7ss4 AT oD Maj? Dmg? od Fim? = Sip D GMaj? DMaj” Ep D oss Es 87 58 8. 8 Al 4 6] GMaj? A D p’” GMaj7 AD pw GMaj7 A DMaj7Em? Fim? et 62 6 64 6 [=] Ep Bi7lno Sth) BbMaj? Bb? Bb Fhe (Go ELECTRIC) 3. AFACT CAN BEA BEAUTIFUL THING Promises, Promises Guitar Fe (ELECTRIC ce) 3] Bm? £9 Bm? 9 AS Bis Seca 2 AEA ery A ALA Bm? £9 Bm? EATS zl Bm7 £9 Bm? Eo AS Bia Bm? Ee Bm? £9 As Bis Bm7 £9 Bm? £ At3 A A A A A 3 Tro VS. Guitar pad 4, AFACT CAN BBA BEAUTIFUL THING Promises, Promises ay A A A A 180 Gm7 D A (to ACOUSTIC) 2 "Because it's" 138 140 atta (ACOUSTIC zs) Eb By Bit Eb BE at G e e161 yeast ‘Segue Reed 1 Promises, Promises Reed 3 /5b Reed 4 1 Redd, BECAUSE IT'S CHRISTMAS Trumpet 2 Trumpet 3 Trombone Drums Orchestration by Jonathan Tunick ).Gui Cello ae TACET Slowly Pice, Glock, Celesta [2 7 3 ‘4 8 Poco rall. a Sngiestiasiad Guitar Acoustic She | a WHOEVER Slowly gue ° Faster Galle vg e™ 8] BbMaj? Bb pt Solo) Adlib (Vocal) BbMaj? Ebdim YOU ARE, I LOVE YOU fay) lo: wiseer wah 028) grt Bb Dm 3 In tempo Dm? BbMaj? Bb Promises, Promises 16 Orchestration by Jonathan Tunick Dmtt Dm? ae @ Amit Am? Em? c Bb 72| BbMaj?7 Gm 7 Tere? 9 Em9 Em? 2. WHOEVER YOU ARE, I LOVE YOU Promises, Promises pts pt763} Gm Am Gm Sore Sut Maj? cme FMaj? Dm? ‘ Nd BRD P 20 Gm? cs FMaj? Ft Dm? AmtAm? Em? cB 34 BbMaj? Bb BhMaj? Ekdim BbMaj? Bb BbMaj? Gm? 6-4 6 oe gr 7 in c Cc F Maj’ ~ ma a3] ar Em? Em? als p13 pt7 0s) (Vocal) (Pho. soto) os a a a Guitar Promises, Promises Close Cy) WALK HER AROUND Orchestration by Jonathan Tunick Slow and hard (under dialogue) F BbMaj? es B)Maj? Guitar Promises, Promises Css { } » CHRISTMAS DAY (Rey. 4/9/10) Orchestration by Jonathan Tunick Lento, come i rete» come in sogno ay GE =— 14 aha b aaeaf re “ \ 6 — — t= pe eo ey 4 VS. Guitar ] a5 a4 AbMaj? amp, Dh, Ab ‘Under dialogue Grips, Dhiey, Gm, Dh, Ab Ab 88 ObMaj9 AbMaj? AbMaj? 55 AbMaj? 2. CHRISTMAS DAY Gm? Gm? Gm? on © abajo Bbm? Bb? ot Bh? (Rey. 419/10) amg Eb3 amg ebia’? ame 2 Ebiab® DbMaj9 7 Promises, Promises 3. CHRISTMAS DAY (Rev. 4/9/10) Promises, Promises Guitar Under dialogue AlMaj? DiMaj7 AbMaj” DbMaj? 7 73 74 8 — [72] Vamp ‘AbMaj?__DbMaj7 13 Bhm — BhrPS Bb am7ts) pt Se ame Dhigs, Bhm? Vamp Ta (Flute solo) 8 BES Segue as one Trumpet 1 Promises, Promises Trumpet 2 YA Trumpet 3 4 HOUSE IS NOT A HOME REPRISE Trombone Drums Orchestration by Jonathan Tunick (Guitar Keyboard TACET 5 (Sigs) e rat eee ees ea 18 4 8 (Glock) Promises, Promises Guitar Blectric A YOUNG PRETTY GIRL LIKE YOU apes 4 pases Orchestration by Jonathan Tunick [ELECTRIC Muted BhMaj? eee BiMai7§ ‘ fee BhMaj?§ Dm? Am? 7 A Ae Dm? am? cme cme Fo Guitar (Elec,) 2, AYOUNG PRETTY GIRL LIKE YOU Promises, Promises 22 EbMaj? 6) Guitar (Elec.) 3. A YOUNG PRETTY GIRL LIKE YOU Promises, Promises bal BbMaj? BbMaj7 BbMaj7§ Dm? Am? Guitar (Elec.) 4, AYOUNG PRETTY GIRL LIKE YOU Promises, Promises Ab Ae Dm? Gm? cm? FS Bb 2 ee oss T 7 713] ebMaj? “Duane Eddy" sound - ~ - - EbMaj? i eb EbMaj? Eb EbMaj? cma cm cm? F Guitar 2. Promises, Promises Classical 7 T'LLNEVER FALLINLOVEAGAIN— |_| Orchestration by Jonathan Tunic Vamp “What do you get..." dear CLASSICAL] Maj? 2} ¢ An? ‘Solo Sim. 5 (to be played aloneywith, or instead of stage guitar) FMaj? Em? Em’, a7 “mn, Dm? bist! @7 oF? c os 9 10 it Fuh G c Maj? 12 13 15 "What do you get." Ce Ame FMaj? Em? Emly 47 naa 3 Dinig a? F? c Fag? G c CMaj? Guitar 3. )LLNEVER FALL IN LOVE AGAIN Promises, Promises (Allo Fue) apg? FMaj? Em? Em’, ar 39 “0 a #@ 48 "Tat Dm; 7 7 oni te G F c a4 F Maj? a c CMaj? ea 2 0 a a] (ste) Am? FMaj? Em? Em’yy a7 "PHL." Dm, 7 7 ats le G F c FMaj7 6 c CMaj7 Em ov G rl Am? FMaj? Em? Em, a? e 5 76 7 8 73 “T.." Dm; 7 7 Dm? (ns F c #0 a @ % Dmg a7 F7 c oa ra 7 ta “rn neverfallin love a -gain.” wt Rl) Slowly exyaj7 Ga [3] C | CMaj7 c CM Cc Guitar Promises, Promises Acoustic 20 NEW BOY Orchestration by Jonathan Tunick Shee [ACOUSTIC e 7346 76 oy Jazz Waltz ea Maj? Maj? D Gq | Kbd: ORGAN a Guitar a5] 2. NEW BOY Maj? ed Promises, Promises Guitar Classical 2 Promises, Promises AOA (4/9/10; Alt Ending 39.43; Cuts 13-16, 27-28, 36-37) Orchestration by Jonathan Tunick mz (bs) ch a? Fm? Bhm? Ebm® Ebm7 ia), DbMaj? vs Pp Under dialogue @m7(s) chal Fm? Bm? sempre pp Ebm? Eom? yas, F7sus F? &] BbMaj? ig BiMaj? Eble BbMaj? Dm? 28 Optional Vamp EbMaj? F Binal? | | Ee =| Dbwaj? Sha, DbMaj?_— Sq DbMaj? Fm7 Guitar 3. WORRY Promises, Promises 491 It Ending 39-43; Cat 13-16, 27-28, 3637) Optional Vamp 7 1 BY . Ms fs Dia ( RAD J zi f eI ve Crt aL ~e LOE f (Alternate Ending of chai? Bee emee ete A _A_A_A Guitar Promises, Promises Acoustic 2) PROMISES, PROMISES (4/G/10; Transposed down one-half step) Orchestration by Jonathan Tunick (ACOUSTIC: ( STEEL, Ap , With Fire ialog) E Ft Dam? Bm’ OE AMaj? A Asus2 Guitar 2, PROMISES, PROMISES Promises, Promises (4/6/10: Transposed down one-half step) FE Dym7 A B im? Fy? E Pp cresc. Pp csc °F 3. PROMISES, PROMISES Promises, Promises ransposed down one-half step) [] al Guitar o Tie Kae 78 Promises, Promises 2A Orchestration by Jonathan Tunick ID UP GMaj9 CMajo® Gai? CMaje® E] Maj? cMajs® GMaje FMajo vaee Poco Rall. GMajo cMajo® fal Guitar Promises, Promises Classical we ee FINALE ULTIMO Orchestration by Jonathan Tunick (ELASSICAL Slowly z valent \ do arebe Flugel oe P/E vet ean re tore Aga Guitar Finger Ss 2. FINALE ULTIMO Promises, Promises 72] Moderately ‘i Dinijg wPess: sim, Omg c 16 7 18 2 ‘A tempo Ble Am? FMaj7 Em? Em, 47 A tempo Dm? 25 Dmg ag? F7 c Rall. (to BLEC.) Dmq 7 F7 c Dm? 2 3 EA =e [oe aD 3] Very slowly 2 &] “CMaj? c8 ‘Maj? ce CMa? G8 : CMaj? 7 AbMaj ADS AbMaj? Abe AbMaj? ~ A Guitar Promises, Promises Ze Clnssces BOWS Orchestration by Jonathan Tunick Guitar 3. BOWS Promises, Promises s @m705) ch aA? Fm? Bho Ebm? Gia, F7sus Fv ebm 50 susG 3 Fmsuse Fm56 em Emi83 Fm oa 1 Ae 64 ; A hr sie) ebm? Ehm7 SHAS br ESSERE Geigy | = a= ; ee e EEE FESR EEF Sa zal a) Guitar 4. BOWS Promises, Promises Bow c Am? EboOF Dm? cm? Cm? BbMaj7 or 2] EbMal? AbMaj2(a) EbMaj? ‘AbMaj2(6) DbMaj7 pb7 (ttt) Cm? Fe abMaj? = = + a = sf 4 Trae = 10 j opr crr——— _ (0%, en a iy e a Bb Cig, Eb Fre, i) BbMaj” BIS Ain, oe tat : DMaj7 BbMaj? BYE BbMaj? ~ 72a DMaj? Dé DMaj? D2 Guitar Electric Dsus EXIT Promises, Promises A4. Orchestration by Jonathan Tunick VS. Guitar 2.BxIT Promises, Promises DbMaj? (] BhMaj7 cm BbMaj? cm BbMaj? cm AbMaj7 F Bb as 146 147 148 BhMaj” cm BbMaj?_ cm BbMaj? cm DbMaj?_ DbMaj? Fm? Bhs 3. BXIT Promises, Promises Big Guitar BbMaj? BIS BbMaj? ElMaj?_Dm? &) DbMaj? Cm? F Fe

Potrebbero piacerti anche