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The first form of editing and film technology began in the 17th
century with the use of magic lanterns. This then got the ball
rolling forming into the first still photograph taken using a glass
plate technique, in 1827 by Claude Niepce [1]. This then moved
onto the Phenakistoscope (1832), then to the Zoetrope (1834), on to
Henry Fox Talbot making an important advancement in photograph
production with the introduction of negatives on paper [2] in 1839.
1846 was an important year in the development of the motion
pictures [3] with the invention of the intermittent mechanisms.
Emile Reynaud brought out the Praxinoscope in 1872- an illusion
device that was similar to the Zoetrope. In 1878 Eadweard
Muybridge after five years has success of capturing movement,
adapting the Zoetrope to produce his Zoopraxinoscope [4]. In 1882
Etienne Jules Marey inspired by Muybridge's animal locomotion
studies [5], made other rapid animal movements.
Baird; in 1927 was the first time there was a broadcasted TV showMan with a Flower in his mouth. Camera equipment was becoming
bigger and lenses were being created so that directors could get
better focus and shots.
In 1915, director D.W Griffiths brought out a film named The Birth
of a Nation, the film involved camera and editing techniques of
panoramic long shots, iris effect, still shots, cross cutting and
panning shots [22]. This was highly creative at its time and was a
large movement in the style of filming and editing. This film went on
to inspire films of today.
Overall the movement of editing has changed rapidly over the past
150 years, but even today directors use techniques and tricks that
were used as a simple, new wave idea 150 years ago.
Bibliography
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