My Foolish Heart Block Chord Solo

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addeex
206 visualizzazioni2 pagine
I made this to have some ideas for contructing a solo built of block chords. It swings best at around 140 BMP but is executional at higher speed as many techniques presented here lays firmly under the fingers. Most are closed position and drop 2 chords. This would be something Bill Evans or perhaps Oscar Peterson would play during a performance.

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Descrizione:

I made this to have some ideas for contructing a solo built of block chords. It swings best at around 140 BMP but is executional at higher speed as many techniques presented here lays firmly under the fingers. Most are closed position and drop 2 chords. This would be something Bill Evans or perhaps Oscar Peterson would play during a performance.

Copyright:

© All Rights Reserved
Scarica in formato PDF, TXT o leggi online su Scribd
Segnala contenuti inappropriati
206 visualizzazioni2 pagine

My Foolish Heart Block Chord Solo

Caricato da

addeex

Descrizione:

I made this to have some ideas for contructing a solo built of block chords. It swings best at around 140 BMP but is executional at higher speed as many techniques presented here lays firmly under the fingers. Most are closed position and drop 2 chords. This would be something Bill Evans or perhaps Oscar Peterson would play during a performance.

Copyright:

© All Rights Reserved
Scarica in formato PDF, TXT o leggi online su Scribd
Segnala contenuti inappropriati
di 2

My foolish heart

Block chord solo


 = 140
B♭
 4   3  E♭ 3  3 Dm 
 4                        
               
        
  

   44         
 
                
 3 3

3

4 G Cm
3

                          
     
      
   
                  
    
3

7 Em A Dm
    
    
                
  
 
              
  
                 
     
  

10 D Gm D♭ 3
  3 3
  
          

    
                 
          
                  
         
3 3
3

13 Cm G♭ C F 
       
 
  
                     

    
      
   
3    
           
                
 3 
17 B♭ F m
   3
    
                



       
    
    
3
                    
       
    

20 B♭ E♭ 3 3
    3
               
              
          
                     
   
  3
3
3
Am D/F♯
23 3 3 Dalt 3 Gm 3

                                  
               
              3
     3   
   
3 3 3
 3 3 3

27 Gm/F C/E Cm/E♭


          
      
                             
    
           

                     
   
30 G/D Cm F 3
3 3 3
      
         
               
     
         
3
                    
      
3 3 3

33 B♭

   

   

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