Altered Seventh Chords on Ukulele

Beyond basic open position chords, basic movable form chords and a core set of 4-part chords. There are
just too many chords shapes too memorize. Learning the principles of how chords are constructed and the
ukulele fingerboard are the way to go. You can then create more advanced chords like 9#11,7#59, 13b5, 7+9 on the fly as needed from your core set of chords.

Your Core Seventh Chords

From these four core seventh chords you can build ALL your altered seventh chords. From these core
seventh chords you can build ANY 4-part chord you will even need

Memorize the locations of the Root, 3, 5 and b7 chord tones of these four chords. The b7 is typically not
altered or changed as it is a critical tone of the chords and with the third gives a seventh chords its
characteristic color and sound.

The Big Six

These ARE the main foundation 7th chords

from which the Big Six Core Chords are based on and ALL other chords are derived from.
For ukulele I use the above four F7 chords and for guitar I use C7.
For ukulele there's only one possible four string set to voice a 4-part chord on strings 1, 2, 3 and 4.
For guitar there are 15 possible four string sets with five to seven, depending on you ultimate goal forming
your core foundation. Us ukulele players have it a bit easy compared to guitar.
Go the Big Six Core Chords lesson series...

Ninth Chords
The technical name for a ninth is a chord extension or upper partial .
The Root will be used to create a ninth chord. Any chord can be a ninth by raising the root two frets. The
seventh chord can have a flat nine or a sharp nine.
The Root is shown but not fingered or played as the ninth displaces the root of the chord.

Altered Fifths
Learning to recognize the location of the fifth in chords, allows you to simply raise or lower the fifth to get
the 7#5 or 7+5 and 7b5 or 7-5 chords.

Ninths & Fifths

Multiple alterations and upper partials can be used together.

Learning Your Chords - What came first? The shape or the

chord?
Thinking of your core chords in generic form is what allows you to create these altered and upper partial
seventh chords on the fly.
Most players, myself included, first learned their chords without knowing what the notes where didn't
matter what the notes where. They weren't that many chords to learn to get started. Even the few movable
form chords where still just a collection of shapes. But - getting beyond those basic chords is typically a
struggle without some sort of system to organize your chords. There are just way too many chord shapes to
memorize them all. Chord dictionaries, software, charts and such just won't do the trick.

As these are your core chords and foundation , I organize the them by what string the root is on. This
allows me to transpose them to any key up and down the fingerboard. If your really know the fingerboard,
and I mean really know the fingerboard, then it's relatively easy. And, knowing the notes of the fingerboard is
definitely worth the effort.

Then Learn the Names of the Notes

go to lesson on this topic...

Finally, Each Particular Note's Function Within the Chord

In C tuning, low or high G the chords shown at fret (1) are: Db7, F7, Ab7 and Bb7.
The chord tones are: 1 3 5 b7.
go to lesson on this topic...