nT vy CF Fac = REGGAE — A musical style mixing African and Caribbean rhythms often attributed to Jamaican sources. art: Oo Cobbler, Cobbler Rhythmically Jamaican Street Song ’ ’ Cob - ble Cob - bler fix my shoe, Get it done by half’ past. two. ’ Half past two, I'm at your door, Get it done by half’ past four. Variation on Cobbler, Cobbler Fix my — shoe, Half past two. At the door, Wait ne more, IMPROVISATION — The ort of creating music spontaneously, during performance. Also, a form of composition. RHYTHMIC IMPROVISATION — The act of expressing one’s own rhythmic ideas while maintaining the basic melodic character of the piece. GM EL % 5010 improvise rhythmic variations on Cobbler, Cobbler BLUE GRASS —A type of Anglo-American folk music originating around the mid- 1940s in rural Appalachia. ae Juba Payly ‘African-American Folk Song > Ju - ba this and = Ju ba that Joba chased a yel- low cat, Juba up and Ju ba down, Ju- ba orun- ning alla - round. Ey Variation on Juba HLA *& SOLO improvise rhythmic variations on Jubaw BARCAROLLE — Original, a fo song of the Venetian gondoliers (boatmen of the Italian city of Venice). BBS Oh Barcarolle Smoothly - in one Jacques Offenbach (1819-1880) > ot POLKA — A lively dance originated by Bohemian (Eastern European) peasants. Bas Polka Cheerfully Dance Tune eet = | f o Variations on Polka Jacob Drink With Enthusiasm U.S. Spit, Bas a Variation on Jacob Drink ree vi IG Shave and a Haircut As quickly as possible Early Americani THEME AND VARIATIONS — A musical form based upon a melody followed by a succession of composed . rhythmic/melodic variations. WALTZ — A 19th century dance in triple meter. GB L Waltz Theme with Variations ghey : Dance Tune EB Waltz Variation One Ey Walez Variation Two Waltz Variation Three .p SS ss ees E]] Gélya, Golya, Gilice (The Storks) Plaintively ) Hungarian Folk Song —_— af — ’ — Sa = —————— = til ve res a M6 bod, TS - rik pyer- ek storks fly to the nest, See how one must stop and rest. Turk ish. child- ren (9) () Gil- yo, gol - yo, gi f-ce,m Love ly ? el = ¥6- gta, Mog-yor gyer-ek gy6 pyt- ja, Sip - pal, dob- bal, nd di-he- ge @i - vel hurt the bird, Mag- yar child-ren want him cured. Sing. play! Sing, play! Mu- sic will e-store you. / BRANLE— A popular French group dance of the 16th century in which te all the motions of the lead couple are imitated. 3G Lh champaigne Branle ively 6th Century French Dance Tune ‘Claude Gervaise= BLUES — An Aftican-American folk music characterized by spontaneity and deep emotion. Ge Oh The Blues in D Inaswmeng sie US. CALL AND RESPONSE — A musical alteration between two performers or a performer and a group of performers. The musical response to the call may be imitated or improvised. BBD I & S0L0 The Blues in D cmararive CALL ANO RESPONSE - “BY EAR" OND) EXAMPLE: [EJ Call Response (Imitated) IMPROVISATION — The art of creating music spontaneously, during performance. Also, a form of composition. BBY EA 20% S010 The Blues in D irenovseD CALL AND RESPONSE. "BY EAR“ ON ANY NOTH EXAMPLE: 2} Call Response (Improvised) SS SS EE the SOLO amprovise OVER THE 12 BAR BLUES IN D “BY EAR")ED WE Liently Row Lively, ; Old German Folk Tune, = Si S505 row, light - ly o'er the shin - ing SSS SSS 25 Smooth - y thee, smooth ly glide, on the si - lent tide. COUNTRY SWING — A blend of western, bluegrass and swing styles originating in Texas during the 1940s. B® BW * sov0 Lightly Row counter swine srrie--Bv eAR“ OND) GMD EI *& sono Lightly Row cauick rime) Old German Folk Tune , > gt SSS —— ——_= © SS f= — Ugly row, ligt ly rom o'er the shin ing waves we go: : = == ——— 6 St Smoothly glide, smoothly glide, on the si- lent tide. Norwegian Dance Uvely os ~ Ce rept dats 4 = El Round Dance (4 paar ROUND) Ughtly MM. = 100 Df ey