20 Years of Organised Sound: Looking back and forward
Leigh Landy Organised Sound, Volume 20, Issue 01, April 2015, pp 1-9 doi: 10.1017/S1355771814000351, Published online by Cambridge University Press 05 Mar 2015 Diversity, Interdisciplinarity, Language and House Style Rosemary Mountain Organised Sound, Volume 20, Issue 01, April 2015, pp 10-14 doi: 10.1017/S1355771814000363, Published online by Cambridge University Press 05 Mar 2015 Recollections and Reflections on Organised Sound Jean-Claude Risset Organised Sound, Volume 20, Issue 01, April 2015, pp 15-22 doi: 10.1017/S1355771814000375, Published online by Cambridge University Press 05 Mar 2015 What Do We Know that Varse Didnt? Rajmil Fischman Organised Sound, Volume 20, Issue 01, April 2015, pp 23-29 doi: 10.1017/S1355771814000387, Published online by Cambridge University Press 05 Mar 2015 Past and Current Tendencies in Technology-Based Music Jran Rudi Organised Sound, Volume 20, Issue 01, April 2015, pp 30-36 doi: 10.1017/S1355771814000399, Published online by Cambridge University Press 05 Mar 2015 Organising Organised Sound: A coming of age Mary Simoni Organised Sound, Volume 20, Issue 01, April 2015, pp 37-39 doi: 10.1017/S1355771814000405, Published online by Cambridge University Press 05 Mar 2015 Technique, Creation, Perception and Experience in the Learning of Electroacoustic Music: Some practical proposals Alessandro Cipriani and Vincenzo Core and Maurizio Giri Organised Sound, Volume 20, Issue 01, April 2015, pp 40-50 doi: 10.1017/S1355771814000417, Published online by Cambridge University Press 05 Mar 2015 Musique Concrte Today: Its reach, evolution of concepts and role in musical thought Daniel Teruggi Organised Sound, Volume 20, Issue 01, April 2015, pp 51-59 doi: 10.1017/S1355771814000429, Published online by Cambridge University Press 05 Mar 2015 Describe, Transcribe, Notate: Prospects and problems facing electroacoustic music Marc Battier Organised Sound, Volume 20, Issue 01, April 2015, pp 60-67 doi: 10.1017/S1355771814000430, Published online by Cambridge University Press 05 Mar 2015 Listening With Machines: A shared approach Simon Emmerson Organised Sound, Volume 20, Issue 01, April 2015, pp 68-75 doi: 10.1017/S1355771814000442, Published online by Cambridge University Press 05 Mar 2015 Artificial Intelligence in Organised Sound Eduardo R. Miranda and Duncan Williams Organised Sound, Volume 20, Issue 01, April 2015, pp 76-81 doi: 10.1017/S1355771814000454, Published online by Cambridge University Press 05 Mar 2015
Cambridge University Press 2015.
ORGANISED SOUND, VOLUME 20 - ISSUE 01
Interaction as Material: The techno-somatic dimension Garth Paine Organised Sound, Volume 20, Issue 01, April 2015, pp 82-89 doi: 10.1017/S1355771814000466, Published online by Cambridge University Press 05 Mar 2015 Developing Telematic Electroacoustic Music: Complex networks, machine intelligence and affective data stream sonification Ian Whalley Organised Sound, Volume 20, Issue 01, April 2015, pp 90-98 doi: 10.1017/S1355771814000478, Published online by Cambridge University Press 05 Mar 2015 The Role of Apps in Electroacoustic Music: A new dimension for music through tablets and other devices Joel Chadabe Organised Sound, Volume 20, Issue 01, April 2015, pp 99-104 doi: 10.1017/S135577181400048X, Published online by Cambridge University Press 05 Mar 2015 Paradigm Shifts and Electroacoustic Music: Some personal reflections Barry Truax Organised Sound, Volume 20, Issue 01, April 2015, pp 105-110 doi: 10.1017/S1355771814000491, Published online by Cambridge University Press 05 Mar 2015 Hugh Daviess Electronic Music Documentation 19611968 James Mooney Organised Sound, Volume 20, Issue 01, April 2015, pp 111-121 doi: 10.1017/S1355771814000521, Published online by Cambridge University Press 05 Mar 2015 The UbuWeb Electronic Music Corpus: An MIR investigation of a historical database Nick Collins Organised Sound, Volume 20, Issue 01, April 2015, pp 122-134 doi: 10.1017/S1355771814000533, Published online by Cambridge University Press 05 Mar 2015 Douglas Kahn. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts.Berkeley: University of California Press, 2013. ISBN:978-052025-755-9 Christopher Haworth Organised Sound, Volume 20, Issue 01, April 2015, pp 135-138 doi: 10.1017/S1355771814000508, Published online by Cambridge University Press 05 Mar 2015 Briefly mentioned. Franois Delalande, Analyser la musique, pourquoi, comment? [Music analysis why, how?]. Paris: INA ditions: Collection Ina EXPERT, 2013. ISBN: 978-2-86938-201-5 Ricciarda Belgiojoso, Constructing Urban Space with Sounds and Music. Farnham and Burlington, VT: Ashgate, 2014. ISBN: 978-1-47242-464-8 (hardcover); 978-1-47242-465-5 (eBook PDF); 978-1-47242-466-2 (eBook ePUB) Organised Sound, Volume 20, Issue 01, April 2015, pp 139-140 doi: 10.1017/S135577181400051X, Published online by Cambridge University Press 05 Mar 2015
OSO volume 20 issue 1 Cover and Front matter
Organised Sound, Volume 20, Issue 01, April 2015, pp f1-f2 doi: 10.1017/S1355771814000545, Published online by Cambridge University Press 05 Mar 2015
OSO volume 20 issue 1 Cover and Back matter
Organised Sound, Volume 20, Issue 01, April 2015, pp b1-b2 doi: 10.1017/S1355771814000557, Published online by Cambridge University Press 05 Mar 2015
Dark Psychology & Manipulation: Discover How To Analyze People and Master Human Behaviour Using Emotional Influence Techniques, Body Language Secrets, Covert NLP, Speed Reading, and Hypnosis.
Raising Mentally Strong Kids: How to Combine the Power of Neuroscience with Love and Logic to Grow Confident, Kind, Responsible, and Resilient Children and Young Adults
Empath: The Survival Guide For Highly Sensitive People: Protect Yourself From Narcissists & Toxic Relationships. Discover How to Stop Absorbing Other People's Pain