Add wa TAR To Your Repertoire Taught by — i Aaron Gilmartin DyD hy Jalelunlsta laRIG LMM AO SY Leds GUITAR Add Brazilian Sounds To Your Repertoire joltle lal oh am 4 Aaron Gilmartin ee Music and tab enclosed BUCK ah eae Ree cdl Un ce oh) guitar has permeated the musical landscape for fifty years, influencing singers, instrumentalists Ee Rolle aie alee o a aR olde MEET 1 Rola) PCRs ea eh are tune Cee hutcnnchec ee kel Cec etic Pec ein mee ae ore PUR ree Pier Meee Ce ees eae Me ae Rai kt ia Cem eld eet en te ce here) along with invaluable guitar advice and musical Pare celot Ma Melo Ue a aoe ian eelae es DE lle Male Rul eee oR oltre RRs le} Arla elcol leer RU Rem lm ol) Ll) nea eecicaee nek acy putting it into a present day singer/songwriter ons ceil coe Rue rats) Dn tet ii ee cuticn ar! ee ee eae tinct Reet goo ARUN ae CR RG Cit el ecru cd for Girl From Ipanema, Black Orpheus, Desafinado ST Rr mC elke Deets enol Rar asd Pieces ts ear nents Visit our website or call for a free catalog listing hundreds of lessons on DVD and CD: U.S.$ 29.95 Homespun Tapes, Box 340, Woodstock, NY 12498 845-246-2550 or 1-800-338-2737 wa | ll | Pee tai 8 8408 egal me Cre ee ean ome) H Bal 4 ) Py Jaleluatssia a ce ee PESTangina by Aaron GihnartinGia asty — Stuhr Chaeaxressions Sti ampening AiSCio Reetionetiss Gating tient Ants ans PragessionayAtory Warp ventas Stumm Samra) Yan ‘urna is Gag <<] (WATER TD)Basic Chord Progression With FourNote Chords With Three Note Chords Co et ee Be, ee eee eee Chords Shapes Similar to Familiar Chords 7m SimtortoC7 Fina? Smart Am ———_—BY Sirier a Fin cS GS we ee Bey Bae in r r r r —F Fr 4 3 + 4 7 4 = i : t 7 t z 7 Substitution for C7 C7 and G7 shee two nto so. neand of playing CT @H-V.._youean substitute G7 we ee cJazz Harmonies Colorful jazz-harmony extensions are bossa nova’ foundation When you see 3 progression, inetd of paying thet, & ke i 2. Basic Bossa Nova Rhythms Bass Line cn oy Fo cute ? T 2 Bosic Rhythm gs 1@e@ 2 me —— I >Rhythm Variation (i first and third measures) oor ‘Gs? rir oe "e 3 Sh T Count: 160. @) 7 OQ MOD e2 1H)e@ id ea ese 2e@o —t eT 3 7. z 7 2 2 = 7 2. z 4 $ z —— Breaking Down the Rhythm Variation Practice Rhythm on Second Halfof Measure Practice ThumbFingore Practice Fingers-Thum a7 Gr? cnr rf t ceowt 7 wt Gan? Rhythm Variation (in all measures) Gn? Gi pou?Fall Variation with Syneopated Pickup Gu GY Ee os ft i a iE “Dampening Practice Chord Change with Dampening Ga Rongendnatthand demon {chord Progression with Dampening FH wea te es Leelee f—3Turnarounds Turnaround 1 Chords Turnaround 1 with Rhythm age an 7 Dee pee gat ah -Progression Play Along Verse Progression rar meooem ‘Verse Progression with Turnaround ze sd Se era“The LV Relationship The iV commonly Our progression substtutoe CChord Relationships in Our Progression revolves for for Vin aie Fa Ger cum Gar cy gat "Glam a 2 2 2 Intros and Vamps Intro/Vamp Chords Intro/Vamp with D7 Chord aS ae De Bae de x Be Be, oe sien 4 i 7 zl Guid. chonge nsonome alc change nteanp Sia Chrd cibbrctea & az Ambe © Au Duby ve feeIntroduction for "Manha de Carnival” a feed, Se SoBe, Ee, Ae Mek if Bam aware ee oer a rent ie. 7——o 1s. Amana) ! 2 Ast) AeHold the Place Compose by Aeron Gilertin nd Dorothy Potter ‘bed Ferra Mane ASS Une Perce Into Cr eee ae wit necomm 5070-19-01 pe. reyDp? cz pay Ey commingoe Foy? Fe ie ie fal of D oa aeGm cr Re D?, Gt iit T ead mow aang wen youre gon 7 wut mad1 Thave seen the world across the waters Sofle Tm coming back to your door Ani flom ths moment you can see the fue ‘And from this moment ino: what e=me before My lifes fall oflving full of people ‘Butme find my love i just ove face Sofia says to iy int be sky And she wl stay at home, be at home ‘he say dling while you're gone I will hold the place 2 Ihave found a eld of lovely flowers Bur only one blossom bods wy gaze ‘The sea tay horse ides the aight sky ‘Ani every sta in heaven tes er shape Sofia gives het ligt to so many people And each can see bet light in just ome face Sofia fl into ble ky [And I wll ty atime, beat home [sid daling while you're gone I wl hold the place [sid now darling while you're goue [wal bold the place Transcription: Andrew DuBrock Inscription: Andrew DuBrock 3B