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Thisintroductorydocumentdescribesaccentsinthepopularvedictraditions(gvedakhsand
taittiryakh).Itassumesthatthereaderisabletochantafewmantrasfromanaccentedtext.
Foursoundsinvedictexts
Therearefourprimarysoundsheardinvedicmantras,exemplifiedinthefamousversegantv
Accent
Marking
Example
Pitch
anudtta
underbar
Low
udtta
none
, , ,
Normal
svarita
overbar
High
drghasvarita
doubleoverbar
Normal+High
Primaryudttas
Technically,notallwovelsofthemiddlepitchareudttas.Somevowelsaretrueindependentudttas.
Othershappentobeanudttaswhicharepronouncedlikeudttasaftersomeaccentchanges.
Primaryindependentudttaswhichcauseaccentchangesinothervowelsareudttas.Secondary
dependantanudttaaccents,whichhappentobepronouncedjustlikeaudttaaftersomeaccent
changesarecalledpracaya.1
Atrueudttacausesthevowelthatprecedesittobepronouncedwithalowerpitch.Italsocausesthe
vowelthatfollowsittobepronouncedwithahigherpitch.Therearesomeexceptions,butoneofthe
twoisalmostalwaystrue.
Letuslookatourexampleonceagain,focusingonalltheudttas(vowelsofnormalpitchwhichare
unmarkedinthemaintext).Letustrytodetermineiftheseareudttasorpracayas.
Othervariantssuchassannataraaccentsareomittedhere.
Preceded
by
Normal
Pitch
Vowel
Followed
by
Normalpitchprecededbylowpitch,OR
normalpitchfollowedbyhighpitch?
Accent
udtta
pracaya
udtta
pracaya
Thetrueindependentudttaisthekeytothevedicaccentsystem.Startingfromtheudtta,wecan
accenttheremainderofthetextaccordingtothefollowingtwoprimaryrules,appliedinorder:
1. Allunmarkednonudattavowelsthatimmediatelyprecedetheudttaaretobemarkedas
anudtta(underbar)
2. Allremainingunmarkednonudattavowelsthatimmediatelyfollowtheudttaarechangedtoa
svaritaandmarkedappropriately(overbar)
Step
Text(primaryudttainred)
(Note:longvowelsvaritaslikeoftenbecomebecomedrghasvaritas.Thisisdescribedlater)
Letustakeanotherexample:
Step
Text(primaryudttainred)
Thenextexamplerequiresoneadditionalstep
3. Afterapplyingsteps1and2,anyleadingunmarkednonudattavowelsaremarkedasanudtta.
(i.e.startingfromthebeginning,markallvowelsasanudttawithanunderbaruntilyoureach
thefirstmarkedvovel,oruntilyoureachthefirstunmarkedudtta)
Step
Text(primaryudttainred)
AccentSummary
Letussummarizewhatwehaveseenthusfar:
Step
0
1
Accents
Thetextconsistsofindependentudttasinred.Everythingelsewasananudtta.
Unmarkedanudttaswhichprecededanudttaweremarkedwithanunderbar.
Unmarkedanudttaswhichfollowedanudttawerechangedtosvaritaandmarkedwith
2
anoverbar.
3
Allleadinganudttasinthetextweremarkedwithanunderbar
Note:Allunmarkedanudttasthatfollowedasvarita(afterstep2)wereleftasis.i.e.theyarepracaya
accents,andarepronouncedjustlikeudttas.
Exercises
Determinethefinalformforeachofthemantraselectionsbelow:
1.
2.
3
3.
4.
5.
6.
Accentsandsvaha
Manysdhakasperformhoma(orotheragnikrya)withvedicmantras,byaddingsvhtothemantra.
Inthesecases,thesamesvararulesthatwehaveseenthusfarwillapply.Nonewrulesarerequired2!
Fromtheperspectiveofaddingsvh,wecanrestatewhatweknow:
Ifthevowelthatprecedesthewordsvhwasananudttathatchangedtoasvaritaorudtta,
itwillchangebacktoananudtta.
Note:Itfollowsthatindependentsvaras(likeudtta)willremainunchanged.
Examples:
Intheexampleabove,ma3musthavebeenananudtta.Ifitwasoriginallyanudtta,thevowelthat
precedesit(i.e.ta)wouldhavebecomeananudtta.Sinceitwasoriginallyananudtta,itwillonce
againbecomeananudttabeforesvaah.
Intheexampleabove,lamusthaveoriginallybeenanudtta.Thus,thevowelthatprecedesit(gu)
hasbecomeananudtta.Anindepedentudttawillnotchange,andlaremainsasitbeforesvh.
Again,thelongvowelsvaritahherehasbecomeadrghasvarita.Thisisdescribedlater.
Accentsonlyapplytovowels.Thus,inma,weareonlyreferringtoa.Forclarity,theconsonantthatprecedes
itisalsoshownwithinthequotes.
3
Intheexampleabove,naisanudttaandmawasananudttawhichchangedtoasvarita.Thus,
mawillchangebacktoananudttabeforesvh.
Splittingamantra
Letuslookatoneofthemantrasfromtherudraprana:
Thetaittiryakhconsistsofmanylonganuvkassuchastheoneabove.Ifweareunabletochant
theminasinglebreath,andpauseinbetween,wemustalsomakesuretochangethesvarasaccordingly.
Forexample,theportionaboveiscommonlythoughttocontainfourseparatemantras,asshownbelow:
Eachmantraendswithanamo,andweknowthathenaisanindependentanudtta(sinceitis
precededbyananudttaye).Actually,thefinalwordisnamawhichhaschangedtonamodue
tostandardSanskritsandhirules.Thus,ifwewanttosplitthisinto4separatemantras,orwewishto
takeabreathwhilechantingthislongmantra,wechant:
Thus,theaccenthaschangedfromananudttatoanudtta.Manyvedicscholarsalwayssplitthese
longanuvakasinthiswayinordertoavoidsvararelatedmistakes.
Part2:viktisandadvancedaccents
Viktis
Afterlearningtheprimarysahittext,vedicscholarslearndifferentpatternsofthetext.4Themost
popularpatternsareshownbelow:
Name
sahit
pada
krama
ja
TextualPattern
1234
1|2|3|4|
12|23|34|
122112|233223|344334|
ghana
1221123321123|2332234432234|
Visualization
12
12
21
12
12
21
123
321
123
Note
Thefirstpartofkramaispada
Thefirstpartofjathaiskrama
Thefirstpartofghanaisjatha
Thesahit,padaandkramapatternsarenaturalpatterns,becausethetextisalwaysreadina
forwardsdirection(i.e.fromlefttoright).Thejahaandghanapatternsareartificialpatterns,because
thetextisreadbothforwardsandbackwards.
Note:itiscommonlyknownthatwordorderdoesnotmatterinSanskrit.Thisisonlypartiallytrue,and
therearemanycasesinwhichwordorderdoesmatter.Onesimpleexampleisgivenbelow:
OnlyIsaluteGaapati
IsaluteonlyGaapati
IdoindeedsaluteGaapati
Backtothetopicathand,letuslookathowthevariationsworkswiththetextualportionhavmahe
kavikavnfromourexamplemantra.Fromthepatternsdescribedearlier,wevesimplyreplaced1
withhavmahe,2withkaviand3withkavn.Withthisparticularselection,thereareno
mandatorysandhirules,whichmakesthisexerciserelativelysimple.
Frompadaphaonwards,therearealsosomeadditionalfeatures(e.g.thecomponentsofcompoundwordsare
shown).Thesearedescribedlater.
sahit
pada
krama
ja
ghana
Accentsandviktis
Theaccentrulesthatwehavestudiedapplytoallthevariations(likekrama,jahaetc).Startingwiththe
modifiedtexts,youcanyourselfapplytheruleslistedearliertogettothefinaltextbelow.
sahit
pada
krama
jaha
ghana
Jtyasvarita
Untilnow,everysvaritathatwehaveseenwasananudttathatchangedtoasvaritabecauseit
immediatelyfollowedanudtta.However,somesvaritasareformeddifferently.
Thejtyasvaritaswhichareeasiesttorecognizearethoseatthebeginningofasentence,andthosethat
immediatelyfollowananudtta(seethefirsttwoexamplesbelow).Wecannotgeneratesuchsvaritas
withtherulesthatwehaveseenthusfar,becausetheyarenotimmediatelyprecededbyudtta.
Rule#1:udtta+anudttawhichresultsinyasandhi(y,r,l,v)resultsinjtyasvaritaknownaskaipra
Rule#2:udtta+anudtta(replacedbysinglevowel)resultsinjtyasvaritaknownaspraliha
Rule#3:udtta+anudttaresultinginavagraharesultsinjtyasvaritaknownasabhinihita5
Sometimesthejtyasvaritaisapartofasingleword(havingoccurredintheformationoftheword
itself).Thus,itneednotbetheresultofwordcombinations.
Note:thesvaritaintheexamplesbelowalonghappenstobeelongatedasdescribedinalatersection
Note:inthetaittiryatradition,allsvaritas(jtyaornonjtya)arerenderedinthesameway.Intheg
vedatradition,thepronounciationofthekaipraandpralihasvaritaaccentsdiffer.Thus,theyarealso
markeddifferentlyinthetexts,asshownbelow:
Elongatedsvarita
Inthegvedastyle,anysvaritaonalongvowelispronouncedasadrghasvarita(doublebar).
Thetaittiryastyleismorerestrictive.Thedrghasvaritaoccursunderanyofthefollowingconditions:
1. alongvoweldependentsvaritaisfollowedbyaconjuctletter
2. alongvoweldepedentsvaritaisfollowedbyavisarga
3. alongvoweldependentsvaritaoccursattheendofthephrase
10
4. ashortvoweldependentsvaritaoccursattheendofthephrase,followedbyananusvra
Thewordsvhiselongatedbecauseitisusuallyfoundattheendofaphrase.Andwhenthisisnot
true,itlosesitselongationinthetaittiryatraditionasshownbelow:
Featuresofthepadapha
Inthepada,kramaandghanareadings,thereareadditionallines,whichdonotfollowthepattern
describedearlier.Thesecanbeidentifiedbythepresenceoftheworditi.Forexample,thetaittirya
gantvmantrahastheseextralines:
gaapatimisacompoundwordconsistingofgaaand
patim
describestheinternalformationofthesingleword
upamaravastamam
jyeharjamisacompoundwordconsistingofjyehaand
rjam
describestheinternalformationofthesinglewordtibhi
sdanamisthelastwordinthemantra
Theprimarypurposeoftheseextralinesinthepadaphaistodescribesomecompoundwordslike
gaapatimandtheendofmantramarkerslikesdanam.Insomecases,theinternalformationof
11
wordsliketibhiisalsodescribed.Thisissolelyduetothepeculiaritiesofthesanskritderivational
grammer6,andreallydoesntbelonginthepadapha.
Inalloftheselines,thewordisdescribedtwiceonbothsidesoftheworditi.Ontheleftside,itis
foundasis.Ontherightside,itisdividedintothetwoconstituentparts.Theworditiitselfisaccented
asshownbelow:
Therearetwostylesofdividingwordsintotwoconstituentparts.Onestyleresetsthesvaraafterthe
firstconstituentpart(i.e.treatsthesecondconstituentpartasaseparatephrase).Anotherstyledoes
notresetthesvara,thoughitpausesbetweenthewords.Thisisshownbelow:
Sandhirulesalsoapplyintheworddivision.Forexample:
Thepadaphaalsoresetssomeofthelibertiestakeninthesahittext.Thetextseenbyaiis
alwaysorrect.Whenitdoesnotfollowthepopularpninyangrammar,itisunderstoodasis
privelege.Someexamplesofthisarebelow:
Intheformationoftibih,tiisalsoconsideredtobeawordaccordingtopinisgrammar.
12
Part3:Critique&Discussion
Anusvrachanges(gum)
Inthetaittiriyastyle,theanusvrachangestoadifferentnasalbefore,,s,handr7andisheardlike
somethingresemblinggum.Forexample:
Andwhentheanusvraisalsofollowedbyaconjunctletter,adifferentsymbolisused.Thisis
pronouncedlikesomethingresemblinggus.
However,thisentiresystemofanusvrareplacementsisflawed,becauseithasintroducedanewvowel.
Thisiscrystalclearinmoderntypesettinglikethefollowing:
Thisisnotexhaustive.Forexample,tathlok{n}akalpayan.
13
Inthefirstexampleabove,thesvaritahasmovedfromytothenewlyintroducedvowel.Inthe
secondexampleabove,weseethatthefirstranolongerhasasvaritaithasalsomovedontothe
newlyintroducedvowel.Eventhefinaldrghasvaritahassubtlymovedontotheanusvra!
Wecancontrastthiswithataittiryatraditioninmahrra,wherethesamereplacmentoccurs.
However,typesettingputsthesvaraonthevowels,i.e.theanusvraisstilltreatedlikeananusvra,and
nonewvowelisintroduced.
Extravowels
Sinceaccentscanonlyberenderedonvowels,wecanfindsomecommonpronounciationproblemsby
lookingforplaceswhereanextraaccentisadded,orplaceswheretheaccentshiftswithout
justification.
Asshownabove,therepha(halfr)issometimespronouncedasastandaloneconsonantwithitsown
vowel.Itevengetsitsveryownaccentinthesecondexample!
Similarly,thesvaritaaccentonthelastvowelofaphraseisoftentransferredtothefollowingconsonant
(whichisalsoduplicated).Unfortunately,thiscanonlybepronouncedalongwithanewlyintroduced
vowel(usuallyana).
14
Thesameproblemcanalsobeseenwiththedrghasvaritaonavisargaattheendofaphrase.Thereisa
significantdifferencebetweenthepronounciationofthevisargaintheexamplesabove.Ontheright
handside,anentireaorvowelisusuallyaddedafterthevisarga.
Inallofthesecases,anadditionalvowelhasbeenintroduced,andthecommonpracticeistoaccent
thesenewvowels!Thissimplycannotbecorrect,asitwouldreflectamajorinconsistencyinthevedic
accentsystem.
Cominglingofrecitationstyles
Itisquitecommonforadherentsofaparticularvedakhtousesomemantrasfromanotherkh.
Thishasgivenrisetoasituationwherethepronounciationfollowsneithertheoriginalkhnorthe
chanterskh!
Themantraaboveisfromthegveda,andiscommonlychantedalongwiththerudraprana.The
sourceisclearsvaritaswhicharenotfollowedbyconjunctlettershavebeenelongated.However,
anusvrareplacementhasoccurredaswell!Anotherexampleisshownbelow:
Thiskindofpartialadherenceisunfortunate.Itwouldbebettertosticktoeithertheoriginalsource
chantingstyle,orcompletelyadoptthetargetchantingstyle.
Note:theproblemdoesnotdisappearbyleavingtheanusvraasis.Thereareotherdifferencesinthe
chantingstyles.Forexample,thereisusuallyanelongationofthenormalsvaritaofgvedinswhen
comparedtothetaittiryarenderingofthesamepassage.
Modernvedictexts
Therearesomevedicselectionswhichdontfollowtheaccentmethoddescribedinthisdocument,in
spiteofbeingattachedtokhsthatfollowthissystem.Thesimplestwaytoidentifytheseselectionsis
tolookforaseriesofmarkedanudttasinthemiddleofthetext(i.e.theydonotoccuratthebeginning
ofaphrase).Forexample:
nryaaskta
rskta
15
Note:thereisalesspopularSouthIndianaccentedrecension(drviapha)ofthersktawhichdoes
nothavethisproblem.
Textswhichhavethisfeaturehaveprobablylosttheiraccents.Morethanlikely,anunaccentedtextwas
found,andthetraditionwasrevivedinthepast.Intime,normallokaintonationshaveprobablybeen
mistakenforrealvedicsvaras.
Svarasandthe7tones
1
2
3
4
5
6
7
tone
aja
abha
gndhra
madhyama
pacama
dhaivata
nidha
note
sa
g
ma
pa
dha
ni
taittirya(theory)
anudtta
udtta
pracaya
svarita
taittirya(practice)
anudtta
udtta/pracaya
svarita
Thevedicsystemiscomposedof7equallyspacedtones(fromajatonidha),asheardinsmaveda
khs.Thetaittiryaaccentsystemistheoreticallycomposedoffourtones.Notably,theudttaand
pracayaaccentsaresaidtobeonetoneapart,thoughtheyareindistinguishableincurrenttraditions.
Thecurrenttaittiryatraditioniscomposedofonlythreetones.
16
Part4:Thevariousviktis
Inadditiontopadaandkrama,eightpopularviktisofthesahittextaregivenintheshlokabelow:
jamlikhrekhdhvajodaorathoghana.
aauviktayaproktkramaprvomaharibhi..
Name
pada
krama
ja
Sahit
123
123
123
ml
123
(krama)
sihkh
123
ghana
123
ml
123789
(pupa)
dhvaja
123789
daa
12345
rekh
123456
Patterm
1|2|3|
12|23|
122112|
233223|
344334|
12|21|12|
23|32|23|
23|43|34|
1221123|
2332234|
3443345|
1221123321123|
2332234432234|
3443345543345|
12|98|
23|87|
34|76|
78|32|
89|21
12|89|
23|78|
34|67|
78|23|
89|12
12|21|
12|23|321|
12|23|34|4321|
12|23|34|45|54321|...
12 | 21 |12|
234 | 432 |23|
3456 | 6543 |34|
45678|87654|45|
567890|098765|56|
17
Visualization
1
12
12
21
12
12
21
12
12
21
123
12
21
123
321
123
12|98
23|87
34|76
78|32
89|21
12|89
23|78
34|67
78|23
89|12
12
23
34
45
54321
Note
Thefirstpartof
jathaiskrama
jahawithbreaks
aftereachpair
jahafollowedby
thenextword
Thefirstpartof
ghanaisjatha/
sihkh
Forwardsand
backwards
Pairs,forwardsand
backwards
ratha
12345678 12|56|
21|65|
12|56|
23|67|
321|765|
12|56|
23|67|
34|78|
4321|8765
Takingthe4thwordofamantra,wefindthefollowinguniquesequences:
SequenceLength Sequence
Examplevikti
1
4
pada
krama
34
krama
45
ja
2
44
ja
43
ja
54
ghana
234
ghana
345
ghana
456
3
ghana
432
ghana
543
ghana
654
3456
rekh
4
4321
daa
rekh
45678
daa
5
54321
daa
654321
sahit
18
simultaeousdaa
oftwohalves
padam
mala
19
References
svaramajarbytryambakabalavantaabhayakar(withpartialtranslation):
http://sanskritdocuments.org/all_pdf/svaramanj.pdf
vedicaccentsbycharleswikner:
http://www.evertype.com/standards/iso10646/pdf/vedic/Vedic_accents_doc.pdf
svaritaaccentsbyvidyankarsundarean:
http://www.advaitavedanta.org/archives/advaital/2009February/021338.html
amonographonthesvarasofthetaittiryakayajurvedabyshriramanasharma:
http://www.sanskritweb.net/sansdocs/svaras.pdf
apracticalguidetosvarasinvedicrecitationbyaravind
http://manasataramgini.files.wordpress.com/2008/09/svaras_new.pdf
http://academic.brooklyn.cuny.edu/music/dcohen/coremusic/fall2009/veda.html
vaidikasvarammsbyyudhihirammsaka
vaidikasvarabodhabyvrajabihrcaube
20