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E.R. 110 P. LOCATELLI LARTE DEL VIOLINO VENTICINQUE CAPRICCI TOLTI DAI DODICI CONCERTI, OP. 3, PER VIOLINO SOLO EDIZIUNE SVILUMPATA, RIVEDUIA DETEGGIATA DA ROMEO FRANZONI PROFESSORE NEI. CUNSHRVATORIO DE MUSICA DI PARMA ITALIANO FRANCAIS (SH TEXT. G. RICORDIE C. MILANO ~ ROMA~ NAPOLI ~ PALERMO - LONDRA LIPSIA ~ BUENOS-AIRES PARIS - SOC ANON. DES EDITIONS RICORDI NEW-YORK - G. RICORDI E CO. INC. eoreier weak, rn ReaD © 8) PREFAZIONE | PREFACE PREFACE Pochi sono i paricolar che si co-| Ot connatt ris feu de dele sur | So few particulars are known of poscono. intomna alla vita ei Pietro | de aie de Pietro Locatelli: ne pouvant | the life of Pietro Locate ‘inet i Locatelli; © petid, son esendo pos-| presenter au Zceur nian erat por | imposible to present a reliable pore sible presentare al lettore un vero | frit nf ne complte biographie de ce | Wait of the great violinist, much Tess cy gue grane tt | rnd nie” nus ne tone | * gate Sogn ogra limteremo aia soles See dak Tad er fhe comms @| a short acount of the beth razione delle circostanze pit cono- | 7 Aewent se résumer ew circumstances relating to him. aeiute che possono riassumersi in | Pletco Locatelli nagu & Bergamo | “"Hle was born in Hecpany ia 1699, Poche parle 1899+ it fut cove de Corelli mais | He began the reddy of he Vala eh Pietro Local nacque a Bergamo | das pendant longtemps, on qu'a a | Corelle but the musaber of te ees wale Sh Ces ESS | mar ean wie nt | feed oy ted wen fon pote revere che un numero li | ans fvine. Ler grandes quaites d’au | deprived him of his great teacher rita di lesion, poich all epoca della | dace ot originate dont i tat! due | When he was oly sesh years age. morte di quel grande, egli non aveva | /'e/oientrent ‘Beaucoup de Ia manitre roe ee cheat etme Botto'd ala | mates noe se mi | EY and stg son ced ute ala tre del aoa | eons noes, ef emp les dau |#E the andy of is mater stro; iventd “nuove combinazions, | Me §8~ Sei Sonate a tre per due Violini © Basso (1736). 1 = 12 Sonate per Vielino Basso (1737). + 7 ~ 6 Concerti a quattro (1742). » BH Tersetti per due Violini & Basso (1742) (Patigi, 2° ed. 1750). » 9 L’Arte di nuova modula ione(?). » 104 ~ Concerto armonico. ~ Con La Maisen Ricordi fait paraitre celle premiire dition italienne dans le bul de dechifirer les nombreux signes abréviations gue contient cate euvre, ef d'en faciliter Vexéeution par sno sorupuleuse transcription, Des signes précis pour le doight ef pour let coupe Varchet seront de préciowce anciliaives 4 etude de cette exvre admirable, modile wyaiment incomparable de mé- canisme de la main gauche et de Uar- chet de violoniste, Apris avoir beaucoup voyage, Lo- cate s'dlait stable & Amsterdam ob i publia toutes les ausres cities ei Adetcous et ob il monrut en 1764. Sit est bon de connatire et d'dtudior es awores de nos anciens maitres ile. liens, Uétuie des 25 Caprices pour Violen de Locatelli est bien plus utile encore, pacisqu'tls ont servi de guide aux plus grands vilonisee d'ansrefoi. Nous mows trowverons largement com- pensés de notre travail s'il serviva & faire mix connaiire et apprécier Po. riginalite d'un violonite aussi éminent, Parme, Novembre 1917 Rowio Franzoxr G@uvres DE PIBTRO LOCATELLI. Of. 1 = 12 Grands Concertos (Cone corti grasi) (721). sn = Sonates pour Fite et Basse (732). 9g. =LiArt de Vion (13. Con fertos 24. Capries) (733) ¥ ge = 6 Concertos (1735) 2 5. = 6 Sater d trois por dene Visions ef Base (7736). > 6 ~ 12 Somates pour Vielow et Basse (1737). +7 = 6 Sates & quatre (1741) W 8 = Trios por dense Violet of Basse (i742) (Pars 2 bé- tion 2759) 1g. = LtArt dete nowvelte mote lation (1) 10, = Concerto Barmonigue ~ Cow certi a quattro?) ‘ertos & quatre (2). Oe We have in this edition undertaken by the house of Ricordi, developed the innumerable abbreviations of the work, and supplemented an accurate and conscientious transcription with indications for expression, bowing, and Gngering; to facilitate a most profit. able study of this wonderful work. It offers an incomparable model of violin technic for the mechanism of the left hand, and for the bow-aem. Locatelli, having travelled much, settled in Amsterdam where most of his compositions were originally pub- lished. He died there on 1 April 1764. The study and knowledge of the 25 Caprices by Pietro Locatelli, like that of the works of all the old Italian Masters is undoubtedly desirable, and will algo. be found exceedingly enjoy- able, since they hi served as guide to the greatest violinists of the past. We shall consider ourselves well rewarded for the amount of labour it has entailed, if this edition leads to a better knowledge and appreciation of 50 original and famous a violinist as Locatelli Parma, Novenber 1917. Op. Roo FRanzont. LIST OF WORKS BY PIETRO LOCATELLI = Twelve Grand Concertos (0721) Amsterdam. ~ Sonates for Flute and Bass (0732) Amsterdam, = The Art of the Violin (12 Concertos and 24 Caprices) 733) = ‘Six Concertos (1738). = Six Sonatas for 3 perform- ers (2 Violins and Bass ) 736). = Twelve Sonatas for Violin fand Bass (1737) ‘Six Concertos for Four Per formers (1741). | Trios for two Violins and Bass (1742) (Second Edition 4 Caprices enigmatiques » Pa tis 1750) = The Art of New Modula Contrasts. Con- Certos for Four Performers). P. LOCATELLI ‘ (4698-1764) L ARTE DEL VIOLINO 25 CAPRICCI tolti dai 12 Concerti, Op. 3%, per Violino solo L ART DU VIOLON THE ART OF THE VIOLIN 25 CAPRICES 26 CAPRICES tirés des 12 Concertos, Op.8®* pour Violon seul ‘Taken from the 12 Concertos, Op.8., for Violin solo Edizione sviluppata, riveduta e diteggiata da, ROMEO FRANZONI Allegre moderato 2) = 30 a SS = oa x re : ied <= ores < = # setees Ses o*ess sas oz aj Sasa Ses SF eas Sas See eas eae eae sae Ses Rae SEF Soe SIT Se eases ze eae oe ad _dim. SeH Ee Sas Sasa eee Allegro moderato @ = 88 vn BESyerore ne af, pp? ee segue Aid 5 ore i = = Sere aa ¥ eet Se +. tt Opp ie — i& e re ee gocneed sy of oe | Jom in The . iv ~ cue = ASE jee ae Taal AHO nee Moblin’ NE i al —— BN plea Het Herons ENau " EDN dbf fe Netter ~ aint 10 Molto moderato @-68 T vw ! uu Atlogro «120 OPC >£> 224 SE at £ dim. Fs pees = ia oe 2 ioe a ¥ 2 or =~ IN ete EEE EEN EE eS) | = —| | eet z= oe rs = = a oe etal SS bie Sie i oe =r ign apnea eee Page "SOMPTE POT ann ip SSa eS 16 ‘Allegro vivo @) = 144 17 * = * 18 ak eee. Moderato ¢=50 20 f oe = ~y7 gasps 1 Allegro moderato 2 tr [aes —a — = —H a thaw & 7 (Se SVU Te vee eee 24 Allegro moderato @ = 72 Sostomito v a pie anee sie oY i po y| ie out Teel Bledel Ela” = oe SS Se 3 ‘io: a £ owe oe oe fo £ — 1° - - - 4 eee me ee ity [4 Js er ‘5 ture ‘og = — £ potest tests —_— se Se eel 2 rare £ a Allegro moderato J =60 10. 30 Attogretio o) 148 legreti 14. ae ‘Se ® “ae8) =e 2) e) we CEQ EN Ee! a GED Gk ) Ge8 Tif ae f orese:. Moderato ¢- = 69 _ 7 4 Spies? 35 @ See oF Fe DS Get $53 [Ss + LEE as Gea Ges Peg. BFF. Fee orese. non : AES sae (Sha ae oe ov Watts segue ge, oo ste Allegretto moderato 4 =68 atet 2 2 2 22.2 spiceate 40 ae Allegro moderato. 4 = 80 15. srt 0 Ee a eae Corde = =a] ce 7 = std oe ae ote ¥ = eee Se. = oe SPN i —_ i es = ast ¥ = a, ¥ + ae arte Ea Le SSeS sgt SN ot fer # Moderato @ = 72 a6 ESE, i. = aE reecreceels epee mre aS ae eee core nee Pe = as Alle derate, @ = ogre moder ofe" 8 v @ees oy Fuga d Alley 7 roe ~ ahem id iyi SS eee ee eae Ba 58 Allegro _¢ = 80 “ates DEDEDE DE DEDEDE 2: r .E) fe ) Paribas YE EYE 2) EDEL E EVE fia eeeeecece GARE SE[E[RIRIR(R(#(e SERRE BIRIE(E Loree eters Hl J ens — penn esis is we zie ererererer S22 (e(e SCR TETESAEGE EE V.Posizione Tar eulla 48 Gorda. Fe Sous Sb Te ito vt 2 tor PDE Ne sulla 9° Corda alla I. Posizione Bieter eer ees Bee f\ent~ aN s~ See a Of as = ie, EXP fe £ ome Koel ~é fee Pecteiras fe es eS 7 IL LABIRINTO ARMONICO Le Labyrinthe harmonique The Harmonic Labyrinth Facilis aditus, difficilis exitus. Allegro moderato = 108 LE PEPE Ban tote oteeee f sfapstaeat tat tots at ttt éictems - a pent Entiat , ea = 24a, tie wien 2 2a, fi Gat Eat, aeoesaameucre ery mie? Ve 2a 6 > S04 €, a 4 z ee etal eels tae 88, iy TB TS Searees ‘ os = SEE 121 4Es PHAGaad oe 3 t cr IL LABIRINTO ARMONICO Le Labyrinthe harmonique The HarmonicLabyrinth Facilis aditus, difficilis exitus. SS BEERS GEER) GE fed P - pi pint! Gas snansn 3 as SAS cae eS Bao ot P OPES = De BEER A P a, Gt et rn re 4 BED (BED (ED foe SS od etl oe we r 70 J s92 Allegro moderato sesame Stacento leggero a mess mien 7 Allegro 4} diy taatenfhetee Lesteofbeter fheseelister’ eaters Cadenza originale _ py. Presto Pettsoereeceet ite Get echt Fo 16 ‘This Capriooio is taken from the XII Sonata, op.VI., for Violin and Bass. Questo Capricoio é tolto dal- | Ge Capriccio est tiréde ta XII* 1a XII Sonata,op.VL,per Violino | Sonatesep. VL,pour Violon et Basse. e Basco. ttegro moderato =68 dim: pat At B taglio ad ubitam De BiB coupure ad libitum. P Cut ifdesired trom Ato B. BH os pe Te (eee ee z2 é £ ceiecece ae gd sae SEsecese (E(B (BEER (RCE ~~ wrest 7 et pererere gt eet ————

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