Paper 1: Reading (1 hour 15 minutes) PART TLSal You ore going tread thee extracts which are allconceredin some way wth bulldogs. For (uestons choose the answer (X8,Cor0) which you thik est craing tthe tet. Mark your answerson the separate answer sheet. you take your sata the Globe "Tate ona summer's afternoon In 1600 forthe premiere of Shakespeare's amet, upto a thousand smal “groundings ae jostling for standing oom inthe open-air courtyard at the Front ad sdes ofthe stage, and 2,000, ‘etes-ff fut not necessary beter “steing people may be crammed onto the narow wooden benches ofthe three vetcally stacked galleries topped by 8 ‘hatched roo. The perfomance begins {2pm and ne without an interval ‘hadience patipation is enthusiast ‘with boos for the wicked Claus, Walls at Opbell’s death and unpopular sa performances pelted with unsaleale Negeables Performances are in broad {yeh so actors and audlence are in constant conte, and asides (seripted and ‘i are Frequent. ‘All performances are in contemporary 1 Which ofthese words is used totustrate ater 2 esting ine) sack fine 1) ses ne 20) paper (ine 38) The not-so-sweet smell of: Shakespeare's SUCCESS dress, with costumes rctng the tharcters socal tats rather than historical period The osbest aus may foce have Blonged 1 ee noblemen = Common people are f-ldden by law fo ‘wea Tol aie, so rstoeraticand- Ine-downs often finder way nto theaticel conte toes There are props tnd furniture, and the wooden theatres Tightly painted, but here sno scenery aly beause, with he audience on thee sldes, many woud be unable to se ie With fewer visual elects, the audience faust se thelr agitation more than ‘modem playgors = bped by the wal es with which the crmatists pepper heir work. Seng the play factually more important than bang Many ‘ofthe actors have nateven ha tne to tnemorize ther ines but are reading them from paper ols hence our word rol for ears nce behaviour atthe theatre? 2 Which aspect of theatrical perfooancesin 1600 'semphaszein theta? 1k the act that they badsome sires wih modern theatre 3 thee tat weet malting em erteting c the woyin whch they reece das csions tthe tine Ca 5 theafeencesin the econ of thse incied inter| MNOIGHG Ta Auawaseueu 100d Jo yns~ax st, am sun __omospuds Supping 31sAraaoosip ay} 10y adiz os | ‘yung Jo sajoads Auew ogPal sea nett o om o oO o DB) sen rntapsere agian sini me nat Dna pateesage nnnatn nina sunt on a} o al SE SxYOM, SOWNONV'T S.NSYCUHO IWS | awa