Selective Bibliography of Studies on Hypermeter, Bach through Stravinsky

1981-2014
Anson-Cartwright, Mark. 2009. Temporal Spaces and Thematic Development in
Beethovens Music. Dutch Journal Of Music Theory, volume 14, number 2 (2009) 114125
Botelho, Mauro. 1990. "Meter and the Play of Ambiguity in the 3rd Brandenburg
Concerto." In Theory Only 11(4):1-35 (1990)
Braunschweig, Karl. 2004/2005. Rhetorical Types of Phrase Expansion in the Music of
J. S. Bach. Intgral, Vol. 18/19 (2004/2005), pp. 71-111
Brumbeloe, Joseph. 2000. Patterns and Performance Choices in Selected PerpetualMotion Movements by J. S. Bach. Theory and Practice, Vol. 25 (2000), pp. 1-25
Cohn, Richard. 1992. The Dramatization of Hypermetric Conflicts in the Scherzo of
Beethoven's Ninth Symphony. 19th-Century Music, Vol. 15, No. 3 (Spring, 1992), pp.
188-206

Ito, John Paul. 2014. Kochs Metrical Theory and Mozarts Music: A Corpus Study.
Music Perception Vol. 31, No. 3 (February 2014), pp.205-222
Kohn, Karl. 1981. The Renotation of Polyphonic Music. Musical Quarterly, Vol. 67,
No. 1 (Jan., 1981), pp. 29-49
McClelland, Ryan. 2010. Theoretical and Repertorial Contexts. Pp. 1-20 in Brahms
and the Scherzo: Studies in Musical Narrative. Surrey: Ashgate.
Murphy, Scott. 2009. Metric Cubes in Some Music of Brahms. Journal of Music
Theory 53(1):1-56
Murphy, Scott. 2007. On Metre in the Rondo of Brahms Op. 25. Music Analysis
26(3):323-353
Rodgers, Stephen. 2011. Thinking (and Singing) in Threes: Triple Hypermeter and the
Songs of Fanny Hensel. Music Theory Online Volume 17, Number 1
Samarotto, Frank. 2005. Multiple Voices and Metrical Dramas in Beethovens GoetheSongs, Op.83. Beethoven Forum Fall 2005, Vol. 12, No. 2, pp. 151175
Shirley, Jennifer Rae. 2007. A Taxonomy Of The Local Effects And Affects Of SurfaceLevel Metric Dissonance. M.A. thesis, Louisiana State University.

Smyth, David H. 1992. Patterning Beyond Hypermeter. College Music Symposium

32:79-98
Temperley, David. 2008. Hypermetrical Transitions. Music Theory Spectrum 30:305325
Willner, Channan. 1998. Stress and Counterstress: Accentual Conflict and
Reconciliation in J. S. Bach's Instrumental Works. Music Theory Spectrum, Vol. 20, No.
2 (Autumn, 1998), pp. 280-304
van den Toorn, Pieter C., and John McGinness. 2012. Meter and metrical displacement
in Stravinsky. Pp. 13-41 in Stravinsky and the Russian Period: Sound and Legacy of a
Musical Idiom. Cambridge University Press.