, Not too slow (sostenuto) ee 3 CHRIS: 4 ‘Why does ,Sai-gon ne-ver sleep at night? — Why does this git smell of o-range trees? — a 2 < How can | feel good when no-thing’s right? — Why is she cool when there is no breeze? — Vi-et- ee ee ee ee ee Oe ee eG.0 - ay wou, vray: (MISS SAIGON= ro-thing left — here that 1M miss — Why send me now a night tke this? +3 1 atempo Who is the gif in this must -y bed? — Winy i her vice ang-ing In my head? — Why am I back in a filthy room? — Why am I high on her cheap perfume? — Vi-et- AMRARRERRAATHTAMananaanenrenearanrenwnnn mn = -Pao. Vor. 6- Why God, Why? a (MISS SAIGON© Faster ‘HEAR HELICOPTER ARR ype sf ——— x 2 (©- Why God, Why? MISS SAIGON AAAARAAARAAAHAARAAHARARARHRAERAARERARHAERARARAAEDPao. Voc. ‘When I went home before — ” sup erese. poco a poco 6- Way Goa, way: Noone talked of the war What they knew from T.V. ={went back and re-upped — Sure Sai-gon is cor-rupt sub. perese. poco a poco 0 way Goa, Ways t felt bet-tor to be MISS SAIGON AARAERAARRHHKRHARKARHARR EAR ARM R ARR ARMM Mmmm wm OmPao. Voc. 6- Why God, Why? oo 3», aA ‘Just as long as you dont be-lieve an-y-thing Se o A {molto rall. — oo sLento (very gentle) PP ag, Tempo primo; solemnly Why Goa? Wy this face? —ed my mem-"ies as they were — but (MISS SAIGON