Thank you for buying Chris Hein Horns Vol.1 This document provides you with some useful nieuwe ‘ about key-switches and midi-controllers. See the manual for detailed informations. RECORDING AND PROGRAMMING BY CHRIS HEIN MORE INFORMATIONS, NEWS & UPDATES: WWW.CHRISHEIN.NETwt a i a i a ar en _ o @ PEE teen: 220 et Raid ior) Noe ee te LETE Te uL tLe oe Tet) Ne een ‘Keyswitching’ is an elegant means of enabling the user to directly and imme- COMO cCut seach count enum eentcet scamatcc Perce MO ce Mecca Mee UcunecMccas hisculee ne Col oa Mur lae Ra aed oe abe WACO ele ka eae Delt The keyswitches themselves are exclusively controller keys. They make no sound, but instead are used to switch the entire group of samples which the a Mv) Ree 1 DCNet) Usually key-switches just switch between different fixed articulations or other CRMC RUC CoM UReT EM TRU councilors ch SCM ones e code Ch Ure tacos cies cuss 18 Key-Switch presets are available. The KS-Presets are allocated to CO - F1, MU Cea Ca ica MI cme ccoh yacht] any actual instrument notes. The switchover occurs instantly without any time lag. Pressing a key between CO and F1 on your keyboard has the same effect as turning the KS-Preset knob in the GUI. You can also assign the KS-Presets to any midi controller in the CC-Settings page (see page 18). The selected articulation is displayed on the left side of the GUI. All parameters on the Penee seca oa mn OMI Meececale mc seme beneR cle cec line) are adjustable parameters which are stored in the KS-Presets. If you make UCC Mme ee UCM Iacucre Mclaren Mmcclc Munir eS a(S a ORR Am N UL A eae RA ALORN i SSW Leelee echieltts TT Pec Mo Poo ie) PeNm ici ee These are the default KeySwitch Presets. Its just a suggestion. | strongly recommend that you experiment with different settings to create your favorite keyboard layout. One reason for adapting the KeySwitch presets to your own requirements, is that there are more articulations available than KS- to Ceo gC AR (ee) ole MeN RRO) eR ol) default preset. LCM ae elie) Speed-Control Legato Bae co Sustain Sustain Speed Legato Glide-Mode or seetiyy Sus3 Long ieee) celia iets [oles Tet in) Sustain Speed Bending Glide-Mode [oy mest) Sustain Speed Pickup Glide-Mode EO Shortt Short2 Off Lalelle} a snl cS iTelaa Off Hold Literate) Sustain Speed Legato Glide-Mode c(i del coma Esi(- 10} Sustain Speed Legato Glide-Mode et RS It ln) Sustain Speed Run Up/Down Glide-Mode ree WNUyP Siecle me ecer) elise ese) A#0 Crescendo Off Off Laelfe} BO Swell eis Off Lalolfe} (on Un olag celia leia Hold C#1 Fall Long Off Legato Lale)(e) D1 Doit Off Off Hold D#1 Flutter Tounge Off sali aa Col [ale oll) 1 A eli Shake/Triller Hold Ls Leann oii earl ais laled[o} Fae Cog G1 Hotkey Cet sae A1_ Hotkey PY a Mle eT meeePee) eae} every control function can be assigned to the Mod- wheel Q@PRitchwheel, ensuring that the user always has his wlliecncas ce Mul Ree ere MRE Reo aie oe Note that if you change the wheel or pedal settings after you Pitchbend Down have used them to record controller information into your Pn mCa ncn aeccnakcnn eisai icles) Reece ROM Macs ices ee Peeters eer nce eee Ere Cd ea aC peepee ee eed Peer) coe Re Mak ees i) Coe Aen OSA Tea Ts} Every function in CHH can be assigned to any MIDI Controller. This window shows a list of the pre-programmed functions. To change a CC setting, just select the MIDI-CC you want to change in the "Select Controller" window, then select the function you want to assign it to from the feature drop-down TS eae mel aT a Sie eure curke ucla Cecio R unc C in UR Z to assign while on this screen. The "Select Controller"display will jump to the CC that is currently assigned to that fader or knob. Then you can proceed by selecting a function to assign to that controller from the drop-down menu. eee) You can limit the range of the controller according to a certain percentage of the original controller range by using the "from" and "to" sliders. Choosing negative values reverses the controller's effect.RealVibrato LFO-Vibratow™ GlideSpeed CrescendoSpeed Volume Tune il) Attack Decay Sustain Soe) esr) Growl Top Kicks /Spit PST) tT xls iatoag aaa ielat LON Pa\sclel ala Amalia) A emturvG Vibrato Tune Vibrato Volume EQ1 On/Off EQ2 On/Off EQ3 On/Off EQ1 Freq EQ1 BW EQ1 Gain EQ2 Freq EQ2 Bw EQ2 Gain esac] EQ3 BW EQ3 Gain Compressor Ratio Lelie At lLg Compressor Gain Compressor Threshold Flanger Depth Flanger Speed Flanger Feedback Flanger Output Phaser Depth Phaser Speed aC meet Phaser Output ali eT cobs alms oa ne Reverb On/Off Delay On/Off Chorus On/Off Flanger On/Off are Ol O18 Compressor On/Off Reverb Output Leto atcre( Ne aN onsi74-} Reverb Damping Delay Output Delay Time Delay Damping Delay Feedback Chorus Output Chorus Depth Chorus Speed Chorus Phase Convolution On/Off Convolution Dry Convolution Wet Convolution Sample